Dropping Gems Quotes

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The point is that when you're playing D&D and your group comes across a heap of treasure, or a big sparkly gem, or a magical skull, you should never take it. It's always a trap." He uncrossed his arms and waved them wildly. "This is a trap." Jace was silent. He was looking at Simon thoughtfully, as if he'd never seen him before, or at least never considered him so closely. "Come here," he said. Simon moved toward him, his eyebrows raised. "What-oof!" Jace had dropped his sword into Simon's hands. "Hold this for me while I climb," Jace said, and leaped up onto the plinth.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
I consider the positions of kings and rulers as that of dust motes. I observe treasure of gold and gems as so many bricks and pebbles. I look upon the finest silken robes as tattered rags. I see myriad worlds of the universe as small seeds of fruit, and the greatest lake in India as a drop of oil on my foot. I perceive the teachings of the world to be the illusion of, magicians. I discern the highest conception of emancipation as golden brocade in a dream, and view the holy path of the illuminated one as flowers appearing in one's eyes. I see meditation as a pillar of a mountain, Nirvana as a nightmare of daytime. I look upon the judgment of right and wrong as the serpentine dance of a dragon, and the rise and fall of beliefs as but traces left by the four seasons.
Gautama Buddha
And, Legolas, when the torches are kindled and men walk on the sandy floors under the echoing domes, ah! Then, Legolas, gems and crystals and veins of precious ore glint in the polished walls; and the light glows through folded marbles, shell-like, translucent as the living hands of Queen Galadriel. There are columns of white and saffron and dawn-rose, Legolas, fluted and twisted into dreamlike forms; they spring up from many-coloured floors to meet the glistening pendants of the roof: wings, ropes, curtains fine as frozen clouds; spears, banners, pinnacles of suspended palaces! Still lakes mirror them: a glimmering world looks up from dark pools covered with clear glass; cities, such as the mind of Durin could scarce have imagined in his sleep, stretch on through avenues and pillared courts, on into the dark recesses where no light can come, And plink! A silver drop falls, and the round wrinkles in the glass make all the towers bend and waver like weeds and corals in a grotto of the sea. Then evening comes:” they fade and twinkle out; the torches pass on into another chamber and another dream. There is chamber after chamber, Legolas; hall opening out of hall, dome after dome, stair beyond stair; and still the winding paths lead on into the mountains’ heart. Caves! The Caverns of Helm’s Deep! Happy was the chance that drove me there! It makes me weep to leave them.
J.R.R. Tolkien (The Lord of the Rings)
In all that I saw, I was satisfied, for I could dance in the drops of water, laugh with the laps of joyous tears, and sing to the songs of streaming senses.
Kayla Severson (Nature's 1st Gem Is Green)
How they are all about, these gentlemen In chamberlains' apparel, stocked and laced, Like night around their order's star and gem And growing ever darker, stony-faced, And these, their ladies, fragile, wan, but propped High by their bodice, one hand loosely dropped, Small like its collar, on the toy King-Charles: How they surround each one of these who stopped To read and contemplate the objects d'art, Of which some pieces still are theirs, not ours. Whit exquisite decorum they allow us A life of whose dimensions we seem sure And which they cannot grasp. They were alive To bloom, that is be fair; we, to mature, That is to be of darkness and to strive.
Rainer Maria Rilke (The Best of Rilke)
It showed a tiny baby girl floating in a clear glass vessel. The baby held a silver rose in one hand, a golden rose in the other. On its feet were tiny wings, and drops of red liquid showered down on the baby’s long black hair. Underneath the image was a label written in thick black ink indicating that it was a depiction of the philosophical child—an allegorical representation of a crucial step in creating the philosopher’s stone, the chemical substance that promised to make its owner healthy, wealthy, and wise. The colors were luminous and strikingly well preserved. Artists had once mixed crushed stone and gems into their paints to produce such powerful colors. And the image itself had been drawn by someone with real artistic skill. I had to sit on my hands to keep them from trying to learn more from a touch here and there.
Deborah Harkness (A Discovery of Witches (All Souls Trilogy, #1))
What about light then? All things, once seen, they didn't just die, that couldn't be. It must be then that somewhere, searching the world, perhaps in the dripping multiboxed honeycombs where light was an amber sap stored by pollen-fired bees, or in the thirty thousand lenses of the moon dragonfly's gemmed skull you might find all the colors and sights of the world in any one year. Or pour one single drop of this dandelion wine beneath a microscope and perhaps the entire world of July Fourth would firework out in Vesuvius showers.
