Drip On Hand Quotes

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Water does not resist. Water flows. When you plunge your hand into it, all you feel is a caress. Water is not a solid wall, it will not stop you. But water always goes where it wants to go, and nothing in the end can stand against it. Water is patient. Dripping water wears away a stone. Remember that, my child. Remember you are half water. If you can't go through an obstacle, go around it. Water does.
Margaret Atwood (The Penelopiad)
She had this dark cancer water dripping out of her chest. Eyes closed. Intubated. But her hand was still her hand, still warm and the nails painted this almost black dark blue and I just held her hand and tried to imagine the world without us and for about one second I was a good enough person to hope she died so she would never know that I was going, too. But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar.
John Green (The Fault in Our Stars)
under his dripping hair, he was as white as parchment, his hands clenched at his sides so tightly that they were shaking. It seemed clear that some terrible turmoil was ripping him apart from the inside out.
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
I am supposed to be touched. I can’t wait to find the person who will come into the kitchen just to smell my neck and get behind me and hug me and breathe me in and make me turn around and make me kiss his face and put my hands in his hair even with my soapy dishwater drips. I am a lovely woman. Who will come into my kitchen and be hungry for me?
Jenny Slate (Little Weirds)
The Poet With His Face In His Hands You want to cry aloud for your mistakes. But to tell the truth the world doesn’t need anymore of that sound. So if you’re going to do it and can’t stop yourself, if your pretty mouth can’t hold it in, at least go by yourself across the forty fields and the forty dark inclines of rocks and water to the place where the falls are flinging out their white sheets like crazy, and there is a cave behind all that jubilation and water fun and you can stand there, under it, and roar all you want and nothing will be disturbed; you can drip with despair all afternoon and still, on a green branch, its wings just lightly touched by the passing foil of the water, the thrush, puffing out its spotted breast, will sing of the perfect, stone-hard beauty of everything.
Mary Oliver (New and Selected Poems, Vol. 2)
We held hands when we walked down the gingerbread path into the forest, blood dripping from our fingers. We danced with witches and kissed monsters. We turned us into wintergirls, when she tried to leave, I pulled her back into the snow because I was afraid to be alone.
Laurie Halse Anderson (Wintergirls)
So if you're not Artemis Fowl, then who are you?" The boy extended a dripping hand straight up. "My name is Orion. I am so pleased to meet you at last. I am, of course, your servant." Holly shook the proferred hand, thinking that manners were lovely, but she really needed someone cunning and ruthless right now, and this kid didn't appear to be very cunning.
Eoin Colfer (The Atlantis Complex (Artemis Fowl, #7))
I’ll make one more promise,” she said, folding her bloodied hand into a fist as she lowered it before them. Darrow tensed. Her blood dripped onto the sacred soil of Terrasen, and her smile turned lethal. Even Aedion held his breath beside her. Aelin said, “I promise you that no matter how far I go, no matter the cost, when you call for my aid, I will come. I promise you on my blood, on my family’s name, that I will not turn my back on Terrasen as you have turned your back on me. I promise you, Darrow, that when the day comes and you crawl for my help, I will put my kingdom before my pride and not kill you for this. I think the true punishment will be seeing me on the throne for the rest of your miserable life.
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
Her magic sent him sprawling, and it then hurled into Rhysand again - so hard that his head cracked against the stones and the knife dropped from his splayed fingers. No one made a move to help him, and she struck him once more with her power. The red marble splintered where he hit it, spiderwebbing toward me. With wave after wave she hit him. Rhys groaned. "Stop," I breathed, blood filling my mouth as I strained a hand to reach her feet. "Please." Rhys's arms buckled as he fought to rise, and blood dripped from his nose, splattering on the marble. His eyes met mine. The bond between us went taut. I flashed between my body and his, seeing myself through his eyes, bleeding and broken and sobbing. I snapped back into my own mind as Amarantha turned to me again. "Stop? Stop? Don't pretend you care, human," she crooned, and curled her finger. I arched my back, my spine straining to the point of cracking, and Rhysand bellowed my name as I lost my grip on the room.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
I have a dream that one day this nation will rise up and live out the true meaning of its creed: "We hold these truths to be self-evident, that all men are created equal." I have a dream that one day on the red hills of Georgia, the sons of former slaves and the sons of former slave owners will be able to sit down together at the table of brotherhood. I have a dream that one day even the state of Mississippi, a state sweltering with the heat of injustice, sweltering with the heat of oppression, will be transformed into an oasis of freedom and justice. I have a dream that my four little children will one day live in a nation where they will not be judged by the color of their skin but by the content of their character. I have a dream today! I have a dream that one day, down in Alabama, with its vicious racists, with its governor having his lips dripping with the words of "interposition" and "nullification" -- one day right there in Alabama little black boys and black girls will be able to join hands with little white boys and white girls as sisters and brothers. I have a dream today! I have a dream that one day every valley shall be exalted, and every hill and mountain shall be made low, the rough places will be made plain, and the crooked places will be made straight; "and the glory of the Lord shall be revealed and all flesh shall see it together.
Martin Luther King Jr.
I love you,” I said. “I believe in you. Break a leg.” When my hand turned the doorknob, she called to me. “If I don’t win,” she said, her wet hair dripping onto the spaghetti straps of her slip, “will you still love me?” I thought she was joking until I looked directly into her eyes. “You could be a nobody living in a cardboard box, and I’d still love you,” I said. I’d never said that before. I’d never meant it before. Celia smiled wide. “Me too. The cardboard box and all of it.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
I told him the story of the day I'd been mending pottery with one of the maids in the kitchen at Keramzin, waiting for him to return from one of the hunting trips that had taken him from home more and more frequently. I'd been fifteen, standing at the counter, vainly trying to glue together the jagged pieces of a blue cup. When I saw him crossing the fields, I ran to the doorway and waved. He caught sight of me and broke into a jog. I had crossed the yard to him slowly, watching him draw closer, baffled by the way my heart was skittering around in my chest. Then he'd picked me up and swung me in a circle, and I'd clung to him, breathing in his sweet, familiar smell, shocked by how much I'd missed him. Dimly, I'd been aware that I still had a shard of that blue cup in my hand, that it was digging into my palm, but I didn't want to let go. When he finally set me down and ambled off into the kitchen to find his lunch, I had stood there, my palm dripping in blood, my head still spinning, knowing that everything had changed. Ana Kuya had scolded me for getting blood on the clean kitchen floor. She'd bandaged my hand and told me it would heal. But I knew it would just go on hurting.
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
Soldier! Let me cradle your head and caress your face, let me kiss your dear sweet lips and cry across the seas and whisper through the icy Russian grass how I feel for you . . . Luga, Ladoga, Leningrad, Lazarevo . . . Alexander, once you carried me, and now I carry you. Into my eternity, now I carry you. Through Finland, through Sweden, to America, hand outstretched, I stand and limp forward, the galloping steed black and riderless in my wake. Your heart, your rifle, they will comfort me, they’ll be my cradle and my grave. Lazarevo drips you into my soul, dawn drop by moonlight drop from the river Kama. When you look for me, look for me there, because that’s where I will be all the days of my life. (Tatiana)
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
Van Houten, I’m a good person but a shitty writer. You’re a shitty person but a good writer. We’d make a good team. I don’t want to ask you any favors, but if you have time – and from what I saw, you have plenty – I was wondering if you could write a eulogy for Hazel. I’ve got notes and everything, but if you could just make it into a coherent whole or whatever? Or even just tell me what I should say differently. Here’s the thing about Hazel: Almost everyone is obsessed with leaving a mark upon the world. Bequeathing a legacy. Outlasting death. We all want to be remembered. I do, too. That’s what bothers me most, is being another unremembered casualty in the ancient and inglorious war against disease. I want to leave a mark. But Van Houten: The marks humans leave are too often scars. You build a hideous minimall or start a coup or try to become a rock star and you think, “They’ll remember me now,” but (a) they don’t remember you, and (b) all you leave behind are more scars. Your coup becomes a dictatorship. Your minimall becomes a lesion. (Okay, maybe I’m not such a shitty writer. But I can’t pull my ideas together, Van Houten. My thoughts are stars I can’t fathom into constellations.) We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempt to survive our deaths. I can’t stop pissing on fire hydrants. I know it’s silly and useless – epically useless in my current state – but I am an animal like any other. Hazel is different. She walks lightly, old man. She walks lightly upon the earth. Hazel knows the truth: We’re as likely to hurt the universe as we are to help it, and we’re not likely to do either. People will say it’s sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But it’s not sad, Van Houten. It’s triumphant. It’s heroic. Isn’t that the real heroism? Like the doctors say: First, do no harm. The real heroes anyway aren’t the people doing things; the real heroes are the people NOTICING things, paying attention. The guy who invented the smallpox vaccine didn’t actually invented anything. He just noticed that people with cowpox didn’t get smallpox. After my PET scan lit up, I snuck into the ICU and saw her while she was unconscious. I just walked in behind a nurse with a badge and I got to sit next to her for like ten minutes before I got caught. I really thought she was going to die, too. It was brutal: the incessant mechanized haranguing of intensive care. She had this dark cancer water dripping out of her chest. Eyes closed. Intubated. But her hand was still her hand, still warm and the nails painted this almost black dark blue and I just held her hand and tried to imagine the world without us and for about one second I was a good enough person to hope she died so she would never know that I was going, too. But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar. A nurse guy came in and told me I had to leave, that visitors weren’t allowed, and I asked if she was doing okay, and the guy said, “She’s still taking on water.” A desert blessing, an ocean curse. What else? She is so beautiful. You don’t get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don’t get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.
John Green (The Fault in Our Stars)
Being alone is not the most awful thing in the world. You visit your museums and cultivate your interests and remind yourself how lucky you are not to be one of those spindly Sudanese children with flies beading their mouths. You make out To Do lists - reorganise linen cupboard, learn two sonnets. You dole out little treats to yourself - slices of ice-cream cake, concerts at Wigmore Hall. And then, every once in a while, you wake up and gaze out of the window at another bloody daybreak, and think, I cannot do this anymore. I cannot pull myself together again and spend the next fifteen hours of wakefulness fending off the fact of my own misery. People like Sheba think that they know what it's like to be lonely. They cast their minds back to the time they broke up with a boyfriend in 1975 and endured a whole month before meeting someone new. Or the week they spent in a Bavarian steel town when they were fifteen years old, visiting their greasy-haired German pen pal and discovering that her hand-writing was the best thing about her. But about the drip drip of long-haul, no-end-in-sight solitude, they know nothing. They don't know what it is to construct an entire weekend around a visit to the laundrette. Or to sit in a darkened flat on Halloween night, because you can't bear to expose your bleak evening to a crowd of jeering trick-or-treaters. Or to have the librarian smile pityingly and say, ‘Goodness, you're a quick reader!’ when you bring back seven books, read from cover to cover, a week after taking them out. They don't know what it is to be so chronically untouched that the accidental brush of a bus conductor's hand on your shoulder sends a jolt of longing straight to your groin. I have sat on park benches and trains and schoolroom chairs, feeling the great store of unused, objectless love sitting in my belly like a stone until I was sure I would cry out and fall, flailing, to the ground. About all of this, Sheba and her like have no clue.
Zoë Heller (What Was She Thinking? [Notes on a Scandal])
The opportunity was too perfect to miss. Harry crept silently around behind Malfoy, Crabbe, and Goyle, bent down, and scooped a large handful of mud out of the path. 'We were just talking about your friend Hagrid,' Malfoy said to Ron. 'Just trying to imagine what he's saying to the Committee for the Disposal of Dangerous Creatures. D'you think he'll cry when they cut off his hippogriff's—' SPLAT. Malfoy's head jerked back as the mud hit him; his silverblond hair was suddenly dripping in muck.
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
I'm sorry," I choke out. He's quiet. Tears drip off my chin. He lets out a slow, shaky breath. "Don't cry," he says. "That's not fair." I laugh and sob at the same time. "It's okay," he whispers. His fingers brush at the tears on my cheeks. "Don't cry." Then he puts his arms around me, wings and all. I curl my arms around his neck and bury my face in his chest and breathe in the smell of the river on him. Somewhere in the woods a crow caws. A blackbird answers. And then we're kissing and everything goes away but Tucker.
