“
Neil looked down at the key in his hand. "Home," he whispered, needing to hear it aloud. It was a foreign concept to him, an impossible dream. It was frightening and wonderful all at once, and it set his heart racing so fast he thought it'd drum out of his chest. "Welcome home, Neil.
”
”
Nora Sakavic (The Foxhole Court (All for the Game, #1))
“
He turned his head to look full at me, his hair fire-struck with the setting sun, face dark in silhouette. "Twenty-four years ago today, I married ye, Sassenach," he said softly. "I hope ye willna have cause yet to regret it." -Jamie Fraser
”
”
Diana Gabaldon (Drums of Autumn (Outlander, #4))
“
The only time I can ever remember Steven crying over any of it was after my treatment, when I tried to use my foot on his bass drum pedal, and we realized I could never play a drum set.
”
”
Jordan Sonnenblick (After Ever After)
“
No, but . . . what will she eat?”
“I guess I’ll have to find another source of blood. Hmm, who could it be? Let’s see . . .” I drum my fingers against the edge of the table to create suspense. It sure works on Ana, who’s looking at me gape-mouthed. “Who smells good around—”
Lowe’s hand closes around mine. Our wedding bands clink together as he lifts it from the table and sets it in my lap, his grip lingering for a second. I feel hot. I shiver. Lowe clicks his tongue. “Stop playing with your food, wife,” he murmurs,
”
”
Ali Hazelwood (Bride (Bride, #1))
“
The pillars of traditional healing were 1) connection to clan and the natural world; 2) regulating rhythm through dance, drumming, and song; 3) a set of beliefs, values, and stories that brought meaning to even senseless, random trauma; and 4) on occasion, natural hallucinogens or other plant-derived substances used to facilitate healing with the guidance of a healer or elder. It is not surprising that today’s best practices in trauma treatment are basically versions of these four things
”
”
Oprah Winfrey (What Happened To You?: Conversations on Trauma, Resilience, and Healing)
“
The rockets set the bony meadows afire, turned rock to lava, turned wood to charcoal, transmuted water to steam, made sand and silica into green glass which lay like shattered mirrors reflecting the invasion, all about. The rockets came like drums, beating in the night. The rockets came like locusts, swarming and settling in blooms of rosy smoke.
”
”
Ray Bradbury (The Martian Chronicles)
“
know I’m living outside my values when I am…drum roll…this is a huge issue for me…resentful. Resentment is my barometer and my early warning system. It’s the canary in the coal mine. It shows up when I stay quiet in order not to piss off someone. It shows up when I put work before my well-being, and it blows the doors off the hinges when I’m not setting good boundaries.
”
”
Brené Brown (Dare to Lead: Brave Work. Tough Conversations. Whole Hearts.)
“
To put it still more plainly: the desire for security and the feeling of insecurity are the same thing. To hold your breath is to lose your breath. A society based on the quest for security is nothing but a breath-retention contest in which everyone is as taut as a drum and as purple as a beet. We look for this security by fortifying and enclosing ourselves in innumerable ways. We want the protection of being “exclusive” and “special,” seeking to belong to the safest church, the best nation, the highest class, the right set, and the “nice” people. These defenses lead to divisions between us, and so to more insecurity demanding more defenses. Of course it is all done in the sincere belief that we are trying to do the right things and live in the best way; but this, too, is a contradiction.
”
”
Alan W. Watts (The Wisdom of Insecurity)
“
Today is your day to paint life in bold colors;
set today’s rhythm with your heart-drum;
walk today’s march with courage;
create today as your celebration of life.
”
”
Jonathan Lockwood Huie
“
In our every cell, furled at the nucleus, there is a ribbon two yards long and just ten atoms wide. Over a hundred million miles of DNA in very human individual, enough to wrap five million times around our world and make the Midgard serpent blush for shame, make even the Ourobouros worm swallow hard in disbelief. This snake-god, nucleotide, twice twisted, scaled in adenine and cytosine, in thymine and in guanine, is a one-man show, will be the actors, props and setting, be the apple and the garden both. The player bides his time, awaits his entrance to a drum-roll of igniting binaries. This is the only dance in town, this anaconda tango, this slow spiral up through time from witless dirt to paramecium, from blind mechanic organism to awareness. There, below the birthing stars, Life sways and improvises. Every poignant gesture drips with slapstick; pathos; an unbearably affecting bravery. To dare this stage, this huge and overwhelming venue. Squinting through the stellar footlights, hoping there's an audience, that there's someone out there, but dancing anyway. But dancing anyway.
”
”
Alan Moore (Snakes and Ladders)
“
When we talk about freedom, we restrict ourselves to so few images. Images of freedom should be as liberating as the feeling itself!
I want to talk about freedom as a drum set being thrown down a hill, as opening a book one night, and water gushing from the pages until my life is a lake and I swim away.
”
”
Joseph Fink (The Great Glowing Coils of the Universe (Welcome to Night Vale Episodes, #2))
“
He pointed to Butt, behind his drum set. "There he is. Don't smell so good and can't hardly talk. But he can drub those drums better than the best... and this is Mr. Jerod Powers, the Golden Boy.
”
”
Leander Watts (Beautiful City of the Dead)
“
...there is no such thing as a parttime partisan. Real partisans are partisans always and as long as they live. They put fallen governments back in power and overthrow governments that have just been put in power with the help of partisans. Mr Matzerath contended - and his thesis struck me as perfectly plausible - that among all those who go in for politics your incorrigible partisan, who undermines what he has just set up, is closest to the artist because he consistently rejects what he has just set up.
”
”
Günter Grass (The Tin Drum)
“
That night, the sky poured out such torrents that the city was a drum set, every surface a source of rhythms, pavements and windows and canvas awnings, street signs and parked cars, Dumpsters throbbing like tom-toms, garbage-can lids swishing as the wind swirled bursts of rain in imitation of a drummer brush-stroking the batter head of a snare.
”
”
Dean Koontz (Innocence)
“
Would it be enough to rock on a stormless sea with each our separate memories tuned to the state of the sinking sun?
”
”
Kristen Henderson (Drum Machine)
“
We ate, did our homework, got good grades, kissed our parents goodnight and always had the secret door and shared experiences to go to. It was truly remarkable, and doing it as a group made us feel invulnerable. As soon as the drums and amps were set up and Jean and Kathie hit it, I tell you there was nothing more to say. Conversation stopped, and the magic carpet ride took off. I’ve never felt anything more powerful in my life.
”
”
June Millington (Land of a Thousand Bridges: Island Girl in a Rock & Roll World)
“
Again the girls assented. The words of command having been thus explained, he set up the halberds and battle-axes in order to begin the drill. Then, to the sound of drums, he gave the order “Right turn.” But the girls only burst out laughing. Sun Tzu said: “If words of command are not clear and distinct, if orders are not thoroughly understood, then the general is to blame.
”
”
Sun Tzu (The Art of War)
“
For a moment, I saw him as he had looked the morning I married him. Duine uasal was what he looked, a man of worth. But the bold face above the lace was the same, older now, but wiser with it—yet the tilt of his shining head and the set of the wide, firm mouth, the slanted clear cat-eyes that looked into my own, were just the same. Here was a man who had always known his worth.
”
”
Diana Gabaldon (Drums of Autumn (Outlander, #4))
“
to the Red Drum for sets, to hear Bird, whom I saw distinctly digging Mardou several times also myself directly into my eye looking to search if really I was that great writer I thought myself to be as if he knew my thoughts and ambitions or remembered me from other night clubs and other coasts, other Chicagos—not a challenging look but the king and founder of the bop generation at least the sound of it in digging his audience digging the eyes, the secret eyes him-watching, as he just pursed his lips and let great lungs and immortal fingers work,
”
”
Jack Kerouac (The Subterraneans)
“
O lovers, lovers it is time
to set out from the world.
I hear a drum in my soul's ear
coming from the depths of the stars.
Our camel driver is at work;
the caravan is being readied.
He asks that we forgive him
for the disturbance he has caused us,
He asks why we travelers are asleep.
Everywhere the murmur of departure;
the stars, like candles
thrust at us from behind blue veils,
and as if to make the invisible plain,
a wondrous people have come forth.
”
”
Jalal ad-Din Muhammad ar-Rumi
“
To put it still more plainly: the desire for security and the feeling of insecurity are the same thing. To hold your breath is to lose your breath. A society based on the quest for security is nothing but a breath-retention contest in which everyone is as taut as a drum and as purple as a beet. We look for this security by fortifying and enclosing ourselves in innumerable ways. We want the protection of being “exclusive” and “special,” seeking to belong to the safest church, the best nation, the highest class, the right set, and the “nice” people. These defenses lead to divisions between us, and so to more insecurity demanding more defenses. Of course it is all done in the sincere belief that we are trying to do the right things and live in the best way; but this, too, is a contradiction. I can only think seriously of trying to live up to an ideal, to improve myself, if I am split in two pieces. There must be a good “I” who is going to improve the bad “me.” “I,” who has the best intentions, will go to work on wayward “me,” and the tussle between the two will very much stress the difference between them. Consequently “I” will feel more separate than ever, and so merely increase the lonely and cut-off feelings which make “me” behave so badly.
”
”
Alan W. Watts (The Wisdom of Insecurity)
“
Theophilus Crowe wrote bad free-verse poetry and played a jimbai drum while sitting on a rock by the ocean. He could play sixteen chords on the guitar and knew five Bob Dylan songs all the way through, allowing for a dampening buzz any time he had to play a bar chord. He had tried his hand at painting, sculpture, and pottery and had even played a minor part in the Pine Cove Little Theater’s revival of Arsenic and Old Lace. In all of these endeavors, he had experienced a meteoric rise to mediocrity and quit before total embarrassment and self-loathing set in. Theo was cursed with an artist’s soul but no talent. He possessed the angst and the inspiration, but not the means to create.
”
”
Christopher Moore (The Lust Lizard of Melancholy Cove (Pine Cove, #2))
“
If you want to build a ship, don't drum up people to collect wood and don't assign them tasks and work, but rather teach them to long for the endless immensity of the sea.
”
”
Kim Malone Scott (Radical Candor, The Leader Who Had No Title, I Will Teach You To Be Rich, Secrets of the Millionaire Mind 4 Books Collection Set)
“
If today you can take a thing like evolution and make it a crime to teach it in the public school, tomorrow you can make it a crime to teach it in the private schools, and the next year you can make it a crime to teach it to the hustings or in the church. At the next session you may ban books and the newspapers. Soon you may set Catholic against Protestant and Protestant against Protestant, and try to foist your own religion upon the minds of men. If you can do one you can do the other. Ignorance and fanaticism is ever busy and needs feeding. Always it is feeding and gloating for more. Today it is the public school teachers, tomorrow the private. The next day the preachers and the lectures, the magazines, the books, the newspapers. After while, your honor, it is the setting of man against man and creed against creed until with flying banners and beating drums we are marching backward to the glorious ages of the sixteenth century when bigots lighted fagots to burn the men who dared to bring any intelligence and enlightenment and culture to the human mind.
