Drinking T Shirts Quotes

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The bar staff and croupiers all wore black with the same green triangle logo emblazoned on their shirts, and contact lenses which made their eyes shine an eerie, vibrant green. The bar optics glowed with the same green light, the intensity of which was linked to the music. As the bartender walked away to fetch the drinks, a breakdown in the techno track commenced and the bottles began to palpitate. The bartender's eyes glowed with a hallucinatory felinity that made Mangle feel nervous.
R.D. Ronald (The Zombie Room)
Next thing you know she'll be on the bus and selling T-shirts in the parking lot, showing off her boobs to get in the stage door." "At least she has boobs to show," Jess said. "I have boobs," Chloe said, pointing to her chest. "Just because they're not weighing me down doesn't mean they're not substantial." "Okay, B cup," Jess said, taking a sip of her drink. "I have boobs!" Chloe said again, a bit too loudly--she'd already had a couple of minibottles at the Spot. "My boobs are great, goddammit. You know that? They're fantastic! My boobs are amazing.
Sarah Dessen
The waitress gave Dale the stink eye while collecting his discarded food and drink. While she performed the removal, Dale read the text on her shirt. I’VE MASTERED MY SHIT, SO IF WE’RE ARGUING DURING MERCURY RETROGRADE, YOU’RE THE ONE BEING A BITCH, NOT ME. I’M ENLIGHTENED, ASSHOLE.
Jasun Ether (The Beasts of Success)
I have several close friends who have run marathons, a word that is actually derived from two Swahili words: mara, which means 'to die a horrible death', and thon, which means 'for a stupid T-shirt.' Look it up.
Celia Rivenbark (You Can't Drink All Day If You Don't Start in the Morning)
You should see him with his shirt off." Ansel rocks on his heels, sipping his drink. "Please continue as if I"m not here. This is fantastic.
Christina Lauren (Sweet Filthy Boy (Wild Seasons, #1))
Besides, Southerners are hospitable. They'll probably offer me lemonade." Excuse me? You're going to sit on a porch and drink lemonade while I plow a swamp with a goat's horn?" Yes, ma'am. And I aim to wear my seamless shirt while you do it.
Nancy Werlin (Impossible (Impossible, #1))
I just... I understand you might want to start dating more seriously, and that means dating someone from town. But if you're going to do that..." This time he took a long drink of coffee, and the mug was still at his lips when he said, "I like Daniel. He takes care of you." I blinked. "Oh my God. Did you really just say that? He takes care of me?" Dad flushed. "I didn't mean it like-" "Takes care of me? Did I go to sleep and wake up in the nineteenth century?" I looked down at my jeans and T-shirt. "Ack! I can't go to school like this. Where's my corset? My bonnet?
Kelley Armstrong (The Gathering (Darkness Rising, #1))
... And drinking neat liquor from the bottle, with all my long hair and my shirt undone and my beads, not so much the lizard king, more a gecko duchess, I fitted in nicely with their idea of what a creative person should be.
Russell Brand (My Booky Wook)
Why", he asked. "Why did you save her?" She dragged a hand through her hair. A white bandage around her upper arm peeked through her shirt with the movement. He hadn't even been conscious for that wound. He stifled the urge to demand to see it, assess the injury himself—and tug her close against him. "Because that golden-haired witch, Asterin...," Aelin said. "She screamed Manon's name the way I screamed yours." Rowan stilled. His queen gazed at the floor, as if recalling the moment. "How can I take away somebody who means the world to someone else? Even if she's my enemy." A little shrug. "I thought you were dying. It seemed like bad luck to let her die out of spite. And..." she snorted. "Falling into a ravine seemed like a pretty shitty way to die for someone who fights that spectacularly." Rowan smiled, drinking in the sight of her: pale, grave face; the dirty clothes; the injuries. Yet her shoulders were back, chin high. "You make me proud to serve you." A jaunty slant to her lips, but silver lined her eyes. "I know.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
Peeta smiles and douses Haymitch's knife in white liquor from a bottle on the floor. He wipes the blade clean on his shirt tail and slices the bread. Peeta keeps all of us in fresh baked goods. I hunt. He bakes. Haymitch drinks. We have our own ways to stay busy, to keep thought of our time as contestants in the Hunger Games at bay.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Drink coffee! Do stupid things faster and with more energy. —T-SHIRT
Darynda Jones (Fourth Grave Beneath My Feet (Charley Davidson, #4))
It was impossible not to admire him, not to want to do something to contain that kind of beauty- drink him, ingest him, sneak into his shirt and hide for the rest of one's natural life.
Jane Hamilton (A Map of the World)
I smelled of gin. Not just casually, as if I had taken four or five drinks of a winter morning to get out of bed on, but as if the Pacific Ocean was pure gin and I had nosedived off the boat deck. The gin was in my hair and eyebrows, on my chin and under my chin. It was on my shirt. I smelled like dead toads.
Raymond Chandler (The Lady in the Lake (Philip Marlowe, #4))
Rachel and I, we’d been raised to do what we wanted to do, and we had; we’d been successful, and we’d shown everyone. We didn’t need to wear apocryphal T-shirts because we already knew the secret, which was this: that when you did succeed, when you did outearn and outpace, when you did exceed all expectations, nothing around you really shifted. You still had to tiptoe around the fragility of a man, which was okay for the women who got to shop and drink martinis all day—this was their compensation; they had done their own negotiations—but was absolutely intolerable for anyone who was out there working and getting respect and becoming the person that others had to tiptoe around. That these men could be so delicate, that they could lack any inkling of self-examination when it came time to try to figure out why their women didn’t seem to be batshit enthusiastic over another night of bolstering and patting and fellating every insecurity out of them—this was the thing we’d find intolerable.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
I'd Better Not-- A man leaned over to a man in a pub And said in a voice ‘I used to be thirty seven but now I’m fifty one’. And that’s how the years go. In handfuls. Like somebody is almost at the end of a bag of crisps And they tip the bag up And it’s as though they’re drinking crisps. That’s how the years go.
Ian McMillan (I Found This Shirt: Poems and Prose from the Centre)
Matthew sighed as he set the bottle on the mantel. “You know what they say,” he said, as he and James left the room and began to wend their way back toward the party. “Drink, and you will sleep; sleep, and you will not sin; do not sin, and you will be saved; therefore, drink and be saved.” “Matthew, you could sin in your sleep,” said a languorous voice. “Anna,” said Matthew, sagging against James’s shoulder. “Have you been sent to fetch us?” Lounging against the wall was James’s cousin Anna Lightwood, gorgeously dressed in fitted trousers and a pin-striped shirt. She had the Herondale blue eyes, always disconcerting for James to see, as it felt a bit as if his father were looking at him. “If by ‘fetch,’ you mean ‘drag you back to the ballroom by any means possible,’  ” Anna said. “There are girls who need someone to dance with them and tell them they look pretty, and I cannot do it all on my own.” The musicians in the ballroom suddenly struck up a tune—a lively waltz. “Crikey, not waltzing,” said Matthew, in despair. “I loathe waltzing.” He began to back away. Anna seized him by the back of the coat. “Oh, no, you don’t,” she said, and firmly herded both of them toward the ballroom.
Cassandra Clare (Chain of Gold (The Last Hours, #1))
It was Will’s turn to flush. James lay like a sleeping Ganymede, his enervated beauty belying the cruelty and destruction he had rained down on the Stewards. Will hadn’t fluffed James’s pillow, but he had brought him a drink and a blanket. And hung his jacket to dry on the mantel. And his shirt.
C.S. Pacat (Dark Heir (Dark Rise, #2))
Kiss me,” I whispered slowly, a desperate plea, and I stroked my thumb across his bottom lip. My heart pounded, and I wanted him so badly it felt like I’d jump out of my skin. His mouth parted, and his eyes fell to my lips before flickering back up. His hands slid around my hips, and he pulled me against him. “No,” he said, but his body betrayed his pledge. “I order you to kiss me,” I said into his lips. My fingers dipped into his waistband and began to unbuckle his belt and jeans. He took a deep breath and his hands tightened on my hips, but he didn’t stop me. He turned his face into my neck and let out a long, frustrated groan, burning my skin with his breath and sending shivers through me. He nuzzled my hair, drinking in my scent as my fingernails ran softly down the back of his neck. “You can’t do that to me,” he said huskily, his lips brushing my skin. I slipped my hands under his shirt, and I smoothed them over his solid abdomen. “Then kiss me because you want to.
Courtney Allison Moulton
The tavern keeper, a wiry man with a sharp-nosed face, round, prominent ears and a receding hairline that combined to give him a rodentlike look, glanced at him, absentmindedly wiping a tankard with a grubby cloth. Will raised an eyebrow as he looked at it. He'd be willing to bet the cloth was transferring more dirt to the tankard then it was removing. "Drink?" the tavern keeper asked. He set the tankard down on the bar, as if in preparation for filling it with whatever the stranger might order. "Not out of that," Will said evenly, jerking a thumb at the tankard. Ratface shrugged, shoved it aside and produced another from a rack above the bar. "Suit yourself. Ale or ouisgeah?" Ousigeah, Will knew, was the strong malt spirit they distilled and drank in Hibernia. In a tavern like this, it might be more suitable for stripping runt than drinking. "I'd like coffee," he said, noticing the battered pot by the fire at one end of the bar. "I've got ale or ouisgeah. Take your pick." Ratface was becoming more peremptory. Will gestured toward the coffeepot. The tavern keeper shook his head. "None made," he said. "I'm not making a new pot just for you." "But he's drinking coffee," Will said, nodding to one side. Inevitably the tavern keeper glanced that way, to see who he was talking about. The moment his eyes left Will, an iron grip seized the front of his shirt collar, twisting it into a knot that choked him and at the same time dragged him forward, off balance, over the bar,. The stranger's eyes were suddenly very close. He no longer looked boyish. The eyes were dark brown, almost black in this dim light, and the tavern keeper read danger there. A lot of danger. He heard a soft whisper of steel, and glancing down past the fist that held him so tightly, he glimpsed the heavy, gleaming blade of the saxe knife as the stranger laid it on the bar between them. He looked around for possible help. But there was nobody else at the bar, and none of the customers at the tables had noticed what was going on. "Aach...mach co'hee," he choked. The tension on his collar eased and the stranger said softly, "What was that?" "I'll...make...coffee," he repeated, gasping for breath. The stranger smiled. It was a pleasant smile, but the tavern keep noticed that it never reached those dark eyes. "That's wonderful. I'll wait here.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
They were in good spirits, scrubbed and combed, clean shirts all. Each foreseeing a night of drink, perhaps of love. How many youths have come home cold and dead from just such nights and just such plans.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
Under a smoky streetlamp I stood face to face with my beloved and pricked my fingers against the diamond studs of her immaculate shirt front. Being tall, she slipped her hands naturally about my hips and pulled me close. And being bold, I put my mouth on hers and this time went inside and told her all the things I’d been longing to. Dark and sweet, the elixir of love is in her mouth. The more I drink, the more I remember all the things we’ve never done. I was a ghost until I touched you. Never swallowed mortal food until I tasted you, never understood the spoken word until I found your tongue. I’ve been a sleep-walker, sad somnambula, hands outstretched to strike the solid thing that could awaken me to life at last. I have only ever stood here under this lamp, against your body, I’ve missed you all my life.
Ann-Marie MacDonald (Fall on Your Knees)
If she believed the boardwalk T-shirts, a woman was a ball or chain, someone stupid you’re with, someone to lie to so a man can drink beer. If she believed television fathers, women were a constant pain, wanting red roses or a nice dinner out. If she learned how to be a girl from songs, it was worse. If she learned from other girls, worse still.
Marie-Helene Bertino (Beautyland)
See the child. He is pale and thin, he wears a thin and ragged linen shirt. He stokes the scullery fire. Outside lie dark turned fields with rags of snow and darker woods beyond that harbor yet a few last wolves. His folk are known for hewers of wood and drawers of water but in truth his father has been a schoolmaster. He lies in drink, he quotes from poets whose names are now lost. The boy crouches by the fire and watches him.
Cormac McCarthy
One fast more or I'm gone', I realize, gone the way of the last three years of drunken hopelessness which is a physical and spiritual and metaphysical hopelessness you can't learn in school no matter how many books on existentialism or pessimism you read, or how many jugs of vision-producing Ayahuasca you drink, or Mescaline you take, or Peyote goop up with-- That feeling when you wake up with the delirium tremens with the fear of eerie death dripping from your ears like those special heavy cobwebs spiders weave in the hot countries, the feeling of being a bent back mudman monster groaning underground in hot steaming mud pulling a long hot burden nowhere, the feeling of standing ankledeep in hot boiled pork blood, ugh, of being up to your waist in a giant pan of greasy brown dishwater not a trace of suds left in it--The face of yourself you see in the mirror with its expression of unbearable anguish so hagged and awful with sorrow you can't even cry for a thing so ugly, so lost, no connection whatever with early perfection and therefore nothing to connect with tears or anything: it's like William Seward Burroughs' 'Stranger' suddenly appearing in your place in the mirror- Enough! 'One fast move or I'm gone' so I jump up, do my headstand first to pump blood back into the hairy brain, take a shower in the hall, new T-shirt and socks and underwear, pack vigorously, hoist the rucksack and run out throwing the key on the desk and hit the cold street...I've got to escape or die...
Jack Kerouac
You can buy me a drink if you want," the kid says, suddenly appearing at Pip's shoulder. He turns round a bit to look at him, trying not to smile. "That's generous of you." "Ain't it?" "What makes you think I'd wanna buy another man a drink?" "Cos your t-shirt's got a unicorn on it.
Richard Rider (17 Black and 29 Red (Stockholm Syndrome, #2))
So I take it you and Gansey get along, then?” Maura’s expression was annoyingly knowing. “Mom.” “Orla told me about his muscle car,” Maura continued. Her voice was still angry and artificially bright. The fact that Blue was well aware that she’d earned it made the sting of it even worse. “You aren’t planning on kissing him, are you?” “Mom, that will never happen,” Blue assured her. “You did meet him, didn’t you?” “I wasn’t sure if driving an old, loud Camaro was the male equivalent of shredding your T-shirts and gluing cardboard trees to your bedroom walls.” “Trust me,” Blue said. “Gansey and I are nothing like each other. And they aren’t cardboard. They’re repurposed canvas.” “The environment breathes a sigh of relief.” Maura attempted another sip of her drink; wrinkling her nose, she shot a glare at Persephone. Persephone looked martyred. After a pause, Maura noted, in a slightly softer voice, “I’m not entirely happy about you’re getting in a car without air bags.” “Our car doesn’t have air bags,” Blue pointed out. Maura picked a long strand of Persephone’s hair from the rim of her glass. “Yes, but you always take your bike.” Blue stood up. She suspected that the green fuzz of the sofa was now adhered to the back of her leggings. “Can I go now? Am I in trouble?” “You are in trouble. I told you to stay away from him and you didn’t,” Maura said. “I just haven’t decided what to do about it yet. My feelings are hurt. I’ve consulted with several people who tell me that I’m within my rights to feel hurt. Do teenagers still get grounded? Did that only happen in the eighties?” “I’ll be very angry if you ground me,” Blue said, still wobbly from her mother’s unfamiliar displeasure. “I’ll probably rebel and climb out my window with a bedsheet rope.” Her mother rubbed a hand over her face. Her anger had completely burned itself out. “You’re well into it, aren’t you? That didn’t take long.” “If you don’t tell me not to see them, I don’t have to disobey you,” Blue suggested. “This is what you get, Maura, for using your DNA to make a baby,” Calla said. Maura sighed. “Blue, I know you’re not an idiot. It’s just, sometimes smart people do dumb things.” Calla growled, “Don’t be one of them.” “Persephone?” asked Maura. In her small voice, Persephone said, “I have nothing left to add.” After a moment of consideration, she added, however, “If you are going to punch someone, don’t put your thumb inside your fist. It would be a shame to break it.” “Okay,” Blue said hurriedly. “I’m out.” “You could at least say sorry,” Maura said. “Pretend like I have some power over you.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
When I take my hand out of this blanket," he thought, "my nail will be grown back, my hands will be clean. My body will be clean. I'll have on clean shorts, clean undershirt, a white shirt. A blue polka-dot tie. A gray suit with a stripe, and I'll be home, and I'll bolt the door. I'll put some coffee on the stove, some records on the phonograph, and I'll bolt the door. I'll read my books and I'll drink coffee and I'll listen to music, and I'll bolt the door. I'll open the window, I'll let in a nice, quiet girl--not Frances, not anyone I've ever known--and I'll bolt the door. I'll ask her to read some Emily Dickinson to me--that one about being chartless--and I'll ask her to read some William Blake to me--that one about the little lamb that made thee--and I'll bolt the door. She'll have an American voice, and she won't ask me if I have any chewing gum or bonbons, and I'll bolt the door.
J.D. Salinger (A Boy in France (Babe Gladwaller, #2))
She is drinking peach tea in the plaza and she is too hot because her blue and black checked shirt is for winter not for summer in Andalucía. I think she thinks she’s a cowboy in her work shirt, always alone with no one to look at the mountain horizon at night and say my god those stars.
Deborah Levy (Hot Milk)
You gonna be the DD?” I ask as I throw a black hoodie over my T-shirt and zip it up. My buddy snorts. “Did you really just ask me that?” I roll my eyes. “Right. What ever was I thinking?”¨ The last time Dean Heyward-Di Laurentis was sober at a party was never. Dude drinks like a fish or gets higher than a kite every time he leaves the house, and if you think that affects his performance on the ice in any way, then think again.
Elle Kennedy (The Mistake (Off-Campus, #2))
And, of course, there is the person you come back to: his face and body and voice and scent and touch, his way of waiting until you finish whatever you're saying, no matter how lengthy, before he speaks, the way his smile moves so slowly across his face that it reminds you of moonrise, how clearly he has missed you and how clearly happy he is to have you back. Then there are the things, if you are particularly lucky, that this person has done for you while you're away: how in the pantry, in the freezer, in the refrigerator will be all the food you like to eat, the scotch you like to drink. There will be the sweater you thought you lost the previous year at the theater, clean and folded and back on its shelf. There will be the shirt with its dangling buttons, but the buttons will be sewn back in place...And there will be no mention of it, and you will know that it was done with genuine pleasure, and you will know that part of the reason—a small part, but a part—you love being in this apartment and in this relationship is because this other person is always making a home for you, and that when you tell him this, he won't be offended but pleased, and you'll be glad, because you meant it with gratitude. And in these moments—almost a week back home—you will wonder why you leave so often, and you will wonder whether, after the next year's obligations are fulfilled, you ought not just stay here for a period, where you belong.
Hanya Yanagihara (A Little Life)
The day that robs a child of his parents severs him from his own kind; his head is bowed, his cheeks are wet with tears, and he will go about destitute among the friends of his father, plucking one by the cloak and another by the shirt. Some one or other of these may so far pity him as to hold the cup for a moment towards him and let him moisten his lips, but he must not drink enough to wet the roof of his mouth; then one whose parents are alive will drive him from the table with blows and angry words.
Homer
David sat in the teacher’s lounge. Two other shlemiels sat on the other side, getting coffee. Sports, movies, conversation. He would have to join the group. The new assistant principal was to join them this afternoon. Just say hello. He got up and got coffee. David held the hot coffee and pretended to drink it. Didn’t want to spill on his white shirt. Then a tall slender woman walked in with the main campus principal, Edmond, and she looked around. Now would come the meet and greet. Fresh meat. Edmond turned to him. “This is David Bar David, Doctor Bar David. Math.” The thin woman reached out her hand and David shook it. “My,” she said, “such a warm hand.” “But a cold heart,” he said.
Michael Grigsby (Segment of One)
I had never been a dresser. My shirts were all faded and shrunken, 5 or 6 years old, threadbare. My pants the same. I hated department stores, I hated the clerks, they acted so superior, they seemed to know the secret of life, they had a confidence I didn't possess. My shoes were always broken down and old, I disliked shoe stores too. I never purchased anything until it was completely unusable, and that included automobiles. It wasn't a matter of thrift, I just couldn't bear to be a buyer needing a seller, seller being so handsome and aloof and superior. Besides, it all took time, time when you could just be laying around and drinking.
Charles Bukowski (Women)
He bent and put his lips to the spurt, drinking noiselessly, and then he sat up again and drew his shirt sleeve across his mouth. As he did this, he turned his face in her direction—and their eyes met. For a long moment they looked at each other in silence, the boy with his arm still raised to his mouth. Neither of them moved. At last his arm fell to his side. “You may as well come out,” he said, with a frown.
Natalie Babbitt (Tuck Everlasting)
THEY FOUND LEO AT THE TOP of the city fortifications. He was sitting at an open-air café, overlooking the sea, drinking a cup of coffee and dressed in…wow. Time warp. Leo’s outfit was identical to the one he’d worn the day they first arrived at Camp Half-Blood—jeans, a white shirt, and an old army jacket. Except that jacket had burned up months ago. Piper nearly knocked him out of his chair with a hug. “Leo! Gods, where have you been?” “Valdez!” Coach Hedge grinned. Then he seemed to remember he had a reputation to protect and he forced a scowl. “You ever disappear like that again, you little punk, I’ll knock you into next month!” Frank patted Leo on the back so hard it made him wince. Even Nico shook his hand. Hazel kissed Leo on the cheek. “We thought you were dead!” Leo mustered a faint smile. “Hey, guys. Nah, nah, I’m good.” Jason could tell he wasn’t good. Leo wouldn’t meet their eyes. His hands were perfectly still on the table. Leo’s hands were never still. All the nervous energy had drained right out of him, replaced by a kind of wistful sadness. Jason wondered why his expression seemed familiar. Then he realized Nico di Angelo had looked the same way after facing Cupid in the ruins of Salona. Leo was heartsick. As the others grabbed chairs from the nearby tables, Jason leaned in and squeezed his friend’s shoulder. “Hey, man,” he said, “what happened?” Leo’s eyes swept around the group. The message was clear: Not here. Not in front of everyone. “I got marooned,” Leo said. “Long story. How about you guys? What happened with Khione?” Coach Hedge snorted. “What happened? Piper happened! I’m telling you, this girl has skills!” “Coach…” Piper protested. Hedge began retelling the story, but in his version Piper was a kung fu assassin and there were a lot more Boreads. As the coach talked, Jason studied Leo with concern. This café had a perfect view of the harbor. Leo must have seen the Argo II sail in. Yet he sat here drinking coffee—which he didn’t even like—waiting for them to find him. That wasn’t like Leo at all. The ship was the most important thing in his life. When he saw it coming to rescue him, Leo should have run down to the docks, whooping at the top of his lungs. Coach Hedge was just describing how Piper had defeated Khione with a roundhouse kick when Piper interrupted. “Coach!” she said. “It didn’t happen like that at all. I couldn’t have done anything without Festus.” Leo raised his eyebrows. “But Festus was deactivated.” “Um, about that,” Piper said. “I sort of woke him up.” Piper explained her version of events—how she’d rebooted the metal dragon with charmspeak.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
I want you to stop taking cracker dust." "And he says it isn't a righteous streak," Andrew mused, more to himself than to Neil. "If it was righteousness I'd ask you to give up drinking and smoking, too," Neil said. "I'm only asking for this one thing. It doesn't have any effect on you anyway and it's an unnecessary risk. You don't need a third addiction." "I don't need anything," Andrew reminded him, right on cue. "If you don't need it, it'll be easy to give it up," Neil said. "Right?" Andrew thought it over a minute, then flicked his cigarette at Neil. It singed the material where it bounced off his shirt. Neil ground it out under his shoe when it hit the asphalt. The cool look he flicked Andrew was wasted; Andrew's gaze had already drifted past him in search of something more interesting. "I'm going to take your temper tantrum as a yes," Neil said. "I'll bring the money by your room tonight.
Nora Sakavic (The King's Men (All for the Game, #3))
Maybe try the hipster ones.” “You’re so hot, I better date you before you’re cool!” Quincy shouted. “My feelings for you are one hundred percent organic and locally sourced! Are you gluten-free tonight, because I’d like to take you on a date! I’d still care about you even if you went mainstream! Roses are red, your shirt is ironic, your drink of choice is probably a mason jar filled with a vodka tonic!
T.J. Klune (How to Be a Movie Star (How to Be, #2))
Often he declined invitations, because to accept meant that he had to dust off his brogues, iron a shirt, brush down his best suit, take a bath, and splash on some cologne. He had also to be affable, to drink and be merry, to talk to strangers with whom he had no inclination to talk and with whom he was not being paid to talk. In other words, he resented having to play the part of a normal human animal.
Ian Rankin (Knots and Crosses (Inspector Rebus, #1))
He nearly called you again last night. Can you imagine that, after all this time? He can. He imagines calling you or running into you by chance. Depending on the weather, he imagines you in one of those cotton dresses of yours with flowers on it or in faded blue jeans and a thick woollen button-up cardigan over a checkered shirt, drinking coffee from a mug, looking through your tortoiseshell glasses at a book of poetry while it rains. He thinks of you with your hair tied back and the characteristic sweet scent on your neck. He imagines you this way when he is on the train, in the supermarket, at his parents' house, at night, alone, and when he is with a woman. He is wrong, though. You didn't read poetry at all. He had wanted you to read poetry, but you didn't. If pressed, he confesses to an imprecise recollection of what it was you read and, anyway, it wasn't your reading that started this. It was the laughter, the carefree laughter, the three-dimensional Coca-Cola advertisement that you were, the try-anything-once friends, the imperviousness to all that came before you, the chain telephone calls, the in-jokes, the instant music, the sunlight you carried with you, the way he felt when you spoke to his parents, the introductory undergraduate courses, the inevitability of your success, the beach houses, ...
Elliot Perlman (Seven Types of Ambiguity)
Everybody had his arms on everybody else’s shoulders, and they were all singing. Mike was sitting at the table with several men in their shirt-sleeves, eating from a bowl of tuna fish, chopped onions and vinegar. They were all drinking wine and mopping up the oil and vinegar with pieces of bread. “Hello, Jake. Hello!” Mike called. “Come here. I want you to meet my friends. We are all having an hors d’œuvre.
Ernest Hemingway (The Sun Also Rises)
You make out with a boy because he’s cute, but he has no substance, no words to offer you. His mouth tastes like stale beer and false promises. When he touches your chin, you offer your mouth up like a flower to to be plucked, all covered in red lipstick to attract his eye. When he reaches his hand down your shirt, he stops, hand on boob, and squeezes, like you’re a fruit he’s trying to juice. He doesn’t touch anything but skin, does not feel what’s within. In the morning, he texts you only to say, “I think I left the rest of my beer at your place, but it’s cool, you can drink it. Last night was fun.” You kiss a girl because she’s new. Because she’s different and you’re twenty two, trying something else out because it’s all failed before. After spending six weekends together, you call her, only to be answered by a harsh beep informing you that her number has been disconnected. You learn that success doesn’t come through experimenting with your sexuality, and you’re left with a mouth full of ruin and more evidence that you are out of tune. You fall for a boy who is so nice, you don’t think he can do any harm. When he mentions marriage and murder in the same sentence, you say, “Okay, okay, okay.” When you make a joke he does not laugh, but tilts his head and asks you how many drinks you’ve had in such a loving tone that you sober up immediately. He leaves bullet in your blood and disappears, saying, “Who wants a girl that’s filled with holes?” You find out that a med student does. He spots you reading in a bar and compliments you on the dust spilling from your mouth. When you see his black doctor’s bag posed loyally at his side, you ask him if he’s got the tools to fix a mangled nervous system. He smiles at you, all teeth, and tells you to come with him. In the back of his car, he covers you in teethmarks and says, “There, now don’t you feel whole again.” But all the incisions do is let more cold air into your bones. You wonder how many times you will collapse into ruins before you give up on rebuilding. You wonder if maybe you’d have more luck living amongst your rubble instead of looking for someone to repair it. The next time someone promises to flood you with light to erase your dark, you insist them you’re fine the way you are. They tell you there’s hope, that they had holes in their chest too, that they know how to patch them up. When they offer you a bottle in exchange for your mouth, you tell them you’re not looking for a way out. No, thank you, you tell them. Even though you are filled with ruins and rubble, you are as much your light as you are your dark.
