Dried Up Faster Than Quotes

We've searched our database for all the quotes and captions related to Dried Up Faster Than. Here they are! All 16 of them:

Love dries up, I thought as I walked back to the bathroom, even faster than sperm.
Charles Bukowski
My sweet little whorish Nora I did as you told me, you dirty little girl, and pulled myself off twice when I read your letter. I am delighted to see that you do like being fucked arseways. Yes, now I can remember that night when I fucked you for so long backwards. It was the dirtiest fucking I ever gave you, darling. My prick was stuck in you for hours, fucking in and out under your upturned rump. I felt your fat sweaty buttocks under my belly and saw your flushed face and mad eyes. At every fuck I gave you your shameless tongue came bursting out through your lips and if a gave you a bigger stronger fuck than usual, fat dirty farts came spluttering out of your backside. You had an arse full of farts that night, darling, and I fucked them out of you, big fat fellows, long windy ones, quick little merry cracks and a lot of tiny little naughty farties ending in a long gush from your hole. It is wonderful to fuck a farting woman when every fuck drives one out of her. I think I would know Nora’s fart anywhere. I think I could pick hers out in a roomful of farting women. It is a rather girlish noise not like the wet windy fart which I imagine fat wives have. It is sudden and dry and dirty like what a bold girl would let off in fun in a school dormitory at night. I hope Nora will let off no end of her farts in my face so that I may know their smell also. You say when I go back you will suck me off and you want me to lick your cunt, you little depraved blackguard. I hope you will surprise me some time when I am asleep dressed, steal over to me with a whore’s glow in your slumberous eyes, gently undo button after button in the fly of my trousers and gently take out your lover’s fat mickey, lap it up in your moist mouth and suck away at it till it gets fatter and stiffer and comes off in your mouth. Sometimes too I shall surprise you asleep, lift up your skirts and open your drawers gently, then lie down gently by you and begin to lick lazily round your bush. You will begin to stir uneasily then I will lick the lips of my darling’s cunt. You will begin to groan and grunt and sigh and fart with lust in your sleep. Then I will lick up faster and faster like a ravenous dog until your cunt is a mass of slime and your body wriggling wildly. Goodnight, my little farting Nora, my dirty little fuckbird! There is one lovely word, darling, you have underlined to make me pull myself off better. Write me more about that and yourself, sweetly, dirtier, dirtier.
James Joyce (Selected Letters of James Joyce)
HOME no one leaves home unless home is the mouth of a shark you only run for the border when you see the whole city running as well your neighbors running faster than you breath bloody in their throats the boy you went to school with who kissed you dizzy behind the old tin factory is holding a gun bigger than his body you only leave home when home won’t let you stay. no one leaves home unless home chases you fire under feet hot blood in your belly it’s not something you ever thought of doing until the blade burnt threats into your neck and even then you carried the anthem under your breath only tearing up your passport in an airport toilets sobbing as each mouthful of paper made it clear that you wouldn’t be going back. you have to understand, that no one puts their children in a boat unless the water is safer than the land no one burns their palms under trains beneath carriages no one spends days and nights in the stomach of a truck feeding on newspaper unless the miles travelled means something more than journey. no one crawls under fences no one wants to be beaten pitied no one chooses refugee camps or strip searches where your body is left aching or prison, because prison is safer than a city of fire and one prison guard in the night is better than a truckload of men who look like your father no one could take it no one could stomach it no one skin would be tough enough the go home blacks refugees dirty immigrants asylum seekers sucking our country dry niggers with their hands out they smell strange savage messed up their country and now they want to mess ours up how do the words the dirty looks roll off your