Ray Bradbury (Dandelion Wine)
We play at paste, Till qualified for pearl, Then drop the paste, And deem ourself a fool. The shapes, though, were similar, And our new hands Learned gem-tactics Practising sands.
Emily Dickinson
Somewhere, a book said once, all the talk ever talked, all the songs ever sung, still lived, had vibrated way out in space and if you could travel to Far Centauri you could hear George Washington talking in his sleep or Caesar surprised at the knife in his back. So much for sounds. What about light then? All things, once seen, they didn't just die, that couldn't be. It must be then that somewhere, searching the world, perhaps in the dripping multiboxed honeycombs where light was an amber sap stored by pollen-fired bees, or in the thirty thousand lenses of the noon dragonfly's gemmed skull you might find all the colors and sights of the world in any one year. Or pour one single drop of this dandelion wine beneath a microscope and perhaps the entire world of July Fourth would firework out in Vesuvius showers.
Ray Bradbury (Dandelion Wine)
Seal with a seal of gold The scroll of a life unrolled; Swathe him deep in his purple stole; Ashes of diamonds, crystalled coal, Drops of gold in each scented fold. Crimson wings of the Little Death, Stir his hair with your silken breath; Flaming wings of sins to be, Splendid pinions of prophecy, Smother his eyes with hues and dyes, While the white moon spins and the winds arise, And the stars drip through the skies. Wave, O wings of the Little Death! Seal his sight and stifle his breath, Cover his breast with the gemmed shroud pressed; From north to north, from west to west, Wave, O wings of the Little Death! Till the white moon reels in the cracking skies, And the ghosts of God arise.
Robert W. Chambers (The Messenger)
Just beyond the opening the cave was higher, and as the boat floated into the dim interior they found themselves on quite an extensive branch of the sea. For a time neither of them spoke and only the soft lapping of the water against the sides of the boat was heard. A beautiful sight met the eyes of the two adventurers and held them dumb with wonder and delight. It was not dark in this vast cave, yet the light seemed to come from underneath the water, which all around them glowed with an exquisite sapphire color. Where the little waves crept up the sides of the rocks they shone like brilliant jewels, and every drop of spray seemed a gem fit to deck a queen.
L. Frank Baum (The Sea Fairies - Fully Illustrated Version)
As in diamonds so in batting, perfection requires flawlessness and nowhere is a batting imperfection more quickly recognised than in the dropped catch. For this reason any innings worthy of consideration deserves to have all its flaws studied to establish whether or not it is the genuine gem or just masquerading as one under the glitter of big hitting or weight of runs.
Patrick Ferriday (Masterly Batting: 100 Great Test Innings)
We believe we have dived down to the most unfathomable depths, and when we reappear on the surface, the drop of water that glistens on our trembling finger-tips no longer resembles the sea from which it came. We believe we have discovered a grotto that is stored with bewildering treasure; we come back to the light of day, and the gems we have brought are false – mere pieces of glass – and yet does the treasure shine on, unceasingly, in the darkness!
Maurice Maeterlinck (The Treasure of the Humble)
Maloney looked around my room and nodded like he approved of the extravagance surrounding him: the inch-thick carpet with its diamond designs, the half moon flock of the wallpaper, and the antique furniture, polished to a museum quality shine. The two goons he brought with him flanked the door, equally impressed, I could tell by their dropped jaws and roving, wanton eyes. One of them set a briefcase on the floor beside him. Finally Maloney’s eyes found me, and his expression turned from amazement to shock. “I didn’t expect you to be--” “A Vampire?” I asked, feeling the touch of a smile form on my lips.