Lora Mathis
You Don't Know What Love Is But you know how to raise it in me like a dead girl winched up from a river. How to wash off the sludge, the stench of our past. How to start clean. This love even sits up and blinks; amazed, she takes a few shaky steps. Any day now she'll try to eat solid food. She'll want to get into the fast car, one low to the ground, and drive to some cinderblock shithole in the desert where she can drink and get sick and then dance in nothing but her underwear. You know where she's headed, you know she'll wake up with an ache she can't locate and no money and a terrible thirst. So to hell with your warm hands sliding inside my shirt and your tongue down my throat like an oxygen tube. Cover me in black plastic. Let the mourners through.
Kim Addonizio
Tequila, anyone?” he asked our group, but his eyes were on me. “Hell, yeah, K, break it out,” Blake said. I tried to take a step back, but I couldn't go far. Kaidan poured the drinks, handing one to each twin and Blake. “Jay?” he asked. “Nah, dude. I gotta drive.” “Kope? Anna?” We both stared at him, not answering. “Oh, that's right, I nearly forgot,” Kaidan said with smooth indifference. “The prince and princess would never stoop so low. Well, bottoms up to us peasants.” What was up with that? The group shared a round of uneasy glances. Jay's mouth was set in firm disapproval as he stared at Kaidan, who wouldn't meet Jay's eye. The four of them raised their glasses, taking the shots and chasing them with bites of lime. I got a strong whiff of the pungent, salty tequila and gripped the counter with one hand. “How's your soda, princess?” Though Kaidan spoke with a calm air, there was underlying menace that pained me to hear. “You don't need to be so hateful,” I whispered. “If you ask me, I'd say the princess prefers a dark knight.” Ginger smirked and took a long drink of her beer. “She only thinks she does,” Kaidan said to her. I opened and closed my hands at my sides. After all we'd been through, how could he stand there and have the audacity to throw temptations in my face and insult me? I wanted to say something to shut him up, but the more flustered I got, the more tongue-tied I became. “Anna?” Jay asked. “You ready to bounce?” There was no way Jay was ready to leave. “No! Don't go yet,” Marna begged. She yanked the front of Kaidan's shirt. “You're scaring everyone off, Kai! If you can't be nice, then don't get so pissed.” “She means drunk,” Blake said to me in a stage whisper; then he added, “Brits,” with a roll of his eyes. Blake's attempt at comic relief didn't lighten the mood much. “My apologies,” Kaidan said to Marna. He slid the bottle away with the back of his hand, and Marna patted down the bit of shirt she'd crumpled. I stared at Kaidan, but he wouldn't meet my eye.
Wendy Higgins (Sweet Evil (Sweet, #1))
And whatever you do, don't drink the water. A guide once told Dad that some of the springs still have arsenic in them from the gold rush. I have no idea whether she was joking or not, but let's not risk it, OK?" "Seriously?" Logan asked. He raised his eyebrows. "Alaska - where even the water will kill you. I'm surprised they don't have that on a T-shirt." "Logan -" Maddie warned. Logan raised his hands in surrender. "Poisonous water. Check.
Ally Carter (Not If I Save You First)
These are among the people I've tried to know twice, the second time in memory and language. Through them, myself. They are what I've become, in ways I don't understand but which I believe will accrue to a rounded truth, a second life for me as well as them. Cracking jokes in the mandatory American manner of people self-concious about death. This is the humor of violent surprise. How do you connect things? Learn their names. It was a strange conversation, full of hedged remarks and obscure undercurrents, perfect in its way. I was not a happy runner. I did it to stay interested in my body, to stay informed, and to set up clear lines of endeavor, a standard to meet, a limit to stay within. I was just enough of a puritan to think there must be some virtue in rigorous things, although I was careful not to overdo it. I never wore the clothes. the shorts, tank top, high socks. Just running shoes and a lightweight shirt and jeans. I ran disguised as an ordinary person. -When are you two going to have children? -We're our own children. In novels lately the only real love, the unconditional love I ever come across is what people feel for animals. Dolphins, bears, wolves, canaries. I would avoid people, stop drinking. There was a beggar with a Panasonic. This is what love comes down to, things that happen and what we say about them. But nothing mattered so much on this second reading as a number of spirited misspellings. I found these mangled words exhilarating. He'd made them new again, made me see how they worked, what they really were. They were ancient things, secret, reshapable.The only safety is in details. Hardship makes the world obscure. How else could men love themselves but in memory, knowing what they know? The world has become self-referring. You know this. This thing has seeped into the texture of the world. The world for thousands of years was our escape, was our refuge. Men hid from themselves in the world. We hid from God or death. The world was where we lived, the self was where we went mad and died. But now the world has made a self of its own.
Don DeLillo (The Names)
William sits opposite her, drinking water from a Murray’s glass with a trace of lipstick on the rim. His fingers hold the glass, his other hand lies on the table, his neck comes out of his shirt collar, which is light green, and on top of that is his head. His eyes are blue and he has two of them. This is the sum total of William in the present tense.
Margaret Atwood (Life Before Man)
It was one of those golden July afternoons stolen from spring, and they sat outside in T-shirts drinking beer.
Michelle de Kretser (The Life to Come)
The third time you commit murder, you change into that extra shirt you brought along, the one that’s not covered in blood, and you go out for a drink.
Richard Kadrey (Sandman Slim (Sandman Slim, #1))
Hex had forgone his dark blue trenchcoat in favor of a short, black leather jacket. He was wearing a t-shirt that said “I saved the Earth and all I got was this lousy t-shirt.” Hex
Patrick Thomas (MURPHY'S LORE: THROUGH THE DRINKING GLASS)
I think about her as she is in front of me, in her weird overalls and woolen socks and fancy leather slippers. I wonder if she still wears that Indian shawl around the house, if she still drinks hot water with a spoonful of some honey that she claims has miraculous, antiviral, immortality-giving properties, whether she still plays the piano late at night and insists on cooking pasta in not-quite-boiling water because she’s too impatient to wait. I wonder whether she still crashes the gears on the car as she’s driving but denies all knowledge of this. I wonder if there is anything of mine that she’s kept, any shirts, any books, any letters. I wonder if she still walks in her sleep and whether there is anybody there to get up, follow her, and lead her back to bed.
Maggie O'Farrell (This Must Be the Place)
Benefits Now—Costs Later We have seen that predictable problems arise when people must make decisions that test their capacity for self-control. Many choices in life, such as whether to wear a blue shirt or a white one, lack important self-control elements. Self-control issues are most likely to arise when choices and their consequences are separated in time. At one extreme are what might be called investment goods, such as exercise, flossing, and dieting. For these goods the costs are borne immediately, but the benefits are delayed. For investment goods, most people err on the side of doing too little. Although there are some exercise nuts and flossing freaks, it seems safe to say that not many people are resolving on New Year’s Eve to floss less next year and to stop using the exercise bike so much. At the other extreme are what might be called sinful goods: smoking, alcohol, and jumbo chocolate doughnuts are in this category. We get the pleasure now and suffer the consequences later. Again we can use the New Year’s resolution test: how many people vow to smoke more cigarettes, drink more martinis, or have more chocolate donuts in the morning next year? Both investment goods and sinful goods are prime candidates for nudges. Most (nonanorexic) people do not need any special encouragement to eat another brownie, but they could use some help exercising more.
Richard H. Thaler (Nudge: Improving Decisions About Health, Wealth, and Happiness)
I think that everyone should have to wear a t-shirt that says, I don’t get drunk. I get awesome.” Mandy laughed. “Or how about, Less thinking. More Drinking?” “Candy is dandy, but liquor is quicker,” I added,
Robyn Peterman (The Write Hook (My So-Called Mystical Midlife, #1))
Lord Randall barreled inside, brandishing his cane in Drew's face. "You beggarly knave, I was told this marriage was in name only! Who gave you permission to consummate the vows?" "Theodore Hopkin, governor of this colony, representative of the kind, and it's going to cost you plenty, for that daughter of yours is nothing but trouble. What in the blazes were you thinking to allow her an education?" Drew bit back his smile at the man's shocked expression. Nothing like landing the first punch. Lord Randall furrowed his bushy gray brows. "I knew not about her education until it was too late." Drew straightened the cuffs of his shirt. "Well, be prepared to pay dearly for it. No man should have to suffer through what I do with the constant spouting of the most addlepated word puzzles you could imagine." ----------------------------------------- "I require fifteen thousand pounds." Lord Randall spewed ale across the floor. "What! Surely drink has tickled your poor brain. You're a FARMER, you impudent rascal. I'll give you five thousand." Drew plopped his drink onto the table at his side, its contents sloshing over the rim. A satisfied smile broke across his face. "Excellent." He stood. "When will you take her back to England with you? Today? Tomorrow?" The old man's red-rimmed eyes widened. "I cannot take her back. Why, she's already birthed a child!" Drew shrugged. "Fifteen thousand or I send her AND the babe back, with or without you.
Deeanne Gist (A Bride Most Begrudging)
It's the little things that make you want to kill someone, the way Milo drinks Diet Dr Pepper and ties his Jewfro in a bun and lifts his shirt to show off his stomach and wipes his glasses down even though they're not dirty. Yes, Milo got glasses, and seafoam green Topsiders, and a navy blue Polo-style shirt with a popped collar, and didn't I already kill this guy when he was schilling Home Soda and fucking Guinevere Beck?
Caroline Kepnes (Hidden Bodies (You, #2))
I walked into the kitchen and found Mad Rogan in it. He sat at the table, dressed in a blue Henley shirt and jeans, sipping coffee out of a mug with a little grey kitten on it. His dark hair was combed back from his face. His jaw was once again clean shaven. I am a polite, nonthreatening kind of dragon with excellent manners. Horns are hidden, tail is tucked away, fangs covered. I would never do anything cruel, like stab a man with a knife about ten times to get him to answer a question. Somehow this new, on-his-best-behavior version was scarier than witnessing him calmly breaking a man with his bare hands. After what we’d been through, I would’ve expected him to hole up somewhere dark, eating raw meat, chain-smoking, guzzling some sort of ridiculously tough drink, like whiskey or kerosene or something, and thinking grim thoughts about life and death. But no, here he was, charming and untroubled, sipping coffee. Mad Rogan saw me and smiled. And my mind went right into the gutter.
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
Nana and Pops were waiting in the living room. They had their recliners pushed in front of the couch, the only place available for Cole and me to sit. The moment we were in position, the interrogation began. Pops: Plans for the future? Groaning, I dropped my head in my hands. He'd kicked things off with Justin the exact same way. Guaranteed, he'd end the same way. Cole: College, law enforcement. Nana: Oh, I like him better than that other boy already. Pops: Good, that's good. Now finish this sentence for me. When a girl says no, she means... Yep. Exactly the same. Cole: No. And that's that. I don't push for more. Nana: Another excellent answer. But here's an even tougher sentence for you to finish. Premarital sex is... I should have let the zombies have me. Cole: Up to the couple. What happens between them is no one else's business. Sorry, but not even yours. Both Pops ans Nana blustered over that for a minute, but they soon calmed down. I, of course, blushed the most horrifying shade of lobster. (That was just a guess.) However, I found Cole's answer exceptional. Pops: That's fair enough, I guess. So how do you feel about drinking and driving? Cole: I think it's stupid, that's one thing you'll never have to worry about with me and Ali. I never drink, and if she does, I won't take advantage of her. I'd bring her home. I'll always look out for her safety, you have my word. "I won't be drinking, either," I said. "Ever." Nana: Aren't you just a breath of fresh air? Pops: He is. He is indeed. I think I was as impressed with him as my grandparents were. Underneath the muscles, scars and tattoos (which my grandparents couldn't see, since he wore a long-sleeved shirt) he was a really good guy. And because they were so impressed, they let us go with no more fuss!
Gena Showalter
We were tempted to have T-shirts made that said on the front: “We May Not Be Hip Enough To Drink Here, But We Are Rich Enough To Live Here,” and on the back in larger letters: “Fuck Off Back To Clapham.” Like giving the finger to the bridge-and-tunnel crowd.
Simon Majumdar (Eat My Globe: One Year to Go Everywhere and Eat Everything)
This is why we do it all over again every year. Fueled only by the stuff they drink from the air and earth, the bush beans fill out their rows, the okra booms, the corn stretches eagerly toward the sky like a toddler reaching up to put on a shirt... We gardeners are right in the middle of this with our weeding and tying up, our mulching and watering, our trained eyes guarding against bugs, groundhogs, and weather damage. But to be honest, the plants are working harder, doing all the real production. We are management; they're labor.
Barbara Kingsolver (Animal, Vegetable, Miracle: A Year of Food Life)
As I speak, his fingers trail down my arm. I’m just so relieved he’s willing to touch me after I’ve told him this. He turns my hand over and traces the fine lines on my palm. “And?” He looks up beneath heavy lids. “What else should I know about you?” “My skin—” I stop, swallow. He leans down, presses his lips to my wrist in a feathery kiss. “What about your skin?” “You know. You’ve seen it,” I rasp. “It changes. The color becomes—” “Like fire.” His gaze lifts from my wrist and he says that word he said so long ago surrounded in cold mists, tucked on a ledge above a whispering pool of water. “Beautiful.” “You said that before. In the mountains.” “I meant it. Still do.” I laugh weakly. “I guess this means you’re not mad at me.” “I would be mad, if I could.” He frowns. “I should be.” He inches closer to me on the couch. We sink deeper into the tired cushions. “This is impossible.” “This what?” I clutch the collar of his shirt in my fingers. His face is so close I study the varying color of his eyes. For a long time, he says nothing. Stares at me in that way that makes me want to squirm. For a moment, it seems that his irises glow and the pupils shrink to slits. Then, he mutters, “A hunter in love with his prey.” My chest squeezes. I suck in a breath. Pretty wonderful, I think, but am too embarrassed to say it. Even after what he just admitted. He loves me? Studying him, I let myself consider this and whether he can possibly mean it. But what else could it be? What else could drive him to this moment with me? To turn his back on his family’s way of life? As he looks at me in that desperate, devouring way, I’m reminded of those moments in his car when he tended the cut on my palm and ran his hand over my leg. My belly twists. I glance around, see how seriously, dangerously alone we are. More alone than in the stairwell. Or even the first time together, on that ledge. I lick my lips. Now we’re alone with no school bell ready to rip us apart. Even more alarming, no more secrets stand between us. No barriers. Nothing to stop us at all. I hold my breath until I feel the first press of his lips, certain I’ve never been this close to another soul, this vulnerable. We kiss until we’re both breathless, warm and flushed, twisting against each other on the couch. His hands brush my bare back beneath my shirt, trace every bump of my spine. My back tingles, wings vibrating just beneath the surface. I drink the cooler air from his lips, drawing it into my fiery lungs. I don’t even mind when he stops and watches my skin change colors, or touches my face as it blurs in and out. He kisses my changing face. Cheeks, nose, the corners of my eyes, sighing my name it like a benediction between each caress. His lips slide to my neck and I moan, arch, lost to everything but him. In this, with him . . . I’m as close to the sky as I’ve ever been.
Sophie Jordan (Firelight (Firelight, #1))
It was one of the rare mornings when Dad was around. He’d gotten up early to go cycling, and he was sweaty, standing at the counter in his goony fluorescent racing pants, drinking green juice of his own making. His shirt was off, and he had a black heart-rate monitor strapped across his chest, plus some shoulder brace he invented, which is supposedly good for his back because it pulls his shoulders into alignment when he’s at the computer. “Good morning to you, too,” he said disapprovingly. I must have made some kind of face. But I’m sorry, it’s weird to come down and
Maria Semple (Where'd You Go, Bernadette)
I work with a great deal of discipline, although I usually take on more than I can handle and often have to extend due dates. I have always been appalled by bohemianism because of its laziness, disorder, and moral weakness. I understand that this way of living is a response to the fact of human frailty, but it leans too far in one direction. Being a little more buttoned up doesn’t mean that you’ll get so brittle that you’ll break. Nor does it mean that you don’t understand tragedy, loss, and, most of all, human limitation. I am more than well aware of those things and I feel very strongly, but on the other hand I like to run ten miles and return to a spotless well-ordered room, and I like my shirts heavily starched. When I used to go on a long run on Sunday morning when I lived on the Upper West Side, I would pass thousands and thousands of people in restaurants eating . . . (I won’t say this word, because I hate it so much, but it rhymes with hunch, and it’s a disgusting meal that is supposed to be both breakfast and lunch). There they were—having slept for five hours while I was doing calisthenics and running—unshaven (the women too), bleary eyed, surrounded by newspapers scattered as if in a hamster cage, smoking noxious French cigarettes, and drinking Bloody Marys while they ate huge quantities of fat. They looked to me like a movie version of South American bandits. I would never want to be like that. I prefer to live like a British soldier.
Mark Helprin
He faced the house, closed his eyes, and he put his hand on the rolled-up cuff of Asher’s shirt. He wanted to bathe in it for five seconds, the future he might be having if it weren’t for everything. He’d have broken up with Charlie, sure, and Charlie would be coked up in some downtown condo by now, and Yale would have this house, and he and Asher would be together. He was sure. Asher would be lighting the grill in the backyard. Fiona and Nico and Terrence were on their way over for dinner. Julian was hanging out on the porch with a drink, fresh from rehearsal. Asher said, “Are you okay?” Yale opened his eyes and nodded.
Rebecca Makkai (The Great Believers)
Look your fill ” the creature murmured his voice as sweet and rich as syllabub sauce. And his lusty grin when he said it was sinful—and pleasurable. Prue was certain her face flamed red at the barbarian’s insinuation. “I’m sure I don’t know what you mean ” she replied tartly. He smiled and drained his goblet. His head was tilted back exposing the thick cords in his throat and Prue watched him eagerly drink down the entire contents in one swallow. Never had she seen such a vulgar display. Never had she been so engrossed in the workings of a man’s throat and the movement of his Adam’s apple. With a thunk he set the goblet down and shoved his chair back. His legs were spread and the black leather riding britches he wore were pulled snugly over his massive thighs…and other parts as well. Flushing Prudence glanced away. She could not look at him like that with his lace jabot untied and lying on either side of his opened shirt. A shirt that was unbuttoned and opened to his waist exposing a vast amount of dark male skin hairless and bronzed. “Shall you not look my lady ” he beckoned softly. “I like the feel of your eyes on me.” “Cover yourself sir ” she demanded. “It’s most unseemly.” “Ah the lady is Temperance indeed ” the brute murmured huskily.
Charlotte Featherstone (Lust (The Sins and The Virtues, #1))
She slid her hands up the front of Sawyer's shirt, shoving at it, wanting to see and feel all of him. Every muscular inch he was trying to hide under his clothes. She felt almost crazed with the need. When he pulled his head back, breathing hard, he stared down at her. "How much have you had to drink?" "Not enough to regret this.
Katie Reus (Deadly Fallout (Red Stone Security, #10))
Mr. Brock’s account of his adventure in London has given the reader some short notice of his friend, Mr Macshane. Neither the wits nor the principles of that worthy Ensign were particularly firm: for drink, poverty, and a crack on the skull at the battle of Steenkirk had served to injure the former; and the Ensign was not in his best days possessed of any share of the latter. He had really, at one period, held such a rank in the army, but pawned his half-pay for drink and play; and for many years past had lived, one of the hundred thousand miracles of our city, upon nothing that anybody knew of, or of which he himself could give any account. Who has not a catalogue of these men in his list? who can tell whence comes the occasional clean shirt, who supplies the continual means of drunkenness, who wards off the daily-impending starvation? Their life is a wonder from day to day: their breakfast a wonder; their dinner a miracle; their bed an interposition of Providence. If you and I, my dear sir, want a shilling tomorrow, who will give it us? Will OUR butchers give us mutton-chops? will OUR laundresses clothe us in clean linen? — not a bone or a rag. Standing as we do (may it be ever so) somewhat removed from want,[*] is there one of us who does not shudder at the thought of descending into the lists to combat with it, and
William Makepeace Thackeray (Delphi Complete Works of W. M. Thackeray (Illustrated))
Terence, this is stupid stuff: You eat your victuals fast enough; There can’t be much amiss, ’tis clear, To see the rate you drink your beer. But oh, good Lord, the verse you make, It gives a chap the belly-ache. The cow, the old cow, she is dead; It sleeps well, the horned head: We poor lads, ’tis our turn now To hear such tunes as killed the cow. Pretty friendship ’tis to rhyme Your friends to death before their time Moping melancholy mad: Come, pipe a tune to dance to, lad.’ Why, if ’tis dancing you would be, There’s brisker pipes than poetry. Say, for what were hop-yards meant, Or why was Burton built on Trent? Oh many a peer of England brews Livelier liquor than the Muse, And malt does more than Milton can To justify God’s ways to man. Ale, man, ale’s the stuff to drink For fellows whom it hurts to think: Look into the pewter pot To see the world as the world’s not. And faith, ’tis pleasant till ’tis past: The mischief is that ’twill not last. Oh I have been to Ludlow fair And left my necktie God knows where, And carried half way home, or near, Pints and quarts of Ludlow beer: Then the world seemed none so bad, And I myself a sterling lad; And down in lovely muck I’ve lain, Happy till I woke again. Then I saw the morning sky: Heigho, the tale was all a lie; The world, it was the old world yet, I was I, my things were wet, And nothing now remained to do But begin the game anew. Therefore, since the world has still Much good, but much less good than ill, And while the sun and moon endure Luck’s a chance, but trouble’s sure, I’d face it as a wise man would, And train for ill and not for good. ’Tis true, the stuff I bring for sale Is not so brisk a brew as ale: Out of a stem that scored the hand I wrung it in a weary land. But take it: if the smack is sour, The better for the embittered hour; It should do good to heart and head When your soul is in my soul’s stead; And I will friend you, if I may, In the dark and cloudy day. There was a king reigned in the East: There, when kings will sit to feast, They get their fill before they think With poisoned meat and poisoned drink. He gathered all that springs to birth From the many-venomed earth; First a little, thence to more, He sampled all her killing store; And easy, smiling, seasoned sound, Sate the king when healths went round. They put arsenic in his meat And stared aghast to watch him eat; They poured strychnine in his cup And shook to see him drink it up: They shook, they stared as white’s their shirt: Them it was their poison hurt. —I tell the tale that I heard told. Mithridates, he died old.
A.E. Housman
The hospital is as busy as it was yesterday. We go in through the main entrance, and people walk in every direction. The people in scrubs and white coats all walk a little bit faster. There’s a guy sleeping on one of the waiting room sofas, and a hugely pregnant woman leaning against the wall by the elevator. She’s swirling a drink in a plastic cup. That baby is giving her T-shirt a run for its money. A toddler is throwing a tantrum somewhere down the hallway. The shrieking echoes. We move to the bank of elevators, too, and Melonhead isn’t one of those guys who insists on pressing a button that’s already lit. He smiles and says “Good afternoon” to the pregnant woman, but I can’t look away from her swollen belly. My mother is going to look like that. My mother is going to have a baby. My brain still can’t process this. Suddenly, the woman’s abdomen twitches and shifts. It’s startling, and my eyes flick up to find her face. She laughs at my expression. “He’s trying to get comfortable.” The elevator dings, and we all get on. Her stomach keeps moving. I realize I’m being a freak, but it’s the creepiest thing I’ve ever seen. I can’t stop staring. She laughs again, softly, then comes closer. “Here. You can feel it.” “It’s okay,” I say quickly. Melonhead chuckles, and I scowl. “Not too many people get to touch a baby before it’s born,” she says, her voice still teasing. “You don’t want to be one of the chosen few?” “I’m not used to random women asking me to touch them,” I say. “This is number five,” she says. “I’m completely over random people touching me. Here.” She takes my wrist and puts my hand right over the twitching. Her belly is firmer than I expect, and we’re close enough that I can look right down her shirt. I’m torn between wanting to pull my hand back and not wanting to be rude. Then the baby moves under my hand, something firm pushing right against my fingers. I gasp without meaning to. “He says hi,” the woman says. I can’t stop thinking of my mother. I try to imagine her looking like this, and I fail. I try to imagine her encouraging me to touch the baby, and I fail. Four months. The elevator dings. “Come on, Murph,” says Melonhead. I look at the pregnant lady. I have no idea what to say. Thanks? “Be good,” she says, and takes a sip of her drink. The elevator closes and she’s gone
Brigid Kemmerer (Letters to the Lost (Letters to the Lost, #1))
Disheveled hair, sweaty, smiling, drunken, and With a torn shirt, singing, the jug in hand Narcissus loudly laments, on his lips, alas, alas! Last night at midnight, came and sat right by my bed-stand Brought his head next to my ears, with a sad song Said, O my old lover, you are still in dreamland The lover who drinks this nocturnal brew Infidel, if not worships the wine's command Go away O hermit, fault not the drunk Our Divine gift from the day that God made sea and land Whatever He poured for us in our cup, we just drank If it was a cheap wine or heavenly brand The smile on the cup's face and Beloved's hair strand Break many who may repent, just as Hafiz falsely planned
Hafiz: Tongue of the Hidden: A Selection of Ghazals from his Divan
down at the human skull cradled in his palms. The skull was hollow, like a bowl, filled with bloodred wine. Drink it, he told himself. You have nothing to fear. As was tradition, he had begun this journey adorned in the ritualistic garb of a medieval heretic being led to the gallows, his loose-fitting shirt gaping open to reveal his pale chest, his
Dan Brown (The Lost Symbol (Robert Langdon, #3))
I used to have this fantasy that in some distant Star Wars sequel, we’d finally stop all the shooting and screaming at each other and would go to a shopping-and-beauty planet, where the stormtroopers would have to get facials, and Chewbacca would have to get pedicures and bikini and eyebrow waxes. I felt at some point that I should get—okay, fine, maybe not equal time—but just a few scenes where we all did a lot of girly things. Imagine the shopping we might have done on Tatooine! Or a little Death Star souvenir shop where you could get T-shirts that said “My parents got the force and jumped to light speed and all I got was this lousy t-shirt!” or “My boyfriend blew Jabba the Hutt and all I got” . . . etc., etc. You get the gist of my drift.
Carrie Fisher (Wishful Drinking)
YOU DON’T KNOW WHAT LOVE IS but you know how to raise it in me like a dead girl winched up from a river. How to wash off the sludge, the stench of our past. How to start clean. This love even sits up and blinks; amazed, she takes a few shaky steps. Any day now she’ll try to eat solid food. She’ll want to get into a fast car, one low to the ground, and drive to some cinderblock shithole in the desert where she can drink and get sick and then dance in nothing but her underwear. You know where she’s headed, you know she’ll wake up with an ache she can’t locate and no money and a terrible thirst. So to hell with your warm hands sliding inside my shirt and your tongue down my throat like an oxygen tube. Cover me in black plastic. Let the mourners through.
