Cruising Together Quotes

We've searched our database for all the quotes and captions related to Cruising Together. Here they are! All 48 of them:

Listen,” he says, pulling a curled fist out of his pocket. He takes one of Alex’s hands and turns it to press something small and heavy into his palm. “I want you to know, I’m sure. A thousand percent.” He removes his hand and there, sitting in the center of Alex’s callused palm, is the signet ring. “What?” Alex’s eyes flash up to search Henry’s face and find him smiling softly. “I can’t—” “Keep it,” Henry tells him. “I’m sick of wearing it.” It’s a private airstrip, but it’s still risky, so he folds Henry in a hug and whispers fiercely, “I completely fucking love you.” At cruising altitude, he takes the chain off his neck and slides the ring on next to the old house key. They clink together gently as he tucks them both under his shirt, two homes side by side.
Casey McQuiston (Red, White & Royal Blue)
she thought about what happily-ever-afters were about, and decided that true love didn’t mean effortless, and ever-after wasn’t about cruise control. You started with the attraction, and then you opened your heart and your soul—but all that, which was no small thing, just got you to first base. There were many, many other trips to take to deeper levels of greater acceptance and understanding. That was where you found the happy. And the ever-after was the work you were always willing to put in to stay close, to learn, and to grow as people together.
J.R. Ward (Blood Kiss (Black Dagger Legacy, #1))
I introduced Nora as my wife, though that was a lie. Old people, that's what they wanted to hear. If you were married, you were mature, reliable, exactly like them, because in their day men and women didn't just live together--they made a commitment, they had children and went on cruises and built big houses on lakes and filled them with all the precious trinkets and manufactured artifacts they'd collected along the way.
T. Coraghessan Boyle
The NELLIE, a cruising yawl, swung to her anchor without a flutter of the sails, and was at rest. The flood had made, the wind was nearly calm, and being bound down the river, the only thing for it was to come to and wait for the turn of the tide. The sea-reach of the Thames stretched before us like the beginning of an interminable waterway. In the offing the sea and the sky were welded together without a joint, and in the luminous space the tanned sails of the barges drifting up with the tide seemed to stand still in red clusters of canvas sharply peaked, with gleams of varnished sprits. A haze rested on the low shores that ran out to sea in vanishing flatness. The air was dark above Gravesend, and farther back still seemed condensed into a mournful gloom, brooding motionless over the biggest, and the greatest, town on earth.
Joseph Conrad (Heart of Darkness: and Selections from The Congo Diary)
As he kissed her back, she thought about what happily-ever-afters were about, and decided that true love didn’t mean effortless, and ever-after wasn’t about cruise control. You started with the attraction, and then you opened your heart and your soul—but all that, which was no small thing, just got you to first base. There were many, many other trips to take to deeper levels of greater acceptance and understanding. That was where you found the happy. And the ever-after was the work you were always willing to put in to stay close, to learn, and to grow as people together.
J.R. Ward (Blood Kiss (Black Dagger Legacy, #1))
Nothing else matters. Slowly all my surroundings are blurring. I look up; the sky is shrinking, and the world is shrinking. All that is left is us cruising through together.
Pragya Tiwari (Outlet from Loneliness)
At cruising altitude, he takes the chain off his neck and slides the ring on next to the old house key. They clink together gently as he tucks them both under his shirt, two homes side by side.
Casey McQuiston
Am a is walking along the promenade of the waterway that bisects her city, a few early morning barges cruise slowly by. This is not about feeling something or about speaking words this is about being together.
Bernardine Evaristo (Girl, Woman, Other)
As he kissed her back, she thought about what happily-ever-afters were about, and decided that true love didn’t mean effortless, and ever-after wasn’t about cruise control. You started with the attraction, and then you opened your heart and your soul—but all that, which was no small thing, just got you to first base. There were many, many other trips to take to deeper levels of greater acceptance and understanding. That was where you found the happy. And the ever-after was the work you were always willing to put in to stay close, to learn, and to grow as people together. “I
J.R. Ward (Blood Kiss (Black Dagger Legacy, #1))
Ingrid Visser describes the strategy of a particular quartet of dolphin-hunting killer whales off New Zealand (she prefers the name “orca”): The orca are cruising nonchalantly towards a small group of dolphins. The dolphins head away, but not too fast, as they don’t want to draw the attention of the orca just in case they aren’t really hunting. After following for 30 minutes, one female orca, named Stealth, doesn’t surface the next time the others breathe, nor the next, nor for the following 10 minutes. The three remaining orcas take off towards the dolphins at high speed, which is incredibly dramatic as they hurtle through the surface. The dolphins are fleeing for their lives and they know it; they fly out of the water and don’t even seem to touch down before they are off again. The three orca are closing fast. But suddenly one of the front dolphins goes flying as if it was a tennis ball, tumbling through the air as it turns somersaults. Stealth is also hurtling through the air in the follow-through after hitting the dolphin from below. She grabs the dolphin in mid-air, then falls back into the water with it in her jaws. Together, the four orcas devour the meal. Visser adds, “I have never seen them miss.” *   *   *
Carl Safina (Beyond Words: What Animals Think and Feel)
One time, on a pleasure cruise, he saw a young couple, fiancés, sitting and looking at the water--the boy had his right arm around the girl's shoulder and held her right wrist tight and she had put her left hand on his right hand, and they sat like that, pressed close together. The little poet looked at them, it's so lovely to see a nice young couple like that. That these children are excited because they want more, that they are only getting each other worked up for what they can't do and don't dare to do, that they never know where to stop--no one ever notices that or thinks about that. It was very lovely, and maybe the truth was that they had just recently gotten engaged and were still satisfied with being madly in love with each other.