Craig Jones (Gem - No Loose Ends)
In the second story, which reminds me to look inward for solutions to what may be troubling me, the ninth-century sage Rabia was looking for a lost key under a streetlight. Her neighbors turned out to help, but without success. Finally, they asked where she might have dropped the key, so that they could better focus their search. “Actually,” said Rabia, “I lost it in my house.” Bemused, they asked her why she didn’t look for it there. “Because,” she said, “there’s no light in my house, but out here the light is bright!” The neighbors laughed, and Rabia seized the moment to make her point. “Friends,” she said, “you are intelligent people and that is why you laugh. But tell me: When you lose your joy or peace of mind because of some disappointment or hardship, did you lose it out there [gesturing around her] or in here [gesturing to her heart]?” We tend to lay blame on our external circumstances and seek superficial solutions, but the truth is that we lost our peace and joy inside ourselves. We avoid looking inside us, where the light is dim. When we make it a lifelong practice to shine the light of compassionate awareness on ourself, our shadow gently begins to diminish, and we come closer to discovering our radiant, divine Self.
Jamal Rahman (Spiritual Gems of Islam: Insights & Practices from the Qur’an, Hadith, Rumi & Muslim Teaching Stories to Enlighten the Heart & Mind)
ONCE it smiled a silent dell         Where the people did not dwell;         They had gone unto the wars,         Trusting to the mild-eyed stars,         Nightly, from their azure towers,         To keep watch above the flowers,         In the midst of which all day         The red sunlight lazily lay.         Now each visitor shall confess         The sad valley’s restlessness.         Nothing there is motionless—         Nothing save the airs that brood         Over the magic solitude.         Ah, by no wind are stirred those trees         That palpitate like the chill seas         Around the misty Hebrides!         Ah, by no wind those clouds are driven         That rustle through the unquiet Heaven         Unceasingly, from morn till even,         Over the violets there that lie         In myriad types of the human eye—         Over the lilies there that wave         And weep above a nameless grave!         They wave:—from out their fragrant tops         Eternal dews come down in drops.         They weep:—from off their delicate stems         Perennial tears descend in gems.
Edgar Allan Poe (The Poems of Edgar Allan Poe)
[Nero] castrated the boy Sporus and actually tried to make a woman of him; and he married him with all the usual ceremonies, including a dowry and a bridal veil, took him to his house attended by a great throng, and treated him as his wife. This Sporus, decked out with the finery of the empresses and riding in a litter, he took with him to the assizes and marts of Greece, and later at Rome through the Street of the Images,​ fondly kissing him from time to time. That he even desired illicit relations with his own mother, and was kept from it by her enemies, who feared that such a help might give the reckless and insolent woman too great influence, was notorious, especially after he added to his concubines a courtesan who was said to look very like Agrippina. Even before that, so they say, whenever he rode in a litter with his mother, he had incestuous relations with her, which were betrayed by the stains on his clothing. He so prostituted his own chastity that after defiling almost every part of his body, he at last devised a kind of game, in which, covered with the skin of some wild animal, he was let loose from a cage and attacked the private parts of men and women, who were bound to stakes, and when he had sated his mad lust, was dispatched​ by his freedman Doryphorus; for he was even married to this man in the same way that he himself had married Sporus, going so far as to imitate the cries and lamentations of a maiden being deflowered. He made a palace extending all the way from the Palatine to the Esquiline, which at first he called the House of Passage, but when it was burned shortly after its completion and rebuilt, the Golden House. Its size and splendour will be sufficiently indicated by the following details. Its vestibule was large enough to contain a colossal statue of the emperor a hundred and twenty feet high; and it was so extensive that it had a triple colonnade​ a mile long. There was a pond too, like a sea, surrounded with buildings to represent cities,​ besides tracts of country, varied by tilled fields, vineyards, pastures and woods, with great numbers of wild and domestic animals. In the rest of the house all parts were overlaid with gold and adorned with gems and mother-of‑pearl. There were dining-rooms with fretted ceils of ivory, whose panels could turn and shower down flowers and were fitted with pipes for sprinkling the guests with perfumes. The main banquet hall was circular and constantly revolved day and night, like the heavens. His mother offended him by too strict surveillance and criticism of his words and acts. At last terrified by her violence and threats, he determined to have her life, and after thrice attempting it by poison and finding that she had made herself immune by antidotes, he tampered with the ceiling of her bedroom, contriving a mechanical device for loosening its panels and dropping them upon her while she slept. When this leaked out through some of those connected with the plot, he devised a collapsible boat,​ to destroy her by shipwreck or by the falling in of its cabin. ...[He] offered her his contrivance, escorting her to it in high spirits and even kissing her breasts as they parted. The rest of the night he passed sleepless in intense anxiety, awaiting the outcome of his design. On learning that everything had gone wrong and that she had escaped by swimming, driven to desperation he secretly had a dagger thrown down beside her freedman Lucius Agermus, when he joyfully brought word that she was safe and sound, and then ordered that the freedman be seized and bound, on the charge of being hired to kill the emperor; that his mother be put to death, and the pretence made that she had escaped the consequences of her detected guilt by suicide.
