Dried Branches Quotes

Thunder rumbled. My heart beat faster. I turned away from Evernight for the last time and looked back at the flower as it trembled upon its branch. A single petal was torn away by the wind. Pushing my hands through the thorns, I felt lashes of pain across my skin, but i kept going determined. But when my fingertip touched the flower, it instantly darkened, withering and drying as each petal turned black.

He is very fond of me, almost too fond. I could do with less caressing and more rationality. I should like to be less of a pet and more of a friend, if I might choose; but I won't complain of that: I am only afraid his affection loses in depth where it gains in ardour. I sometimes liken it to a fire of dry twigs and branches compared with one of solid coal, very bright and hot; but if it should burn itself out and leave nothing but ashes behind.

What are the roots that clutch, what branches grow Out of this stony rubbish? Son of man, You cannot say, or guess, for you know only A heap of broken images, where the sun beats, And the dead tree gives no shelter, the cricket no relief, And the dry stone no sound of water. Only There is shadow under this red rock, (Come in under the shadow of this red rock), And I will show you something different from either Your shadow at morning striding behind you Or your shadow at evening rising to meet you; I will show you fear in a handful of dust.

A man doesn't have time in his life to have time for everything. He doesn't have seasons enough to have a season for every purpose. Ecclesiastes Was wrong about that. A man needs to love and to hate at the same moment, to laugh and cry with the same eyes, with the same hands to throw stones and to gather them, to make love in war and war in love. And to hate and forgive and remember and forget, to arrange and confuse, to eat and to digest what history takes years and years to do. A man doesn't have time. When he loses he seeks, when he finds he forgets, when he forgets he loves, when he loves he begins to forget. And his soul is seasoned, his soul is very professional. Only his body remains forever an amateur. It tries and it misses, gets muddled, doesn't learn a thing, drunk and blind in its pleasures and its pains. He will die as figs die in autumn, Shriveled and full of himself and sweet, the leaves growing dry on the ground, the bare branches pointing to the place where there's time for everything.

Tell me about the hands that broke you like tree branches. Tell me about the heart that made you a home, the barren soul that used your dry bones like kindling in the middle of winter. Tell me about the house fire, the ashes which you rose from. Tell me about your resurrection - but don't you dare tell me that you are not strong enough this time, don't you dare tell me that you cannot rise again, and again, and again.

Soon the trees affected not only her mood but her understanding. Each year a trunk put on a new ring of growth, and within those rings she found the tree's own story. She listened to the scent of it, the feel, the sound, and her mind gave it words- soil, water, sap, light...and before, night and rain, dry and sun, wind and night...the drowsy stillness of leaves in a rainfall, the sparkling eagerness of leaves in the sun, and always the pulling up of the branches, the tugging down of the roots, the forever growing in tow directions, joing sky and soil, and a center to keep it strong... -Rin, Forest Born

We were in the autumnlands. Dim as it was, the forest glowed. The golden leaves flashing by blazed like sparks caught in the updraft of a fire. A scarlet carpet unrolled before us, rich and flawless as velvet. Rising from the forest floor, the black, tangled roots breathed a bluish mist that reduced the farthest trees' trunks to ghostly silhouettes, yet left their foliage's luminous hues untouched. Vivid moss speckled the branches like tarnished copper. The crisp spice of pine sap infused the cool air over a musty perfume of dry leaves. A knot swelled in my throat. I couldn't look away. There was too much of it, too fast. I'd never be able to drink it all in...

woods. The road was still paved with yellow brick, but these were much covered by dried branches and dead leaves from the trees, and the walking was not at all good. There were few

She felt like a dry branch, sticking out of the air. Brittle, covered in old bark. Maybe she was thirsty, but there was no water nearby. And above all the suffocating certainty that if a man were to embrace her at that moment she would feel not a soft sweetness in her nerves, but lime juice stinging them, her body like wood near fire, warped, crackling, dry.

An execution carried out in secrecy is no better than lynching from a dry branch.

The tinker in his burial tree was a wonder to the birds. The vultures that came by day to nose with their hooked beaks among his buttons and pockets like outrageous pets soon left him naked of his rags and flesh alike. Black mandrake sprang beneath the tree as it will where the seed of the hanged falls and in spring a new branch pierced his breast and flowered in a green boutonnière perennial beneath his yellow grin. He took the sparse winter snows upon what thatch of hair still clung to his dried skull and hunters that passed that way never chanced to see him brooding among his barren limbs. Until wind had tolled the thinker's bones and seasons loosed them one by one to the ground below and his bleached and weathered brisket hung in that lonesome wood like a bone birdcage.

The air was fresh and crisp and had a distinct smell which was a mixture of the dried leaves on the ground and the smoke from the chimneys and the sweet ripe apples that were still clinging onto the branches in the orchard behind the house.

Who can say what they’d have done in her situation. She’s stronger than she knows. I tried to tell her that every day, too.” “Was that the truth?” Grant asks. Joseph smiles. “You ever see a tree that’s dying, it’s nothing but a bunch of dried out branches? You can talk to this tree, tell it all about how its leaves are growing green and healthy. Then you sit back and watch how it changes.

During the night a fine, delicate summer rain had washed the plains, leaving the morning sky crisp and clean. The sun shone warm—soon to bake the earth dry. It cast a purple haze across the plain—like a great, dark topaz. In the trees the birds sang, while the squirrels jumped from branch to branch in seeming good will, belying the expected tension of the coming days.

Crossing the Swamp" Here is the endless wet thick cosmos, the center of everything—the nugget of dense sap, branching vines, the dark burred faintly belching bogs. Here is swamp, here is struggle, closure— pathless, seamless, peerless mud. My bones knock together at the pale joints, trying for foothold, fingerhold, mindhold over such slick crossings, deep hipholes, hummocks that sink silently into the black, slack earthsoup. I feel not wet so much as painted and glittered with the fat grassy mires, the rich and succulent marrows of earth—a poor dry stick given one more chance by the whims of swamp water—a bough that still, after all these years, could take root, sprout, branch out, bud— make of its life a breathing palace of leaves.

There is an Eastern fable, told long ago, of a traveller overtaken on a plain by an enraged beast. Escaping from the beast he gets into a dry well, but sees at the bottom of the well a dragon that has opened its jaws to swallow him. And the unfortunate man, not daring to climb out lest he should be destroyed by the enraged beast, and not daring to leap to the bottom of the well lest he should be eaten by the dragon, seizes s twig growing in a crack in the well and clings to it. His hands are growing weaker and he feels he will soon have to resign himself to the destruction that awaits him above or below, but still he clings on. Then he sees that two mice, a black one and a white one, go regularly round and round the stem of the twig to which he is clinging and gnaw at it. And soon the twig itself will snap and he will fall into the dragon's jaws. The traveller sees this and knows that he will inevitably perish; but while still hanging he looks around, sees some drops of honey on the leaves of the twig, reaches them with his tongue and licks them. So I too clung to the twig of life, knowing that the dragon of death was inevitably awaiting me, ready to tear me to pieces; and I could not understand why I had fallen into such torment. I tried to lick the honey which formerly consoled me, but the honey no longer gave me pleasure, and the white and black mice of day and night gnawed at the branch by which I hung. I saw the dragon clearly and the honey no longer tasted sweet. I only saw the unescapable dragon and mice, and I could not tear my gaze from them. and this is not a fable but the real unanswerable truth intelligible to all. The deception of the joys of life which formerly allayed my terror of the dragon now no longer deceived me. No matter how often I may be told, "You cannot understand the meaning of life so do not think about it, but live," I can no longer do it: I have already done it too long. I cannot now help seeing day and night going round and bringing me to death. That is all I see, for that alone is true. All else is false. The two drops of honey which diverted my eyes from the cruel truth longer than the rest: my love of family, and of writing -- art as I called it -- were no longer sweet to me. "Family"... said I to myself. But my family -- wife and children -- are also human. They are placed just as I am: they must either live in a lie or see the terrible truth. Why should they live? Why should I love them, guard them, bring them up, or watch them? That they may come to the despair that I feel, or else be stupid? Loving them, I cannot hide the truth from them: each step in knowledge leads them to the truth. And the truth is death.

Then the Unlight of Ungoliant rose up even to the roots of the trees, and Melkor sprang upon the mound; and with his black spear he smote each Tree to its core, wounded them deep, and their sap poured forth as it were their blood, and was spilled upon the ground. But Ungoliant sucked it up, and going then from Tree to Tree she set her black beak to their wounds, till they were drained; and the poison of Death that was in her went into their tissues and withered them, root, branch, and leaf; and they died. And still she thirsted, and going to the Wells of Varda she drank them dry; but Ungoliant belched forth black vapours as she drank, and swelled to a shape so vast and hideous that Melkor was afraid.

A dry white branch of lightning cracked off from the sky and hit the horizon, then evaporated. I did what any sensible person would do. I put on my sunglasses.

Plato once said that pain restores order to the soul. Rumi said that it lops off the branches of indifference. “The throbbing vein / will take you further / than any thinking.”14 Whatever else it does, pain offers an experience of being human that is as elemental as birth, orgasm, love, and death. Because it is so real, pain is an available antidote to unreality—not the medicine you would have chosen, perhaps, but an effective one all the same. The next time you are in real pain, see how you feel about television shows, new appliances, a clean house, or your resumé. Chances are that none of these will do anything for you. All that will do anything for you is some cool water, held out by someone who has stopped everything else in order to look after you. An extra blanket might also help, a dry pillow, the simple knowledge that there is someone in the house who might hear you if you cried.

There is a rustle of dead leaves. Dried sap, a branch crack, the whirring teeth of Mr. Omaru's saw. My father--my real father--is a limb that got axed off the family tree a long time ago now. My mother coughs and cleans phantom juices off her silver with a cloth doily. My sisters clench their knives.

Ouma Nella’s quotes p 144 -146 “Man, if you don’t know where you going, any road will bring you there.” “It don’t matter how far a river run. It never forget where it come from. That is all that is important.” “No matter if it’s wet or dry,” she grunt. “As long as you keep a green branch in your heart, there will always be a bird that come to sing in it.” “It’s no use crying in the rain, my child, because no one will see your tears. “Don't think you can climb two trees at the same time just because you got two legs.” “Ouma Nella, where am I not?” “But you’re right here with me, Philida. So there’s many places where you’re not.” “Tell me where those places are. I got to know. So I can go and look for myself.

In the Old Testament…God is the owner of the vineyard. Here He is the Keeper, the Farmer, the One who takes care of the vineyard. Jesus is the genuine Vine, and the Father takes care of Him…In the Old Testament it is prophesied that the Lord Jesus would grow up before Him as a tender plant and as a root out of the dry ground. Think how often the Father intervened to save Jesus from the devil who wished to slay Him. The Father is the One who cared for the Vine, and He will care for the branches, too.

Tradition looks at a traditional civilization as a tree. The root of the tree is permanent and firm in the ground of revelation, but the branches grow in different seasons and in different directions. Tradition does not deny the fact that if you have a harsh and dry winter, the next spring you have fewer flowers and that if you have a winter with more agreeable conditions, you will have more flowers.

desert place! Here let us all for death prepare, Or on the last great journey fare;320 Of Ráma our dear lord bereft, What profit in our lives is left? Huge trunks of trees around us lie, With roots and branches sere and dry, Come let us set these logs on fire And throw our bodies on the pyre.

Her cackled speech began like dry branches crackling on a fire. Then, one by one, someone threw fireworks into the flames. It was surprising that such a colorless woman could bang and whoosh and kerplonk with such splendor. We were all exhausted when she finished, and enjoyed the brief silence.

But we would emerge from our shelter, for the rain was playing a game, now, among the branches, and, even when it was almost dry again underfoot, a stray drop or two, lingering in the hollow of a leaf, would run down and hang glistening from the point of it until suddenly it splashed plump upon our upturned faces from the whole height of the tree.

