Dropping By To Say Hi Quotes

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My mother made a squeaking sound that might of been either "yes" or "help". Poseidon took it as a yes and came in. Paul was looking back and forth between us, trying to read our expressions. Finally he stepped forward. "Hi, I'm Paul Blofis." Poseidon raised an eyebrow and then shook his hand. "Blowfish, did you say?" "Ah, no. Blofis, actually." "Oh, I see," Poseidon said. "A shame. I quite like blowfish. I am Poseidon." "Poseidon? That's an interesting name." "Yes, I like it. I've gone by other names, but I do prefer Poseidon." "Like the god of the sea." "Very much like that, yes" "Well!" My mother interrupted. "Um, were so glad you could drop by. Paul, this is Percy's father." "Ah." Paul nodded, though he didn't look real pleased. "I see." Poseidon smiled at me. "There you are, my boy. And Tyson, hello, son!" "Daddy!" Tyson [shouted]... Paul's jaw dropped. He stared at my mother. "Tyson is..." "Not mine," she promised. "It's a long story.
Rick Riordan (The Battle of the Labyrinth (Percy Jackson and the Olympians, #4))
I mean honestly, who just sits around in a house with a bunch of short guys waiting for their prince to come? So your mom is a bitch and wants to kill you because her mirror told her to? Cry me a river why don't you? Your big plan is sitting around cleaning house waiting for the other shoe to drop? And speaking of shoes, everyone has been picked on by mean girls. You do not wait for some old lady to pop in and transmogrify some innocent rodents just so you can sneak in to a dance under false pretenses. And let's say you do sneak in. For the love of all that is holy take your mask off and look the guy in the face and say. “Hi, I'm Cindy from down the street, I have this thing at midnight. Can we do coffee later?” This nonsense with a shoe and searching the entire village for one girl, it's crap.
John Goode (Maybe With a Chance of Certainty (Tales from Foster High, #1))
Wes: I just wanted to say hi because you’re on my mind. Wes: Have a great day. Also—I just listened to “You Could Start a Cult” by Lizzy and Niall, and if you haven’t heard it, seems like a Buxbaum song. And he dropped a link. Damn him. How could he possibly know?
Lynn Painter (Nothing Like the Movies (Better Than the Movies #2))
Uncle Joe used to spend a fair amount of time in the loony bin. My family wasn't bothered by his regular trips to and from 'the facility'--they'd shrug and say, There goes Joe, and they'd put him in the car and take him in. One day Uncle Frank...was driving Uncle Joe to the crazy place. When they got there, Joe asked Frank to drop him off at the door while Frank went and parked the car. Frank didn't think much of it, and dropped him off. Joe went inside, smiled at the nurse, and said, 'Hi. I'm Frank Hornbacher. I'm here to drop off Joe. He likes to park the car, so I let him do that. He'll be right in.' The nurses nodded knowingly. The real Frank walked in. The nurse took his arm and guided him away, murmuring the way nurses always do, while Frank hollered in protest, insisting that he was Frank, not Joe. Joe, quite pleased with himself, gave Frank a wave and left.
Marya Hornbacher (Madness: A Bipolar Life)
Hi, Hanna.” Her mouth dropped open and her beautiful eyes went wide. “You didn’t call me Ziggy.” Smiling, I whispered, “I know.” “Say it again?” Her voice came out husky, as if she was asking me to touch her again, to kiss her again.
Christina Lauren (Beautiful Player (Beautiful Bastard, #3))
I feel completely embarrassed and remember the lock on the door and think: He knows, he knows, it shows, shows completely. “He’s out back,” Mr. Garret tells me mildly, “unpacking shipments.” Then he returns to the papers. I feel compelled to explain myself. “I just thought I’d come by. Before babysitting. You, know, at your house. Just to say hi. So . . . I’m going to do that now. Jase’s in back, then? I’ll just say hi.” I’m so suave. I can hear the ripping sound of the box cutter before I even open the rear door to find Jase with a huge stack of cardboard boxes. His back’s to me and suddenly I’m as shy with him as I was with his father. This is silly. Brushing through my embarrassment, I walk up, put my hand on his shoulder. He straightens up with a wide grin. “Am I glad to see you!” “Oh, really?” “Really. I thought you were Dad telling me I was messing up again. I’ve been a disaster all day. Kept knocking things over. Paint cans, our garden display. He finally sent me out here when I knocked over a ladder. I think I’m a little preoccupied.” “Maybe you should have gotten more sleep,” I offer. “No way,” he says. Then we just gaze at each other for a long moment. For some reason, I expect him to look different, the way I expected I would myself in the mirror this morning . . . I thought I would come across richer, fuller, as happy outside as I was inside, but the only thing that showed was my lips puffy from kisses. Jase is the same as ever also. “That was the best study session I ever had,” I tell him. “Locked in my memory too,” he says, then glances away as though embarrassed, bending to tear open another box. “Even though thinking about it made me hit my thumb with a hammer putting up a wall display.” “This thumb?” I reach for one of his callused hands, kiss the thumb. “It was the left one.” Jase’s face creases into a smile as I pick up his other hand. “I broke my collarbone once,” he tells me, indicating which side. I kiss that. “Also some ribs during a scrimmage freshman year.” I do not pull his shirt up to where his finger points now. I am not that bold. But I do lean in to kiss him through the soft material of his shirt. “Feeling better?” His eyes twinkle. “In eighth grade, I got into a fight with this kid who was picking on Duff and he gave me a black eye.” My mouth moves to his right eye, then the left. He cups the back of my neck in his warm hands, settling me into the V of his legs, whispering into my ear, “I think there was a split lip involved too.” Then we are just kissing and everything else drops away. Mr. Garret could come out at any moment, a truck full of supplies could drive right on up, a fleet of alien spaceships could darken the sky, I’m not sure I’d notice.