Suetonius (The Twelve Caesars)
(You look the same.) (I’m not using it yet.) (Don’t you think a test run would be a good idea?) She nodded. (Probably.) Her eyelids closed as she concentrated on a mental image of the person she wished to impersonate. Her desire was to appear exactly as the immortal leader, Pallador. Calling on the powers of the dragon’s blood, she willed its enchantment alive. It was Ian’s astounded whisper that told her the charm was working. “Whoa!” Opening her eyes she fully expected to see Ian staring at the shining gems on the dragon’s blood. Instead, he was staring at her with a look that was more or less disgusted. (That’s really you?) he asked, looking her up and down as though she had turned into some sort of lizard creature. (Yes, why? What’s wrong with me?) Her gaze dropped to check for herself. All she observed was her tawny dress pulled in at the waist by Edgar’s hideous, glowing belt. She glanced at one arm and then the other, both sleeved in the same billowed silk. Her fingers flailed, still the same short, slender digits. (Oh crud,) she breathed. (It’s not working.) (Oh, it’s working alright,) Ian disagreed. Eena glanced up to find him grinning with real amusement. (You’re a dead ringer for the guy. Ghost robe, bug eyes, bony fingers, in need of a serious haircut. Exactly like him.) (Really?) (Really.) (Cool,) she breathed and then added, (That’s not very nice how you described him.) (It’s accurate.)
Richelle E. Goodrich (Eena, The Companionship of the Dragon's Soul (The Harrowbethian Saga #6))
One of the things on the top of my to-do list since my arrival in Paris has been to visit the Palais Galliera, the city’s very own museum dedicated to fashion. I’ve seen pictures of it, but nothing has prepared me for the jaw-dropping beauty of the place. It’s a gem of a palace, a perfect wedding-cake building conjuring Italian style with its white stone columns and balustrades. I enter through the ornately carved gatehouse leading off a leafy street in one of Paris’s most elegant districts, and feel as if I’ve stepped out of the city and into a rural idyll. Trees fringe the neatly manicured parkland and, just beyond their autumnal branches, the Eiffel Tower points towards the blue of the sky. Statues dot the grounds, and the verdigris figure of a girl, the centrepiece of a fountain in front of the palace, is surrounded by ribbon-like beds of flowers, carefully planted in a mosaic of yellow and gold.
Fiona Valpy (The Dressmaker's Gift)
The teenager was right, though. The seven Gates of this city, each set along a ley line running through Lunathion, had been designed as a quick way for the guards in the districts to speak to each other centuries ago. When someone merely placed a hand against the golden disk in the center of the pad and spoke, the wielder’s voice would travel to the other Gates, a gem lighting up with the district from which the voice originated. Of course, it required a drop of magic to do so—literally sucked it like a vampyr from the veins of the person who touched the pad, a tickling zap of power, gone forever.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
I just want to help you, River. That’s all,” he says finally. I cock an eyebrow. “You don’t want to fuck me?” Emerald green eyes piston towards me, shining like freshly polished gems. The same salacious smirk glides across his beautiful face, and fuck me, if my heart doesn’t stop and speed up all in the same breath. “I do want to fuck you, and not only do I want to, but I will fuck you,” he says boldy. My heart drops at the promise. I hate that my pussy grows wet in response. But I love it even more. “But that’s not why I want to help you. I can’t woo you and show you what a real man is like if you’re not dead.
H.D. Carlton (Shallow River)
So much that I dropped by your room to see this ‘glass’ that got her so excited.” She takes off her glasses and grins. “Do you know that your wife uses half a million dollars worth of precious gems as a pen holder?
