Dress Properly Quotes

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I'm about to do something very clever and a tiny bit against the rules of the universe. It's important that I'm properly dressed.
Tommy Donbavand (Doctor Who: Shroud of Sorrow)
The sooner you get dressed the sooner you can start fawning over me like a proper date and remember just because I agreed to go out on this date with you doesn't mean I am easy. I expect you to do a little work to get my out of my pants.
R.L. Mathewson (Perfection (Neighbor from Hell, #2))
The whole problem with boys is that ninety-nine percent of them are, like, okay. If you could dress and hygiene them properly, and make them stand up straight and listen to you and not be dumbasses, they'd be totally acceptable.
John Green (Turtles All the Way Down)
Tessa exploded "I am not asking you to maul me in the Whispering Gallery! By the Angel, Will, would you stop being so polite?!" He looked at her in amazement. "But wouldn't you rather-" "I would not rather. I don't want you to be polite! I want you to be Will! I don't want you to indicate points of architectural interest to me as if you were a Baedecker guide! I want you to say dreadfully mad, funny things, and make up songs and be-" The Will I fell in love with, she almost said. "And be Will," she finished instead. "Or I shall strike you with my umbrella." "I am trying to court you," Will said in exasperation. "Court you properly. That's what all this has been about. You know that, don't you?" "Mr. Rochester never courted Jane Eyre," Tessa pointed out. "No, he dressed up as a woman and terrified the poor girl out of her wits. Is that what you want?" "You would make a very ugly woman." "I would not. I would be stunning." Tessa laughed. "There," she said. "There is Will. Isn't that better? Don't you think so?" "I don't know," Will said, eyeing her. I'm afraid to answer that. I've heard that when I speak, it makes American women wish to strike me with umbrellas." Tessa laughed again, and then they were both laughing, their smothered giggles bouncing off the walls of the Whispering Gallery. After that, things were decidedly easier between them, and Will's smile when he helped her down from the carriage on their return home, was bright and real.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
Oh, that feels good! I don't know who invented ties and then insisted a man was only properly dressed when he wore one, but if I ever meet him, I'll strangle him with his own invention
Colleen McCullough (The Thorn Birds)
Carter looked awful—I mean even worse than usual. Honestly, the boy had never been in a proper school, and he dressed like a junior professor, with his khaki trousers and a button-down brown shirt and loafers. He’s not bad looking, I suppose. He’s reasonably tall and fit and his hair isn’t hopeless. He’s got Dad’s eyes, and my mates Liz and Emma have even told me from his picture that he’s hot, which I must take with a grain of salt because (a) he’s my brother, and (b) my mates are a bit crazed. When it came to clothes, Carter wouldn’t have known hot if it bit him on the bum.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
You have a dress with a décolletage to emphasise your breasts. I suppose the cleavage is the proper focus but what I wanted to do was to fasten my index finger and thumb at the bolts of your collar bone, push out, spreading the web of my hand until it caught against your throat. You asked me if I wanted to strangle you. No, I wanted to fit you, not just in the obvious ways but in so many indentations.
Jeanette Winterson (Written on the Body)
He smiled at her. “Now, are you going to thank me properly?” “I said ‘thank you.’ That’s considered in some cultures as thanking you properly.” “I was hoping for a little more than that.” She studied him for a long moment before she nodded. “All right.” She scooted down a bit on the bed, pulled her gown up high on her thighs, and relaxed back into the mattress. “If you could make it quick before the food gets here, that would be great.” Gwenvael felt a small twitch beneath his eye. He often got something similar right on his eyelid but only when he had to deal with his father. Apparently a new one had developed that belonged only to Lady Dagmar. “That’s not what I meant.” “I hope you’re not expecting me to get on my knees because I don’t think the healer—” “No!” Good gods, this woman! “That’s not what I meant, either.” “That’s always what men mean when they ask to be thanked properly.” “Your world frightens me. I want us to be clear on that.” He leaned over and grabbed her waist, lifting her until her back again rested on the propped-up pillows. “I’m unclear as to what you want, then.” “A kiss,” he said, pulling her dress back down to her ankles. “A simple kiss.
G.A. Aiken (What a Dragon Should Know (Dragon Kin, #3))
And then I want to weep. To think I haven’t dressed properly for alien abduction.
Ruby Dixon (Ice Planet Barbarians (Ice Planet Barbarians, #1))
Nobody here could ever talk about a heaven on earth. Heaven remained rigidly in its proper place on the other side of death, and on this side flourished the injustices, the cruelties, the meanness that elsewhere people so cleverly hushed up. Here you could love human beings nearly as God loved them, knowing the worst: you didn’t love a pose, a pretty dress, a sentiment artfully assumed.
Graham Greene (The Heart of the Matter)
Neither of the costumes fit properly. Inej’s purple silks were far too loose, and as for Nina … “What the hell is this supposed to be?” she said, looking down at herself. The plunging gown barely covered her substantial cleavage and clung tightly to her buttocks. It had been wrought to look like blue-green scales, giving way to a shimmering chiffon fan. “Maybe a mermaid?” suggested Inej. “Or a wave?” “I thought I was a horse.” “Well they weren’t going to put you in a dress of hooves.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
No woman has ever lacked elegance because of an excess of simplicity but always because of an accumulation of elaborate details or of ensembles that are badly co-ordinated or ill-adapted to the hour and the occasion.