Huntley Fitzpatrick (My Life Next Door)
Hi, I’m Adele Czerny. I don’t really have a long speech. I mean, I sat through these things when I was your age, and they’re boring. I’m just going to say a few things about Noah and Raven Day. Did any of you guys know him?” In unison, Gansey and Adam started to lift their hands and just as quickly dropped them. Yes, they knew him. No, they had not known him. Noah, alive, had been before their time here. Noah, dead, was a phenomenon, not an acquaintance. “Well, you were missing out,” she said. “My mom always said he was a firecracker, which just meant he was always getting speeding tickets and jumping on tables at family reunions and stuff. He always had so many ideas. He was so hyper.” Adam and Gansey looked at each other. They had always had the sense that the Noah they knew was not the true Noah. It was just disconcerting to hear how much Noahness death had stripped. It was impossible to not wonder what Noah would have done with himself if he had lived. “Anyway, I’m here because I was actually the first one he told about his idea for Raven Day. He called me one evening, I guess it would’ve been when he was fourteen, and he told me he’d had this dream about ravens fighting and battling. He said they were all different colours and sizes and shapes, and he was inside them, and they were, like, swirling around him.” She motioned around herself in a whirlwind; she had Noah’s hands, Noah’s elbows. “And he told me, ‘I think it would be a cool art project.’ And I told him, ‘I’ll bet if everybody at the school made one, I bet you’d have enough.’ ” Gansey was aware that his arm hairs were standing up. “So they’re swooping and careening and there’s nothing but ravens, nothing but dreams all around you,” Adele said, only Gansey wasn’t sure if she had actually said it, or if he’d heard her wrong and he was just half-remembering something she’d already said. “Anyway, I know he’d like what it is like nowadays. So, um, thanks for remembering one of his crazy dreams.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
If he scratches my baby . . .” Ben tried to scowl, but it didn’t take. He seemed relieved. And still hadn’t let go of my hand. I heard a shoe scuff the ground. Shelton and Hi were standing across from Ben and me. Shelton took a deep breath. “So it’s like that, huh?” “Guys.” I felt my stomach lurch. “I know this is weird. Ben and I, we—” Hi’s face was pained. “I don’t even get a chance? No shot to say how I feel?” My head jerked back. “What?” “So it’s all decided.” Shelton sullenly kicked a rock, his voice resentful. “What does Ben have that I don’t?” I stared, openmouthed. Hi dropped to a knee and pinned me with solemn eyes. “I can’t hide it anymore, Victoria. You need to know the truth. I love you, too. Forever and ever. I want to be your sweet babushka.” My mind reeled. “Hi, I . . . I didn’t—” “I’m gonna wring your stupid necks.” Ben’s face was burning. Hi burst out laughing, rolling away from his kick. I glanced at Shelton, who was trying—and failing—to hold it together. “I love you, Tory Brennan!” Hi bounced to his feet, ready to bolt at Ben’s slightest twitch. “Let me rub your supple feet!” I covered my face with both hands. “Oh God.
Kathy Reichs (Terminal (Virals, #5))
Oh, like, I thought we were already there with you being bi and everything,” she says. “Sorry, are we not? Did I skip ahead again? My bad. Hello, would you like to come out to me? I’m listening. Hi.” “I don’t know!” he half yells, miserably. “Am I? Do you think I’m bi?” “I can’t tell you that, Alex!” she says. “That’s the whole point!” “Shit,” he says, dropping his head back on the cushions. “I need someone to just tell me. How did you know you were?” “I don’t know, man. I was in my junior year of high school, and I touched a boob. It wasn’t very profound. Nobody’s gonna write an Off-Broadway play about it.” “Really helpful.” “Yup,” she says, chewing thoughtfully on a chip.
Casey McQuiston (Red, White & Royal Blue)
Gustavo Tiberius speaking." “It’s so weird you do that, man,” Casey said, sounding amused. “Every time I call.” “It’s polite,” Gus said. “Just because you kids these days don’t have proper phone etiquette.” “Oh boy, there’s the Grumpy Gus I know. You miss me?” Gus was well aware the others could hear the conversation loud and clear. He was also aware he had a reputation to maintain. “Hadn’t really thought about it.” “Really.” “Yes.” “Gus.” “Casey.” “I miss you.” “I miss you too,” Gus mumbled into the phone, blushing fiercely. “Yeah? How much?” Gus was in hell. “A lot,” he said truthfully. “There have been allegations made against my person of pining and moping. False allegations, mind you, but allegations nonetheless.” “I know what you mean,” Casey said. “The guys were saying the same thing about me.” Gus smiled. “How embarrassing for you.” “Completely. You have no idea.” “They’re going to get you packed up this week?” “Ah, yeah. Sure. Something like that.” “Casey.” “Yes, Gustavo.” “You’re being cagey.” “I have no idea what you mean. Hey, that’s a nice Hawaiian shirt you’ve got on. Pink? I don’t think I’ve seen you in that color before.” Gus shrugged. “Pastor Tommy had a shitload of them. I think I could wear one every day for the rest of the year and not repeat. I think he may have had a bit of a….” Gus trailed off when his hand started shaking. Then, “How did you know what I was wearing?” There was a knock on the window to the Emporium. Gus looked up. Standing on the sidewalk was Casey. He was wearing bright green skinny jeans and a white and red shirt that proclaimed him to be a member of the 1987 Pasadena Bulldogs Women’s Softball team. He looked ridiculous. And like the greatest thing Gus had ever seen. Casey wiggled his eyebrows at Gus. “Hey, man.” “Hi,” Gus croaked. “Come over here, but stay on the phone, okay?” Gus didn’t even argue, unable to take his eyes off Casey. He hadn’t expected him for another week, but here he was on a pretty Saturday afternoon, standing outside the Emporium like it was no big deal. Gus went to the window, and Casey smiled that lazy smile. He said, “Hi.” Gus said, “Hi.” “So, I’ve spent the last two days driving back,” Casey said. “Tried to make it a surprise, you know?” “I’m very surprised,” Gus managed to say, about ten seconds away from busting through the glass just so he could hug Casey close. The smile widened. “Good. I’ve had some time to think about things, man. About a lot of things. And I came to this realization as I drove past Weed, California. Gus. It was called Weed, California. It was a sign.” Gus didn’t even try to stop the eye roll. “Oh my god.” “Right? Kismet. Because right when I entered Weed, California, I was thinking about you and it hit me. Gus, it hit me.” “What did?” Casey put his hand up against the glass. Gus did the same on his side. “Hey, Gus?” “Yeah?” “I’m going to ask you a question, okay?” Gustavo’s throat felt very dry. “Okay.” “What was the Oscar winner for Best Song in 1984?” Automatically, Gus answered, “Stevie Wonder for the movie The Woman in Red. The song was ‘I Just Called to Say I Love You.’” It was fine, of course. Because he knew answers to all those things. He didn’t know why Casey wanted to— And then he could barely breathe. Casey’s smile wobbled a little bit. “Okay?” Gus blinked the burn away. He nodded as best he could. And Casey said, “Yeah, man. I love you too.” Gus didn’t even care that he dropped his phone then. All that mattered was getting as close to Casey as humanely possible. He threw open the door to the Emporium and suddenly found himself with an armful of hipster. Casey laughed wetly into his neck and Gus just held on as hard as he could. He thought that it was possible that he might never be in a position to let go. For some reason, that didn’t bother him in the slightest.