Kim Addonizio (What Is This Thing Called Love: Poems)
If I had three lives, I’d marry you in two. And the other? That life over there at Starbucks, sitting alone, writing — a memoir, maybe a novel or this poem. No kids, probably, a small apartment with a view of the river, and books — lots of books and time to read. Friends to laugh with; a man sometimes, for a weekend, to remember what skin feels like when it’s alive. I’m thinner in that life, vegan, practice yoga. I go to art films, farmers markets, drink martinis in swingy skirts and big jewelry. I vacation on the Maine coast and wear a flannel shirt weekend guy left behind, loving the smell of sweat and aftershave more than I do him. I walk the beach at sunrise, find perfect shell spirals and study pockmarks water makes in sand. And I wonder sometimes if I’ll ever find you.
Sarah Russell
By the end of the seventies, some nights I was so out of it our road manager, Joe Baptista, would have to carry me onstage. The promoter would be sitting there in the dressing room with a look of horror on his face. I’m almost comatose, he’s hyper-ventilating. He thinks he’s presenting the legendary cash cow Aerosmith, and now he’s going to lose his shirt because the lead singer’s down for the count. Is he dead or alive? What am I going to do? “You’d better get him on that stage. I don’t know how he’s going to do this how, but we’ve got too many kids out there.” Not to worry. The minute my feet hit the stage, I’m off and running. I don’t know how it happens, but hey, you get up there in front of twenty thousand people and it’s a high in itself, it’s a charged space. Still, the train kept a rollin’ and we kept getting high until one night in late ’78, I don’t know where we were, maybe in Springfield, Illinois, I blacked out in the middle of “Reefer Headed Woman.” I got a reefer headed woman She fell right down from the sky Well, I gots to drink me two fifths of whiskey Just to get half as high When the — And then I hit the stage like a fish out of water.
Steven Tyler (Does the Noise in My Head Bother You?)
The door opened and Keelie came out, still wearing the T-shirt she’d slept in. It was his and he was going to bronze it, or maybe sleep with that damn thing, because it would smell like her . . . “Can I borrow the shirt?” she asked, tearing him out of his fantasy. He blinked. “Ah. Yeah.” Okay. Keelie walking around wearing his shirt did something to his brain that just wasn’t conducive to conversation, but he managed a fairly normal smile as he picked up his coffee. “There’s coffee.” Keelie gave him a grateful smile. “I need it.” Her hands closed around the cup and she lifted it up to her lips. He watched, practically mesmerized as she took a sip. A soft sound, somewhere between a moan and a sigh, escaped her. His dick hardened. How in the hell could she get him worked up just by drinking coffee?
Shiloh Walker (Razed (Barnes Brothers, #2))
Then Toraf opens the passenger side door…Wait. That’s not Toraf. I’ve never seen this man before, yet he’s eerily familiar. His silhouette sitting next to Galen was definitely classic Syrena male, but the glare from the sun had hidden his face. I’d naturally just assumed that where there’s a Galen, there’s a Toraf. Now that his face is in full view though, I see that this man looks like a slightly older version of Galen. Slightly older as in slightly more jaded. Other than that, he could be his twin brother. It may be because he’s wearing some of Galen’s clothes, a wrinkled brown polo shirt and plaid shorts. But he shares other things, too, besides clothes. He’s handsome like Galen, with the same strong jaw and the same eyebrow shape and the way he’s wearing the same expression on his face that Galen is-that he’s found what he’s been looking for. Only, the stranger’s expression clearly divulges that he’s been looking for a lot longer than Galen has-and this man is not looking at me. And that’s when I know just exactly who he is. That’s when I believe the look in Galen’s eyes. That he didn’t lie to me, that he loves me. Because this man has to be Grom. Mom confirms it with a half cry, half growl. “No. No. It can’t be.” Even if she weren’t handcuffed to Rachel right now, I’m not sure she’d actually be able to move. Disbelief has a special way of paralyzing you. With every step the man takes toward Rachel’s car, he shakes his head more vigorously. It’s like he’s deliberately taking his time, drinking in the moment, or maybe he just can’t believe this moment is actually happening. Yep, disbelief is a cruel hag.
Anna Banks (Of Triton (The Syrena Legacy, #2))
It was the real loose-sausage-eating, brown-liquor-drinking Southern face of a white athlete turned forty and covered with a smooth well-fed layer of flesh. His neck, which seemed a foot wide, rose up out of a yellow polo shirt and a blue blazer as if it were unit-welded to his trapezius muscles and his shoulders. He was like a single solid slab of meat clear up to his hair, which was a head of hair and a half, a strange silvery blond color, coiffed with bouncy fullness and little flips that screamed $65 male hairdo. Not a single cilium was out of place. Amid the vast smooth meat of his head and neck, his eyes and his mouth seemed terribly tiny, but they were both going all out to register pleasure at the sight of Counselor Roger White, this black man who had arrived at the door at 7:42 on Freaknic Saturday night.
Tom Wolfe (A Man in Full)
He shook his head, disgusted like. “You’re impossible. You’re not worth the effort.” I curled my fingers into the front of his T-shirt and hauled him closer. “Not even in your dreams could you imagine how impossible I can be.” We were toe to toe with my br**sts skimming his chest, our eyes locked. “I’ll drink to that,” Morelli said. The third schnapps went down smooth as silk. I gave the empty glass to Morelli and licked my lips. Morelli watched the lip licking, and his eyes darkened and his breathing slowed. Aha! I thought. This was more like it. Got him interested with the old lip-licking routine. “Shit,” Morelli said. “You did that on purpose.” I smiled. Then he smiled. It looked to me like his “gotcha” smile. Like the cat that just caught the canary. Like I’d been had…again. Then he closed the space between us, took my face in his hands and kissed me
Janet Evanovich (Three to Get Deadly (Stephanie Plum, #3))
Well, he replied, finally letting my hand go so that he could gesticulate with his; you don your khakis, schlep off to some jungle, hang out with the natives, fish and hunt with them, shiver from their fevers, drink strange brew fermented in their virgins’ mouths, and all the rest; then, after about a year, they lug your bales and cases down to the small jetty that connects their tiny world to the big one that they kind of know exists, but only as an abstract concept, like adultery for children; and, waving with big, gap-toothed smiles, they send you back to your study—where, khakis swapped for cotton shirt and tie, saliva-liquor for the Twinings, tisane or iced Scotch your housekeeper purveys you on a tray, you write the book: that’s what I mean, he said. Not just a book: the fucking Book. You write the Book on them. Sum their tribe up. Speak its secret name.
Tom McCarthy (Satin Island)
Do you think we're the only ones here?" "When I called, they told me no one comes up on Mondays. It's just us." His gaze flitted from her mouth, back to her eyes. Her hands traveled down the front of his shirt. A dare. "So we're all alone?" Her mouth smelled like apples and cinnamon, and when he kissed her, she tasted like the cider they'd been drinking. He backed her up and against the tree, cradling her head as he continued to press his lips into hers.
Erin La Rosa (For Butter or Worse (The Hollywood Series #1))
Rachel and I, we’d been raised to do what we wanted to do, and we had; we’d been successful, and we’d shown everyone. We didn’t need to wear apocryphal T-shirts because we already knew the secret, which was this: that when you did succeed, when you did outearn and outpace, when you did exceed all expectations, nothing around you really shifted. You still had to tiptoe around the fragility of a man, which was okay for the women who got to shop and drink martinis all day—this was their compensation; they had done their own negotiations—but was absolutely intolerable for anyone who was out there working and getting respect and becoming the person that others had to tiptoe around. That these men could be so delicate, that they could lack any inkling of self-examination when it came time to try to figure out why their women didn’t seem to be batshit enthusiastic over another night of bolstering and patting and fellating every insecurity out of them—this was the thing we’d find intolerable. I
Taffy Brodesser-Akner (Fleishman Is in Trouble)
A kiss with Lenore is a scenario in which Iskate with buttered soles over the moist rink of lower lip, sheltered from weathers by the wet warm overhang of upper, finally to crawl between lip and gum and pull the lip to me like a child’s blanket and stare over it with beady, unfriendly eyes out at the world external to Lenore, of which I no longer wish to be part. That I must in the final analysis remain part of the world that is external to and other from Lenore Beadsman is to me a source of profound grief. That others may dwell deep, deep within the ones they love, drink from the soft cup at the creamy lake at the center of the Object of Passion, while I am fated forever only to intuit the presence of deep recesses while I poke my nose, as it were, merely into the foyer of the Great House of Love, agitate briefly, and make a small mess onthe doormat, pisses me off to no small degree. But that Lenore finds such tiny frenzies, such conversations just inside the Screen Door of Union, to be not only pleasant and briefly diverting but somehow apparently right, fulfilling, significant, in some sense wonderful, quite simply and not at all surprisingly makes me feel the same way, enlarges my sense of it and me, sends me hurrying up the walk to that Screen Door in my best sportjacket and flower in lapel as excited as any schoolboy, time after time, brings me charging to the cave entrance in leopardskin shirt, avec club, bellowing for admittance and promising general kickings of ass if I am impeded in any way.
David Foster Wallace (The Broom of the System)
Why,” he asked. “Why did you save her?” She dragged a hand through her hair. A white bandage around her upper arm peeked through her shirt with the movement. He hadn’t even been conscious for that wound. He stifled the urge to demand to see it, assess the injury himself—and tug her close against him. “Because that golden-haired witch, Asterin … ,” Aelin said. “She screamed Manon’s name the way I screamed yours.” Rowan stilled. His queen gazed at the floor, as if recalling the moment. “How can I take away somebody who means the world to someone else? Even if she’s my enemy.” A little shrug. “I thought you were dying. It seemed like bad luck to let her die out of spite. And …” she snorted. “Falling into a ravine seemed like a pretty shitty way to die for someone who fights that spectacularly.” Rowan smiled, drinking in the sight of her: the pale, grave face; the dirty clothes; the injuries. Yet her shoulders were back, chin high. “You make me proud to serve you.” A jaunty slant to her lips, but silver lined her eyes. “I know.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
when i left them, i painted myself burgundy and grey i stopped saying the words “please” and “i’m sorry” i walked into grocery stores and bought too many clementines, ordered too much Chinese, spent my last four dollars on over the counter sleeping pills that made my stomach bleed but my soul forget every time i wanted to tell you “i’m sorry”, i wrote you a poem instead, i said things like “i hope your mother calls you beautiful” to strangers and when boys with dry hands and broken eyes asked me on dates i didn’t hesitate no, didn’t even stop them when their hands grazed my breasts and when they moaned my name against my thighs i cried i opened the mail and didn’t tell anyone for a week that i got accepted into law school, i stopped watering the plants and filled the bathtub with roses and milk, when i got invited to parties, i wore blue jeans with white shirts, sat alone in some kitchen drinking hard liquor until some boys mouth made me feel like home i stopped answering the phone for a month, i didn’t like how my name tasted in his mouth but he was older and didn’t say things like “it doesn’t matter” and i think i went insane, my heart boiled blisters, i couldn’t understand why my bones felt like cages, i walked around art museums until closing, watched them lock up the gates and then open them up again the very same morning, i thought about clocks and how time was a deception of my fingertips, i had stars growing inside of me into constellations, and only when some man on the 9 AM bus asked me for the time did i realize that you cannot run from light igniting your lungs, you cannot run from yourself.
irynka
Whatever the country or the venue, whoever I find myself with, I strongly believe that whenever you agree to pay for something, you vote for it. I personally try to be in coherence with my core values (as much as possible) so, since I do not want to vote for animal exploitation in any form or under any circumstance, I do not derogate from my chosen alimentation. I do not un-veganize myself for the time of a meal. Even if it implies eating only bread and drinking only water... And being made fun of by workmates in a convention (be there, done that, got the t-shirt).
Martin Blais
Though I’ve not taken anyone’s drink order in a quarter of a century, in my stress dreams I’m always sweating through my oxford shirt and poorly tied tie, deep in the weeds, having been triple seated with eight tops, thanks to a clueless seventeen-year-old hostess. The bartender’s taking forever to mix a single Rusty Nail because Sergey Brin hasn’t yet invented Google. Empty plates are stacked tall as skyscrapers on the tables, which is confusing. Why would a party of four dirty up twenty-three plates apiece, even if I were serving tapas? There’s no busboy in sight.
Jen Lancaster (Welcome to the United States of Anxiety: Observations from a Reforming Neurotic)
Feeling the slight tremor of his fingers against her skin, Daisy was emboldened to remark, “I’ve never been attracted to tall men before. But you make me feel—” “If you don’t keep quiet,” he interrupted curtly, “I’m going to strangle you.” Daisy felt silent, listening to the rhythm of his breath as it turned deeper, less controlled. By contrast his fingers became more certain in their task, working along the row of pearls until her dress gaped open and the sleeves slipped from her shoulders. “Where is it?” he asked. “The key?” His tone was deadly. “Yes, Daisy. The key.” “It fell inside my corset. Which means… I’ll have to take that off too.” There was no reaction to the statement, no sound or movement. Daisy twisted to glance at Matthew. He seemed dazed. His eyes looked unnaturally blue against the flush on his face. She realized he was occupied with a savage inner battle to keep from touching her. Feeling hot and prickly with embarrassment, Daisy pulled her arms completely out of her sleeves. She worked the dress over her hips, wriggling out of the filmy white layers, letting them slide to the floor in a heap. Matthew stared at the discarded dress as if it were some kind of exotic fauna he had never seen before. Slowly his eyes returned to Daisy, and an incoherent protest came from his throat as she began to unhook her corset. She felt shy and wicked, undressing in front of him. But she was encouraged by the way he seemed unable to tear his gaze from each newly revealed inch of pale skin. When the last metal hook came apart, she tossed the web of lace and stays to the floor. All that remained over her breasts was a crumpled chemise. The key had dropped into her lap. Closing her fingers around the metal object, she risked a cautious glance at Matthew. His eyes were closed, his forehead scored with furrows of pained concentration. “This isn’t going to happen,” he said, more to himself than to her. Daisy leaned forward to tuck the key into his coat pocket. Gripping the hem of her chemise, she stripped it over her head. A tingling shock chased over her naked upper body. She was so nervous that her teeth had begun to chatter. “I just took my chemise off,” she said. “Don’t you want to look?” “No.” But his eyes had opened, and his gaze found her small, pink-tipped breasts, and the breath hissed through his clenched teeth. He sat without moving, staring at her as she untied his cravat and unbuttoned the layers of his waistcoat and shirt. She blushed everywhere but continued doggedly, rising to her knees to tug the coat from his shoulders. He moved like a dreamer, slowly pulling his arms from the coat sleeves and waistcoat. Daisy pushed his shirt open with awkward determination, her gaze drinking in the sight of his chest and torso. His skin gleamed like heavy satin, stretched taut over broad expanses of muscle. She touched the powerful vault of his ribs, trailing her fingertips to the rippled tautness of his midriff. Suddenly Matthew caught her hand, seemingly undecided whether to push it away or press it closer. Her fingers curled over his. She stared into his dilated blue eyes. “Matthew,” she whispered. “I’m here. I’m yours. I want to do everything you’ve ever imagined doing with me.” He stopped breathing. His will foundered and collapsed, and suddenly nothing mattered except the demands of a desire that had been denied too long. With a rough groan of surrender, he lifted her onto his lap.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
On the third day, we named them. My father believed in using indigenous names for indigenous creatures, so all his wolf names came from the Abenaki language. Nodah, which meant Hear me, was the name we gave the biggest of the bunch, a noisy black ball of energy. Kina, or Look here, was the troublemaker who got tangled in shoelaces or stuck under the flaps of the cardboard box. And Kita, or Listen, hung back and watched us, his eyes never missing a thing. Their little sister I named Miguen, Feather. There were times she'd drink as well as her brothers and I would believe she was out of the woods, but then she'd go limp in my grasp and I'd have to rub her and slip her inside my shirt to keep her warm again. I was so tired from staying up round the clock that I couldn’t see straight. I sometimes slept on my feet, dozing for a few minutes before I snapped awake again. The whole time, I carried Miguen, until my arms felt empty without her in them. On the fourth night, when I opened my eyes after nodding off, my father was staring at me with an expression I had never seen before on his face. “When you were born,” he said “I wouldn’t let go of you, either.
Jodi Picoult (Lone Wolf)
Asked me what?” Just the sound of his voice twists my stomach into a knot of unpleasant emotions like guilt, sadness, and fear. And longing. I might as well admit there’s some of that, too. Only it has too much competition to ever win out. I watch as Peeta crosses to the table, the sunlight from the window picking up the glint of fresh snow in his blond hair. He looks strong and healthy, so different from the sick, starving boy I knew in the arena, and you can barely even notice his limp now. He sets a loaf of fresh-baked bread on the table and holds out his hand to Haymitch. “Asked you to wake me without giving me pneumonia,” says Haymitch, passing over his knife. He pulls off his filthy shirt, revealing an equally soiled undershirt, and rubs himself down with the dry part. Peeta smiles and douses Haymitch’s knife in white liquor from a bottle on the floor. He wipes the blade clean on his shirttail and slices the bread. Peeta keeps all of us in fresh baked goods. I hunt. He bakes. Haymitch drinks. We have our own ways to stay busy, to keep thoughts of our time as contestants in the Hunger Games at bay. It’s not until he’s handed Haymitch the heel that he even looks at me for the first time. “Would you like a piece?” “No, I ate at the Hob,” I say. “But thank you.” My voice doesn’t sound like my own, it’s so formal. Just as it’s been every time I’ve spoken to Peeta since the cameras finished filming our happy homecoming and we returned to our real lives. “You’re welcome,” he says back stiffly. Haymitch tosses his shirt somewhere into the mess. “Brrr. You two have got a lot of warming up to do before showtime.” He’s right, of course. The audience will be expecting the pair of lovebirds who won the Hunger Games. Not two people who can barely look each other in the eye. But all I
Suzanne Collins (Catching Fire (The Hunger Games, #2))
There was a man in Florence, a friar, Fra Savonarola, he induced all the people to think beauty was a sin. Some people think he was a magician and they fell under his spell for a season, they made fires in the streets and they threw in everything they liked, everything they had made or worked to buy, bolts of silk, and linen their mothers had embroidered for their marriage beds, books of poems written in the poet's hand, bonds and wills, rent-rolls, title deeds, dogs and cats, the shirts from their backs, the rings from their fingers, women their veils, and do you know what was worst, Johane – they threw in their mirrors. So then they couldn't see their faces and know how they were different from the beasts in the field and the creatures screaming on the pyre. And when they had melted their mirrors they went home to their empty houses, and lay on the floor because they had burned their beds, and when they got up next day they were aching from the hard floor and there was no table for their breakfast because they'd used the table to feed the bonfire, and no stool to sit on because they'd chopped it into splinters, and there was no bread to eat because the bakers had thrown into the flames the basins and the yeast and the flour and the scales. And you know the worst of it? They were sober. Last night they took their wine-skins …’ He turns his arm, in a mime of a man lobbing something into a fire. ‘So they were sober and their heads were clear, but they looked around and they had nothing to eat, nothing to drink and nothing to sit on.’ ‘But that wasn't the worst. You said the mirrors were the worst. Not to be able to look at yourself.’ ‘Yes. Well, so I think. I hope I can always look myself in the face. And you, Johane, you should always have a fine glass to see yourself. As you're a woman worth looking at.’ You
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
Getting back to Audrey, though, I should really feel complimented that she won’t ever touch me because she likes me more than anyone else. It makes perfect sense, really, doesn’t it? If she ever gets down or depressed, i can make out the figure of her through the front window of the shack. She comes in and we drink cheap beer or wine and watch a movie or all three. Something old and long like Ben-Hur that stretches into the night. She’ll be next to me on the couch in her flannel shirt and jeans that have been cut into shorts,and eventually, when she’s asleep, I’ll bring a blanket out and cover her up. I kiss her cheek. I stroke her hair. I think of how she lives alone, just like me, and how she never had any real family, and how she only has sex with people. She never lets any love get in the way. I think she had a family once, but it was one of those beat-the-crap-out-of-each-other situations. There’s no shortage of them around here. I think she loved them and all she ever did was hurt her. That’s why she refuses to love. Anybody. I guess she feels better off that way, and who can blame her? When she sleeps on my couch, I think about all that. Everytime. I cover her up, then go to the bed and dream. With my eyes open.
Markus Zusak (I Am the Messenger)
loud knock pounded on the door. Kiara jumped and bit back a scream as Syn leveled his blaster at the door faster than she could blink. “You wonder why I drink,” Syn muttered. “Stay down.” He moved to the bar and flicked on the video console that showed Darling on the other side of the door, looking bored. Syn holstered his blaster. Crossing the room, he opened the door and hauled Darling into the apartment by the front of his shirt. “Hey!” Darling snapped, shoving him back. “What the hell are you doing?” Syn locked the door. “Aksel’s after us. You’re lucky he didn’t shoot you while you were jacking off in the hallway.
Sherrilyn Kenyon (Born of Night (The League, #1))
Musk burst in carrying a sink and laughing. It was one of those visual puns that amuses him. “Let that sink in!” he exclaimed. “Let’s party on!” Agrawal and Segal smiled. Musk seemed amazed as he wandered around Twitter’s headquarters, which was in a ten-story Art Deco former merchandise mart built in 1937. It had been renovated in a tech-hip style with coffee bars, yoga studio, fitness room, and game arcades. The cavernous ninth-floor café, with a patio overlooking San Francisco’s City Hall, served free meals ranging from artisanal hamburgers to vegan salads. The signs on the restrooms said, “Gender diversity is welcome here,” and as Musk poked through cabinets filled with stashes of Twitter-branded merchandise, he found T-shirts emblazoned with the words “Stay woke,” which he waved around as an example of the mindset that he believed had infected the company. In the second-floor conference facilities, which Musk commandeered as his base camp, there were long wooden tables filled with earthy snacks and five types of water, including bottles from Norway and cans of Liquid Death. “I drink tap water,” Musk said when offered one. It was an ominous opening scene. One could smell a culture clash brewing, as if a hardscrabble cowboy had walked into a Starbucks.
Walter Isaacson (Elon Musk)
We only have a little bit of time before I leave for Korea. Let’s not waste it.” Then I slide my hand in his, and he squeezes it. The house is completely empty, for the first time all week. All the other girls are still at the party, except for Chris, who ran into somebody she knows through Applebee’s. We go up to my room, and Peter takes off his shoes and gets in my bed. “Want to watch a movie?” he asks, stretching his arms behind his head. No, I don’t want to watch a movie. Suddenly my heart is racing, because I know what I want to do. I’m ready. I sit down on the bed next to him as he says, “Or we could start a new show--” I press my lips to his neck, and I can feel his pulse jump. “What if we don’t watch a movie or a show? What if we…do something else instead.” I give him a meaningful look. His body jerks in surprise. “What, you mean like now?” “Yes.” Now. Now feels right. I start planting little kisses down his throat. “Do you like that?” I can feel him swallow. “Yes.” He pushes me away from him so he can look at my face. “Let’s stop for a second. I can’t think. Are you drunk? What did Chris put in that drink she gave you?” “No, I’m not drunk!” I had a little bit of a warm feeling in my body, but the walk home woke me right up. Peter’s still staring at me. “I’m not drunk. I swear.” Peter swallows hard, his eyes searching mine. “Are you sure you want to do this now?” “Yes,” I say, because I really, truly am. “But first can you put on Frank Ocean?” He grabs his phone, and a second later the beat kicks in and Frank’s melodious voice fills the room. Peter starts fumbling with his shirt buttons and then gives up and starts to pull my shirt up, and I yelp, “Wait!” Peter’s so startled, he jumps away from me. “What? What’s wrong?” I leap off the bed and start rummaging through my suitcase. I’m not wearing my special bra and underwear set; I’m wearing my normal every day cappuccino-colored bra with the frayed edges. I can’t lose my virginity in my ugliest bra.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
You look a little glum these days,” he said. “You think so?” I said. “You must be thinking about things too much in the middle of the night,” he said. “I’ve stopped thinking about things at night.” “How’d you manage that?” “When I get depressed, I start to clean. Even if it’s two or three in the morning. I wash the dishes, wipe off the stove, mop the floor, bleach the dish towels, organize my desk drawers, iron every shirt in sight,” he said, stirring his drink with his finger. “I do that till I’m exhausted, then I have a drink and go to sleep. In the morning I get up and by the time I’m putting on my socks I can’t even remember what it was I was thinking about.
Haruki Murakami (Blind Willow, Sleeping Woman)
Farragut's first visitor was his wife. He was raking leaves in yard Y when the PA said that 734-508-32 had a visitor. He jogged up the road past the firehouse and into the tunnel. It was four flights up to cellblock F. "Visitor," he said to Walton, who let him into his cell. He kept his white shirt prepared for visits. It was dusty. He washed his face and combed his hair with water. "Don't take nuttin but a handkerchief," said the guard. "I know, I know, I know...." Down he went to the door of the visitor's room, where he was frisked. Through the glass he saw that his visitor was Marcia. There were no bars in the visitor's room, but the glass windows were chicken-wired and open only at the top. A skinny cat couldn't get in or out, but the sounds of the prison moved in freely on the breeze. She would, he knew, have passed three sets of bars - clang, clang, clang - and waited in an anteroom where there were pews or benches, soft-drink engines and a display of the convict's art with prices stuck in the frames. None of the cons could paint, but you could always count on some wet-brain to buy a vase of roses or a marine sunset if he had been told that the artist was a lifer. There were no pictures on the walls of the visitor's room but there were four signs that said: NO SMOKING, NO WRITING, NO EXCHANGE OF OBJECTS, VISITORS ARE ALLOWED ONE KISS.
John Cheever (Falconer)
To the man standing on the corner holding the sign that said “God hates gays.” I’ve never seen, exactly who it is that you paperclip your knees, meld your hands together and pray to But I think I know what he looks like: I bet your God is about 5’10”. I bet he weighs 185. Probably stands the way a high school diploma does when it’s next to a GED. I bet your god has a mullet. I bet he wears flannel shirts with no sleeves, a fanny pack and says words like “getrdun.” I bet your god—I bet your god—I bet your god watches FOX news, Dog the Bounty Hunter, voted for John McCain, and loves Bill O’Reilly. I bet your god lives in Arizona. I bet his high school served racism in the cafeteria and offered “hate speech” as a second language. I bet he has a swastika inside of his throat, and racial slurs tattooed to his tongue just to make intolerance more comfortable in his mouth. I bet he has a burning cross as a middle finger and Jim Crow underneath his nails. Your god is a confederate flags wet dream conceived on a day when the sky decided to slice her own wrists, I bet your god has a drinking problem. I bet he sees the bottom of the shot glass more often than his own children. I bet he pours whiskey on his dreams until they taste like good ideas, Probably cusses like an electric guitar with Tourette’s plugged into an ocean. I bet he yells like a schizophrenic nail gun, damaging all things that care about him enough to get close. I bet there are angels in Heaven with black eyes and broken halos who claimed they fell down the stairs. I bet your god would’ve made Eve without a mouth and taught her how to spread her legs like a magazine that she will never ever ever be pretty enough to be in. Sooner or later you will realize that you are praying to your own shadow, that you are standing in front of mirrors and are worshipping your own reflection. Your God stole my god’s identity and I bet he’s buying pieces of heaven on eBay. So next time you bend your knees, next time you bow your head I want you to tell your god— that my god is looking for him.