Mr Honeyfoot and Mr Segundus, being magicians themselves, had not needed to be told that the library of Hurtfew Abbey was dearer to its possessor than all his other riches; and they were not surprized to discover that Mr Norrell had constructed a beautiful jewel box to house his heart's treasure. The bookcases which lined the walls of the room were built of English woods and resembled Gothic arches laden with carvings. There were carvings of leaves (dried and twisted leaves, as if the season the artist had intended to represent were autumn), carvings of intertwining roots and branches, carvings of berries and ivy – all wonderfully done. But the wonder of the bookcases was nothing to the wonder of the books.

the dry wind soughed again through the trees, stirring branches as it moved like an invisible spirit through the forest. With the susurration came another thought,

What are the roots that clutch, what branches grow Out of this stony rubbish? Son of man, You cannot say, or guess, for you know only A heap of broken images, where the sun beats, And the dead tree gives no shelter, the cricket no relief, And the dry stone no sound of water. Only There is shadow under this red rock, (Come in under the shadow of this red rock), And I will show you something different from either Your shadow at morning striding behind you Or your shadow and evening rising to meet you; I will show you fear in a handful of dust.

It's like this, Bunny Boy, if you walk up to an oak tree or a bloody elm or something - you know, one of those big bastards - one with a thick, heavy trunk with giant roots that grow deep in the soil and great branches that are covered in leaves, right, and you walk up to it and give the tree a shake, well, what happens?' (...) 'I really don't know, Dad,' (...) 'Well, nothing bloody happens, of course!' (...) 'You can stand there shaking it till the cows come home and all that will happen is your arms will get tired. Right?' (...) 'Right, Dad,' he says. (...) 'But if you go up to a skinny, dry, fucked-up little tree, with a withered trunk and a few leaves clinging on for dear life, and you put your hands around it and shake the shit out of it - as we say in the trade - those bloody leaves will come flying off! Yeah?' 'OK, Dad,' says the boy (...) 'Now, the big oak tree is the rich bastard, right, and the skinny tree is the poor cunt who hasn't got any money. Are you with me?' Bunny Junior nods. 'Now, that sounds easier than it actually is, Bunny Boy. Do you want to know why?' 'OK, Dad.' 'Because every fucking bastard and his dog has got hold of the little tree and is shaking it for all that it's worth - the government, the bloody landlord, the lottery they don't have a chance in hell of winning, the council, their bloody exes, their hundred snotty-nosed brats running around because they are too bloody stupid to exercise a bit of self-control, all the useless shit they see on TV, fucking Tesco, parking fines, insurance on this and insurance on that, the boozer, the fruit machines, the bookies - every bastard and his three-legged, one-eyed, pox-riden dog are shaking this little tree,' says Bunny, clamping his hands together and making like he is throttling someone. 'So what do you go and do, Dad?' says Bunny Junior. 'Well, you've got to have something they think they need, you know, above all else.' 'And what's that, Dad?' 'Hope... you know... the dream. You've got to sell them the dream.

Her wild race caused the dried-up ferns, thorny plants, and low-hung tree branches—away from the lake—to grab at our clothing in the mad dash over the narrow packed dirt through the trees.

He leaned forward, eyes gleaming with enthusiasm. As he spoke, he lifted the kettle from the oil flame and poured steaming water into the cup and a bowl. Ginger and cinnamon wafted toward me. “All of time, every sliced instant of it, is rich with vertices of choices. One becomes accustomed to that, to the point at which sometimes even I have to stop and remind myself that I am making choices, even when I do not seem to be. Every indrawn breath is a choice. But sometimes one is reminded of that forcibly, sometimes I meet a person so laden with possibilities and potential that the mere existence of such a being is a jolt to reality. You are like that, still, to me. The sheer improbability of your existence took my breath away. … Yet here you are, with me still, defying the odds by existing. And by your existence, with every breath you take, you change all time. You are like a wedge driven into dry wood. With every beat of your heart, you are pounded deeper into ‘what might be’ and as you advance, you crack the future open, and expose a hundred, a thousand new possibilities, each branching into another hundred, another thousand.” p. 264 The Fool to Fitz

Food was becoming more abstract, more aestheticized and compartmentalized-- and indeed, after kaiseki, who can ever go back to Burger King, or even a well-made gourmet sandwich? Instead of food, I longed for other things to swell my body and buoy its lines--- lists of ancient queens, the grave and stately names for the forgotten regions of the sea, the imagined words for desire in hermetic languages; food, on the other hand, was leaving me increasingly unmoved.... I grew thinner and thinner, streamlined, my blood nourished by ever-slighter molecules, some kind of pale elongated light running the length of my body, nightmares detouring it in the most starved, and so-lightly blue-black-bruised, corners of my flesh. In this state of non-health, every step became a performance, each stride an act of contrition, a question and an answer.... On the once-dry, now-flowering branches of my skeletal limbs, the words sight, hearing, taste, smell, and touch were being invisibly but indelibly written. I was a festival of new senses.

The stars shone through the leafless jasmine branches. Behind them they heard the river flowing, and now and again on the bank the rustling of the dry reeds. Masses of shadow here and there loomed out in the darkness, and sometimes, vibrating with one movement, they rose up and swayed like immense black waves pressing forward to engulf them. The cold of the nights made them clasp closer; the sighs of their lips seemed to them deeper; their eyes, that they could hardly see, larger; and in the midst of the silence low words were spoken that fell on their souls sonorous, crystalline, and that reverberated in multiplied vibrations.

To Bury A Star" "I pulled a star from the darkest corner of night and hid it within my bosom. When the Earth beneath my feet gave way, moist and fertile, I knelt to the ground and cupped the radiant treasure in my hands. In a shallow hole I buried it—layer upon layer of black dirt tossed upon the spot until it no longer glowed. This I did for you, my love. Now, come with me and see what has been born from a single wishing star. Hand in hand we walk to the same spot of dirt to find the black and fertile soil sucked dry, the color blanched as pale as desert sands. Look how a ring of white fire jumps and dances around the buried starling! We catch our breath, beholding what has sprouted from this magical seed. The illusion of twisted branches glowing in the darkness like tails of comets soaring skyward—tails of baby stars that shoot like fireworks from that ring of fire. Up, up, up they fly to light a neglected corner of the night. From a single wishing star a thousand more have been born. They are for you, my love—a thousand dreams destined to come true.

In a rush, the world opened its mouth to her—and it was screaming. Everywhere—the air around her, the ground beneath her, the stars above—rippled with the soul-wrenching cries of hunger: the trees and bushes and plants all twisted and bent, their branches and stems clawing the sky in skeletal panic; the animals and insects, flying and crawling and burrowing, each frantic in its own way, searching incessantly to end the gnawing demand in its belly; the swarms of people, clotting the world, stuffing themselves only to beg for more, be it food or wealth or attention—all of them, desperate, insatiable. So very hungry. All of them, leeching on to her. Sucking her dry.

In the afterglow of the Big Bang, humans spread in waves across the universe, sprawling and brawling and breeding and dying and evolving. There were wars, there was love, there was life and death. Minds flowed together in great rivers of consciousness, or shattered in sparkling droplets. There was immortality to be had, of a sort, a continuity of identity through replication and confluence across billions upon billions of years. Everywhere they found life. Nowhere did they find mind—save what they brought with them or created—no other against which human advancement could be tested. With time, the stars died like candles. But humans fed on bloated gravitational fat, and achieved a power undreamed of in earlier ages. They learned of other universes from which theirs had evolved. Those earlier, simpler realities too were empty of mind, a branching tree of emptiness reaching deep into the hyperpast. It is impossible to understand what minds of that age—the peak of humankind, a species hundreds of billions of times older than humankind—were like. They did not seek to acquire, not to breed, not even to learn. They had nothing in common with us, their ancestors of the afterglow. Nothing but the will to survive. And even that was to be denied them by time. The universe aged: indifferent, harsh, hostile, and ultimately lethal. There was despair and loneliness. There was an age of war, an obliteration of trillion-year memories, a bonfire of identity. There was an age of suicide, as the finest of humanity chose self-destruction against further purposeless time and struggle. The great rivers of mind guttered and dried. But some persisted: just a tributary, the stubborn, still unwilling to yield to the darkness, to accept the increasing confines of a universe growing inexorably old. And, at last, they realized that this was wrong. It wasn't supposed to have been like this. Burning the last of the universe's resources, the final down-streamers—dogged, all but insane—reached to the deepest past. And—oh. Watch the Moon, Malenfant. Watch the Moon. It's starting—

In a valley shaded with rhododendrons, close to the snow line, where a stream milky with meltwater splashed and where doves and linnets flew among the immense pines, lay a cave, half, hidden by the crag above and the stiff heavy leaves that clustered below. The woods were full of sound: the stream between the rocks, the wind among the needles of the pine branches, the chitter of insects and the cries of small arboreal mammals, as well as the birdsong; and from time to time a stronger gust of wind would make one of the branches of a cedar or a fir move against another and groan like a cello. It was a place of brilliant sunlight, never undappled. Shafts of lemon-gold brilliance lanced down to the forest floor between bars and pools of brown-green shade; and the light was never still, never constant, because drifting mist would often float among the treetops, filtering all the sunlight to a pearly sheen and brushing every pine cone with moisture that glistened when the mist lifted. Sometimes the wetness in the clouds condensed into tiny drops half mist and half rain, which floated downward rather than fell, making a soft rustling patter among the millions of needles. There was a narrow path beside the stream, which led from a village-little more than a cluster of herdsmen's dwellings - at the foot of the valley to a half-ruined shrine near the glacier at its head, a place where faded silken flags streamed out in the Perpetual winds from the high mountains, and offerings of barley cakes and dried tea were placed by pious villagers. An odd effect of the light, the ice, and the vapor enveloped the head of the valley in perpetual rainbows.

Once he paused near a small stream to watch a dipper bob up and down on a rock. He saw a school of trout lurking in a shady place where a branch hung low on the water. No amount of seeing ever made nature old to him, and he was conscious of every movement and sound.

she had stared through the window at a little old lady in the sun, grubby, light and quick – a branch quivering in the breeze. A dry branch where there was so much femininity, Joana had thought, that the poor dear could have a child if life hadn’t dried up in her body

There are such days before the spring: When meadows rest beneath the snow, And dry and cheerful branches swing When gentle warm winds blow. You marvel at your body’s lightness And do not recognize your home, And sing again with new excitement The song that once seemed tiresome.

MAN AND WOMAN Man is a like a desert without the rain of a woman. Nothing can be born and grown without her nourishment. She is a life-giving river that gives and loves without holding anything back. And without her water, man would walk around aimlessly, feeling incomplete and hollow like an empty well. The longer he roams, the deeper the hole within his soul expands, growing bigger and bigger like a barren tree whose branches resemble the cracks on hard, dry soil. And he shall continue to feel incomplete and malnourished, until he encounters a godly woman. To show him life and quench his thirst.

THE RIVER OF A WOMAN Man is like a desert without the rain of a woman. Nothing can be born and grown without her nourishment. She is a life-giving river that gives and loves without holding anything back. And without her water, man would walk around aimlessly, feeling incomplete and hollow like an empty well. The longer he roams, the deeper the hole within his soul expands, growing bigger and bigger like a barren tree whose branches resemble the cracks on hard, dry soil. And he shall continue to feel incomplete and malnourished, until – he encounters a godly woman, to show him life and quench his thirst.