T.J. Klune (How to Be a Normal Person (How to Be, #1))
An oddity follows, a small circular ball of plasma drops from the ceiling of the Newara, for some reason Zara goes to catch it in her hands, “Whoa,” she juggles it, thinking it’s hot, but it’s cool to touch. The orb levitates up to face her. “Hi Zara.” “Rohza?” “In the flesh.” “Holy moley! You’re a real life will-o’-the-wisp.” Zara says, her face lit up from Rohza’s flickering light.
J.L. Haynes (Zara Hanson & The Mystery of the Painted Symbol)
Things I worried about on the bus: a snapshot of an anxious brain . . . Is that car slowing down? Is someone going to get out and kidnap me? It is slowing down. What if someone asks for directions? What if—Oh. They’re just dropping someone off. The bus is late. What if it doesn’t arrive? What if I’m late getting to school? Did I turn my straighteners off ? What if the bus isn’t running today and no one told me? Where’s the—oh. There’s the bus. Oh crap is that Rowan from Biology? What if he sees me? What if he wants to chat? Hide. Okay, he hasn’t seen me. He hasn’t seen me. What if he did see me and now he thinks I’m weird for not saying hi? Did I remember to clean out Rita’s bowl properly? What if she gets sick? One day Rita will die. One day I’ll die. One day everyone will die. What if I die today and everyone sees that my bra has a hole in it? What if the bus crashes? Where are the exits? Why is there an exit on the ceiling? What if that headache Dad has is a brain tumor? Would I live with Mum all the time if Dad died? Why am I thinking about my living arrangements instead of how horrible it would be if Dad died? What’s wrong with me? What if Rhys doesn’t like me? What if he does? What if we get together and we split up? What if we get together and don’t split up and then we’re together forever until we die? One day I’ll die. Did I remember to turn my straighteners off ? Yes. Yes. Did I? Okay my stop’s coming up. I need to get off in about two minutes. Should I get up now? Will the guy next to me get that I have to get off or will I have to ask him to move? But what if he’s getting off too and I look like a twat? What if worrying kills brain cells? What if I never get to go to university? What if I do and it’s awful? Should I say thank you to the driver on the way off ? Okay, get up, move toward the front of the bus. Go, step. Don’t trip over that old man’s stick. Watch out for the stick. Watch out for the—shit. Did anyone notice that? No, no one’s looking at me. But what if they are? Okay, doors are opening, GO! I didn’t say thank you to the driver. What if he’s having a bad day and that would have made it better? Am I a bad person? Yeah but did I actually turn my straighteners off ?
Sara Barnard (A Quiet Kind of Thunder)
Ryder’s in jeans and his shirt from last night, and he’s staring at the fridge. When I pad closer, I see he’s not just staring at the door. I’ve hung my various ultrasound pictures to the silvery surface, and he’s studying them. His index finger is poised over my recent twenty-week one, and he’s tracing the outline of the baby’s legs. “Hi,” I say, clearing my throat. He straightens and then smiles. It’s a sheepish look, as if he’s been caught. “Just checking out Papaya.” I love that the name Papaya has stuck. That must be a sign he feels the same. I gesture to the thirteen-week picture, when I first heard the heartbeat. “I think Papaya was a fig in that one. Funny thing—when I was so sick, Papaya was only a kidney bean.” “Kidney beans are known to be troublemakers.” He steps closer, drops a strangely chaste kiss to my forehead, and sets his hands on my belly. “And I think Papaya is almost a mango now, right?” I nod. “How did you know?” “I might have googled pregnancy-to-fruit comparisons. Papaya will be an eggplant in a little while.” I blink. Holy shit. He really knows his pregnancy fruits. Better than I do.