Cynthia Hand
Love is a boomerang dripped in honey, in that it emanates from me just as surely as it will return to me. Still, I think I’d much rather wash my hands and be done with it.
Jarod Kintz (This Book is Not for Sale)
Hold on to me!” Tedros yelled, hacking briars with his training sword.Dazed, Agatha clung to his chest as he withstood thorn lashes with moans of pain. Soon he had the upper hand and pulled Agatha from the Woods towards the spiked gates, which glowed in recognition and pulled apart, cleaving a narrow path for the two Evers. As the gates speared shut behind them,Agatha looked up at limping Tedros, crisscrossed with bloody scratches, blue shirt shredded away. “Had a feeling Sophie was getting in through the Woods,” he panted, hauling her up into slashed arms before she could protest. “So Professor Dovey gave me permission to take some fairies and stakeout the outer gates. Should have known you’d be here trying to catch her yourself.” Agatha gaped at him dumbly. “Stupid idea for a princess to take on witches alone,” Tedros said, dripping sweat on her pink dress. “Where is she?” Agatha croaked. “Is she safe?” “Not a good idea for princesses to worry about witches either,” Tedros said, hands gripping her waist. Her stomach exploded with butterflies. “Put me down,” she sputtered— “More bad ideas from the princess.” “Put me down!”Tedros obeyed and Agatha pulled away. “I’m not a princess!” she snapped, fixing her collar. “If you say so,” the prince said, eyes drifting downward.Agatha followed them to her gashed legs, waterfalls of brilliant blood. She saw blood blurring— Tedros smiled. “One . . . two . . . three . . .”She fainted in his arms. “Definitely a princess,” he said.
Soman Chainani (The School for Good and Evil (The School for Good and Evil, #1))
Too often we take notes on writing, we think about writing but never do it. I want you to walk into the heart of the storm, written words dripping off hair, eyelids, hanging from hands.
Natalie Goldberg (Old Friend from Far Away: The Practice of Writing Memoir)
Your arm is shot, Sorrengail,” Tynan hisses, his face pale and sweaty. “I’m used to functioning in pain, asshole. Are you?” I raise the dagger in my right hand just to prove that I can despite the blood that runs down my arm and drips from the tip of my blade, saturating the wrap across my palm. My gaze drops meaningfully to his side.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
But about the drip drip of long-haul, no-end-in-sight solitude, they know nothing. They don't know what it is to construct an entire weekend around a visit to the laundrette. Or to sit in a darkened flat on Halloween night, because you can't bear to expose your bleak evening to a crowd of jeering trick-or-treaters. Or to have the librarian smile pityingly and say, ‘Goodness, you're a quick reader!’ when you bring back seven books, read from cover to cover, a week after taking them out. They don't know what it is to be so chronically untouched that the accidental brush of a bus conductor's hand on your shoulder sends a jolt of longing straight to your groin.
Zoë Heller (What Was She Thinking? Notes on a Scandal)
What is your name?" he repeated—no demanded. My hackles raised. "It's Mindya Business." "That's exceedingly ...lame," he retorted. "Trinity Lynn Marrow!" Misha called out. "I swear to Jesus, girl, when I get my hands on you..." Drawing up short I closed my eyes. "I'll admit I didn't expect to find out that soon." Wry humor dripped from Zayne's tone.
Jennifer L. Armentrout (Storm and Fury (The Harbinger, #1))
I had crossed the yard to him slowly, watching him draw closer, baffled by the way my heart was skittering around my chest. Then he'd picked me up and spun me in a circle, and I'd clung to him, breathing in his sweet, familiar smell, shocked by how much I'd missed him. Dimly, I'd been aware that I still had a shard of the blue cup in my hand, that it was digging into my palm, but I didn't want to let go. When he finally set me down and ambled off to the kitchen to find his lunch, I stood there, my palm dripping blood, my head still spinning, knowing that everything had changed. Ana Kuya had scoled me for getting blood on the clean kitchen floor. She'd bandaged my hand and told me it would heal. But I knew it would just go on hurting. In the creaking silence of the cell, Mal kissed the scar on my palm, the wound made so long ago by the edge of that broken cup, a fragile thing I'd thought beyond repair.
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
With that, the stranger stepped from the mist. She had two long daggers in her hands. And both blades were dark with dripping blood.
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
If I could claw the words out of the back of my throat and give them, dripping of me, to you, we would talk of sticky hands, and the messes they make.
Nicole Lyons
Water splashed over my jeans, and I yelped as something burned my skin. We examined my leg. Tiny holes marred my jeans where the drops had hit, the material seared away, the skin underneath red and burned. It throbbed as if I’d jabbed needles into my flesh. “What the heck?” I muttered, glaring into the storm. It looked like ordinary rain—gray, misty, somewhat depressing. Almost compulsively, I stuck my hand toward the opening, where water dripped over the edge of the tube. Ash grabbed my wrist, snatching it back. “Yes, it will burn your hand as well as your leg,” he said in a bland voice. “And here I thought you learned your lesson with the chains.” Embarrassed, I dropped my hand and scooted farther into the tube, away from the rim and the acid rain dripping from it. “Guess I’m staying up all night,” I muttered, crossing my arms. “Wouldn’t want to doze off and find half my face melted off when I wake up.
Julie Kagawa (The Iron King (The Iron Fey, #1))
But weren't done, not by a long shot. his great hands lifted me under my ass and my thighs, urging me to get on the table and lie on my side. His arm hooked under my leg right under the kneecap, and now everyone had a spectacular view of my dripping for him.
Lisa Lawrence (Strip Poker: A Novel)
For the first time since I was a little kid, hot tears burned in my eyes and dripped down one of my cheeks. Unable to restrain myself, I reached out for Abby, wrapped her small frame in my arms, and planted my lips on hers. Her mouth was cold and stiff, so I cradled her face in my hands, kissing her harder, desperate to get a reaction. “Kiss me,” I begged.
Jamie McGuire (Walking Disaster (Beautiful, #2))
A Prayer for The Wild at Heart A prayer for the wild at heart Kept in cages I know how you long To run wild and free To feel your blood pumping To hear your heart beating faster Yet you can’t For you are locked inside a prison One that you will never escape I can hear your howls of pain And your growls of frustration Pacing back and forth Clawing at the bars Tearing at your skin Begging to be set free Your eyes are wild of full hate You face bears no smile Only a snarl of anger Blood drips from your hands Blood from the people Who didn’t understand Your fearful whimpers fill the air As you look to the full moon And let out a mournful howl Your voice gets louder As I and the others join in We let our pleads fill the night As we sit in our cold cages Praying someone will hear - Tennessee Williams
Tennessee Williams (Stairs to the Roof)
But there’s no chance in hell I’m upgrading this. Stevie’s hands might drip in 24-karat gold after today, but this five-dollar beat-up ring is hers, and therefore it’s mine.
Liz Tomforde (Mile High (Windy City, #1))
Raphael came through the door like a child's nightmare, his eyes glowing an almost solid silver with wrath, his gleaming fangs fully extended, blood painting his mouth a brilliant red, dripping from his chin to shine wetly against the tattered remains of his black shirt. His huge chest was heaving with the fury of his breath, and his hands curled into claws as his gaze found her and he growled a warning. 'Release her, human.' 'Who are you? the man rasped, fear taking away his breath, coarsening his voice. 'Release her.' The man tightened his grip, 'Come closer and she dies.' Rachael's mouth widened in a terrifying smile, 'You think to bargain with me?
D.B. Reynolds (Raphael (Vampires in America, #1))
'Banished men should never speak their native tongue; it comes bitter from their mouth. And this language suits a traitor better, I think; drips off one's teeth like sugar-syrup.'
Ursula K. Le Guin (The Left Hand of Darkness)
I love you...and I’m sorry it took losing you to figure that out.” His anger deflated. “Did you say you love me?” She nodded and tears dripped from her eyes. He put a hand to his chest. “Are you sure, because my fucking heart can’t take this.
Dana Mason (Dangerous Embrace (Embrace, #1))
Let me tell you what I think about your fucking rules," he said, his voice dripping with venom as he pushed past Liam. "You sit up in your room and you pretend like you want what's best for everyone, but you don't do any of the work yourself. I can't tell if you're just a spoiled little shit, or if you're too worried about getting your pretty princess hands dirty, but it sucks. You are fucking awful, and you sure as hell don't have me fooled... You talk about us all being equals, like we're one big rainbow of peace and all that bullshit, but you never once believed that yourself, did you? You won't let anyone contact their parents, and you don't care about the kids that are still trapped in camps your father set up. You wouldn't even listen when the Watch kids brought it up. So what I want to know is, why can't we leave?... What's the point of this place, other than for you to get off on how great you are and toy with people and their feelings?
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
Your heart beats against the palm of my hand. Its need to be one with me drips between my fingertips as I squeeze perfect drops of love into small receptacles to be preserved, for later.
N'Zuri Za Austin (Fragments of a Reflection: Short Stories & Poetry)
I took a closer look. Jesus had piercing blue eyes, dark hair that hung in a flawless mess, his body was emaciated and taut, his hands and feet dripped with blood, and nothing but a gauzy loincloth hid what looked like a nice package underneath. “Sexy,” I said. “He looks like a rock star.
Tiffanie DeBartolo (How to Kill a Rock Star)
Fallen. Who tracks our footsteps, I wonder? We who are the forgotten, the discounted and the ignored. When the path is failure, it is never willingly taken. The fallen. Why does my heart weep for them? Not them but us, for most assuredly I am counted among them. Slaves, serfs, nameless peasants and labourers, the blurred faces in the crowd—just a smear on memory, a scuffing of feet down the side passages of history. Can one stop, can one turn and force one’s eyes to pierce the gloom? And see the fallen? Can one ever see the fallen? And if so, what emotion is born in that moment? There were tears on his cheeks, dripping down onto his chafed hands. He knew the answer to that question, knife-sharp and driven deep, and the answer was…recognition.
Steven Erikson (Midnight Tides (Malazan Book of the Fallen, #5))
Here we are sitting at the Waldorf in a conference room... and in comes someone with long hair and wearing an outfit dripping leather. I remember whispering to Dave Connell, "How do we know that man back there isn't going to throw a bomb up here or toss a hand grenade?" Connell, always one to keep a cool head, assessed the situation with care. He discreetly turned his head toward the back and realized he recognized the tall, angular man carrying a small purse under his arm. A slight smile curled as he assured Cooney the hippie back there posed no threat. "Not likely, that's Jim Henson," he said.
Michael Davis (Street Gang: The Complete History of Sesame Street)
Tears The first woman who ever wept was appalled at what stung her eyes and ran down her cheeks. Saltwater. Seawater. How was it possible? Hadn't she and the man spent many days moving upland to where the grass flourished, where the stream quenched their thirst with sweet water? How could she have carried these sea drops as if they were precious seeds; where could she have stowed them? She looked at the watchful gazelles and the heavy-lidded frogs; she looked at glass-eyed birds and nervous, black-eyed mice. None of them wept, not even the fish that dripped in her hands when she caught them. Not even the man. Only she carried the sea inside her body.
Lisel Mueller (Alive Together)
Time is like wax, dripping from a candle flame. In the moment, it is molten and falling, with the capability to transform into any shape. Then the moment passes, and the wax hits the tabletop, and solidifies into the shape it will always be. It becomes the past, a solid, single record of what happened, still holding in its wild curves and contours the potential of every shape it could have held. It is impossible, no matter how blessed you are by luck or the government or some remote, invisible deity gently steering your life with hands made of moonlight and wind, it is impossible not to feel a little sad looking at that bit of wax, that bit of the past. It is impossible not to think of all the wild forms that wax now will never take. ... ... But then you remember, I remember, that we are even now in another bit of molten wax. We are in a moment and it is still falling, still volatile, and we will never be anywhere else. We will always be in that most dangerous, most exciting, most possible time of all: the now, where we never can know what shape the next moment will take. Stay tune fore... well, let's just find out together, shall we?