”
”
Clarence Darrow (The Essential Words and Writings of Clarence Darrow (Modern Library Classics))
“
Lord Cut-Glass, in his kitchen full of time, squats down alone to a dogdish, marked Fido, of peppery fish-scraps and listens to the voices of his sixty-six clocks, one for each year of his loony age, and watches, with love, their black-and-white moony loudlipped faces tocking the earth away: slow clocks, quick clocks, pendulumed heart-knocks, china, alarm, grandfather, cuckoo; clocks shaped like Noah's whirring Ark, clocks that bicker in marble ships, clocks in the wombs of glass women, hourglass chimers, tu-wit-tuwoo clocks, clocks that pluck tunes, Vesuvius clocks all black bells and lava, Niagara clocks that cataract their ticks, old time weeping clocks with ebony beards, clocks with no hands for ever drumming out time
without ever knowing what time it is. His sixty-six singers are all set at different hours. Lord Cut-Glass lives in a house and a life at siege. Any minute or dark day now, the unknown enemy will loot and savage downhill, but they will not catch him napping. Sixty-six different times in his fish-slimy kitchen ping, strike, tick, chime, and tock.
”
”
Dylan Thomas (Under Milk Wood)
“
Home," he whispered, needing to hear it aloud. It was a foreign concept to him, an impossible dream. It was frightening and wonderful all at once, and it set his heart racing so fast he thought it'd drum out of his chest.
”
”
Nora Sakavic (The Foxhole Court (All for the Game, #1))
“
I once watched a crowd of people wearing nothing but Speedos and Santa hats jog down Boylston in the middle of winter. I met a guy who could play the harmonica with his nose, a drum set with his feet, a guitar with his hands, and a xylophone with his butt all at the same time. I knew a woman who’d adopted a grocery cart and named it Clarence. Then there was the dude who claimed to be from Alpha Centauri and had philosophical conversations with Canada geese.
”
”
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
“
Around us, the city twinkled, the stars themselves seeming to hang lower, pulsing with ruby and amethyst and pearl. Above, the full moon set the marble of the buildings and bridges glowing as if they were all lit from within. Music played, strings and gentle drums, and on either side of the Sidra, golden lights bobbed over riverside walkways dotted with cafes and shops, all open for the night, already packed.
Life- so full of life. I could nearly taste it crackling on my tongue.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
Crows are ferociously intelligent birds. I used to watch them gather as the men set off for another day of war. Drums, pipes, trumpets, the rhythmical pounding of swords on shields—to the fighters, this music meant honour, glory, courage, comradeship…To the crows, it only ever meant food.
”
”
Pat Barker (The Women of Troy (Women of Troy, #2))
“
There was music from my neighbor's house through the summer nights. In his blue gardens men and girls came and went like moths among the whisperings and the champagne and the stars. At high tide in the afternoon I watched his guests diving from the tower of his raft, or taking the sun on the hot sand of his beach while his two motor-boats slit the waters of the Sound, drawing aquaplanes over cataracts of foam. On week-ends his Rolls-Royce became an omnibus, bearing parties to and from the city between nine in the morning and long past midnight, while his station wagon scampered like a brisk yellow bug to meet all trains. And on Mondays eight servants, including an extra gardener, toiled all day with mops and scrubbing-brushes and hammers and garden-shears, repairing the ravages of the night before.
Every Friday five crates of oranges and lemons arrived from a fruiterer in New York--every Monday these same oranges and lemons left his back door in a pyramid of pulpless halves. There was a machine in the kitchen which could extract the juice of two hundred oranges in half an hour if a little button was pressed two hundred times by a butler's thumb.
At least once a fortnight a corps of caterers came down with several hundred feet of canvas and enough colored lights to make a Christmas tree of Gatsby's enormous garden. On buffet tables, garnished with glistening hors-d'oeuvre, spiced baked hams crowded against salads of harlequin designs and pastry pigs and turkeys bewitched to a dark gold. In the main hall a bar with a real brass rail was set up, and stocked with gins and liquors and with cordials so long forgotten that most of his female guests were too young to know one from another.
By seven o'clock the orchestra has arrived, no thin five-piece affair, but a whole pitful of oboes and trombones and saxophones and viols and cornets and piccolos, and low and high drums. The last swimmers have come in from the beach now and are dressing up-stairs; the cars from New York are parked five deep in the drive, and already the halls and salons and verandas are gaudy with primary colors, and hair shorn in strange new ways, and shawls beyond the dreams of Castile. The bar is in full swing, and floating rounds of cocktails permeate the garden outside, until the air is alive with chatter and laughter, and casual innuendo and introductions forgotten on the spot, and enthusiastic meetings between women who never knew each other's names.
The lights grow brighter as the earth lurches away from the sun, and now the orchestra is playing yellow cocktail music, and the opera of voices pitches a key higher. Laughter is easier minute by minute, spilled with prodigality, tipped out at a cheerful word. The groups change more swiftly, swell with new arrivals, dissolve and form in the same breath; already there are wanderers, confident girls who weave here and there among the stouter and more stable, become for a sharp, joyous moment the centre of a group, and then, excited with triumph, glide on through the sea-change of faces and voices and color under the constantly changing light.
Suddenly one of the gypsies, in trembling opal, seizes a cocktail out of the air, dumps it down for courage and, moving her hands like Frisco, dances out alone on the canvas platform. A momentary hush; the orchestra leader varies his rhythm obligingly for her, and there is a burst of chatter as the erroneous news goes around that she is Gilda Gray's understudy from the FOLLIES. The party has begun.
”
”
F. Scott Fitzgerald (The Great Gatsby)
“
His very first story, he told me as he was dying, was set in Camelot, the court of King Arthur in Britain: Merlin the Court Magician casts a spell that allows him to equip the Knights of the Round Table with Thompson submachine guns and drums of .45-caliber dumdums.
Sir Galahad, the purest in heart and mind, familiarizes himself with this new virtue-compelling appliance. While doing so, he puts a slug through the Holy Grail and makes a Swiss cheese of Queen Guinevere.
”
”
Kurt Vonnegut Jr. (Timequake)
“
Yesterday, before the meeting with U2, I took the precaution of putting tiny sections of each of the 44 pieces of music we have in hand on to a single tape. All this means is that when somebody says ‘Drum Loop 14’ and someone else says ‘Which one was that?’ I can readily go to it without having to change tapes (which takes only a few more seconds but is annoying). This little precaution (which however took me nearly three hours to put together beforehand) expedited the whole thing so much, and changed the whole quality of the decisions being made. I tend to spend more and more of my time thinking how to set up situations so that they work – so that they can actually take less and less time. My ideal is probably based on that story I heard years ago of how the Japanese calligraphers used to work – a whole day spent grinding inks and preparing brushes and paper, and then, as the sun begins to go down, a single burst of fast and inspired action.
”
”
Brian Eno (A Year with Swollen Appendices: Brian Eno's Diary)
“
No, No and No. I'm not desperate unlike what you think. I'm not like the madding crowd. I'm a different breed of woman. The sort of woman who's unstoppable once she's set her mind onto something. I march to the beat of my own drum like a free-spirit and I know exactly what I want out of life. So get it out of your head honey.
”
”
Anne Bancroft
“
despite andrew’s promises and confidence, chances were good neil was going to leave in a casket before spring. neil thought he would be okay with it. he would spend his last few months as neil josten, starting striker for the palmetto state foxes. he’d be kevin’s protégé, a teenager with a bright future, and his death would be a tragedy. it sounded a lot better than dying scared and alone halfway around the world.
neil looked down at the key in his hand. “home,” he whispered, needing to hear it aloud. it was a foreign concept to him, an impossible dream. it was frightening and wonderful all at once, and it set his heart racing so fast he thought it’d drum out of his chest. “welcome home, neil.”
- narrator
”
”
Nora Sakavic (The Foxhole Court (All for the Game, #1))
“
Poems are the chorus of our lives. the poet sets the words to the music of our souls. Each poem has its own rhythm that drums like a heartbeat.
”
”
John Ritter (Choosing Up Sides)
“
The drums were so near that the beat crept under his skin and set his hands to twitching.
”
”
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
“
Reid interrupted. “What kind of jokes are we talking about?” We all looked at each other, not sure what to say. Reid tried again, looking at his notes. “It says here, ‘Franken made jokes about the Holocaust.’ What does that mean?” Diane handed our poll to Harry and pointed to the joke we had tested: “I think a bad Hanukkah gift for Anne Frank would have been a drum set.”*
”
”
Al Franken (Al Franken, Giant of the Senate)
“
That you cannot distinguish between the able and the incompetent shows that your eyes are corrupt. Your failure to chant the Odes and the Documents shows that your mouth is corrupt. Your rejection of loyal advice shows that your ears are corrupt. Your ignorance of past and present shows that your whole being is corrupt. Your conflicts with the lords of the realm show that your stomach is corrupt. Your dream of usurpation shows that your mind is corrupt. To make a renowned scholar like me serve as drum master is a poor imitation of the tricks of such villains of old as Yang Huo who slighted Confucius, or Zang Cang who tried to ruin Mencius. Do you think you can hold men in such contempt and still become the leader of the lords of the realm?
”
”
Luo Guanzhong (Three Kingdoms (4-Volume Boxed Set))
“
Was my future any more certain than hers? And did I not depend for my life upon a man bound to me—at least in part—by desire of my body? A faint wind breathed through the trees, and I hitched the blanket higher on my shoulder. The fire had burned to embers, and so high in the mountains, it was cool at night. The moon had set, but it was very clear; the stars blazed close, a net of light cast over the mountains’ peaks. No, there were differences. However unknown my future, it would be shared, and the bond between my man and me went much deeper than the flesh. Beyond all this was the one great difference, though—I had chosen to be there.
”
”
Diana Gabaldon (Drums of Autumn (Outlander, #4))
“
At that, Ascher stood up. “Hi,” she said, smiling brightly. “You don’t know me. I’m Hannah. Back off my partner before you get hurt.” “I know who you are, hot stuff,” I drawled, not standing. I set my staff down across the table. “And I already backed off your partner. You can tell from how there aren’t any splatter marks. Play nice, Ascher.” Her smile vanished at my response, and her dark eyes narrowed. She drummed her nails on the tabletop exactly once, slowly, as if contemplating a decision. A smirk touched her mouth. “So you’re the infamous Dresden.” Her eyes went past me, to Karrin. Ascher was a foot taller than she was. “And this is your bodyguard? Seriously? Aren’t they supposed to be a little bigger?” “She represents the Lollipop Guild,” I replied. “She’ll represent them right through the front and out the back of your skull if you don’t show a little respect.
”
”
Jim Butcher (Skin Game (The Dresden Files, #15))
“
Rain comes from the east one night
We watch it come
To hang like beaded curtains
Till the morning sun
Water dripping from our clothes
You with raindrops on your nose
Ask me sadly "Please don't go away now"
Till the rain is done, I say
"I'll stay now"
Rain outside but inside we don't mind at all
Shadows by the fire slowly climb and fall
Kisses fade and leave no trace
Whispers vanish into space
The dawn will send me on a chase to nowhere
Why cry as if I were the first to go there
And I know I shouldn't be here
Yes, I know I should go home
But that eastern rain drones in my brain
And I'm so all alone, so all alone
Morning comes up from the east
We watch it come
And far away now rolls the ancient rain God's drum
You with daybreak in your eyes
Afraid to speak for telling lies
I watch you search for some reply to lend me
But when the rain is done
There's no pretending
"Eastern Rain" from Second Fret Sets
”
”
Joni Mitchell
“
Ultimately, the roast turkey must be regarded as a monument to Boomer's love.