Geneviève Antoine Dariaux (A Guide to Elegance: For Every Woman Who Wants to Be Well and Properly Dressed on All Occasions)
Maria was married on Saturday. In all important preparations of mind she was complete, being prepared for matrimony by a hatred of home, by the misery of disappointed affection, and contempt of the man she was to marry. The bride was elegantly dressed and the two bridesmaids were duly inferior. Her mother stood with salts, expecting to be agitated, and her aunt tried to cry. Marriage is indeed a maneuvering business.
Jane Austen (Mansfield Park)
He’s in that vast boy middle,” she said. “Like, good-looking enough that I’m willing to be won over. The whole problem with boys is that ninety-nine percent of them are, like, okay. If you could dress and hygiene them properly, and make them stand up straight and listen to you and not be dumbasses, they’d be totally acceptable.
John Green (Turtles All the Way Down)
Safi was sick of dancing. Literally, she felt ill from all the spinning, and her breath—she’d not had a single moment to catch it since … Merik. Prince Merik. The man who couldn’t dress himself properly had turned out to be royalty.
Susan Dennard (Truthwitch (The Witchlands, #1))
I wondered if you wanted someone to help zip your dress up before a night out. I wondered if you wanted someone to call first in a crisis. I wondered if you wanted someone to text to bring you fish and chips when you can’t be arsed with a proper dinner. I wondered if you wanted someone in your corner when you visit your family, someone who will tell them how lucky they are to have you. I wondered if you wanted someone to fetch the Lucozade when you have the flu.
Mhairi McFarlane (Don't You Forget About Me)
It was a very proper wedding. The bride was elegantly dressed---the two bridemaids were duly inferior---her father gave her away---her mother stood with salts in her hand expecting to be agitated---her aunt tried to cry--- and the service was impressively read by Dr. Grant.
Jane Austen (Mansfield Park)
A green hunting cap squeezed the top of the fleshy balloon of a head. The green earflaps, full of large ears and uncut hair and the fine bristles that grew in the ears themselves, stuck out on either side like turn signals indicating two directions at once. Full, pursed lips protruded beneath the bushy black moustache and, at their corners, sank into little folds filled with disapproval and potato chip crumbs. In the shadow under the green visor of the cap Ignatius J. Reilly’s supercilious blue and yellow eyes looked down upon the other people waiting under the clock at the D.H. Holmes department store, studying the crowd of people for signs of bad taste in dress. Several of the outfits, Ignatius noticed, were new enough and expensive enough to be properly considered offenses against taste and decency. Possession of anything new or expensive only reflected a person’s lack of theology and geometry; it could even cast doubts upon one’s soul.
John Kennedy Toole (A Confederacy of Dunces)
I see. And who is this author?” “Neil Fucking Gaiman.” “His second name is Fucking?” “No, Leif, that’s the honorary second name all celebrities are given by their fans. It’s not an insult, it’s a huge compliment, and he’s earned it. You’d like him. He dresses all in black like you. Read a couple of his books, and then when you meet him, you’ll squee too.” Leif found the suggestion distasteful. “I would never behave with so little dignity. Nor would I wish to be confronted in such a manner by anyone else. Vampires inspire screams, not squees. Involuntary urination is common, I grant, but it properly flows from a sense of terror, not an ecstatic sense of hero worship.
Kevin Hearne (Hammered (The Iron Druid Chronicles, #3))
She also relished the fact that something had died in order for her to dress properly.
Gail Carriger (Poison or Protect (Delightfully Deadly, #1))
The bees sit so slothfully on the flowers, and the sunshine lies so lazily on the ground. A horrible idleness prevails. -- Idleness is the root of all vice. -- What people won't do out of boredom! They study out of boredom, they pray out of boredom, they fall in love, marry, and multiply out of boredom and finally die out of boredom, and -- and that's the humor in it -- they do everything with the most serious faces, without realizing why and with God knows what intentions. All these heroes, these geniuses, these idiots, these saints, these sinners, these fathers of families are basically nothing but refined idlers. -- Why must I be the one to know this? Why can't I take myself seriously and dress this poor puppet in tails and put an umbrella in its hand so that it will become very proper and very useful and very moral? That man who just left me -- I envied him, I could have beaten him out of envy. Oh, to be someone else for once! Just for a minute. -- How that man runs! If only I knew of one thing under the sun that could still make me run.
Georg Büchner (Leonce und Lena)
Today will be different. Today I will be present. Today, anyone I speak to, I will look them in the eye and listen deeply. Today I’ll play a board game with Timby. I’ll initiate sex with Joe. Today I will take pride in my appearance. I’ll shower, get dressed in proper clothes, and change into yoga clothes only for yoga, which today I will actually attend. Today I won’t swear. I won’t talk about money. Today there will be an ease about me. My face will be relaxed, its resting place a smile. Today I will radiate calm. Kindness and self-control will abound. Today I will buy local. Today I will be my best self, the person I’m capable of being. Today will be different.