Joseph Fink (Mostly Void, Partially Stars (Welcome to Night Vale Episodes, #1))
So struggled beneath its anguish this unhappy soul. Eighteen hundred years before this unfortunate man, the mysterious Being, in whom are aggregated all the sanctities and all the sufferings of humanity, He also, while the olive trees were shivering in the fierce breathe of the Infinite, had long put away from his hand the fearful chalice that appeared before him, dripping with shadow and running over with darkness, in the star-filled depths.
Victor Hugo (Les Misérables)
He knew he was slipping. Blood was dripping down his arm, through his fingers. He'd faced death before, was no stranger to the sensation of knowing this breath, this one breath, could be the last you drew. But he'd be damned if it would. Not when his woman was watching him with terrified eyes, calling to him, risking her life to save his. He set his teeth, gave his injured arm his weight. Pain swam sickly in his head, into his gut as he reached up to her. And her hand gripped his, firm and strong.
J.D. Robb (Loyalty in Death (In Death, #9))
You’re bleeding,” Fitz interrupted, lifting Sophie’s hand and examining her palm. Thin streams of red dripped down her skin. “These look bad, Sophie. You should get them treated.” “I’m fine,” she said, trying not to think about the blood, or the fact that Fitz was technically holding her hand, since both things made her head spin way too fast. “Really. It’s not a big deal. We don’t need to call Elwin.
Shannon Messenger (Exile (Keeper of the Lost Cities, #2))
I can play … I mean, as an effort of will I can sit down and learn a piece at the piano and reproduce it, so that those who hear will not necessarily move away with their hands clutched to their mouths, vomit leaking through fingers, blood dripping from ears.
Stephen Fry (Moab Is My Washpot)
Can’t you make yourself likeable? Can’t you even try?” Something shifted in Tavi then. She was always so flippant, trailing sarcasm behind her like a duchess trailing furs. But not this time. Hugo had pierced her armor and blood was dripping from the wound. “Try for whom, Hugo?” she repeated, her voice raw. “For the rich boys who get to go to the Sorbonne even though they’re too stupid to solve a simple quadratic equation? For the viscount I was seated next to at a dinner who tried to put his hand up my skirt through all five courses? For the smug society ladies who look me up and down and purse their lips and say no, I won’t do for their sons because my chin is too pointed, my nose is too large, I talk too much about numbers?” “Tavi …” Isabelle whispered. She went to her, tried to put an arm around her, but Tavi shook her off. “I wanted books. I wanted maths and science. I wanted an education,” Tavi said, her eyes bright with emotion. “I got corsets and gowns and high-heeled slippers instead. It made me sad, Hugo. And then it made me angry. So no, I can’t make myself likeable. I’ve tried. Over and over. It doesn’t work. If I don’t like who I am, why should you?
Jennifer Donnelly (Stepsister)
In the dream from which he'd wakened he had wandered in a cave where the child led him by the hand. Their light playing over the wet flowstone walls. Like pilgrims in a fable swallowed up and lost among the inward parts of some granitic beast. Deep stone flues where the water dripped and sang. Tolling in the silence the minutes of the earth and the hours and the days of it and the years without cease. Until they stood in a great stone room where lay a black and ancient lake. And on the far shore a creature that raised its dripping mouth from the rimstone pool and stared into the light with eyes dead white and sightless as the eggs of spiders. It swung its head low over the water as if to take the scent of what it could not see. Crouching there pale and naked and translucent, its alabaster bones cast up in shadow on the rocks behind it. Its bowels, its beating heart. The brain that pulsed in a dull glass bell. It swung its head from side to side and then gave out a low moan and turned and lurched away and loped soundlessly into the dark.
Cormac McCarthy (The Road)
Vishous came up onto the dais, his eyes down. He accepted the silver glove from Z and slipped it over the black leather he already wore on his hand. Then he scored himself with a quick flash of the black blade and stared at the skull as his blood dripped down into the basin, joining the others'. "My flesh," he whispered. He seemed to hesitate before turning to Butch. Then he pivoted and their eyes met. As candlelight flickered over V's hard face and got caught in his diamond irises, Butch felt his breath get tight: At that moment, his roommate looked as powerful as a god...and maybe even as beautiful. Vishous stepped in close and slid his hand from Butch's shoulder to the back of his neck. "Your flesh," V breathed. Then he paused, as if asking for something. Without thinking, Butch titled his chin up, aware that he was offering himself, aware the he...oh, fuck. He stopped his thoughts, completely weirded out by the vibe that had sprung up from God only knew where. In slow motion Vishous's dark head dropped down and there was a silken brush as his goatee moved against Butch's throat. With delicious precision, V's fangs pressed against the vein that ran up from Butch's heart, then slowly, inexorably, punched through skin. Their chests merged. Butch closed his eyes and absorbed the feel of it all, the warmth of their bodies so close, the way V's hair felt soft on his jaw, the slide of a powerful male arm as it slipped around his waist. On their own accord, Butch's hands left the pegs and came to rest on V's hips, squeezing that hard flesh, bringing them together from head to foot. A tremor went through one of them. Or maybe...shit, it was more likely they both shuddered.
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
He had never been satisfied and never would be. It wasn't success he craved, or even fame, it was history: he wanted to crack the universe open like a ripe watermelon, to arrange the mess of pulpy seeds before his dumbfounded colleagues. He wanted to take the dripping red fruit in his hands and quantify the guts of infinity to look back into the dawn of time and glimpse the very beginning. He wanted to be remembered.
Lily Brooks-Dalton (Good Morning, Midnight)
I will hold what I am inside, and keep my hands tight around all the things I have seen and heard, and felt. The poems composed as I washed and scythed and cooked until my hands were raw. The sagas I know by heart. I am sinking all I have left and going underwater. If I speak, it will be in bubbles of air. They will not be able to keep my words for themselves. They will see the whore, the madwoman, the murderess, the female dripping blood into the grass and laughing with her mouth choked with dirt. They will say ‘Agnes’ and see the spider, the witch caught in the webbing of her own fateful weaving. They might see the lamb circled by ravens, bleating for a lost mother. But they will not see me. I will not be there.
Hannah Kent (Burial Rites)
Are you particularly attached to these? He fingered the lace around the crease where her thigh curved against the most intimate part of her. "Wh-what?" Her hands dripped form his head to dig into the sheets. He filed away her responsiveness when touched in that particular area. I'll take that as a no." Gipping hold of the front, he tore the fragile fabric off her body. The scraps fell away like mist.
Nalini Singh (Caressed by Ice (Psy-Changeling, #3))
I had that hole in me, that empty space. I could have lived my life with it, content enough. I wasn’t an unhappy man.” He kept his eyes on hers as his thumb brushed lightly over the back of her hand. “Then, one day I felt something—a prickle at the back of my neck, a heat at the base of my spine. And standing at a memorial for the dead, I turned, and there you were.” He turned her hand over, interlocking fingers. “There you were, and it all shifted under my feet. You were everything I shouldn’t have, shouldn’t want or need. A cop for Jesus’ sake, with eyes that looked right into me.” He reached out, just a whisper of fingers on her face. And the quiet touch was somehow wildly passionate, desperately intimate. “A cop wearing a bad gray suit and a coat that didn’t even fit. From that moment, the hole inside me began to fill. I couldn’t stop it. I couldn’t stop what rooted there, or what grew. The tears came now. He watched them drip down her cheeks, wondered if she were even aware they leaked out of her. “She was part of my life. You are my life. If I have a regret, it’s that even for an instant you could think otherwise. Or that I allowed you to.
J.D. Robb (Innocent in Death (In Death, #24))
Inside, Howl was still sitting on the stool. He sat in an attitude of utter despair. And he was covered all over in thick green slime. There were horrendous, dramatic, violent quantities of green slime – oodles of it. It covered Howl completely. It draped his head and shoulders in sticky dollops, heaping on his knees and hands, trickling in glops down his legs and dripping off the stool in sticky strands. It was in oozing ponds and crawling pools over most of the floor. Long fingers of it had crept into the hearth. It smelled vile. “Save me!” Calcifer cried in a hoarse whisper. He was down to two desperately flickering small flames. “This stuff is going to put me out!” Sophie held up her skirt and marched as near Howl as she could get – which was not very near. “Stop it!” she said. “Stop it at once! You are behaving just like a baby!
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
She dreamed of Venice. However, it wasn’t a city alive with stars dripping like liquid gold into canals, or Bougainvillea spilling from flowerpots like overfilled glasses of wine. In this dream, Venice was without color. Where pastel palazzi once lined emerald lagoons, now, gray, shadowy mounds of rubble paralleled murky canals. Lovers could no longer share a kiss under the Bridge of Sighs; it had been the target of an obsessive Allied bomb in search of German troops. The only sign of life was in Piazza San Marco, where the infamous pigeons continued to feed. However, these pigeons fed not on seeds handed out by children, but on corpses rotting under the elongated shadow of the Campanile.
Pamela Allegretto (Bridge of Sighs and Dreams)
Yesterday it was sun outside. The sky was blue and people were lying under blooming cherry trees in the park. It was Friday, so records were released, that people have been working on for years. Friends around me find success and level up, do fancy photo shoots and get featured on big, white, movie screens. There were parties and lovers, hand in hand, laughing perfectly loud, but I walked numbly through the park, round and round, 40 times for 4 hours just wanting to make it through the day. There's a weight that inhabits my chest some times. Like a lock in my throat, making it hard to breathe. A little less air got through and the sky was so blue I couldn’t look at it because it made me sad, swelling tears in my eyes and they dripped quietly on the floor as I got on with my day. I tried to keep my focus, ticked off the to-do list, did my chores. Packed orders, wrote emails, paid bills and rewrote stories, but the panic kept growing, exploding in my chest. Tears falling on the desk tick tick tick me not making a sound and some days I just don't know what to do. Where to go or who to see and I try to be gentle, soft and kind, but anxiety eats you up and I just want to be fine. This is not beautiful. This is not useful. You can not do anything with it and it tries to control you, throw you off your balance and lovely ways but you can not let it. I cleaned up. Took myself for a walk. Tried to keep my eyes on the sky. Stayed away from the alcohol, stayed away from the destructive tools we learn to use. the smoking and the starving, the running, the madness, thinking it will help but it only feeds the fire and I don't want to hurt myself anymore. I made it through and today I woke up, lighter and proud because I'm still here. There are flowers growing outside my window. The coffee is warm, the air is pure. In a few hours I'll be on a train on my way to sing for people who invited me to come, to sing, for them. My own songs, that I created. Me—little me. From nowhere at all. And I have people around that I like and can laugh with, and it's spring again. It will always be spring again. And there will always be a new day.
Charlotte Eriksson
I would rather go mad, gone down the dark road to Mexico, heroin dripping in my veins, eyes and ears full of marijuana, eating the god Peyote on the floor of a mudhut on the border or laying in a hotel room over the body of some suffering man or woman; rather jar my body down the road, crying by a diner in the Western sun; rather crawl on my naked belly over the tincans of Cincinnati; rather drag a rotten railroad tie to a Golgotha in the Rockies; rather, crowned with thorns in Galveston, nailed hand and foot in Los Angeles, raised up to die in Denver, pierced in the side in Chicago, perished and tombed in New Orleans and resurrected in 1958 somewhere on Garret Mountain, come down roaring in a blaze of hot cars and garbage, streetcorner Evangel in front of City I-Tall, surrounded by statues of agonized lions, with a mouthful of shit, and the hair rising on my scalp, screaming and dancing in praise of Eternity annihilating the sidewalk, annihilating reality, screaming and dancing against the orchestra in the destructible ballroom of the world, blood streaming from my belly and shoulders flooding the city with its hideous ecstasy, rolling over the pavements and highways by the bayoux and forests and derricks leaving my flesh and my bones hanging on the trees.
Allen Ginsberg
My love will come will fling open her arms and fold me in them, will understand my fears, observe my changes. In from the pouring dark, from the pitch night without stopping to bang the taxi door she’ll run upstairs through the decaying porch burning with love and love’s happiness, she’ll run dripping upstairs, she won’t knock, will take my head in her hands, and when she drops her overcoat on a chair, it will slide to the floor in a blue heap.