Rudy Francisco (Helium (Button Poetry))
A tall man in a plaid work shirt stopped me with a hand on my shoulder. “Can I buy you a drink, little lady?” I reached back and got Jason’s hand. I raised it where it was visible. “Taken. Sorry.” There was more than one reason I’d wanted to bring Jason with me to a bar on a Friday night. He stared down at Jason, way down, making a show of how very tall he was. “Don’t you want something a little bigger?” “I like them small,” I said, my face very serious. “It makes oral sex easier.” We left him speechless. Jason was laughing so hard, he could barely keep his feet. I pulled him through the crowd by the hand. Holding his hand seemed to be hint enough for the rest of the cruising males. The
Laurell K. Hamilton (Blue Moon (Anita Blake, Vampire Hunter, #8))
THEY WALKED UP TO the front door, rang the bell. Del scratched his neck and looked at the yellow bug light and said, “I feel like a bug.” “You look like a bug. You fall down out there?” “About four times. We weren’t running so much as staggering around. Potholes full of water . . . I see you kept your French shoes nice and dry.” “English. English shoes . . . French shirts. Italian suits. Try to remember that.” “Makes my nose bleed,” Del said. The door opened, and Green looked out: she was still fully dressed, including the jacket that covered her gun and the fashionable shoes that she could run in. She took a long look at Del, and asked, “Where’re Dannon and Carver?” “Dead,” Lucas said. “Where’s Grant?” “In the living room.” “You want to invite us in?” She opened the door, and they stepped inside, and followed her to the living room. Grant was there, still dressed as she had been on the stage; she was curled in an easy chair, with a drink in her hand, high heels on the floor beside her. Schiffer was lying on a couch, barefoot; a couple of Taryn’s staff people, a young woman and a young man, were sitting on the floor, making a circle. Another man, heavier and older, was sitting in a leather chair facing Grant. Lucas didn’t recognize him, but recognized the type: a guy who knew where all the notional bodies were buried, a guy who could get the vice president on the telephone.
John Sandford (Silken Prey (Lucas Davenport #23))
It was one of the rare mornings when Dad was around. He’d gotten up early to go cycling, and he was sweaty, standing at the counter in his goony fluorescent racing pants, drinking green juice of his own making. His shirt was off, and he had a black heart-rate monitor strapped across his chest, plus some shoulder brace he invented, which is supposedly good for his back because it pulls his shoulders into alignment when he’s at the computer. “Good morning to you, too,” he said disapprovingly. I must have made some kind of face. But I’m sorry, it’s weird to come down and see your Dad wearing a bra, even if it is for his posture. Mom came in from the pantry covered with spaghetti pots. “Hello, Buzzy!
Maria Semple (Where'd You Go, Bernadette)
Pretty soft!' he cried. 'To have to come and live in New York! To have to leave my little cottage and take a stuffy, smelly, over-heated hole of an apartment in this Heaven-forsaken, festering Gehenna. To have to mix night after night with a mob who think that life is a sort of St Vitus's dance, and imagine that they're having a good time because they're making enough noise for six and drinking too much for ten. I loathe New York, Bertie. I wouldn't come near the place if I hadn't got to see editors occasionally. There's a blight on it. It's got moral delirium tremens. It's the limit. The very thought of staying more than a day in it makes me sick. And you call this thing pretty soft for me!' I felt rather like Lot's friends must have done when they dropped in for a quiet chat and their genial host began to criticise the Cities of the Plain. I had no idea old Rocky could be so eloquent. 'It would kill me to have to live in New York,' he went on. 'To have to share the air with six million people! TO have to wear stiff collars and decent clothes all the time! To - ' He started. 'Good Lord! I suppose I should have to dress for dinner in the evenings. What a ghastly notion!' I was shocked, absolutely shocked. 'My dear chap!' I said, reproachfully. 'Do you dress for dinner every night, Bertie?' 'Jeeves,' I said coldly. 'How many suits of evening clothes have we?' 'We have three suits full of evening dress, sir; two dinner jackets- ' 'Three.' 'For practical purposes, two only, sir. If you remember, we cannot wear the third. We have also seven white waistcoats.' 'And shirts?' 'Four dozen, sir.' 'And white ties?' 'The first two shallow shelves in the chest of drawers are completely filled with our white ties, sir.' I turned to Rocky. 'You see?' The chappie writhed like an electric fan. 'I won't do it! I can't do it! I'll be hanged if I'll do it! How on earth can I dress up like that? Do you realise that most days I don't get out of my pyjamas till five in the afternoon and then I just put on an old sweater?' I saw Jeeves wince, poor chap. This sort of revelation shocked his finest feelings.
P.G. Wodehouse
He was forever wallowing in the mire, dirtying his nose, scrabbling his face, treading down the backs of his shoes, gaping at flies and chasing the butterflies (over whom his father held sway); he would pee in his shoes, shit over his shirt-tails, [wipe his nose on his sleeves,] dribble snot into his soup and go galumphing about. [He would drink out of his slippers, regularly scratch his belly on wicker-work baskets, cut his teeth on his clogs, get his broth all over his hands, drag his cup through his hair, hide under a wet sack, drink with his mouth full, eat girdle-cake but not bread, bite for a laugh and laugh while he bit, spew in his bowl, let off fat farts, piddle against the sun, leap into the river to avoid the rain, strike while the iron was cold, dream day-dreams, act the goody-goody, skin the renard, clack his teeth like a monkey saying its prayers, get back to his muttons, turn the sows into the meadow, beat the dog to teach the lion, put the cart before the horse, scratch himself where he ne’er did itch, worm secrets out from under your nose, let things slip, gobble the best bits first, shoe grasshoppers, tickle himself to make himself laugh, be a glutton in the kitchen, offer sheaves of straw to the gods, sing Magnificat at Mattins and think it right, eat cabbage and squitter puree, recognize flies in milk, pluck legs off flies, scrape paper clean but scruff up parchment, take to this heels, swig straight from the leathern bottle, reckon up his bill without Mine Host, beat about the bush but snare no birds, believe clouds to be saucepans and pigs’ bladders lanterns, get two grists from the same sack, act the goat to get fed some mash, mistake his fist for a mallet, catch cranes at the first go, link by link his armour make, always look a gift horse in the mouth, tell cock-and-bull stories, store a ripe apple between two green ones, shovel the spoil back into the ditch, save the moon from baying wolves, hope to pick up larks if the heavens fell in, make virtue out of necessity, cut his sops according to his loaf, make no difference twixt shaven and shorn, and skin the renard every day.]
François Rabelais (Gargantua and Pantagruel)
Walking home's going to be...interesting half dressed." Alan mused as he dropped the shirt over the lip of the sink. Shelby shot a look over her shoulder, but the retort she had in mind slipped away from her.He was lean enough so she could have counted his ribs, but there was a sense of power and endurance in the breadth of his chest and shoulders, the streamlined waist. His body made her forget any other man she'd ever seen. It had been he,she realized all at once, whom she'd been thinking of when she'd thrown the clay into that clean-lined bowl. Shelby let the first flow of arousal rush through her because it was as sweet as it was sharp. Then she tensed against it, rendering it a distant throb she could control. "You're in excellent shape," she commented lightly. "You should be able to make it to P street in under three minutes at a steady jog." "Shelby, that's downright unfriendly." "I thought it was more rude," she corrected as she struggled against a grin. "I suppose I could be a nice guy and throw it in the dryer for you." "It was your clay." "It was your move," she reminded him, but snatched up the damp shirt. "Okay, come on upstairs." With one hand, she tugged off her work apron, tossing it aside as she breezed through the doorway. "I suppose you're entitled to one drink on the house." "You're all heart," Alan murmured as he followed her up the stairs. "My reputation for generosity precedes me.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
He thought about how exuberant he himself used to feel as he got ready to meet Miriam when they first started courting. Butterflies flew in his stomach as he washed, shaved, slicked back his hair with a comb and smear of Brylcreem. He made sure that his suit and shirt were pressed, his shoes were buffed. He would put his comb in his pocket and whistle as he walked to meet her. There was an ice cream parlor where they would sit in the window and drink lemonade with a blob of vanilla floating on top, or they sometimes went to the cinema. At that time a trainee, he didn’t have much money so he would save up all week just in case Miriam wanted to go for a nice meal, but she was happy to go for a walk with him and with their simple dates.
Phaedra Patrick (The Curious Charms of Arthur Pepper)
A kiss with Lenore is a scenario in which I skate with buttered soles over the moist rink of lower lip, sheltered from weathers by the wet warm overhang of upper, finally to crawl between lip and gum and pull the lip to me like a child’s blanket and stare over it with beady, unfriendly eyes out at the world external to Lenore, of which I no longer wish to be part. That I must in the final analysis remain part of the world that is external to and other from Lenore Beadsman is to me a source of profound grief. That others may dwell deep, deep within the ones they love, drink from the soft cup at the creamy lake at the center of the Object of Passion, while I am fated forever only to intuit the presence of deep recesses while I poke my nose, as it were, merely into the foyer of the Great House of Love, agitate briefly, and make a small mess on the doormat, pisses me off to no small degree. But that Lenore finds such tiny frenzies, such conversations just inside the Screen Door of Union, to be not only pleasant and briefly diverting but somehow apparently right, fulfilling, significant, in some sense wonderful, quite simply and not at all surprisingly makes me feel the same way, enlarges my sense of it and me, sends me hurrying up the walk to that Screen Door in my best sportjacket and flower in lapel as excited as any schoolboy, time after time, brings me charging to the cave entrance in leopardskin shirt, avec club, bellowing for admittance and promising general kickings of ass if I am impeded in any way.
David Foster Wallace (The Broom of the System)
or hangovers or some combination thereof. They wore sweatpants and yesterday’s T-shirts and clutched Styrofoam cups of soy mocha lattes or artisanal blonde roasts or whatever it was the kids were drinking these days. Professor Reid Lawson’s job was to teach, but he also recognized the need for a morning boost—a mental stimulant to supplement the caffeine. Lawson gave them a moment to find their seats and get comfortable while he took off his tweed sport coat and draped it over his chair. “Good morning,” he said loudly. The announcement jarred several students, who looked up suddenly as if they hadn’t realized they’d wandered into a classroom. “Today, we’re going to talk about pirates.” That got some attention. Eyes looked forward, blinking through the slush of sleep deprivation and
Jack Mars (Agent Zero (Agent Zero, #1))
I'm going to kiss you if that's okay," he said. "It won't be our first kiss," she said. "No," he said. "I let one slip at the restaurant. I thought about apologizing to you for that, but I didn't feel sorry." And with that, he kissed her. One very soft, very sweet kiss. The kiss was fleeting but it left a big ache for more in its wake. Adrienne gasped, taking in the cool sea air, and then Thatcher kissed her again. Even softer, even shorter. The third time, he stayed. They were kissing. His mouth opened and Adrienne tasted his tongue, sweet and tangy like the lime in his drink. She felt like she was going to burst apart into eighty-two pieces of desire. Like the best lovers, Thatcher moved slowly- for right now, on the blanket, it was only about the kissing. Not since high school had kissing been this intense. It went on and on. They stopped to look at each other. Adrienne ran her fingertips over his pale eyebrows, she cupped his neck inside the collar of his shirt. He touched her ears and kissed the corners of her eyes, and Adrienne thought about how she had come right out with the truth about her mother at dinner and how unusual that was. And just as she began to worry that there was something different this time, something better, of a finer quality than the other relationships she had found herself in, she and Thatcher started kissing again, and the starting again was even sweeter. Yes, Adrienne thought. Something was different this time. How much time passed? An hour? Two? Of lying on the blanket kissing Thatcher Smith, the man who had handed her a new life on this island. Adrienne felt herself drifting to sleep, she felt him kiss her eyelids closed-
Elin Hilderbrand (The Blue Bistro)
She was unhappy. I’d made her unhappy. Making Jennifer unhappy was officially the worst feeling in the world, right up there with disappointing my brother Billy and seeing my sister cry. So I blurted, “Have you ever done a cookiestand?” She shook her head, sniffing, turning away from me to grab two cups. “What’s that?” Her voice was rough. “It’s like a keg stand, but with cookies.” Jenn’s movements stilled. She blinked. A new frown formed, but this one was thoughtful, not miserable. “You mean where those people do a handstand and drink beer?” “That’s right. But with cookies.” “That sounds awful.” “At least you don’t get crumbs on your shirt.” I bit into the third cookie. “Yes, but,” Jenn shook her head, a hesitant smile claiming her luscious lips, “then they’d go up your nose.” “That’s the best part. You can save them for later.
Penny Reid (Beard Science (Winston Brothers, #3))
I didn’t answer, occupied in dissolving the penicillin tablets in the vial of sterile water. I selected a glass barrel, fitted a needle, and pressed the tip through the rubber covering the mouth of the bottle. Holding it up to the light, I pulled back slowly on the plunger, watching the thick white liquid fill the barrel, checking for bubbles. Then pulling the needle free, I depressed the plunger slightly until a drop of liquid pearled from the point and rolled slowly down the length of the spike. “Roll onto your good side,” I said, turning to Jamie, “and pull up your shirt.” He eyed the needle in my hand with keen suspicion, but reluctantly obeyed. I surveyed the terrain with approval. “Your bottom hasn’t changed a bit in twenty years,” I remarked, admiring the muscular curves. “Neither has yours,” he replied courteously, “but I’m no insisting you expose it. Are ye suffering a sudden attack of lustfulness?” “Not just at present,” I said evenly, swabbing a patch of skin with a cloth soaked in brandy. “That’s a verra nice make of brandy,” he said, peering back over his shoulder, “but I’m more accustomed to apply it at the other end.” “It’s also the best source of alcohol available. Hold still now, and relax.” I jabbed deftly and pressed the plunger slowly in. “Ouch!” Jamie rubbed his posterior resentfully. “It’ll stop stinging in a minute.” I poured an inch of brandy into the cup. “Now you can have a bit to drink—a very little bit.” He drained the cup without comment, watching me roll up the collection of syringes. Finally he said, “I thought ye stuck pins in ill-wish dolls when ye meant to witch someone; not in the people themselves.” “It’s not a pin, it’s a hypodermic syringe.” “I dinna care what ye call it; it felt like a bloody horseshoe nail. Would ye care to tell me why jabbing pins in my arse is going to help my arm?” I took a deep breath. “Well, do you remember my once telling you about germs?” He looked quite blank. “Little beasts too small to see,” I elaborated. “They can get into your body through bad food or water, or through open wounds, and if they do, they can make you ill.” He stared at his arm with interest. “I’ve germs in my arm, have I?” “You very definitely have.” I tapped a finger on the small flat box. “The medicine I just shot into your backside kills germs, though. You get another shot every four hours ’til this time tomorrow, and then we’ll see how you’re doing.” I paused. Jamie was staring at me, shaking his head. “Do you understand?” I asked. He nodded slowly. “Aye, I do. I should ha’ let them burn ye, twenty years ago.
Diana Gabaldon (Voyager (Outlander, #3))
Open your eyes, Cassie." His mouth was on mine before I had a chance to comply, the gentle pressure of his lips stealing the breath of my lungs and pushing out any worries I might have had about whether this was a good idea. His hand slid down to my chin, gently tilting it up a little to give him better access. I was so overwhelmed with sensation that I was helpless to do anything but let him kiss me, and to kiss him back. My hands slid up his broad chest of their own volition, the fabric his shirt soft beneath my fingers as I clutched at the ends of his collar with both hands. My touch elicited a quiet moan from the back of his throat that made me dizzy with a spike of searing desire. "We can't do this here," I mumbled against his lips. Mostly because it felt like something I was supposed to say, given that this was Sam's bathroom and an entire apartment full of people was having a party on the other side of the door. But I knew, even as I said the words, that were absolutely going to do this here. It didn't seem like Frederick even heard what I'd said. If he did, he certainly wasn't paying it any mind. His kisses grew bolder, the exquisite pressure of his mouth increasing until I parted my lips for him on a ragged sigh. He tasted like breath mints and the wine he must have pretended to drink earlier this evening. I wanted to lose myself in it--- in the way he slid his tongue along mine, coaxing a whimper from my throat; in his strong arms, as they encircled me and pulled me closer. I could feel his sharp, prominent canines against my tongue as I kissed him, something I'd certainly never noticed before when I'd seen him smile. A thrilling flash of heat shot through me, the visceral reminder of who and what he was startling me for only a moment before I lost myself in the kiss again.
Jenna Levine (My Roommate Is a Vampire (My Vampires, #1))
I met a girl while I was out there: Annie. She was American, travelling round like me. We hooked up, as she put it, and spent three months together. She wore plaid shirts, had grey-green eyes and a friendly manner; we became lovers easily and quickly; I couldn’t believe my luck. Nor could I believe how simple it was: to be friends and bed companions, to laugh and drink and smoke a little dope together, to see a bit of the world side by side—and then to separate without recrimination or blame. Easy come, easy go, she said, and meant it. Later, looking back, I wondered if something in me wasn’t shocked by this very easiness, and didn’t require more complication as proof of … what? Depth, seriousness? Although, God knows you can have complication and difficulty without any compensating depth or seriousness. Much later, I also found myself debating whether “Easy come, easy go” wasn’t a way of asking a question, and looking for a particular answer I wasn’t able to supply.
Julian Barnes (The Sense of an Ending)
I met a girl while I was out there: Annie. She was American, travelling round like me. We hooked up, as she put it, and spent three months together. She wore plaid shirts, had grey-green eyes and a friendly manner; we became lovers easily and quickly; I couldn’t believe my luck. Nor could I believe how simple it was: to be friends and bed companions, to laugh and drink and smoke a little dope together, to see a bit of the world side by side—and then to separate without recrimination or blame. Easy come, easy go, she said, and meant it. Later, looking back, I wondered if something in me wasn’t shocked by this very easiness, and didn’t require more complication as proof of … what? Depth, seriousness? Although, God knows you can have complication and difficulty without any compensating depth or seriousness. Much later, I also found myself debating whether “Easy come, easy go” wasn’t a way of asking a question, and looking for a particular answer I wasn’t able to supply.
Julian Barnes (The Sense of an Ending)
We caught seventy-five frogs that night! We left our ice chest in the truck, so I was putting frogs in my socks and the pockets of my pants and shirt. When we couldn’t carry any more frogs, we made our way back to my truck. As soon as we arrived, police cars came from every direction. A homeowner in the neighborhood must have seen my truck and feared we were burglars. As the police questioned us, they must have thought Mike was drunk, because he couldn’t stop laughing. They kept asking me what we’d been drinking and smoking and where it was. When a policeman shined a light on my shirt, I figured out what Mike was giggling about. I forgot I’d stuffed a frog into the front pocket of my shirt and buttoned it. Its legs were sticking out of my pocket and it looked like it was wearing a diaper! The police let us go but warned us to never sneak back onto the golf course because it was trespassing. We probably went back three or four times by a different route and never were caught.
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
Back in the twentieth century, American girls had used baseball terminology. “First base” referred to embracing and kissing; “second base” referred to groping and fondling and deep, or “French,” kissing, commonly known as “heavy petting”; “third base” referred to fellatio, usually known in polite conversation by the ambiguous term “oral sex”; and “home plate” meant conception-mode intercourse, known familiarly as “going all the way.” In the year 2000, in the era of hooking up, “first base” meant deep kissing (“tonsil hockey”), groping, and fondling; “second base” meant oral sex; “third base” meant going all the way; and “home plate” meant learning each other’s names. Getting to home plate was relatively rare, however. The typical Filofax entry in the year 2000 by a girl who had hooked up the night before would be: “Boy with black Wu-Tang T-shirt and cargo pants: O, A, 6.” Or “Stupid cock diesel”—slang for a boy who was muscular from lifting weights—“who kept saying, ‘This is a cool deal’: TTC, 3.” The letters referred to the sexual acts performed (e.g., TTC for “that thing with the cup”), and the Arabic number indicated the degree of satisfaction on a scale of 1 to 10. In the year 2000, girls used “score” as an active verb indicating sexual conquest, as in: “The whole thing was like very sketchy, but I scored that diesel who said he was gonna go home and caff up [drink coffee in order to stay awake and study] for the psych test.” In the twentieth century, only boys had used “score” in that fashion, as in: “I finally scored with Susan last night.” That girls were using such a locution points up one of the ironies of the relations between the sexes in the year 2000. The continuing vogue of feminism had made sexual life easier, even insouciant, for men. Women had been persuaded that they should be just as active as men when it came to sexual advances. Men were only too happy to accede to the new order, since it absolved them of all sense of responsibility
Tom Wolfe (Hooking Up (Ceramic Transactions Book 104))
Ah reckon we can git us some rest'rant vittles," Pa said, and led her along the pier toward the Barkley Cove Diner. Kya had never eaten restaurant food; had never set food inside. Her heart thumped as she brushed dried mud from her way-too-short overalls and patted down her tangled hair. As Pa opened the door, every customer paused mid-bite. A few men nodded faintly at Pa; the women frowned and turned their heads. One snorted, "Well, they prob'ly can't read the shirt and shoes required." Pa motioned for her to sit at a small table overlooking the wharf. She couldn’t read the menu, but he told her most of it, and she ordered fried chicken, mashed potatoes, gravy, white acre peas, and biscuits fluffy as fresh-picked cotton. He had fried shrimp, cheese grits, fried “okree,” and fried green tomatoes. The waitress put a whole dish of butter pats perched on ice cubes and a basket of cornbread and biscuits on their table, and all the sweet iced tea they could drink. Then they had blackberry cobbler with ice cream for dessert.
Delia Owens (Where the Crawdads Sing)
Peter told him that for the Incas the center of the universe wasn’t a point but a line where the two halves of the universe meet. Is this the scene unfolding before Richard’s eyes at the entrance to the asylum seekers’ residence? And are the two groups of people facing off here something like the two halves of a universe that actually belong together, but whose separation is nonetheless irrevocable? Is the rift dividing them in fact a bottomless chasm; is that why such powerful turbulences have been released? And is it a rift between Black and White? Or Poor and Rich? Stranger and Friend? Or between those whose fathers have died and those whose fathers are still alive? Or those with curly hair and those with straight? Those who call their dinner fufu and those who call it stew? Or those who like to wear yellow, red, and green t-shirts and those who prefer neckties? Or those who like to drink water and those who prefer beer? Or between speakers of one language and another? How many borders exist within a single universe?
Jenny Erpenbeck (Go, Went, Gone)
And new physical problems are arising almost daily. I'm getting problems from a painful trapped nerve in my shoulder, where my rucksack strap has been pinching it, and I can't straighten my arm above shoulder level - soon I will be limping like Richard III. By now my back is covered with eczema, the result of a perpetually sodden shirt and rucksack pressed against it day after day in this heat. In one place my pack has rubbed a painful hole in my skin through the eczema; carrying my rucksack was unpleasant before, but now it is purgatory. This eczema must be partly due to eating bad food for so long - I never had this problem at home. I'm expecting my teeth and hair to start falling out before long, and I've got more or less a permanent acid indigestion from eating so much junk. Week after week I've lived on lukewarm Coca-Cola, stale buns and doughnuts, slurps, green bananas, powdered milk and far too many cigarettes. With all the rubbishy food and sugar soft drinks I've been consuming, I'll see the east coast through a hypoglycaemic haze.
Fran Sandham (Traversa)
The traumatic aspect of drinking ayahuasca is that in order to heal yourself, you must first confront the wound; by forcing you to deal with your own inner garbage, ayahuasca shows you things about yourself that you might not want to see. I wish that a whole country could drink ayahuasca—not merely every individual citizen of a country, but the country itself, the spirit of the country. I wish that a flag could drink ayahuasca, that we could just fold the Stars and Stripes into the shape of a cup, pour in the tea, and transport Uncle Sam into another dimension. He’d have to fight his way out of some nightmares, but he’d be cleansed. What would he find? William S. Burroughs wrote that when you drink ayahuasca, “The blood and substance of many races, Negro, Polynesian, Mountain Mongol, Desert Nomad, Polyglot Near East, Indian—new races as yet unconceived and unborn, combinations not yet realized—pass through your body.” When Burroughs drank, he actually saw himself transformed into both a black man and a black woman. What if some freedom-hating narcoterrorists snuck into the Fox News studios and put ayahuasca in Sean Hannity’s coffee, just before he went live? What would be the day’s fair and balanced news for America? If America drank ayahuasca and then withdrew into the filthy pit of its own heart, confronting all its fears and hate and finally purging itself of that negative energy, maybe America would come out Muslim: sucked through a black hole by the Black Mind, young Latter-Day Saint crackers with smooth cheeks, short-sleeved white shirts, and name tags confront nightmarish visions of getting swallowed whole by giant grotesque “Jolly Nigger” coin banks and then find themselves vomited back up as Nubian Islamic Hebrews in turbans and robes selling incense on the subways. The “God Hates Fags” pastor, eyes wild with a new passion for Allah, boards a helicopter to drop thousands of Qur’ans upon the small towns below. I want to see ayahuasca’s vine goddess clean out America’s poison. But what would happen if a religion could drink the vine? What if I poured ayahuasca into my Qur’an?
Michael Muhammad Knight (Tripping with Allah: Islam, Drugs, and Writing)
And I still like you, damn you. You don’t shake one of us, you don’t fling our liking away because your man'chi says otherwise, you can’t get rid of us when we like you, Banichi, you’re stuck with me, so make the best of it.” There wasn’t a clear translation for like. It meant a preference for salad greens or iced drinks. But love was worse. Banichi would never forgive him that. […] Breath failed him. Self-control did. He flung it all out. “Banichi, I’d walk a thousand miles to have a kind word from you. I’d give you the shirt from my back if you needed it; if you were in trouble, I’d carry you that thousand miles. What do you call that? Foolish?” […]“That would be very difficult for you.” “So is liking atevi.” That got out before he censored it. […] “Don’t joke.” “I’m not joking. God, I’m not joking. We have to like somebody, we’re bound to like somebody, or we die, Banich, we outright die. Like, like, like–get off the damned word, Banichi. I cross that trench every day. Can’t you cross it once? Can’t you cross to where I am, just once, to know what I think?
C.J. Cherryh (Foreigner (Foreigner, #1))
When we walk to church on Sunday morning down Broadway,” her mother said, cheeks red in her light brown skin, “you see the dirty men with their shirts all out their pants, drinking the devil’s liquor and stinking to high heaven when good people are going to church. Do you know what they’ve been doing all night?” “No, ma’am.” She did know, because now this discipline had wound its way down the hills away from the music and into a familiar body, and Jennifer was well acquainted with its currents and undertow. She knew all about the good-for-nothing niggers who passed bottles back and forth and were an eyesore. But it seemed best to feign ignorance. “Staying up all night drinking and listening to music like this!” her mother screeched. “Because they are good-for-nothing niggers who don’t care about making a better life for themselves. They want to stay up all night and carry on and pretend that just because they don’t have to pick cotton they have no more duties to attend to. We can’t do anything about good-for-nothing niggers who don’t want to take their place in America, but we can watch ourselves.