Lauren Blakely (The Knocked up Plan (One Love, #3))
Things I worried about on the bus: a snapshot of an anxious brain . . . Is that car slowing down? Is someone going to get out and kidnap me? It is slowing down. What if someone asks for directions? What if—Oh. They’re just dropping someone off. The bus is late. What if it doesn’t arrive? What if I’m late getting to school? Did I turn my straighteners off ? What if the bus isn’t running today and no one told me? Where’s the—oh. There’s the bus. Oh crap is that Rowan from Biology? What if he sees me? What if he wants to chat? Hide. Okay, he hasn’t seen me. He hasn’t seen me. What if he did see me and now he thinks I’m weird for not saying hi? Did I remember to clean out Rita’s bowl properly? What if she gets sick? One day Rita will die. One day I’ll die. One day everyone will die. What if I die today and everyone sees that my bra has a hole in it? What if the bus crashes? Where are the exits? Why is there an exit on the ceiling? What if that headache Dad has is a brain tumor? Would I live with Mum all the time if Dad died? Why am I thinking about my living arrangements instead of how horrible it would be if Dad died? What’s wrong with me? What if Rhys doesn’t like me? What if he does? What if we get together and we split up? What if we get together and don’t split up and then we’re together forever until we die? One day I’ll die. Did I remember to turn my straighteners off ? Yes. Yes. Did I? Okay my stop’s coming up. I need to get off in about two minutes. Should I get up now? Will the guy next to me get that I have to get off or will I have to ask him to move? But what if he’s getting off too and I look like a twat? What if worrying kills brain cells? What if I never get to go to university? What if I do and it’s awful? Should I say thank you to the driver on the way off ? Okay, get up, move toward the front of the bus. Go, step. Don’t trip over that old man’s stick. Watch out for the stick. Watch out for the—shit. Did anyone notice that? No, no one’s looking at me. But what if they are? Okay, doors are opening, GO! I didn’t say thank you to the driver. What if he’s having a bad day and that would have made it better? Am I a bad person?
Sara Barnard (A Quiet Kind of Thunder)
Their affair had been three of the most intense, reckless, terrifying, happy, alive months of his life. Like how he imagined being on heroin felt if the high never ended, if every syringe didn’t also contain the possibility of death. They’d been partners at the time, and there had been one week when they’d been on the road together in northern California. Every night, they rented two rooms. Every night, for five days, he stayed with her. They barely slept that week. Couldn’t keep their hands off each other. Couldn’t stop talking when they weren’t making love, and the daylight hours when they had to pretend to be professionals made it all the more beautifully excruciating. He had never felt such a complete lack of self-consciousness around anyone. Even Theresa. Unconditional acceptance. Not just of his body and mind, but also of something more, of something indefinably him. Ethan had never connected with anyone on this level. The most generous blessing and life-destroying curse all wrapped up in the same woman, and despite the pain of the guilt and the knowledge of how it would crush his wife, whom he still loved, the idea of turning away from Kate seemed like a betrayal of his soul. So she had done it for him. On a cold and rainy night in Capitol Hill. In a booth over glasses of Belgian beer in a loud dark bar called the Stumbling Monk. He was ready to leave Theresa. To throw everything away. He had asked Kate there to tell her that and instead she had reached across the scuffed wood of a table worn smooth by ten thousand pint glasses and broken his heart. Kate wasn’t married, had no children. She wasn’t ready to jump off the cliff with him when he had so much pulling him back from the ledge. Two weeks later, she was in Boise, pursuant to her own transfer request. One year later, she was missing in a town in Idaho in the middle of nowhere called Wayward Pines, with Ethan off to find her. Eighteen hundred years later, after almost everything they had known had turned to dust or eroded out of existence, here they stood, facing each other in a toy shop in the last town on earth. For a moment, staring into her face at close range blanked Ethan’s mind. Kate spoke first. “I was wondering if you’d ever drop in.” “I was wondering that myself.” “Congratulations.” “For?” She reached over the counter and tapped his shiny brass star. “Your promotion. Nice to see a familiar face running the show. How are you adjusting to the new job?” She was good. In this short exchange, it was obvious that Kate had mastered the superficial conversational flow that the best of Wayward Pines could achieve without straining. “It’s going well,” he said. “Good to have something steady and challenging, I bet.” Kate smiled, and Ethan couldn’t help hearing the subtext, wondered if everyone did. If it ever went silent. As opposed to running half naked through town while we all try to kill you. “The job’s a good fit,” he said. “That’s great. Really happy for you. So, to what do I owe the pleasure?” “I just wanted to pop in and say hi.” “Well, that was nice of you. How’s your son?” “Ben’s great,” Ethan said.
Blake Crouch (Wayward (Wayward Pines, #2))
The next morning, Peter is waiting in the parking lot for me when I get off the bus. “Hey,” he says. “Are you seriously taking the bus every day?” “My car is being fixed, remember? My accident?” He sighs like this is somehow offensive to him, me taking the bus to school. Then he grabs my hand and holds it as we walk into school together. This is the first time I’ve walked down the school hallway holding hands with a boy. It should feel momentous, special, but it doesn’t, because it’s not real. Honestly, it feels like nothing. Emily Nussbaum does a double take when she sees us. Emily is Gen’s best friend. She’s staring so hard I’m surprised she doesn’t take a quick pic on her phone to send to Gen. Peter keeps stopping to say hi to people, and I stand there smiling like it’s the most natural thing in the world. Me and Peter Kavinsky. At one point I try to let go of his hand, because mine is starting to feel sweaty, but he tightens his grip. “Your hand is too hot,” I hiss. Through clenched teeth he says, “No, your hand is.” I’m sure Genevieve’s hands are never sweaty. She could probably hold hands for days without getting overheated. When we get to my locker, we finally drop hands so I can dump my books inside. I’m shutting my locker door when Peter leans in and tries to kiss me on the mouth. I’m so startled I turn my head, and we hit foreheads. “Ow!” Peter rubs his forehead and glares at me. “Well, don’t just sneak up on me like that!” My forehead hurts too. We really banged them hard, like cymbals. If I looked up right now, I would see blue cartoon birdies. “Lower your voice, dummy,” he says through clenched teeth. “Don’t you call me a dummy, you dummy,” I whisper back. Peter heaves a big sigh like he’s really annoyed with me. I’m about to snap at him that it’s his fault, not mine, when I catch a glimpse of Genevieve gliding down the hallway. “Gotta go,” I say, and I dart off in the opposite direction. “Wait!” Peter calls out. But I keep darting.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
I get in the car and go to complex A, and look for room 23, and then I knock on the door. The door opens, but it’s not Madison. It’s someone else. I hold the flowers I brought for her in my hand and fidget. “Hi, is Madison here?” “Nope,” she says and she smacks her gum. “Nope?” I repeat like a total dumbass. “Nope.” She smacks her gum again. “Do you know where she is?” She shrugs. “She went dancing with one of the guys in her math class.” “But…we had a date.” She laughs. “Oh, you’re the one.” “The one what?” “The one she caught telling your friends she was just a girl and that her name didn’t matter because there were so damn many of them you couldn’t keep them all straight.” What the hell is she talking about? “She followed you after you dropped her off that day. She wanted to give you her phone number. But she heard you.” “And now she’s out on a date? With somebody else?” She nods and pops her gum again. “Yep.” “Do you know where?” “At the club on Main Street. I can’t remember the name of it.” I turn on my heel and stalk in that direction. I don’t know what bothers me more—that she’s dancing with some random guy or that she stood me up. But I do know what bothers me most. It’s that she heard my stupid comment. I have to explain it to her. And I have to be sure she’s not kissing some random guy. She’s supposed to be kissing me, damn it.