backs maybe because the blow is softer than a limb torn off or the words are more tender than fourteen men between your legs or the insults are easier to swallow than rubble than bone than your child body in pieces. i want to go home, but home is the mouth of a shark home is the barrel of the gun and no one would leave home unless home chased you to the shore unless home told you to quicken your legs leave your clothes behind crawl through the desert wade through the oceans drown save be hunger beg forget pride your survival is more important no one leaves home until home is a sweaty voice in your ear saying- leave, run away from me now i dont know what i’ve become but i know that anywhere is safer than here
Warsan Shire
the forest well. “You’ll get there much faster,” he said. Minli was a little doubtful about riding the dragon. It was one thing to climb on top of him while he was half covered by water, but now on dry land she realized how large he really was. The dragon was long, as long as the street in front of Minli’s house. If he stretched himself up on his arms and legs, he was as tall as a bird’s nest in a tree, she realized. Even now, bending down for her, he was higher than her house. But he bent his elbow for her like a step and with two hands, she boosted herself up and then climbed onto his back. The round ball on the dragon’s head was the size of a small melon, just big enough for her to wrap
Grace Lin (Where the Mountain Meets the Moon (Newbery Honor Book))
You're trying to kiss Emma?" Rayna says, incredulous. "But you haven't even sifted yet, Galen." "Sifted?" Emma asks. Toraf laughs. "Princess, why don't we go for a swim? You know that storm probably dredged up all sorts of things for your collection." Galen nods a silent thank you to Toraf as he ushers his sister into the living room. For once, he's thankful for Rayna's hoard of human relics. He almost had to drag her to shore by her fin to get past all the old shipwrecks along this coast. "We'll split up, cover more ground," Rayna's saying as they leave. Galen feels Emma looking at him, but he doesn't acknowledge her. Instead, he watches the beach as Toraf and Rayna disappear in the waves, hand in hand. Galen shakes his head. No one should feel sorry for Toraf. He knows just exactly what he's doing. Something Galen wishes he could say of himself. Emma puts a hand on his arm-she won't be ignored. "What is that? Sifted?" Finally he turns, meets her gaze. "It's like dating to humans. Only, it goes a lot faster. And it has more of a purpose than humans sometimes do when they date." "What purpose?" "Sifting is our way of choosing a life mate. When a male turns eighteen, he usually starts sifting to find himself a companion. For a female whose company he will enjoy and ho will be suitable for producing offspring." "Oh," she says, thoughtful. "And...you haven't sifted yet?" He shakes his head, painfully aware of her hand still on his arm. She must realize it at the same time, because she snatches it away. "Why not?" she says, clearing her throat. "Are you not old enough to sift?" "I'm old enough," he says softly. "How old are you, exactly?" "Twenty." He doesn't mean to lean closer to her-or does he? "Is that normal? That you haven't sifted yet?" He shakes his head. "It's pretty much standard for males to be mated by the time they turn nineteen. But my responsibilities as ambassador would take me away from my mate too much. It wouldn't be fair to her." "Oh, right. Keeping a watch on the humans," she says quickly. "You're right. That wouldn't be fair, would it?" He expects another debate. For her to point out, as she did last night, that if there were more ambassadors, he wouldn't have to shoulder the responsibility alone-and she would be right. But she doesn't debate. In fact, she drops the subject altogether. Backing away from him, she seems intent on widening the space he'd closed between them. She fixes her expression into nonchalance. "Well, are you ready to help me turn into a fish?" she says, as if they'd been talking about this the whole time. He blinks. "That's it?" "What?" "No more questions about sifting? No lectures about appointing more ambassadors?" "It's not my business," she says with an indifferent shrug. "Why should I care whether or not you mate? And it's not like I'll be sifting-or sifted. After you teach me to sprout a fin, we'll be going our separate ways. Besides, you wouldn't care if I dated any humans, right?" With that, she leaves him there staring after her, mouth hanging open. At the door, she calls over her shoulder, "I'll meet you on the beach in fifteen minutes. I just have to call my mom and check in and change into my swimsuit." She flips her hair to the side before disappearing up the stairs. He turns to Rachel, who's hand-drying a pan to death, eyebrows reaching for her hairline. He shrugs to her in askance, mouth still ajar. She sighs. "Sweet pea, what did you expect?" "Something other than that.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