Neva Altaj (Silent Lies (Perfectly Imperfect, #8))
Realizing I ought to be circulating as well, I turned--and found myself confronted by the Marquis of Shevraeth. “My dear Countess,” he said with a grand bow. “Please bolster my declining prestige by joining me in this dance.” Declining prestige? I thought, then out loud I said, “It’s a tartelande. From back then.” “Which I studied up on all last week,” he said, offering his arm. I took it and flushed right up to my pearl-lined headdress. Though we had spoken often, of late, at various parties, this was the first time we had danced together since Savona’s ball, my second night at Athanarel. As we joined the circle I sneaked a glance at Elenet. She was dancing with one of the ambassadors. A snap of drums and a lilting tweet caused everyone to take position, hands high, right foot pointed. The musicians reeled out a merry tune to which we dipped and turned and stepped in patterns round one another and those behind and beside us. In between measures I stole looks at my partner, bracing for some annihilating comment about my red face, but he seemed preoccupied as we paced our way through the dance. The Renselaeuses, completely separate from Remalna five hundred years before, had dressed differently, just as they had spoken a different language. In keeping, Shevraeth wore a long tunic that was more like a robe, colored a sky blue, with black and white embroidery down the front and along the wide sleeves. It was flattering to his tall, slender form. His hair was tied back with a diamond-and-nightstar clasp, and a bluefire gem glittered in his ear. We turned and touched hands, and I realized he had broken his reverie and was looking at me somewhat quizzically. I had been caught staring. I said with as careless a smile as I could muster, “I’ll wager you’re the most comfortable of the men here tonight.” “Those tight waistcoats do look uncomfortable, but I rather like the baldrics,” he said, surveying my brother, whom the movement of the dance had placed just across from us. At that moment Bran made a wrong turn in the dance, paused to laugh at himself, then hopped back into position and went on. Perhaps emboldened by his heedless example, or inspired by the unusual yet pleasing music, more of the people on the periphery who had obviously not had the time, or the money, or the notion of learning the dances that went along with the personas and the clothes, were moving out to join. At first tentative, with nervously gripped fans and tense shoulders here and there betraying how little accustomed to making public mistakes they were, the courtiers slowly relaxed. After six or seven dances, when faces were flushed and fans plied in earnest, the first of my mime groups came out to enact an old folktale. The guests willingly became an audience, dropping onto waiting cushions. And so the evening went. There was an atmosphere of expectation, of pleasure, of relaxed rules as the past joined the present, rendering both slightly unreal. I did not dance again but once, and that with Savona, who insisted that I join Shevraeth and Elenet in a set. Despite his joking remarks from time to time, the Marquis seemed more absent than merry, and Elenet moved, as always, with impervious serenity and reserve. Afterward the four of us went our ways, for Shevraeth did not dance again with Elenet. I know, because I watched.
Sherwood Smith (Court Duel (Crown & Court, #2))
Jesus’ emotional state was so intense that it says “…his sweat was as it were great drops of blood falling down to the ground.” The “sweat” is the Greek word idros. The word “drops” is the Greek word thrombos, a medical word that points to blood that is unusually thickly clotted. When these two words are joined, they depict a medical condition called hematidrosis — a condition that occurs only in individuals who are in a highly emotional state. Because the mind is under such great mental and emotional pressure, it sends signals of stress throughout the human body. These signals become so strong that the body reacts as if it were under actual physical pressure. As a result, the first and second layer of skin separate, causing a vacuum to form between them. Thickly clotted blood seeps from this vacuum, oozing through the pores of the skin. Once the blood seeps through, it mingles with the sufferer’s sweat that pours from his skin as a result of his intense inner struggle. In the end, the blood and sweat mix together and flow down the victim’s face like droplets to the ground.
Rick Renner (Sparkling Gems From The Greek Vol. 1: 365 Greek Word Studies For Every Day Of The Year To Sharpen Your Understanding Of God's Word)
That afternoon I took home a very hot jar of floated intentions and the lesson of the banana heart, the charm that I have kept in my pocket ever since: ‘Close to midnight, when the heart bows from its stem, wait for its first dew. It will drop like a gem. Catch it with your tongue. When you eat the heart of the matter, you’ll never grow hungry again.
Merlinda Bobis (Banana Heart Summer)
The carbuncle (cabochon garnet) served to furnish light to certain great serpents or dragons when old age had enfeebled their eyes. They constantly carried these magical stones between their teeth, only dropping them when it was necessary to eat or drink.