Tammy Falkner (Yes You (The Reed Brothers #9.5))
She headed out into the hall and knocked quietly on his door. “Come in!” Megan took a deep breath and stepped inside. “Hey.” Finn looked up from his desk as if startled. “Hi,” he replied, pushing his hands against the thighs of his jeans. He glanced past her at the hallway, but when Megan turned around, she found they were alone. “What’s up?” Megan asked. “You really shouldn’t be in here,” Finn said. Megan’s heart dropped like a stone. “I know your parents are mad, but do you think they really expect us not to talk?” “Yeah…no…I don’t know,” Finn said, turning in his chair. “I just…Don’t you think we should let things calm down a little first?” “Yeah, like that’s ever going to happen in this house,” Megan joked lamely. Finn didn’t laugh. She swallowed against a lump in her throat and looked around uncertainly. She had come in here so that Finn could reassure her and make her feel better like he always did, but the evasive way he was acting was just making her feel worse. “Look, it’s just…being around you is…it’s not easy,” Finn said, looking everywhere but at her. He might as well have thrown cold water in her face. “Oh, well, I’m sorry,” Megan replied, backing out. “I guess that’s easily solved.” “No, Megan, wait,” Finn said. But she was dangerously close to tears and there was no way she was going to break down in front of him. “No, seriously, I’ll go,” Megan said. Finn swallowed and looked like he wanted to say something. For a split second, Megan’s heart dared to hope, but then he turned away and looked down at his notes again. “Yeah…okay,” he said. Finn focused pointedly on his work. This was really happening. Finn really didn’t want to have anything to do with her. Finally, feeling like the biggest idiot on earth, Megan made herself move.
Kate Brian (Megan Meade's Guide to the McGowan Boys)
I laughed softly. “Hi.” I sighed and walked in his house, turning to look at him when I heard his door close behind him. Why are you laughing? he asked. I shook my head and brought my hands up. Because I wish you could see yourself through my eyes. I wish you could read my mind so that you would know how much I want you, no one else. There could be three hundred men after me right now, and it wouldn’t matter. Because none of them are you, Archer Hale. I dropped my hands for a second and then immediately brought them back up. None of them are the man I love. I shook my head slightly and then continued. And I was going to try to wait until maybe you were ready to say it, too, but…I can’t. Because it literally wants to burst out of me all the time. And so it’s okay if you don’t love me, or if you’re not sure if you do. But I’m sure. And I can’t stand letting another minute go by where I don’t tell you I love you, because I do. I. Love. You. I love you so much.
Mia Sheridan (Archer's Voice (Where Love Meets Destiny, #1))
Shit Can Happen" Bitch Yeah... [1] - Shit can happen [8X] [Kon Artis] Yo, yo, huh, yo, yo, yo That's right motherfuckers we back Same slanging, orangatangin, wilding out on hoodrats They say I act like I'm too famous to say hi And tell 'em what my name is but really I'm still nameless... You niggas don't get it yet do you Dealing out platinum or flop I still put it through you Wit a luger that'll spit fire And hit higher than a pitch by a bitch like Mariah You think for one second since we got a deal That we won't deal wit you in front of St Andrew's still? You gay rappers better learn that I won't stop until I see 'em turn back If you don't slow that roll you got You gonna see these Runyan Ave. niggas that really need some Prozac For' sure' that, ask the others But gator lay you down next to your mother's mother's grandmother [Kuniva] You know I'm feeling real rowdy tonight Ready to fight and half the niggas I give dap to I don't even like The same cat who never gave a damn about your name I gives a fuck about it like the next selling Clippers' game I kill you in ways you couldn't even fathom You and your madame, it's really unexplainable how I have 'em Who call theyself screaming about a challenge Nigga we got a gift while you barely making it off mere talent My skills are deeply embedded even your hoe said it She was knock kneed I fucked her now she's bow legged In the middle of rappin I drop the mic And have a stare down and jump in the crowd and start scrappin Kuniva and Kon Artis my nigga we get it cracking While the paramedics pick you up we on the side laughing [HOOK: 1- in background] [Kon Artis] Now this aint funny so don't you dare laugh Shit can happen in him and yo' ass You can be touched don't think you can't Cause niggas aint fucking around no more man [repeat] [Swifty McVay]
Reginald Sanjay Pal
He pulls on my hands until I stand up. Then he bends and tosses me over his shoulder and spins in a circle. I scream, covering my eyes. I know he won’t drop me but still. He runs around, and Sam and Pete chase us. Pete—or Sam. I still can’t tell them apart— slaps my butt. I flail around, trying to reach out and grab him, but Logan is running with me over his shoulder. He spins, holding tightly to my legs. I cover my eyes and squeal, but I know he can’t hear me. I hit Logan on the butt, but he pays me no mind. Suddenly, he stops and starts to lower me down his body. I slide along him slowly, my body contours rubbing against his until my feet hit the ground. “Hi,” he says quietly. He signs it, too, but his free arm is around me, holding me against him. “Hi,” I say, and I sign it just like he did. Then I smack his chest. “I can’t believe you did that.