Maria Semple (Today Will Be Different)
Folk dress in all manner of finery and wonderful hats to go and watch the races, but only if it's horses doing the barreling that day. This, at least, is understandable, for horses, in secret, love hats more than any other creature. It is a horse's tragedy that they can never properly wear one.
Catherynne M. Valente (The Girl Who Raced Fairyland All the Way Home (Fairyland, #5))
it is probably true that the list of the Ten Best Dressed Women is also a list of the Ten hungriest Women
Geneviève Antoine Dariaux (A Guide to Elegance: For Every Woman Who Wants to Be Well and Properly Dressed on All Occasions)
Women don’t get raped because they are gentle, drunk or not properly dressed, they get raped because someone somewhere is a rapist, and a beast.
Bamigboye Olurotimi
Goodness,” said an exhausted Lady Maccon, “are babies customarily that repulsive looking?” Madame Lefoux pursed her lips and turned the infant about, as though she hadn’t quite looked closely before. “I assure you, the appearance improves with time.” Alexia held out her arms—her dress was already ruined anyway—and received the pink wriggling thing into her embrace. She smiled up at her husband. “I told you it would be a girl.” “Why isna she crying?” complained Lord Maccon. “Shouldna she be crying? Aren’t all bairns supposed to cry?” “Perhaps she’s mute,” suggested Alexia. “Be a sensible thing with parents like us.” Lord Maccon looked properly horrified at the idea.
Gail Carriger (Heartless (Parasol Protectorate, #4))
His profession makes him feel like boss of a creation; when he sets foot dirtside he is slumming among the peasants. As for his sartorial inelegance, a man who is in uniform nine-tenths of the time and is more used to deep space than to civilization can hardly be expected to know how to dress properly.
Robert A. Heinlein (Double Star)
His profession makes him feel like boss of all creation; when he sets foot dirtside he is slumming among the peasants. As for his sartorial inelegance, a man who is in uniform nine-tenths of the time and is more used to deep space than to civilization can hardly be expected to know how to dress properly.
Robert A. Heinlein (Double Star)
What happened with education in South Africa, with the mission schools and the Bantu schools, offers a neat comparison of the two groups of whites who oppressed us, the British and the Afrikaners. The difference between British racism and Afrikaner racism was that at least the British gave the natives something to aspire to. If they could learn to speak correct English and dress in proper clothes, if they could Anglicize and civilize themselves, one day they might be welcome in society. The Afrikaners never gave us that option. British racism said, “If the monkey can walk like a man and talk like a man, then perhaps he is a man.” Afrikaner racism said, “Why give a book to a monkey?
Trevor Noah (Born a Crime: Stories from a South African Childhood)
Why should we labor this unpleasant point? Because the Book of Mormon labors it, for our special benefit. Wealth is a jealous master who will not be served halfheartedly and will suffer no rival--not even God: "Ye cannot serve God and Mammon." (Matthew 6:24) In return for unquestioning obedience wealth promises security, power, position, and honors, in fact anything in this world. Above all, the Nephites like the Romans saw in it a mark of superiority and would do anything to get hold of it, for to them "money answereth all things." (Ecclesiastes 10:19) "Ye do always remember your riches," cried Samuel the Lamanite, ". . .unto great swelling, envyings, strifes, malice, persecutions, and murders, and all manner of iniquities." (Helaman 13:22) Along with this, of course, everyone dresses in the height of fashion, the main point being always that the proper clothes are expensive--the expression "costly apparel" occurs 14 times in the Book of Mormon. The more important wealth is, the less important it is how one gets it.
Hugh Nibley (Since Cumorah (The Collected Works of Hugh Nibley, Volume 07))
Everyone always knows what they're doing," he says abruptly, still not looking up from his hands, the little plastic pot and the old tattoo and the new white dressing on his left wrist. "You know what you're doing, you got your work and your friends and everything and miserable headfucky little teenage girly boys think you're amazing and, I don't know, you might've saved my life, who knows? I might be dead if it weren't for you and Olly but people can't keep looking after me all the time cos that ain't healthy neither, that's just as bad as people not giving a fuck at all. And, like... I'm trying to sort my head out and be a proper grown-up and get my degree and go to work and look after them kids and make sure my dad ain't kicking my sister round the house like a football but it's just so hard all the time, and I know I ain't got no right to complain cos that's just life, ain't it? Everyone's the same, least I ain't got money worries or nothing. I just don't know what I'm doing, everything's too hard. I can try and try forever but I can't be good enough for no one so what the fuck's the point?
Richard Rider (17 Black and 29 Red (Stockholm Syndrome, #2))
I can't seem to fathom that the things important to me are not important to other people as well, and so I come off sounding like a missionary, someone whose job is to convert rather than listen. ... It's not that I don't like her - far from it - I just worry that, without a regular job and the proper linoleum, she'll fall through a crack and disappear to a place where we can't find her.
David Sedaris (Dress Your Family in Corduroy and Denim)
Then she washed and dressed very attentively, putting on high-heeled court shoes, silk stockings, a black skirt and crisply ironed white blouse, because she was Viennese and one dressed properly even when one's world had ended.