Look at it now, plump and glossy, floating across Idaho as if it were a mammoth, mutated seed pod. Hear how it backfires as it passes the silver mines, perhaps in tribute to the origin of the knives and forks of splendid sterling that a roast turkey and a roast turkey alone possesses the charisma to draw forth into festivity from dark cupboards.
See how it glides through the potato fields, familiarly at home among potatoes but with an air of expectation, as if waiting for the flood of gravy.
The roast turkey carries with it, in its chubby hold, a sizable portion of our primitive and pagan luggage.
Primitive and pagan? Us? We of the laser, we of the microchip, we of the Union Theological Seminary and Time magazine? Of course. At least twice a year, do not millions upon millions of us cybernetic Christians and fax machine Jews participate in a ritual, a highly stylized ceremony that takes place around a large dead bird?
And is not this animal sacrificed, as in days of yore, to catch the attention of a divine spirit, to show gratitude for blessings bestowed, and to petition for blessings coveted?
The turkey, slain, slowly cooked over our gas or electric fires, is the central figure at our holy feast. It is the totem animal that brings our tribe together.
And because it is an awkward, intractable creature, the serving of it establishes and reinforces the tribal hierarchy. There are but two legs, two wings, a certain amount of white meat, a given quantity of dark. Who gets which piece; who, in fact, slices the bird and distributes its limbs and organs, underscores quite emphatically the rank of each member in the gathering.
Consider that the legs of this bird are called 'drumsticks,' after the ritual objects employed to extract the music from the most aboriginal and sacred of instruments. Our ancestors, kept their drums in public, but the sticks, being more actively magical, usually were stored in places known only to the shaman, the medicine man, the high priest, of the Wise Old Woman. The wing of the fowl gives symbolic flight to the soul, but with the drumstick is evoked the best of the pulse of the heart of the universe.
Few of us nowadays participate in the actual hunting and killing of the turkey, but almost all of us watch, frequently with deep emotion, the reenactment of those events. We watch it on TV sets immediately before the communal meal. For what are footballs if not metaphorical turkeys, flying up and down a meadow? And what is a touchdown if not a kill, achieved by one or the other of two opposing tribes? To our applause, great young hungers from Alabama or Notre Dame slay the bird. Then, the Wise Old Woman, in the guise of Grandma, calls us to the table, where we, pretending to be no longer primitive, systematically rip the bird asunder.
Was Boomer Petaway aware of the totemic implications when, to impress his beloved, he fabricated an outsize Thanksgiving centerpiece? No, not consciously. If and when the last veil dropped, he might comprehend what he had wrought. For the present, however, he was as ignorant as Can o' Beans, Spoon, and Dirty Sock were, before Painted Stick and Conch Shell drew their attention to similar affairs.
Nevertheless, it was Boomer who piloted the gobble-stilled butterball across Idaho, who negotiated it through the natural carving knives of the Sawtooth Mountains, who once or twice parked it in wilderness rest stops, causing adjacent flora to assume the appearance of parsley.
”
”
Tom Robbins (Skinny Legs and All)
“
usually went to the trouble of separating these from their original possessors before presenting them to me—but then the fur stirred, and a pair of bright eyes peered out of the tangled mass. “My dog’s hurt,” the man announced brusquely. He set
”
”
Diana Gabaldon (The Outlander Series 7-Book Bundle: Outlander / Dragonfly in Amber / Voyager / Drums of Autumn / The Fiery Cross / A Breath of Snow and Ashes / An Echo in the Bone)
“
Sometimes it is the other way around. A white person is set down in our midst, but the contrast is just as sharp for me. For instance, when I sit in the drafty basement that is The New World Cabaret with a white person, my color comes. We enter chatting about any little nothing that we have in common and are seated by the jazz waiters. In the abrupt way that jazz orchestras have, this one plunges into a number. It loses no time in circumlocutions, but gets right down to business. It constricts the thorax and splits the heart with its tempo and narcotic harmonies. This orchestra grows rambunctious, rears on its hind legs and attacks the tonal veil with primitive fury, rending it, clawing it until it breaks through to the jungle beyond. I follow those heathen--follow them exultingly. I dance wildly inside myself; I yell within, I whoop; I shake my assegai above my head, I hurl it true to the mark yeeeeooww! I am in the jungle and living in the jungle way. My face is painted red and yellow and my body is painted blue. My pulse is throbbing like a war drum. I want to slaughter something--give pain, give death to what, I do not know. But the piece ends. The men of the orchestra wipe their lips and rest their fingers. I creep back slowly to the veneer we call civilization with the last tone and find the white friend sitting motionless in his seat, smoking calmly.
"Good music they have here," he remarks, drumming the table with his fingertips.
Music. The great blobs of purple and red emotion have not touched him. He has only heard what I felt. He is far away and I see him but dimly across the ocean and the continent that have fallen between us. He is so pale with his whiteness then and I am so colored.
”
”
Zora Neale Hurston (How it Feels to be Colored Me (American Roots))
“
The wild is an integral part of who we are as children. Without pausing to consider what or where or how, we gather herbs and flowers, old apples and rose hips, shiny pebbles and dead spiders, poems, tears and raindrops, putting each treasured thing into the cauldron of our souls. We stir our bucket of mud as if it were, every one, a bucket of chocolate cake to be mixed for the baking. Little witches, hag children, we dance our wildness, not afraid of not knowing.
But there comes a time when the kiss of acceptance is delayed until the mud is washed from our knees, the chocolate from our faces. Putting down our wooden spoon with a new uncertainty, setting aside our magical wand, we learn another system of values based on familiarity, on avoiding threat and rejection. We are told it is all in the nature of growing up. But it isn't so.
Walking forward and facing the shadows, stumbling on fears like litter in the alleyways of our minds, we can find the confidence again. We can let go of the clutter of our creative stagnation, abandoning the chaos of misplaced and outdated assumptions that have been our protection. Then beyond the half light and shadows, we can slip into the dark and find ourselves in a world where horizons stretch forever. Once more we can acknowledge a reality that is unlimited finding our true self, a wild spirit, free and eager to explore the extent of our potential, free to dance like fireflies, free to be the drum, free to love absolutely with every cell of our being, or lie in the grass watching stars and bats and dreams wander by.
We can live inspired, stirring the darkness of the cauldron within our souls, the source, the womb temple of our true creativity, brilliant, untamed
”
”
Emma Restall Orr
“
Mrs. O’Dowd, the good housewife, arrayed in curl papers and a camisole, felt that her duty was to act, and not to sleep, at this juncture. “Time enough for that,” she said, “when Mick’s gone”; and so she packed his travelling valise ready for the march, brushed his cloak, his cap, and other warlike habiliments, set them out in order for him; and stowed away in the cloak pockets a light package of portable refreshments, and a wicker-covered flask or pocket-pistol, containing near a pint of a remarkably sound Cognac brandy, of which she and the Major approved very much; ... Mrs. O’Dowd woke up her Major, and had as comfortable a cup of coffee prepared for him as any made that morning in Brussels. And who is there will deny that this worthy lady’s preparations betokened affection as much as the fits of tears and hysterics by which more sensitive females exhibited their love, and that their partaking of this coffee, which they drank together while the bugles were sounding the turn-out and the drums beating in the various quarters of the town, was not more useful and to the purpose than the outpouring of any mere sentiment could be? The consequence was, that the Major appeared on parade quite trim, fresh, and alert, his well-shaved rosy countenance, as he sate on horseback, giving cheerfulness and confidence to the whole corps. All the officers saluted her when the regiment marched by the balcony on which this brave woman stood, and waved them a cheer as they passed; and I daresay it was not from want of courage, but from a sense of female delicacy and propriety, that she refrained from leading the gallant--personally into action.
”
”
William Makepeace Thackeray (Vanity Fair)
“
The Wheel Revolves
You were a girl of satin and gauze
Now you are my mountain and waterfall companion.
Long ago I read those lines of Po Chu I
Written in his middle age.
Young as I was they touched me.
I never thought in my own middle age
I would have a beautiful young dancer
To wander with me by falling crystal waters,
Among mountains of snow and granite,
Least of all that unlike Po’s girl
She would be my very daughter.
The earth turns towards the sun.
Summer comes to the mountains.
Blue grouse drum in the red fir woods
All the bright long days.
You put blue jay and flicker feathers
In your hair.
Two and two violet green swallows
Play over the lake.
The blue birds have come back
To nest on the little island.
The swallows sip water on the wing
And play at love and dodge and swoop
Just like the swallows that swirl
Under and over the Ponte Vecchio.
Light rain crosses the lake
Hissing faintly. After the rain
There are giant puffballs with tortoise shell backs
At the edge of the meadow.
Snows of a thousand winters
Melt in the sun of one summer.
Wild cyclamen bloom by the stream.
Trout veer in the transparent current.
In the evening marmots bark in the rocks.
The Scorpion curls over the glimmering ice field.
A white crowned night sparrow sings as the moon sets.
Thunder growls far off.
Our campfire is a single light
Amongst a hundred peaks and waterfalls.
The manifold voices of falling water
Talk all night.
Wrapped in your down bag
Starlight on your cheeks and eyelids
Your breath comes and goes
In a tiny cloud in the frosty night.
Ten thousand birds sing in the sunrise.
Ten thousand years revolve without change.
All this will never be again.
”
”
Kenneth Rexroth (Collected Shorter Poems)
“
In the countryside he heard horns and drums and followed the sound to a temple of granite and marble set in a compound that included shrines and incense stalls, people squatting against the walls, beggars, touts, flower-sellers, those who watch over your shoes for a couple of weightless coins.
”
”
Don DeLillo (The Names)
“
Ladies and gentlemen, you have made most remarkable
Progress, and progress, I agree, is a boon;
You have built more automobiles than are parkable,
Crashed the sound-barrier, and may very soon
Be setting up juke-boxes on the Moon:
But I beg to remind you that, despite all that,
I, Death, still am and will always be Cosmocrat.
Still I sport with the young and daring; at my whim,
The climber steps upon the rotten boulder,
The undertow catches boys as they swim,
The speeder steers onto the slippery shoulder:
With others I wait until they are older
Before assigning, according to my humor,
To one a coronary, to one a tumor.
Liberal my views upon religion and race;
Tax-posture, credit-rating, social ambition
Cut no ice with me. We shall meet face to face,
Despite the drugs and lies of your physician,
The costly euphenisms of the mortician:
Westchester matron and Bowery bum,
Both shall dance with me when I rattle my drum.
”
”
W.H. Auden (Thank You, Fog)
“
There are good ships and there are wood ships, the ships that sail the sea. But the best ships are friendships, and may they always be. A toast to your coffin. May it be made of hundred-year-old oak. And may we plant the tree together tomorrow. Here’s to Eve, the mother of us all, and here’s to Adam, who was Johnny-on-the-spot when the leaf began to fall. Give a man a match and he’ll be warm for a minute, but set him on fire and he’ll be warm for the rest of his life. Leprechauns, castles, good luck, and laughter. Lullabies, dreams, and love ever after. Poems and songs with pipes and drums. A thousand welcomes when anyone comes . . . That’s the Irish for you!
”
”
Stephen Revell (Picture Perfect (Weddings by Design #1))
“
The pillars of traditional healing were 1) connection to clan and the natural world; 2) regulating rhythm through dance, drumming, and song; 3) a set of beliefs, values, and stories that brought meaning to even senseless, random trauma; and 4) on occasion, natural hallucinogens or other plant-derived substances used to facilitate healing with the guidance of a healer or elder.