Colson Whitehead (John Henry Days)
It was a damned near-run thing, I must admit,' said Jack, modestly; then after a pause he laughed and said, 'I remember your using those very words in the old Bellerophon, before we had our battle.' 'So I did,' cried Dundas. 'So I did. Lord, that was a great while ago.' 'I still bear the scar,' said Jack. He pushed up his sleeve, and there on his brown forearm was a long white line. 'How it comes back,' said Dundas; and between them, drinking port, they retold the tale, with minute details coming fresh to their minds. As youngsters, under the charge of the gunner of the Bellerophon, 74, in the West Indies, they had played the same game. Jack, with his infernal luck, had won on that occasion too: Dundas claimed his revenge, and lost again, again on a throw of double six. Harsh words, such as cheat, liar, sodomite, booby and God-damned lubber flew about; and since fighting over a chest, the usual way of settling such disagreements in many ships, was strictly forbidden in the Bellemphon, it was agreed that as gentlemen could not possibly tolerate such language they should fight a duel. During the afternoon watch the first lieutenant, who dearly loved a white-scoured deck, found that the ship was almost out of the best kind of sand, and he sent Mr Aubrey away in the blue cutter to fetch some from an island at the convergence of two currents where the finest and most even grain was found. Mr Dundas accompanied him, carrying two newly sharpened cutlasses in a sailcloth parcel, and when the hands had been set to work with shovels the two little boys retired behind a dune, unwrapped the parcel, saluted gravely, and set about each other. Half a dozen passes, the blades clashing, and when Jack cried out 'Oh Hen, what have you done?' Dundas gazed for a moment at the spurting blood, burst into tears, whipped off his shirt and bound up the wound as best he could. When they crept aboard a most unfortunately idle, becalmed and staring Bellerophon, their explanations, widely different and in both cases so weak that they could not be attempted to be believed, were brushed aside, and their captain flogged them severely on the bare breech. 'How we howled,' said Dundas. 'You were shriller than I was,' said Jack. 'Very like a hyena.
Patrick O'Brian (The Commodore (Aubrey/Maturin, #17))
Missy and her crew left, I was alone. Like really alone, like pre-Shay alone. It felt glorious. Well, maybe not. I didn’t feel right about Shay, but I’d see him in a day. We could sort out whatever happened on his street. Till then, I studied to my heart’s content. I made trips to my dorm’s computer lab, and I even got naughty. I stole some of the computer’s printing papers, stuffing them down the front of my shirt. My inner dork was coming out full-force. It was like I’d been around “cool” people too much for my system. It was rebelling. It needed an outlet, and I indulged. All of the colored highlighters came out. Not just the primary colors, all of them. I used pink for one textbook, and added purple on the next. All caution was thrown to the wind. It was only eight, but I went to the library. I really let my freak out. An energy drink. Coffee from the cart. My own Twizzlers this time. Even a bag of chocolate candies. I was going nuts on the caffeine and sugar, and then I found an empty study room on the top and most isolated floor in the library. I stayed until midnight. It was some of the best studying I’ve had. Ever. Mind-blowing.
Tijan (Hate to Love You)
I need a drink. Now.” After tossing—fine, throwing—my purse and keys on the couch, I march straight into the kitchen. No more delays; it's time to forget tonight. It’s been yet another night like all the other first dates that never meet a second one. When you begin to lose count, that's when it's really time for a drink. Adrian stands there, leaning against the counter in an unbuttoned dress shirt and dark wash jeans. He glances at me as I walk in. “How was your date?” he asks, taking a swig of his scotch. I brush past him on my mission, opening the cupboard and moving a couple bottles around. I reiterate, “I need alcohol.” Out of the corner of my eye, I catch him hiding a smile before he says, “That bad?” My face twitches as I ignore his line of questioning. It is more like a statement he wants me to clarify, even though he already knows the answer. Instead, I ask, “I have vodka left, don't I?” I stand on my tiptoes in hopes of spotting something in the very back. Nothing. He waltzes over and looks with me, his chin almost touching my shoulder. “I think you polished that one off after last week's date.” His voice is low right next to my ear, very nearly causing a shiver.
Lilly Avalon (Here All Along)
Could I have something to drink?" Jake asked. His voice came out sounding furry and nasal. Both his mouth and the tissues in his abused nose were swelling up. He looked like someone who has gotten the worst of it in a nasty street-fight. "Oh, yes," Tick-Tock replied judiciously. "You could. I'd say you certainly could. We have lots to drink, don't we, Copperhead?" "Ar," said a tall, bespectacled man in a white silk shirt and a pair of black silk trousers. He looked like a college professor in a turn of the century Punch cartoon. "No shortage of po-ter-bulls here." The Tick-Tock Man, once more seated at ease in his throne-like chair, looked humorously at Jake. "We have wine, beer, ale, and, of course, good old water. Sometimes that's all a body wants, isn't it? Cool, clear, sparkling water. How does that sound, cully?" Jake's throat, which was also swollen and as dry as sandpaper, prickled painfully. "Sounds good," he whispered. "It's woke my thirsty up, I know that," Tick-Tock said. His lips spread in a smile. His green eyes sparkled. "Bring me a dipper of water, Tilly--I'll be damned if I know what's happened to my manners." Tilly stepped through the hatchway on the far side of the room--it was opposite the one through which Jake and Gasher had entered. Jake watched her go and licked his swollen lips.
Stephen King (The Waste Lands (The Dark Tower, #3))
This stuff is kind of gross,” he says, draining his cup and setting it down. “Yes, it is,” I say, staring at what remains in mine. I drink it in one gulp, wincing as the bubbles burn my throat. “I don’t know what the Erudite are always bragging about. Dauntless cake is much better.” “I wonder what the Abnegation treat would have been, if they had one.” “Stale bread.” He laughs. “Plain oatmeal.” “Milk.” “Sometimes I think I believe everything they taught us,” he says. “But obviously not, since I’m sitting here holding your hand right now without having married you first.” “What do the Dauntless teach about…that?” I say, nodding to our hands. “What do the Dauntless teach, hmm.” He smirks. “Do whatever you want, but use protection, is what they teach.” I raise my eyebrows. Suddenly my face feels warm. “I think I’d like to find a middle ground for myself,” he says. “To find that place between what I want and what I think is wise.” “That sounds good.” I pause. “But what do you want?” I think I know the answer, but I want to hear him say it. “Hmm.” He grins, and leans forward onto his knees. He presses his hands to the metal plate, framing my head with his arms, and kisses me, slowly, on my mouth, under my jaw, right above my collarbone. I stay still, nervous about doing anything, in case it’s stupid or he doesn’t like it. But then I feel like a statue, like I am not really here at all, and so I touch his waist, hesitantly. Then his lips are on mine again, and he pulls his shirt out from under my hands so that I am touching his bare skin. I come to life, pressing closer, my hands creeping up his back, sliding over his shoulders. His breaths come faster and so do mine, and I taste the lemon-syrup-fizz we just drank and I smell the wind on his skin and all I want is more, more. I push his shirt up. A moment ago I was cold, but I don’t think either of us is cold now. His arm wraps around my waist, strong and certain, and his free hand tangles in my hair and I slow down, drinking it in--the smoothness of his skin, marked up and down with black ink, and the insistence of the kiss, and the cool air wrapped around us both. I relax, and I no longer feel like some kind of Divergent soldier, defying serums and government leaders alike. I feel softer, lighter, and like it is okay to laugh a little as his fingertips brush over my hips and the small of my back, or to sigh into his ear when he pulls me against him, burying his face in the side of my neck so that he can kiss me there. I feel like myself, strong and weak at once--allowed, at least for a little while, to be both. I don’t know how long it is before we get cold again, and huddle under the blanket together. “It’s getting more difficult to be wise,” he says, laughing into my ear. I smile at him. “I think that’s how it’s supposed to be.
Veronica Roth (Allegiant (Divergent, #3))
With a sigh of resignation, I dial Ryder’s number. Exactly seven minutes later, he knocks on the door. Ryder to the rescue. I resist the urge to look around for his white horse. “Okay, where is he?” he asks with a frown. His hair is wet, his T-shirt clinging damply to his skin. I’d either caught him in the shower or in the pool. Probably the pool, since he smells vaguely of chlorine. I hook a thumb toward the living room. “In there. Passed out on the couch.” He looks at me sharply. “You haven’t been drinking, have you?” He’s lucky I don’t slap him. “I was sitting upstairs in my room, minding my own business, when he showed up at the door. What do you think? Asshat,” I add under my breath. His brow furrows. “What was that?” “Nothing. C’mon. Get him out of there before he makes a mess.” “What about his car?” I shrug. “I’ll drive it school tomorrow and get a ride home from Lucy or something.” “I’ll drive you home,” he offers. Correction: he asserts--arrogantly, as if he’s used to giving orders. “We need to go get those tarps and sandbags anyway.” “How did you…?” I trail off as the answer dawns on me. “My dad e-mailed you, didn’t he?” “Called me, actually. We’ll go after school tomorrow. After practice,” he amends. “Yeah. Fine, whatever.” Truthfully, I wasn’t looking forward to lugging sandbags by myself. I wasn’t even sure how I was going to fit them in my little Fiat. Problem solved. Now to solve my other problem--the one lying on my couch.
Kristi Cook (Magnolia (Magnolia Branch, #1))
But Dave Wain that lean rangy red head Welchman with his penchant for going off in Willie to fish in the Rogue River up in Oregon where he knows an abandoned mining camp, or for blattin around the desert roads, for suddenly reappearing in town to get drunk, and a marvelous poet himself, has that certain something that young hip teenagers probably wanta imitate–For one thing is one of the world's best talkers, and funny too–As I'll show–It was he and George Baso who hit on the fantastically simple truth that everybody in America was walking around with a dirty behind, but everybody, because the ancient ritual of washing with water after the toilet had not occurred in all the modern antisepticism–Says Dave "People in America have all these racks of drycleaned clothes like you say on their trips, they spatter Eau de Cologne all over themselves, they wear Ban and Aid or whatever it is under their armpits, they get aghast to see a spot on a shirt or a dress, they probably change underwear and socks maybe even twice a day, they go around all puffed up and insolent thinking themselves the cleanest people on earth and they're walkin around with dirty azzoles–Isnt that amazing?give me a little nip on that tit" he says reaching for my drink so I order two more, I've been engrossed, Dave can order all the drinks he wants anytime, "The President of the United States, the big ministers of state, the great bishops and shmishops and big shots everywhere, down to the lowest factory worker with all his fierce pride, movie stars, executives and great engineers and presidents of law firms and advertising firms with silk shirts and neckties and great expensive traveling cases in which they place these various expensive English imported hair brushes and shaving gear and pomades and perfumes are all walkin around with dirty azzoles! All you gotta do is simply wash yourself with soap and water! it hasn't occurred to anybody in America at all! it's one of the funniest things I've ever heard of! dont you think it's marvelous that we're being called filthy unwashed beatniks but we're the only ones walkin around with clean azzoles?"–The whole azzole shot in fact had spread swiftly and everybody I knew and Dave knew from coast to coast had embarked on this great crusade which I must say is a good one–In fact in Big Sur I'd instituted a shelf in Monsanto's outhouse where the soap must be kept and everyone had to bring a can of water there on each trip–Monsanto hadnt heard about it yet, "Do you realize that until we tell poor Lorenzo Monsanto the famous writer that he is walking around with a dirty azzole he will be doing just that?"–"Let's go tell him right now!"–"Why of course if we wait another minute...and besides do you know what it does to people to walk around with a dirty azzole? it leaves a great yawning guilt that they cant understand all day, they go to work all cleaned up in the morning and you can smell all that freshly laundered clothes and Eau de Cologne in the commute train yet there's something gnawing at them, something's wrong, they know something's wrong they dont know just what!"–We rush to tell Monsanto at once in the book store around the corner. (Big Sur, Chap. 11)
Jack Kerouac (Big Sur)
I have time for only one drink,” Jordan said, glancing at the ormolu clock on the opposite wall. “I’ve promised Alexandra to stand at her side at a ball tonight and beam approvingly at a friend of hers.” Whenever Jordan mentioned his wife’s name, Ian noted with amusement, the other man’s entire expression softened. “Care to join us?” Ian shook his head and accepted his drink from the footman. “It sounds boring as hell.” “I don’t think it’ll be boring, precisely. My wife has taken it upon herself to defy the entire ton and sponsor the girl back into the ranks. Based on some of the things Alexandra said in her note, that will be no mean feat.” “Why is that?” Ian inquired with more courtesy than interest. Jordan sighed and leaned his head back, weary from the hours he’d been working for the last several weeks and unexcited at the prospect of dancing attendance on a damsel in distress-one he’d never set eyes on. “The girl fell into the clutches of some man two years ago and an ugly scandal ensued.” Thinking of Elizabeth and himself, Ian said casually, “That’s not an uncommon occurrence, evidently.” “From what Alex wrote me, it seems this case is rather extreme.” “In what way?” “For one thing, there’s every chance the young woman will get the cut direct tonight from half the ton-and that’s the half that will be willing to acknowledge her. Alex has retaliated by calling in the heavy guns-my grandmother, to be exact, and Tony and myself, to a lesser degree. The object is to try to brave it out, but I don’t envy the girl. Unless I miss my guess, she’s going to be flayed alive by the wagging tongues tonight. Whatever the bastard did,” Jordan finished, downing his drink and starting to straighten in his chair, “it was damaging as hell. The girl-who’s purported to be incredibly beautiful, by the way-has been a social outcast for nearly two years.” Ian stiffened, his glass arrested partway to his mouth, his sharpened gaze on Jordan, who was already starting to rise. “Who’s the girl?” he demanded tautly. “Elizabeth Cameron.” “Oh, Christ!” Ian exploded, surging out of his chair and snatching up his evening jacket. “Where are they?” “At the Willington’s. Why?” “Because,” Ian bit out, impatiently shrugging into his jacket and tugging the frilled cuffs of his shirt into place, “I’m the bastard who did it.” An indescribable expression flashed across the Duke of Hawthorne’s face as he, too, pulled on his evening jacket. “You are the man Alexandra described in her note as an ‘unspeakable cad, vile libertine,’ and ‘despoiler of innocents’?” “I’m all that and more,” Ian replied grimly, stalking toward the door with Jordan Townsende beside him. “You go to the Willingtons’ as quickly as you can,” he instructed. “I’ll be close behind you, but I’ve a stop to make first. And don’t, for God’s sake, tell Elizabeth I’m on my way.” Ian flung himself into his coach, snapped orders to his driver, and leaned back, counting minutes, telling himself it couldn’t possibly be going as badly for her as he feared it would. And never once did he stop to think that Jordan Townsende had no idea what motives could possibly prompt Elizabeth Cameron’s “despoiler” to be bent on meeting her at the Willington’s ball.
Judith McNaught (Almost Heaven (Sequels, #3))
I glance up and nearly squeal in shock as the same hunky mechanic stares down at me. How did he see me back here? This spot is super secluded, and no one ever sits here. “Can I help you?” I ask, pulling my earbuds out and taking in the broad width of his shoulders. Today, Mr. Book Boyfriend is wearing blue jeans and a black, fitted Tire Depot T-shirt. He’s much cleaner than he was yesterday in his dirty coveralls that made me reconsider the profession of my current book hero. “You’re back,” he states knowingly, his stunning blue eyes drinking in my yoga pants, T-shirt, and a baseball cap. “I, um…had an issue with one of my tires. The guys are fixing it.” “Which guys?” he asks, crossing his tan, sculpted arms over his chest. I have to crane my neck back completely to even reach his face he’s so tall. “I’m not really sure.” “Okay, well, which car?” he inquires, running a hand through his trim black hair. Damn, he’s really got that tall, dark, and handsome thing down to a T. He looks almost Mediterranean. Le swoon! I swallow slowly. “Um…I drive a Cadillac SRX.” “A Cadillac?” He barks out a small laugh. “Isn’t that kind of an old lady car?” My brows furrow. “It’s not an old lady car. It’s a luxury SUV. It’s wonderful. I have heating and cooling seats.” “Well, if you have that kind of money to spend on a vehicle, you should look at a Lexus or a BMW. Much more sexy feel to the body. You’d look pretty damn hot driving a Lexus LX.” “Maybe I’m not trying to look hot. Maybe I like looking like an old lady.” That was a really unhot thing to say, but Book Boyfriend booms with laughter and squats down next to me.
Amy Daws (Wait With Me (Wait With Me, #1))
Everyone will remember the chanting from the Hed fans’ standing area: “Queers! Sluts! Rapists!” A Lot of people will believe that that whole part of the stand was chanting, because it felt like it, and from a distance it’s hard to differentiate among people. So everyone in the standing area will be criticized, even though by no means all of them were chanting, because we’ll want scapegoats, and it’ll be easy for anyone wanting to moralize to say that “ culture isn’t just what we encourage but what we allow to happen.” But when everyone is shouting, it can be hard to hear the opposition, and once an avalanche of hate has started to roll, it can be hard to tell who is responsible for stopping it. So when a young woman in a red shirt bearing a picture of a bull on the front leaves her place in the standing area, no one notices at first. But the woman loves Hed Hockey as much as the people shouting, she’s supported the team all her life, this part of the rink belongs to her, too. Going to stand among the seated fans, the hot dog brigade she’s always mocked, is her silent protest. A man in a green shirt sitting a short distance away sees her and stands up. He goes to the cafeteria, buys two paper cups of coffee, then walks down and gives one of them to her. They stand there next to each other, one red, one green, and drink in silence. A cup of coffee is no big thing. But sometimes it actually is. Within a few minutes, more red shirts have walked out of the standing area. Soon the steps of the seated part of the rink are full. The chant of “Queers! Sluts! Rapists!” is still echoing loudly, but the people chanting are exposed now. So everyone can see that there aren’t as many of them as we think. There never are.
Fredrik Backman (Us Against You (Beartown, #2))
I want to try something with you,” she says quietly. She steps close, so close I can feel her breath against my shirt. It’s warm and moist. My heart starts to thud. “Can I touch you?” she asks. She lays a hand on my stomach. “Yes, please,” I croak. I clear my throat, and she laughs. Her other hand comes up to lie beside the first, and then one hand goes east while the other goes west, until her hands wrap around my back. She locks her hands behind me and lays her face against my shirt. She nuzzles her cheek into my left pectoral muscle. “Hug me back,” she says quietly. I wrap my arms around her, careful to squeeze her soft and slow, calmly and carefully. She exhales heavily, and I rest my chin on top of her head. In that second, I know my heart is hers. I tell myself she’s only taking a little piece, but that’s a fucking lie. She’ll have the whole thing by the time I go back to New York. She undoes me with her simple affection. And I don’t know how to behave, so I just hold her. I hold her and let her breathe while I drink in the feel of her. I want to tip her face up and press my lips to hers, but I’m not sure that would be any more fulfilling than this pregnant silence is. It’s full of possibility. For me, it’s full of longing, and something entirely different for her, probably. I open my eyes and look up. Her mother is standing there with her mouth hanging open. She slams it shut and smiles at me, giving me a thumbs-up. I grin. I can’t help it. I lay my hand on the back of Reagan’s head and stroke down the length of her hair. “You have no idea how long I’ve wanted to touch you,” I say quietly. “You have no idea how long I’ve wanted to be touched,” she says. I can feel the words against my chest, ripe with longing.
Tammy Falkner (Calmly, Carefully, Completely (The Reed Brothers, #3))
Zap. Sports channel. Normal is nine innings, four balls, three strikes, somebody wins, somebody loses, there’s no such thing as a tie. Zap. Normal is unreal people, mostly rich unreal people, having sex with rappers and basketball players and thinking of their unreal family as a real-world brand, like Pepsi or Drano or Ford. Zap. News channels. Normal is guns and the normal America that really wants to be great again. Then there’s another normal if your skin color is the wrong color and another if you’re educated and another if you think education is brainwashing and there’s an America that believes in vaccines for kids and another that says that’s a con trick and everything one normal believes is a lie to another normal and they’re all on TV depending where you look, so, yeah, it’s confusing. I’m really trying to understand which this is America now. Zap zap zap. A man with his head in a bag being shot by a man without a shirt on. A fat man in a red hat screaming at men and women also fat also in red hats about victory, We’re undereducated and overfed. We’re full of pride over who the f*ck knows. We drive to the emergency room and send Granny to get our guns and cigarettes. We don’t need no stinkin’ allies cause we’re stupid and you can suck our dicks. We are Beavis and Butt-Head on ’roids. We drink Roundup from the can. Our president looks like a Christmas ham and talks like Chucky. We’re America, bitch. Zap. Immigrants raping our women every day. We need Space Force because Space ISIS. Zap. Normal is Upside-Down Land. Our old friends are our enemies now and our old enemy is our pal. Zap, zap. Men and men, women and women in love. The purple mountains’ majesty. A man with an oil painting of himself with Jesus hanging in his living room. Dead schoolkids. Hurricanes. Beauty. Lies. Zap, zap, zap. “Normal doesn’t feel so normal to me,” I tell him. “It’s normal to feel that way,” he replies.
Salman Rushdie (Quichotte)
We came to the city because we wished to live haphazardly, to reach for only the least realistic of our desires, and to see if we could not learn what our failures had to teach, and not, when we came to live, discover that we had never died. We wanted to dig deep and suck out all the marrow of life, to be overworked and reduced to our last wit. And if our bosses proved mean, why then we’d evoke their whole and genuine meanness afterward over vodka cranberries and small batch bourbons. And if our drinking companions proved to be sublime then we would stagger home at dawn over the Old City cobblestones, into hot showers and clean shirts, and press onward until dusk fell again. For the rest of the world, it seemed to us, had somewhat hastily concluded that it was the chief end of man to thank God it was Friday and pray that Netflix would never forsake them. Still we lived frantically, like hummingbirds; though our HR departments told us that our commitments were valuable and our feedback was appreciated, our raises would be held back another year. Like gnats we pestered Management— who didn’t know how to use the Internet, whose only use for us was to set up Facebook accounts so they could spy on their children, or to sync their iPhones to their Outlooks, or to explain what tweets were and more importantly, why— which even we didn’t know. Retire! we wanted to shout. We ha Get out of the way with your big thumbs and your senior moments and your nostalgia for 1976! We hated them; we wanted them to love us. We wanted to be them; we wanted to never, ever become them. Complexity, complexity, complexity! We said let our affairs be endless and convoluted; let our bank accounts be overdrawn and our benefits be reduced. Take our Social Security contributions and let it go bankrupt. We’d been bankrupt since we’d left home: we’d secure our own society. Retirement was an afterlife we didn’t believe in and that we expected yesterday. Instead of three meals a day, we’d drink coffee for breakfast and scavenge from empty conference rooms for lunch. We had plans for dinner. We’d go out and buy gummy pad thai and throat-scorching chicken vindaloo and bento boxes in chintzy, dark restaurants that were always about to go out of business. Those who were a little flush would cover those who were a little short, and we would promise them coffees in repayment. We still owed someone for a movie ticket last summer; they hadn’t forgotten. Complexity, complexity. In holiday seasons we gave each other spider plants in badly decoupaged pots and scarves we’d just learned how to knit and cuff links purchased with employee discounts. We followed the instructions on food and wine Web sites, but our soufflés sank and our baked bries burned and our basil ice creams froze solid. We called our mothers to get recipes for old favorites, but they never came out the same. We missed our families; we were sad to be rid of them. Why shouldn’t we live with such hurry and waste of life? We were determined to be starved before we were hungry. We were determined to be starved before we were hungry. We were determined to decrypt our neighbors’ Wi-Fi passwords and to never turn on the air-conditioning. We vowed to fall in love: headboard-clutching, desperate-texting, hearts-in-esophagi love. On the subways and at the park and on our fire escapes and in the break rooms, we turned pages, resolved to get to the ends of whatever we were reading. A couple of minutes were the day’s most valuable commodity. If only we could make more time, more money, more patience; have better sex, better coffee, boots that didn’t leak, umbrellas that didn’t involute at the slightest gust of wind. We were determined to make stupid bets. We were determined to be promoted or else to set the building on fire on our way out. We were determined to be out of our minds.
Kristopher Jansma (Why We Came to the City)
Frederick looked great in the parade of old-fashioned suits I'd seen in since we'd met, of course. More than great. But I realized now that his consistently too-formal, out-of-date attire served as a constant reminder to me that Frederick was out of my league in every imaginable way--- and completely off-limits. Untouchable. And other. Now, though... "What do you think?" he asked. "Do I look like I fit in with modern society now?" With difficulty, I tore my eyes from the broad expanse of his chest now covered in a forest-green Henley that fit him like a glove and met his gaze. He was fidgeting a little as I looked back at him, drumming his fingertips against his upper thigh again, looking at me with a nervous intensity that stole the breath from my lungs. I let my eyes trail slowly down his body, drinking him in, taking in his new shirt and the dark blue jeans that fit him so well you wouldn't have guessed he'd had no idea what size he was twenty minutes ago. The other jeans he'd tried on lay folded in a pile on the chair beside him; his suit hung neatly on a hanger in the dressing room. I focused on these other details to distract myself from how Frederick not only looked just as hot in more casual clothes as he did in his stuffy suits, but also how he now looked attainable in a way that was dangerous to me, specifically. I had to avert my eyes. Looking right at him felt a little too much like looking directly at the sun. "You look great. You look unbelievable, actually." I heard his sharp intake of breath, only then realizing that that hadn't quite been what he'd asked me. All he'd asked was whether he looked like he fit in. My stomach swooped, my face suddenly feeling like it was on fire. Idiot. "That is... that is to say---" "You think I look great?" He was looking at me with an expression that felt somewhere between surprise and pleasure. He stepped from the dressing room, stopping when he was only a few inches away from me. I took an involuntary breath, breathing in the scent of lavender soap and new clothes that clung to him.
Jenna Levine (My Roommate Is a Vampire (My Vampires, #1))
Dontchev was born in Bulgaria and emigrated to America as a young kid when his father, a mathematician, took a job at the University of Michigan. He got an undergraduate and graduate degree in aerospace engineering, which led to what he thought was his dream opportunity: an internship at Boeing. But he quickly became disenchanted and decided to visit a friend who was working at SpaceX. “I will never forget walking the floor that day,” he says. “All the young engineers working their asses off and wearing T-shirts and sporting tattoos and being really badass about getting things done. I thought, ‘These are my people.’ It was nothing like the buttoned-up deadly vibe at Boeing.” That summer, he made a presentation to a VP at Boeing about how SpaceX was enabling the younger engineers to innovate. “If Boeing doesn’t change,” he said, “you’re going to lose out on the top talent.” The VP replied that Boeing was not looking for disrupters. “Maybe we want the people who aren’t the best, but who will stick around longer.” Dontchev quit. At a conference in Utah, he went to a party thrown by SpaceX and, after a couple of drinks, worked up the nerve to corner Gwynne Shotwell. He pulled a crumpled résumé out of his pocket and showed her a picture of the satellite hardware he had worked on. “I can make things happen,” he told her. Shotwell was amused. “Anyone who is brave enough to come up to me with a crumpled-up résumé might be a good candidate,” she said. She invited him to SpaceX for interviews. He was scheduled to see Musk, who was still interviewing every engineer hired, at 3 p.m. As usual, Musk got backed up, and Dontchev was told he would have to come back another day. Instead, Dontchev sat outside Musk’s cubicle for five hours. When he finally got in to see Musk at 8 p.m., Dontchev took the opportunity to unload about how his gung-ho approach wasn’t valued at Boeing. When hiring or promoting, Musk made a point of prioritizing attitude over résumé skills. And his definition of a good attitude was a desire to work maniacally hard. Musk hired Dontchev on the spot.