Shiloh, but it sorely disappointed the Century editors. Written in Grant’s pithy style, it was arid and compact and read like a bloodless report. Johnson hurried over to Long Branch for a pep talk with his new writer. A gifted editor, he drew Grant into personal reminiscences about Shiloh and made him see the difference between a dry recitation and one enlivened by personal impressions. This came as a revelation to Grant, who was an apt pupil and promised to start anew. As he did so, he felt a spurt of liberating energy. “Why, I am positively enjoying the work,” he told Johnson. “I am keeping at it every night and day, and Sundays.” Under Johnson’s tutelage, Grant discovered new dimensions to his writing,

Nevertheless, there was something extraordinary about it when a man so young, with so little experience in flight test, was selected to go to Muroc Field in California for the XS–1 project. Muroc was up in the high elevations of the Mojave Desert. It looked like some fossil landscape that had long since been left behind by the rest of terrestrial evolution. It was full of huge dry lake beds, the biggest being Rogers Lake. Other than sagebrush the only vegetation was Joshua trees, twisted freaks of the plant world that looked like a cross between cactus and Japanese bonsai. They had a dark petrified green color and horribly crippled branches. At dusk the Joshua trees stood out in silhouette on the fossil wasteland like some arthritic nightmare. In the summer the temperature went up to 110 degrees as a matter of course, and the dry lake beds were covered in sand, and there would be windstorms and sandstorms right out of a Foreign Legion movie. At night it would drop to near freezing, and in December it would start raining, and the dry lakes would fill up with a few inches of water, and some sort of putrid prehistoric shrimps would work their way up from out of the ooze, and sea gulls would come flying in a hundred miles or more from the ocean, over the mountains, to gobble up these squirming little throwbacks. A person had to see it to believe it: flocks of sea gulls wheeling around in the air out in the middle of the high desert in the dead of winter and grazing on antediluvian crustaceans in the primordial ooze. When

Anyhow, I get distracted a lot," she repeated. She felt like a dry branch, sticking out of the air. Brittle, covered in old bark. Maybe she was thirsty, but there was no water nearby. And above all the suffocating certainty that if a man were to embrace her at that moment she would feel not a soft sweetness in her nerves, but lime juice stinging them, her body like wood near fire, warped, crackling, dry. She couldn't soothe herself by saying: this is just a pause, life will come afterwards like a wave of blood, washing over me, moistening my parched wood. She couldn't fool herself because she knew she was also living and that those moments were the peak of something difficult, of a painful experience for which she should be thankful: almost as if she were feeling time outside herself, in a detached manner.

Hush now, baby, don't you cry. Your little tears I'll always dry. A branch of myrrh and Bolla root To strengthen you in all you do With silver and gold, and a strand of rose And plenty of magic to keep them close. Hush now, baby, I'm right here To chase away your every fear With a drop of mint and a sprig of yew And three little precious drops of blue. You'll grow straight and swift and true And I will always be with you.

What are the roots that clutch, what branches grow Out of this stony rubbish? Son of man, You cannot say, or guess, for you only know A heap of broken images, where the sun beats, And the dead tree gives no shelter, the cricket no relief, And the dry stone no sound of water. Only There is shadow under this red rock […] I will show you something different from either Your shadow morning striding behind you Or your shadow at evening rising times meet you; I will show you fear in a handful of dust

What are the roots that clutch, what branches grow Out of this stony rubbish? Son of man, You cannot say, or guess, for you know only A heap of broken images, where the sun beats, And the dead tree gives no shelter, the cricket no relief, And the dry stone no sound of water. Only There is shadow under this red rock, (Come in under the shadow of this red rock), And I will show you something different from either Your shadow at morning striding behind you Or your shadow at evening rising to meet you; I will show you fear in a handful of dust.

In order to survive in the harsh desert climate, ocotillos spend most of the year looking parched and barren. But whenever the shallow roots are blessed with rain, short-lived leaves appear on seemingly dead branches. New crops of leaves can come and go several times in the course of a single year. Why couldn’t people be more like ocotillos? Joanna wondered, envying the hardy desert candlewood its natural resilience. Humans didn’t necessarily have that same kind of toughness, the same ability to withstand and recover from terrible dry spells.

The way to peer into life’s past is to examine fossils and to determine when a branch was first created by assessing the age of rocks when a certain fossil was formed. The oldest known fossils are of bacteria that apparently lived in ponds or a shallow sea located in what is now western Australia. They are fossil mats of bacteria, called stromatolites, whose metabolism led them to excrete calcium carbonate, chalk, the stuff of seashells and limestone. The ancient ponds dried up for some climatological reason, and these bacterial mats turned to stone. They’re 3.5 billion years old. As

Memory is a choice. You said that once, with your back to me, the way a god would say it. But if you were a god you would see them. You would look down at this grove of pines, the fresh tips flared lucent at each treetop, tender-damp in their late autumn flush. You would look past the branches, past the rusted light splintered through the brambles, the needles falling, one by one, as you lay your god eyes on them. You’d trace the needles as they hurled themselves past the lowest bough, toward the cooling forest floor, to land on the two boys lying side by side, the blood already dry on their cheeks.

The fact is, real beauty is found out there under the same sky as vulnerability. I’m not suggesting we can’t die out there—we can. But we will most certainly die if we stay inside forever. Given enough time in the artificial light, within our insulated walls, our fruit will dry up and our branches will wither. Tap water simply can’t compare with the feeling of rain on our faces. Hearing the wind is a paltry substitute for feeling it whip through our hair. Shut yourself in from the pain of exposure, and you’ll also miss the sunset, where orange turns to purple and restores the souls of weary mortals. When we overinsulate ourselves, we’re protecting ourselves right out of our callings.

Memory is choice. You said that once, with your back to me, the way a god would say it. But if you were a god you would see them. You would look down at this grove of pines, the fresh tips flared lucent at each treetop, tender-damp in their late autumn flush. You would look past the branches, past the rusted light splintered through the brambles, the needles falling, one by one, as you your god eyes on them. You’d trace the needles as they hurled themselves pst the lowest, bough, toward the cooling forest floor, to land on the two boys lying side by side, the blood already dry on their cheeks [...] Ma. You told me once that memory is a choice. But if you were a god , you’d know it’s a flood

Since Modi’s ascension to office, what has happened in the ED, which had registered a preliminary case against Adani in Ahmedabad and was handed details of DRI findings, is illustrative. The officer heading the Ahmedabad branch of the directorate was raided by the CBI, which accused him of possessing disproportionate assets. It failed to prove anything at all, despite months of investigation. The two senior-most officers in the Mumbai regional office, who oversaw the investigations in Ahmedabad, were forced out of the agency. The tenure of Rajan S. Katoch, who was heading the directorate when the case was opened, also ended abruptly. Apart from the Adani case, the Ahmedabad ED investigators were also pursuing some of the biggest money launderers of Gujarat.

The art show at the new branch of the Whitney met Eph’s exceedingly low expectations. One artist made small Lucite cubes filled with garbage purloined right from New York City trash bins. There were cigarette butts and fast-food wrappers and even blobs of moldy food. Eph could hear one nearby aesthete gush about the artist’s “urban truthfulness.” Another artist featured a painting of a rose done entirely in menstrual blood. The flaw, Eph thought, was that blood dried brown, not red, but nobody seemed to be pointing that out. He also wondered what it had to do with the “New Urban.” “There are no words,” said Eph, sotto voce in case the artist was lurking among the people nearby. “Art is meant to provoke,” said D’Arcy. “If you have a reaction, even a negative one, then the artist has succeeded

Hymn to Mercury : Continued 11. ... Seized with a sudden fancy for fresh meat, He in his sacred crib deposited The hollow lyre, and from the cavern sweet Rushed with great leaps up to the mountain's head, Revolving in his mind some subtle feat Of thievish craft, such as a swindler might Devise in the lone season of dun night. 12. Lo! the great Sun under the ocean's bed has Driven steeds and chariot—the child meanwhile strode O'er the Pierian mountains clothed in shadows, Where the immortal oxen of the God Are pastured in the flowering unmown meadows, And safely stalled in a remote abode.— The archer Argicide, elate and proud, Drove fifty from the herd, lowing aloud. 13. He drove them wandering o'er the sandy way, But, being ever mindful of his craft, Backward and forward drove he them astray, So that the tracks which seemed before, were aft; His sandals then he threw to the ocean spray, And for each foot he wrought a kind of raft Of tamarisk, and tamarisk-like sprigs, And bound them in a lump with withy twigs. 14. And on his feet he tied these sandals light, The trail of whose wide leaves might not betray His track; and then, a self-sufficing wight, Like a man hastening on some distant way, He from Pieria's mountain bent his flight; But an old man perceived the infant pass Down green Onchestus heaped like beds with grass. 15. The old man stood dressing his sunny vine: 'Halloo! old fellow with the crooked shoulder! You grub those stumps? before they will bear wine Methinks even you must grow a little older: Attend, I pray, to this advice of mine, As you would 'scape what might appal a bolder— Seeing, see not—and hearing, hear not—and— If you have understanding—understand.' 16. So saying, Hermes roused the oxen vast; O'er shadowy mountain and resounding dell, And flower-paven plains, great Hermes passed; Till the black night divine, which favouring fell Around his steps, grew gray, and morning fast Wakened the world to work, and from her cell Sea-strewn, the Pallantean Moon sublime Into her watch-tower just began to climb. 17. Now to Alpheus he had driven all The broad-foreheaded oxen of the Sun; They came unwearied to the lofty stall And to the water-troughs which ever run Through the fresh fields—and when with rushgrass tall, Lotus and all sweet herbage, every one Had pastured been, the great God made them move Towards the stall in a collected drove. 18. A mighty pile of wood the God then heaped, And having soon conceived the mystery Of fire, from two smooth laurel branches stripped The bark, and rubbed them in his palms;—on high Suddenly forth the burning vapour leaped And the divine child saw delightedly.— Mercury first found out for human weal Tinder-box, matches, fire-irons, flint and steel. 19. And fine dry logs and roots innumerous He gathered in a delve upon the ground— And kindled them—and instantaneous The strength of the fierce flame was breathed around: And whilst the might of glorious Vulcan thus Wrapped the great pile with glare and roaring sound, Hermes dragged forth two heifers, lowing loud, Close to the fire—such might was in the God. 20. And on the earth upon their backs he threw The panting beasts, and rolled them o'er and o'er, And bored their lives out. Without more ado He cut up fat and flesh, and down before The fire, on spits of wood he placed the two, Toasting their flesh and ribs, and all the gore Pursed in the bowels; and while this was done He stretched their hides over a craggy stone.

Outside, the fields were shaking off their sleep and the first rays of sunlight were cutting the peaks of the cordillera like the thrusts of a saber, warming up the earth and evaporating the dew into a fine white foam that blurred the edges of things and turned the landscape into an enchanted dream. Blanca set off in the direction of the river. Everything was still quiet. Her footsteps crushed the fallen leaves and the dry branches, producing a light crunching sound, the only noise in that vast sleeping space. She felt that the shaggy meadows, the golden wheatfields, and the far-off purple mountains disappearing in the clear morning sky were part of some ancient memory, something she had seen before exactly like this, as if she had already lived this moment in some previous life. The delicate rain of the night had soaked the earth and trees, and her clothing felt slightly damp, her shoes cold. She inhaled the perfume of the drenched earth, the rotten leaves, and the humus, which awakened an unknown pleasure in all her senses.

Something marvelous is happening underground, something we’re just learning how to see. Mats of mycorrhizal cabling link trees into gigantic, smart communities spread across hundreds of acres. Together, they form vast trading networks of goods, services, and information. . . .  There are no individuals in a forest, no separable events. The bird and the branch it sits on are a joint thing. A third or more of the food a big tree makes may go to feed other organisms. Even different kinds of trees form partnerships. Cut down a birch, and a nearby Douglas-fir may suffer. . . .  In the great forests of the East, oaks and hickories synchronize their nut production to baffle the animals that feed on them. Word goes out, and the trees of a given species—whether they stand in sun or shade, wet or dry—bear heavily or not at all, together, as a community. . . .  Forests mend and shape themselves through subterranean synapses. And in shaping themselves, they shape, too, the tens of thousands of other, linked creatures that form it from within. Maybe it’s useful to think of forests as enormous spreading, branching, underground super-trees.

It is quiet in the clearing, though gradually Lillian's ears attune to the soft rustling of insects and birds moving through the undergrowth, the faraway tapping of a woodpecker high in a tree. Down on the ground, a bronze-colored beetle tries to scale the side of her shoe. It slips on the smooth leather and tumbles back into the dry leaves, waggling its legs in the air. She shifts slightly on the tree trunk then watches as Jack pulls a strand of grass from a clump growing nearby and sucks on one end, looking about at the canopy overhead. "Wonderful light," he murmurs. "I wish I hadn't left my sketchbook at the house." She knows she must say something. But the moment stretches and she can't find the words so instead she looks about, trying to see the clearing as he might, trying to view the world through an artist's eyes. What details would he pull from this scene, what elements would he commit to memory to reproduce on paper? A cathedral, he'd said; and she supposes there is something rather celestial and awe-inspiring about the tall, arched trees and the light streaming in golden shafts through the soft green branches, filtered as though through stained glass.