”
”
Bruce D. Perry (What Happened to You?: Conversations on Trauma, Resilience, and Healing)
“
Many kids would hit the streets at about 4 a.m., though early birds got started even earlier; the first calls regarding disorderly behavior usually reached the police by 2 a.m. Celebrants of Luilak (which means “lazybones”) would ring doorbells, beat drums, blow horns, crash pot lids together, scream “Luilak!,” sing a Luilak song, drag strings of empty tin cans behind their bikes, overturn garbage cans, bang windows, break windows, light bonfires, ignite fireworks, drink bottles of milk left out by the milkman, set buckets of water over doorways and trigger false fire alarms. They did anything and everything to annoy sleeping adults. This yearly debauchery—particular to Amsterdam and a few surrounding towns and with unknown origins—was centuries old.*
”
”
Pete Jordan (In the City of Bikes: The Story of the Amsterdam Cyclist)
“
There is no love without loss. I hear the drums that vibrate to the heartbeat of the earth. They set me dancing. I see the clouds that wreathe the summits. They set me dreaming. I know the wonder of waves that shake the headlands. They awaken my soul. I hear the screams of eagles on the wind. And I ponder, what are these things to me who loves and does not reckon loss? Do I not keep the earth?
”
”
N. Scott Momaday (Earth Keeper: Reflections on the American Land)
“
I do know that the gardens of the first lands are still lying there, right under the skin of the world- pulsing the way our heartbeat drums under our own skin. And I believe that there's a connectedness between everything that gives some people a deep and abiding affinity to a certain kind of place or creature."
"Like totems?"
"Maybe. Or maybe something even more personal- something that's impossible to articulate with the vocabulary we have at the moment."
"This is too weird."
Annie shrugged. "What can I say? It's getting late, the stars are out. Once the sun sets, I tend to embrace whatever wild spirits are running around in the darkness, talking away to each other. I leave the logic of streets and pavement and cars and tall buildings behind and buy into the old magics that they're whispering about. Sometimes those little mysteries and bits of wisdom stick to the bones of my head and I carry them right out into the sunlight again. They're like Jack's stories, true and not true, all at the same time. They don't exactly shape my life, but they certainly colour it." She glanced at him, "I wouldn't like to live in a world where everything's as cut-and-dried as most people think it is
”
”
Charles de Lint (Someplace to Be Flying (Newford, #5))
“
Surely an instrument is neither male nor female—they’re just things that make sound—strings and bows, brass and wood, mallets and cymbals and drumskins and little metal triangles. And yet all you have to do is look around at these musicians to see the way that even sound is gendered. In the middle of the orchestra is the brass section—tubas, trombones, trumpets, French horn, every last one of them played by boys. It’s not all that different in the woodwinds—where the boys play bassoons and clarinets, but all the flutes are played by girls. The strings are even more ridiculous—the deeper the instrument, the more likely it is to be played by a boy. So all the basses? Boys. Most of the cellos? Boys. The violas split half and half. All but one of the violins? Girls. Then there’s the harp, which I guess federal law requires be played by a girl. And the percussion and kettle drums, which are usually played by boys. How weird is this? Most of us decided to play our instruments in third grade, a bunch of little kids who made our choices without even thinking about them. But even at eight years old, we were already running the gender maze that the world had set for us, without even realizing it.
”
”
Jodi Picoult (Mad Honey)
“
In other places, though, the vibe is different. In the Lombardy town of Guissano, huge figures of witches are dragged through the town to a jaunty drum-beat before they’re burned by a baying crowd. These figures represent real women who were murdered out of hatred, misogyny and ignorance, their effigies paraded to upbeat music and set aflame while people cheer wildly, hideous deaths enacted and re-enacted year on year, celebrated again and again. Of all the monstrous Christmas traditions, this is one I have no wish to attend.
”
”
Sarah Clegg (The Dead of Winter: Beware the Krampus and Other Wicked Christmas Creatures)
“
The water drummed against the portico beneath his feet, beating slowly against his mind, and setting up a widening circle of interference patterns as if crossing it at an opposite direction to its own course of flow. He watched a succession of wavelets lapping at the sloping roof, wishing that he could leave the Colonel and walk straight down into the water, dissolve himself and the ever-present phantoms which attended him like sentinel birds in the cool bower of its magical calm, in the luminous, dragon-green, serpent-haunted sea.
”
”
J.G. Ballard (The Drowned World)
“
The rain rapped the roof like mallets. The thunder was a tympani drum. Downstairs the raiders set fire to the refectory and the flames crackled like a hundred castanets. Those few who had not fled the church were screaming, high, pleading shrieks, met by lower barking orders of those committing the atrocities. The low and high voices, the crackling fire, whipping wind, drumming rain and crashing thunder created an angry symphony, swirling to a crescendo, and just as the invaders threw open the tomb of Saint Pascual, ready to desecrate his bones, the bells above the basilica began to chime, causing all to look up.
At that precise moment, Frankie Presto was born.
”
”
Mitch Albom (The Magic Strings of Frankie Presto)
“
_To Santa Claus_ Most tangible of all the gods that be, O Santa Claus-- our own since Infancy! As first we scampered to thee-- now, as then, Take us as children to thy heart again. Be wholly good to us, just as of old: As a pleased father, let thine arms infold Us, homed within the haven of thy love, And all the cheer and wholesomeness thereof. Thou lone reality, when O so long Life's unrealities have wrought us wrong: Ambition hath allured us--, fame likewise, And all that promised honor in men's eyes. Throughout the world's evasions, wiles, and shifts, Thou only bidest stable as thy gifts--: A grateful king re-ruleth from thy lap, Crowned with a little tinselled soldier-cap: A mighty general-- a nation's pride-- Thou givest again a rocking-horse to ride, And wildly glad he groweth as the grim Old jurist with the drum thou givest him: The sculptor's chisel, at thy mirth's command, Is as a whistle in his boyish hand; The painters model fadeth utterly, And there thou standest--, and he painteth thee--: Most like a winter pippin, sound and fine And tingling-red that ripe old face of thine, Set in thy frosty beard of cheek and chin As midst the snows the thaws of spring set in. Ho! Santa Claus-- our own since Infancy-- Most tangible of all the gods that be--! As first we scampered to thee-- now, as then, Take us as children to thy heart again.
”
”
James Whitcomb Riley (The Essential James Whitcomb Riley Collection)
“
Most people-all, in fact, who regard the whole heaven as finite-say it lies at the centre. But the Italian philosophers known as Pythagoreans take the contrary view. At the centre, they say, is fire, and the earth is one of the stars, creating night and day by its circular motion about the centre. They further construct another earth in opposition to ours to which they give the name counterearth. In all this they are not seeking for theories and causes to account for observed facts, but rather forcing their observations and trying to accommodate them to certain theories and opinions of their own. But there are many others who would agree that it is wrong to give the earth the central position, looking for confirmation rather to theory than to the facts of observation. Their view is that the most precious place befits the most precious thing: but fire, they say, is more precious than earth, and the limit than the intermediate, and the circumference and the centre are limits. Reasoning on this basis they take the view that it is not earth that lies at the centre of the sphere, but rather fire. The Pythagoreans have a further reason. They hold that the most important part of the world, which is the centre, should be most strictly guarded, and name it, or rather the fire which occupies that place, the 'Guardhouse of Zeus', as if the word 'centre' were quite unequivocal, and the centre of the mathematical figure were always the same with that of the thing or the natural centre. But it is better to conceive of the case of the whole heaven as analogous to that of animals, in which the centre of the animal and that of the body are different. For this reason they have no need to be so disturbed about the world, or to call in a guard for its centre: rather let them look for the centre in the other sense and tell us what it is like and where nature has set it. That centre will be something primary and precious; but to the mere position we should give the last place rather than the first. For the middle is what is defined, and what defines it is the limit, and that which contains or limits is more precious than that which is limited, see ing that the latter is the matter and the former the essence of the system. (2-13-1)
There are similar disputes about the shape of the earth. Some think it is spherical, others that it is flat and drum-shaped. For evidence they bring the fact that, as the sun rises and sets, the part concealed by the earth shows a straight and not a curved edge, whereas if the earth were spherical the line of section would have to be circular. In this they leave out of account the great distance of the sun from the earth and the great size of the circumference, which, seen from a distance on these apparently small circles appears straight. Such an appearance ought not to make them doubt the circular shape of the earth. But they have another argument. They say that because it is at rest, the earth must necessarily have this shape. For there are many different ways in which the movement or rest of the earth has been conceived. (2-13-3)
”
”
Aristotle (The Works of Aristotle, Vol. 7: On the Heavens)
“
DAVE HEBERT HAS ADDED SHANE LINDLEY TO THE GROUP NEIGHBORS. SHANE: Thanks for the add! SHANE: Like we discussed in the meeting earlier, I think the Valentine’s Day party should DEFINITELY include a secret Valentine exchange. Also, my little sis is pretty crafty, so she can help out with any decorations, cards, etc etc. VERONIKA: I love secrets :D DIANA DIXON HAS REMOVED SHANE LINDLEY FROM THE GROUP NEIGHBORS. BRENDA KOWALSKY HAS ADDED SHANE LINDLEY TO THE GROUP NEIGHBORS. SHANE: Glad to be back in the chat! Thanks, B. DIANA: Sorry, guys. Brenda accidentally added Red Birch resident 2B. She’s asked me to correct the error. DIANA DIXON HAS REMOVED SHANE LINDLEY FROM THE GROUP NEIGHBORS. RALPH ROBARDS HAS ADDED SHANE LINDLEY TO THE GROUP NEIGHBORS. RALPH: Shane, not sure why you got removed before? Diana, not sure what the error was? Anyway, re-adding you. SHANE: Ralph, my man! Appreciate the add. RALPH ROBARDS HAS BEEN REMOVED AS AN ADMIN OF THE GROUP NEIGHBORS. DIANA DIXON HAS REMOVED SHANE LINDLEY FROM THE GROUP NEIGHBORS. DIEGO GOMEZ HAS ADDED SHANE LINDLEY TO THE GROUP NEIGHBORS. SHANE: Regarding the spring barbecue, Gustav says he’s able to offer a deal if we go to him for all our sausage needs. VERONIKA: Yum! You really know how to whet a girl’s appetite :D CELESTE: How tasty! DIANA DIXON HAS REMOVED SHANE LINDLEY FROM THE GROUP NEIGHBORS. NIALL GENTRY HAS ADDED SHANE LINDLEY TO THE GROUP NEIGHBORS. DIANA: Niall, did Shane tell you about the drum set he just bought?? NIALL GENTRY HAS REMOVED SHANE LINDLEY FROM THE GROUP NEIGHBORS. THE END
”
”
Elle Kennedy (The Dixon Rule (Campus Diaries, #2))
“
Author’s Note Caroline is a marriage of fact and Laura Ingalls Wilder’s fiction. I have knowingly departed from Wilder’s version of events only where the historical record stands in contradiction to her stories. Most prominently: Census records, as well as the Ingalls family Bible, demonstrate that Caroline Celestia Ingalls was born in Rutland Township, Montgomery County, Kansas on August 3, 1870. (Wilder, not anticipating writing a sequel to Little House in the Big Woods, set her first novel in 1873 and included her little sister. Consequently, when Wilder decided to continue her family’s saga by doubling back to earlier events, Carrie’s birth was omitted from Little House on the Prairie to avoid confusion.) No events corresponding to Wilder’s descriptions of a “war dance” in the chapter of Little House on the Prairie entitled “Indian War-Cry” are known to have occurred in the vicinity of Rutland Township during the Ingalls family’s residence there. Drum Creek, where Osage leaders met with federal Indian agents in the late summer of 1870 and agreed peaceably to sell their Kansas lands and relocate to present-day Oklahoma, was nearly twenty miles from the Ingalls claim. I have therefore adopted western scholar Frances Kay’s conjecture that Wilder’s family was frightened by the mourning songs sung by Osage women as they grieved the loss of their lands and ancestral graves in the days following the agreement. In this instance, like so many others involving the Osages, the Ingalls family’s reactions were entirely a product of their own deep prejudices and misconceptions.