Tammy Falkner (Tall, Tatted and Tempting (The Reed Brothers, #1))
I just run faster and hit the slowest of the lead boys. I wink and race by him. He smells like onions and he has big, wet circles in the pits of his shirt. He speeds up, but can only stay with me for a tenth of a mile before he drops back. Then it’s Nick. I cruise next to him. He’s some sort of running god, because he isn’t close to being winded. His stride is long, powerful, and quick. “Hi.” Why I said this, I do not know. He’s cute. Okay. I am a sucker for cute boys and he was nice to Issie. Plus, he has good hair and he isn’t as pale as most Maine males. He looks like he works in the sun, or at least has seen the sun once, maybe many weeks ago. Plus, life is all supposed to be about making love, not war. My dad listened to John Lennon; I know this stuff. “You’re fast,” he says, easy. No huffing. No puffing. No blowing the house down. “So are you.” We run together, keeping pace. The only one ahead of us is Ian, who is loping around the track as if it’s nothing. Nick shrugs at me while he runs, which is really something, because when I’m running full tilt it’s hard for me to speak, let alone break form to shrug. “You can go faster, can’t you?” I huff out. He just gives a little smile again and then his eyes shift into something cold, like gravestones with just the barest information about a life etched onto them. “Zara,” he whisper-says. I lean in closer to hear him. “What?” My voice is not a whisper. It matches the thudding beat of my heart, the bass of the music that blares out of the speakers. “Awesome job, new girl!” Devyn yells, clapping.
Carrie Jones (Need (Need, #1))
One day, Sara is at home alone and the doorbell rings. She opens the door and a guy says, “Hi, I’m Chris. Is Tony home?” “No, he went to the store, but you can wait here if you want.” So they sit down and after a few moments of silence Chris says, “You know, Sara, you have the greatest breasts. I’d give you a hundred bucks just to see one.” Sara thinks about it for a second and figures, what the hell—a hundred bucks! She peels back her robe and shows one to him for a few seconds. He promptly thanks her and throws a hundred bucks on the table. They sit there a while longer and Chris says, “That was so amazing! I’ve got to see both of them. I’ll give you another hundred dollars if I can just see them both together.” Sara, amazed by the offer, decides, what the hell, why not? So she opens her robe and gives him a nice, long look. A while later, after Chris has gone, Tony comes home from the store. The wife says, “You know, your friend Chris came over.” “Did he drop off the two hundred bucks he owes me?
Barry Dougherty (Friars Club Private Joke File: More Than 2,000 Very Naughty Jokes from the Grand Masters of Comedy)
Yes,” I call. “Sky,” the receptionist says quietly. I pick up the handset. “Yes,” I say again. “What’s up?” “There’s a really hunky guy standing in front of me, and he’s asking for you,” she whispers into the phone. What hunky guy would be asking about me? “What does he look like?” “He’s about six two,” she starts. “Six three,” I hear someone say. “Oh, six three,” she says. “He’s a big one.” She giggles. My heart jumps. “What color is his hair?” “Blond. And long.” It’s Matt. Oh shit. It’s Matt. “I’ll be right there,” I say. But my heart is thumping like crazy. What is Matt doing here? I hunt around under my desk for my shoes and slide them on. Then I straighten my skirt and run a hand down my hair to smooth it. A minute ago, I had it held up with a pencil. It’s just Matt, I tell myself. It’s Matt. “Do you want me to send him back?” the receptionist asks. She laughs again. “Or I can just keep him?” Definitely not. He’s mine. “I’ll be right there,” I repeat. I look down at my business suit. I hope I look all right. I guess it’s too late now to worry about it. I walk into the reception area and find Matt leaning against the glass doorway. He turns to face me and smiles. “Hi,” he says quietly. I walk toward him, my legs shaky. “What are you doing here?” I ask, but I’m grinning, too. I stop in front of him, one move short of leaning into him for a hug. The receptionist is watching really closely. “I came to see if you want to go to lunch.” He shrugs. He’s wearing black jeans and lace-up boots. A black T-shirt is stretched across his broad chest, and it’s tucked neatly into his jeans. I can see his tattoos. A piece of hair has fallen from his ponytail, and I want to reach up and tuck it behind his ear. “How did you find out where I work?” I ask. I motion for him to follow me. Thank you, I mouth at the receptionist, and she winks at me and gives me a thumbs-up. I shake my head, and Matt walks quietly behind me. “I texted Seth,” he says. “Traitor,” I say, but inside, I’m thrilled. “Did I come at a bad time?” he asks. He looks down at his wrist, even though there’s no watch on it. “I can come back later.” “No, no.” I don’t want him to leave. Ever. I lean against the edge of my desk. “I’m glad you’re here.” His voice is deep and soft when he responds. “I’ve been thinking about you all morning.” He shrugs, looking a little sheepish. “So I figured I’d drop by. I totally understand if you’re too busy, though.” He looks into my eyes. “I might cry if you send me away, but I’ll go.” I’m not going to send him away. Not a chance. “I don’t want you to go,” I say. He grins. “Good.” He looks around my office. “Do you have time for lunch?” “Oh!” I cry. “I thought you were just going to stand there and let me look at you. You actually want to go somewhere?” He laughs. “Yeah. I told you. I’m going to make you fall in love with me. Lunch is step one.” “What’s step two?” I ask impulsively. “If I told you, it wouldn’t work.” I nod. I want it to work. “Don’t tell me.” “Guy’s got to have some secrets.