Yevgeny Yevtushenko
The sleeve covered its appendages well until it reached outward to Grady. Instead of a hand, several dark green and black-splotched tentacles spilled out of the sleeve. They snaked through the air toward Grady’s face. They glistened in the early morning light and long strands of a mucous-like substance dripped from them and clung like shiny webs to its robe.
Brian Barnett (State of the Dark)
The only sounds in the cave were the hopeless, abandoned sobbing, and plop-plop-plop of the drips. Petra looked at us, then at the figure on the bed, then at us again, expectantly. When neither of us moved she appeared to decide that the initiative lay with her. She crossed to the bedside and knelt down concernedly beside it. Tentatively she put a hand on the dark hair. 'Don't,' she said. 'Please don't.' There was a startled catch in the sobbing. A pause, then a brown arm reached out round Petra's shoulders. The sound became a little less desolate ... it no longer tore at one's heart: but it left it bruised and aching..
John Wyndham (The Chrysalids)
None can use black magic without straining the soul to the uttermost—and staining it into the bargain. None can inflict suffering without enduring the same. None can send death by spells and sorcery without walking on the brink of death’s own abyss, aye, and dripping his own blood into it. The forces black magic evokes are like two-edged poisoned swords with grips studded with scorpion stings. Only a strong man, leather-handed, in whom hate and evil are very powerful, can wield them, and he only for a space.
Fritz Leiber (Swords and Deviltry (Fafhrd and the Gray Mouser, #1))
Running in the rain steals my breath. Ruins it. Smashes it. Nearly eradicates it. When I arrive home, my soaked clothes are stuck to my skin. My shoes are slouching. My toes are cold and stiff. Erratic strands of my hair stick to my temples and forehead, dripping all over me. I stand in our small garden, catching my breath, and press a shaky palm to my chest. My heart’s palpitations grow uneven and out of beat as if protesting. I close my eyes and tip my head back, letting the rain beat down on me. Soak me. Rinse me. The droplets pound on my closed lids almost like a soothing caress. I’ve always loved the rain. The rain camouflaged everything. No one saw the tears. No one noticed the shame or the humiliation. It was just me, the clouds, and the pouring water. But that’s the thing about the rain, isn’t it? It’s only a camouflage, a temporary solution. It can only rinse the outside. It can’t seep under my skin and wash away my shaky insides. Wiping away my memories isn’t an option either. It’s been barely an hour since Aiden had his hands on me – all over me. I can still feel it. His breath. His nearness. His psychotic eyes.
Rina Kent (Deviant King (Royal Elite, #1))
Season late, day late, sun just down, and the sky Cold gunmetal but with a wash of live rose, and she, From water the color of sky except where Her motion has fractured it to shivering splinters of silver, Rises. Stands on the raw grass. Against The new-curdling night of spruces, nakedness Glimmers and, at bosom and flank, drips With fluent silver. The man, Some ten strokes out, but now hanging Motionless in the gunmetal water, feet Cold with the coldness of depth, all History dissolving from him, is Nothing but an eye. Is an eye only. Sees The body that is marked by his use, and Time's, Rise, and in the abrupt and unsustaining element of air, Sway, lean, grapple the pond-bank. Sees How, with that posture of female awkwardness that is, And is the stab of, suddenly perceived grace, breasts bulge down in The pure curve of their weight and buttocks Moon up and, in swelling unity, Are silver and glimmer. Then The body is erect, she is herself, whatever Self she may be, and with an end of the towel grasped in each hand, Slowly draws it back and forth across back and buttocks, but With face lifted toward the high sky, where The over-wash of rose color now fails. Fails, though no star Yet throbs there. The towel, forgotten, Does not move now. The gaze Remains fixed on the sky. The body, Profiled against the darkness of spruces, seems To draw to itself, and condense in its whiteness, what light In the sky yet lingers or, from The metallic and abstract severity of water, lifts. The body, With the towel now trailing loose from one hand, is A white stalk from which the face flowers gravely toward the high sky. This moment is non-sequential and absolute, and admits Of no definition, for it Subsumes all other, and sequential, moments, by which Definition might be possible. The woman, Face yet raised, wraps, With a motion as though standing in sleep, The towel about her body, under her breasts, and, Holding it there hieratic as lost Egypt and erect, Moves up the path that, stair-steep, winds Into the clamber and tangle of growth. Beyond The lattice of dusk-dripping leaves, whiteness Dimly glimmers, goes. Glimmers and is gone, and the man, Suspended in his darkling medium, stares Upward where, though not visible, he knows She moves, and in his heart he cries out that, if only He had such strength, he would put his hand forth And maintain it over her to guard, in all Her out-goings and in-comings, from whatever Inclemency of sky or slur of the world's weather Might ever be. In his heart he cries out. Above Height of the spruce-night and heave of the far mountain, he sees The first star pulse into being. It gleams there. I do not know what promise it makes him.
Robert Penn Warren
The Fire Bug flared up at that. “You want to know what bugs me?” it said indignantly. “Nobodaddy’s friendly about fire. Oh, it’s fine in its place, people say, it makes a nice glow in a room, but keep an eye on it in case it gets out of control, and always put it out before you leave. Never mind how much it’s needed; a few forests burned by wildfires, the occasional volcanic eruption, and there goes our reputation. Water, on the other hand!—hah!—there’s no limit to the praise Water gets. Floods, rains, burst pipes, they make no difference. Water is everyone’s favorite. And when they call it the Fountain of Life!—bah!—well, that just bugs me to bits.” The Fire Bug dissolved briefly into a little cloud of angry, buzzing sparks, then came together again. “Fountain of Life, indeed,” it hissed. “What an idea. Life is not a drip. Life is a flame. What do you imagine the sun is made of? Raindrops? I don’t think so. Life is not wet, young man. Life burns.
Salman Rushdie (Luka and the Fire of Life (Khalifa Brothers, #2))
By the way, I may have misled you by using the word 'tea'. None of your wafer slices of bread-and-butter. We're good trencher-men, we of the Revolution. What we shall require will be something on the order of scrambled eggs, muffins, jam, ham, cake and sardines. Expect us at five sharp." "But, I say, I'm not quite sure - " "Yes, you are. Silly ass, don't you see that this is going to do you a bit of good when the Revolution breaks loose? When you see old Rowbotham sprinting up Piccadilly with a dripping knife in each hand, you'll be jolly thankful to be able to remind him that he once ate your tea and shrimps.
P.G. Wodehouse (The Inimitable Jeeves (Jeeves, #2))
Goddess Rising This is for the women Who have walked with hidden shame Stirring like all is well Though weighted down in pain. This is for her Inner Child Who longs to forget Her innocence stolen Body, soul and spirit rent into pieces- fragments-broken-bent This is for the Maiden Longing to belong -To another - In hopes to make right the darkened wrongs Not realizing-blinded by oozing wounds Her own innate delicious power Thick within her womb This is for the Mother Breaking eons of fettered chains For the children she has birthed Through blood and breaths of change She calls them Redemption Regardless of their names This is for the Crone Who called her shattered pieces Home To herself- To all her luminous bodies Where she never dared to feel Making strong her bones Crushing~ oppressors With the swaying of her hips Her hands soaring like doves Honey dripping from her lips This is for the Wild Woman Who traversed the Underground Leaving her footprints While taming the Hellhounds. Like a seed breaking fallow ground Emerging fruitful garden No longer bound By the nightmare of the past Awakened from the Dream- Of Separation SHE. IS.- merging realms between. This is for the woman, for the Goddess For me For you Rising from our ashes Making ALL things new~
Mishi McCoy
The air is saturated with the stink of perfumes at war. There are video screens on which flawless complexions turn, preen, sigh through their parted lips, are caressed. On other screens are close-ups of skin pores, before and after, details of regimes for everything, your hands, your neck, your thighs. Your elbows, especially your elbows: aging begins at the elbows and metastasizes. This is religion. Voodoo and spells. I want to believe in it, the creams, the rejuvenating lotions, the transparent unguents in vials that slick on like roll-top glue… But this doesn’t deter me, I’d use anything if it worked – slug juice, toad spit, eye of newt, anything at all to mummify myself, stop the drip drip of time, stay more or less the way I am.” (Cat’s Eye p113), Margaret Atwood
Margaret Atwood (Cat’s Eye)
Sir Bird preens next to me, tucking feathers into place with a low noise in his throat almost like he’s talking to himself. A slow smile spreads across Finn’s face as he rubs his knuckles—black and blue with several bruises from Sir Bird’s beak. “Let’s see,” he says, flipping through his father’s book. “Here! I’ll need some water in a shallow bowl . . . ink . . . yes, I think this is everything.” He gathers the items, then reads over the entry several times, eyebrows knit in concentration. Dipping his pen in the ink, he whispers strange words while writing on the surface of the water. The ink drips down, elongating the form of the symbols that still hover where he wrote them. I recognize one—change. But the rest I haven’t learned yet. Then, without warning, he lifts up the bowl and dumps the whole thing onto Sir Bird. Only instead of getting wet, as the water washes over his body, Sir Bird’s feathers turn . . . blue. Bright, brilliant, shimmering blue. Squawking in outrage, Sir Bird hops and flies around the room, frantically shaking his feathers. He lands on the desk with a scrabble of clawed feet, then begins trying to bite off the color. “Ha!” Finn says, pointing at his knuckles. “Now you’re black and blue, too!” I can’t help but laugh at my poor, panicking bird. Not to mention the ridiculous pettiness of Finn’s magic show. Picking up Sir Bird, I stroke his feathers and speak softly to him. “Hush now. I’ll make him fix you. You’re still very handsome, but blue isn’t your color, is it?” He caws mournfully, still pulling at his own feathers. “Finn.” He puts his hands behind his back, trying to look innocent. “What? He deserved it.” “He’s a bird. You can’t really find this much satisfaction in revenge against a bird, can you?” His voice comes out just a tad petulant. “He started it.
Kiersten White (Illusions of Fate)
We cannot roam the earth. We cannot dominate mankind any longer, nor make them bend to our will.” The demon lifted her hand to her mouth and ran the end of one finger over the tip of one of her teeth. The skin split open, and silver blood welled up on her fingertip. She lowered the finger to Ruxandra’s lips. “Open your mouth.” Ruxandra wanted to protest, to beg for God’s forgiveness and the creature’s mercy, to run screaming from the cave, but she couldn’t find words or strength in her limbs. She could do nothing but cry as the fallen angel parted her lips. “I send you out instead, my child, “ the fallen angel said, “to sow chaos and fear, to make humans kneel in terror and to ravage the world where I cannot.” “Stop!” Vlad’s voice was shrill. “I command you to stop! Now!” The fallen angel pushed open Ruxandra’s mouth and slipped the finger inside. “Soon you will be freer than you have ever dreamed.” The drop of blood dripped from her finger onto Ruxandra’s tongue.
John Patrick Kennedy (Princess Dracula (Princess Dracula #1))
Before you go, just tell me one thing,” Tana said. “Tell me why you’ve been so nice to me. I know you’re the reason Lucien let me live. He wasn’t planning on giving me any saline drip or putting me in some fancy bed before I said your name. And I’m not anybody special. I’m not saying that I’m not smart or a perfectly nice person or anything, but I’m not—” He’d been halfway across the room when she started speaking and he’d frozen, his face turned away from her. Then he moved to the footboard of the bed, his hands gripping the brass railing, his face a mask. Finally, he cut her off. “Tana. In all my long life, though there were many times I prayed for it, no one has ever saved me. No one but you.