”
”
Sarah Miller (Caroline: Little House, Revisited)
“
When I first proposed to you, it was hardly a proposal,” I said. My blood drummed in my ears. “Our engagement was a merger, the ring a signature. I chose that…” I nodded at the diamond on her finger. “Specifically because it was cold and impersonal. But now that we’re doing this for real…” I snapped open the box, revealing a dazzling red stone set in gold. One of less than three dozen in existence. “I wanted to give you something more meaningful. Red diamonds are the rarest colored diamonds in existence. Only thirty or so had ever been mined. My grandfather bought one of the first red diamonds in the 1950s and proposed to my grandmother with it. She passed it to my father, who gave it to my mother…” I swallowed the lump in my throat. “Who gave it to me.”
“A family heirloom.”
“Yes. One that reminds me very much of you. Beautiful, rare, and difficult as hell to find… but worth every minute it took to get there.
”
”
Ana Huang (King of Wrath (Kings of Sin, #1))
“
What about sleeping arrangements?"
Cassandra felt her stomach flip, not unpleasantly, and her face began to warm. "Perhaps we should have our own rooms, and you could visit?"
"Certainly." Tom fiddled with a pencil. "I'll want to visit fairly often."
She glanced at the empty doorway before turning her attention back to him. "How often?"
Tom set down the pencil and drummed his fingers on the tabletop. "In the past, I've gone for long periods of time without... hang it, what's the polite word for it?"
"I don't think there is a polite one."
"During a drought, so to speak, I've always focused my energy on work. But when it's available... that is... when I've found the right woman... I tend to be..." Tom paused, mentally riffling through various words. "... demanding. Do you understand?"
"No."
That provoked a wry grin. Tom lowered his head briefly, then slanted a look up at her. A flicker of firelight caught in his green eye and made it gleam like a cat's. "What I'm trying to say is, I expect I'll be keeping you busy every night, for a while.
”
”
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
“
Yet there remains a great deal of desirable land to be settled, further inland toward the mountains. It is somewhat remote, and yet, as you say, for men accustomed to the far reaches of the Scottish Highlands—” “I did hear mention of such grants, sir,” Jamie interrupted. “Yet is not the wording that persons holding such grants shall be white males, Protestant, and above thirty years of age? And this statement holds the force of law?” “That is the official wording of the Act, yes.” Mr. Tryon turned so that I saw him now in profile, tapping the ash from his cigar into a small porcelain bowl. The corner of his mouth was turned up in anticipation; the face of a fisherman who feels the first twitch on his line. “The offer is one of considerable interest,” Jamie said formally. “I must point out, however, that I am not a Protestant, nor are most of my kinsmen.” The Governor pursed his lips in deprecation, lifting one brow. “You are neither a Jew nor a Negro. I may speak as one gentleman to another, may I not? In all frankness, Mr. Fraser, there is the law, and then there is what is done.” He raised his glass with a small smile, setting the hook. “And I am convinced that you understand that as well as I do.
”
”
Diana Gabaldon (Drums of Autumn (Outlander, #4))
“
Then Daniel stepped forward and a trumpet sounded, followed by a drum. The dance was beginning. He took her hand. When he spoke, he spoke to her, not to the audience,as the other players did.
"The fairest hand I ever touched," Daniel said. "O Beauty, till now I never knew thee." As if the lines had been written for the two of them.
They began to dance,and Daniel locked eyes with her the whole time. His eyes were crystal clear and violet, and the way they never strayed from hers chipped away at Luce's heart. She knew he'd loved her always,but until this moment,dancing with him on the stage in front of all these people,she had never really thought about what it meant.
It meant that when she saw him for the first time in every life,Daniel was already in love with her. Every time. And always had been. And every time, she had to fall in love with him from scratch.He could never pressure her or push her into loving him. He had to win her anew each time.
Daniel's love for her was one long, uninterrupted stream.It was the purest form of love there was,purer even than the love Luce returned. His love flowed without breaking,without stopping. Whereas Luce's love was wiped clean with every death, Daniel's grew over time, across all eternity. How powerfully strong must it be by now? Hundreds of love stacked one on top of the other? It was almost too massive for Luce to comprehend.
He loved her that much,and yet in every lifetime,over and over again,he had to wait for her to catch up.
All this time,they had been dancing with the rest of the troupe, bounding in and out of the wings at breaks in the music,coming back onstage for more gallantry,for longer sets with more ornate steps,until the whole company was dancing.
At the close of the scene,even though it wasn't in the script,even though Cam was standing right there watching,Luce held fast to Daniel's hand and pulled him to her,up against the potted orange trees.He looked at her like she was crazy and tried to tug her to the mark dictated by her stage directions. "What are you doing?" he murmured.
He had doubted her before,backstage when she'd tried to speak freely about her feelings.She had to make him believe her.Especially if Lucinda died tonight,understanding the depth of her love would mean everything to him. It would help him to carry on,to keep loving her for hundreds more years, through all the pain and hardship she'd witnessed,right up to the present.
Luce knew that it wasn't in the script, but she couldn't stop herself: She grabbed Daniel and she kissed him.
She expected him to stop her,but instead he swooped her into his arms and kissed her back.Hard and passionately, responding with such intensity that she felt the way she did when they were flying,though she knew her feet were planted on the ground.
For a moment, the audience was silent. Then they began to holler and jeer.Someone threw a shoe at Daniel, but he ignored it. His kisses told Luce that he believed her,that he understood the depth of her love,but she wanted to be absolutely sure.
"I will always love you,Daniel." Only, that didn't seem quite right-or not quite enough. She had to make him understand,and damn the consequences-if she changed history,so be it. "I'll always choose you." Yes, that was the word. "Every single lifetime, I'll choose you.Just as you have always chosen me.Forever."
His lips parted.Did he believe her? Did he already know? It was a choice, a long-standing, deep-seated choice that reached beyond anything else Luce was capable of.Something powerful was behind it.Something beautiful and-
Shadows began to swirl in the rigging overhead. Heat quaked through her body, making her convulse,desperate for the fiery release she knew was coming.
Daniel's eyes flashed with pain. "No," he whispered. "Please don't go yet."
Somehow,it always took both of them by surprise.
”
”
Lauren Kate (Passion (Fallen, #3))
“
Those who govern on behalf of the rich have an incentive to persuade us we are alone in our struggle for survival, and that any attempts to solve our problems collectively – through trade unions, protest movements or even the mutual obligations of society – are illegitimate or even immoral. The strategy of political leaders such as Thatcher and Reagan was to atomize and rule. Neoliberalism leads us to believe that relying on others is a sign of weakness, that we all are, or should be, ‘self-made’ men and women. But even the briefest glance at social outcomes shows that this cannot possibly be true. If wealth were the inevitable result of hard work and enterprise, every woman in Africa would be a millionaire. The claims that the ultra-rich make for themselves – that they are possessed of unique intelligence or creativity or drive – are examples of the ‘self-attribution fallacy’.10 This means crediting yourself with outcomes for which you were not responsible. The same applies to the belief in personal failure that assails all too many at the bottom of the economic hierarchy today. From birth, this system of belief has been drummed into our heads: by government propaganda, by the billionaire media, through our educational system, by the boastful claims of the oligarchs and entrepreneurs we’re induced to worship. The doctrine has religious, quasi-Calvinist qualities: in the Kingdom of the Invisible Hand, the deserving and the undeserving are revealed through the grace bestowed upon them by the god of money. Any policy or protest that seeks to disrupt the formation of a ‘natural order’ of rich and poor is an unwarranted stay upon the divine will of the market. In school we’re taught to compete and are rewarded accordingly, yet our great social and environmental predicaments demand the opposite – the skill we most urgently need to learn is cooperation. We are set apart, and we suffer for it. A series of scientific papers suggest that social pain is processed11 by the same neural circuits as physical pain.12 This might explain why, in many languages, it is hard to describe the impact of breaking social bonds without the terms we use to denote physical pain and injury: ‘I was stung by his words’; ‘It was a massive blow’; ‘I was cut to the quick’; ‘It broke my heart’; ‘I was mortified’. In both humans and other social mammals, social contact reduces physical pain.13 This is why we hug our children when they hurt themselves: affection is a powerful analgesic.14 Opioids relieve both physical agony and the distress of separation. Perhaps this explains the link between social isolation and drug addiction.
”
”
George Monbiot (The Invisible Doctrine: The Secret History of Neoliberalism (& How It Came to Control Your Life))
“
After years of fighting, the war was a complete stalemate and would have ended almost immediately in a negotiated settlement (as had most other European conflicts) had not the U.S. declared war on Germany. As soon as Wilson's re-election had been engineered through the "he kept us out of war" slogan, a complete reversal of propaganda was instituted. In those days before radio and television, public opinion was controlled almost exclusively by newspapers. Many of the major newspapers were controlled by the Federal Reserve crowd. Now they began beating the drums over the "inevitability of war." Arthur Ponsonby, a memebr of the British parliament, admitted in his book Falsehood In War Time (E. P. Dutton & Co., Inc., New York, 1928): "There must have been more deliberate lying in the world from 1914 to 1918 than in any other period of the world's history." Propaganda concerning the war was heavily one-sided. Although after the war many historians admitted that one side was as guilty as the other in starting the war, Germany was pictured as a militaristic monster which wanted to rule the world. Remember, this picture was painted by Britain which had its soldiers in more countries around the world than all other nations put together. So-called "Prussian militarism" did exist, but it was no threat to conquer the world. Meanwhile, the sun never set on the British Empire! Actually, the Germans were proving to be tough business competitors in the world's markets and the British did not approve.
”
”
Gary Allen (None Dare Call It Conspiracy)
“
that night she dreamed of employing an army of women cleaners who would set forth across the planet on a mission to clean up all the damage done to the environment
they came from all over Africa and from North and South and South America, they came from India and China and all over Asia, they came from Europe and the Middle East, from Oceania, and from the Antarctic, too
she imagined them all descending in their millions on the Niger Delta and driving out the oil companies with their mop and broom handles transformed into spears and poison-tipped swords and machine guns
she imagined them demolishing al the equipment used for oil production, including the flare stacks that rose into the skies to burn the natural gas, her cleaners setting charges underneath each one, detonating from a safe distance and watching them being blown up
she imagined the local people cheering and celebrating with dancing, drumming and roasted fish
she imagined the international media filming it- CNN, BBC, NBC
she imagined the government unable to mobilize the poorly paid local militia because they were terrified by the sheer numbers of her Worldwide Army of Women Cleaners
who could vaporize them with their superhuman powers
afterwards, she imagined legions of singing women sifting the rivers and creeks to remove the thick slicks of grease that had polluted them and digging up the land until they'd removed the toxic sublayers of soil
she imagined the skies opening when the job was fone and the pouring of pure water from the now hygienic clouds for as long as it took for the region to be thoroughly cleansed and replenished
”
”
Bernardine Evaristo (Girl, Woman, Other)
“
We’ve known his family forever. He doesn’t seem to care about the scandal in ours, and he’s an excellent shot-“
“That would certainly be at the top of my list of requirements for a husband,” Minerva broke in, eyes twinkling. “’Must be able to hit a bull’s-eye at fifty paces.’”