Tammy Falkner (Maybe Matt's Miracle (The Reed Brothers, #4))
We go back to our silent fishing, but I'm smiling the whole time. The tension has dimmed. Well, until Blake shoves Graham into the river. A gasp leaves me, my mouth hanging open as I watch my roommate sputter to the surface of the dirty water. I drop my fishing pole, frozen in place. My dad mutters, “What the hell?” Blake throws his head back and laughs like I have never seen nor heard him laugh before. The loud and hearty sound is cut off short when Graham comes barreling out of the water, his body aimed straight for him, his eyes daggers of retribution. He lunges for his brother, wrapping his arms around his stomach and heaving him toward the water. Blake stumbles back, landing on his rear just inside the water. The sound of jeans smacking into water is sharp. He swipes water out of his eyes as Graham smirks at him. “What is wrong with you two?” I demand, more annoyed than worried. They seem to be getting along, even if they are being brutish about it. Suddenly I have the attention of two wet men, twin calculating gleams in their eyes. Graham is closest, his steps slow and purposeful as he approaches me. “Don't even think about it.” I put my hands out in front of me to ward him off. His grin deepens as he reaches me. Water drips from his hair down his face to become one with his soggy clothes. “Don't think about what?” A glance over my shoulder tells me a tree, the first form of cover I think of, is too far away. Not one to give up, I move for it anyway, but a wet, strong hand grabs the back of my shirt and pulls me away from where I want to go until I am flush with a cold chest. Cold clothes; warm body, I should say. His skin is burning through the dampness of his shirt. “Graham, I swear, if you throw me in that water, I will never speak to you again.” His voice is low and close as he says, “You make it sound like that wouldn't be a good thing.” I haven't even finished my sound of incredulity before I am gathered into his arms, my arms unconsciously going around his neck to anchor me to him. His touch is gentle, his eyes are smiling. “I mean it. This won't be good for you.” “Oh, I don't know about that.” His arms swing out, and I tighten my hold on him, threatening him even as he is laughing at me. He does it again as we move closer to the water and I glare all my irk at him. “If I go, you go.” He tilts his head as he studies me. His voice is unnaturally sober as he tells me, “That's fine with me.” I don't have time to process that before he lets go of me. I hit the water, refusing to let go of his neck, and we both go under. Lucky for me, the water is only a couple feet deep. Unlucky for Graham, I twist around until I am straddling him, keeping him down with my weight so the only thing above water is his head. I give him a sweet smile. He doesn't return it. “Hi,” I purr. He grunts in response. “Fancy meeting you here.” “What can I say? Where you go, I follow.” I pat his cheek. “That's so sweet.” “I'm a sweet guy.” “So sweet,” I agree. “Hey! You're scaring the fish away.” This from Blake, who is now standing near my father. “The fish love me!” I declare, sweeping my arms out wide and losing my balance. I splash into the water, first laughing, and then choking as water goes down my throat. Graham lifts me out of the water by my shirt. “The weight of your arrogance obviously tipped you over.” “It was more like the air couldn't handle all my splendor.” Half of his mouth lifts. “Something like that.” “Fishing with the three of you is impossible,” Dad grumbles and stomps to the cooler, opening a can of soda and gulping it down
Lindy Zart (Roomies)
The teenager let out a deep, deep sigh, like he’d been holding it in for hours. “Dad’s gonna be so pissed.” “Yeah, but not at you,” I reassured him. The look he sent me was one that told me he wasn’t totally convinced that was going to be the case, but I knew it would. And I’d be nosey and eavesdrop. We headed into the house. I went to the table in the kitchen, picking up a hunting and fishing magazine stacked neatly in the middle as Amos went for the house phone and punched in some numbers. His face was gloomy as hell. I pretended not to look at him as he held the receiver and let out a deep breath. He winced right before saying, “Hey, Dad… uh, Ora and I think there’s a leak in the garage apartment… The ceiling has, like, pockets of water, and there’s drops—what? I don’t know how… I just went in there and saw it… Ora turned off the water. Then she turned off the power when the lights started flickering… Hold on.” The boy held the phone out. “He wants to talk to you.” I took it. “Hi, Rhodes, how’s your day going? How many people have you busted for not having a permit?” I flashed a grimace-like smile at Amos, who suddenly didn’t look so sick. Rhodes didn’t say anything for a heartbeat before coming on the line with “It’s going good now.” Excuse me? Was that flirting? “And only two hunters. How’s yours?” He was really asking me about my day. Who was this man and how could I buy him? “Pretty good. A customer brought me a Bundt cake. I gave Clara half when she gave me the stink eye. I’ll give Am half of my half so you can try it. It’s good.” Amos was giving me the funniest look, and I winked at him. We were in this together. “Thanks, Buddy,” he said almost softly. “You mind telling me what happened over there?