As a drop in the ocean you take part in the current, ebb and flow. You swell slowly on the land and slowly sink back again in interminably slow breaths. You wander vast distances in blurred currents and wash up on strange shores, not knowing how you got there. You mount the billows of huge storms and are swept back again into the depths. And you do not know how this happens to you. You had thought that your movement came from you and that it needed your decisions and efforts, so that you could get going and make progress. But with every conceivable effort you would never have achieved that movement and reached those areas to which the sea and the great wind of the world brought you. From endless blue plains you sink into black depths; luminous fish draw you, marvellous branches twine around you from above. You slip through columns and twisting, wavering, dark-leaved plants, and the sea takes you up again in bright green water to white, sandy coasts, and a wave foams you ashore and swallows you back again, and a wide smooth swell lifts you softly and leads you again to new regions, to twisting plants, to slowly creeping slimy polyps, and to green water and white sand and breaking surf. But from far off your heights shine to you above the sea in a golden light, like the moon emerging from the tide, and you become aware of yourself from afar. And longing seizes you and the will for your own movement. You want to cross over from being to becoming, since you have recognized the breath of the sea, and its flowing, that leads you here and there without your ever adhering; you have also recognized its surge that bears you to alien shores and carries you back, and gargles you up and down. You saw that was the life of the whole and the death of each individual. You felt yourself entwined in the collective death, from death to the earth’s deepest place, from death in your own strangely breathing depths. Oh – you long to be beyond; despair and mortal fear seize you in this death that breathes slowly and streams back and forth eternally. All this light and dark, warm, tepid, and cold water, all these wavy, swaying, twisting plantlike animals and bestial plants, all these nightly wonders become a horror to you, and you long for the sun, for light dry air, for firm stones, for a fixed place and straight lines, for the motionless and firmly held, for rules and preconceived purpose, for singleness and your own intent.

Even in the dry heat of summer's end, the great forest was never silent. Along the ground – soft, bare soil, twigs and fallen branches, decaying leaves black as ashes – there ran a continuous flow of sound. As a fire burns with a murmur of flames, with the intermittent crack of exploding knots în the logs and the falling and settling of coal, so on the forest floor the hours of dusky light consumed away with rustlings, patterings, sighing and dying of breeze, scuttlings of rodents, snakes, lizards and now and then the padding of some larger animal on the move. Above, the green dusk of creepers and branches formed another realm, inhabited by the monkeys and sloths, by hunting spiders and birds innumerable -creatures passing all their lives high above the ground. Here the noises were louder and harsher –chatterings, sudden cacklings and screams, hollow knockings, bell-like calls and the swish of disturbed leaves and branches. Higher still, in the topmost tiers, where the sunlight fell upon the outer surface of the forest as upon the upper side of an expanse of green clouds, the raucous gloom gave place to a silent brightness, the province of great butterflies flitting across the sprays in a solitude where no eye admired nor any ear caught the minute sounds made by those marvellous wings.

A soldier’s hand grasped for me, but Amar pulled me away. Arrows zoomed past, but each time one came near, he would whirl me out of the way. Amar never shouted. He didn’t even speak. He moved fluidly, dodging javelins, always a few steps behind me, a living shield. His hood never budged and revealed nothing more than the bottom half of his face. The doors began to open, creaking like broken bones. Blinding light spilled into the room. I squinted against the brightness, but my feet never stopped. Hot, dry air filled my lungs and left them aching. The second I slowed, I felt a cool hand on my wrist-- “My mount is this way,” said Amar, pulling me away from the road. I was too out of breath to protest as his hands circled my waist and lifted me onto the richly outfitted saddle of a water buffalo. The moment I found my grip, Amar leapt onto the animal’s back and, with a sharp whistle, sent dust flying around us. The water buffalo charged through the jungle. Sounds bled one into the other--crashing iron to thundering hooves, gurgling fountains to colliding branches. At first, I sat still, not wanting to disturb a thing in case this was a death-dream, some final taunt of escape. But then I saw the jungle arcing above me. My nose filled with the musk of damp, alive things. The numb evanesced. I was free.

Unchopping a Tree. Start with the leaves, the small twigs, and the nests that have been shaken, ripped, or broken off by the fall; these must be gathered and attached once again to their respective places. It is not arduous work, unless major limbs have been smashed or mutilated. If the fall was carefully and correctly planned, the chances of anything of the kind happening will have been reduced. Again, much depends upon the size, age, shape, and species of the tree. Still, you will be lucky if you can get through this stages without having to use machinery. Even in the best of circumstances it is a labor that will make you wish often that you had won the favor of the universe of ants, the empire of mice, or at least a local tribe of squirrels, and could enlist their labors and their talents. But no, they leave you to it. They have learned, with time. This is men's work. It goes without saying that if the tree was hollow in whole or in part, and contained old nests of bird or mammal or insect, or hoards of nuts or such structures as wasps or bees build for their survival, the contents will have to repaired where necessary, and reassembled, insofar as possible, in their original order, including the shells of nuts already opened. With spider's webs you must simply do the best you can. We do not have the spider's weaving equipment, nor any substitute for the leaf's living bond with its point of attachment and nourishment. It is even harder to simulate the latter when the leaves have once become dry — as they are bound to do, for this is not the labor of a moment. Also it hardly needs saying that this the time fro repairing any neighboring trees or bushes or other growth that might have been damaged by the fall. The same rules apply. Where neighboring trees were of the same species it is difficult not to waste time conveying a detached leaf back to the wrong tree. Practice, practice. Put your hope in that. Now the tackle must be put into place, or the scaffolding, depending on the surroundings and the dimension of the tree. It is ticklish work. Almost always it involves, in itself, further damage to the area, which will have to be corrected later. But, as you've heard, it can't be helped. And care now is likely to save you considerable trouble later. Be careful to grind nothing into the ground. At last the time comes for the erecting of the trunk. By now it will scarcely be necessary to remind you of the delicacy of this huge skeleton. Every motion of the tackle, every slightly upward heave of the trunk, the branches, their elaborately reassembled panoply of leaves (now dead) will draw from you an involuntary gasp. You will watch for a lead or a twig to be snapped off yet again. You will listen for the nuts to shift in the hollow limb and you will hear whether they are indeed falling into place or are spilling in disorder — in which case, or in the event of anything else of the kind — operations will have to cease, of course, while you correct the matter. The raising itself is no small enterprise, from the moment when the chains tighten around the old bandages until the boles hands vertical above the stump, splinter above splinter. How the final straightening of the splinters themselves can take place (the preliminary work is best done while the wood is still green and soft, but at times when the splinters are not badly twisted most of the straightening is left until now, when the torn ends are face to face with each other). When the splinters are perfectly complementary the appropriate fixative is applied. Again we have no duplicate of the original substance. Ours is extremely strong, but it is rigid. It is limited to surfaces, and there is no play in it. However the core is not the part of the trunk that conducted life from the roots up to the branches and back again. It was relatively inert. The fixative for this part is not the same as the one for the outer layers and the bark, and if either of these is involved

them—or something like it. They even got the Doctor some tobacco one day, when he had finished what he had brought with him and wanted to smoke. At night they slept in tents made of palm leaves, on thick, soft beds of dried grass. And after a while they got used to walking such a lot and did not get so tired and enjoyed the life of travel very much. But they were always glad when the night came and they stopped for their resting time. Then the Doctor used to make a little fire of sticks; and after they had had their supper, they would sit round it in a ring, listening to Polynesia singing songs about the sea, or to Chee-Chee telling stories of the jungle. And many of the tales that Chee-Chee told were very interesting. Because although the monkeys had no history books of their own before Doctor Dolittle came to write them for them, they remember everything that happens by telling stories to their children. And Chee-Chee spoke of many things his grandmother had told him—tales of long, long, long ago, before Noah and the Flood—of the days when men dressed in bearskins and lived in holes in the rock and ate their mutton raw because they did not know what cooking was, never having seen a fire. And he told them of the great mammoths, and lizards as long as a train, that wandered over the mountains in those times, nibbling from the treetops. And often they got so interested listening that when he had finished they found their fire had gone right out, and they had to scurry around to get more sticks and build a new one. Now, when the King’s army had gone back and told the King that they couldn’t find the Doctor, the King sent them out again and told them they must stay in the jungle till they caught him. So all this time, while the Doctor and his animals were going along toward the Land of the Monkeys, thinking themselves quite safe, they were still being followed by the King’s men. If Chee-Chee had known this, he would most likely have hidden them again. But he didn’t know it. One day Chee-Chee climbed up a high rock and looked out over the treetops. And when he came down he said they were now quite close to the Land of the Monkeys and would soon be there. And that same evening, sure enough, they saw Chee-Chee’s cousin and a lot of other monkeys, who had not yet gotten sick, sitting in the trees by the edge of a swamp, looking and waiting for them. And when they saw the famous doctor really come, these monkeys made a tremendous noise, cheering and waving leaves and swinging out of the branches to greet him. They wanted to carry his bag and his trunk and everything he had. And one of the bigger ones even carried Gub-Gub, who had gotten

Sweet to me your voice, said Caolcrodha Mac Morna, brother to sweet-worded sweet-toothed Goll from Sliabh Riabhach and Brosnacha Bladhma, relate then the attributes that are to Finn's people. [...] I will relate, said Finn. Till a man has accomplished twelve books of poetry, the same is not taken for want of poetry but is forced away. No man is taken till a black hole is hollowed in the world to the depth of his two oxters and he put into it to gaze from it with his lonely head and nothing to him but his shield and a stick of hazel. Then must nine warriors fly their spears at him, one with the other and together. If he be spear-holed past his shield, or spear-killed, he is not taken for want of shield-skill. No man is taken till he is run by warriors through the woods of Erin with his hair bunched-loose about him for bough-tangle and briar-twitch. Should branches disturb his hair or pull it forth like sheep-wool on a hawthorn, he is not taken but is caught and gashed. Weapon-quivering hand or twig-crackling foot at full run, neither is taken. Neck-high sticks he must pass by vaulting, knee-high sticks by stooping. With the eyelids to him stitched to the fringe of his eye-bags, he must be run by Finn's people through the bogs and the marsh-swamps of Erin with two odorous prickle-backed hogs ham-tied and asleep in the seat of his hempen drawers. If he sink beneath a peat-swamp or lose a hog, he is not accepted of Finn's people. For five days he must sit on the brow of a cold hill with twelve-pointed stag-antlers hidden in his seat, without food or music or chessmen. If he cry out or eat grass-stalks or desist from the constant recital of sweet poetry and melodious Irish, he is not taken but is wounded. When pursued by a host, he must stick a spear in the world and hide behind it and vanish in its narrow shelter or he is not taken for want of sorcery. Likewise he must hide beneath a twig, or behind a dried leaf, or under a red stone, or vanish at full speed into the seat of his hempen drawers without changing his course or abating his pace or angering the men of Erin. Two young fosterlings he must carry under the armpits to his jacket through the whole of Erin, and six arm-bearing warriors in his seat together. If he be delivered of a warrior or a blue spear, he is not taken. One hundred head of cattle he must accommodate with wisdom about his person when walking all Erin, the half about his armpits and the half about his trews, his mouth never halting from the discoursing of sweet poetry. One thousand rams he must sequester about his trunks with no offence to the men of Erin, or he is unknown to Finn. He must swiftly milk a fat cow and carry milk-pail and cow for twenty years in the seat of his drawers. When pursued in a chariot by the men of Erin he must dismount, place horse and chariot in the slack of his seat and hide behind his spear, the same being stuck upright in Erin. Unless he accomplishes these feats, he is not wanted of Finn. But if he do them all and be skilful, he is of Finn's people.