no one leaves home unless home is the mouth of a shark you only run for the border when you see the whole city running as well your neighbors running faster than you breath bloody in their throats the boy you went to school with who kissed you dizzy behind the old tin factory is holding a gun bigger than his body you only leave home when home won’t let you stay. no one leaves home unless home chases you fire under feet hot blood in your belly it’s not something you ever thought of doing until the blade burnt threats into your neck and even then you carried the anthem under your breath only tearing up your passport in an airport toilet sobbing as each mouthful of paper made it clear that you wouldn’t be going back. you have to understand, that no one puts their children in a boat unless the water is safer than the land no one burns their palms under trains beneath carriages no one spends days and nights in the stomach of a truck feeding on newspaper unless the miles travelled means something more than journey. no one crawls under fences no one wants to be beaten pitied no one chooses refugee camps or strip searches where your body is left aching or prison, because prison is safer than a city of fire and one prison guard in the night is better than a truckload of men who look like your father no one could take it no one could stomach it no one skin would be tough enough the go home blacks refugees dirty immigrants asylum seekers sucking our country dry niggers with their hands out they smell strange savage messed up their country and now they want to mess ours up how do the words the dirty looks roll off your backs maybe because the blow is softer than a limb torn off or the words are more tender than fourteen men between your legs or the insults are easier to swallow than rubble than bone than your child body in pieces. i want to go home, but home is the mouth of a shark home is the barrel of the gun and no one would leave home unless home chased you to the shore unless home told you to quicken your legs leave your clothes behind crawl through the desert wade through the oceans drown save be hunger beg forget pride your survival is more important no one leaves home until home is a sweaty voice in your ear saying- leave, run away from me now i dont know what i’ve become but i know that anywhere is safer than here
Warsan Shire
I have to ask you something.” Stumbling over words, I described my encounter with Edward. “I have to meet him at the railroad trestle next week. I’m supposed to do something when I get there, but he didn’t say what…” My voice trailed away. The expression on Andrew’s face told me he knew exactly what I was talking about. “Drat,” he muttered. “That low-down skunk. I was hoping he’d forgotten.” Andrew hesitated. Without looking at me, he picked up a piece of chalk and started drawing a little train on the floor. Concentrating on his sketch, he said, “Before I got sick, Edward dared me to jump off the trestle.” My heart beat faster. “Is that what I’m supposed to do? Jump off?” “Now, now, don’t get all het up, Drew. It’s not as bad as you think.” Carefully, Andrew added a curlicue of smoke to his drawing. “You walk out on the trestle and jump in the river. Then you swim to shore. It’s a simple as one two three.” He tapped the chalk three times for emphasis. My mouth was so dry I could hardly speak. Lying down between the rails or dynamiting the train might be better than this. “How high is the trestle?” Instead of answering my question, Andrew said, “It’s a test of manhood. Lots of boys have done it.” I wasn’t interested in testing my manhood or hearing about other boys. I just wanted to know what was going to happen to me. Me--a boy who was scared to jump off a diving board into eight feet of crystal-clear chlorinated water.