Eva Ibbotson (The Morning Gift)
The whole problem with boys is that ninety-nine percent of them are, like, okay. If you could dress and hygiene them properly, and make them stand up straight and listen to you and not be dumbasses, they’d be totally acceptable.
John Green (Turtles All the Way Down)
Look at these oafs, Ned. My wife insisted I take these two to squire for me, and they’re worse than useless. Can’t even put a man’s armor on him properly. Squires, they say. I say they’re swineherds dressed up in silk.” Ned only needed a glance to understand the difficulty. “The boys are not at fault,” he told the king. “You’re too fat for your armor, Robert.
George R.R. Martin (A Song of Ice and Fire, 5-Book Boxed Set: A Game of Thrones, A Clash of Kings, A Storm of Swords, A Feast for Crows, A Dance with Dragons (Song of Ice & Fire 1-5))
I honestly can’t even tell if he’s cute.” “He’s in that vast boy middle,” she said. “Like, good-looking enough that I’m willing to be won over. The whole problem with boys is that ninety-nine percent of them are, like, okay. If you could dress and hygiene them properly, and make them stand up straight and listen to you and not be dumbasses, they’d be totally acceptable.
John Green (Turtles All the Way Down)
For a moment, I was perfectly relaxed, and I began enjoying the sight of this beautifully candlelit room full of well-dressed people. Then Mr. Merchant made a grab for my décolletage from behind, and I almost spilled the punch. “One of those dear, pretty little roses slipped out of place,” he claimed, with an insinuating grin. I stared at him, baffled. Giordano hadn’t prepared me for a situation like this, so I didn’t know the proper etiquette for dealing with Rococo gropers. I looked at Gideon for help, but he was so deep in conversation with the young widow that he didn’t even notice. If we’d been in my own century, I’d have told Mr. Merchant to keep his dirty paws to himself or I’d hit back, whether or not any little roses had really slipped. But in the circumstances, I felt that his reaction was rather—discourteous. So I smiled at him and said, “Oh, thank you, how kind. I never noticed.” Mr. Merchant bowed. “Always glad to be of service, ma’am.” The barefaced cheek of it! But in times when woman had no vote, I suppose it wasn’t surprising if they didn’t get any other kind of respect either. The talking and laughter gradually died away as Miss Fairfax, a thin-nosed lady wearing a reed-green dress, went over to the pianoforte, arranged her skirts, and placed her hands on the keys. In fact, she didn’t play badly. It was her singing that was rather disturbing. It was incredibly . . . well, high-pitched. A tiny bit higher, and you’d have thought she was a dog whistle.
Kerstin Gier (Saphirblau (Edelstein-Trilogie, #2))
Jem gazed up into the proper deep blue he knew well from Dorsetshire, coupled with the vivid green of the roadside grass and shrubs, and found himself smiling at these colors that were so natural and yet shouted louder than any London ribbon or dress.
Tracy Chevalier (Burning Bright)
Holy shit. I forgot to ask you what you do. You are seriously a librarian? You aren’t fucking with me?” She made a face. “Yes, I’m really a librarian, MLS degree and all.” “Hot damn.” He pictured her behind a desk, dressed all prim and proper; her hair bound up in a little bun, black-framed glasses perched on her nose. “Remind me later to have you dress up and ask me about my overdue books.
Cynthia Rayne (Sweet Perdition (Four Horsemen MC, #1))
Apart front the things you can pick up ( the dressing and the proper way of speaking and so on), the difference between a lady and a flower girl is not how she behaves, but how she’s treated. I shall always be a flower girl to Professor Higgins, because he always treats me as a flower girl, and always will; but I know I can be a lady to you, because you always treat me like a lady and always will.
George Bernard Shaw
That was my first real experience at feeling set apart. Not only did I not knock them dead, but rather it was I that died...acutely aware of being mutton dressed up as lamb. I exchanged my white tie and tails for a white waiter’s jacket and got back to my proper calling!
Graham Kerr (Flash of Silver: ...the leap that changed my world)
They were furious. Did he not know he might catch cold? Why did he not answer their hail? It was no good his telling them he had not heard; they knew better; he had not got flannel ears--Why had he not waited for them? --What was a boat for? Was this a proper time to go a-swimmin? -- Did he think this was midsummer? Or Lammas? -- He was to see how cold he was, blue an trembling like a fucking jelly -- Would a new-joined ships boy have done such a wicked thing? No, sir, he would not. -- What would the skipper, what would Mr Pullings and Mr Babbington say, when they heard of his capers? -- As God loved them, they had never seen anything so foolish: he might strike them blind, else. -- Where had he left his intellectuals? Aboard the sloop? They dried him with handkerchiefs., dressed him by force, and rowed him quickly back to the Polychrest. He was to go below directly, turn in between blankets--no sheets, mind--with a pint of grog and have a good sweat. he was to go up the side now, like a Christian and nobody would notice. Plaice and Lakey were perhaps the strongest men in the ship, with arms like gorillas; they thrust him aboard and hurried him to his cabin without so much as by your leave, and left him there in the charge of his servant, with recommenations for his present care.