Walter Isaacson (Elon Musk)
Mostly Gaylord deals with insurance scamming. He takes a car off a lot and the insurance company pays.” “That’s still stealing.” “I guess, but it’s an insurance company, and everyone hates those people.” “I don’t hate them.” “Well, you’re weird,” Lula said. “Do you like the car?” “I love the car.” “There you go. And by the way, you might want to put a dab of concealer on your nose.” Kranski’s Bar was on the corner of Mayberry Street and Ash. This was a neighborhood very similar to the Burg, but the houses were a little larger, the cars were newer, the kitchen appliances were probably stainless. I parked in the small lot beside the tavern, and Lula and I sashayed into the dim interior. Bertie was working behind the bar that stretched across the back of the room. A bunch of high-top tables were scattered around the front of the room. Two women sat at one of the tables, eating nachos and drinking martinis. At one end of the bar four men were drinking beer and watching the overhead television. I spotted Kenny Morris at the other end. He was alone, nursing what looked like whiskey. Bertie caught my eye, tilted his head toward Kenny, and I nodded back. “I guess that’s the guy you’re looking for,” Lula said. “You want to tag-team him?” “No. I just want to talk to him. I’ll go it alone.” Lula hoisted herself onto a barstool by the four men, and I approached Kenny. “Anyone sitting here?” I asked him. “No,” he said. “No one ever sits there.” “Why not?” “The television is at the other end.” “But you’re here.” “Yeah, I’m not into the team television thing.” He looked a lot like his yearbook photograph. His hair was a little longer. He was slim. Medium height. Pleasant looking. Wearing jeans and a blue dress shirt with the top button open and the sleeves rolled. He was staring at my nose with an intensity usually displayed by dermatologists during a skin cancer exam. I couldn’t blame him. I’d smeared some makeup on it, but even in the dark bar it was emitting a red glow. “It’s a condition,” I said. “It comes and goes. It’s not contagious or anything. Do you come in here often?” “Couple times a week.
Janet Evanovich (Turbo Twenty-Three (Stephanie Plum, #23))
When we get closer, he pushes out both of the chairs across from him. He nods at them and says, “Take a seat.” I raise an eyebrow at him. “Am I going to have to woo you before I get my slice?” He smiles over the pizza that he’s about to bite into. “Yeah, I do believe you’re going to have to.” With zero self-respect, Amanda takes a seat and says, “That’s no problem with me.” Honestly. Does she not know how to avoid showing all her cards at once? When I take a seat, he holds out his hand. “I’m Aaron.” I take his hand and notice how rough it is. It’s a working hand, one that experiences strenuous hours on the jobsite, day in, day out. “Amelia, and this is my friend, Amanda.” Aaron nods at Amanda. “Nice to meet you.” “Pleasure is mine and just so you know, Amelia is single and definitely on the market. Want me to give you her number?” “Amanda, what the hell are you—?” “I would love it,” Aaron says, leaning back in his chair while sipping his drink. Slowly turning toward him, a little stunned, I ask, “You would?” He nods with all the confidence in the world. “I would.” “But you don’t know me. I could be a shovel-wielding rabbit killer.” He leans forward, his chest flexing under his shirt with the movement. “I’ll take my chances.” Now feeling a little skeptical, I fold my arms over my chest and ask, “Why do you want it?” He bites down on his straw and studies me for a second before saying, “Can’t let a girl walk out the door without getting her number who’s that passionate about Buffalo chicken pizza. It’s just not physically possible.” “Aw, he likes you for your crazy; he’s a keeper,” Amanda chimes in with her mouth full of pizza. “It’s 607—” “Amanda, just be quiet for a second.” Looking at Aaron, I say, “Three Buffalo chicken pizza slices in exchange for three veggie and my phone number.” “No way.” He shakes his head. “You can’t take all my Buffalo.” “But I thought you wanted my number.” “I do.” He leans forward some more, his fresh scent hitting me hard in the chest. “But we both know if I give you three slices, you will have zero respect for me because no man in his right mind would give up three Buffalo slices. No matter how hot the chick is.” Eeep, he thinks I’m hot. “But I will counter you with one and a half slices and a number.” I sit back now, watching how his smile starts to spread. God, he’s just so . . . yum. He looks like he’s quite a few years older than me. Not just because of his face, but there is something in his eyes that makes him seem older. He’s definitely not in his second year of college like me. Not wanting to fold so quickly, I counter. “Two slices, my number, and a guaranteed date this Friday.” He sits back, his eyes widen, and that smile gets even bigger. “Fucking deal.” He holds his hand out and we shake.
Meghan Quinn (The Other Brother (Binghamton, #4))
In the entire endless evening his serenity received a jolt only a few times. The first was when someone who didn’t know who he was confided that only two months ago Lady Elizabeth’s uncle had sent out invitations to all her former suitors offering her hand in marriage. Suppressing his shock and loathing for her uncle, Ian had pinned an amused smile on his face and confided, “I’m acquainted with the lady’s uncle, and I regret to say he’s a little mad. As you know, that sort of thing runs,” Ian had finished smoothly, “in our finest families.” The reference to England’s hopeless King George was unmistakable, and the man had laughed uproariously at the joke. “True,” he agreed. “Lamentably true.” Then he went off to spread the word that Elizabeth’s uncle was a confirmed loose screw. Ian’s method of dealing with Sir Francis Belhaven-who, his grandfather had discovered, was boasting that Elizabeth had spent several days with him-was less subtle and even more effective. “Belhaven,” Ian said after spending a half hour searching for the repulsive knight. The stout man had whirled around in surprise, leaving his acquaintances straining to hear Ian’s low conversation with him. “I find your presence repugnant,” Ian had said in a dangerously quiet voice. “I dislike your coat, I dislike your shirt, and I dislike the knot in your neckcloth. In fact, I dislike you. Have I offended you enough yet, or shall I continue?” Belhaven’s mouth dropped open, his pasty face turning a deathly gray. “Are-are you trying to force a-duel?” “Normally one doesn’t bother shooting a repulsive toad, but in this instance I’m prepared to make an exception, since this toad doesn’t know how to keep his mouth shut!” “A duel, with you?” he gasped. “Why, it would be no contest-none at all. Everyone knows what sort of marksman you are. It would be murder.” Ian leaned close, speaking between his clenched teeth. “It’s going to be murder, you miserable little opium-eater, unless you suddenly remember very vocally that you’ve been joking about Elizabeth Cameron’s visit.” At the mention of opium the glass slid from his fingers and crashed to the floor. “I have just realized I was joking.” “Good,” Ian said, restraining the urge to strangle him. “Now start remembering it all over this ballroom!” “Now that, Thornton,” said an amused voice from Ian’s shoulder as Belhaven scurried off to begin doing as bidden, “makes me hesitate to say that he is not lying.” Still angry with Belhaven, Ian turned in surprise to see John Marchman standing there. “She was with me as well,” Marchman sad. “All aboveboard, for God’s sake, so don’t look at me like I’m Belhaven. Her aunt Berta was there every moment.” “Her what?” Ian said, caught between fury and amusement. “Her Aunt Berta. Stout little woman who doesn’t say much.” “See that you follow her example,” Ian warned darkly. John Marchman, who had been privileged to fish at Ian’s marvelous stream in Scotland, gave his friend an offended look. “I daresay you’ve no business challenging my honor. I was considering marrying Elizabeth to keep her out of Belhaven’s clutches; you were only going to shoot him. It seems to me that my sacrifice was-“ “You were what?” Ian said, feeling as if he’d walked in on a play in the middle of the second act and couldn’t seem to hold onto the thread of the plot or the identity of the players. “Her uncle turned me down. Got a better offer.” “Your life will be more peaceful, believe me,” Ian said dryly, and he left to find a footman with a tray of drinks.
Judith McNaught (Almost Heaven (Sequels, #3))
Orion threw a grin back at me as headed to the bar, ducking behind it. “What would madam like?” he asked in a formal tone which was a damn good impression of the Acruxes' butler. I giggled hurrying over to take a stool in front of the bar and placing my clutch down, relishing the cool breeze against my burning neck. “Hmm...a Manhattan?” I teased and he cocked his head. “I'm afraid we're fresh out of bullshit, how about a white wine spritzer with a tiny umbrella in it?” I laughed, nodding eagerly as he made up my drink then poured himself a measure of bourbon. He held it out for me and I leaned across the bar to take it. As I took hold of the glass, he didn't let go and I gazed up at him under my lashes questioning why. “Have I told you have exceptionally beautiful you look tonight, Darcy?” Darcy. He'd said my name. For the first time ever. And why did it sound like so much more than a name when he spoke it? It was like he'd fired an arrow and it had punctured a flesh wound in me at the exact same moment. Hell. I needed to get over this guy. Why was I so caught up on him? Unavailable, that's what it was. We always want what we can't have and Professor Orion was off limits. Simple as that. And those muscles. And the beard. And the dark eyes. And the dimple. But that was it. “That's the first I've heard of it, Professor,” I whispered, unable to make my voice rise any louder. “Don't do that,” he grunted, releasing the drink. I eyed him curiously as he walked around the bar with his bourbon in hand. He took the stool beside mine, his arm butting up against me. “Do what?” I asked, swivelling around to face the pool and taking a sip of my spritzer. It fizzed on my tongue and sent a deep kick of heat through my chest. “You know what.” “You're very presumptuous, Orion. You think I'm far more aware of your chaotic way of thinking than I really am.” I sipped my drink again, spying on him from the corner of my eye. He took a swig of his own drink and the familiar waft of bourbon drifted over me, tingling my senses. It was becoming a trigger, like the moment I walked into his office and he uncorked a bottle, it made me want to taste it on his mouth. And then that led to me wondering whether his fangs would brush my tongue when we kissed, and that always led to me mentally undressing him, then me conjuring an image of what those muscles looked like beneath that shirt... “I have something for you,” he said and I turned, blinking out of my dark fantasy. “You do?” He nodded, reaching into his inside pocket and taking out my coil of blue hair. My heart combusted and a choked noise escaped me. I reached for it and he slid it onto my wrist. He kept my hand in his, his eyes downcast as they remained on the band of hair. “I want you to know, I believe you would have gotten this back yourself when you were ready. But I took a lot of pleasure in retrieving it for you all the same.” I stared at him in complete shock, unsure what to say, my tongue tied in knots. “But Fae don't fight battles for other Fae,” I blurted, completely astonished that his actions that day had been to take this back from Seth. For me. And nothing else. He finished his drink and planted the glass on the bar, rising to his feet. He didn't reply to what I'd said and I barely even remembered what it was as he started pulling his clothes off. “Err, what are you doing?” I half laughed as he shed his jacket and kicked off his shoes, pulling off his socks. Oh my god. “I hate parties, but I like swimming.” He started undoing the buttons of his shirt and thought his back was to me, I was still captivated as he dropped it to the floor like a silken sheet. My eyes scraped down his skin to where his muscles etched an upside down v into his lower back, disappearing beneath his waistband. His shoulders were tanned and heavenly broad, making me long to explore all of those muscles with my hands.(Darcy)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
He steered us across the ballroom and through a door that led into a low-lit room which I could only describe as a smoking room. Do people really still have those? Apparently they did because a bunch of cigar stubs sat in a golden ashtray on the nearest table and the thick scent of tobacco hung in the air. Blood red armchairs sat around the space and to the right of them stood Darius beside a large oak writing desk. A row of shots were laid out across it in front of a bottle of vodka and my heart pumped harder as Max released me, his gifts fizzling out of my system. Darius picked up a shot and knocked it back, releasing a satisfied ah after he swallowed it. He grabbed two more, holding them out for Tory and I but neither of us moved. “I think I'll get my drinks from a less shady room thanks,” I said, shaking my head. “Yeah, I'm gonna decline the date rape.” Tory smiled hollowly and Darius scoffed. “As if I'd need to drug you to get you in my bed,” Darius smirked. “Keep dreaming, Dragon boy.” She planted a hand on her hip and I grinned. We turned to leave and found Seth and Caleb stepping into the room. My heart juddered as they prowled forward, blocking our way out. “Evening,” Caleb said, skirting around us, his eyes lingering on Tory. Seth scratched behind his ear and I bit my lip to stop myself from laughing. “Gimme one of those.” He moved around us, scratching more vigorously as he grabbed a shot from the desk. He swallowed one then another before pawing at the back of his shirt and scratching his head again. “What's up with you, man?” Max frowned as Seth started raking under his arm. “Nothing,” he spat, then let out a whine as he scratched himself too hard. I almost lost it when Tory hiccoughed a laugh. “Almost seems like you've got fleas,” Darius said with a teasing smirk and Seth growled deeply. “I do not have fleas,” he snarled and I couldn't help the laugh that finally tore free from my throat. He turned, eyes sharpening to slits, but he said nothing. (Darcy)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
I buttoned my own shirt reluctantly though there wasn't much I could do about my throbbing hard on aside from plan a trip back to my room as soon as I could possibly get out of this training session so that I could jerk off repeatedly with all of the new spank bank material she'd just gifted me. Tory remained on the desk in front of me and I was hoping that was because her legs weren't working right yet. The thirst prickled at me again as I eyed her throat and she sighed loudly as she noticed. “You’re still going to bite me, aren’t you?” she asked, her fingers curling around the edge of the desk. “You could look at it as rewarding me for my efforts,” I teased, because there was no fucking way she was getting out of here without me drinking from her and we both knew it. “Well that makes me feel a little better about leaving you with blue balls,” she taunted and I almost groaned in frustration as my dick throbbed in agreement. “Next time, I’ll be sure to carve out a few hours to dedicate to you,” I told her. “And then neither of us will be left wanting.” “Next time?” she asked, raising an eyebrow like that wasn't at all likely to happen. But I could hear her heartbeat pounding and I knew she was wondering how hard I could make her come with several hours at our disposal and my cock a whole lot more involved in the act. I found myself smiling again but then my mood dipped as I realised there wasn't likely to be a next time if the other Heirs succeeded with their plans for the dance. I didn't even really want to go along with the damn plan and in a moment of madness, I suddenly wondered if I could just save her from it. They would still strike at Darcy and maybe that would be enough to force the twins to leave the academy. But if I was being honest, I didn't even really want them to leave anyway. I moved closer to her again, tucking a lock of dark hair behind her ear. “Are you going to the dance on Friday?” I murmured and her pulse scattered, making my smile deepen in satisfaction. “Err, yeah,” she said, that suspicious look returning to her eyes. “Why don’t you blow it off?” I suggested, wondering if I could just convince her to stay away from it all together. She was my Source after all so the others couldn't even really get mad at me for protecting her - that was kinda in the job description anyway. She blinked at me in surprise and I realised she'd probably thought I was going to ask her to go to the dance with me as her date. But I couldn't do that, if I wanted to save her from the other Heirs and their plans then I needed to keep her away from the whole thing. “What possible reason would I have to do that?” she asked, shifting just enough to make my hand fall from her face. I felt the rejection before she could even voice it, but I wasn't going to give up that easily. I ran my dislodged hand down her arm instead, raising goosebumps along her skin and hopefully reminding her of just how good I'd made her feel with these fingers. “Because then I could sneak out and come to your room. We could have the whole House and an entire evening to ourselves." “That’s pretty presumptuous of you, Earth boy.” “Earth boy?” I asked in amusement, refusing to back down no matter how hard she was trying to resist me. I held a hand out to her, bringing earth magic to my fingertips and causing a dark blue flower to blossom in my palm. Girls fucking loved that trick. “Perhaps I’ve gotten what I wanted from you now,” she said, shifting forward to get up without reaching for the flower. Okay, so maybe this girl didn't love that trick after all. I let the flower dissolve into nothing again and stepped forward to stop her from getting to her feet, smiling darkly. “I’m confident you’ll come back for more,” I promised her and I could tell she was at least a little tempted by the prospect.(Caleb POV)
Caroline Peckham (The Awakening as Told by the Boys (Zodiac Academy, #1.5))
Raucous laughter drew my attention and I looked into the far corner, spotting Roxy Vega clambering up onto the table while two of her powerless little friends watched excitedly. She still had her uniform on and I wondered how long they’d been here, hiding themselves with that spell. It was a pretty clever way to avoid the Hell Week chaos going on back at the House even if they were being stupid by staying out after curfew. But then I could hardly talk on that front “Far be it for you to not go through with the... for me to not to go through to do the daring...” Roxy was slurring and she stumbled, almost falling from the table even though she was only wearing flat pumps. The guy leapt up and caught her waist to steady her and my gut lurched irritably as his hand skimmed her ass. I bit my tongue, turning away from them as I crossed the room in search of my drinks. I didn’t think I’d seen her that wasted before and a Tuesday evening in The Orb seemed like an odd venue to choose for a bender. But that was her business. “I only came up with that dare because I didn’t think you’d actually lose!” the girl protested. “I am not usually one for losing, Sofia,” Roxy agreed. “But I will never back out of a dare and you ordered a strip show.” I paused a few meters from the ice chiller, fighting against the urge to look back over to them again. Roxy Vega might have been the most irritatingly rude and stubborn girl I’d ever met but she was fucking hot. And with the stupid games we played together while I was tutoring her in her fire magic I had to admit that I’d imagined her stripping for me more than once. The guy muttered something in Spanish and the tone of it made me think she’d started to pull her clothes off. I fought the urge to turn with clenched teeth then continued my mission for beer, deciding to skip the food in favour of sleep. I snagged a six pack from the chiller and turned back, meaning to head for the exit. Of course my goddamn dick wasn’t going to let me leave without looking over at Roxy again, it didn’t care that I had to get rid of her or that she irritated me more than any woman ever born. Her blazer already lay in a heap on the floor and she was fumbling with the buttons on her shirt, her inebriation obviously slowing her down. But the way she was swaying her hips and tossing her long, black hair still made her look sexy as hell. Her pleated skirt fell to her mid thigh, giving me a look at several inches of bare flesh between it and the top of her knee length socks, but the elevated angle of looking up at her on the table made it seem like her bronzed legs went on forever. “Why don’t you do another dare?” the boy protested. “Go for a run in The Wailing Wood?” “Don’t be crazy,” Sofia objected. “There could be a Nymph out there!” (Darius POV)
Caroline Peckham (The Reckoning (Zodiac Academy, #3))
So this dream seemed oddly familiar and yet completely alien to me at the same time. Once again I was tucked in a bed, being held and protected against anything and everything the world might have to throw at me. But instead of the soft embrace of parents I’d never known, my head lay on the chest of a man whose strong arms were wrapped around me like he never wanted to let me go. His heartbeat thumped beneath my ear. My arm and leg were coiled over him while he held me against him, his hand resting on the curve of my thigh. He was warm unlike anyone I’d ever known, his skin almost seeming to hold a fire within it which filled my soul with strength and peace. My eyes were closed so I couldn’t see him but I just felt oddly at home. Like this was where I was meant to be. My hand lay on the hard muscles of his abs and I slowly started tracing the lines the muscles created with my fingertips, not wanting to shatter the peace of the dream by opening my eyes. He inhaled deeply, his chest rising beneath me while the arm holding me pulled me a little closer still. I continued my sleepy exploration of his stomach, my fingers tracing the lines lower and lower until they suddenly skimmed against the edge of a rough waistband. I frowned to myself at the sensation of denim against my fingertips. Who would sleep in a pair of jeans? What kind of weird dream man had I conjured up? I ran my fingers along the top of the jeans, the rough material tickling at the edges of my memory but my head was too foggy to place it. “If you keep doing that I’m going to stop being a gentleman about this situation.” My hand fell still and I froze at the sound of that voice. There was no way even dream Tory would be deluded enough to feel safe in his arms. My heart pounded a panicked rhythm against my ribcage and I peeled my eyes open, blinking a few times against the darkness I found waiting for me. Pain thundered through my skull and my tongue was thick in my mouth. I cringed against the headache, trying to focus on something around me as I slowly realised that this wasn’t a dream at all. I spotted the fire burning low in the grate across the room first. There was a black fire guard standing before it and a plush cream chair beside it. I knew this room. I’d burned it down once. And somehow I’d ended up right in the centre of Darius Acrux’s goddamn golden bed. I was too horrified at myself to move, my brain hunting for answers in a foggy sea of alcohol infused memories. I’d been drinking in The Orb with Sofia and Diego while she shielded our presence with a spell to deflect attention so that no one would spot us and play any Hell Week pranks on us. Or notice the fact that we’d stayed out after curfew. I remembered playing a strange Fae version of truth or dare with them while we worked our way through too many shots and Diego came up with ideas to retrieve his hat from Orion. Then...nothing. Certainly nothing that could explain to me how I’d ended up in Darius Acrux’s arms. My gaze slid across the wide armchair where I spotted my academy skirt hanging over one arm. I swallowed a thick lump in my throat, turning my attention to what I was wearing...or wasn’t wearing. I plucked at the huge t-shirt which clearly wasn’t mine, pulling the neck wide so that I could look down inside it. A moment of relief found me as I spotted my bra still in place but he hadn’t released his hold on me so I couldn’t be sure my panties were still there too. (Darius POV)
Caroline Peckham (The Reckoning (Zodiac Academy, #3))
You don’t remember putting on a strip show for your friends in The Orb?” he asked, looking into my eyes. I frowned a little. I could remember playing some Fae drinking game and forgetting the rules so that I lost a hell of a lot and consumed more than my share of the drinks. I had to admit that I wouldn’t have shied away from a dare like that but it didn’t really explain our current situation. “No,” I said eventually. “Well you ripped all the buttons off of your shirt right before you passed out. I brought you back here to keep an eye on you - much to the disgust of your little Pegasus friend I might add.” “Sofia?” Yeah, I could imagine she wouldn’t have wanted Darius Acrux taking me off to his room after all the shit he’d put me through. He obviously hadn’t listened to her complaints though. “She’s pretty loyal to you,” he said. “But as she couldn’t exactly challenge me, she had to accept that I was just going to look after you. You took care of stripping off the rest of your clothes after that. Right before you straddled me and stole my shirt.” I opened my mouth to protest against the idea of that but it actually sounded vaguely familiar. Darius was just watching me like I was somehow fascinating to him and I couldn’t help but stare back into his deep brown eyes. His thumb shifted, painting a line of fire across my thigh and my heart thumped a little harder in response. “And then we just... slept?” I confirmed. “I wouldn’t have touched you while you were wasted like that,” he said, his gaze travelling over my face and landing on my mouth. But I’m not wasted now... I reached out slowly and pressed my palm down on his chest so that I could feel his heart pounding to the same fierce tune as my own. I dropped my gaze to the back of my hand so that I didn’t have to see the way he was looking at me anymore. His skin was flaming hot beneath my palm, the depth of his fire magic burning within him like an inferno. I wanted to look up again and catch his gaze with mine but if I did then I was fairly sure that I knew what would happen. And this dark temptation before me was so much more monster than man. I’d never had an opportunity to really study the tattoos which marked his flesh before and I let myself look at the patterns which wove their way over his shoulders and chest in the dim light. A wing swept across his ribs from some design on his back, the feathers burning like they were made of fire themselves. The red Libra symbol on his forearm began a network of constellations and star signs which formed a sleeve over his bicep, though it stood out starkly as the only image with any colour in it. Flames climbed over his left shoulder from the tattoo covering his back which I knew spurted from the mouth of a dragon. I was sure I could have lost myself in the art on his back if I could see it and I itched to ask him about them but it seemed too personal somehow and I held my tongue. I shifted my gaze back to my hand above his pounding heart where his skin was bare of any marks. I cast about for something else to ask him as the silence spread and a kind of expectant energy seemed to build between us. I could still feel him watching me, waiting for me to look up and give him the answer to the question which was hanging between us. (Darius POV)
Caroline Peckham (The Reckoning (Zodiac Academy, #3))
Get off of me," I growled but he didn't, leaving Max and Caleb to go get rid of the assholes closing in on my girl. ... I shook my head and glanced away, catching a glimpse of Roxy and Caleb through the crowd but it was so brief that I couldn't get a read on how it was going. On the one hand I wanted him to convince her to join us again, but on the other I didn’t want her coming over here for his benefit. "What do you think he's saying to convince them to come over here?" Seth asked. "He's probably just saying 'come on, I'll buy you a drink then you can be my drink.'" "Roxy isn't into him biting her," I grunted. "Yet," Seth said, rolling his eyes at me. "Think about it, he's grabbing her all the time, his mouth on her neck, pinning her up against things. It's only a matter of time before he's slipping more than his teeth into her-" A growl escaped me and I shoved to my feet, done with waiting around for Caleb and Max to bring the girls to us. There was a good chance that there could be a Nymph hanging around here which meant I was supposed to be sticking close to the twins and that was exactly what I intended to do. In fact, I'd probably have to shove Caleb out of my way so that I could get closer and make sure he didn't accidentally put them in danger of having their magic stolen by a dark creature determined to destroy us all. He might even fall against a table and break his pretty nose. Doing so was basically me saving the whole of Solaria from the wrath of the creature in question though, so it was my duty to do it. But as I looked across the top of the crowd to where they'd all been standing just a few moments ago, I only found Max and Caleb there, no sign of the twins at all. I mouthed 'where are they?' to Max and he rolled his eyes before pointing to the dance floor. Roxy and her sister were in the centre of the floor, arms in the air and bodies moving to the beat of the music as countless Fae closed in on them from all sides, some of them seeming to have realised who they were while a few guys just seemed interested in them for reasons of their own. Or reasons of their dicks. No. No fucking way. I shoved away from the table and strode across the room, sensing Seth on my heels as he joined me in my Vega hunt. I made it to the dance floor and people backed away, giving us space as we strode through the crowd towards them. I fell still as we found them there, my intentions to drag them back over to our table whether they liked it or not falling away as my gaze found the movements of Roxy's body and fixed on them instead. Her eyes were closed, head tipped back and body moving to the seductive beat in a way that had me drawing closer automatically. I should have just been grabbing her and towing her away, but instead of doing that, my fingers brushed over her waist instead, the rough skin of my hands meeting the softness of her flesh beneath the hem of her shirt. She turned her head to look around at me, her eyes fluttering open and surprise filled her gaze for a moment, but I just held her eye and tugged her closer. Her blood red lips parted and I fully expected her to tell me to fuck off, but instead the barest hint of a smile tugged at the corner of her mouth and she inclined her head just a little as if to say okay. (Darius POV)
Caroline Peckham (The Awakening as Told by the Boys (Zodiac Academy, #1.5))
The world now consumes about 80 billion new pieces of clothing every year. Ninety-five percent of discarded clothing can be recycled or upcycled. The amount of water used in apparel production each year is enough to fill 32 million Olympic-size swimming pools. Meanwhile, 1.1 billion people lack access to safe drinking water. A $25 T-shirt would be only $1.35 more expensive if the wages of the worker who made it were doubled. By extending the life of your clothing by an additional nine months, you can reduce your carbon, water, and waste footprints by 20 to 30 percent each. Clothing made from conventional polyester can take up to two hundred years to decompose in a landfill. Making a pair of jeans uses the same amount of water as flushing your toilet for three years. The average American woman wears just 20 percent of her wardrobe. The average annual clothing consumption per person in the US is sixty-five garments, according to the American Apparel & Footwear Association.