Mariana Zapata (All Rhodes Lead Here)
And you’re cute when you get all flustered.” She narrowed her eyes at him and put one hand on her hip. “I have no idea how Louise allowed you to survive childhood.” “It’s because I’m younger and he was always bigger.” Louise came around the side of the truck. “We’re going to borrow your four-wheeler, if you don’t mind.” “Of course.” It wasn’t really hers. Not like she paid for it or anything. But Palmer always referred to it as hers, and so did Louise. And like just now, Louise asked before she hopped on it. “Hi, Tella,” Ames said when she saw Tella’s head poke around the pickup. Even though they were baling hay, Tella still wore the hockey jersey she loved. “Hi, Aunt Ames.” “Okay, Tella. Let’s run down to the house, so we can get back and work a little longer.” “Can I drive?” Louise looked back at Ames with raised brows. “Sure, if your mom says it’s okay.” Tella grinned. “It should be. She let me drive Uncle Palmer’s pickup out here.” “By yourself?” Tella nodded. “Wow. Make sure you wear your seatbelt just in case the wheels fall off.” “Hey.” Palmer put on a mock-hurt expression and wrapped an arm around Ames’s head like he was going to put her in a headlock. “That wasn’t nice. I don’t say mean things like that about your car.” The four-wheeler started, and the motor faded slowly into the distance. Palmer’s arm loosened and dropped to her shoulders. The weight of it there felt good and right. She straightened in his embrace. Maybe they’d never bale hay together again. She looked up into his clear, blue eyes. Eyes that held no guile. Just genuine honesty. And admiration. “You’re beautiful. With or without sunburned cheeks.” His arm tightened. What had simply been his arm around her shoulder became Palmer hugging her. Still maybe in line with friendship, but so close to more. She wanted more. But she wanted his friendship, too. Could she have both? Their kiss hadn’t made anything awkward. She tossed her head, moving closer until they were touching. “That
Jessie Gussman (Cowboys Don't Marry Their Best Friend (Sweet Water Ranch #1))
It was such a classic ADD story that I’ve come to call it the “cough drop sign” when a person habitually has trouble following through on plans on a minute-to-minute, even second-to-second, basis. This is not due to procrastination per se as much as it is due to the busyness of the moment interrupting or interfering with one’s memory circuits. You can get up from your chair, go into the kitchen to get a glass of water, and then in the kitchen forget the reason for your being there. Or, on a larger scale, the most important item on your agenda for a given day might be to make a certain telephone call, a call that, say, has crucial business consequences. You mean to do it, you want to do it, you are not afraid of doing it, indeed you are eager to make the call and feel confident about doing it. And yet, as the day progresses, you never get around to making the call. An invisible shield of procrastination seems to separate you from the task. You sharpen your pencil instead, talk to an associate, pay some bills, have lunch, get interrupted by a minor problem, return some other calls to clear your desk so you can make the important call, only to find that the end of the day has come and the call still has not been made. Or, on an interpersonal level, you may mean to bring home flowers to your spouse, have it in mind to do it all day, really want to do it, in fact on the subway home envision just which florist shop you will stop at, only to find yourself standing in front of your spouse, saying “Hi, honey” with no flowers in hand. Sometimes this is due to unconsciously not wanting to buy the flowers. But sometimes, far more often than most people realize, it is due to ADD. Wanting to do something, meaning to do something, but just not doing it: this is the “cough drop sign” and it is common among adults with ADD.
Edward M. Hallowell (Driven to Distraction: Recognizing and Coping with Attention Deficit Disorder)
I read that office workers spend a staggering 28 percent of their office time on email, but I bet I spend more time than that. To make my email habit more convenient, I decided to cut out salutations and closings. I’d fallen into the habit of writing an email like an old-fashioned letter, instead of using the casualness and brevity now appropriate to email. An email that says: Hi Peter—Thanks so much for the link. I’m off to read the article right now. Warmly, Gretchen takes a lot more work than an email that says: Thanks! Off to read the article right now. The first version is more formal and polite, but the second version conveys the same tone and information, and is much quicker to write. It took a surprising amount of discipline to change my response habits. It can be hard to make things easier. I had to push myself to erase the “Hi” and to hit “send” without typing a closing. But before long, it became automatic. Not long after I’d instituted my new convenient email habits, however, I responded to a reader with an email that omitted a salutation and closing, and received a pointed email in return: “I find it really interesting that you don’t say ‘Hi Lisa’ or end your email in any kind of salutation, or say ‘if I have any more questions to drop you a line.’ Please excuse me if this is rude, I am truly just curious. Is this because you are super busy (understandably) or just not your style? I had this preconceived notion after reading your book that your dialogue would be so much more friendly/ happy and personal.” Sheesh. This was nicely put, but clearly the message was “You don’t sound very friendly.” I was taken aback. Should I go back to using more elaborate courtesy? Then I decided—no. I was sorry if I didn’t sound friendly to her, but I wanted to be able to answer emails from readers, and to keep up, I needed to make this work as convenient as possible. My habits had to reflect my values. I wrote her back, very nicely, and without a salutation or closing, to explain.
Gretchen Rubin (Better Than Before: What I Learned About Making and Breaking Habits--to Sleep More, Quit Sugar, Procrastinate Less, and Generally Build a Happier Life)
Calling students on the first day of school and praying for them. Sending students photos taken of them at youth group events. (Always get double prints.) Dropping by their workplaces just to say hi. Attending the last quarter, inning, or set of their games. (Although you can drop by earlier, coming at the end affords the opportunity to interact with your students after-ward.) Mailing favorite snacks to arrive on their birthdays. Calling students' parents just to brag on them. (e.g.,“Mrs. Gates, your son Billy is doing some amazing things with computer graphics for our small groups!”) Taping notes of encouragement to the front door during exams or other stressful periods. (Ring the doorbell and disappear.) Actually taping notes of encouragement directly on students. Inviting students over for dinner. Letting a group of (same-sex) students spend the night. Following up a few days after a student shares a prayer request. Using your students as positive illustrations in your message or Bible study. (It's always a good idea to get permission first.) Mailing goofy postcards for no reason. Dropping off brain food (a double cheeseburger) the night before a big test. Asking students—on a one-to-one basis—to pray for you. Remembering students’ names
Doug Fields (Your First Two Years in Youth Ministry: A Personal and Practical Guide to Starting Right)