Patrick O'Brian (Post Captain (Aubrey & Maturin, #2))
Samsa sat there for a long time with his eyes closed. Then, making up his mind, he stood, grabbed his black walking stick, and headed for the stairs. He would return to the second floor and figure out the proper way to dress. For now, at least, that would be his mission. The world was waiting for him to learn.
Haruki Murakami (Desire: Vintage Minis)
Till now, I could not have supposed it possible to be mistaken as to a girl's being out or not. A girl not out, has always the same sort of dress: a close bonnet, for instance; looks very demure, and never says a word. You may smile, but it is so, I assure you; and except that it is sometimes carried a little too far, it is all very proper. Girls should be quiet and modest. The most objectionable part is, that the alteration of manners on being introduced into company is frequently too sudden. They sometimes pass in such very little time from reserve to quite the opposite - to confidence! That is the faulty part of the present system.
Jane Austen (Mansfield Park)
Jane had found a book on the proper way to string a corset, and the gist of it was this: tighten it until you could barely breathe. Then you were halfway there. Since she was dressing herself, she tied two ends to a bedpost and walked forward to tighten it. But then the bedpost broke, and when the neighbor came over to see what the ruckus was, Jane implored her to tighten the corset for her. Her neighbor acquiesced and then left her with this piece of advice: "Friends don't let friends corset alone.
Cynthia Hand (My Plain Jane (The Lady Janies, #2))
you see, my whole life is tied up to unhappiness it's father cooking breakfast and me getting fat as a hog or having no food at all and father proving his incompetence again i wish i knew how it would feel to be free it's having a job they won't let you work or no work at all castrating me (yes it happens to women too) it's a sex object if you're pretty and no love or love and no sex if you're fat get back fat black woman be a mother grandmother strong thing but not woman gameswoman romantic woman love needer man seeker dick eater sweat getter fuck needing love seeking woman it's a hole in your shoe and buying lil sis a dress and her saying you shouldn't when you know all too well that you shouldn't but smiles are only something we give to properly dressed social workers not each other only smiles of i know your game sister which isn't really a smile joy is finding a pregnant roach and squashing it not finding someone to hold let go get off get back don't turn me on you black dog how dare you care about me you ain't go no good sense cause i ain't shit you must be lower than that to care it's a filthy house with yesterday's watermelon and monday's tears cause true ladies don't know how to clean it's intellectual devastation of everybody to avoid emotional commitment "yeah honey i would've married him but he didn't have no degree" it's knock-kneed mini skirted wig wearing died blond mamma's scar born dead my scorn your whore rough heeeled broken nailed powdered face me whose whole life is tied up to unhappiness cause it's the only for real thing i know
Nikki Giovanni
If I waited for a proper occasion to get dressed up I'd never wear half of these clothes. Put on the clothes and you make things happen to match them. It doesn't work the other way around.
Erin Kelly
You See, really and truly, apart from things anyone can pick up (the dressing and the proper way of speaking, and so on), the difference between a lady and a flower girl is not how she behaves, but how she's treated
George Bernard Shaw
I do not think a pilgrimage is a proper pilgrimage if you are also using it as an excuse to visit your favourite aunt, or buy silk cheaply to re-sell,” she murmured sombrely. “That’s just business dressed up in orange robes.
Claire North (The Thief (Gameshouse, #2))
I’m really sorry, Nathan.” Her accent thickened as she stared up at him, biting her lip nervously as she wondered how much he would pout. Nathan could go all quiet, somber, and answer her in monosyllables that drove her insane. He would glare at her. He would watch ball games. He would come to bed late. Late. After she went to sleep. And wouldn’t give her any until the next morning. It really wasn’t fair. “Nathan, please don’t be mad at me . . .” “How did you hit my truck? How? It was sitting in plain view. Plain view, Sabella.” He was getting angry. He only said her full name when he was really getting angry or really, really horny. And he was not horny. Okay, this wasn’t good. She could do without for days. But she didn’t like it. She stomped her foot, glaring back at him in irritation. “If it weren’t for you, I would have never hit it.” “Me?” He stepped back, shaking his head fiercely. “How the hell was this my fault?” “Because you were cutting the grass, with no shirt, in sexy jeans and boots, and seeing your tight ass striding across the lawn made me horny. You distracted me. It’s all your fault. If you dress properly things like this just would not happen, Nathan . . .” He kissed her. It wasn’t a gentle, easy kiss. It was rough and ready and smack full of lust as he jerked her against him, pressing his cock into her belly as she gasped in pleasure. “You are so spanked.” He picked her up, striding across the lawn, leaving her car door open, his truck abused. “Spanked, Sabella. I’m going to watch every inch of that pretty ass turn red.” He slammed the door behind him, locking it quickly before heading for the stairs. “Oh, spank me, Nathan,” she breathed teasingly into his ear. “Make me beg.” He shuddered against her, threw her on the bed and proceeded to make her beg.
Lora Leigh (Wild Card (Elite Ops, #1))
I took pride in being the best-dressed monster in Dade County. Yes, certainly, he chopped up that nice Mr. Duarte, but he was so well dressed! Proper clothing for all occasions - by the way, what did one wear to attend an early morning decapitation? A day-old bowling shirt and slacks, naturally. I was à la mode. But aside from this morning's hasty costume, I really was careful. It was one of Harry's lessons: stay neat, dress nicely, avoid attention.