Courtney Carver (Project 333: The Minimalist Fashion Challenge That Proves Less Really Is So Much More)
Later, I sat down drunk on the corner of Carondelet and Canal Streets, listening for the rumble of the streetcar that would take me back uptown to my apartment, watching the evening sun bleed from the streets, the city shifting into night, when it truly became New Orleans: the music, the constant festival, the smell of late evening dinners pouring out, layering the beer-soaked streets, prostitutes, clubs with DJs, rowdy gay bars, dirty strip clubs, the insane out for a walk, college students vomiting in trash cans, daiquiri bars lit up like supermarkets, washing-machine-sized mixers built into the wall spinning every color of daiquiri, lone trumpet players, grown women crying, clawing at men in suits, portrait painters, spangers (spare change beggars), gutter punks with dogs, kids tap-dancing with spinning bike wheels on their heads, the golden cowboy frozen on a milk crate, his golden gun pointed at a child in the crowd, fortune-tellers, psycho preachers, mumblers, fighters, rock-faced college boys out for a date rape, club chicks wearing silver miniskirts, horse-drawn carriages, plastic cups piling against the high curbs of Bourbon Street, jazz music pressing up against rock-and-roll cover bands, murderers, scam artists, hippies selling anything, magic shows and people on unicycles, flying cockroaches the size of pocket rockets, rats without fear, men in drag, business execs wandering drunk in packs, deciding not to tell their wives, sluts sucking dick on open balconies, cops on horseback looking down blouses, cars wading across the river of drunks on Bourbon Street, the people screaming at them, pouring drinks on the hood, putting their asses to the window, whole bars of people laughing, shot girls with test tubes of neon-colored booze, bouncers dragging skinny white boys out by their necks, college girls rubbing each other’s backs after vomiting tequila, T-shirts, drinks sold in a green two-foot tube with a small souvenir grenade in the bottom, people stumbling, tripping, falling, laughing on the sidewalk in the filth, laughing too hard to stand back up, thin rivers of piss leaking out from corners, brides with dirty dresses, men in G-strings, mangy dogs, balloon animals, camcorders, twenty-four-hour 3-4-1, free admission, amateur night, black-eyed strippers, drunk bicyclers, clouds of termites like brown mist surrounding streetlamps, ventriloquists, bikers, people sitting on mailboxes, coffee with chicory, soul singers, the shoeless, the drunks, the blissful, the ignorant, the beaten, the assholes, the cheaters, the douche bags, the comedians, the holy, the broken, the affluent, the beggars, the forgotten, and the soft spring air pregnant with every scent created by such a town.
Jacob Tomsky (Heads in Beds: A Reckless Memoir)
My moods are down to me. When I am upset, it is because of something I have done and I can trace its origins back as far as I need to and then deal with it however I deem appropriate. When I need fresh air, I go out. When I need to get drunk, I drink. When I need a hug, I man up! Or else I wear a T-shirt that is slightly too small for me – the effect is the same.
Jon Richardson (It's Not Me, It's You)
Mr. Bojangles" I knew a man Bojangles and he'd dance for you In worn out shoes Silver hair and ragged shirt and baggy pants He did the old soft shoe He jumped so high He jumped so high Then he'd lightly touch down I met him in a cell in New Orleans I was down and out He looked to me to be the eyes of age As he spoke right out He talked of life He talked of life He laughed slapped his leg a step He said the name Bojangles and he danced A lick across the cell He grabbed his pants a better stance Then he jumped so high He clicked his heels He let go a laugh oh he let go a laugh Shook back his clothes all around Mister Bojangles Mister Bojangles Mister Bojangles Dance He danced for those at minstrel shows and county fairs Throughout the South He spoke with tears of fifteen years how his dog And him traveled about His dog up and died He up and died After twenty years he still grieves He said I dance now at every chance in honky-tonks For drinks and tips But most o' the time I spend behind these county bars Hell I drinks a bit He shook his head and as he shook his head I heard someone ask him please Mister Bojangles Mister Bojangles Mister Bojangles Dance Jerry Jeff Walker, Mr. Bojangles (1968)
Jerry Jeff Walker (Mr. Bojangles Sheet Music)
There was no anonymity in Manila. It was a big city, but it was a small city in many ways, too small for me back in the day. If I were in Manila, I wouldn’t be caught dead in the company of a beer-drinking stranger like you, especially like you in your bad boy jacket and your bad word shirt and your scruffy beard on a Saturday afternoon.
A.A. Patawaran
Eli King stands by the bar, nonchalantly leaning back, one hand nestling a drink and the other tucked in his pressed black trousers. He always wears something black. Like a gothic duke in a faraway castle. A step above Dracula and Satan’s favorite tutor. It fits with the sharp jawline, high cheekbones, and vile character. His crisp white shirt highlights his broad shoulders and lean, muscled frame. The cuffs are slightly rolled, revealing a Patek Philippe watch that’s so expensive, it could buy everyone in this club.
Rina Kent (God of War (Legacy of Gods, #6))
Any clever reply I’m about to attempt is lost the moment Lark’s lips press to mine. My brain is a black void behind my shuttered eyelids. Lark’s citrus scent floods my nostrils. She runs the tip of her tongue across the seam of my lips and I taste the echo of the orange soda she was drinking. The softest moan vibrates from her mouth to mine. And I come undone. My tongue plunders her mouth. Lark’s fist tightens in my shirt. The glass clutched in my hand is in danger of being crushed to dust or thrown over the balcony. I’m desperate to mold her flesh in my palms, but I settle for laying one hand to the side of her neck instead. The second my palm touches her skin, she whimpers with need.
Brynne Weaver (Leather & Lark (Ruinous Love, #2))
I can’t wait. I thought I could, but I can’t. Sorry.” I reach across her and unsnap her seat belt, then pull her out so we’re standing face to face in this flat, ugly parking lot next to a dark library, a Chick-fil-A right next door. I can hear the drivethrough cashier on the speaker asking if they want to add fries and a drink. “Finch?” I brush a loose strand of hair off her cheek. Then I hold her face in my hands and kiss her. I kiss her harder than I mean to, so I ease off a little, but then she’s kissing me back. Her arms are around my neck, and I’m up against her, and she’s against the car, and then I pick her up, and her legs are around me, and I somehow get the back door open, and then I’m laying her down on the blanket that’s there, and I close the doors and yank off my sweater, and she pulls off her shirt, and I say, “You are driving me crazy. You have been driving me crazy for weeks.
Jennifer Niven (All the Bright Places)
She’d fallen asleep. Somehow, she’d fallen asleep, so fucking exhausted from the last gods knew how many hours that she hadn’t even realized it, and— The star on her chest was still glowing beneath her T-shirt. She remained in the tunnel. But it was no longer empty. Nesta stood over her, a sword strapped down her back. The female’s blue-gray eyes seemed to gleam with power in the starlight. Bryce didn’t dare move. Nesta tossed her a leather-wrapped canteen. “Do yourself a favor and drink before you pass out again.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Cotton is also the planet’s thirstiest crop, using about 2,700 litres of water to grow enough to make a single T-shirt.36 Which is a huge figure, although hard for the average shopper to put into any kind of context – until we’re told that it’s enough for one person to drink for 900 days.
Lauren Bravo (How To Break Up With Fast Fashion: A guilt-free guide to changing the way you shop – for good)
1.​Textile production produces an estimated 1.2 billion tonnes of CO2e per year, which is more than international flights and maritime shipping combined.47 2.​The average person buys 60 per cent more items of clothing than they did just fifteen years ago, and keeps them for about half as long.48 3.​By 2030, global clothing consumption is projected to rise by 63 per cent, from 62 million tonnes to 102 million tonnes. That’s equivalent to more than 500 billion extra T-shirts.49 4.​By 2050, the equivalent of almost three earths could be required to provide the natural resources it would take to sustain our current lifestyles.50 5.​A polyester shirt has more than double the carbon footprint of a cotton shirt.51 And yet the cotton needed to make a single T-shirt can take 2,700 litres of water to grow – that’s enough drinking water to last a person three years.52 6.​At its current rate, the fashion industry is projected to use 35 per cent more land to grow fibres by 2030. That’s an extra 115 million hectares of land that could otherwise be used to grow food, or left to protect biodiversity.53 7.​Approximately 80 per cent of workers in the global garment industry are women aged 18–35.54 But only 12.5 per cent of clothing companies have a female CEO.55 8.​Among seventy-one leading retailers in the UK, 77 per cent believe there is a likelihood of modern slavery (forced labour) occurring at some stage in their supply chains.56 9.​More than 90 per cent of workers in the global garment industry have no possibility of negotiating their wages and conditions.57 10.​Increasing the price of a garment in the shop by 1 per cent could be enough to pay the workers who made it a living wage.58
Lauren Bravo (How To Break Up With Fast Fashion: A guilt-free guide to changing the way you shop – for good)
Then his lips are on mine again, and he pulls his shirt out from under my hands so that I am touching his bare skin. I come to life, pressing closer, my hands creeping up his back, sliding over his shoulders. His breaths come faster and so do mine, and I taste the lemon-syrup-fizz we just drank and I smell the wind on his skin and all I want is more, more. I push his shirt up. A moment ago I was cold, but I don’t think either of us is cold now. His arm wraps around my waist, strong and certain, and his free hand tangles in my hair and I slow down, drinking it in—the smoothness of his skin, marked up and down with black ink, and the insistence of the kiss, and the cool air wrapped around us both. I relax, and I no longer feel like some kind of Divergent soldier, defying serums and government leaders alike. I feel softer, lighter, and like it is okay to laugh a little as his fingertips brush over my hips and the small of my back, or to sigh into his ear when he pulls me against him, burying his face in the side of my neck so that he can kiss me there. I feel like myself, strong and weak at once—allowed, at least for a little while, to be both. I don’t know how long it is before we get cold again, and huddle under the blanket together. “It’s getting more difficult to be wise,” he says, laughing into my ear. I smile at him. “I think that’s how it’s supposed to be.
Veronica Roth (Allegiant (Divergent, #3))
Then something odd happened. The door opened and noise poured into the Waystone like a gentle wave. People bustled in, talking and dropping bundles of belongings. They chose tables and threw their coats over the backs of chairs. One man, wearing a shirt of heavy metal rings, unbuckled a sword and leaned it against a wall. Two or three wore knives on their belts. Four or five called for drinks. Kote and Bast watched for a moment, then moved smoothly into action. Kote smiled and began pouring drinks. Bast darted outside to see if there were horses that needed stabling. In ten minutes the inn was a different place.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
Ankled, banjaxed, bladdered bleezin’ Why? Do I really need a reason? I’m cabbaged clobbered, Chevy Chased But not a broken vein upon my face Despite being thoroughly Dot Cottoned Sobriety almost forgotten I’m etched – egregiously and completely That creme de menthe went down so sweetly So now, I’m fleemered and I’m flecked So many snifters have been necked That guttered, sweaty, ganted, howling I’m wearing shirts made out of towelling Inebriated, kaed up, jaxied I’ve been ill in every single taxi In every city kiboshed, kaned Bernhard Langered, legless, debrained Dhuisg, it is in Gaelic, mottled (I must recycle all my bottles) I’m Newcastled, out of my tree There’s really not much wrong with me On the skite, overly refreshed I swear I’d still pass my driving “tesht” For drink improves pronounciation Adds sparkle to enunciation Predicting earthquakes, kissing pavements Quite quoited, rubbered, I’ve made arrangements To remain forever snobbled Sleeping on tarmac or on cobbles Thora Hirded, trousered, trashed I’ve spent great lakes of liquid cash Unca’ fou, marocced, it’s easy Discombobulated, queasy My wobbly boots are on, I’m wellied But only very slightly smelly Xenophoned, Yorkshired as a skunk Zombied But not even slightly drunk.
Tom Morton (Holy Waters: Searching for the sacred in a glass)
For previous generations, progress in life so far would have meant going through the motions prescribed by caste and class: together, the imperatives of education (inevitably vocational), marriage (nearly always arranged, with love regarded as a folly of callow youth), parenthood and professional career (with the government) imposed order, without too many troubling questions about their purpose and meaning. Regional and caste background dictated culinary and sartorial habits: kurta-pyjamas and saris or shalwar-kameezes at home, drab Western-style clothes outside; an unchanging menu of dal, vegetables, rotis and rice leavened in some households with non-alcoholic drinks (Aseem’s first publication in the IIT literary magazine was Neruda-style odes to Rooh Afza and Kissan’s orange squash, Complan, Ovaltine and Elaichi Horlicks). We belonged to a relatively daring generation whose members took on the responsibility of crafting their own lives: working in private jobs, marrying for love, eating pasta, pizza and chow mein as well as parathas, and drinking cola and beer, at home, taking beach vacations rather than going on pilgrimages, and wearing jeans and T-shirts rather than the safari suits that had come to denote style to the preceding generation of middle-class Indians. Our choices were expanded far beyond what my parents or Aseem’s could even imagine.
Pankaj Mishra (Run and Hide: A Novel)
I’m addicted to her when she’s like this. When she forgets about this game we’re playing, when her eyes drink me in, and her hands grip the front of my shirt like she’s scared I’m going to slip away.
Hannah Grace (Icebreaker)
By what standards do I determine what is necessary? 2. Do I collect unneeded things? Do I hoard possessions? 3. May I, on Gospel principles, buy clothes at the dictates of fashion designers in Paris and New York? Am I slave to fashion? Do I live in other peoples’ minds? Why really do I have all the clothes I have: shirts, blouses, suits, dresses, shoes, gloves? 4. Am I an inveterate nibbler? Do I eat because I am bored? Do the weight charts convict me of superfluity in eating and drinking? Do I take second helpings simply for the pleasure they afford? 5. Do I keep unneeded books and papers and periodicals and notes? 6. Do I retain two or three identical items (clocks, watches, scarves) of which I really need only one? 7. Do I spend money on trinkets and unnecessary conveniences? 8. In the winter, do we keep our thermostat at a setting higher than health experts advise: 68 degrees? 9. When I think of my needs, do I also think of the far more drastic needs of the teeming millions in the third world? 10. Do I need the traveling I do more than the poor need food and clothing and medical care? 11. Am I right in contributing to the billions of dollars spent each year on cosmetics? How much of this can be called necessary? 12. Is smoking necessary for me? 13. Is drinking necessary for me? 14. Do I need to examine exactly what I mean by saying to myself, “I need this”? 15. Can I honestly say that all I use or possess is used or possessed for the glory of God (1 Cor 10:31)? Would he be given more glory by some other use? 16. Do I in the pauline sense “mind the things above, not those on earth” (Col 3:1-2)?
Thomas Dubay (Happy are You Poor: The Simple Life and Spiritual Freedom)
People drink alcohol as a whole, but alcohol makes a hole in the heart (for bleeding) and also a hole in the shirt (packet)(for squeezing money).
Dr Sivakumar Gowder
Tossing me a clean shirt from his bag, Trent turned toward the bathroom. “We will meet at Blake’s in the morning.” “Take some damn Midol!” I retorted before putting the shirt on. Maybe I should slip some in his drink.
N.L. Hoffmann (Shadow Cursed (The Daughters of Darkness #2))
Contrary to popular impression, the Puritan was no ascetic. If he continually warned against the vanity of the creatures as misused by fallen man, he never praised hair shirts or dry crusts. He liked good food, good drink and homely comforts; and while he laughed at mosquitoes, he found it a real hardship to drink water when the beer ran out.1
Michael Reeves (The Unquenchable Flame: Discovering the Heart of the Reformation)
With Rae’s hand in mine, I pull her through the crowd behind me, pushing and shoving anyone in the way. Someone elbows me in the ribs, another kicks the back of my knee, causing me to stumble forward. With fire in my eyes, I regain my balance and prepare to set everyone ablaze. Rae tells me to forget about it and pushes me forward. A circle has formed around the fighters, two skinny blonde kids. One bounces up and down in nothing but a t-shirt, while the other drinks from a forty ounce can of Coors Light. The crowd waits impatiently for the first swing. They taunt, they squeal. What an audience. Violence will solve this; someone was insulted and the person responsible will pay the consequences with however much abuse his body can take. What their knuckles and knees say will be louder than anything from their mouths or minds.
Anthony Muni Jr. (Honestly, I'm Fine)
But now that I’m sitting up, nausea hits me. I flop back onto the bed. “Go get Friday a can of ginger ale,” Paul says to Hayley. “Her tummy hurts.” Hayley runs out of the room and comes back with a cold can as Paul said. She opens it up, takes a sip, and hands it to me. She grins and wipes her hand across the back of her mouth. “What did I tell you about drinking out of people’s drinks?” “It’s just Friday,” she says. She blinks those blue eyes at me. I’m just Friday. I’m just Paul’s girlfriend, which makes me something serious in her life. It’s kind of scary, knowing I’m something to her. But in a good way, for the first time ever. “Is your tummy feeling better?” she asks. “Not yet.” She sits cross-legged in front of me. “Maybe you just need to go poop,” she says, looking at me very seriously. Paul falls back on the bed, clutching his gut as he laughs. He laughs until he has tears rolling out of his eyes. He wipes them and goes to get me some crackers, laughing all the way down the hall. Sam stops and pops his head into the room. I’m glad I’m wearing one of Paul’s really long T-shirts. Sam grins at me. “Maybe you should just give it a try,” he says, “just in case you need to poop.” I throw a pillow at his head. He ducks, and it flies over him. He mocks an affronted look. “You didn’t throw a pillow at Hayley.” I grab her toe and tug it. “Because I like her.” She grins at me and looks smugly at Sam. He scrunches up his face like he’s upset. “I like you, too,” Hayley says quietly when Sam steps out of the doorway. I could get used to this family thing. Paul comes back with a pack of crackers, opens them, and hands me one. I nibble the edge of it. He leans down and kisses my cheek. “Just so you know,” he says softly, “I’ve never had a woman sleep in my bed when Hayley’s here before.” My heart squeezes in my chest, and my belly flutters. I know this much about him. “So no matter what, don’t break her heart, okay?” he asks softly. His blue eyes stare into mine. “You cuddled with her daddy and with her, so that makes you special. Keep that in mind, no matter what.” There’s something almost ominous about his tone, but I have no idea what his reticence is about. I wish I did.
Tammy Falkner (Proving Paul's Promise (The Reed Brothers, #5))
How might you put this into practice? Here are a few things I’ve done repeatedly for 3 to 14 days at a time to simulate losing all my money: Sleeping in a sleeping bag, whether on my living room floor or outside Wearing cheap white shirts and a single pair of jeans for the entire 3 to 14 days Using CouchSurfing.com or a similar service to live in hosts’ homes for free, even if in your own city Eating only A) instant oatmeal and/or B) rice and beans Drinking only water and cheap instant coffee or tea Cooking everything using a Kelly Kettle. This is a camping device that can generate heat from nearly anything
Timothy Ferriss (Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers)
Oh gods, please tel me you’ve spil ed a drink on your shirt and you’re temporarily walking with her to hide the stain. Because Deacon, I’d rather floss my teeth with a daimon’s back hair than parade a growth like that around
Jennifer L. Armentrout (Half-Blood (Covenant, #1))
He even allowed his eye to wander through the crowd, admiring the ass of a sinfully well-built guy leaning on the bar while he ordered a drink. Corey’s eyes scanned him, from his boots up to his perfectly fitting jeans to his muscular arms in a tight black tee shirt to— Oh, fuck me. That’s Angelo! Angelo
Darien Cox (Guys on the Side (Guys, #2))
out and started again? Well, she hated cold tea, so she tipped it onto the grass, holding her breath. No complaint, so she began again. ‘Milk?’ Hannah studied him from under her hair. ‘Yes, please, just a small amount. Lapsang is a very delicate tea and too much milk kills the flavour.’ ‘I’ll need lots of milk then.’ Balancing the cup, saucer and spoon carefully, she offered it. ‘Thank you, Miss Hollis.’ ‘Hannah.’ She poured her own tea, wondering if it would taste like the ashtray it smelled like. With cup only in hand, she leaned against the back of the wooden chair then threw a leg over the side arm. ‘So, Miss Hollis, what brings you to Cornwall?’ ‘Call me Hannah. Miss Hollis makes me sound like some old school marm.’ ‘Is that a problem? Most old school marms, as you call them, of my acquaintance are delightful people.’ ‘Sure, but boring I bet.’ ‘Not at all.’ ‘Right. Not to you, maybe.’ Hannah braved a sip and winced. ‘Back to the question: what has brought you to Cornwall?’ ‘Bloody bad luck,’ she said, frowning at her tea. ‘No need to swear,’ he said. ‘I didn’t swear.’ ‘You did,’ he said. ‘What? Are you talking about bloody?’ she asked. ‘Yes. It is a curse.’ ‘No,’ she said. ‘Yes.’ ‘Well, maybe in the dark ages it was, but it isn’t now.’ She began to wonder if she’d walked through a time machine when she’d come through the gate earlier. It was a nice one, though. The orchard was beautifully laid out and the table and chairs were a lovely weathered blue. ‘Who advised you of this?’ he asked. Hannah sat up and put her empty cup on the table, not quite sure when she had drunk it. ‘Look, it’s a word that’s used every day.’ ‘Yes, but does that change its meaning?’ he asked. ‘No, but no one takes it like that any more.’ ‘Who is no one?’ he asked. ‘I mean no one who hasn’t lived in the dark ages.’ She looked at his wrinkled skin and tried to guess his age. ‘You mean anyone over the age of, say, sixty?’ he suggested. ‘Yeah, sort of.’ ‘Well, as I fit that category, could you refrain from using it?’ ‘Yeah, I guess. If it bothers you that much.’ ‘Thank you. Would you be kind enough to pour more tea?’ Old Tom leaned back into his chair. The sun wasn’t coming through the east window when Maddie opened her eyes for the second time that day; instead, she found Mark standing at the end of the bed with a tray. She blinked. When she last peered at the bedside clock, it had been eight a.m. and she’d thought that if she slept for another hour, she would begin to feel human. What a wasted day. What had Hannah been up to? Had she come into the room and seen her like this? Well, it was a lesson in what not to do in life. The end of last night, no, this morning, was more than fuzzy; in fact, she didn’t remember coming up to her room. The last clear memory was saying goodbye to Tamsin and Anthony. She and Mark had gone back into the kitchen and had another glass of wine or two. ‘Good evening,’ he said. ‘It’s not that late?’ ‘Almost time for a drink.’ He smiled. She winced. ‘Oh, don’t.’ ‘Would a bit of tea and toast help?’ ‘It might.’ Maddie eased herself onto her elbows and then slipped back down again. She was only wearing knickers. Mark’s eyes widened. ‘Could you hand me that shirt on the end of the bed?’ she asked. ‘Certainly.’ She wrestled with it under the duvet. ‘Sorry. I couldn’t find your pyjamas last night.’ ‘What?’ Maddie
Liz Fenwick (The Cornish House)
After a long while the girl’s sobbing subsided, and her breathing became slow, measured. In her sleep she scooted her rump toward him, seeking warmth. He rolled onto his side and curled an arm around her. Slipping his hand under the shirt she wore, he pressed his palm against her feverish midriff and traced the ladder of her ribs with his fingertips. She was as soft as a pelt of ermine. He could feel the rhythmic thump of her heart, the warmth of her just beneath her skin. He closed his eyes. Her voice rang in his mind, as clear as a morning bird’s. I hate you, don’t you understand? I hate you. When the sun rose, she would have even more reason to hate him. If she didn’t drink soon, she would die. He couldn’t allow her to go another day without water. Hunter took a deep breath and let it out slowly. Where was his anger? His hatred? He wasn’t sure when it had happened or how, but the small woman beside him was no longer his captive; he had become hers.
Catherine Anderson (Comanche Moon (Comanche, #1))
Somewhat revived by the water she had been forced to consume, Loretta sat astride the mare, suffering the confines of Hunter’s arm around her waist and the familiarity of his hand on her midriff. His broad chest served as a prop for her back; soon she leaned against him, letting her body undulate with his in rhythm with the horse’s gait. After about forty minutes of silence, he bent his head close to hers. “Mah-tao-yo. My arm is strong, no?” He hugged her close to demonstrate. “A strong arm to lean upon, a shield against all that might harm you? You will trust this Comanche. Drink and eat. It is a good place where we go.” Loretta made a fist in the leather of her shirt and squeezed until her knuckles hurt. She didn’t want to die. It would be so easy, so horribly easy, to believe him. “You will be warm with me in my lodge? I have many buffalo robes. And plenty food. Meat, yes? And my strong arm will protect you, forever into the horizon. There is nothing to fear.” He pressed his hand more firmly against her midriff. “My tongue does not make lies. It is the truth I speak, not penende taquoip, the honey talk, but a promise. I have spoken the words, and they are carried away on the wind to whisper to me always. You will trust? When I go away from you on raids and hunting trips, my brother’s strong arm will be yours. No harm will come to you.
Catherine Anderson (Comanche Moon (Comanche, #1))
The kiss was everything she hadn’t dared let herself think about. Slow. Hot. Hungry. His lips molded to hers, drinking up her small, breathless exhale before his tongue skimmed across hers. Bree reached out and gripped his shirt, tugging him until he was flush against her. The man knew how to kiss, and she felt her mind emptying of everything but how incredible his mouth felt working deeper into hers. Every nip, every silky stroke of his tongue, every breath dragged between their mouths made her hold on tighter. The second he stopped, the real world would slide back into place, and more than anything, she wanted this. Wanted Finn with an unexpected yearning that burrowed deeper with each second he continued to kiss her. He cupped the nape of her neck, tipping her head back as he deepened the kiss. She whimpered, catching his bottom lip between hers. His thumb trailed along her jawline, and she shuddered in its wake, wanting his mouth there. Wanting
Sydney Somers (Don't Let Go (Spellbound #2))
Silently, she wondered whether this was the same desperation, the same impotence that grips many men by their shirts, their T-shirts, their work vests, gripping them equally hard, shaking them and leading them to drink,to beating or the noose. Was this it?
Panashe Chigumadzi (Sweet Medicine)
I’m not sure what it was about that first trip to Guatemala that made him want to go back, but he did. That man, that typical drunk gringo in Guatemala, had emerged from the bar, sobering in the light, brushing off his shirt, waving away his comrades, and had taken a new walk—not the one he took with me, that was just more of the same, minus the drinking—but the one after ours, a walk he would never return from, not really, not because he didn’t want to and not because he wasn’t allowed to, but because he couldn’t. A typical man is capable of that.
Deb Olin Unferth (Revolution: The Year I Fell in Love and Went to Join the War)
You’ll see no mercy from this place, kid,” Wendel Trope said, holding on to his bottle in his lap, “you’ve wandered into a tiny sliver of Hell. Fall asleep with your eyes closed and it’ll swallow you hole. Happens to everyone eventually though, it’s not something you can avoid by doing anything with your life differently. I haven’t found it yet, but supposedly there’s something… good about everything,” he laughed at that, drinking, letting the liquid spill out over his lips and onto his shirt, “I dunno, maybe it’s just under the dirt somewhere. Really deep down where they bury all the bodies.
Dave Matthes (The Sounds From the Hills Go Away When the Sun Goes Down)
Well, look at what we have here...” I slurred, taking in the incredible sight before me. All that exposed skin. From her flat stomach to her prominent hip bones to her long, thin legs. I had to get my mouth on her. I pulled off my shirt before crawling onto the foot of the mattress, gripping my twelve fingers around three of her ankles, landing my lips on one of her four shins. I pushed her six knees apart with all intentions of kissing her on her pretty lace panties, but I couldn’t coordinate. Why’d I have to go and drink so much? What feeds me destroys me. I kissed her stomach instead, pinning her hips to the mattress, sliding my body on top of hers. I grabbed her wrists in my clutches and imprisoned her arms above her head. I was only working with a semi, and I couldn’t understand why with this beautiful girl underneath me, I wasn’t raging hard. I figured I could buy some time until my cock caught up to my eyes. Whiskey dick is a thing, people.
T. Torrest (Trip)
Mavis packs: many separate top and bottom options, including but not limited to multiple shorts and shirts, dresses short and long, skirts, running/exercise tanks and shorts, a special moisture-wicking-type bra, athletic socks, several sandals, a pair of gym shoes, at least one romper, an extra carburetor, a full silver service, a twin-size bed, several different types of Tylenol, and a cooler full of dry snacks and drinks and coffee. It never even occurred to me that I might do anything other than survive off of whatever I could find in a vending machine or from room service. She is a real-life adult. It’s impressive.