There was only one thing to do, she decided: make pickles. The mangoes on the tree were just about ready: grassy-green and tongue-smackingly sour. She asked the boys to pick them from the tree. When they were younger, this was the children’s job. Maya was by far the better climber: her foot would curl over the branches and hold her fast, while she stretched her arms and plucked the fruit, throwing it down to Rehana, who kept shouting, ‘Be careful! Be careful!’ She would slice the green mangoes and cook them slowly with chillies and mustard seeds. Then she would stuff them into jars and leave them on the roof to ripen. There was a rule about not touching pickles during the monthlies. She couldn’t remember who had told her that rule – her mother? – no, her mother had probably never sliced a mango in her brief, dreamy life. Must have been one of her sisters. Marzia, she was the best cook. And the enforcer of rules. But Rehana had decided long ago this was a stupid rule. It was hard enough to time the pickle-making anyway, between the readiness of the fruit and the weather, which had to be hot and dry. As she recited the pickle recipe to herself, Rehana wondered what her sisters would make of her at this very moment. Guerrillas at Shona. Sewing kathas on the rooftop. Her daughter at rifle practice. The thought of their shocked faces made her want to laugh. She imagined the letter she would write. Dear sisters, she would say. Our countries are at war; yours and mine. We are on different sides now. I am making pickles for the war effort. You see how much I belong here and not to you.

My mother had a passion for all fruit except oranges, which she refused to allow in the house. She named each one of us, on a seeming whim, after a fruit and a recipe- Cassis, for her thick black-currant cake. Framboise, her raspberry liqueur, and Reinette after the reine-claude greengages that grew against the south wall of the house, thick as grapes, syrupy with wasps in midsummer. At one time we had over a hundred trees (apples, pears, plums, gages, cherries, quinces), not to mention the raspberry canes and the fields of strawberries, gooseberries, currants- the fruits of which were dried, stored, made into jams and liqueurs and wonderful cartwheel tarts on pâte brisée and crème pâtissière and almond paste. My memories are flavored with their scents, their colors, their names. My mother tended them as if they were her favorite children. Smudge pots against the frost, which we base every spring. And in summer, to keep the birds away, we would tie shapes cut out of silver paper onto the ends of the branches that would shiver and flick-flack in the wind, moose blowers of string drawn tightly across empty tin cans to make eerie bird-frightening sounds, windmills of colored paper that would spin wildly, so that the orchard was a carnival of baubles and shining ribbons and shrieking wires, like a Christmas party in midsummer. And the trees all had names. Belle Yvonne, my mother would say as she passed a gnarled pear tree. Rose d'Aquitane. Beurre du Roe Henry. Her voice at these times was soft, almost monotone. I could not tell whether she was speaking to me or to herself. Conference. Williams. Ghislane de Penthièvre. This sweetness.

There is an Eastern fable, told long ago, of a traveller overtaken on a plain by an enraged beast. Escaping from the beast he gets into a dry well, but sees at the bottom of the well a dragon that has opened its jaws to swallow him. And the unfortunate man, not daring to climb out lest he should be destroyed by the enraged beast, and not daring to leap to the bottom of the well lest he should be eaten by the dragon, seizes s twig growing in a crack in the well and clings to it. His hands are growing weaker and he feels he will soon have to resign himself to the destruction that awaits him above or below, but still he clings on. Then he sees that two mice, a black one and a white one, go regularly round and round the stem of the twig to which he is clinging and gnaw at it. And soon the twig itself will snap and he will fall into the dragon's jaws. The traveller sees this and knows that he will inevitably perish; but while still hanging he looks around, sees some drops of honey on the leaves of the twig, reaches them with his tongue and licks them. So I too clung to the twig of life, knowing that the dragon of death was inevitably awaiting me, ready to tear me to pieces; and I could not understand why I had fallen into such torment. I tried to lick the honey which formerly consoled me, but the honey no longer gave me pleasure, and the white and black mice of day and night gnawed at the branch by which I hung. I saw the dragon clearly and the honey no longer tasted sweet. I only saw the unescapable dragon and the mice, and I could not tear my gaze from them. and this is not a fable but the real unanswerable truth intelligible to all.

There is an Eastern fable, told long ago, of a traveller overtaken on a plain by an enraged beast.  Escaping from the beast he gets into a dry well, but sees at the bottom of the well a dragon that has opened its jaws to swallow him.  And the unfortunate man, not daring to climb out lest he should be destroyed by the enraged beast, and not daring to leap to the bottom of the well lest he should be eaten by the dragon, seizes s twig growing in a crack in the well and clings to it.  His hands are growing weaker and he feels he will soon have to resign himself to the destruction that awaits him above or below, but still he clings on.  Then he sees that two mice, a black one and a white one, go regularly round and round the stem of the twig to which he is clinging and gnaw at it.  And soon the twig itself will snap and he will fall into the dragon's jaws.  The traveller sees this and knows that he will inevitably perish; but while still hanging he looks around, sees some drops of honey on the leaves of the twig, reaches them with his tongue and licks them.  So I too clung to the twig of life, knowing that the dragon of death was inevitably awaiting me, ready to tear me to pieces; and I could not understand why I had fallen into such torment.  I tried to lick the honey which formerly consoled me, but the honey no longer gave me pleasure, and the white and black mice of day and night gnawed at the branch by which I hung.  I saw the dragon clearly and the honey no longer tasted sweet.  I only saw the unescapable dragon and the mice, and I could not tear my gaze from them.  and this is not a fable but the real unanswerable truth intelligible to all.

Gian Pero Frau, one of the most important characters in the supporting cast surrounding S'Apposentu, runs an experimental farm down the road from the restaurant. His vegetable garden looks like nature's version of a teenager's bedroom, a rebellious mess of branches and leaves and twisted barnyard wire. A low, droning buzz fills the air. "Sorry about the bugs," he says, a cartoonish cloud orbiting his head. But beneath the chaos a bloom of biodynamic order sprouts from the earth. He uses nothing but dirt and water and careful observation to sustain life here. Every leaf and branch has its place in this garden; nothing is random. Pockets of lettuce, cabbage, fennel, and flowers grow in dense clusters together; on the other end, summer squash, carrots, and eggplant do their leafy dance. "This garden is built on synergy. You plant four or five plants in a close space, and they support each other. It might take thirty or forty days instead of twenty to get it right, but the flavor is deeper." (There's a metaphor in here somewhere, about his new life Roberto is forging in the Sardinian countryside.) "He's my hero," says Roberto about Gian Piero. "He listens, quietly processes what I'm asking for, then brings it to life. Which doesn't happen in places like Siddi." Together, they're creating a new expression of Sardinian terreno, crossing genetic material, drying vegetables and legumes under a variety of conditions, and experimenting with harvesting times that give Roberto a whole new tool kit back in the kitchen. We stand in the center of the garden, crunching on celery and lettuce leaves, biting into zucchini and popping peas from their shells- an improvised salad, a biodynamic breakfast that tastes of some future slowly forming in the tangle of roots and leaves around us.

Violent Storm" Those who have chosen to pass the night Entertaining friends And intimate ideas in the bright, Commodious rooms of dreams Will not feel the slightest tremor Or be wakened by what seems Only a quirk in the dry run Of conventional weather. For them, The long night sweeping over these trees And houses will have been no more than one In a series whose end Only the nervous or morbid consider. But for us, the wide-awake, who tend To believe the worst is always waiting Around the next corner or hiding in the dry, Unsteady branch of a sick tree, debating Whether or not to fell the passerby, It has a sinister air. How we wish we were sunning ourselves In a world of familiar views And fixed conditions, confined By what we know, and able to refuse Entry to the unaccounted for. For now, Deeper and darker than ever, the night unveils Its dubious plans, and the rain Beats down in gales Against the roof. We sit behind Closed windows, bolted doors, Unsure and ill at ease While the loose, untidy wind, Making an almost human sound, pours Through the open chambers of the trees. We cannot take ourselves or what belongs To us for granted. No longer the exclusive, Last resorts in which we could unwind, Lounging in easy chairs, Recalling the various wrongs We had been done or spared, our rooms Seem suddenly mixed up in our affairs. We do not feel protected By the walls, nor can we hide Before the duplicating presence Of their mirrors, pretending we are the ones who stare From the other side, collected In the glassy air. A cold we never knew invades our bones. We shake as though the storm were going to hurl us down Against the flat stones Of our lives. All other nights Seem pale compared to this, and the brilliant rise Of morning after morning seems unthinkable. Already now the lights That shared our wakefulness are dimming And the dark brushes against our eyes.

Quote from "The Dish Keepers of Honest House" ....TO TWIST THE COLD is easy when its only water you want. Tapping of the toothbrush echoes into Ella's mind like footsteps clacking a cobbled street on a bitter, dry, cold morning. Her mind pushes through sleep her body craves. It catches her head falling into a warm, soft pillow. "Go back to bed," she tells herself. "You're still asleep," Ella mumbles, pushes the blanket off, and sits up. The urgency to move persuades her to keep routines. Water from the faucet runs through paste foam like a miniature waterfall. Ella rubs sleep-deprieved eyes, then the bridge of her nose and glances into the sink. Ella's eyes astutely fixate for one, brief millisecond. Water becomes the burgundy of soldiers exiting the drain. Her mouth drops in shock. The flow turns green. It is like the bubbling fungus of flockless, fishless, stagnating ponds. Within the iridescent glimmer of her thinking -- like a brain losing blood flow, Ella's focus is the flickering flashing of gray, white dust, coal-black shadows and crows lifting from the ground. A half minute or two trails off before her mind returns to reality. Ella grasps a toothbrush between thumb and index finger. She rests the outer palm against the sink's edge, breathes in and then exhales. Tension in the brow subsides, and her chest and shoulders drop; she sighs. Ella stares at pasty foam. It exits the drain as if in a race to clear the sink of negativity -- of all germs, slimy spit, the burgundy of imagined soldiers and oppressive plaque. GRASPING THE SILKY STRAND between her fingers, Ella tucks, pulls and slides the floss gently through her teeth. Her breath is an inch or so of the mirror. Inspections leave her demeanor more alert. Clouding steam of the image tugs her conscience. She gazes into silver glass. Bits of hair loosen from the bun piled at her head's posterior. What transforms is what she imagines. The mirror becomes a window. The window possesses her Soul and Spirit. These two become concerned -- much like they did when dishonest housekeepers disrupted Ella's world in another story. Before her is a glorious bird -- shining-dark-as-coal, shimmering in hues of purple-black and black-greens. It is likened unto The Raven in Edgar Allan Poe's most famous poem of 1845. Instead of interrupting a cold December night with tapping on a chamber door, it rests its claws in the decorative, carved handle of a backrest on a stiff dining chair. It projects an air of humor and concern. It moves its head to and fro while seeking a clearer understanding. Ella studies the bird. It is surrounded in lofty bends and stretches of leafless, acorn-less, nearly lifeless, oak trees. Like fingers and arms these branches reach below. [Perhaps they are reaching for us? Rest assured; if they had designs on us, I would be someplace else, writing about something more pleasant and less frightening. Of course, you would be asleep.] Balanced in the branches is a chair. It is from Ella's childhood home. The chair sways. Ella imagines modern-day pilgrims of a distant shore. Each step is as if Mother Nature will position them upright like dolls, blown from the stability of their plastic, flat, toe-less feet. These pilgrims take fate by the hand. LIFTING A TOWEL and patting her mouth and hands, Ella pulls the towel through the rack. She walks to the bedroom, sits and picks up the newspaper. Thumbing through pages that leave fingertips black, she reads headlines: "Former Dentist Guilty of Health Care Fraud." She flips the page, pinches the tip of her nose and brushes the edge of her chin -- smearing both with ink. In the middle fold directly affront her eyes is another headline: "Dentist Punished for Misconduct." She turns the page. There is yet another: "Dentist guilty of urinating in surgery sink and using contaminated dental instruments on patients." This world contains those who are simply insane! Every profession has those who stray from goals....