Jeff Lindsay (Darkly Dreaming Dexter (Dexter, #1))
She had no criticism of his dress, which was bagged at the knees, dropping at the lapels, rucked around the buttons, while she-although she wore a flowing white cotton-appeared (she knew it and wished it was not so) as starched and pressed as a Baptist in a riding habit. They were different, and yet not ill matched. They had both grown used to the attentions that are the eccentric’s lot-the covert glances, smiles, whispers, worse. Lucinda was accustomed to looking at no one in the street. It was an out-of-focus town of men with seas of bobbing hats. But on this night she felt the streets accept them. She thought: When we are two, they do not notice us. They think us a match. What wisdom does a mob have? It is a hydra, an organism, stupid or dangerous in much of its behaviour, but could it have, in spite of this, a proper judgement about which of its component parts fit best together? They pushed past bold-eyed young women with too many ribbons and jewels, past tight-laced maidens and complacent merchants with their bellies pushing so forcefully against their waistcoats that their shirts showed above their trousers. Lucinda was happy. Her arm rested on Oscar’s arm. She thought: Anyone can see I have been crying. She thought: I have pink eyes like a dormouse. But she did not really care.
Peter Carey (Oscar and Lucinda)
God,” he said, “I never want to do that again. I felt like everyone on the street was watching me.” “You look ridiculous in that cloak,” Maurisk said. “You might as well carry a sign saying ‘I’m up to no good.’” “I’d be happy to,” Faro said. “Much safer than one saying ‘I’m carrying enough money to buy a small city.’ Besides, it’s essential. Cloak-and-dagger work, you know? Cloak”—he pushed the cloak back, revealing a steel gleam at his belt, opposite where he normally buckled his sword—“and dagger! I wouldn’t feel properly dressed otherwise.
Django Wexler (The Shadow Throne (The Shadow Campaigns, #2))
Were the situation not so completely to her disadvantage, she might have enjoyed the prospect of Simon Hunt rendered absolutely speechless. At first his face was blank, as if he was having tremendous difficulty absorbing the fact that she was standing before him dressed only in a chemise, corset, and drawers. His gaze slid over her, slowly coming to rest on her flushed face. Another moment or two of suffocated silence, and Hunt swallowed hard before speaking in a rusty-sounding voice. “I probably shouldn’t ask. But what the hell are you doing?” The words unlocked Annabelle from her paralysis. She certainly could not stand there and converse with him while she was clad in her undergarments. But her dignity—or the threads that remained of it—demanded that she not screech idiotically and dash for her clothes the way Evie and Daisy were doing. Settling for a compromise, she strode briskly to her discarded gown and clasped it to her front as she turned to face Simon Hunt once more. “We’re playing Rounders,” she said, her voice far higher-pitched than usual. Hunt glanced around the scene before settling on her again. “Why did you—” “One can’t run properly in skirts,” Annabelle interrupted. “I should think that would be obvious.” Absorbing that, Hunt averted his face swiftly, but not before she saw the sudden flash of his grin. “Never having tried it, I’ll have to take your word on that.
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
Today is one of the days when Ma is Gone. She won't wake up properly. She's here but not really. She stays in Bed with the pillows on her head. Silly Penis is standing up, I squish him down. I eat my hundred cereal and I stand on my chair to wash the bowl and Meltedy Spoon. It's very quiet when I switch off the water. I wonder did Old Nick come in the night. I don't think he did because the trash bag is still by Door, but maybe he did only he didn't take the trash? Maybe Ma's not just Gone. Maybe he squished her neck even harder and now she's - I go up really close and listen till I hear breath. I'm just one inch away, my hair touches Ma's nose and she puts her hand up over her face so I step back. I don't have a bath on my own, I just get dressed. There's hours and hours, hundreds of them. Ma gets up to pee but not talking, with her face all blank. I already put a glass of water beside Bed but she just gets back under Duvet.
Emma Donoghue (Room)
The things sane societies loved, it hated. The things sane societies hated, it loved; the things sane societies tried to do, it tried to avoid; the things sane societies tried to avoid, it did with relish. It pursued chaos and hated order, it worshipped ugliness and loathed beauty. If sane people wished to dress as neatly and well as they could, these people were persuaded to dress as hideously and grotesquely as possible; if sane people wanted music to be melodious, these people (whether we are speaking of their "popular" or their "serious" music) were cozened into believing they liked raucous and tuneless noise. If women had been feminine, if home life had been secure, if children had been innocent, if men had been gallant, if art had been beautiful, if love had been romantic, then all these things must be stood on their heads. Of course, life was not always like that. Of course things had often fallen short of their ideals, or even of their minimal norms; but at least most people tried to do things properly and at least the surrounding civilisation encouraged them to try. Never before had the deliberate aim been an inverted parody of all that should be. Everywhere, in every area of life, a single principle reigned: inversion; the worship of chaos; the creed of the madhouse.