Nescio (Amsterdam Stories)
Hey, did you hear about Brad Miller?" he asked, already forgetting about the Lissie conversation. "He got his car taken away for getting another speeding ticket. Of course he tried to tell his parents that it was a setup." Violet laughed. "Yeah, because the police have nothing better to do than to plan a sting operation targeting eleventh-grade idiots." She was more than willing to go along with this diversion from conversations about Jay and his many admirers. Jay laughed too, shaking his head. "You're so cold-hearted," he said to Violet, shoving her a little but playing along. "How's he supposed to go cruising for unsuspecting freshman and sophomores without a car? What willing girl is going to ride on the handlebars of his ten-speed?" "I don't see you driving anything but your mom's car yet. At least he has a bike," she said, turning on him now. He pushed her again. "Hey!" he tried to defend himself. "I'm still saving! Not all of us are born with a silver spoon in our mouths." They were both laughing, hard now. The silver spoon joke had been used before, whenever one of them had something the other one didn't. "Right!" Violet protested. "Have you seen my car?" This time she shoved him, and a full-scale war broke out on the couch. "Poor little rich girl!" Jay accused, grabbing her arm and pulling her down. She giggled and tried to give him the dreaded "dead leg" by hitting him with her knuckle in the thigh. But he was too strong, and what used to be a fairly even matchup was now more like an annihilation of Violet's side. "Oh, yeah. Weren't you the one"-she gasped, still giggling and thrashing to break free from his suddenly way-too-strong grip on her, just as his hand was almost at the sensitive spot along the side of her rib cage-"who got to go to Hawaii..." She bucked beneath him, trying to knock him off her. "...For spring break...last..." And then he started to tickle her while she was pinned beneath him, and her last word came out in a scream: "...YEAR?!" That was how her aunt and uncle found them. Violet never heard the key in the dead bolt, or the sound of the door opening up. And Jay was just as ignorant of their arrival as she was. So when they were caught like that, in a mass of tangled limbs, with Jay's face just inches from hers, as she giggled and squirmed against him, it should have meant they were going to get in trouble. And if it had been any other teenage boy and girl, they would have. But it wasn't another couple. It was Violet and Jay...and this was business as usual for the two of them. Even her aunt and uncle knew that there was no possibility they were doing anything they shouldn't. The only reprimand they got was her aunt shushing them to keep it down before they woke the kids. After Jay left, Violet took the thirty dollars that her uncle gave her and headed out. As she drove home, she tried to ignore the feelings of frustration she had about the way her aunt and uncle had reacted-or rather hadn't reaction-to finding her and Jay together on the couch. For some reason it made her feel worse to know that even the grown-ups around them didn't think there was a chance they could ever be a real couple.
Kimberly Derting (The Body Finder (The Body Finder, #1))
Theseus Within the Labyrinth pt.2 But nobody like Theseus likes a smart girl, always telling him to dress warmly and eat plenty of fiber. She was one of those people who are never in doubt. Had he sharpened his sword, tied his sandals? Without her, of course, he would have never escaped the labyrinth. Why hadn’t he thought of that trick with the ball of yarn? But as he looked down at her sleeping form, this woman who was already carrying his child, maybe he thought of their future together, how she would correctly foretell the mystery or banality behind each locked door. So probably he shook his head and said, Give me a dumb girl any day, and crept back to his ship and sailed away. Of course Ariadne was revenged. She would have told him to change the sails, to take down the black ones, put up the white. She would have reminded him that his father, the king of Athens, was waiting on a high cliff scanning the Aegean for Theseus’s returning ship, white for victory, black for defeat. She would have said how his father would see the black sails, how the grief for the supposed death of his one son would destroy him. But Theseus and his men had brought out the wine and were cruising a calm sea in a small boat filled to the brim with ex-virgins. Who could have blamed him? Until he heard the distant scream and his head shot up to see the black sails and he knew. The girls disappeared, the ship grew quiet except for the lap-lap of the water. Staring toward the spot where his father had tumbled headfirst into the Aegean, Theseus understood he would always be a stupid man with a thick stick, scratching his forehead long after the big event. But think, does he change his mind, turn back the ship, hunt up Ariadne and beg her pardon? Far better to be stupid by himself than smart because she’d been tugging on his arm; better to live in the eternal present with a boatload of ex-virgins than in that dark land of consequences promised by Ariadne, better to live like any one of us, thinking to outwit the darkness, but knowing it will catch us, that we will be surprised like the Minotaur on his couch when the door slams back and the hired gun of our personal destruction bursts upon us, upsetting the good times and scaring the girls. Better to be ignorant, to go into the future as into a long tunnel, without ball of yarn or clear direction, to tiptoe forward like any fool or saint or hero, jumpy, full of second thoughts, and bravely unprepared.
Stephen Dobyns (Velocities: New and Selected Poems, 1966-1992)
I couldn’t wipe the smile off my face/ I felt giddy all the way back to the hotel. I giggled. I was happy. Sage leaned back in his seat and studied me, an amused smile on his face. “What?” I asked. He shook his head. “You’re making fun of me,” I said. “I’m not,” Sage assured me. I knew he was telling the truth. His eyes were affectionate. I was his, not just in the past but today and forever, and nothing had ever made me feel more secure. I was about to pull into the hotel when Sage reminded me of the snacks-the whole reason we’d supposedly gone out. I swung a wild U-turn that slammed Sage against his door. “Taking up stunt driving?” he asked. “Can you imagine walking in without the snacks? Rayna would be all over me.” “You don’t think she will be anyway? It’s been a long snack run.” “It hasn’t been that long,” I said. “Has it?” He scrunched his brows. “What are you trying to say?” I giggled again, and we pulled into a gas station market. Sage wrapped his arm around my shoulders and I leaned against his chest as we walked in step into the store; he held my hand as I cruised the tiny aisles; he stood behind me and rubbed my shoulders as we paid. I felt normal. I imagined how things would be after everything was over: after we met the dark lady, after we got the Elixir, after we found my dad. Sage and I could travel the world together: me taking pictures, him painting, always coming back together at the end of the day to share what we’d done and lie in each other’s arms.