Holly Black (The Coldest Girl in Coldtown)
Well, don't you look lovely," his voice dripped behind me, his breath tickling my ear as his words trickled in my brain. Turning slowly, I saw him in his usual attire, a white t-shirt and jeans, but he looked incredible. His dark hair appeared darker in the dimmed lighting, his eyes shone with eagerness. "You're here," I said dumbly. Like he didn't know he was here. I was such an idiot sometimes. "I am," he said, a sexy smirk showing on one side of his mouth. "Wanna dance?" he asked, his leg shaking nervously, his eyes desperately searching mine for an answer. I nodded, unable to speak. We'd kised, but only a couple of times. He grabbed me, pulling me to a spot close to where we stood. Warm fingers of one hand circled around my waist, while the others held my had. He pulled me close, every inch of our bodies touching. His eyes never left mine as we swayed and spun. I was lost in all that was Cade Kelling.
Felicia Tatum (Mangled Hearts (Scarred Hearts, #1))
Sophie, what will you do to help Josh,to save him, to bring him back?" Tsagaglalal asked. "Anything. Everything." Perenelle leaned forward to place both forearms on the table. Her hands were tightly locked together, knuckles white with tension. "And Sophie, what do you think I will do to help my husband?" "Anything," Sophie said again. "Everything." "We will do anything-everything-to help those we love. That is what seperates the humani from the Next Generation of the Elders or those who came before them. That is what makes us human.That is why the race thrives; it is why the race will always survive." "But that type of love requires sacrifice," Tsagaglalal said slowly. "Sometimes extraordinary sacrifices..." The old woman's gray eyes suddenly swam with huge tears. And Sophie had a flickering memory of a woman-younger, so much younger, but with the same high cheekbones and gray eyes of Tsagaglalal-turning away from a tall golden statue. The woman stopped and looked back, and Sophie discovered that the statue's bright gray eyes were alive and were following the woman. Then Tsagaglalal turned and raced down endless glass stairs. She was clutching a book in both hands: the Codex. And her tears dripped onto the metal surface.
Michael Scott (The Warlock (The Secrets of the Immortal Nicholas Flamel, #5))
That's always the way in this world. The chappies you'd like to lend money to won't let you, whereas the chappies you don't want to lend it to will do everything except actually stand you on your head and lift the specie out of your pockets. As a lad who has always rolled tolerably freely in the right stuff, I've had lots of experience of the second class. Many's the time, back in London, I've hurried along Piccadilly and felt the hot breath of the toucher on the back of my neck and heard his sharp excited yapping as he closed in on me. I've simply spent my life scattering largesse to blighters I didn't care a hang for; yet here was I now, dripping doubloons and pieces of eight and longing to hand them over, and. Bicky, poor fish, absolutely on his uppers, not taking any at any price.
P.G. Wodehouse
And then I thought of my loneliness, my approaching death, how nobody knew me, how nobody cared. I thought of my parents, long dead, and how little love they'd given me. I thought of Walter, of his nauseatingly gentle caresses. Even when he meant to be tender, he was condescending and controlling. I'd never been loved properly. Nobody had ever said, "You are wonderful, even your bitterness and neurotic energy are wonderful. Even your suspiciousness, your rigidity, your graying, thinning, hair, your wrinkled thighs?" I'd been young and beautiful once, and even then nobody had kissed me and said, "How young and beautiful you are”, not unless they wanted something from me. And that was Walter. Always wanting something, some permission to be boastful, some permission to have power. I cried and cried, thinking of the love I could have had, had I never met that awful, deleterious, pompous man. I let tears drip from my eyes, my head bent toward the gravel, and as they splatted they made a little trail behind me. Maybe Charlie would pass by later and follow the trail. Poor Charlie. He was the only one on Earth who loved me, and even he had left. My head began to throb. I got dizzy again.
Ottessa Moshfegh (Death in Her Hands)
Oh," said her husband, sounding deeply pleased at something he'd read in his letter. "What?" Bridget sat up, inadvertently spilling several drops of honey on her breast. Sadly, she succumbed to her husband's fondness for nudity soon after their marriage. Valentine glanced up, but his gaze was immediately drawn to the honey slowly dripping down her breast. "Val..." Bridget moved to scoop the honey up with her finger. His hand darted out, catching hers. "Oh, don't," he breathed, leaning over her, forcing her flat on her back. He bent, closing his azure eyes, and licked her breast almost reverently. She shuddered. "It's the middle of the day," she whispered. His eyes opened, wicked and amused. "I know. Your favorite." She smiled up at him, threading her fingers through his golden hair. "I love you." "And I love you," he murmured against her lips, before taking her mouth hard and possessively. Their letters fell to the floor, abandoned, but Bridget didn't care at all. She was with her true love and the world outside could wait.
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))
The third mercenary—standing between Yrene and the mist—drew his short sword. Yrene didn’t have time to cry out in surprise or warning as a dark figure slipped from the mist and grabbed him. Not in front, but from the side, as if they’d just appeared out of thin air. The mercenary threw Yrene to the ground and drew the sword from across his back, a broad, wicked-looking blade. But his companion didn’t even shout. More silence. “Come out, you bleedin’ coward,” the ringleader growled. “Face us like a proper man.” A low, soft laugh. Yrene’s blood went cold. Silba, protect her. She knew that laugh—knew the cool, cultured voice that went with it. “Just like how you proper men surrounded a defenseless girl in an alley?” With that, the stranger stepped from the mist. She had two long daggers in her hands. And both blades were dark with dripping blood.
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
Cutting class,” I muttered. “That idiot.” Ben did a double-take when he spotted me, then slowly shook his head. As I drew near, he whispered something under his breath. His moron buddies exploded in laughter. I’ll kill him. Then murder him afterward. “What the hell are you doing?” Not the most diplomatic of greetings, but my temper was long gone. “Is your first class Parking Lot Maintenance?” Ben waved a hand at me. “You see what I mean?” Wallet Chain chuckled as he toked a cigarette. “That’s not very nice, sweetheart.” “You’ll never land a man like that,” added Ski Cap. “This ain’t Beantown.” “Ben?” Seething. “May I speak to you privately?” Ben rolled his eyes. “Give me a sec, guys. I’ve been naughty.” I waited until the stoners were out of earshot. “Great crew you’ve assembled.” Dripping with sarcasm. “Leave them out of this,” Ben warned. “What, I can’t even have friends, now that I’ve been kicked from the Ivory Tower?” “Maybe go to class. You might find a better peer group in there.” Ben snorted. “I’m pretty sure you have class right now, too.” Touche.
Kathy Reichs (Exposure (Virals, #4))
My Friend Todd: These are my friends See how they glisten See this one shine How he smiles In the light My friend! My faithful friend! Speak to me, friend Whisper, I'll listen I know, I know You've been locked Out of sight All these years! Like me, my friend! Well, I've come home To find you waiting Home And we're together And we'll do wonders Won't we? You there, my friend Mrs. Lovett: I'm your friend too, Mr. Todd Todd: Come, let me hold you Mrs. Lovett: If you only knew, Mr. Todd Todd: Now, with a sigh Mrs. Lovett: Ooh, Mr. Todd! Todd: You grow warm in my hand Mrs. Lovett: You're warm in my hand Todd: My friend! Mrs. Lovett: You've come home! Todd: My clever friend! Mrs. Lovett: Always had a fondness for you, I did Todd: Rest now, my friend Mrs. Lovett: Never you fear, Mr. Todd Todd: Soon I'll unfold you Mrs. Lovett: You can move in here, Mr. Todd Todd: Soon you'll know Todd and Mrs. Lovett: Splendours you'd never have dreamed all your days Mrs. Lovett: Will be yours! Todd: My lucky friend! Mrs. Lovett: I'm your friend! And you're mine! Todd: Till now your shine Mrs. Lovett: Don't they shine beautiful? Todd: Was merely silver! Mrs. Lovett: Silver's good enough for me, Mr. T Todd: Friend You shall drip rubies You'll soon drip precious Rubies At last, my arm is complete again!
Stephen Sondheim (Sweeney Todd: The Demon Barber of Fleet Street)
After that, Lily was recuperating and then dealing with significant financial hardships. The birth was described to me by Lily and also by her obstetrician, who I spoke to myself yesterday. The doctor, in his own words, remembers what he describes as that ‘hideous day’ like it was yesterday. The labour, intense and excruciating, lasted for days. In the end, in extreme distress at the length of the labour, the baby nearly died. Lily did die. She was flatline for two minutes and thirty-eight –” Alistair didn’t get the opportunity to finish his grand statement because Nate surged out of his chair so fast, it flew on its wheels and shot across the room, slamming into the wall. “Mr. McAllister…” Alistair said warningly but Nate was coming swiftly around the table, coming at her. At this sight, Lily, too, jumped out of her chair in a panic, her numbness not that complete, and backed away in self-defence as Nate came at her, came at her with purposeful, long strides. She backed up jerkily, one hand behind her, one hand in front, retreating until she hit the wall. Before she knew what he was about, his hard chest came up against her hand, pushing it back and his body pressed against hers. Terrified and confused at this sudden change, she looked to the right and to the left, anywhere for escape, anywhere but at Nate. And to her shock, his hands caught her face, resting one on either side, gently trying to force her to look into his impossibly dark eyes. “I didn’t know,” he whispered and the absolute ache dripping from his first words said to her since she found out he was alive cut through her thin shield of numbness like a razor. She attempted to pull her face free but his hands tightened. “Lily, I didn’t know,” he repeated, and she caught his eyes and they were glittering dark with something that she couldn’t read, something hideously painful and she had to get away from it. Was desperate to get away from it. She needed to flee. She tried to look over his shoulder but he was too tall, too close. Things were happening in the room, there was urgent talk, maybe even a tussle. But all she could see was Nate.
Kristen Ashley (Three Wishes)
Exoneration of Jesus Christ If Christ was in fact God, he knew all the future. Before Him like a panorama moved the history yet to be. He knew how his words would be interpreted. He knew what crimes, what horrors, what infamies, would be committed in his name. He knew that the hungry flames of persecution would climb around the limbs of countless martyrs. He knew that thousands and thousands of brave men and women would languish in dungeons in darkness, filled with pain. He knew that his church would invent and use instruments of torture; that his followers would appeal to whip and fagot, to chain and rack. He saw the horizon of the future lurid with the flames of the auto da fe. He knew what creeds would spring like poisonous fungi from every text. He saw the ignorant sects waging war against each other. He saw thousands of men, under the orders of priests, building prisons for their fellow-men. He saw thousands of scaffolds dripping with the best and bravest blood. He saw his followers using the instruments of pain. He heard the groans—saw the faces white with agony. He heard the shrieks and sobs and cries of all the moaning, martyred multitudes. He knew that commentaries would be written on his words with swords, to be read by the light of fagots. He knew that the Inquisition would be born of the teachings attributed to him. He saw the interpolations and falsehoods that hypocrisy would write and tell. He saw all wars that would be waged, and-he knew that above these fields of death, these dungeons, these rackings, these burnings, these executions, for a thousand years would float the dripping banner of the cross. He knew that hypocrisy would be robed and crowned—that cruelty and credulity would rule the world; knew that liberty would perish from the earth; knew that popes and kings in his name would enslave the souls and bodies of men; knew that they would persecute and destroy the discoverers, thinkers and inventors; knew that his church would extinguish reason’s holy light and leave the world without a star. He saw his disciples extinguishing the eyes of men, flaying them alive, cutting out their tongues, searching for all the nerves of pain. He knew that in his name his followers would trade in human flesh; that cradles would be robbed and women’s breasts unbabed for gold. And yet he died with voiceless lips. Why did he fail to speak? Why did he not tell his disciples, and through them the world: “You shall not burn, imprison and torture in my name. You shall not persecute your fellow-men.” Why did he not plainly say: “I am the Son of God,” or, “I am God”? Why did he not explain the Trinity? Why did he not tell the mode of baptism that was pleasing to him? Why did he not write a creed? Why did he not break the chains of slaves? Why did he not say that the Old Testament was or was not the inspired word of God? Why did he not write the New Testament himself? Why did he leave his words to ignorance, hypocrisy and chance? Why did he not say something positive, definite and satisfactory about another world? Why did he not turn the tear-stained hope of heaven into the glad knowledge of another life? Why did he not tell us something of the rights of man, of the liberty of hand and brain? Why did he go dumbly to his death, leaving the world to misery and to doubt? I will tell you why. He was a man, and did not know.