Alice Lucy Trent (The Feminine Universe)
Good evening, Lady Maccon.” The vampire tipped his top hat with one hand, holding the door with the other. He occupied the entrance in an ominous, looming manner. “Ah, how do you do, Lord Ambrose?” “Tolerably well, tolerably well. It is a lovely night, don’t you find? And how is your”—he glanced at her engorged belly—“health?” “Exceedingly abundant,” Alexia replied with a self-effacing shrug, “although, I suspect, unlikely to remain so.” “Have you been eating figs?” Alexia was startled by this odd question. “Figs?” “Terribly beneficial in preventing biliousness in newborns, I understand.” Alexia had been in receipt of a good deal of unwanted pregnancy advice over the last several months, so she ignored this and got on to the business at hand. “If you don’t feel that it is forward of me to ask, are you here to kill me, Lord Ambrose?” She inched away from the carriage door, reaching for Ethel. The gun lay behind her on the coach seat. She had not had time to put it back into its reticule with the pineapple cut siding. The reticule was a perfect match to her gray plaid carriage dress with green lace trim. Lady Alexia Maccon was a woman who liked to see a thing done properly or not at all. The vampire tilted his head to one side in acknowledgment. “Sadly, yes. I do apologize for the inconvenience.” “Oh, really, must you? I’d much rather you didn’t.” “That’s what they all say.
Gail Carriger (Heartless (Parasol Protectorate, #4))
mine was white organdie with an orange-blossom trim and I didn’t want the holly to tear it so she carried the wreath. She cared little for her dress. Scarlet velvet, she’d wanted. Crimson. But she got burgundy taffeta. And she said it didn’t fit properly, the seams weren’t straight and even I could see that but such things mattered so much to her that
Maggie O'Farrell (The Vanishing Act of Esme Lennox)
When Prince Napoleon, the cousin of Napoleon Bonaparte III, visited Washington in early August, Mary organized an elaborate dinner party. She found the task of entertaining much simpler than it had been in Springfield days. “We only have to give our orders for the dinner, and dress in proper season,” she wrote her friend Hannah Shearer. Having learned French when she was young, she conversed easily with the prince. It was a “beautiful dinner,” Lizzie Grimsley recalled, “beautifully served, gay conversation in which the French tongue predominated.” Two days later, her interest in French literature apparently renewed, Mary requested Volume 9 of the Oeuvres de Victor Hugo from the Library of Congress.
Doris Kearns Goodwin (Team of Rivals: The Political Genius of Abraham Lincoln)
Such injunctions were burned into us, for Mommy felt strongly about proper behavior; about sitting with a straight back, knees together, legs crossed at the ankle; about walking with shoulders back, head high. 'A person meeting you for the first time judges you by how you walk, how you spreak, and how you're dressed,' she told us. On our Sunday excursions to Asbury Park, she would watch for an example . . . 'See that?' she's say. 'I don't know that man from Adam, but I can tell from his walk he's stupid, dumb, a no account.' Then she'd point to another man. 'I don't know him either, but that's an educated person. His back's straight, he's walking straight, not slumping and slouching and oozing along'.
Yvonne S. Thornton (The Ditchdigger's Daughters: A Black Family's Astonishing Success Story)
I had come to love the space, and I could see why Lady Anna had too. The orchids were positively glorious. She'd tagged each flower with its proper botanical name, but I favored the pet names she'd given each bloom. For instance, a stunning pink 'Cattleya' was named "Lady Catalina." And a yellow 'Oncidium,' which to me looked like a flock of ladies in fluffy party dresses, was called "Lady Aralia of the Bayou.
Sarah Jio (The Last Camellia)
Step One: Dress your kid up in pink frilly bullshit. Tell her repeatedly that she needs to be rescued from a life of solitude by a rapey prince who will one day come along, plant a kiss on her lips and ensure that she never needs to lift a finger, read a book or expand her knowledge in any way. Check. Step Two: Grow up. Earn a very moderate education. Just enough to convince yourself that you’re properly liberated from the shackles of the Patriarchy. Check. Step Three: Meet a man who’s not quite Satan, but thinks he’s God. Check. Step Four: Marry him, thereby cementing his legal claim to your body and soul. Check. Step Five: Pop out a kid. Check. Step Six: Make banana bread at least once a week until bananas become contraband, while sporting a highly flammable apron that says, “Kiss the Cook” in big stupid red letters. Check.
K.A. Riley (Rise of the Inciters (Athena's Law))
When, after hours of lovemaking, we quickly dressed and left the apartment, I sometimes thought that Füsun was also taking care not to get “carried away” by her feelings for me. A proper understanding of my story depends, I think, on a full appreciation of the pleasure we took from these sweet shared moments. I am certain that the fire at the heart of my tale is the desire to relive those moments of love, and my attachment to those pleasures.