Hilary Duff (Elixir (Elixir, #1))
the autonomous-driving side of things, Alphabet (formerly Google), which has logged several million self-driving-car test miles, continues to lead the pack. At the end of 2016, it created a new business division, called Waymo, for its autonomous driving technology. In May 2017, Waymo and Lyft announced that they would work together on developing the technology, and later in the year, Alphabet invested $1 billion in the start-up. Others, like Cruise Automation (which GM acquired for $1 billion) and Comma.ai, which offers open-source autonomous driving technology in the same vein as Google’s Android mobile operating system, are chasing hard. Baidu, China’s leading Internet search company, has an autonomous-driving research center in Sunnyvale. Byton—backed by China’s Tencent, Foxconn, and the China Harmony New Energy auto retailer group—has an office in Mountain View, as does Didi Chuxing, the Chinese ride-sharing company in which Apple invested $1 billion. Many of these companies have taken not just inspiration but also talent from Tesla. Part of the value of an innovation cluster like Silicon Valley lies in the dispersal of intellectual labor from one node to the next. For instance, PayPal is well known in the Valley for producing a number of high performers who left the company to start, join, or invest in others. The so-called PayPal Mafia includes Reid Hoffman, who founded LinkedIn; Max Levchin, whose most recent of several start-ups is the financial services company Affirm; Peter Thiel, a Facebook board member and President Trump–supporting venture capitalist who cofounded “big data” company Palantir; Jeremy Stoppelman, who started reviews site Yelp; Keith Rabois, who was chief operating officer at Square and then joined Khosla Ventures; David Sacks, who sold Yammer to Microsoft for $1.2 billion and later became CEO at Zenefits; Jawed Karim, who cofounded YouTube; and one Elon Musk.
Hamish McKenzie (Insane Mode: How Elon Musk's Tesla Sparked an Electric Revolution to End the Age of Oil)
That trip was epic. Every day was an adventure. Bindi sat down for her formal schooling at a little table under the big trees by the river, with the kookaburras singing and the occasional lizard or snake cruising through camp. She had the best scientists from the University of Queensland around to answer her questions. I could tell Steve didn’t want it to end. We had been in bush camp for five weeks. Bindi, Robert, and I were now scheduled for a trip to Tasmania. Along with us would be their teacher, Emma (the kids called her “Miss Emma”), and Kate, her sister, who also worked at the zoo. It was a trip I had planned for a long time. Emma would celebrate her thirtieth birthday, and Kate would see her first snow. Steve and I would go our separate ways. He would leave Lakefield on Croc One and go directly to rendezvous with Philippe Cousteau for the filming of Ocean’s Deadliest. We tried to figure out how we could all be together for the shoot, but there just wasn’t enough room on the boat. Still, Steve came to me one morning while I was dressing Robert. “Why don’t you stay for two more days?” he said. “We could change your flight out. It would be worth it.” When I first met Steve, I made a deal with myself. Whenever Steve suggested a trip, activity, or project, I would go for it. I found it all too easy to come up with an excuse not to do something. “Oh, gee, Steve, I don’t feel like climbing that mountain, or fording that river,” I could have said. “I’m a bit tired, and it’s a bit cold, or it’s a bit hot and I’m a bit warm.” There always could be some reason. Instead I decided to be game for whatever Steve proposed. Inevitably, I found myself on the best adventures of my life. For some reason, this time I didn’t say yes. I fell silent. I thought about how it would work and the logistics of it all. A thousand concerns flitted through my mind. While I was mulling it over, I realized Steve had already walked off. It was the first time I hadn’t said, “Yeah, great, let’s go for it.” And I didn’t really know why.
Terri Irwin (Steve & Me)
Here's to Adhering I went to a party out in Hollywood, The atmosphere was shoddy but the drinks were good, and that's where I heard you laugh. I then went cruising on an old Greek ship, The crew was amusing but the guests weren't hip, that's where I found your hands. On to the Sahara in a caravan, The sun struck like an arrow but the nights were grand, and that's how I found your chest. An evening in the Congo where the Congo ends, I found myself alone, oh but I made some friends, that's where I saw your face. I have been devoting all my time to get Parts of you out floating still unglued as yet. Won't you pull yourself together For Me ONCE
Maya Angelou (The Complete Collected Poems)
Frame control creates power and power attracts. BY JOSH (JETSET) KING MADRID WHAT DO KANYE WEST AND ELON MUSK HAVE IN COMMON? When you put the two together, there may be few similarities, but I believe one trait they share is the ability to control their frame, also known as frame control. Frame control is a little-known underlying phenomenon that may be one of the reasons they are so influential and successful despite the controversy. Nonetheless, they maintain their status as some of our culture's most powerful figures. The power of how we frame our personal realities is referred to as frame control. A frame is a tool that you can use to package your power, authority, strength, information, and status. Standing firm in your beliefs can persuade and influence. I first discovered frame control in 2016 after coming across the book Pitch Anything by Oren Klaff. I was hooked instantly. I was a freshman in college at UC Irvine at the time and was earning a few thousand dollars a month in my online business. In just a few short months after applying the concept of frame control in my life and business, everything changed — I started dating the girl of my dreams, cleared my first $27,000 in one month and dropped out of college to go all in on my business. Since then, I've read every book, watched every video, and studied every expert-written blog I can find on the subject. This eventually led me to obtain NLP and neuro-marketing certifications, both of which explain the underlying psychology of how our brains frame social interactions and provide techniques for controlling these frames in oneself and others in order to become more likable, influential, and lead a better life overall. Frame control is about establishing your own authority, but it isn't just some self-help nonsense. It is about true and verified beliefs. The glass half-empty or half-full frame is a popular analogy. If you believe the glass is half-empty, that is exactly what it will be. But someone with a half-full frame can come in and convince you to change your belief, simply by backing it up with the logic of “an empty glass of water would always be empty, but having water in an empty glass makes it half-full.” Positioning your view as the one that counts does take some practice because you first have to believe in yourself. You won’t be able to convince anyone of your authority if you are not authentic or if you don’t actually believe in what you’re trying to sell. Whether they realize it or not, public figures are likely to engage in frame control. When you're in the spotlight, you have to stay focused on the type of person you want the rest of the world to see you as. Tom Cruise, for example, is an example of frame control because of his ability to maintain dominance in media situations. In a well-known BBC interview, Tom Cruise assertively puts the interviewer in his place when he steps out of line and begins probing into his personal life. Cruise doesn't do it disrespectfully, which is how he maintains his own dominance, but he does it in such a way that the interviewer is held accountable. How Frame Control Positions the User as Influential or Powerful Turning toward someone who is dominant or who seems to know what they are doing is a natural occurrence. Generally speaking, we are hard-wired to trust people who believe in themselves and when they are put on a world stage, the effects of it can be almost bewildering. We often view comedians as mere entertainers, but in fact, many of them are experts in frame control. They challenge your views by making you laugh. Whether you want to accept their frame or not, the moment you laugh, your own frame has been shaken and theirs have taken over.