Hundreds of men crowded the yard, and not a one among them was whole. They covered the ground thick as maggots on a week old carcass, the dirt itself hardly anywhere visible. No one could move without all feeling it and thus rising together in a hellish contortion of agony. Everywhere men moaned, shouting for water and praying for God to end their suffering. They screamed and groaned in an unending litany, calling for mothers and wives and fathers and sisters. The predominant color was blue, though nauseations of red intruded throughout. Men lay half naked, piled on top of one another in scenes to pitiful to imagine. Bloodied heads rested on shoulders and laps, broken feet upon arms. Tired hands held in torn guts and torsos twisted every which way. Dirty shirts dressed the bleeding bodies and not enough material existed in all the world to sop up the spilled blood. A boy clad in gray, perhaps the only rebel among them, lay quietly in one corner, raised arm rigid with a finger extended, as if pointing to the heavens. His face was a singular portrait of contentment among the misery. Broken bones, dirty white and soiled with the passing of hours since injury, were everywhere abundant. All manner of devices splinted the damaged and battered limbs: muskets, branches, bayonets, lengths of wood or iron from barns and carts. One individual had bone splinted with bone: the dried femur of a horse was lashed to his busted shin. A blind man, his eyes subtracted by the minié ball that had enfiladed him, moaned over and over “I’m kilt, I’m kilt! Oh Gawd, I’m kilt!” Others lay limp, in shock. These last were mostly quiet, their color unnaturally pale. It was agonizingly humid in the still air of the yard. The stink of blood mixed with human waste produced a potent and offensive odor not unlike that of a hog farm in the high heat of a South Carolina summer. Swarms of fat, green blowflies everywhere harassed the soldiers to the point of insanity, biting at their wounds. Their steady buzz was a noise straight out of hell itself, a distress to the ears.

Our fatalism goes beyond, even if it springs from, the Hindu acceptance of the world as it is ordained to be. I must tell you a little story – a marvellous fable from our Puranas that illustrates both our resilience and our self-absorption in the face of circumstance.’ I sat up against my bolsters and assumed the knowingly expectant attitude of those who are about to tell stories or perform card tricks. ‘A man, someone very like you, Arjun – a symbol, shall we say, of the people of India - is pursued by a tiger. He runs fast, but his panting heart tells him he cannot run much longer. He sees a tree. Relief! He accelerates and gets to it in one last despairing stride. He climbs the tree. The tiger snarls below him, but he feels that he has at last escaped its snapping jaws. But no – what’s this? The branch on which he is sitting is weak, and bends dangerously. That is not all: wood-mice are gnawing away at it; before long they will eat through it and it will snap and fall. The branch sags down over a well. Aha! Escape? Perhaps our hero can swim? But the well is dry, and there are snakes writhing and hissing on its bed. What is our hero to do? As the branch bends lower, he perceives a solitary blade of grass growing on the wall of the well. On the top of the blade of grass gleams a drop of honey. What action does our Puranic man, our quintessential Indian, take in this situation? He bends with the branch, and licks up the honey.’ I laughed at the strain, and the anxiety, on Arjun’s face. ‘What did you expect? Some neat solution to his problem? The tiger changes its mind and goes away? Amitabh Bachhan leaps to the rescue? Don’t be silly, Arjun. One strength of the Indian mind is that it knows some problems cannot be resolved, and it learns to make the best of them. That is the Indian answer to the insuperable difficulty. One does not fight against that by which one is certain to be overwhelmed; but one finds the best way, for oneself, to live with it. This is our national aesthetic. Without it, Arjun, India as we know it could not survive.

It was said that the Old Folk controlled the power of fire, among other things, but that was in the Long and Long Ago. Before that, the fathers of the Old Folk caught a spark with flint and steel and their own desire to live. It was also said that the world was a great wheel, and everything came round to what it once had been, and so Steven Boughmount knelt in the snow with rocks in his hands, trying to catch a flame. He was having little luck. Just over the low hills, beyond this scrub of forest, the village was warm and sleeping behind its wall. That’s where I should be, Steven thought as he scraped the edge of one rock against the other. Not in bed, not yet, but stretched out in my chair with my feet up, a pipe smoking just right in my hand and Heather curled up beside me. The boys are all asleep, but maybe we’ll stay up for a while. Maybe we’ll move to the bedroom, maybe not. That’s where I should be, not up to my ass in snow trying to light a fire. “C’mon, bastard,” he said, and drug the sharp edge of the rock in his right hand against the flat of the one in his left. A white spark flew, and then died before it could reach the stripped branches and dried moss he had laid out on the frozen ground. Snow crunched somewhere off to the left of him. Steven heard soft, bare footsteps. They were coming, all right. And they were in a hurry, running toward a village protected by two drunks on either side of a leaning gate. That was why Steven sat in the snow. When the Guards slept, the Hunters went to work. And what sounded like a whole clan of goblins was passing him by because he couldn’t get a damn fire lit. Steven drew his sword. It was called Fangodoom, given to him by his mother just before she died. Fangodoom was a dwarf blade, of steel mined and forged deep within the Lyme Mountains centuries ago. Goblins near, the blade all but gleamed though there wasn’t any moon. Again he wondered if this would be the last time, and again he knew that if it was, it was. His hand turned into a fist on the hilt of his weapon, and he prayed. “Lord, make me Your hammer.

I’m still in the big Jacuzzi tub when the power flickers--once, twice--and then goes out, leaving me in total darkness, chin deep in lukewarm water. I don’t know why, but it all hits me then--Nan’s surgery tomorrow, shooting that moccasin, this stupid, never-ending storm. I start to cry, deep, gulping sobs. I know it seems childish, but I want my daddy. What if things get worse? What if the house starts to flood? Or the roof blows off? As much as I hate to admit it, I’m scared. Really scared. A knock on the bathroom door startles me. “Jemma? You okay in there?” “I’m fine,” I call out, my voice thick. My cheeks burn with shame at being caught crying in the dark like a two-year-old. “Do you want a candle or something? Maybe a hurricane lamp?” “No, I’m…” I start to say “fine” again, but a ragged sob tears from my throat instead. “It’s going to be okay, Jem. We’ll get through this.” I sink lower into the water, wanting to disappear completely. Why can’t he just go away and let me have my little meltdown in private? Why, after all these years of being a jerk, does he have to suddenly be so nice? “I got both dogs dried off,” he continues conversationally, as if I’m not in here crying my eyes out. “They’re in the kitchen eating their supper. I think Beau’s pretty worked up.” I continue to bawl like a baby. I know he can hear me, that he’s right outside the door, listening. Still, it takes me a good five minutes to get it all out of my system. Once the tears have slowed, I reach for my washcloth and lay it across my eyes, hoping it’ll reduce the puffiness. A minute or two later, I drag it away and wring it out before laying it over the edge of the tub. It’s still dark inside the bathroom, though I can see a flicker of light coming from beneath the door. Ryder must have a flashlight, or maybe one of the battery-operated lanterns I scattered around the house, just in case. I wonder how long he’s going to stand three, waiting for me. The lights flick off, and I think maybe he’s finally left me in peace. But then I hear a muffled thump, and I know he’s still out there, probably sitting with his back against the door. “Hey, Jem?” he says. “You saved my life, you know--out there by the barn. Most people couldn’t have made that shot.” I squeeze my eyes shut, but tears leak through anyway. I hadn’t wanted to kill that stupid snake, but if it had bitten Ryder and we hadn’t been able to make it to the hospital in time… I let the thought trail off, not wanting to examine it further. “Thank you,” he says softly. “I owe you one.

We can’t walk through the house like this--we’ll make a mess.” Ryder’s jeans are soaked through and caked with mud. I’m wearing shorts, but my bare legs are spattered all over. “We’re going to have to strip here,” I say, shaking my head. “Just leave it all in a pile. I’ll toss it in the wash after lunch.” He just stares at me, wide-eyed. “What? Now?” “Yeah, you go first,” I say, amused by the blush that’s creeping up his neck. “Geez, Ryder. It’s not like I haven’t seen you in your underpants before.” I have vague memories of Ryder running around Magnolia Landing’s lawn wearing nothing but superhero undies. And after all the years of shared beach houses and hotel suites, well…like I said, we were more like siblings when we were little. “If it’ll make you more comfortable, I’ll turn around,” I offer. “Nah, it’s fine.” He reaches for the hem of his T-shirt and pulls it over his head in one fluid motion. And then I remember why this was a bad idea. My mouth goes dry at the sight of his tanned, sculpted chest, his narrow waist, and jutting hip bones. Oh, man. What was I thinking? I swallow hard as he unbuttons his jeans and slides down the zipper. Boxers or briefs? That’s all I’m thinking as he peels down the wet denim--slowly, as if he’s enjoying this little striptease. He steps out of them gracefully and tosses them into a heap beside his shirt before straightening to his full height, facing me. Oh. My. God. I exhale sharply. The answer is boxer briefs, heather-gray ones. And right now they’re clinging to him wetly, leaving absolutely nothing to the imagination. He looks like a god. A six-foot-four, football-playing god, and I am staring at him with my mouth hanging open like some kind of pathetic freak. Snap out of it. “Sorry,” I say, averting my gaze. My cheeks are burning now. I probably look like a clown. That’s what happens when a fair-skinned redhead like me blushes. “If you…um…want to shower. I mean, you know--” “I’ll just go put on something dry for now. We really need to eat and then get that stuff out of the barn.” I just nod, biting my lower lip. I can’t even look at him. This is crazy. “Your turn to strip,” he says, and my gaze shoots up to meet his. He’s smiling now, his dimples in full effect. “Ugh, just go and change.” I cover my eyes with one hand and flap the other toward the hall. “I’ll meet you in the kitchen in five,” he says. “Great.” I let my hand drop only when I hear his footsteps move away. Then yeah, I’ll admit it--I allow myself a nice long look at his backside as he walks away from me. And let me tell you, it was well worth the look.

I awake with a start, shaking the cobwebs of sleep from my mind. It’s pitch-dark out, the wind howling. It takes a couple seconds to get my bearings, to realize I’m in my parents’ bed, Ryder beside me, on his side, facing me. Our hands are still joined, though our fingers are slack now. “Hey, you,” he says sleepily. “That one was loud, huh?” “What was?” “Thunder. Rattled the windows pretty bad.” “What time is it?” “Middle of the night, I’d say.” I could check my phone, but that would require sitting up and letting go of his hand. Right now, I don’t want to do that. I’m too comfortable. “Have you gotten any sleep at all?” I ask him, my mouth dry and cottony. “I think I drifted off for a little bit. Till…you know…the thunder started up again.” “Oh. Sorry.” “It should calm down some when the eye moves through.” “If there’s still an eye by the time it gets here. The center of circulation usually starts breaking up once it goes inland.” Yeah, all those hours watching the Weather Channel occasionally come in handy. He gives my hand a gentle squeeze. “Wow, maybe you should consider studying meteorology. You know, if the whole film-school thing doesn’t work out for you.” “I could double major,” I shoot back. “I bet you could.” “What are you going to study?” I ask, curious now. “I mean, besides football. You’ve got to major in something, don’t you?” He doesn’t answer right away. I wonder what’s going through his head--why he’s hesitating. “Astrophysics,” he says at last. “Yeah, right.” I roll my eyes. “Fine, if you don’t want to tell me…” “I’m serious. Astrophysics for undergrad. And then maybe…astronomy.” “What, you mean in graduate school?” He just nods. “You’re serious? You’re going to major in something that tough? I mean, most football players major in something like phys ed or underwater basket weaving, don’t they?” “Greg McElroy majored in business marketing,” he says with a shrug, ignoring my jab. “Yeah, but…astrophysics? What’s the point, if you’re just going to play pro football after you graduate anyway?” “Who says I want to play pro football?” he asks, releasing my hand. “Are you kidding me?” I sit up, staring at him in disbelief. He’s the best quarterback in the state of Mississippi. I mean, football is what he does…It’s his life. Why wouldn’t he play pro ball? He rolls over onto his back, staring at the ceiling, his arms folded behind his head. “Right, I’m just some dumb jock.” “Oh, please. Everyone knows you’re the smartest kid in our class. You always have been. I’d give anything for it to come as easily to me as it does to you.” He sits up abruptly, facing me. “You think it’s easy for me? I work my ass off. You have no idea what I’m working toward. Or what I’m up against,” he adds, shaking his head. “Probably not,” I concede. “Anyway, if anyone can major in astrophysics and play SEC ball at the same time, you can. But you might want to lose the attitude.” He drops his head into his hands. “I’m sorry, Jem. It’s just…everyone has all these expectations. My parents, the football coach--” “You think I don’t get that? Trust me. I get it better than just about anyone.” He lets out a sigh. “I guess our families have pretty much planned out our lives for us, haven’t they?” “They think they have, that’s for sure,” I say.