Mary Downing Hahn (Time for Andrew: A Ghost Story)
You said to step on the brake to put us into drive, then to step on the right one to-" "Not at the same time!" "Well, you should have told me that. How was I supposed to know?" I snort. "You acted like the freaking Dalai Lama when I tried to tell you how to shift gears. I told you, one was for go and one was for stop. You can't stop and go at the same time! You have to make up your mind." From the expression on her face, she's either about to punch me or call me something really bad. She opens her mouth, but the really bad something doesn't come out; she shuts it again. Then she giggles. Now I've seen everything. "Galen tells me that all the time," she chortles. "That I can never make up my mind." Then she bursts out laughing so hard she spits all over the steering wheel. She keeps laughing until I'm convinced an unknown force is tickling her senseless. What? As far as I can tell, her indecisiveness almost got us killed. Killed isn't funny. "You should have seen your face," she says, between gulps of breaths. "You were all, like-" And she makes the face of a drunk clown. "I bet you wet yourself, didn't you?" She cracks herself up so much she clutches her side as if she's holding in her own guts. I feel my lips fracture into a smile before I can stop them. "You were more scared than me. You swallowed like ten flies while you were screaming." She spits all over the steering wheel again. And I spew laughter onto the dash. It takes a good five minutes for us to sober up enough for another driving lesson. My throat is dry, and my eyes are wet when I say, "Okay, now. Let's concentrate. The sun is going down. These woods probably get pretty creepy at night." She clears her throat, still giggling a little. "Okay. Concentrate. Right." "So, this time, when you take your foot off the brake, the car will go on its own. There, see?" We slink along the road at an idle two miles per hour. She huffs up at her bangs. "This is boring. I want to go faster." I start to say, "Not too fast," but she squashes the gas under her foot, and my words are snatched away by the wind. She gives a startled shout, which I find hypocritical because after all, I'm the one helpless in the passenger seat, and she's the one screaming like a teapot, turning the wheel back and forth like the road isn't straight as a pencil. "Brake, brake, brake!" I shout, hoping repetition will somehow penetrate the small part of her brain that actually thinks. Everything happens fast. We stop. There's a crunching sound. My face slams into the dash. No wait, the dash becomes an airbag. Rayna's scream is cut off by her airbag. I open my eyes. A tree. A freaking tree. The metal frame groans, and something under the hood lets out a mechanical hiss. Smoke billows up from the front, the universal symbol for "you're screwed." I turn to the rustling sound beside me. Rayna is wrestling with the airbag like it has attacked her instead of saved her life. "What is this thing?" she wails, pushing it out of her way and opening the door. One Mississippi...two Mississippi... "Well, are you just going to sit there? We have a long walk home. You're not hurt are you? Because I can't carry you." Three Mississippi...four Mississippi... "What are those flashing blue lights down there?
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
mother was under virtual sentence of death, and Vicky flew to the bedside and knelt beside her. ‘Oh, Mama,’ she whispered, stricken with guilt. ‘I should have been here.’ Juba heated rounded river stones in the open fire and wrapped them in blankets. They packed them around Robyn’s body, and then covered her with four karosses of wild fur. She fought weakly to throw off the covers, but Mungo held her down. Despite the internal heat of the fever and the external temperature of the hot stones trapped under the furs, her skin was burning dry and her eyes had the flat blind glitter of water-worn rock crystal. Then as the sun touched the tree-tops and the light in the room turned to sombre orange, the fever broke and oozed from the pores of her marble pale skin like the juice of crushed sugar cane from the press. The sweat came up in fat shining beads across her forehead and chin, each drop joining with the others until they ran in thick oily snakes back into her hair, soaking it as though she had been held under water. It ran into her eyes, faster than Mungo could wipe it away. It poured down her neck and wetted and matted the fur of the kaross. It soaked through the thin mattress and pattered like rain on the hard dry floor below. The temperature of her body plunged dramatically, and when the sweat had passed, Juba and the twins sponged her naked body. She had dehydrated and wasted, so that the rack of her ribs stood out starkly, and her pelvis formed a bony hollowed basin. They handled her with exaggerated care, for any rough movement might rupture the delicate damaged walls of the renal blood vessels and bring on the torrential haemorrhage which so often ended this disease. When