JetSet (Josh King Madrid, JetSetFly) (The Art of Frame Control: The Art of Frame Control: How To Effortlessly Get People To Readily Agree With You & See The World Your Way)
Getting back together with you guys has been the best Christmas present I’ve had in years. Maybe that’s because you’re Jewish and celebrate Hanukkah.
Fern Michaels (Santa Cruise (Santa's Crew #1))
So love with phantoms cheats our longing eyes, Which hourly seeing never satisfies; Our hands pull nothing from the parts they strain, But wander o’er the lovely limbs in vain: Nor when the youthful pair more closely join, When hands in hands they lock, and thighs in thighs they twine, Just in the raging foam of full desire, When both press on, both murmur, both expire, They gripe, they squeeze, their humid tongues they dart, As each would force their way to t’other’s heart – In vain; they only cruise about the coast, For bodies cannot pierce, nor be in bodies lost.
John Dryden (Lucretius his six books of epicurean philosophy and Manilius his five books containing a system of the ancient astronomy and astrology together with ... verse with notes by Mr. Tho. Creech (1700))
Create Your Love of Life List   How do you know what you like? Well, if someone describes an experience and you get excited or you see something happen that makes you smile, this is a sign that you want to have a similar experience. Write down the signs and your desired experiences. Research how you could make it happen. Keep a journal of all your ideas and mark them off one by one as you do them! Such experiences are food for the soul. Begin to taste the richness of life. Your favorite experiences may be something as simple as taking a walk with your loved ones, playing a board game, listening to old music, and eating together with your family at the dinner table more often than just on holidays. Remember, we all need nourishment of the spirit as much as, if not even more than, we need food. Have you been starving your soul? You can gain access to everything you are searching for and need if you are clear, consistent, and persistent. You may think, “Well, those ideas are nice, Christy, but I could never afford to do this or that.” So I am here to tell you that you are exactly right! Whatever you confirm, you get in your world. Period. This means, if you want something, you have to ask the right questions to get the answer about how to go and get it! These are mind-opening questions like, “What would it cost for me to take a cruise and have my partner with me?” Write down a question about one of the items in your love of life list and then let it go! There are only a couple of tricks in this process. It’s amazing what often unfolds when we follow these three guidelines. Do not put a time limit on when you will experience what you want. It will come once you allow God to work out the right plan to bring it to you. Believe that your desire will come into existence and do not put parameters on how. Move toward your objective by listening carefully to the whispers of God that come your way and acting on them as soon as you can. This is spirit giving you a little help.   Without any further hesitation, I want you to put this book down, grab your journal or a piece of paper and a pen, or a dry erase marker so you can write on your bathroom mirror. Immediately put down your ideas for your love of life list. Keep writing until you feel you have nothing to write anymore. No idea is too silly, too strange, or too expensive to put on your list. Write your list and then pick up this book again later to learn more about loving your life out loud!
Christy Dreiling (LOL: From Homeless to Multimillion-dollar Global Business Leader)
and decided that true love didn’t mean effortless, and ever-after wasn’t about cruise control. You started with the attraction, and then you opened your heart and your soul—but all that, which was no small thing, just got you to first base. There were many, many other trips to take to deeper levels of greater acceptance and understanding. That was where you found the happy. And the ever-after was the work you were always willing to put in to stay close, to learn, and to grow as people together.
J.R. Ward (Blood Kiss (Black Dagger Legacy, #1))
Later in the evening, Michael spoke highly of Denis Healey’s efforts to maintain party unity during Michael’s brief tenure as leader. Denis had as much love for the party as he did, Michael emphasised and Healey even went out of his way after the 1983 defeat to say that Michael should not be saddled with all the blame.Healey and Michael certainly had their differences, but they worked well together, agreeing to approach Brezhnev and broker a deal that would ease tensions concerning the Cruise missiles in Britain and in other parts of Europe. Michael and Denis were concerned about an escalating Russian response. How to stop this super power competition? “We were protesting about it,” Michael said. “We talked to Brezhnev. We said, ‘What about a zero option? To have no new Cruise missiles on either side of Europe?’” The Tory government claimed the Russians rebuffed Foot and Healey and that “we’d made fools of ourselves,” Michael said. Douglas Hurd in the Foreign Office ridiculed the zero option proposal. “Two weeks later, Reagan came out and used the exact phrase, ‘Why not a zero option?’ The Foreign Office then changed its tune. We had a quite sensible foreign policy,” Michael added, “and we were treated as innocents who did not know what was happening in the bloody world.