Remarkably, we still have a ‘wild’ Indian’s account of his capture and incarceration. In 1878, when he was an old man, a Kamia called Janitin told an interviewer: I and two of my relatives went down ... to the beach ... we did no harm to anyone on the road, and ... we thought of nothing more than catching and drying clams in order to carry them to our village. While we were doing this, we saw two men on horseback coming rapidly towards us; my relatives were immediately afraid and they fled with all speed, hiding themselves in a very dense willow grove ... As soon as I saw myself alone, I also became afraid ... and ran to the forest ... but already it was too late, because in a moment they overtook me and lassoed and dragged me for a long distance, wounding me much with the branches over which they dragged me, pulling me lassoed as I was with their horses running; after this they roped me with my arms behind and carried me off to the Mission of San Miguel, making me travel almost at a run in order to keep up with their horses, and when I stopped a little to catch my wind, they lashed me with the lariats that they carried, making me understand by signs that I should hurry; after much travelling in this manner, they diminished the pace and lashed me in order that I would always travel at the pace of the horses. When we arrived at the mission, they locked me in a room for a week; the father [a Dominican priest] made me go to his habitation and he talked to me by means of an interpreter, telling me that he would make me a Christian, and he told me many things that I did not understand, and Cunnur, the interpreter, told me that I should do as the father told me, because now I was not going to be set free, and it would go very bad with me if I did not consent in it. They gave me atole de mayz[corn gruel] to eat which I did not like because I was not accustomed to that food; but there was nothing else to eat. One day they threw water on my head and gave me salt to eat, and with this the interpreter told me that I was now Christian and that I was called Jesús: I knew nothing of this, and I tolerated it all because in the end I was a poor Indian and did not have recourse but to conform myself and tolerate the things they did with me. The following day after my baptism, they took me to work with the other Indians, and they put me to cleaning a milpa [cornfield] of maize; since I did not know how to manage the hoe that they gave me, after hoeing a little, I cut my foot and could not continue working with it, but I was put to pulling out the weeds by hand, and in this manner I did not finish the task that they gave me. In the afternoon they lashed me for not finishing the job, and the following day the same thing happened as on the previous day. Every day they lashed me unjustly because I did not finish what I did not know how to do, and thus I existed for many days until I found a way to escape; but I was tracked and they caught me like a fox; there they seized me by lasso as on the first occasion, and they carried me off to the mission torturing me on the road. After we arrived, the father passed along the corridor of the house, and he ordered that they fasten me to the stake and castigate me; they lashed me until I lost consciousness, and I did not regain consciousness for many hours afterwards. For several days I could not raise myself from the floor where they had laid me, and I still have on my shoulders the marks of the lashes which they gave me then.

rude little man!’ ‘We’d better not look in at any windows we pass,’ said Joe. ‘But I was so surprised to see a window in the tree!’ Beth soon got dry. They climbed up again, and soon had another surprise. They came to a broad branch that led to a yellow door set neatly in the big trunk of

THE PILGRIM'S WANTS.' "'I want a sweet sense of Thy pardoning love, That my manifold sins are forgiven; That Christ, as my Advocate, pleadeth above, That my name is recorded in heaven. "'I want every moment to feel That thy Spirit resides in my heart— That his power is present to cleanse and to heal, And newness of life to impart. "'I want—oh! I want to attain Some likeness, my Saviour, to thee! That longed for resemblance once more to regain, Thy comeliness put upon me. "'I want to be marked for thine own— Thy seal on my forehead to wear; To receive that new name on the mystic white stone Which none but thyself can declare. "'I want so in thee to abide As to bring forth some fruit to thy praise; The branch which thou prunest, though feeble and dried, May languish, but never decays. "'I want thine own hand to unbind Each tie to terrestrial things, Too tenderly cherished, too closely entwined, Where my heart so tenaciously clings. "'I want, by my aspect serene, My actions and words, to declare That my treasure is placed in a country unseen, That my heart's best affections are there. "'I want as a trav'ller to haste Straight onward, nor pause on my way; Nor forethought in anxious contrivance to waste On the tent only pitched for a day. "'I want—and this sums up my prayer— To glorify thee till I die; Then calmly to yield up my soul to thy care, And breathe out in faith my last sigh.

Broccoli branches, mashed potatoes, spools of gravy, sliced pillowy white bread. It slides on to Sirine's plate, glossy with butter. The meat loaf is oniony and dense under its charred crust, dressed in sweet puddles of ketchup. On the counter there's a food-stained copy of The Joy of Cooking and a red-plaid Betty Crocker cookbook, both from the library. She's impressed. No one ever wants to cook for her; the rare home-dinners at friends' houses are served with anxiety and apologies. But Han just seems excited- his skin slightly damp and pink from the kitchen heat- and intrigued by the new kind of cooking, a shift of ingredients like a move from native tongue into a foreign language: butter instead of olive oil; potatoes instead of rice; beef instead of lamb. He seats her on a pillow on the blue cloth and then sets the dishes before her on the cloth. He sits across from her, one knee skimming hers. They touch and she makes herself lean forward to reach the bowl of potatoes. Their knees graze again. Han tastes each dish while looking at Sirine, so the meal seems like a question. She nods and praises him lavishly. "Mm, the rich texture of this meat loaf- the egg and breadcrumbs- and these bits of onion are so good, and there's a little chili powder and dry mustard, isn't there? It's lovely. And there's something in the sauce... something..." "You mean ketchup?" Han asks. "Oh yes, I suppose that's it." She smiles. "That's remarkable." Sirine smiles vaguely, tips her head, not sure of what he means. "What?" "The way you taste things...." He gestures over the food, picks up a bite of meat loaf in his fingers as if it were an olive. "You know what everything here is- I mean exactly." "Oh no." She laughs. "It's so basic, anyone can do that. It's like you just taste the starting places- where it all came from. Unless of course it's ketchup." He gazes at her, then carefully takes her hand and kisses her fingers. "Then I think you must be of this place." Sirine laughs again, disconcerted by his intensity. "Well, I don't know about that, but I think food should taste like where it came from. I mean good food especially. You can sort of trace it back. You know, so the best butter tastes a little like pastures and flowers, that sort of stuff. Things show their origins

The Branch From Jesse 11 A shoot will come up from the stump of Jesse; from his roots a Branch will bear fruit. 2 The Spirit of the Lord will rest on him— the Spirit of wisdom and of understanding, the Spirit of counsel and of might, the Spirit of the knowledge and fear of the Lord— 3 and he will delight in the fear of the Lord. He will not judge by what he sees with his eyes, or decide by what he hears with his ears; 4 but with righteousness he will judge the needy, with justice he will give decisions for the poor of the earth. He will strike the earth with the rod of his mouth; with the breath of his lips he will slay the wicked. 5 Righteousness will be his belt and faithfulness the sash around his waist. 6 The wolf will live with the lamb, the leopard will lie down with the goat, the calf and the lion and the yearling[f] together; and a little child will lead them. 7 The cow will feed with the bear, their young will lie down together, and the lion will eat straw like the ox. 8 The infant will play near the cobra’s den, and the young child will put its hand into the viper’s nest. 9 They will neither harm nor destroy on all my holy mountain, for the earth will be filled with the knowledge of the Lord as the waters cover the sea. 10 In that day the Root of Jesse will stand as a banner for the peoples; the nations will rally to him, and his resting place will be glorious. 11 In that day the Lord will reach out his hand a second time to reclaim the surviving remnant of his people from Assyria, from Lower Egypt, from Upper Egypt, from Cush,[g] from Elam, from Babylonia,[h] from Hamath and from the islands of the Mediterranean. 12 He will raise a banner for the nations and gather the exiles of Israel; he will assemble the scattered people of Judah from the four quarters of the earth. 13 Ephraim’s jealousy will vanish, and Judah’s enemies[i] will be destroyed; Ephraim will not be jealous of Judah, nor Judah hostile toward Ephraim. 14 They will swoop down on the slopes of Philistia to the west; together they will plunder the people to the east. They will subdue Edom and Moab, and the Ammonites will be subject to them. 15 The Lord will dry up the gulf of the Egyptian sea; with a scorching wind he will sweep his hand over the Euphrates River. He will break it up into seven streams so that anyone can cross over in sandals. 16 There will be a highway for the remnant of his people that is left from Assyria, as there was for Israel when they came up from Egypt. Songs of Praise 12 In that day you will say: “I will praise you, Lord. Although you were angry with me, your anger has turned away and you have comforted me. 2 Surely God is my salvation; I will trust and not be afraid. The Lord, the Lord himself, is my strength and my defense[j]; he has become my salvation.” 3 With joy you will draw water from the wells of salvation. 4 In that day you will say: “Give praise to the Lord, proclaim his name; make known among the nations what he has done, and proclaim that his name is exalted. 5 Sing to the Lord, for he has done glorious things; let this be known to all the world. 6 Shout aloud and sing for joy, people of Zion, for great is the Holy One of Israel among you.

The 'buccaneers' came ashore in search of bacon. The Cuban Indians had learnt (from the natives of Haiti) a process of preserving meat by drying it and then smoking it over a fire of green leaves and branches. The Indians called the rack on which the meat was laid out a boucan or buccan [bacon], while those who prepared and sold the meet were referred to as boucaniers or buccaneers. Pigs had been brought to Cuba from Europe by the first Spanish settlers. The early litters had been allowed to roan freely over the islands, becoming a vital source of food, not just for the settlers but also for the pirate who arrived in forgotten coves to replenish their water and their stores. They learnt to appreciate the pig meat dried on the boucan, and the world became associated with the pirates themselves,the men who brought home the bacon.

The 'buccaneers' came ashore in search of bacon. The Cuban Indians had learnt (from the natives of Haiti) a process of preserving meat by drying it and then smoking it over a fire of green leaves and branches. The Indians called the rack on which the meat was laid out a boucan or buccan [bacon], while those who prepared and sold the meet were referred to as buccaneers.

1989 I’ve been awake all night in an attempt to maintain some kind of hold on what has happened, on what I have done. My eyes are red and prickling with tiredness, but I daren’t go to sleep. If I sleep, when I wake up I’ll have one blissful, terrible second when I’m unaware –and then it will all come crashing in on me, its power multiplied indefinitely by that one un-knowing second. I think of the last time I saw the dawn in, lying in Sophie’s bed. This time it’s a more tempestuous and bleaker affair. A ceaseless summer rain has been falling all night, and the branch of a nearby tree is thwacking intermittently against my windowpane. It’s not just the chemicals keeping me awake, although I can still feel them coursing, unwanted, around my veins. I’ve been sitting here on the floor for four hours, as my bedroom turns gradually from darkness to a dull grey half-light. I’m surrounded by the debris of my elaborate preparations for the evening that, twelve hours ago, stretched out invitingly, bright with the promise of acceptance and approval. There are three dresses strewn on the bed, with the accompanying pair of shoes for each lying discarded in front of the full-length mirror. My eyes rest dully on the stain on the carpet where Sophie dropped my new bronzing powder and I made a clumsy attempt to wipe it up with a bit of tissue dipped in a glass of stale water. The dress I wore lies in a crumpled heap next to me –I’ve pulled on an old sweatshirt and leggings. There are dark smudges under my eyes and my lips are dry, the remains of my lipstick clinging to the cracks and bleeding into the skin around my mouth. I’ve been sitting here on the floor for so long only because I can’t move. I would have expected my heart to be racing, but in fact an iron fist grips it so tightly that I am surprised it is beating at all. Everything has slowed to a funereal

After the mountains, the road passed along an endless stretch of dead orchards, the trees' bare brown branches uplifted in a silent curse to the dry, hot skies.