Wilbur Smith (The Angels Weep (The Ballantyne Novels, #3))
Her heart nearly stopped when a hand slid over her mouth and another disarmed her. “I’m Commander Rodgers from the USS Washington, and you’re coming with me now,” an American growled in her ear. From the girth pressing against her back, he was solid—but Olivia could take him. Grinding her teeth, she threw an elbow to his sternum. He blocked—so like a hotshot. Few people were fast enough to react to one of her strikes. But she’d nail him with her second try. Whipping around, she aimed a kick at his groin, but he blocked that, too. At least six-two and faster than an asp, Rodgers stopped her next kick by catching her ankle and giving it a twist—a warning. “Enough. Come.” Jesus Christ, his eyes were the color of a teal lagoon and they drilled into her like daggers. She shook her head. God, she wasn’t about to go anywhere with dagger-eyes. Not without a fight. Suited up in scuba gear, his facemask cocked atop his head, the man had to be daft. “What the fuck, Aquaman?” she whisper-shouted. “If anyone sees you, we’ll both be shot before the first question’s asked.” His eyebrows slanted downward over those damned eyes. “Yeah?” he whisper-shouted back. “Everyone on this boat will be dead in fifteen. If you want to live, you’ll do as I say.” Olivia’s mouth went dry. She blinked, shaking her head. He had to be mistaken. One more day and al-Umari’s ass would be hers. “Are you off your trolley? I’ve put too much into this project to have it blown to smithereens. Call off your dogs before you cock-up the entire op. Now.” “No can do,” he said like her hard-earned cover wasn’t about to become the greatest wipeout in MI6 history. “Sorry to ruin your party, but there’s a bomb attached to the hull. Can’t be killed, can’t be dislodged, and if you stand here arguing with me for one more second, you’ll explode into so many pieces, you won’t make a meal for a goddamned minnow.” Those are my choices? “Christ!” She jammed her finger under his nose. “When this is over, your ass is mine.
Amy Jarecki (Hunt for Evil (ICE #1))
How to Plant a Container-Grown Fruit Tree or Shrub 1. Use a shovel or marking paint to mark the area for the hole. The planting hole should be at least twice as wide as the tree’s rootball. 2. Dig the planting hole. This hole should be just as deep as the rootball—no deeper! If you sharpen the spade before digging, this step will go faster. GROWING TIP Have you heard the saying, “plant ’em high”? Well, that refers to trees. Trees will settle a bit after planting. Always make sure that you finish the job with the top of the tree’s rootball about 3 inches above the soil line. If you plant a tree too deep, the place where the tree trunk and the tree roots meet can rot, which will kill the tree. 3. Set the tree in the planting hole to check the depth. If the top of the rootball is lower than the soil line around the edge of the planting hole, add some soil back into the hole, pull the tree out of the pot, and replace the tree in the hole. You never want the crown of the tree (the part where the tree trunk meets the tree roots) to be below the soil line. In clay soils, set the rootball so it is a few inches above the soil line. 4. Fill in around the tree with the same soil that you removed from the planting hole. Do not add fertilizer or new topsoil. Water will move more easily and the tree will root properly if the soil in and around the planting hole is the same. 5. Mulch around the tree, taking care to pull the mulch away from the tree trunk. Do not create a mulch “volcano” around the tree (by piling mulch up high around the trunk)—that just encourages insects and creatures that snack on tree bark to take up residence next to your delicious young tree. 6. Water the tree. Plan to water newly planted trees every three days (every other day if it is hot and dry). New trees don’t need to be staked unless they’re in areas prone to heavy rains and frequent winds. It can take a couple of years for newly planted trees to root into the surrounding soil, so continue to monitor your tree for signs that it needs water.
Katie Elzer-Peters (Carolinas Fruit & Vegetable Gardening: How to Plant, Grow, and Harvest the Best Edibles)
In the past underwhelming products could survive and thrive merely on distribution alone. A bad product, backed by a large television campaign and retail distribution, could find growth and profits for the company, regardless of quality. This is no longer the case. Today, mediocre products can still be launched in this way, but their longevity and returns quickly crash as word of mouth spreads and demand dries up faster than ever before.