Carl Rollyson (A Private Life of Michael Foot)
I just run faster and hit the slowest of the lead boys. I wink and race by him. He smells like onions and he has big, wet circles in the pits of his shirt. He speeds up, but can only stay with me for a tenth of a mile before he drops back. Then it’s Nick. I cruise next to him. He’s some sort of running god, because he isn’t close to being winded. His stride is long, powerful, and quick. “Hi.” Why I said this, I do not know. He’s cute. Okay. I am a sucker for cute boys and he was nice to Issie. Plus, he has good hair and he isn’t as pale as most Maine males. He looks like he works in the sun, or at least has seen the sun once, maybe many weeks ago. Plus, life is all supposed to be about making love, not war. My dad listened to John Lennon; I know this stuff. “You’re fast,” he says, easy. No huffing. No puffing. No blowing the house down. “So are you.” We run together, keeping pace. The only one ahead of us is Ian, who is loping around the track as if it’s nothing. Nick shrugs at me while he runs, which is really something, because when I’m running full tilt it’s hard for me to speak, let alone break form to shrug. “You can go faster, can’t you?” I huff out. He just gives a little smile again and then his eyes shift into something cold, like gravestones with just the barest information about a life etched onto them. “Zara,” he whisper-says. I lean in closer to hear him. “What?” My voice is not a whisper. It matches the thudding beat of my heart, the bass of the music that blares out of the speakers. “Awesome job, new girl!” Devyn yells, clapping.
Carrie Jones (Need (Need, #1))
My regular rowing kept me from falling into depression. I am actively involved in a rowing club near my home and our group travel to different places on rowing expeditions; frequently to Asia and parts of Australia, New Zealand and Tasmania. This assertive exercise assisted my wellbeing enormously during the early months of Albert’s passing. Being at one with nature is a staggeringly positive way to heal the aching heart and connecting with a group of likeminded compatriots eased my pain, during those long lonely evenings without my life partner. I have long given up those bacchanalian years of debauchery and one night stands. I prefer friends and companions I can talk intimately with. Several of my friends had asked me to give online dating a try but I’m hesitant. I believe that the appropriate time will arrive for the right person to manifest, without any desperate attempts on my part to go cruising for a warm body to share my bed. Maybe, the universe has bought us together for a reason after such a lengthy absence. I firmly believe that our reunion is not by coincidence but by universal design. I suppose the best way to find out is to live and let live and the rest will take care of itself.
Young (Unbridled (A Harem Boy's Saga, #2))
me. “Well, I know one thing about my twins. They’re not going to be models. I already tried them out for catalogue work. Within the first ten minutes, Orianthe informed me that she doesn’t like to do boring things and that modelling’s boring. And she’s not going to let her brother do boring things either.” I laughed. The cries of the twins pealed down the hallway as they bounded inside and called Jessie’s name. They must have discovered she was home. “Hey, where’s the pup?” I asked Pria. “Can I see him? Jessie said he’s growing big.” Immediately, Pria rolled her eyes and made a low disparaging sound. “I sent Buster out with the dog walker as soon as I knew Kate was coming over with the kids. He’d knock them flying. Wish I’d never bought him, to tell you the truth. After the break-in, I wanted a watchdog, but I should have paid more attention to the breed. He’s damned strong—even though he’s only nine months old. And he snaps. To tell you the truth, I’m a bit scared of the mutt. I’m having a dog trainer try to rein him in, but if that doesn’t work, he’s gone.” “What a shame,” I said. “Jess told me she’d like to walk the dog sometimes, but that’s not sounding good.” “Nope. The only thing I got right about him is his name. Because Buster has busted everything from doors to shoes.” She shook her head, a sorry smile on her face. The sound of the three children playing became too much. Tommy had once run through this house, too. I stayed for a while longer then made an excuse to leave.     29.                 PHOEBE   Tuesday night   STORM CLOUDS PUSHED INTO THE SKY, making the day darken a good hour before the incoming night. The heavy atmosphere pressed down on me. I opened the window of my bedroom upstairs at Nan’s house, letting the chill air stream in. I could only just catch a glimpse of the water from here. An enormous cruise liner dominated the harbour, staining the water red and blue with its lights. Maybe my small step in seeing Pria and Kate earlier had helped my frame of mind, but I didn’t feel it yet. I was back at square one. I began pacing the room, feeling unhinged. Things were all so in between. Dr Moran hadn’t succeeded in jogging my memory about the letters. She’d said she didn’t think it was possible to do all that I’d done in sleepwalking sessions and so the memory should still be in my mind somewhere. True sleepwalkers rarely remembered their dreams. Not remembering any of it was the most disturbing thing of all. It wasn’t the first time I’d forgotten things. With the binge drinking and the trauma of losing Tommy, there were gaps in my memory. But not a fucking chasm. And forgetting the writing of three notes and delivering them was a fucking chasm. Nan called me for dinner, and we ate the pumpkin soup together. I’d tried watching one of her sitcoms with her after that, but I gave up halfway through. I headed back upstairs. Surprisingly, I was tired enough to sleep. I crawled into bed and let myself drift off. I woke just before four thirty in the morning. The temperature had plummeted—I guessed it was below ten degrees. I’d been dreaming. The dream had been of the last day that Sass, Luke, Pria, Kate,
Anni Taylor (The Game You Played)
The China National Space Agency (created in 1993) may be the formal NASA equivalent, facilitating international agreements and cooperation, but it still operates in tandem with the PLA and is involved in the defense industry.12 The China Aerospace Science and Industry Corporation, a state-owned company, specializes in tactical ballistic missiles, anti-ship missiles, land-attack cruise missiles, anti-satellite interceptors, and small tactical satellites. The China Aerospace Science and Technology Corporation produces launch vehicles and large satellites. Both of these organizations operate closely together.
Gordon Chang (The Journal of International Security Affairs, Fall/Winter 2013)
Downstairs, Angelina rummaged through Mrs. Capuccio's refrigerator and found some pumpernickel bread, the end of a smoked pork roast, and a half a pound of Swiss cheese. She started thinking of the kinds of food she'd miss making most if she were stuck in bed most of the day, and she immediately thought deli. She cruised the refrigerator shelves and found some India relish, which she mixed together with a bit of ketchup and mayonnaise to make an improvised Thousand Island dressing. When she found a little can of sauerkraut in the cupboard, she knew she had a winner. She cooked up a Reuben sandwich in a cast-iron skillet, brewed a strong cup of tea with two sugars and a drop of milk, and brought it up to the room on a tray with some dill pickle slices on the side.