Robert G. Ingersoll
Very few people know where they will die, But I do; in a brick-faced hospital, Divided, not unlike Caesarean Gaul, Into three parts; the Dean Memorial Wing, in the classic cast of 1910, Green-grated in unglazed, Aeolian Embrasures; the Maud Wiggin Building, which Commemorates a dog-jawed Boston bitch Who fought the brass down to their whipcord knees In World War I, and won enlisted men Some decent hospitals, and, being rich, Donated her own granite monument; The Mandeville Pavilion, pink-brick tent With marble piping, flying snapping flags Above the entry where our bloody rags Are rolled in to be sponged and sewn again. Today is fair; tomorrow, scourging rain (If only my own tears) will see me in Those jaundiced and distempered corridors Off which the five-foot-wide doors slowly close. White as my skimpy chiton, I will cringe Before the pinpoint of the least syringe; Before the buttered catheter goes in; Before the I.V.’s lisp and drip begins Inside my skin; before the rubber hand Upon the lancet takes aim and descends To lay me open, and upon its thumb Retracts the trouble, a malignant plum; And finally, I’ll quail before the hour When the authorities shut off the power In that vast hospital, and in my bed I’ll feel my blood go thin, go white, the red, The rose all leached away, and I’ll go dead. Then will the business of life resume: The muffled trolley wheeled into my room, The off-white blanket blanking off my face, The stealing secret, private, largo race Down halls and elevators to the place I’ll be consigned to for transshipment, cased In artificial air and light: the ward That’s underground; the terminal; the morgue. Then one fine day when all the smart flags flap, A booted man in black with a peaked cap Will call for me and troll me down the hall And slot me into his black car. That’s all.
L.E. Sissman
For a moment we are weightless, eyes open and locked underwater, flowers drawn down with us, swirling around us in a current of white bubbles. My hair floats around us both like black silk. His hands are still around my waist, mine pressed against his bare chest. My lamp drifts between us. Aladdin plants his feet against the bottom of the pool and kicks off, pushing us upward to burst through the surface. He gasps in air and shakes the wet hair from his eyes. Without pulling away, we float in silence, and I cannot take my gaze from him. Water runs down his cheeks and lips, dripping from his jaw. A lock of his hair is stuck to his forehead, and I gently lift it away, curling it around my finger before letting it go. “What are we doing?” he whispers, pulling me closer. I cannot reply. I don’t trust my own voice. He brings his forehead down to rest against mine, and everything outside this pool and this moment ceases to exist. All that matters is the gentle sound of our breathing, our reflections on the water, the feel of his hands around me.
Jessica Khoury (The Forbidden Wish (The Forbidden Wish, #1))
Those rose-tinted glasses look good on you, Sunshine.” Sunshine? I was sure he meant that mockingly, but the butterflies in my stomach stirred to life anyway, fanning away my anger. Traitors. “Thanks. You can borrow them. You need them more than I do,” I said pointedly. A low chuckle slipped from his throat, and I almost fell to the floor in shock. Tonight was turning out to be a night of firsts. Alex’s hand trailed up my spine until it rested on the back of my neck, leaving a cascade of tingles in their wake. “I feel it dripping all over me.” He did not—what? An inferno consumed my body. “You’re—you—no, I’m not!” I sputtered, pushing him away and scrambling off him. My core pulsed. Oh my God, what if I was? I couldn’t look, afraid I’d see a telltale wet spot on his jeans. I’d have to move to Antarctica. Build myself an ice cave and learn to speak penguin because I could never show my face in Hazelburg, D.C., or any city where I could run into Alex Volkov again. His chuckle blossomed into a full-blown laugh. The effect of his real smile was so devastating, even amid my mortification, that all I could do was stare at the way his face lit up and the sparkle that transformed his eyes from beautiful to downright breathtaking. Holy crap. Perhaps I should be grateful he never smiled, because if that was what he looked like while doing it…womankind didn’t stand a chance. “I’m talking about your bleeding heart,” he drawled. “What did you think I was talking about?” “I—you—” Forget Antarctica. I had to move to Mars. Alex’s laughter subsided, but the twinkle in his eyes remained.
Ana Huang (Twisted Love (Twisted, #1))
I have a dream that one day this nation will rise up and live out the true meaning of its creed: We hold these truths to be self-evident, that all men are created equal. ‘I have a dream that one day, on the red hills of Georgia, the sons of former slaves and the sons of former slave owners will be able to sit down to gether at the table of brotherhood – I have a dream. ‘That one day even the state of Mississippi – a state sweltering with the heat of injustice, sweltering with the heat of op pression – will be transformed into an oasis of freedom and justice. I have a dream.’ He had hit a rhythm, and two hundred thousand people felt it sway their souls. It was more than a speech: it was a poem and a canticle and a prayer as deep as the grave. The heartbreaking phrase ‘I have a dream’ came like an amen at the end of each ringing sentence. ‘. . . That my four little children will one day live in a nation where they will not be judged by the colour of their skin but by the content of their character – I have a dream today. ‘I have a dream that one day down in Alabama – with its vicious racists, with its governor having his lips dripping with the words of interposition and nullification – one day right there in Alabama, little black boys and black girls will be able to join hands with little white boys and white girls as sisters and brothers – I have a dream today. ‘With this faith we will be able to hew, out of the mountain of despair, a stone of hope. ‘With this faith we will be able to transform the jangling discords of our nation into a beautiful symphony of brotherhood. ‘With this faith we will be able to work together, to pray together, to struggle together, to go to jail together, to stand up for freedom together, knowing that we will be free one day.’ Looking around, Jasper saw that black and white faces alike were running with tears. Even he felt moved, and he had thought himself immune to this kind of thing. ‘And when this happens; when we allow freedom to ring; when we let it ring from every village and every hamlet, from every state and every city; we will be able to speed up that day when all of God’s children, black men and white men, Jews and Gentiles, Protestants and Catholics, will be able to join hands . . .’ Here he slowed down, and the crowd was almost silent. King’s voice trembled with the earthquake force of his passion. ‘. . . and sing, in the words of the old Negro spiritual: ‘Free at last! ‘Free at last! ‘Thank God Almighty, we are free at last!
Ken Follett (Edge of Eternity (The Century Trilogy, #3))
We’ve made a beautiful mess of things lately, haven’t we?” He flashed that sexycrooked smile at me, which made my heart flutter.I nodded, agreeing with him.“But it’s our crazy story,” he stated. “It’s been ours, only ours. There’s been a lot of romance, sometimes way too much drama…” He raised his eyebrows and smirked. “Verymemorable comedy, a few pulse-racing action scenes...”He shrugged and sighed.“We’ve also had our fair share of suspense and raw terror, and unfortunately gut-wrenching heartache too.“I think we’ve covered it all, everything except for being captured by aliens!”I couldn’t help but chuckle.“But through it all you’ve loved me, unconditionally, and I know how fortunate I amto have your love.“I don’t want to live without you, not for one more minute, not for one more second.I want to spend the rest of my days living my story with you… only you.”He walked to the edge and jumped off the table, landing in front of me.“It is here that I fell in love with you,” Ryan whispered, taking my hands in his.He dropped down on one knee.“And as fate would have it, it is here that I humbly kneel before you and ask you to be my wife.“Taryn Lynn Mitchell, will you marry me?” His glistening eyes, so blue, so full of emotion, gazed up at me… waiting patiently for my reply.Only one word rang through my heart.“Yes!” I nodded emphatically. My salted tears dripped across my lips. I said yes over and over again.
Tina Reber (Love Unscripted (Love, #1))
I still stared at Daemon, completely aware that everyone else except him was watching me. Closely. But why wouldn’t he look at me? A razor-sharp panic clawed at my insides. No. This couldn’t be happening. No way.
 My body was moving before I even knew what I was doing. From the corner of my eye, I saw Dee shake her head and one of the Luxen males step forward, but I was propelled by an inherent need to prove that my worst fears were not coming true. After all, he’d healed me, but then I thought of what Dee had said, of how Dee had behaved with me. What if Daemon was like her? Turned into something so foreign and cold? He would’ve healed me just to make sure he was okay. I still didn’t stop.
 Please, I thought over and over again. Please. Please. Please. On shaky legs, I crossed the long room, and even though Daemon hadn’t seemed to even acknowledge my existence, I walked right up to him, my hands trembling as I placed them on his chest. “Daemon?” I whispered, voice thick. His head whipped around, and he was suddenly staring down at me. Our gazes collided once more, and for a second I saw something so raw, so painful in those beautiful eyes. And then his large hands wrapped around my upper arms. The contact seared through the shirt I wore, branding my skin, and I thought—I expected—that he would pull me against him, that he would embrace me, and even though nothing would be all right, it would be better. Daemon’s hands spasmed around my arms, and I sucked in an unsteady breath. His eyes flashed an intense green as he physically lifted me away from him, setting me back down a good foot back. I stared at him, something deep in my chest cracking. “Daemon?” He said nothing as he let go, one finger at a time, it seemed, and his hands slid off my arms. He stepped back, returning his attention to the man behind the desk. “So . . . awkward,” murmured the redhead, smirking. I was rooted to the spot in which I stood, the sting of rejection burning through my skin, shredding my insides like I was nothing more than papier-mâché. “I think someone was expecting more of a reunion,” the Luxen male behind the desk said, his voice ringing with amusement. “What do you think, Daemon?” One shoulder rose in a negligent shrug. “I don’t think anything.” My mouth opened, but there were no words. His voice, his tone, wasn’t like his sister’s, but like it had been when we first met. He used to speak to me with barely leashed annoyance, where a thin veil of tolerance dripped from every word. The rift in my chest deepened.
For the hundredth time since the Luxen arrived, Sergeant Dasher’s warning came back to me. What side would Daemon and his family stand on? A shudder worked its way down my spine. I wrapped my arms around myself, unable to truly process what had just happened. “And you?" the man asked. When no one answered, he tried again. “Katy?” I was forced to look at him, and I wanted to shrink back from his stare. “What?” I was beyond caring that my voice broke on that one word. The man smiled as he walked around the desk. My gaze flickered over to Daemon as he shifted, drawing the attention of the beautiful redhead. “Were you expecting a more personal greeting?” he asked. “Perhaps something more intimate?” I had no idea how to answer. I felt like I’d fallen into the rabbit hole, and warnings were firing off left and right. Something primal inside me recognized that I was surrounded by predators. Completely.
Jennifer L. Armentrout (Opposition (Lux, #5))
The death of her father and mother and the rich acres of land that had come down to her had set a train of suitors on her heels. For two years she saw suitors almost every evening. Except two they were all alike. They talked to her of passion and there was a strained eager quality in their voices and in their eyes when they looked at her. The two who were different were much unlike each other. One of them, a slender young man with white hands, the son of a jeweler in Winesburg, talked continually of virginity. When he was with her he was never off the subject. The other, a black-haired boy with large ears, said nothing at all but always managed to get her into the darkness, where he began to kiss her. For a time the tall dark girl thought she would marry the jeweler's son. For hours she sat in silence listening as he talked to her and then she began to be afraid of something. Beneath his talk of virginity she began to think there was a lust greater than in all the others. At times it seemed to her that as he talked he was holding her body in his hands. She imagined him turning it slowly about in the white hands and staring at it. At night she dreamed that he had bitten into her body and that his jaws were dripping. She had the dream three times, then she became in the family way to the one who said nothing at all but who in the moment of his passion actually did bite her shoulder so that for days the marks of his teeth showed.