“Fifty paces? Are you mad? It would have to be a hundred at least.”
Her sister burst into laughter. “Forgive me for not knowing what constitutes sufficient marksmanship for your prospective mate.” Her gaze grew calculating. “I heart that Jackson is a very good shot. Gabe said he beat everyone today, even you.”
“Don’t remind me,” Celia grumbled.
“Gabe also said he won a kiss from you.”
“Yes, and he gave me a peck on the forehead,” Celia said, still annoyed by that. “As if I were some…some little girl.”
“Perhaps he was just trying to be polite.”
Celia sighed. “Probably.
I didn’t kiss you “properly” today because I was afraid if I did I might not stop.
“The thing is…” Celia bit her lower lip and wondered just how much she should reveal to her sister. But she had to discuss this with someone, and she knew she could trust Minerva. Her sister had never betrayed a confidence. “That wasn’t the first time Jackson kissed me. Nor the last.”
Minerva nearly choked on her chocolate. “Good Lord, Celia, don’t say such things when I’m drinking something hot!” Carefully she set her cup on the bedside table. “He kissed you?” She seized Celia’s free hand. “More than once?”
Celia nodded.
Her sister cast her eyes heavenward. “And yet you’re debating whether to enter into a marriage of convenience with Lyons.” Then she looked alarmed. “You did want the man to kiss you, right?”
“Of course I wanted-“ She caught herself. “He didn’t force me, if that’s what you’re asking. But neither has Jackson…I mean, Mr. Pinter…offered me anything important.”
“He hasn’t mentioned marriage?”
“No.”
Concern crossed Minerva’s face. “And love? What of that?”
“That neither.” She set her own cup on the table, then dragged a blanket up to her chin. “He’s just kissed me. A lot.”
Minerva left the bed to pace in front of the fireplace. “With men, that’s how it starts sometimes. They desire a woman first. Love comes later.”
Unless they were drumming up desire for a woman for some other reason, the way Ned had. “Sometimes all they feel for a woman is desire,” Celia pointed out. “Sometimes love never enters into it. Like Papa with his females.”
“Mr. Pinter doesn’t strike me as that sort.”
“Well, he didn’t strike me as having an ounce of passion until he started kissing me.”
Minerva shot her a sly glance. “How is his kissing?”
Heat rose in her cheeks. “It’s very…er…inspiring.” Much better than Ned’s, to be sure.
“That’s rather important in a husband,” Minerva said dryly. “And what of the duke? Has he kissed you?”
“Once. It was…not so inspiring.” She leaned forward. “But he’s offering marriage, and Jackson hasn’t even hinted at it.”
“You shouldn’t settle for a marriage of convenience. Especially if you prefer Jackson.”
I don’t believe in marriages of convenience. Given your family’s history, I would think that you wouldn’t, either.
Celia balled the blanket into a knot. That was easy for Jackson to say-he didn’t have a scheming grandmother breathing down his neck. For that matter, neither did Minerva.
”
”
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
“
(about Pilgrims) It would be difficult to imagine a group of people more ill-suited to a life in the wilderness. They packed as if they had misunderstood the purpose of the trip. They found room for sundials and candle snuffers, a drum, a trumpet, and a complete history of Turkey. One William Mullins packed 126 pairs of shoes and 13 pairs of boots. Yet, between them they failed to bring a single cow or horse or plough or fishing line. Among the professions represented on the Mayflower's manifest were two tailors, a printer, several merchants, a silk worker, a shopkeeper and a hatter- occupations whose importance is not immediately evident when one thinks of surviving in a hostile environment. Their military commander, Miles Standish, was so diminutive of stature that he was known to all as "Captain Shrimpe" hardly a figure to inspire awe in the savage natives from whom they confidently expected to encounter. With the uncertain exception of the little captain, probably none in the party had ever tried to bring down a wild animal. Hunting in seventeenth century Europe was a sport reserved for the aristocracy. Even those who labelled themselves farmers generally had scant practical knowledge of husbandry, since farmer in the 1600s, and for some time afterwards, signified an owner of land rather than one who worked it.
They were, in short, dangerously unprepared for the rigours ahead, and they demonstrated their manifest incompetence in the most dramatic possible way: by dying in droves. Six expired in the first two weeks, eight the next month, seventeen more in February, a further thirteen in March. By April, when the Mayflower set sail back to England just fifty-four people, nearly half of them children, were left to begin the long work of turning this tenuous toe-hold into a self-sustaining colony.
”
”
Bill Bryson (Made in America an Informal History Of)
“
Inside McClintic Sphere was swinging his ass off. His skin was hard, as if it were part of the skull: every vein and whisker on that head stood out sharp and clear under the green baby spot: you could see the twin lines running down from either side of his lower lip, etched in by the force of his embouchure, looking like extensions of his mustache.
He blew a hand-carved ivory alto saxophone with a 4 ½ reed and the sound was like nothing any of them had heard before. The usual divisions prevailed: collegians did not dig, and left after an average of 1 ½ sets. Personnel from other groups, either with a night off or taking a long break from somewhere crosstown or uptown, listened hard, trying to dig. 'I am still thinking,’ they would say if you asked. People at the bar all looked as if they did dig in the sense of understand, approve of, empathize with: but this was probably only because people who prefer to stand at the bar have, universally, an inscrutable look…
…The group on the stand had no piano: it was bass, drums, McClintic and a boy he had found in the Ozarks who blew a natural horn in F. The drummer was a group man who avoided pyrotechnics, which may have irritated the college crowd. The bass was small and evil-looking and his eyes were yellow with pinpoints in the center. He talked to his instrument. It was taller than he was and didn’t seem to be listening.
Horn and alto together favored sixths and minor fourths and when this happened it was like a knife fight or tug of war: the sound was consonant but as if cross-purposes were in the air. The solos of McClintic Sphere were something else. There were people around, mostly those who wrote for Downbeat magazine or the liners of LP records, who seemed to feel he played disregarding chord changes completely. They talked a great deal about soul and the anti-intellectual and the rising rhythms of African nationalism. It was a new conception, they said, and some of them said: Bird Lives.
Since the soul of Charlie Parker had dissolved away into a hostile March wind nearly a year before, a great deal of nonsense had been spoken and written about him. Much more was to come, some is still being written today. He was the greatest alto on the postwar scene and when he left it some curious negative will–a reluctance and refusal to believe in the final, cold fact–possessed the lunatic fringe to scrawl in every subway station, on sidewalks, in pissoirs, the denial: Bird Lives. So that among the people in the V-Note that night were, at a conservative estimate, a dreamy 10 per cent who had not got the word, and saw in McClintic Sphere a kind of reincarnation.
”
”
Thomas Pynchon (Inherent Vice)
“
The village square teemed with life, swirling with vibrant colors and boisterous chatter. The entire village had gathered, celebrating the return of their ancestral spirit. Laughter and music filled the air, carrying with it an energy that made Kitsune smile. Paper lanterns of all colors floated lazily above, their delicate glow reflecting on the smiling faces below. Cherry blossoms caught in the playful breeze, their sweet, earthy scent settling over the scene. At the center, villagers danced with unbridled joy, the rhythm of the taiko drums and the melody of flutes guiding their steps. To the side, a large table groaned under the weight of a feast. Sticky rice balls, steamed dumplings, seaweed soup, sushi, and more filled the air with a mouthwatering aroma. As she approached the table, she was greeted warmly by the villagers, who offered her food, their smiles genuine and welcoming. She filled a plate and sat at a table with Goro and Sota, overlooking the celebration. The event brought back a flood of memories of a similar celebration from her childhood—a time when everything was much simpler and she could easily answer the question who are you? The memory filled her heart with a sweet sadness, a reminder of what she lost and what had carved the road to where she was now. Her gaze fell on the dancing villagers, but she wasn’t watching them. Not really. Her attention was fully embedded in her heart ache, longing for the past, for the life that was so cruelly ripped away from her. “I think... I think I might know how to answer your question,” she finally said, her voice soft and steady, barely audible over the cacophony of festivity around them. “Oh?” Goro responded, his face alight with intrigue. “I would have to tell you my story.” Kitsune’s eyes reflected the somber clouds of her past. Goro swallowed his bite of food before nodding. “Let us retire to the dojo, and you can tell me.” They retreated from the bustling square, leaving behind the chaos of the celebration. The sounds of laughter and chatter and drums carried away by distance. The dojo, with its bamboo and sturdy jungle planks, was bathed in the soft luminescence of the moonlight, the surface of its wooden architecture glistening faintly under the glow. They stepped into the silent tranquility of the building, and Kitsune made her way to the center, the smooth, cool touch of the polished wooden floor beneath her providing a sense of peace. Assuming the lotus position, she calmed herself, ready to speak of memories she hadn’t confronted in a long time. Not in any meaningful way at least. Across from her, Goro settled, his gaze intense yet patient, encouraging her with a gentle smile like he somehow already understood her story was hard to verbalize.
”
”
Pixel Ate (Kitsune the Minecraft Ninja: A middle-grade adventure story set in a world of ninjas, magic, and martial arts)
“
I stand condemned before the court of human justice. The odds are not in my favor. The judge is about to give its verdict - guilty as charged. My detractors are ready to roll out the drums, happy for my downfall. My friends' faces are frozen, ashamed that they know me. As the judge prepares to give his verdict, MERCY - a friend of the court and the de facto judge - springs to his feet. He requests for the charge sheet and tears it into shreds. MERCY takes up the judge's seat, sets aside the pending judgment, and pronounces me 'discharged and acquitted'. Wow! MERCY rubbishes the credible charges and averts the certain judgment. Justice operates on facts, MERCY seeks the truth. Justice sees the past, MERCY sees into the future. If you fully understand MERCY, you must be a saint. Because, I don't. But I love it when God demonstrates it. I am even not ashamed to ask for MERCY.
”
”
Abiodun Fijabi
“
Suddenly the confusing image he had sought so desperately came back unbidden; Brianna's face, with its broad, clean bones, blue eyes set slantwise about a long, straight nose. But Brianna's face grown older, weathered to bronze, rough-cut and toughened by masculinity and experience, blue eyes gone black with a murderous rage. Jamie Fraser
”
”
Diana Gabaldon (Drums of Autumn (Outlander, #4))
“
There is no love without loss. I hear the drums that vibrate to the heartbeat of the earth. THey set me dancing. I see the clouds that wreathe the summits. They set me dreaming. I know the wonder of waves that shake the headlands. They awaken my soul.
”
”
N. Scott Momaday (Earth Keeper: Reflections on the American Land)
“
The list was astounding. There were ten heads in all: one full head in the refrigerator, four skulls in a small floor freezer, three painted skulls in metallic colors, and two that were bone-dry white. Those that were still relatively identifiable were matched with either police or family photos. The large blue hermetically sealed industrial drum from the bedroom contained severed human flesh and four completely dismembered bodies covered in a solution of muriatic acid. There were sets of hands, a human scalp, and two well-preserved penises found in plastic pails hidden in the closet. A four-drawer metal filing cabinet from the living room contained the entire skeletal structure of a victim. The bones inside had been treated with the various solvents and were immaculately clean. There was a variety of knives. One had a large contoured black plastic handle with a six-inch serrated blade and the word Bushwacker molded into it. There was a small drill with several bits, numerous handsaws, forks, plates, and a stovetop broiler adapter, all encrusted with human bone and flesh and trace blood evidence.