In their urge for survival, the seed-bearing trees hit upon countless different devices for carrying pollen from one flower to another, but essentially the methods fall into two main categories. The first is wind-pollination, which requires the presence of light, small, dry pollen grains, easily shaken from the stamens, or male flowers. To receive the tiny bits of pollen that are blown about by the wind, the stigmata of flowers must be long, or feathery, or sticky, or so constructed as to trap the fine dust. All conifers are pollinated this way, as are the poplar, ash, birch, oak, beech, and certain other species. But since this method is so haphazard, a disproportionately high percentage of pollen is wasted and these trees must produce immense quantities of pollen in order that even a tiny amount will be effective. Scientists have estimated that a single stamen of a beech tree, for example, may yield 2,000 grains, while the branch system of a vigorous young birch can produce 100 million grains a year. One pine or spruce cone alone releases between 1 and 2 million grains of pollen into the air: In Sweden, which is covered with spruce forests, an estimated 75,000 tons of pollen are blown from the trees each year.

No matter if it’s wet or dry, she grunt. As long as you keep a green branch in your heart, there will always be a bird that come to sing in it.

He nurtured silence so long That emptiness took hold of him. The man became a dry branch That cracked in the cold.

The Way I Feel" The way I feel is like a robin whose babes have flown to come no more like a tall oak tree alone and cryin' when the birds have flown and the nest is bare Now a woman Lord is like a young bird and the tall oak tree is a young man's heart among his boughs you'll find her nesting when the nights are cool she's warm and dry Your coat of green it will protect her her wings will grow your love will too But all too soon your mighty branches will cease to hold her and she'll fly from you Now the way I feel is like a robin whose babes have flown to come no more like a tall oak tree alone and cryin' when the birds have flown and the nest is bare when the birds have flown and the nest is bare Gordon Lightfoot, Lightfoot (1966)

But I like to think of life in the same way I think of flowing water. Sometimes, the creeks, the streams, and the lakes will all be dry. Filled with carnage, broken branches, dead leaves, dust, and dirt. But then the rain comes, and all the tiny droplets of water merge together to create the river once more.

The Lord has appointed from the beginning that enmity shall exist between the righteous seed of the woman and the unrighteous seed of the serpent. It is far better to have the ungodly man’s enmity than his society. By his enmity he is most hateful,[124] but by his society[125] he is most hurtful. A pious man in the company of wicked men is like a green branch among dry and burning brands: they can sooner kindle him than he can quench them!

Every day has its destiny. The cracking icicle that's almost ready to fall. A branch weighed by too much snow, soon to break. Clouds that try and try to hold in their water, only to fail, and in doing so fulfill their meaning in the world. An architecture of inevitability, that this was fated to be. The destiny of this day: Bloodshed. It would begin with a single drop.

Furl your banners and hang you heads,” muttered the wind, “this is no time for tourney. Cast into my four arms those gaudy trappings, for what can cause you joy, O trees, at such a time as this?” “This rising Sun and the long bright bright day,” the beech cried out. “The setting Sun and the cool dark night,” the oak said quietly. “And the rain,” the pine murmured gratefully, “wit it’s gentle fingers finer than my needles.” The maple was silent. The wind spun around it’s rough gray trunk and sent a shower of gold into the sky. “O wind,” the maple said, “the side passage of the year from cold to heat, from growing to fruition, from birds nesting to their migrations, is joy enough for us. Let us celebrate it, O wind, before the snow lays it’s white fingers on us and bids us be silent for a time.” The maple spoke wistfully, golden leaves tumbling down the day at every word. “You speak of memories,” the wind went on. “I who have roamed the earth have seen suffering and cruelty and sorrow. You who stand so still in one place always must believe me.” “For you, O wind, perhaps it has been a year of sad revelation,” the beech said softly; “but for us it has been a year like all others—rising suns and waxing moons, rains and dews and storms, and the seasons marching in orderly procession around us.” “Ah,” the wind wailed, clutching at gold and scarlet and green, “how can you hold those banners high when evil still stalks the earth?” The trees quivered and were silent. The wind raged around them, and his fury brought down cascades of leaves, which he sent hurling over the dry ground. “We hold our banners high in faith, O wind,” the pine spoke out, lifting its voice so the wind would hear, “emblem for this brief moment of the pledge we have made. We have heard before of these things that you would tell us. The stars have told us many strange tales, and the moon has told us even stranger ones. But we must still be faithful.” “To what?” moaned the wind, annoyed that his words could not deter the trees from their galliard ways. “To the everlasting right at the heart of things,” replied the maple. “Evil has but a little day, O wind, and good has a thousand.” The banners were fading and falling, and the wind laughed to himself that the brave words of the trees must be as thin and fleeting. He stamped and reached high, swept over the ground and leapt aloft, while leaves fell in a gilded shower about him. Cheering at his triumph, he looked through bare branches to the sky, heavy with scudding clouds. Oak, maple, beech were silenced now. Dark trunks stood rooted in the earth, crossed boughs were held uplifted to the heavens. The pine swayed slowly, it’s heraldic blazon of sable and vert gleaming darkly. “Look higher, wind, than those bare boughs. Look wider.” The wind looked, and there, outlined against the sunset gold, on every twig tight buds were tipping: the crimson secret of the oak, the enscaled cradle of the maple, the little sheathed sword of the beech. “Faith, my friend,” the pine said in a whisper, “faith has the last word always.” The wind bowed low, low enough to kiss the leaves that swirled around him in a moment of ecstasy; then the wind went on his way down the archway of the year that was luminous with promise.

I've always said there are forest people and desert people. Forest people are nurturing and fertile, but they have a tendency to hide behind their branches. I'm a desert person. Hard and acerbic and difficult to endure, but honest. You always know what you're getting in the desert because there isn't anywhere to hide. In that dry air, you can see a storm coming from ten miles away.

In the tin-covered porch Mr Chawla had constructed at the rear of the house she had set up her outdoor kitchen, spilling over into a grassy patch of ground. Here rows of pickle jars matured in the sun like an army balanced upon the stone wall; roots lay, tortured and contorted, upon a cot as they dried; and tiny wild fruit, scorned by all but the birds, lay cut open, displaying purple-stained hearts. Ginger was buried underground so as to keep it fresh; lemon and pumpkin dried on the roof; all manner of things fermented in tightly sealed tins; chilli peppers and curry leaves hung from the branches of a tree, and so did buffalo curd, dripping from a cloth on its way to becoming paneer. Newly strong with muscles, wiry and tough despite her slenderness, Kulfi sliced and pounded, ground and smashed, cut and chopped in a chaos of ingredients and dishes. ‘Cumin, quail, mustard seeds, pomelo rind,’ she muttered as she cooked. ‘Fennel, coriander, sour mango. Pandanus flour, lichen and perfumed kewra. Colocassia leaves, custard apple, winter melon, bitter gourd. Khas root, sandalwood, ash gourd, fenugreek greens. Snake-gourd, banana flowers, spider leaf, lotus root …’ She was producing meals so intricate, they were cooked sometimes with a hundred ingredients, balanced precariously within a complicated and delicate mesh of spices – marvellous triumphs of the complex and delicate art of seasoning. A single grain of one thing, a bud of another, a moist fingertip dipped lightly into a small vial and then into the bubbling pot; a thimble full, a matchbox full, a coconut shell full of dark crimson and deep violet, of dusty yellow spice, the entire concoction simmered sometimes for a day or two on coals that emitted only a glimmer of faint heat or that roared like a furnace as she fanned them with a palm leaf. The meats were beaten to silk, so spiced and fragrant they clouded the senses; the sauces were full of strange hints and dark undercurrents, leaving you on firm ground one moment, dragging you under the next. There were dishes with an aftertaste that exploded upon you and left you gasping a whole half-hour after you’d eaten them. Some that were delicate, with a haunting flavour that teased like the memory of something you’d once known but could no longer put your finger on. Pickled limes stuffed with cardamom and cumin, crepuscular creatures simmered upon the wood of a scented tree, small river fish baked in green coconuts, rice steamed with nasturtium flowers in the pale hollow of a bamboo stem, mushrooms red – and yellow-gilled, polka-dotted and striped. Desire filled Sampath as he waited for his meals. Spice-laden clouds billowed forth and the clashing cymbals of pots and pans declared the glory of the meal to come, scaring the birds from the trees about him.

It was only when the creature stepped into view on the path in front of her that her mind made the connection. Cat, she thought to herself. He was not immediately aware of her. His head was low, and he sniffed at the ground with his mouth open. Long yellow fangs extended past his lower jaw. His coat was an uneven black, darker dapples against blackness. His ears were tufted, and the muscles under his smooth fur bunched and slid as he moved. She was caught in disbelief, filled with wonder at the sight of an animal that no one had seen in ages. And then, almost immediately, her translation of an Elderling word popped into her mind. “Pard,” she breathed aloud. “A black pard.” At her whisper, he lifted his head and looked directly at her with yellow eyes. Fear flooded her. Her own scent trail. That was what he snuffed at. Her heart leaped, and then began hammering. The animal stared at her, perhaps as startled to see a human as she was to see a pard. Surely their kind had not met for generations. He opened his mouth, taking in her scent. She wanted to shriek but did not. She flung her panicky thought wide. Sintara! Sintara, a great cat stalks me, a pard! Help me! I cannot help you. Solve it yourself. The dragon’s thought was not uninterested, merely factual. Alise could feel, in that moment of connection, that the dragon had fed heavily and was sinking into a satiated stupor. Even if she had wished to rouse herself, by the time she took flight and crossed the river and located Alise… Useless thought. Focus now. The cat was watching her, and its wariness had become interest. The longer Alise stood there, frozen like a rabbit, the more his boldness would grow. Do something. “Not prey!” she shouted at the animal. She seized the lapels of her cloak and tore it open wide, holding it out to make herself twice her natural size. “Not prey!” she shouted at it again, deepening her voice. She flapped the sides of her cloak at the animal and forced her shaking body to jolt a step closer to it. If she ran, it would have her; if she stood still, it would have her. The thought galvanized her, and with a wordless roar of angry despair, she charged the beast, flapping the sides of her cloak as she ran. It crouched and she knew then it would kill her. Her deep roar became a shriek of fury, and the cat suddenly snarled back. Alise ran out of breath. For a moment, silence held between the crouched cat and the flapping woman. Then the animal wheeled and raced off into the forest. It had left the path clear, and Alise did not pause but continued her fear-charged dash. She ran in bounds, ran as she had never known that anyone could run. The forest became a blur around her. Low branches ripped at her hair and clothing, but she did not slow down. She gasped in the cold air that burned her throat and dried her mouth and still ran. She fled until darkness threatened the edges of her vision, and then she stumbled on, catching at tree trunks as she passed them to keep herself upright and moving. When finally her terror could no longer sustain her, she sank down, her back to a tree, and looked back the way she had come. Nothing moved in the forest, and when she forced her mouth to close and held her shuddering breath, she heard nothing save the pounding of her own heart. She felt as if hours passed before her breath moved easily in her dry mouth and her heart slowed to where she could hear the normal sounds of the forest. She listened, straining her ears, but heart only the wind in the bared branches. Clutching at the tree trunk, she dragged herself to her feet, wondering if her trembling legs could still hold her. Then, as she started down the path toward home, a ridiculous grin blossomed on her face. She had done it. She had faced down a pard, and saved herself, and was coming home triumphant, with wintergreen leaves for tea and berries, too. “Not prey,” she whispered hoarsely to herself, and her grin grew wider.

There were people who were just meant to get you somewhere, like Judy's old boyfriend the candlemaker. They weren't supposed to stick around. And sometimes people had to stay put. Greta thought of the Forest filled with drying candles, their wicks still connected and slung over low branches. She looked at Abraham, who was raising his hands to the sky. The room seemed bigger, somehow. There would be a better time to go.