Sherwood Anderson (Short Shorts)
If you never knew the worlds in my mind your sense of loss would be small pity and we’ll forget this on the trail. Take what you’re given and turn away the screwed face. I do not deserve it, no matter how narrow the strand of your private shore. If you will do your best I’ll meet your eye. It’s the clutch of arrows in hand that I do not trust bent to the smile hitching my way. We aren’t meeting in sorrow or some other suture bridging scars. We haven’t danced the same thin ice and my sympathy for your troubles I give freely without thought of reciprocity or scales on balance. It’s the decent thing, that’s all. Even if that thing is a stranger to so many. But there will be secrets you never knew and I would not choose any other way. All my arrows are buried and the sandy reach is broad and all that’s private cools pinned on the altar. Even the drips are gone, that child of wants with a mind full of worlds and his reddened tears. The days I feel mortal I so hate. The days in my worlds, are where I live for ever, and should dawn ever arrive I will to its light awaken as one reborn. Poet’s Night iii.iv The Malazan Book of the Fallen Fisher kel Tath
Steven Erikson (The Crippled God (Malazan Book of the Fallen, #10))
Merik swiveled his wrists slowly. At night, the temple was too dark to see the blood dripping from his arms, pooling on the granite flagstones. He felt it falling, though. Just as he felt the new, burned flesh on his hands stretching beneath torn gloves. Yet even as pain shivered through his body, he couldn’t help but think: Only a fool ignores Noden’s gifts. For if Merik looked at this case of mistaken identity from the just the right angle, it could in fact all be seen as boon. The assassin in the night. The fire on the Jana. The attack of a Waterwitch in Pin’s Keep. Each event had led Merik here, to Noden’s temple. To a fresco of the god’s left hand. To the Fury. Twice now, he’d been mistaken for that monstrous demigod, and twice now, it had worked in Merik’s favor. So why not continue using the fear invoked from that name? Was Merik not doing the Fury’s work by bringing justice to the wronged and punishment to the wicked? It was clear that Nubrevnans needed Merik’s help, and his sister Vivia…Well, she was stil out there. Alive. Wretched. So was it not Merik’s moral duty to keep her off the throne? And he could do that if he could just prove she had indeed tried to kill him—that it was she who’d purchased that prisoner from Vizer Linday, and she who’d sent the prisoner to kill Merik. Yes. This was right. This was Noden’s will. It throbbed in Merik’s wounds. It shivered across his scalp and down his raw back. Take the god’s gift. Become the Fury. Merik rose, stiff but strong, from the temple floor, and with a new purpose in his movements, he tugged his hood, his sleeves, his gloves into place. Then he turned away from the Fury’s gruesome fresco and set out to bring justice to the wronged. Punishment to the wicked.
Susan Dennard (Windwitch (The Witchlands, #2))
We went through the Happy Valley to the little cove. The azaleas were finished now, the petals lay brown and crinkled on the moss. The bluebells had not faded yet, they made a solid carpet in the woods above the valley, and the young bracken was shooting up, curling and green. The moss smelt rich and deep, and the bluebells were earthy, bitter. I lay down in the long grass beside the bluebells with my hands behind my head, and Jasper at my side. He looked down at me panting, his face foolish, saliva dripping from his tongue and his heavy jowl. There were pigeons somewhere in the trees above. It was very peaceful and quiet. I wondered why it was that places are so much lovelier when one is alone. How commonplace and stupid it would be if I had a friend now, sitting beside me, someone I had known at school, who would say “By the way, I saw old Hilda the other day. You remember her, the one who was so good at tennis. She’s married, with two children.” And the bluebells beside us unnoticed, and the pigeons overhead unheard. I did not want anyone with me. Not even Maxim. If Maxim had been there I should not be lying as I was now, chewing a piece of grass, my eyes shut. I should have been watching him, watching his eyes, his expression. Wondering if he liked it, if he was bored. Wondering what he was thinking. Now I could relax, none of these things mattered. Maxim was in London. How lovely it was to be alone again. No, I did not mean that. It was disloyal, wicked. It was not what I meant. Maxim was my life and my world. I got up from the bluebells and called sharply to Jasper. We set off together down the valley to the beach. The tide was out, the sea very calm and remote. It looked like a great placid lake out there in the bay. I could not imagine it rough now, any more than I could imagine winter in summer. There was no wind, and the sun shone on the lapping water where it ran into the little pools in the rocks.
Daphne du Maurier (Rebecca)
Poem: Roses And Rue (To L. L.) Could we dig up this long-buried treasure, Were it worth the pleasure, We never could learn love's song, We are parted too long. Could the passionate past that is fled Call back its dead, Could we live it all over again, Were it worth the pain! I remember we used to meet By an ivied seat, And you warbled each pretty word With the air of a bird; And your voice had a quaver in it, Just like a linnet, And shook, as the blackbird's throat With its last big note; And your eyes, they were green and grey Like an April day, But lit into amethyst When I stooped and kissed; And your mouth, it would never smile For a long, long while, Then it rippled all over with laughter Five minutes after. You were always afraid of a shower, Just like a flower: I remember you started and ran When the rain began. I remember I never could catch you, For no one could match you, You had wonderful, luminous, fleet, Little wings to your feet. I remember your hair - did I tie it? For it always ran riot - Like a tangled sunbeam of gold: These things are old. I remember so well the room, And the lilac bloom That beat at the dripping pane In the warm June rain; And the colour of your gown, It was amber-brown, And two yellow satin bows From your shoulders rose. And the handkerchief of French lace Which you held to your face - Had a small tear left a stain? Or was it the rain? On your hand as it waved adieu There were veins of blue; In your voice as it said good-bye Was a petulant cry, 'You have only wasted your life.' (Ah, that was the knife!) When I rushed through the garden gate It was all too late. Could we live it over again, Were it worth the pain, Could the passionate past that is fled Call back its dead! Well, if my heart must break, Dear love, for your sake, It will break in music, I know, Poets' hearts break so. But strange that I was not told That the brain can hold In a tiny ivory cell God's heaven and hell.
Oscar Wilde (Selected Poems)
Inej kept her eyes averted, shuffling a stack of papers into a pile on the desk as Kaz stripped out of his vest and shirt. She wasn’t sure if she was flattered or insulted that he didn’t seem to give a second thought to her presence. “How long will we be gone?” she asked, darting a glance at him through the open doorway. He was corded muscle, scars, but only two tattoos—the Dregs’ crow and cup on his forearm and, above it, a black R on his bicep. She’d never asked him what it meant. It was his hands that drew her attention as he shucked off his leather gloves and dipped a cloth in the washbasin. He only ever removed them in these chambers, and as far as she knew, only in front of her. Whatever affliction he might be hiding, she could see no sign of it, only slender lockpick’s fingers, and a shiny rope of scar tissue from some long ago street fight. “A few weeks, maybe a month,” he said as he ran the wet cloth under his arms and the hard planes of his chest, water trickling down his torso. For Saints’ sake, Inej thought as her cheeks heated. She’d lost most of her modesty during her time with the Menagerie, but really, there were limits. What would Kaz say if she suddenly stripped down and started washing herself in front of him? He’d probably tell me not to drip on the desk, she thought with a scowl.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
He waved cheerfully, then opened the door, tripped over the threshold, and as his balance was already impaired, nearly went face down on the floor for the second time that day. He caught himself, hung on to the side of the counter, and waited for the pub kitchen to stop revolving. With the careful steps of the drunk, he walked over to the cupboard to get out a pan for frying, a pot for boiling. Shawn was singing in his break-your-heart voice, about the cold nature of Peggy Gordon. And with one eye closed, his body swaying gently, he dripped lemon juice into a bowl. “Oh, fuck me, Shawn. You are half pissed.” “More than three-quarters if the truth be known.” He lost track of the juice and added a bit more to be safe. “And how are you, Aidan, darling?” “Get way from there before you poison someone.” Insulted, Shawn swiveled around and had to brace a hand on the counter to stay upright. “I’m drunk, not a murderer. I can make a g.d. fish cake in me sleep. This is my kitchen, I’ll thank you to remember, and I give the orders here.” He poked himself in the chest with his thumb on the claim and nearly knocked himself on his ass. Gathering dignity, he lifted his chin. “So go on with you while I go about my work.” “ What have you done to yourself?” “The devil cat caught me hand. Forgetting his work, Shawn lifted a hand to scowl at the red gashes. Oh, but I’ve got plans for him, you can be sure of that.” “At the moment, I’d lay odds on the cat. Do you know anything about putting fish cakes together?” Aidan asked Darcy. “Not a bloody thing,” she said cheerfully. “Then go and call Kathy Duffy, would you, and ask if she can spare us an hour or so, as we have an emergency?” “An emergency?” Shawn looked glassily around. “Where?
Nora Roberts (Tears of the Moon (Gallaghers of Ardmore, #2))
Thinking back, ladies, looking back, gentlemen, thinking and looking back on my European tour, I feel a heavy sadness descend upon me. Of course, it is partly nostalgia, looking back at that younger me, bustling around Europe, having adventures and overcoming obstacles that, at the time, seemed so overwhelming, but now seem like just the building blocks of a harmless story. But here is the truth of nostalgia: we don’t feel it for who we were, but who we weren’t. We feel it for all the possibilities that were open to us, but that we didn’t take. Time is like wax, dripping from a candle flame. In the moment, it is molten and falling, with the capability to transform into any shape. Then the moment passes, and the wax hits the table top and solidifies into the shape it will always be. It becomes the past, a solid single record of what happened, still holding in its wild curves and contours the potential of every shape it could have held. It is impossible - no matter how blessed you are by luck or the government or some remote, invisible deity gently steering your life with hands made of moonlight and wind - it is impossible not to feel a little sad, looking at that bit of wax. That bit of the past. It is impossible not to think of all the wild forms that wax now will never take. The village, glimpsed from a train window, beautiful and impossible and impossibly beautiful on a mountaintop, and you wonder what it would be if you stepped off the train and walked up the trail to its quiet streets and lived there for the rest of your life. The beautiful face of that young man from Luftknarp, with his gaping mouth and ashy skin, last seen already half-turned away as you boarded the bus, already turning towards a future without you in it, where this thing between you that seemed so possible now already and forever never was. All variety of lost opportunity spied from the windows of public transportation, really. It can be overwhelming, this splattered, inert wax recording every turn not taken. ‘What’s the point?’ you ask. ’Why bother?’ you say. ’Oh, Cecil,’ you cry. ’Oh, Cecil.’ But then you remember - I remember! - that we are even now in another bit of molten wax. We are in a moment that is still falling, still volatile, and we will never be anywhere else. We will always be in that most dangerous, most exciting, most possible time of all: the Now. Where we never can know what shape the next moment will take. Stay tuned next for, well, let’s just find out together, shall we?