Brian O'Reilly (Angelina's Bachelors)
At the cruising height, Charlie could see how little light still burned in the country below. So much of the land cloaked in darkness. All the space between cities and towns, connecting mountains to rivers, shore to shore. The darkness held America together. Looking down at a black immensity, Charlie saw the darkness as its own kind of beauty, experiencing for once the full shape of it, its beginning endless, its end ceaselessly moving. A form that held all the power of the universe and, without sound or grievance, gave every bit of that power all away. For once, Charlie admired the darkness down there and in himself until that deep black reached out, swallowed his eyes, and carried him off to sleep.
Cebo Campbell (Sky Full of Elephants)
THE CITY Our story begins in a city, with buildings and streets and bridges and parks. Humans were strolling, automobiles were driving, airships were flying, robots were hard at work. Weaving through the city streets was a delivery truck. The truck knew where to go, and how to get there, all by itself. It pulled up to a construction site and automatically unloaded some crates. A few more turns and it unloaded more crates down at the docks. The truck zigged and zagged across the city, delivering crates as it went, and then it merged onto a highway. Cars and buses and trucks were cruising along the highway together. But as the delivery truck continued, the traffic became lighter, the buildings became smaller, and the landscape became greener. With nothing but open road ahead, the truck accelerated to its top speed. The landscape outside was now just a green blur, occasionally broken by a flicker of gray as a town flew past. On and on the delivery truck went, racing over long bridges, shooting through mountain tunnels, gliding down straight stretches of highway, until it started to slow. It drifted from the fast lane to the exit lane, and then it rolled down a ramp and into farm country. Clouds of dust billowed up behind the truck as it drove past fields and fences. In the hazy distance, enormous barns loomed above the plains. The air was thick with the smells of soil and livestock. Robot crews methodically worked the crops and fed the animals and operated the massive farm machines. A hill gradually climbed into view. The hill was crowned with
Peter Brown (The Wild Robot Escapes (The Wild Robot, #2))
At the cruising height, Charlie could see how little light still burned in the country below. So much of the land cloaked in darkness. All the space between cities and towns, connecting mountains to rivers, shore to shore. The darkness held America together. Looking down at a black immensity, Charlie saw the darkness as its own kind of beauty, experiencing for once the full shape of it, its beginning endless, its end ceaselessly moving. A form that held all the power of the universe and, without sound or grievance, gave every bit of that power all away. For once, Charlie admired the darkness down there and in himself until that deep black reached out, swallowed his eyes, and carried him off to sleep.
Cebo Campbell (Sky Full of Elephants)
The streets, rimmed with filth and plagued by icy puddles, were polished by a cold rain that rode a bitter southeasterly out of skies gone leaden and gray. Buildings, huddled together as though for warmth, seemed to close in on either side of him, growing darker, seedier, sadder as he neared the waterfront. The wind blew hard, and he shifted the small white bundle he carried under his arm to protect it from the elements. Already he could smell the Solent; a moment later he could see its frothy expanse, and the anchored ships riding a chain of cruising whitecaps. He pulled up the collar of his boat cloak,
Danelle Harmon (Master of My Dreams (The Noble Lords, #1))
We were just a bunch of scared and overly zealous kids grasping for a future we had all been promised, only to find out when we got there it had been reverse mortgaged so our spawners could go on cruises and never retire, just for fun. We did everything we were told to do. “Go to college so you don’t flip burgers!” our parents would say in liturgical unison. And all the politicians said, “Amen!” with raging boners over the interest we would be paying until the day we died of a preventable ailment. In the beginning, we never even questioned why we disparaged the culinary artists who prepared our meals, nor did we anticipate that we would all soon be fighting on the same battlefield together begging for table scraps. Comrades in arms of a war we didn’t even start. We were casualties of a massive game of Craps our parents were playing with the economy, betting their odds against our planet, our gains, our jobs, our education, our healthcare, our future. We were bitter millennials long before they even told us we had a title.
Nathan Monk (All Saints Hotel and Cocktail Lounge)
nowhere near even.” I crossed my arms and studied her. “And have you figured your life out?” Samantha drummed her black nails on the counter. “Fuck no.” I winced. “See, this is why I gave you the twenty.” “Keep it up, and Matthew’s college fund will be all set,” she joked. After a quiet moment passed, she said, “In all seriousness, I know you told us that you were only planning to spend three or four months here, but don’t feel rushed. You take all the time you need. I mean, you have become Charleston’s favorite bartender. Who knew you had Tom Cruise’s skills from Cocktail?” “You’re a horrible liar.” I had a lot of skills, none of which helped behind a bar. “I appreciate your offer to stay longer, but you two close the bar in the winter, and I think it’s time I part ways.” “Well, what about going to Charlotte? I’m sure your mother would love to see you.” She clasped her palms together. “Heading home is definitely not the plan.” I owed her a visit, sure. But . . . “So, then . . . what do you
Brittney Sahin (Until You Can't)
You must have always wondered why your father and I stayed together for as long as we did,” my mother said—to me, I guessed, although she was looking at the hole. This surprised me even more than the eulogy. In fact, I had not wondered this at all. I had not ever even considered my parents’ not staying together a possibility. I had not ever even considered my wife and me not staying together a possibility either until it actually happened. But I didn’t say this to my mother. I wanted there to be peace between the living and the dead and also between the living and the living. “Why does anyone stay together for as long as they do?” I asked—rhetorically, I thought, although my mother answered anyway. “God,” she said, “family, fear, loyalty, sex, security, compassion, companionship, complacency, children, guilt, money, real estate, health insurance, not wanting to eat alone, not wanting to go on vacation alone, not wanting to watch television alone, not wanting to drink alone, not wanting to go on cruises alone, not wanting to go on cruises at all, not wanting to leave one person and find another person who then wants to go on cruises, not wanting to leave a person and not find another person at all, not wanting to find another person, not knowing what you want, not knowing what your problem is, love.