”
”
Patrick Kennedy (GRILLING DAHMER: The Interrogation Of "The Milwaukee Cannibal")
“
Women under 30 who don’t have children have closed the pay gap with their male counterparts. Once women have kids, they go to 77 cents on the dollar relative to their male counterparts. Part of our ability to create the same career trajectory for women with kids is to create more options and flexibility around where they work from. Part of working from home is the ability to work at different hours than the rest of your team, allowing for family needs like caretaking, side gigs, or hobbies that contribute to a work-life balance. It may be time to unroll the yoga mat or dust off the drum set in the garage, instead of spending 225 hours, or 9 full days, a year commuting.
”
”
Scott Galloway (Post Corona: From Crisis to Opportunity)
“
CHAPTER 3 THE BHAGAVAD-GITA Arjuna's chariot had come to the front. His banner was presided over by Hanuman. He could now see the sons of Dhritarashtra and the vyuha set up by his grandfather. In the deafening noise set up by the several conchs and the war drums and trumpets Arjuna, taking up his Gandiva in his hand, said: "Krishna, set my chariot right in the midst of the two contending armies. I want to see the heroes who are arrayed against us. I want to have a good look on these men who are so eager for battle. I want to see with whom I have to fight in this war. I want to see all the many heroes who are so eager to please Duryodhana".
”
”
Kamala Subramaniam (Mahabharata)
“
My last image of Cambodia was of darkness, it was the sound of nearly forty mute wanderers, of silent prayers. I closed my eyes.
My father told my Hanuman had crossed the ocean, how he had gone into another life. Look back, my mother said, one last time. I follwed through our twilit apartment, walked in the shade of my father, past bare walls and open windows, the noise of the street pouring in. Between us, she said, I had known love, I had lived a childhood that might sustain me.
I remembered beauty. Long ago, it had not seemed necessary to note its presence, to memorize it, to set the dogs out at the perimeter. I felt her in the persistent drumming of water against the boat's hull.
Guard the ones you love, she told me. Carry us with you into the next life.
”
”
Madeleine Thien (Dogs at the Perimeter)
“
We were banned from Canterbury Art College because our roadie, Mongo Tom, drank our after-show beer and wine, got on stage and people thought he was the support act. He stripped naked to the background music, put Billy’s drum sticks up his arse, and began to gyrate while balancing our last bottle of wine on his head. You should have seen the faces of the punters as they walked in. After this hilarity, he disappeared. He got in the back of his van, passed out and shat himself! Very runny it was too; he rolled around in it for a few hours until we had finished our set. All was going well until I went to find him. When I opened the van doors, the smell was bad; he staggered out crying, ‘Help me, Lee!’ I ran a mile.
“As we were packing up the gear he went back in – no one would go near him – and removed all the fag machines from the walls! These were hidden in his van. Then he turned up at the after-show party at one of the student union houses. He got in every bed to clean himself up, stole all of the girls’ underwear and generally made an arse of himself. That was the only gig that he did with us. He eventually ended up in nick for drug smuggling!
”
”
Ian Glasper (Burning Britain: The History of UK Punk 1980-1984)
“
It’s about time I started looking for a new challenge.” It struck me then how young she was: late twenties, at most. She was of a different generation. My father had drummed into me the importance of finding a job for life, one with a strong union behind it, good healthcare and benefits, and from which you couldn’t easily be dismissed, short of setting fire to your place of employment and giggling while it burned. That hadn’t really worked out for me, but I doubt it had ever even crossed Delaney Duhamel’s mind.
”
”
John Connolly (The Instruments of Darkness (Charlie Parker, #21))
“
Our species could not have survived if a majority of our traumatized ancestors lost their capacity to function well. The pillars of traditional healing were 1) connection to clan and the natural world; 2) regulating rhythm through dance, drumming, and song; 3) a set of beliefs, values, and stories that brought meaning to even senseless, random trauma; and 4) on occasion, natural hallucinogens or other plant-derived substances used to facilitate healing with the guidance of a healer or elder. It is not surprising that today’s best practices in trauma treatment are basically versions of these four things. Unfortunately, few modern approaches use all four of the options well. The medical model overfocuses on psychopharmacology (4) and cognitive behavioral approaches (3). It greatly undervalues the power of connectedness (1) and rhythm (2).
”
”
Bruce D. Perry (What Happened to You?: Conversations on Trauma, Resilience, and Healing)
“
The roots of jazz and blues extend back through slavery to the collective rhythmic patterns of indigenous tribes in West Africa, where cannabis had thrived for centuries. Thrown upon bonfires, marijuana leaves and flowers augmented nocturnal healing rituals with drum circles, dancing, and singing that invoked the spirit of the ancestors and thanked them for imparting knowledge of this botanical wonder. It was only natch that Satch, the musical savant and dagga devotee, felt right at home as soon as he set foot on West African soil. “After all,” he explained, “my ancestors came from here, and I still have African blood in me.
”
”
Martin A. Lee (Smoke Signals: A Social History of Marijuana - Medical, Recreational and Scientific)
“
Dang, spiders like Slinger are scary things... I heard the Glitch spider’s feet drumming around inside its cobblestone coffin. It hissed again. I think I heard it clack its fangs desperately against the stone. What a terrible way to go, I thought. “We should move on, my lord,” Skonathan said. “We’ve made a good bit of noise. Others may come.” I turned to look at the other side of the crisscrossing tunnel. It was also a dead end. This area was all there was to secure in between the Sleeping City and the bottom tunnels. “This area is clear,” I said. “Let’s go, but be careful. There are five or six Glitch mobs down there, at least. I remember zombies, a skeleton—maybe more than one—and at least one spider. I can’t remember if there were any creepers...” “Let’s do it the same way,” UltimateSword5 said. “Let’s be quick and quiet, and handle them one or two at a time.” “Good idea, if it works,” I replied. “Now, down there, there’s a gravel column I made leading up. I’ll have to make some stairs...” We moved on down the tunnel. The trapped Glitch mobs struggled and made noises on the other side of their cobblestone prisons behind us. Eventually, we stood at the edge of the big hole leading down into the open cavern where I built my way out of darkness with gravel before. I was feeling more confident, but looking down at that hole, seeing the bedrock in the cavern floor below, a cold dread started filling my bones. Soon, we would hear the low, dark moaning of the crimson portal—a lot like a Nether portal, but even more evil, if that was possible... My mind began wondering what lay on the other side of that gateway to another world. Another server, a strange voice echoed in my head. Had I heard that somewhere before? Server?? Where’d that word come from? These mixed-up memories were so confusing sometimes... I shook my skull, and pulled out some cobblestone. Reaching out carefully, I quickly built a crude staircase leading down for us to use instead of messing around with the gravel. “You’re good at that,” UltimateSword5 said. “Like ... you were a Minecraftian once or something.” I laughed. We slowly and quietly stepped down into the terrible tunnels. As soon as I set my bony foot on the hard bedrock floor, I heard the hiss of another spider, then, I remembered the creature that tried to chase me up the gravel last time I was here. As I pinpointed the glowing crimson arachnid eyes coming at me from a dark corner of the cavern, a chill fluttered up my bones when I remember that I had dropped gravel on that spider in my escape. It had glitched. There was another spider around here somewhere... “Spider!” I snapped quietly. Ulti ran down the stairs and stood next to me. As the red-eyed arachnid on the other side of the cavern charged at me, its clawed feet tearing at the stone and bedrock floor, Skonathan leapt down to stand in front of me! I suddenly
”
”
Skeleton Steve (Diary of Skeleton Steve, the Noob Years, Season 3 (Diary of Skeleton Steve, the Noob Years #13-18))
“
I kicked off my blanket in disgust. I’d dreamt of being beaten. The memory of the dream fluttered in front of me, still vivid. It was my eleventh birthday, and the older boudas had chased me into an old farm equipment store. I’d hid in a metal drum trough, the kind used to feed the pigs. They’d found me, poured kerosene into the drum, and set me on fire.
”
”
Ilona Andrews (Gunmetal Magic (Kate Daniels #5.5))
“
Sorasa Sarn rolled out onto the cold floor and Dome’s vision slanted, his head spinning.
Ronin laughed, the sound like shattering glass.
“Honestly, I expected more from an Amhara.”
Something snapped in Domacridhan, bone-deep. Like an earthquake breaking a mountain. He knew only fury, only rage. He felt nothing, not even the snapping of the chains around his wrist, the steel links shearing apart beneath his own force. Whatever immortal soul he carried disappeared, reducing him to little more than beast. Six harried, terrified heartbeats thrummed alongside his own. The knight and guards looked on him as they would a monster, the whites of their eyes flaring. Sigil’s heart raged, mirroring her anger.
But Ronin’s heartbeat remained even.
The wizard was not afraid.
Weakly, beneath the rest, another heat drummed. Steady but slow. And stubbornly alive.
“Sorasa, SORASA!” Sigil’s cry rebounded off the walls, her voice coming from seemingly everywhere.
Don’s free hand went to his collar, his fingers working to grip the metal edge.
“She’s alive,” he bit out.
It calmed Sigil, but only a little.
“Tsk, tsk, Domacridhan,” the wizard said, ticking his head back and forth. With another twitch of his fingers, he gestured to the knights again.
Wide-eyed as they were, they locked Sorasa in her cell and made for Dom.
Metal groaned as Dom pulled away the collar, its screws tearing out of the stove behind him. With both shoulders and one arm free, he went for his other wrist next.
The jailer’s key jingled closer, the lock on his cell door clicking open, and three of the knights surged in. Dom caught the first knight by the gauntlet, his open palm wrapping around an armored wrist.
In the corridor, the fourth knight yelped, coming too close to Sigil’s cell. She moved lightning fast, thrusting an arm through the bars to grab him around his throat.
The other knights surrounded Dom, leaving their compatriot to fend for himself as they overwhelmed the immortal. To his surprise, they left their swords sheathed, using all their weight to pin his arm back against the wall.
Dom cursed them in his own language, loosing five hundred years of immortal rage. His teeth snapped, inches from their armor, fighting to find any gap of skin. Desperation set in slowly, his window of opportunity disappearing with every second.
One of the knights put his forearm to Dom’s neck, throwing all his weight into it. Steel slammed against his throat.
“You accomplished nothing but a few new bruises,” Ronin said above the sun.
”
”
Victoria Aveyard (Fate Breaker (Realm Breaker, #3))
“
Sorasa Sarn rolled out onto the cold floor and Dom’s vision slanted, his head spinning.
Ronin laughed, the sound like shattering glass.
“Honestly, I expected more from an Amhara.”
Something snapped in Domacridhan, bone-deep. Like an earthquake breaking a mountain. He knew only fury, only rage. He felt nothing, not even the snapping of the chains around his wrist, the steel links shearing apart beneath his own force. Whatever immortal soul he carried disappeared, reducing him to little more than beast. Six harried, terrified heartbeats thrummed alongside his own. The knight and guards looked on him as they would a monster, the whites of their eyes flaring. Sigil’s heart raged, mirroring her anger.