Sean Ellis (Startup Growth Engines: Case Studies of How Today’s Most Successful Startups Unlock Extraordinary Growth)
Harper became a little distracted watching her. This morning she wore a soft t-shirt he didn’t recognize and a pair of blue jeans he seemed to remember ripping off her a time or two. His anger faded away as he watched her lean body move. There was no wasted motion with her. It was one of the things that had drawn his eye when he first met her. She hadn’t been through the training he had, but she had a natural grace to her that was spellbinding. Cat was competent and controlled in all things, body, mind and spirit. Even at twenty-two when he’d first met her, he knew he’d been none of those things. His body had been maturing faster than his mind. His spirit had never caught up. The most complete his spirit had ever been had been when he was living with her. All of the fucked up shit he’d grown up with had faded away. There were a couple of brief, shining moments he remembered being completely content with everything in his life. Stupid things like watching her cook him a monster dinner after being deployed for months. Real food made with loving hands after living on government supplied freeze-dried crap made by machines. Playing in the snow on a trip up north, Cat pregnant with Dillon at the time. Watching her tinker under the hood of the truck with him, grease streaked on her cheek. Cat had been at the center of all of those. The past year and a half had been hard. Remembering those brilliant moments had kept him moving through his monotonous life. “I miss watching you,” he admitted. She paused long enough to smile at him, hand propped on her hip. “And I miss feeling the weight of your gaze on me.” Arousal
J.M. Madden (Embattled SEAL (Lost and Found #4))
Now all those diverted cars are going to hit the surrounding streets and canyon passes at the same time hundreds of homes are being evacuated, clogging roads just when fire trucks are trying to get to a raging fire that’s roaring through ravines and up the dry hillsides faster than Superman with dysentery looking for a bathroom.
Lee Goldberg (Malibu Burning (Sharpe & Walker #1))
He starts down the trail again, running even faster than before, almost rejuvenated. That or he really doesn’t want to talk to me. I don’t follow him, because it’s hard to escape when someone’s riding your tail and you have to look back constantly when you should keep your eyes forward. But the boy with the buzzed hair asks really good questions. I may have met my match. I ask Mom if I can go out tonight. It’s Friday. We’re standing in the kitchen making dinner. Tom is still at the bank. Mom fills up my “Esther” water bottle and sets it down next to me. “With who?” I keep my head down as I chop onions for the spaghetti sauce. They sting my eyes. “Color. The girl who cleans our house,” I say. “You said we need to make friends.” “Color,” Mom says. “Interesting name.” She doesn’t answer my question right away, but takes some of the chopped onions and adds them to the cooking meat. I keep dicing as tears begin to form in my eyes and fall down my cheeks. “You know, I wanted to name you Violet, but your dad didn’t like names that were colors, like Ruby and Hazel.” Mom tucks loose auburn hair behind her ear. Hannah does the same motion with her hair, too. “Amber . . . Jade . . . Goldie?” I say. “How about Olive?” “Raven?” “Scarlet.” I gag. “I still love the name Violet, though,” Mom says. “It’s nice for a girl.” “I like it, too.” I keep chopping. Mom keeps cooking. I add more onions to the pot. She turns to me then, with tears running down her face, just like mine. We stare at each other. It’s the wettest thing to happen in the desert since we arrived. I ask Mom in my head, Why did you let this happen? It’s the most selfish thing I’ve ever asked because I made this happen. I wrote the equation and asked Mom and Tom to answer it. And they did. “From the onions,” Mom says, with a sniffle that knows it’s a lie. I hand her a napkin. She points at the “Esther” water bottle as she pats her face dry. “Drink that.” I follow her orders.
Rebekah Crane (The Infinite Pieces of Us)
After showering I like one of the oldest concoctions in the world—rosewater and glycerin. I once asked a lovely lady in her eighties how she kept the skin of a baby, and that was what she used. I carry around little tubes of rosewater and glycerin to use on my hands EVERY TIME I WASH THEM, and I always work it up my arms and into my elbows. Women hardly ever look at their own elbows, but other people do! I pay attention to my knees and ankles, too. All the joints seem to dry out faster than the fleshy parts of the body.
Joan Crawford (My Way of Life)