Brock Clarke (Who Are You, Calvin Bledsoe?: A Novel)
Getting back together with you guys has been the best Christmas present I’ve had in years” “Maybe that’s because you’re Jewish and celebrate Hanukkah
Fern Michaels (Santa Cruise (Santa's Crew #1))
It can be difficult for contemporary commentators to appreciate the place that hymns occupied in the lives of typical Edwardians. They were not indicators of doom and gloom but of hope and joy. They were also a register of commonly held assumptions about the most important issues in life. The difference between the early twentieth century and the early twenty-first century can be illustrated by Elizabeth Nye’s reminiscence: “On Sunday the 14th it became very cold. We couldn’t stay out on deck so we all came together in the dining room for a hymn sing.” It’s hard to imagine passengers on a twenty-first-century cruise liner opting for such an alternative.
Steve Turner (The Band That Played On: The Extraordinary Story of the 8 Musicians Who Went Down with the Titanic)
You should see the latest computer-generated movies featuring the long-gone old stars with the new. I've watched the video of Arizona Sunset at least a dozen times." "Who plays the leads?" "Humphrey Bogart, Lionel Barrymore, Marilyn Monroe, Julia Roberts, and Tom Cruise. It's so real, you'd swear they all acted together on the set.
Clive Cussler (Inca Gold (Dirk Pitt, #12))
Yogurt is good for you. And it’s just one spoon,” Sharpcot had replied, but this stack summoned a billion voices, all of them saying in a chorus, “Just one spoon.” From kids’ lunches and store shelves and desk drawers and airline meal packs, in every country of the world: Canada and the United States and Nicaragua and Uruguay and Argentina and Ireland and Burkina Faso and Russia and Papua New Guinea and New Zealand and very probably the Antarctic. Where wasn’t there disposable cutlery? Plastic spoons in endless demand, in endless supply, from factory floors where they are manufactured and packaged in boxes of 10 or 20 or 100 or 1000 or individually in clear wrap, boxed on skids and trucked to trains freighting them to port cities and onto giant container ships plying the seas to international ports to intercity transport trucks to retail delivery docks for grocery stores and retail chains, supplying restaurants and homes, consumers moving them from shelf to cart to bag to car to house, where they are stuck in the lunches of the children of polluting parents, or used once each at a birthday party to serve ice cream to four-year-olds where only some are used but who knows which? So used and unused go together in the trash, or every day one crammed into a hipster’s backpack to eat instant pudding at his software job in an open-concept walkup in a gentrified neighbourhood, or handed out from food trucks by the harbour, or set in a paper cup at a Costco table for customers to sample just one bite of this exotic new flavour, and so they go into trash bins and dumpsters and garbage trucks and finally vast landfill sites or maybe just tossed from the window of a moving car or thrown over the rail of a cruise ship to sink in the ocean deep.
B.H. Panhuyzen (A Tidy Armageddon)
What I admired most about A Few Good Men was the originality Aaron Sorkin and Rob Reiner showed by not having my character and Tom’s get involved in anything romantic, or even unprofessional. There was an expectation at that time on the part of studios and audiences that if an attractive woman showed up on film, it was only a matter of time before you saw her in bed with the leading man, or at least half naked. But Rob and Aaron had the nerve to buck that convention: they thought this story was about something else, and they were right. Years later Aaron told a film school class: “The whole idea of the movie was that these young lawyers were in way over their heads and two Marines were on trial for their lives, so if Tom Cruise and Demi Moore take time out to roll in the hay, I just didn’t think we would like them as much for doing that.” Sorkin said he wrote to an exec who had been lobbying hard for a sex scene. “I’ll never forget what the executive wrote back, which was, ‘Well if Tom and Demi aren’t going to sleep together why is Demi a woman?’ and that completely stumped me.” I loved that my character didn’t rely on her sex appeal, which was certainly something I hadn’t encountered very often in my roles. They presented a woman who was valuable to her colleagues—and to the story itself—because of her competence.
Demi Moore (Inside Out)
At what point in our relationship will you give in, Ari? How many years would we need to be together before you would feel comfortable telling the world about us?
Sian Ceinwen (The Album (Cruise Control #1))
The difference between the early twentieth century and the early twenty-first century can be illustrated by Elizabeth Nye’s reminiscence: “On Sunday the 14th it became very cold. We couldn’t stay out on deck so we all came together in the dining room for a hymn sing.” It’s hard to imagine passengers on a twenty-first-century cruise liner opting for such an alternative.
Steve Turner (The Band That Played On: The Extraordinary Story of the 8 Musicians Who Went Down with the Titanic)
When I don’t immediately reply, she punches me in the arm. “Ow, what the hell?! Just give me a minute!” I yell at her. “Yeah, that’s it! Get mad!” she demands, punching me again. “SON OF A BITCH, I WANT YOUR COCK IN MY PUSSY!” I shout at the top of my lungs, glaring at her as I rub the spot on my arm that already feels like it’s bruising. “BEND ME OVER THE COUCH AND FUCK ME HARD!” Ariel screams, threatening me with her fist held up in the air. “BEND ME OVER THE COUCH AND FUCK ME HARD!” Ariel claps her hands together in glee and bounces up and down on her stool. “Oh my God this is so much fun! It’s like having my very own wind-up, talking hussy doll. I WANT TO LICK YOUR BALLS!” “I WANT TO LICK YOUR BALLS!” I immediately shout back, starting to get the hang of this and not even a little bit embarrassed by the things coming out of my mouth now. “FUCK ME HARDER, LICK MY PUSSY, PUT YOUR DICK IN MY MOUTH, STICK IT IN MY ASS, TOSS MY MOTHERFUCKING SALAD!” Ariel immediately stops clapping and looks at me with wide eyes. “What? Too far?” I ask. “Jesus, way too far. I know I told you to cruise around on Urban Dictionary to pick up some new words, but that was clearly a mistake.