But Ronin’s heartbeat remained even.
The wizard was not afraid.
Weakly, beneath the rest, another heat drummed. Steady but slow. And stubbornly alive.
“Sorasa, SORASA!” Sigil’s cry rebounded off the walls, her voice coming from seemingly everywhere.
Don’s free hand went to his collar, his fingers working to grip the metal edge.
“She’s alive,” he bit out.
It calmed Sigil, but only a little.
“Tsk, tsk, Domacridhan,” the wizard said, ticking his head back and forth. With another twitch of his fingers, he gestured to the knights again.
Wide-eyed as they were, they locked Sorasa in her cell and made for Dom.
Metal groaned as Dom pulled away the collar, its screws tearing out of the stove behind him. With both shoulders and one arm free, he went for his other wrist next.
The jailer’s key jingled closer, the lock on his cell door clicking open, and three of the knights surged in. Dom caught the first knight by the gauntlet, his open palm wrapping around an armored wrist.
In the corridor, the fourth knight yelped, coming too close to Sigil’s cell. She moved lightning fast, thrusting an arm through the bars to grab him around his throat.
The other knights surrounded Dom, leaving their compatriot to fend for himself as they overwhelmed the immortal. To his surprise, they left their swords sheathed, using all their weight to pin his arm back against the wall.
Dom cursed them in his own language, loosing five hundred years of immortal rage. His teeth snapped, inches from their armor, fighting to find any gap of skin. Desperation set in slowly, his window of opportunity disappearing with every second.
One of the knights put his forearm to Dom’s neck, throwing all his weight into it. Steel slammed against his throat.
“You accomplished nothing but a few new bruises,” Ronin said above the din.
”
”
Victoria Aveyard (Fate Breaker (Realm Breaker, #3))
“
One sublime example of a song winging in from the ether is “Happy.” We did that in an afternoon, in only four hours, cut and done. At noon it had never existed. At four o’clock it was on tape. It was no Rolling Stones record. It’s got the name on it, but it was actually Jimmy Miller on drums, Bobby Keys on baritone and that was basically it. And then I overdubbed bass and guitar. We were just waiting for everybody to turn up for the real sessions for the rest of the night and we thought, we’re here; let’s see if we can come up with something. I’d written it that day. We got something going, we were rocking, everything was set up and so we said, well, let’s start to work it down and then we’ll probably hit it with the guys later. I decided to go on the five-string with the slide and suddenly there it was. Just like that. By the time they got there, we had it. Once you have something, you just let it fly.
”
”
Keith Richards (Life)
“
With the cocky smile she had taken for her stage persona, she looked the audience in the eye as she chopped out rhythms, bounded up on Lisa’s drum rises, down to rejoin Monica at the microphone for a chorus, down again to the dance floor to play a lead break among the club’s patrons. Her spandex was soaked by the middle of the first set, her hair wilting in spite of its coating of spray, but still she moved with energy, grinning with a surety and an openness that would have startled her fellow students at the harpers’ school.
”
”
Gael Baudino (Gossamer Axe)
“
Padma shook her head and sighed loudly. Her friend was foolish to think evil would simply disappear and leave them alone. “There is talk of a syndicate rising up. They are not happy with what you have set up here.” “Of course they’re not. But that’s just too bad.” Charlie sat across from her and frowned. “Before I was abducted, I was aware of poverty in the general sense, but the personal stories of bondage are so real and so heart wrenching.” “Charlie, please, you need to focus on the matter at hand,” Padma urged. “But don’t you see, it’s all connected. More than thirty million people are in some form of slavery worldwide. Thirty million!” Drumming her fingers on the desk, Charlie gave a weak smile. “I cannot stand by and do nothing. India has my heart and sadly it is one of the worst countries for human trafficking. You and I can attest to that.
”
”
Tracey Hoffmann (Eli (Valley of Chaya #2))
“
Unfortunately, Ms. Palin is hardly the only passenger on the intellectual short bus. Going right from her Election Day loss, she immediately became the hard-core right’s drum majorette, leading a parade of folksy, old-timey stupidity into the American conversation. And that stupidity has taken root, not merely as another side in the debate, but in many respects, setting the narrative. It not only laid the groundwork for the Tea Party, but has infected all branches of government, from the lowliest Texas school board idiot who thinks the Earth is 6000 years old, right up to a late Supreme Court Justice. In
”
”
Ian Gurvitz (WELCOME TO DUMBFUCKISTAN: The Dumbed-Down, Disinformed, Dysfunctional, Disunited States of America)
“
For a moment, I saw him as he had looked the morning I married him. The sett of his tartan was nearly the same now as then; black check on a crimson ground, plaid caught at his shoulder with a silver brooch, dipping to the calf of a neat, stockinged leg. His linen was finer now, as was his coat; the dirk he wore at his waist had bands of gold across the haft. Duine uasal was what he looked, a man of worth. But the bold face above the lace was the same, older now, but wiser with it—yet the tilt of his shining head and the set of the wide, firm mouth, the slanted clear cat-eyes that looked into my own, were just the same. Here was a man who had always known his worth.
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Diana Gabaldon (Drums of Autumn (Outlander, #4))
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THE OLD CAR WAS SUNK TO THE BUMPERS WHEN I DISCOVERED IT, but my first thought was how good it would be to sleep in there and hear the rain drumming on steel rather than splattering against our tattered old tarp. I was Maggie back then. Maggie, the name my parents gave me. A nice name. But these weren’t nice times. We were tired and hungry, and the GreyDevil bonfires were burning brighter and the solar bear howls were getting closer, and every morning as I strapped my SpitStick across my back and set out to scavenge, I found myself thinking I needed a better name. A stronger name. I mean, the name Maggie was fine, it just seemed kinda underpowered. So when I scrubbed the moss from the side of that old car overlooking Goldmine Gully and saw the chrome letters—Ford Falcon—I climbed up on the hood and stood there with my steel-toed boots planted wide and I wedged my fists on my hips and I announced that Maggie was yesterday, and from this day forward I would answer only to Ford Falcon. Ford, because we had a lot of rivers to cross. Falcon, because, well, if you have a lot of rivers to cross, a pair of wings can’t hurt, and then once you get across the river it’s likely you will need sharp eyes and an even sharper beak. Yes. I know. I named myself after an old dead car. Worse yet, it’s not even a cool car. It’s a station wagon. Station wagons were how parents hauled kids around during the time between covered wagons and minivans. These days you won’t see a minivan unless it’s being pulled by a horse, and even horses are hard to come by. But if you see me you will know me because I wear a vest made from the hide of a beast that tried to kill me and lost. I skinned that beast myself, and also I skinned the lettering from that old dead car and stitched it to the vest across my shoulder blades using copper wire so that in polished chrome the world can read my name and know it: Ford Falcon.
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Michael Perry (The Scavengers)
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Before I was even halfway up the steep ridge, I heard the ngoma. Drums set the air vibrating and rang through the ground under my feet as if something were tunnelling powerfully in every direction at once.
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Paula McLain (Circling the Sun)
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As they strode through the meadow, she had the eerie sensation of walking atop waves. Except this was a sea of petals, not saltwater. Her toe caught on a fallen branch, and she stumbled a bit.
"Are you all right?" Colin asked.
She nodded. "I was just distracted. Wondering how much loam is in this soil."
"What?"
He set down his side of the trunk. Minerva did the same.
"You know," she said. "Loam. A mix of clay and sand. In order for he soil to support this many bluebells, it would-"
"You're standing in the middle of this," -he spread his arms wide to indicate Nature's splendor- " and you're thinking about loam in the soil? You spend far too much time staring at the ground."
Rounding the trunk, Colin plucked her off her feet. With gentle strength, he tumbled her into the bluebells. She lay flat on her back, breathless and dizzy from the sudden inversion. From the sudden nearness of him.
He lay down next to her. "There. Have a rest. Look up at the sky for a change."
Minerva stared up from the uneven ground. Her heartbeat drummed in her ears, and a crushed green scent engulfed her senses. The grasses and bluebells towered over her, swaying in the gentle breeze and dripping loveliness. Above everything, the sky hovered brilliantly and blue. Nearly cloudless, save for a few wispy, changing puffs of white that were apparently too proud to mimic rabbits or dragons or sailing ships.
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Tessa Dare (A Week to be Wicked (Spindle Cove, #2))
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No place in Haiti was easy to get to and to drive to their lodge would take a couple of hours, so they sent a van to pick us up. It was already evening and the sun had just set, as we made our way up into the mountains behind Port-au-Prince. As we bounced along the dirt road winding through the hills, I could distinctly hear the rhythm of drums and see fires on the distant mountains. Mrs. Allen, who was with us, explained that in the 1940’s devout members of the Catholic faith considered the Voodoo rites an abomination of their faith. They armed themselves and started to eradicate from Haiti what they considered a cult. The entire thing turned into a war! They burned voodoo temples and shrines, and killed some of the practitioners as well as voodoo priests. In the end, the Catholic hierarchy gave up and after a time reached a tacit understanding with them. They now allowed Voodoo drums and songs to be sung in Catholic Church services and ignored what they once called devil worship.
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Hank Bracker
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But if a man’s bound to go to the devil, he’ll find a way to do it, no matter where ye set him down.
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Diana Gabaldon (Drums of Autumn (Outlander, #4))
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Grace rolled up her sleeves and joined the group in the kitchen, where Gladys, Pablo's wife, had worked all day directing many other women who kept food pouring out the front and side door, onto a long series of folding tables, all covered in checkered paper table cloths. While some of the women prepped and cooked, others did nothing but bring food out and set it on the table- Southern food with a Mexican twist, and rivers of it: fried chicken, chicken and dumplings, chicken mole, shrimp and grits, turnip greens, field peas, fried apples, fried calabaza, bread pudding, corn pudding, fried hush puppies, fried burritos, fried okra, buttermilk biscuits, black-eyed peas, butter bean succotash, pecan pie, corn bread, and, of course, apple pie, hot and fresh with sloppy big scoops of local hand-churned ice creams.
As the dinner hours approached, Carter grabbed Grace out of the kitchen, and they both joined Sarah, Carter's friend, helping Sarah's father throw up a half-steel-kettle barbecue drum on the side of the house. Mesquite and pecan hardwoods were quickly set ablaze, and Dolly and the quilting ladies descended on the barbecue with a hurricane of food that went right on to the grill, whole chickens and fresh catfish and still-kicking mountain trout alongside locally-style grass-fed burgers all slathered with homemade spicy barbecue sauce. And the Lindseys, the elderly couple who owned the fields adjoining the orchard, pulled up in their pickup and started unloading ears of corn that had been recently cut. The corn was thrown on the kettle drum, too, and in minutes massive plumes of roasting savory-sweet smoke filled the air around the house. It wafted into the orchards, toward the workers who soon began pouring out of the house.
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Jeffrey Stepakoff (The Orchard)
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Most of us have no other frame of reference than that which we get from our parents, but Jenny had an inner voice that told her something was wrong with the way she was being treated. That so much native strength was defeated demonstrates the power a dysfunctional family can have. The disease of the parents defeated the health of the child. Jenny had drummed out of her her right to have a self. But through years of oppression, a spark in Jenny remained alive. This spark, this powerful need to become herself, got Jenny into therapy and kept her devoted to the process until that inner spark could burst into flame.
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Anne Katherine (Boundaries Where You End And I Begin: How To Recognize And Set Healthy Boundaries)