Samantha Irby (We Are Never Meeting in Real Life.)
She pushes me aside as she gets up from the chair, and walks out of the kitchen. Mum and I are still scrutinising the CCTV image when Matt walks in. ‘Let me see,’ he says, swiping it from under our heads. Mum opens her mouth, but closes it again. Obviously she can bite her tongue when it’s someone else. Matt looks like shit. He slept in the same jeans and T-shirt he’s worn for days, bar the press conference. He only went to bed in the early hours of the morning after drinking the best part of two bottles of wine. ‘Can’t
Elisabeth Carpenter (99 Red Balloons)
I got you some stuff,” he said gruffly and set the food and drinks down at his feet before walking over to stand directly in front of me. I watched as he opened the first bag and began pulling out deodorant, a toothbrush and toothpaste, a hairbrush and ponytail holders, girly shampoo, conditioner, a razor, and soap—since whatever I’d been using was definitely meant for men. The next bag opened and he pulled out large packs of men’s undershirts and boxer-briefs. I raised an eyebrow at first when he sat them down next to me, but I didn’t say anything. “There’s no way in hell I was going to be able to pick out a bra for you, and women have too many different kinds of underwear. This was easiest, but they might be too big on you.” I couldn’t even complain. My throat was closing up, my eyes were burning, and it was taking everything in me not to reach out and run my hands over it all. I hadn’t brushed my teeth since the night before I was taken, and I hadn’t put deodorant on or brushed my hair since the same time. Even though I was able to take showers every day, I had to put my old underwear, sleep shirt, and little shorts on once I was done; and it felt like I was never getting clean. If I could have clean clothes, even men’s clothes, I didn’t care. The last bag opened, and a shaky smile crossed my face for the first time since I’d had the unfortunate pleasure of meeting Taylor, as he pulled out different colored nail polishes. “I don’t know if you like these colors, but I watched you pick off what you had on your nails. So . . . here.” A package of pens followed, and the smile fell as confusion set in; but then he brought out a journal, and my stomach dropped. “I had to watch you for a long time, I don’t know what you wrote about, but I know you used to write every day. Anyway, that’s it,” he said and took a step away from the mattress. I picked up the journal and ran my hand over the front of it as tears fell down my cheeks. I knew sometime later I would be creeped out and put Taylor in the same zone Blake had been in, since Blake had people following me, and somehow had gotten cameras into our apartment. But right now, all I could think about was that I was going to be able to write to my parents again. It’d been over four and a half years since my parents died, and for four years I’d been writing in journals to them every day. Not being able to talk to them had been about as hard as not being with Kash. My
Molly McAdams (Deceiving Lies (Forgiving Lies, #2))
O’Malley’s used to be an old-school cop bar. Kat’s grandfather had hung out here. So had her father and their fellow NYPD colleagues. Now it had been turned into a yuppie, preppy, master-of-the-universe, poser asshat bar, loaded up with guys who sported crisp white shirts under black suits, two-day stubble, manscaped to the max to look un-manscaped. They smirked a lot, these soft men, their hair moussed to the point of overcoif, and ordered Ketel One instead of Grey Goose because they watched some TV ad telling them that was what real men drink. Stacy’s
Harlan Coben (Missing You)
I pulled my hair up in a messy ponytail upon leaving the bedroom and didn’t change from my blue and white shorts and red tank top I wore to bed the night before (Go, USA!). The shirt is tight and the shorts are short, but I'm completely comfortable. Graham is presently glaring at me like he doesn’t like me too much, so I'm thinking he is not comfortable with my outfit—or he still isn't over last night. I don't think he's ever been so angry with me before—well, except for maybe that time I accidentally put salt in his girlfriend's coffee instead of sugar. I pour myself a cup of coffee, showing him my back. And I wait. He doesn't make me wait long. His voice is brittle as he snaps, “Do you have to dress like that?” “I always dress like this. You never seemed to care before.” I give my behind an extra wiggle just to irritate him. I know I've succeeded when something thumps loudly against the tabletop. “I think you should dress like that more often,” Blake immediately replies. “Did anyone ask you?” is Graham's hotheaded comeback. “In fact, I think you’re wearing too many clothes. You should remove some.” A low growl leaves Graham. When I finally face the Malone boys, it is to find them staring one another down from across the small table. Graham’s wearing a white t-shirt and black shorts; his brother is in jeans and a brown shirt. Their coloring is so different, as are their features, but they are both striking in appearance, and their expressions currently mimic one another’s. “Graham, you're being an ass,” I calmly inform him. He grabs a piece of toast off his plate and whips it at me. I duck and it lands in the sink. To say I’m surprised would be an understatement. Toast throwing now? This is what our friendship has resorted to? “I will not live with someone who throws toast at me in anger,” I announce, setting my untouched cup of coffee on the counter. Blake snorts, covering his mouth with the back of his hand as he turns his attention to the world beyond the sliding glass patio doors. Graham blinks at me, like he doesn’t understand what I just said or maybe he doesn’t understand what he just did. Either way, I grab my mug and stride out of the room and down the hall to my bedroom. I’ll drink my coffee in peace, away from the toast throwing. Only peace is not to be mine. The door immediately opens after I close it, and there is Graham, staring at me, his head cocked, his expression unnamable. “This coffee is hot,” I warn, holding the white mug out. “You wanna be a toast thrower then I can be a coffee thrower. Just saying.” “Put the coffee down.” “No.” He takes a step toward me. “Come on. Please.” “You threw toast at me,” I point out, in case he forgot. “I don’t know why I did that,” he mumbles, looking down. When he lifts his eyes to me, they are pleading. “Please?” With a sigh, I comply. I am putty in his hands—or I could be. I keep the mug within reach on the dresser, should I need it as backup. As soon as I let the cup go, I’m pulled against his hard chest, his strong arms wrapping around me, his chin on the crown of my head. His scent cocoons me; a mixture of soap and Graham, and I inwardly sigh. He should throw toast more often if this is the end result. “I’m sorry—for last night, for the toast.
Lindy Zart (Roomies)
Which coffee drink Which shirt to bring I’ll tell you how to think I’ll tell you what to dream
Phil Volatile (White Wedding Lies, and Discontent: An American Love Story)
The café was the last in the street, if not in all Paris, to lack both a juke-box and neon lighting – and to remain open in August – though there were bagatelle tables that bumped and flashed from dawn till night. For the rest, there was the usual mid-morning hubbub, of grand politics, and horses, and whatever else Parisians talked; there was the usual trio of prostitutes murmuring among themselves, and a sullen young waiter in a soiled shirt who led them to a table in a corner that was reserved with a grimy Campari sign. A moment of ludicrous banality followed. The stranger ordered two coffees, but the waiter protested that at midday one does not reserve the best table in the house merely in order to drink coffee; the patron had to pay the rent, monsieur! Since
John le Carré (Smiley's People (George Smiley Series Book 7))
Welcome to our luxury fun female t-shirt collection. We are selling Wine, Funny drinking t shirts, Wine lovers t shirts, Rhinestone and Funny t shirts.
sharetahoe.
At least,' I said, 'she has the virtue of sincerity.' 'Some virtue! They've all got it. They show off quite shamelessly for everybody—except themselves, of course—to see. In our trade, we say a succulent abscess or a magnificent case of eczema; similarly, they proudly exhibit their sick organs under all manner of garbs. A man who makes a plate or a shirt or a loaf of bread or anything our great great ancestors called a work of art, has no need to try to be sincere; all he can do is practice his craft to the best of his ability. But once he starts making useless things, how can he not be sincere? I'm using the word in the somewhat weird sense that you yourself seem to understand it.)
René Daumal (A Night of Serious Drinking)
Do Mormons drink hot cider?” I asked Mimi, dabbing my underarms with a T-shirt plucked from my laundry basket. I was sweating despite being cold. “They don’t drink hot drinks, right, but does hot cider count? I could put the stuff from the farmer’s market in the crockpot. Would that be lame?
Alina Klein (Rape Girl)
Outside, milling under the ubiquitous gaze of security cameras, are bright splashes of colorful souls wearing crystals, beads, and Native American Indian paraphernalia; middle-aged academics with "Erowid" drug website t-shirts; and passengers that give you that odd conspiratorial smile that says, "yes, we are here for the conference." And here we are chowing down on McDonalds and donut King, getting our last hits of civilization before hitting the jungle city of Iquitos and shamanic boot camp. It feels like some whacked-out reality TV show, a generational snapshot of a new psychedelic wave just before it breaks. Bright-eyed Westerners about to die and be reborn in the humid jungles of Peru, drinking the hallucinogenic brew ayahuasca...
Rak Razam (Aya: a shamanic odyssey)
Despite an icy northeast wind huffing across the bay I sneak out after dark, after my mother falls asleep clutching her leather Bible, and I hike up the rutted road to the frosted meadow to stand in mist, my shoes in muck, and toss my echo against the moss-covered fieldstone corners of the burned-out church where Sunday nights in summer for years Father Thomas, that mad handsome priest, would gather us girls in the basement to dye the rose cotton linen cut-outs that the deacon’s daughter, a thin beauty with short white hair and long trim nails, would stitch by hand each folded edge then steam-iron flat so full of starch, stiffening fabric petals, which we silly Sunday school girls curled with quick sharp pulls of a scissor blade, forming clusters of curved petals the younger children assembled with Krazy glue and fuzzy green wire, sometimes adding tissue paper leaves, all of us gladly laboring like factory workers rather than have to color with crayon stubs the robe of Christ again, Christ with his empty hands inviting us to dine, Christ with a shepherd's staff signaling to another flock of puffy lambs, or naked Christ with a drooping head crowned with blackened thorns, and Lord how we laughed later when we went door to door in groups, visiting the old parishioners, the sick and bittersweet, all the near dead, and we dropped our bikes on the perfect lawns of dull neighbors, agnostics we suspected, hawking our handmade linen roses for a donation, bragging how each petal was hand-cut from a pattern drawn by Father Thomas himself, that mad handsome priest, who personally told the Monsignor to go fornicate himself, saying he was a disgruntled altar boy calling home from a phone booth outside a pub in North Dublin, while I sat half-dressed, sniffing incense, giddy and drunk with sacrament wine stains on my panties, whispering my oath of unholy love while wiggling uncomfortably on the mad priest's lap, but God he was beautiful with a fine chiseled chin and perfect teeth and a smile that would melt the Madonna, and God he was kind with a slow gentle touch, never harsh or too quick, and Christ how that crafty devil could draw, imitate a rose petal in perfect outline, his sharp pencil slanted just so, the tip barely touching so that he could sketch and drink, and cough without jerking, without ruining the work, or tearing the tissue paper, thin as a membrane, which like a clean skin arrived fresh each Saturday delivered by the dry cleaners, tucked into the crisp black vestment, wrapped around shirt cardboard, pinned to protect the high collar.
Bob Thurber (Nothing But Trouble)
Needless to say, the newcomer is not a pretty girl. In fact, he’s a bland-looking Asian guy, wearing chinos and a black compression shirt. This is not a good look on anyone, but this guy is too flabby to even make it look arrogant. He takes a stool two down from Anders, looks around, and then raps on the bar with his knuckles. Neckbeard seems to have disappeared. Charity is busy brushing Anders’ hair back from his forehead with one hand. Mr. Chinos raps again, louder. Charity rolls her eyes, steps back from Anders, and turns to our new friend. “What can I getcha, hon?” “Gin and tonic,” he says. “Not too much ice.” She turns away to make his drink. Anders is eyeballing Mr. Chinos. How many beers has he downed by now? Four? Five? His sandwich is only half eaten. A drunken Anders is a punchy Anders, and a punchy Anders is an Anders that I have to take to the emergency room because he broke his own fibula. “Hey,” I say. “You about ready to head home?
Edward Ashton (Three Days in April)
A fourth man entered, this guy a little shorter than the others, but wider, and hard to see when your eyes are blurring. He was in his fifties, with crinkly gray hair and a florid face and a dark blue shirt open at the neck to show a lot of grizzled chest hair. He was also holding a McDonald’s soft drink cup. Large. I guess that’s where Dmitri got it from.
Robert Crais (Indigo Slam (Elvis Cole, #7))
You took a good whack to the thigh,” he pointed out while she filled a couple of frosted mugs with water. She twisted around so she could see the bruises. “Yeah. It’s a little tender to the touch but nothing major.” “You should let me check the rest of you over.” She gave him a cold glass of water and an arched eyebrow. “For bruises, I mean, though you do look sexy as hell with a dirty face, wearing nothing but a T-shirt.” Putting a hand on her hip, which drew the hem of her T-shirt up a tantalizing half-inch, she scowled at him. “When I made you my fake fiancé, I had no idea you had this weird dirty-face fetish.” “I didn’t have it before I became your fake fiancé.” He took a long drink of water. “And it’s not a fetish. I told you, it turns me on that you work hard and you play hard. The dirt’s just a visual representation of that, I guess.” “That’s very deep of you.” “Plus, it means you’ll be showering soon and I like you all soaped up and slippery, too.” A slow flush burned up her neck. “Dirty. Clean. Doesn’t matter to you, does it?” He was going to tell her no, it didn’t matter—that he’d take her any way he could get her—but he kept his mouth shut. It was true, of course, but nothing good would come of her knowing that. She didn’t need to know that sometimes when they were curled up on the couch watching television or arguing about white versus wheat bread at the store, he would sometimes forget they were pretending to be a couple. And she really didn’t need to know it sometimes bummed him out when he remembered.
Shannon Stacey (Yours to Keep (Kowalski Family, #3))
I’d been at the plant for three weeks when Curly invited me to his trailer for a drink. He lived just outside Hood River in a double-wide he shared with his mother, a woman he often spoke about. “I told Mother what you said about Dorothy’s mouth looking like a gunshot wound and, Lord, she just about bust a gut, she was laughing so hard. She is one funny lady, my mother. Nothing tickles her funny bone better than a knock-knock joke. You know any good sidesplitters?” Desperate as I was for company, I understood that I was clearly dealing with a loser. Management seemed the perfect career for a person like Curly. I could easily picture him in a short-sleeved shirt, the pocket lined with pens. Someone would ask him to check the time cards and he’d probably say something goofy like “Okey-dokey, artichokey.” I’d tried to straighten him out, but there’s only so much you can do for a person who thinks Auschwitz is a brand of beer. He
David Sedaris (Naked)
On our return from the bush, we went straight back to work at the zoo. A huge tree behind the Irwin family home had been hit by lightning some years previously, and a tangle of dead limbs was in danger of crashing down on the house. Steve thought it would be best to take the dead tree down. I tried to lend a hand. Steve’s mother could not watch as he scrambled up the tree. He had no harness, just his hat and a chainsaw. The tree was sixty feet tall. Steve looked like a little dot way up in the air, swinging through the tree limbs with an orangutan’s ease, working the chainsaw. Then it was my turn. After he pruned off all the limbs, the last task was to fell the massive trunk. Steve climbed down, secured a rope two-thirds of the way up the tree, and tied the other end to the bull bar of his Ute. My job was to drive the Ute. “You’re going to have to pull it down in just the right direction,” he said, chopping the air with his palm. He studied the angle of the tree and where it might fall. Steve cut the base of the tree. As the chainsaw snarled, Steve yelled, “Now!” I put the truck in reverse, slipped the clutch, and went backward at a forty-five-degree angle as hard as I could. With a groan and a tremendous crash, the tree hit the ground. We celebrated, whooping and hollering. Steve cut the downed timber into lengths and I stacked it. The whole project took us all day. By late in the afternoon, my back ached from stacking tree limbs and logs. As the long shadows crossed the yard, Steve said four words very uncharacteristic of him: “Let’s take a break.” I wondered what was up. We sat under a big fig tree in the yard with a cool drink. We were both covered in little flecks of wood, leaves, and bark. Steve’s hair was unkempt, a couple of his shirt buttons were missing, and his shorts were torn. I thought he was the best-looking man I had ever seen in my life. “I am not even going to walk for the next three days,” I said, laughing. Steve turned to me. He was quiet for a moment. “So, do you want to get married?” Casual, matter-of-fact. I nearly dropped the glass I was holding. I had twigs in my hair an dirt caked on the side of my face. I’d taken off my hat, and I could feel my hair sticking to the sides of my head. My first thought was what a mess I must look. My second, third, and fourth thoughts were lists of every excuse in the world why I couldn’t marry Steve Irwin. I could not possibly leave my job, my house, my wildlife work, my family, my friends, my pets--everything I had worked so hard for back in Oregon. He never looked concerned. He simply held my gaze. As all these things flashed through my mind, a little voice from somewhere above me spoke. “Yes, I’d love to.” With those four words my life changed forever.
Terri Irwin (Steve & Me)
The whole project took us all day. By late in the afternoon, my back ached from stacking tree limbs and logs. As the long shadows crossed the yard, Steve said four words very uncharacteristic of him: “Let’s take a break.” I wondered what was up. We sat under a big fig tree in the yard with a cool drink. We were both covered in little flecks of wood, leaves, and bark. Steve’s hair was unkempt, a couple of his shirt buttons were missing, and his shorts were torn. I thought he was the best-looking man I had ever seen in my life. “I am not even going to walk for the next three days,” I said, laughing. Steve turned to me. He was quiet for a moment. “So, do you want to get married?” Casual, matter-of-fact. I nearly dropped the glass I was holding. I had twigs in my hair an dirt caked on the side of my face. I’d taken off my hat, and I could feel my hair sticking to the sides of my head. My first thought was what a mess I must look. My second, third, and fourth thoughts were lists of every excuse in the world why I couldn’t marry Steve Irwin. I could not possibly leave my job, my house, my wildlife work, my family, my friends, my pets--everything I had worked so hard for back in Oregon. He never looked concerned. He simply held my gaze. As all these things flashed through my mind, a little voice from somewhere above me spoke. “Yes, I’d love to.” With those four words my life changed forever.
Terri Irwin (Steve & Me)
I was going to wait for a special occasion, but I don’t want to wait. I want to put a ring on her as soon as possible. I want her to be mine. All mine. Her eyes go wide when I show her the box. “I can’t quite go down onto one knee,” I say in apology. Her eyes fill with tears, and I stuff the box back down in the cushions. “We can do this another time,” I say. “Are you kidding?” she asks. She takes my shirt in her fists and jerks me toward her. “Ask me. Ask me. Please ask me.” She’s in my face, and I’ve never been more in love with her than I am right now. But she sits back, looks at me sheepishly, and says, “If you want to ask me, that is. You don’t have to ask me if you don’t want to.” I wrap my arm around her head and give her a noogie. “I don’t just want to. I have to.” She looks up at me, her thoughts in as much turmoil as her hair. “I can’t live without you, dummy,” I try to explain. She grins at the term of endearment. There was a time that a word like that would have shredded her; now it’s just a word. A funny one, too, because she’s the opposite of dumb. “I love you,” she says. She kisses me, her tongue sweeping into my mouth, the gentle touch of it against mine making me go rock hard immediately. “Get the box back out,” she says. I can feel her grin against my lips when she goes back to kissing me. “What box?” I ask. “The ring. Ask me. I promise I’ll say yes.” “You’re so easy,” I tease. She wasn’t always easy. It was damn hard loving her in the beginning, but I couldn’t avoid it. She’s like a piece of me that was missing all my life. I can’t imagine a day without her. I reach into the cushions and pick up the box. My heart is thumping in my chest like a roofer’s hammer, even though she just told me she was going to accept. I open the box, and it creaks on its hinges. “Will you marry me?” I ask. She takes the box and sits back, an open-mouth grin on her face. It’s a mixture of awe and happiness. “I used to look at this when I was little. My dad said my rich husband would get me a big, fat rock and we’d live happily ever after. But all I ever wanted was this ring and a husband who loved me.” I tip her face up to mine with a crooked finger under her chin. “I love you.” I scrunch my eyebrows together. “Did you forget to say yes?” “I didn’t forget,” she tosses back at me. She sets the box on the table and gets up. “I just haven’t said yes, yet.” She points toward the kitchen. “Do you want something to drink? I’m thirsty.” She gets up like she’s going to walk away, but I grab her shirt in my fist and pull her back down. I pick up the box, take the ring out of it, and hold it up. “Marry me, Em,” I plead. “If you say yes, we can have lots of crazy sex and live happily ever after.” I want to laugh, but I can’t. It’s not really funny. “Marry me, Em,” I repeat. “Please.” She smacks me on the forehead with palm of her hand, and I’m momentarily stunned. “Of course I’ll marry you,” she says. She lets me slide the ring onto her finger. “I couldn’t make it easy for you, dummy,” she says. She settles into my side and nuzzles into that spot that’s all hers. There are no secrets between us. Not anymore. And it feels so fucking good.
Tammy Falkner (Smart, Sexy and Secretive (The Reed Brothers, #2))
The zombie fell over the generator, too, and laid on the ground next to me—its eyes seemed to glow in the dark. I was so scared, I almost lost it. Shaking, I sprayed it in the face and rolled away. It started smoking the same way the other zombies had, but then did something unexpected—it caught fire. Instantly, the entire area went up in flames. I stepped back, and still standing, jumped up and down, kicking my gas-soaked pants and shoes off. The flames sprouted up as if they had a life of their own.  I shot them with the Super Soaker, but it didn't do any good. The flames spread up the side of a rack of cheesy Hawaiian shirts. I knew I had to put the fire out fast. I ran to the aisle with the fire extinguishers and stopped. I'd dropped my flashlight back by the generator. A couple aisles over, something moved in the shadows. I started to lift my Super Soaker when I got hit in the face. "Oww, it burns," I cried, "Darn it. It burns." My eyes started watering like a busted drinking fountain. "Nathan, is that you? Were you bit? Did I kill you?" "No, no. I'm fine, it's just the lemonade; that stuff burns." "What's going on? You're burning the place down." I could hear panic in her voice. "Grab a fire extinguisher and follow me." My eyes dribbled lemonade-flavored tears as I grabbed two of the largest fire extinguishers and ran back. It took four extinguishers, but we managed to put the fire out. "Wow, the generator's still running," I said. Charred clothes were everywhere. Smoke filled the place—it smelled like fresh-roasted zombie. And I'd thought my day couldn't get any worse. "What the heck happened?" Misty held her nose and looked around at the blackened remains. "Security zombie in the bathroom; it was a close call." "I'll say. We're lucky the fire sprinklers didn't come on." "If this is lucky, I'd hate to see cursed." "Umm, Nate?" "Yeah?" I exhaled in relief. It would have been embarrassing if I'd burnt the place down. "Where's your pants?
M.J.A. Ware (Super Zombie Juice Mega Bomb (A Zombie Apocalypse Novel Book 1))
I frowned but sat down, knowing it wouldn’t be much longer before someone noticed. I was wrong. It took another hour and a half. Brandon had even taken Liam from me so he wouldn’t be blocking my stomach, I had gotten up numerous times to get and refill drinks, as well as to go to the bathroom. It took Bree commenting on the color of my shirt for Carrie to gasp and Mom to jump up and literally squeal. “Oh my God! Oh my God, are you pregnant?! Please tell us you’re pregnant!” Mom rushed over and placed her hands on my rounding stomach. “Well it’d sure be awkward right now if I weren’t.” I laughed and accepted her numerous hugs and kisses on the cheeks, only to be replaced by the same from Carrie and Dad. At least Dad was more controlled with only one gentle hug and kiss for me, and a big man hug for Brandon. “You’re already so big!” Carrie was crying happily as she kissed her son and turned back to my stomach, “How far along are you?” “I’m twelve weeks, and trust me, I had the smallest of bumps until Thursday morning, and then all of a sudden this was here.” “Twelve weeks! Oh my goodness, congratulations! Jeremy Allen Taylor, get your butt over here and congratulate them.” “Mom,” Jeremy huffed a laugh and pulled Aubrey closer to his side, “already beat you to it. You guys are a little behind on the news.” That, of course, got me a couple glares and Brandon a smack on the back of his head, but soon we were all sitting down arguing over whether I was having a girl or boy.
Molly McAdams (Taking Chances (Taking Chances, #1))
Do you, Kelda, take Burt to be your lawfully wedded husband?” Marty, Burt’s best friend, asked. “I plan to love you until my va-jay-jay clunks out and the Viagra don’t work for you no more,” Kelda replied. “Even then, I’ll probably still love you as long as you keep rubbing my feet.” “I guess that means I do,” Marty grumped. “You should really stick with the script, Kelda.” “My wedding, my rules, you old coot. Now hurry up.” “Do you, Burt, take Kelda to be your lawfully wedded wife?” “I love you Kelda, even when you make me dress up in those damn cat shirts, live with your devil cats, and make me drink decaf coffee. I’ll rub your feet, even with all the bunions, and I promise to always find illegal Viagra on the internet until your va-jay-jay quits working.
Olivia Sherwood (Unlikely to Tell (A Parker Lake Novel, #4))
Red wine and Hennessy She fell out of her bottle when she fell into love, cup running over, overflowing emotions in glass- red stained palet, on a pallet on the grass, to a quilt on the floor -affixed between lips and red lipstick on a shirt that he wore. A familiar place, she know she's been here before Reminiscent of the evening On his shirt that she tore ............ Drop by drop, puddle in glass getting lower- impressions in her gut, rim of her glass, hour glass figure moves counter clockwise - while absorbing the contents of merlot. Hard liquor and fine wine ............. Red Wine and Hennessy A wicked twist on some champagne tips French nails, manicures over grapes Whoever said wine and liquor don't mix? Last night I had six Bottle caps, corks, bedazzled juice Merlot was her name - slim waist - good taste slinger neck, red lace. Long stem, pedestal - hands embraced her face ............. room temperature, her body temperature ... personality of two, she's mellow and chill... aged to perfection- pop the seal- watch the erection ... splatters on the floor- covers the rug, Residue of red lipstick- Merlot stained lips match the kiss on his neck ............ Chasing fantasy through the Red Sea While chasing that with a white BC How much will she pour- how much will she drink How much more before her ship sinks ........... A full body lush, blackberry crush Medium sized Bordeaux Intense velvety plum I asked her where she's from She said she's international She's longer thinking rational .......... Sips in sync with blinking eyes She sips too much to realize Every time you pour into me, my bottle gets more empty- Glass falling to the floor She staggers to the door Glass shatters her feet She stumbles to her seat She's still asking for more But she falls to the floor Red lipstick in the mud She covers up the blood ............ She lays in her wine She forgot about the time Clock on the wall Footsteps in the hall Pounding in her head She rushes to the bed ......... She lays motionless ... but her head is racing Her heart is pacing Her lungs are gasping - air, she needs air Rolls to her side, brings her self to sit up She gags and gags until She throws it all up- ........... Wakes up the next morning Dazed and confused She's laying in a bed That she's not used to She moves slowly, where did everyone go? She checks the time- it's a quarter pass 4 sounds on the other side of the door Are Muffled by the sound of a knock at the door ........... Looks around for her little red dress Notices a blotch - a red stain on her breast Lipstick smeared an accessory to her mess She reached for her clothes and saw a note on the desk. .......... Dearly beloved, I want to see you again I'd love to have to back I think we make a great blend I tried to wake you Because I had to go And Oh by the way, my name is merlot "Little Black Bird
Niedria Dionne Kenny (Love, Lust and Regrets: While the lights were off)