Tara Sivec (At the Stroke of Midnight (The Naughty Princess Club, #1))
What Death Is Whenever the weather is half-decent, my dad and his motorcycle are one—cruising up the back roads into the Virginia hills in search of a lunch spot with the best fried chicken. And, on certain warm weekends, for twenty minutes or so around town, my dad and his motorcycle and Benny are one. Freddy has no interest in the bike—he has hated the noise since he was a baby—but Benny has the bug, the need for speed as he and my dad like to say, giving each other five. My broken skeleton and I stay home these days. It’s not like me to allow something so reckless as my kid on a motorcycle. Of course they wear helmets and my Dad is a paragon of safety, but this is objectively not a prudent idea—or possibly even a legal one. It’s something else completely: perilous and fantastic. I think of the five-point harness booster seat in my car and wonder at the incredible contortions that logic can do. I love watching Benny’s arms wrapped firm at my dad’s waist. Benny tells me his favorite part about it is that he likes to holler really loudly when they are going fast. “I scream whooooo-eeeeeeee up into the air and it makes me feel good!” My dad tells me that one time, on one of their more ambitious outings—about fifteen minutes in to a smooth ride just outside town—he could feel Benny’s arms start to slacken their grip. And he could feel the helmet resting on his back. Benny was falling asleep. “Come on, Benny—stay with me!” he said, jostling his torso gently to try to wake him up without startling him. Benny woke up. “You can’t do that again,” my dad said as they waited at a red light. “It’s not safe. You have to stay awake so you can hold on.” “But it sure felt good,” said Benny, who was able to hold it together the rest of the way home. I think of this feeling sometimes—and I can imagine that sort of letting go: warm, dangerous, seductive. What if this is what death is: The engine beneath you steady; those that hold you strong; the sun warm? I think maybe it wouldn’t be so bad to fall into that, to loosen the grip at the waist, let gravity and fate take over—like a thought so good you can’t stop having it.
Nina Riggs (The Bright Hour: A Memoir of Living and Dying)
Banana Nut Bread Recipe Ingredients 2 eggs 1-1/2 cups sugar ½ cup shortening 1 tsp. vanilla 3 cups flour 2 tsp. baking soda ½ tsp salt 2/3 cup sour milk 3 very ripe bananas ½ cup chopped pecans or walnuts (optional) *Preheat oven to 325 degrees 1. In large bowl, cream together sugar and shortening.  Add eggs and vanilla.  Mix well. 2. In separate bowl, mix flour, baking soda and salt 3. Add dry mixture to the creamed mixture of eggs, sugar and shortening, alternating between that and the sour milk and bananas until all are well mixed. 4. Add nuts, if desired. 5. Pour into two lightly greased bread pans. 6. Bake at 325 degrees for one hour or until toothpick, inserted in center of pan, comes out clean. 7. Cool for 15 minutes or drizzle with optional topping (recipe below) Orange Drizzle (optional) Bake bread as directed above. Let cool for 10 minutes Mix: 1 cup powdered sugar, 3 tbsp. fresh orange juice and 1 tsp grated orange rind. Drizzle evenly over warm bread.
Hope Callaghan (Cruise Ship Series #1-3)
Author Alix Kates Shulman describes her experience this way in her memoir Drinking the Rain: I was sitting alone on the downtown subway on my way to pick up the children at their after-school music classes. The train had just pulled out of the 23rd Street station and was accelerating to its cruising speed … Then suddenly, the dull light in the car began to shine with exceptional lucidity until everything around me was glowing with an indescribable aura, and I saw in the row of motley passengers opposite the miraculous connection of all living beings. Not felt; saw. What began as a desultory thought grew into a vision, larger and unifying, in which all the people in the car hurtling downtown together, including myself, like all the people on the planet hurtling together around the sun—our entire living cohort—formed one united family, indissolubly connected by the rare and mysterious accident of life. No matter what our countless superficial differences, we were equal, we were one, by virtue of simply being alive at this moment out of all the possible moments stretching endlessly back and ahead. The vision filled me with overwhelming love for the entire human race and a feeling that no matter how incomplete or damaged our lives, we were surpassingly lucky to be alive. Then the train pulled into the station and I got off.
Sharon Salzberg (Real Love: The Art of Mindful Connection)
suggest that, together with the safety factors built into Outward Leg—the self-righting system, and the cool-tubes to prevent capsize—we realized at St. Croix that what we had under our feet was one of the fastest, and one of the safest, cruising vessels afloat under sail.
Tristan Jones (Outward Leg)
Our first day’s run out of Pampatar was our best day’s run to date on the whole voyage from San Diego—171 miles. That’s over the twenty-four hours noon to noon. The second day’s run beat it—174 miles. On the evening of the third day out we were at anchor in Frederiksted, on the island of St. Croix. That’s 420 miles in sixty hours. That’s the crossing of the Caribbean Sea, from south to north, in two and a half days. That’s flying. Total fuel consumption—one pint of diesel oil to charge batteries. Breakages, nil; and that was a fully loaded trimaran—loaded to traditional, oceangoing monohull standards and more. There were, don’t forget, three months’ supplies of canned food for three men on board, plus the remaining dried and packaged food, say six weeks’ supply, plus eighty-two gallons of cheap diesel fuel and eighty-two gallons of fresh water, plus all our personal effects, the three of us, together with the ship’s equipment. That was a total payload of around four tons. I suggest that this is the most important statistic, besides the speed of the passage, in this account. I suggest that, together with the safety factors built into Outward Leg—the self-righting system, and the cool-tubes to prevent capsize—we realized at St. Croix that what we had under our feet was one of the fastest, and one of the safest, cruising vessels afloat under sail. Hitherto multihulls had been considered as either hair-shirt racing craft, for speed-drunk masochists with tiny appetites, or boxy floating sheds for short cruises and always downwind, because they were thought—and quite rightly in most instances—to have the windward ability of Carnegie Hall.
Tristan Jones (Outward Leg)