Louis Dieulafait (Diamonds and Precious Stones: A Popular Account of Gems)
This stone for color might an emerald seem, but drops of blood diversify the green: it gifts the wearer with prophetic eye, into the future's darkest depths to pry.
Jeremiah Eames Rankin (Gems for the Bridal Ring: A Gift for the Plighted and the Wedded)
He grinned at me now. 'With all those gems and beads, you might be too heavy to carry. I hope you've been practicing your winnowing in case I drop you.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
I consider the positions of kings and rulers as that of dust motes. I observe treasures of gold and gems as so many bricks and pebbles. I look upon the finest silken robes as tattered rags. I see myriad worlds of the universe as small seeds of fruit, and the greatest lake in India as a drop of oil on my foot. I perceive the teachings of the world to be the illusion of magicians. I discern the highest conception of emancipation as a golden brocade in a dream, and view the holy path of the illuminated ones as flowers appearing in one's eyes. I see meditation as a pillar of a mountain, Nirvana as a nightmare of daytime. I look upon the judgment of right and wrong as the serpentine dance of a dragon, and the rise and fall of beliefs as but traces left by the four seasons.
Taka Washi (122 Zen Koans)
A mother who tries to console her broken heart by fancying her departed child absent on his wonted chase after the dragon-fly, hums, How far to-day in chase, I wonder, Has gone my hunter of the dragon-fly! I refrain from quoting other examples, for I know I could do only scant justice to the pearly gems of our literature, were I to render into a foreign tongue the thoughts which were wrung drop by drop from bleeding hearts and threaded into beads of rarest value. I hope I have in a measure shown that inner working of our minds which often presents an appearance of callousness or of an hysterical mixture of laughter and dejection, and whose sanity is sometimes called in question. It has also been suggested that our endurance of pain and indifference to death are due to less sensitive nerves.
Nitobe Inazō (Bushido: The Soul of Japan (AmazonClassics Edition))
THE SEA OF BEING IN Being's silver sea Lustrous pearls of knowledge are washed up On the shore of speech, And dainty shells bring poems in their curving forms To strew the beach with beauty. Each wave that breaks in foaming arcs Casts up a thousand royal pearls That hold strange murmuring voices, Gems of devotion, joy, and love. Yet though a thousand waves At every moment rise and fall, Scattering pearls and shells, Yet are there ever more and more to come, Nor is that sea of Being less by one sheer drop. PEARLS OF KNOWLEDGE IN the sea of ’Uman, the pearl oysters Rise to the surface from the lowest depths, And wait with opened mouths. Then arises from the sea a mist, Which falls again in raindrops Into the mouths of the shells (At the command of the Truth). Straightway is each closed as by a hundred bonds, And the shells sink back again Into the ocean's depths, Bearing in their hearts the pearl drops Which the divers seek and find. The sea is Being, the shore the body; The mist, grace, and the rain, knowledge of the Name; Human Wisdom is the diver Who holds enwrapped in his garment A hundred pearls; The soul in a swift lightning's flash Bears to the listening ear voices and messages
Mahmud Shabistari (The Secret Rose Garden (Wisdom of the East Book 4))
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Lift up for me, love,” he orders gently, his voice lined with gravel. I obey without question, allowing him to slide my slacks down until they drop to my feet and I kick free of them. “Ravishing,” he breathes. “Nothing could compare to the likes of you, my love. You are the most beautiful flower and the rarest gem, more breathtaking than any of earth’s wonders.
HD Carlton
Prince Rowan,” she said, rolling her eyes. “You keep needling me for details about Prince Rowan—” “You befriended one of the greatest warriors in history—perhaps the greatest warrior alive. Your father, and his men, all told me stories about Prince Rowan.” “What?” Oh, he’d been waiting to drop this particular gem of information. “Warriors in the North still talk about him.” “Rowan’s never been to this continent.” She said it with such casualness—Rowan. She really had no clue who she now considered a member of her court, who she’d freed from his oath to Maeve. Who she frequently referred to as a pain in her ass. “Rowan Whitethorn is a legend. And so is his—what do you call them?” “Cadre,” she said glumly. “The six of them…” Aedion loosed a breath. “We used to tell stories about them around fires. Their battles and exploits and adventures.” She sighed through her nose. “Please, please don’t ever tell him that. I’ll never hear the end of it, and he’ll use it in every argument we have.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
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