Cecil Baldwin
She had signed her own death-warrant. He kept telling himself over and over that he was not to blame, she had brought it on herself. He had never seen the man. He knew there was one. He had known for six weeks now. Little things had told him. One day he came home and there was a cigar-butt in an ashtray, still moist at one end, still warm at the other. There were gasoline-drippings on the asphalt in front of their house, and they didn't own a car. And it wouldn't be a delivery-vehicle, because the drippings showed it had stood there a long time, an hour or more. And once he had actually glimpsed it, just rounding the far corner as he got off the bus two blocks down the other way. A second-hand Ford. She was often very flustered when he came home, hardly seemed to know what she was doing or saying at all. He pretended not to see any of these things; he was that type of man, Stapp, he didn't bring his hates or grudges out into the open where they had a chance to heal. He nursed them in the darkness of his mind. That's a dangerous kind of a man. If he had been honest with himself, he would have had to admit that this mysterious afternoon caller was just the excuse he gave himself, that he'd daydreamed of getting rid of her long before there was any reason to, that there had been something in him for years past now urging Kill, kill, kill. Maybe ever since that time he'd been treated at the hospital for a concussion. ("Three O'Clock")
Cornell Woolrich (The Cornell Woolrich Omnibus: Rear Window and Other Stories / I Married a Dead Man / Waltz into Darkness)
The massage session ended with both of us soaked, covered in glittery dripping oil. I felt like a Greek salad sloppily drenched in extra virgin. But James was not going to stop. The kisses came thick and fast. And extra massages. “Lie back, wench,” he said. I lay back and stared up at him and above his head at the striped white and blue awning, which was rippling under the pounding impact of the rain. I’d almost forgotten about the rain, though it was coming down heavier than ever, a glittering silver wall, just a few feet away from us. James had decided that the most intimate p[art of my delicate self needed a delicate multi-facetted many-sided feathery back and forth up and down and sideways type of ecstatic slow-and-fast motion massage and which involved his index finger and his little finger and the palm of his hand and then his tongue, so and it began to build, and build … “You are being quite intimate, Master,” I gulped, trying to put on a dignified face and control my panting, the deepening huski¬ness of my voice, and the flood of saliva that had filled my mouth and was dribbling out of one corner. I think, given the circum¬stances, that I did quite a good job. “Really?” he glanced up at me, and then disappeared between my legs, back to work, his tongue darting, hither and thither, truly a busy little bee, harvesting honey here, there, and everywhere. “Really …” I sobbed, in a choked desperate voice, “Very ex¬tremely intimate, oh, oh, oh ... Master, Master, Pity, Master …
Gwendoline Clermont (Gwendoline Goes To School)
With bare feet in the dirt, fulmia, ten times with conviction, will shake the earth to its roots, if you have the strength, Jaga’s book had told me, and the Dragon had believed it enough not to let me try it anywhere near the tower. I had felt doubtful, anyway, about conviction: I hadn’t believed I had any business shaking the earth to its roots. But now I fell to the ground and dug away the snow and the fallen leaves and rot and moss until I came to the hard-frozen dirt. I pried up a large stone and began to smash at the earth, again and again, breaking up the dirt and breathing on it to make it softer, pounding in the snow that melted around my hands, pounding in the hot tears that dripped from my eyes as I worked. Kasia was above me with her head flung up, her mouth open in its soundless cry like a statue in a church. “Fulmia,” I said, my fingers deep in the dirt, crushing the solid clods between my fingers. “Fulmia, fulmia,” I chanted over and over, bleeding from broken nails, and I felt the earth hear me, uneasily. Even the earth was tainted here, poisoned, but I spat on the dirt and screamed, “Fulmia,” and imagined my magic running into the ground like water, finding cracks and weaknesses, spreading out beneath my hands, beneath my cold wet knees: and the earth shuddered and turned over. A low trembling began where my hands drove into the ground, and it followed me as I started prying at the roots of the tree. The frozen dirt began to break up into small chunks all around them, the tremors going on and on like waves. The branches above me were waving wildly as if in alarm, the whispering of the leaves becoming a muted roaring. I straightened up on my knees. “Let her out!” I screamed at the tree: I beat on its trunk with my muddy fists. “Let her out, or I’ll bring you down! Fulmia!” I cried out in rage, and threw myself back down at the ground, and where my fists hit, the ground rose and swelled like a river rising with the rain. Magic was pouring out of me, a torrent: every warning the Dragon had ever given me forgotten and ignored. I would have spent every drop of myself and died there, just to bring that horrible tree down: I couldn’t imagine a world where I lived, where I left this behind me, Kasia’s life and heart feeding this corrupt monstrous thing. I would rather have died, crushed in my own earthquake, and brought it down with me. I tore at the ground ready to break open a pit to swallow us all.
Naomi Novik (Uprooted)
There was a knock on the bedroom door and Romeo stiffened. “What!” he yelled. “I hope no one’s naked, ‘cause I’m coming in!” Braeden hollered. A few seconds later, the door opened and he stepped inside. One of his hands covered his eyes. “Is it safe?” he asked. I giggled. “Is that a no for tacos?” Romeo shook his head and rolled his eyes. “We’re dressed, man.” Braeden dropped the hand over his eyes and he zeroed in on me. It took everything in me not to shrink back from embarrassment. He came across the carpeting and held out my glasses. “Here,” he said. “I figured you might need these.” Ah, that explained why everything still looked so blurry. I slid them on and smiled as my sight adjusted back to normal. I noticed Braeden was soaking wet. “Oh!” I exclaimed. “You have to be freezing!” I rushed around the room, pulling out clothes and socks and tossing them at Braeden’s feet. “Here! Put this stuff on.” “She’s giving away your clothes, man,” Braeden said to Romeo. “Chicks.” He sighed. Braeden shook his head. “You’re dripping on the carpet!” I reminded him. He laughed and went in the bathroom to get dressed. “Just leave your clothes with ours. I’ll wash them for you,” I yelled through the door. He laughed. “Laundry service? Damn! I’m moving in.” Romeo shook his head. I yawned. This entire day was catching up to me. Romeo frowned. “I’ll make everyone leave…” He began. “No!” I exclaimed. “This is your victory party! Go enjoy it. I’ll stay here.” He seemed torn on what to do. Braeden came out wearing Romeo’s clothes (they fit him pretty well) and ran his eyes over me in concern. “You okay?” I nodded. “Did you jump in the pool to get my glasses?” He nodded. “Actually, he jumped in the pool right after I did. In case I needed help towing you out.” Romeo corrected. I glanced at Braeden for confirmation. He shrugged. “What kind of brother would I be if I let you drown?” Without thought, I walked over and wrapped my arms around him. He seemed a little taken aback by my display of affection, but after a minute, he hugged me back. “Thank you,” I whispered. “Anytime, tutor girl.” His voice was soft and his arms tightened around me just slightly. For all his witty humor, sarcastic one-liners, and jokes, Braeden was a really good guy. “We need to teach you to swim.” He observed. I shuddered. “I know how to swim.” “Well, you sank to the bottom like an anchor,” he grumbled.
Cambria Hebert (#Hater (Hashtag, #2))
She came towards me with a juicy gash between her legs that smelled like my best friend's sister" Just when I thought I'd escaped them all She comes reeling herself in pulling at my strings her hand quick to find my zipper She moaned the way a drunk old lady does And I wasn't even inside her yet "You don't have anywhere else to be," she managed to say... "My wounds have been reopened tonight already," I muttered I caught wind of the gully ...the part of her she once kept sacred as a Christian I smelled the information I lifted my hand into the air and hailed a cab He rolled down his window and saw her "Find another cab," he said, and sped off into the night I took her home because she said she was lonely really she was drunk off something some memory or some choice she walked funny... -one of her heels had broken On the couch I left her, Before I could go, she grabbed my cock I slapped her across the face and she pulled harder Her eyes stayed closed Her lips dripped Her grip clenched I wasn't getting out of this one unscathed "If I take my pants off, will you let me go?" I asked "If you take your pants off, I'll be suckin' that cock till you pass out from all the screamin'..." I slapped her again, because she needed it She laughed Saying her cousin beat her harder Saying her father knew how to really... ...make things happen I asked her what her father's number was Let's get his motherfucking self up here to take you away, that's what I said She said he died, or killed himself "What's the difference really," she said, chewing on her hair She let go of my cock on her own accord And she opened her eyes for a moment She closed them again And I could tell she was sleeping Her eyes opened once more Her face red where I'd hit her She tasted the blood on her lip "Do you think if we remind ourselves enough, we can make up for all the pain we've caused others?" I said to her, "We can't. All we can do is keep ourselves from all those who don't deserve it.
Dave Matthes (Strange Rainfall on the Rooftops of People Watchers: Poems and Stories)
You’ve been shot,” she tells Rachel. “You shot me, you crazy bit—“ “We don’t have time for the ER protocol crap, Mom,” I cut in. “She knows she’s been shot. She’s alert. Help. Her.” Mom nods. She looks at Rachel’s clenched fist where it’s balled against her lower stomach. “I’m sorry I shot you. I need to look at that. Please.” Rachel gives her The Stank Eye. Rachel is very good at The Stank Eye. “I’m a nurse, remember?” Mom says, her voice dripping with impatience. “I can help you.” Rachel inhales and eases her hand away from her stomach, but I can’t bring myself to look at it so I just watch Mom’s face to maybe gauge how bad the wound is. I imagine dark blood and entrails and… “What the…?” Mom gasps. As an ER nurse, Mom’s seen a lot of things. But by her expression, she’s never seen this. I’m thinking it must be way serious. Also, I’m thinking I might throw up. Until Rachel slaps a handcuff around Mom’s wrist. “I’m sorry, Nalia. I hope you understand.” Then she clinks the other end of the cuff around her own wrist. I steal a glance at Rachel’s very clean, very intact, very non-bloody-entrails T-shirt. Rachel is a smart woman. Mom lunges for her, hands aiming for her throat. Rachel pulls some karate-chop-move thing and slams Mom against the door behind her. “Knock it off, hon. I don’t want to really hurt you.” “You…you told Galen you’d been shot,” I stammer. “I heard you tell him that. Why would you lie to him?” Rachel shrugs. “I was shot.” She glances down at her feet. There’s a good-sized hole near the big toe of her boot, and bit of red staining the edges of it. “And I’d better be able to wear high heels after this, or one of you is going to swim with the fishes.” Then she laughs at her own stupid Mob joke. Mom plops down beside Rachel and leans against the car, too, in obvious surrender. She looks up at me. It’s a look brimming with “I told you so.” And I already know what she’s going to say next. We won’t make it very far before someone notices two women handcuffed together. Bathroom breaks will be impossible. Any public place will be impossible. I’m guessing Mom didn’t anticipate needing a hacksaw on this vacation of ours. But I know what she expects from me now. And that’s just too freaking bad.
Anna Banks (Of Triton (The Syrena Legacy, #2))
Ode to the Beloved’s Hips" Bells are they—shaped on the eighth day—silvered percussion in the morning—are the morning. Swing switch sway. Hold the day away a little longer, a little slower, a little easy. Call to me— I wanna rock, I-I wanna rock, I-I wanna rock right now—so to them I come—struck-dumb chime-blind, tolling with a throat full of Hosanna. How many hours bowed against this Infinity of Blessed Trinity? Communion of Pelvis, Sacrum, Femur. My mouth—terrible angel, ever-lasting novena, ecstatic devourer. O, the places I have laid them, knelt and scooped the amber—fast honey—from their openness— Ah Muzen Cab’s hidden Temple of Tulúm—licked smooth the sticky of her hip—heat-thrummed ossa coxae. Lambent slave to ilium and ischium—I never tire to shake this wild hive, split with thumb the sweet- dripped comb—hot hexagonal hole—dark diamond— to its nectar-dervished queen. Meanad tongue— come-drunk hum-tranced honey-puller—for her hips, I am—strummed-song and succubus. They are the sign: hip. And the cosign: a great book— the body’s Bible opened up to its Good News Gospel. Alleluias, Ave Marías, madre mías, ay yay yays, Ay Dios míos, and hip-hip-hooray. Cult of Coccyx. Culto de cadera. Oracle of Orgasm. Rorschach’s riddle: What do I see? Hips: Innominate bone. Wish bone. Orpheus bone. Transubstantiation bone—hips of bread, wine-whet thighs. Say the word and healed I shall be: Bone butterfly. Bone wings. Bone Ferris wheel. Bone basin bone throne bone lamp. Apparition in the bone grotto—6th mystery— slick rosary bead—Déme la gracia of a decade in this garden of carmine flower. Exile me to the enormous orchard of Alcinous—spiced fruit, laden-tree—Imparadise me. Because, God, I am guilty. I am sin-frenzied and full of teeth for pear upon apple upon fig. More than all that are your hips. They are a city. They are Kingdom— Troy, the hollowed horse, an army of desire— thirty soldiers in the belly, two in the mouth. Beloved, your hips are the war. At night your legs, love, are boulevards leading me beggared and hungry to your candy house, your baroque mansion. Even when I am late and the tables have been cleared, in the kitchen of your hips, let me eat cake. O, constellation of pelvic glide—every curve, a luster, a star. More infinite still, your hips are kosmic, are universe—galactic carousel of burning comets and Big Big Bangs. Millennium Falcon, let me be your Solo. O, hot planet, let me circumambulate. O, spiral galaxy, I am coming for your dark matter. Along las calles de tus muslos I wander— follow the parade of pulse like a drum line— descend into your Plaza del Toros— hands throbbing Miura bulls, dark Isleros. Your arched hips—ay, mi torera. Down the long corridor, your wet walls lead me like a traje de luces—all glitter, glowed. I am the animal born to rush your rich red muletas—each breath, each sigh, each groan, a hooked horn of want. My mouth at your inner thigh—here I must enter you—mi pobre Manolete—press and part you like a wound— make the crowd pounding in the grandstand of your iliac crest rise up in you and cheer.
Natalie Díaz