Orhan Pamuk
Of course, none of that would matter if people heard Nina and Jesper arguing at the top of their lungs. They must have returned to the island and left theirgondel on the north side. Nina’s irritated voice floated over the graves, and Matthias felt a surge of relief, his steps quickening, eager for the sight of her. “I don’t think you’re showing proper appreciation for what I just went through,” Jesper was saying as he stomped through the cemetery. “You spent a night at the tables losing someone else’s money,” Nina shot back. “Isn’t that essentially a holiday for you?” Kaz knocked his cane hard against a gravestone and they both went quiet, moving swiftly into fighting stances. Nina relaxed as soon as she caught sight of the three of them in the shadows. “Oh, it’s you.” “Yes, it’s us.” Kaz used his cane to herd them both toward the center of the island. “And you would have heard us if you hadn’t been busy shouting at each other. Stop gawking like you’ve never seen a girl in a dress before, Matthias.” “I wasn’t gawking,” Matthias said with as much dignity as he could muster. But for Djel’s sake, what was he supposed to look at when Nina had irises tucked between … everything. “Be quiet, Brekker,” Nina said. “I like it when he gawks.” “How did the mission go?” Matthias asked, trying to keep his eyes on her face. 
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Even so, these symbols still cause quite a fuss. Thirty percent of all issues in organizations are what I call boarding school stuff: rewards and punishments, how to dress, what time to show up, how to address superiors, how to behave properly. Even worse, they include fodder for the “green-eyed monster,” jealousy, things like why somebody got a raise and somebody else didn’t, why she got the better client account, or why he was asked to join the board.
Ricardo Semler (The Seven-Day Weekend: Changing the Way Work Works)
Darya Alexandrovna, in a dressing jacket, and with her now scanty, once luxuriant and beautiful hair fastened up with hairpins on the nape of her neck, with a sunken, thin face and large, startled eyes, which looked prominent from the thinness of her face, was standing among a litter of all sorts of things scattered all over the room, before an open bureau, from which she was taking something. Hearing her husband's steps, she stopped, looking towards the door, and trying assiduously to give her features a severe and contemptuous expression. She felt she was afraid of him, and afraid of the coming interview. She was just attempting to do what she had attempted to do ten times already in these last three days—to sort out the children's things and her own, so as to take them to her mother's—and again she could not bring herself to do this; but now again, as each time before, she kept saying to herself, "that things cannot go on like this, that she must take some step" to punish him, put him to shame, avenge on him some little part at least of the suffering he had caused her. She still continued to tell herself that she should leave him, but she was conscious that this was impossible; it was impossible because she could not get out of the habit of regarding him as her husband and loving him. Besides this, she realized that if even here in her own house she could hardly manage to look after her five children properly, they would be still worse off where she was going with them all. As it was, even in the course of these three days, the youngest was unwell from being given unwholesome soup, and the others had almost gone without their dinner the day before. She was conscious that it was impossible to go away; but, cheating herself, she went on all the same sorting out her things and pretending she was going.
Leo Tolstoy (Anna Karenina)
Are you hungry?" he asked, knowing that she must be starving. "Yes, but I think-" "We should go out on a date tonight? I totally agree," he said, cutting her off because he had a feeling that she was about to suggest something he wouldn't like. "A date?" she repeated, sounding a bit confused. "Yeah, a date," he said, grabbing her hands and pulling her to her feet while she still looked confused as hell. He gave her a little nudge to get her moving in the direction of the stairs. "You know where I pick you up, you keep me waiting for a half hour, we go out, and I charm you while you hang on my every word. We eat, we talk and then at the end of the night you invite me in for a cup of coffee and I pretend to think it over since I'm such a gentleman," he said, choosing to ignore her little snort of disbelief as he guided her towards the stairs. "But-" "No, buts," he said, giving her another nudge to get her up the stairs. "Get your little butt up there and put something on that will drive me out of my mind." "But-" "Go," he said, giving her another nudge that thankfully got her moving. "The sooner you get dressed the sooner you can start fawning over me like a proper date and remember just because I agreed to go out on this date with you doesn't mean that I'm easy. I expect you to do a little work to get me out of my pants." He couldn't have his future wife thinking he was easy after all.
R.L. Mathewson (Perfection (Neighbor from Hell, #2))
No one mentioned it, but we understood that Rino and Pasquale, who were older, found on those streets only confirmation of things they already knew, and this put them in a bad mood, made them sullen, resentful at the certainty of being out of place, while we girls discovered it only at that moment and with ambiguous sentiments. We felt uneasy and yet fascinated, ugly but also impelled to imagine what we would become if we had some way to re-educate ourselves and dress and put on makeup and adorn ourselves properly.
Elena Ferrante (My Brilliant Friend (The Neapolitan Novels, #1))
Jo is the one who writes popular fiction for money, Amy is the one who scrapes together what materials she can find to pursue her artistic ambitions and makes no money, as yet. Jo's moneymaking is seen as a necessity so that the Marches can get by. But because Amy dresses well, behaves properly, and gets along with Aunt March, and because, unlike Jo, she does not dismiss the idea of marrying for money, readers may misunderstand Amy. Amy is not more selfish than Jo, she is more canny...Amy has already demonstrated the value of reason, understanding, thoughtfulness, getting along. If we return to the spot in part one where Marmee tells Meg and Jo what she wants for her daughters, the first descriptive word out of her mouth is 'beautiful.' It is Amy who has done what her mother wanted, who has used her looks, i.e., to become beautiful in the eyes of society, to get ahead, but she has done so not out of vanity or greed but because, through her art, she has sought to understand the nature of beauty--in herself, in admiring Aunt March's jewelry, in painting, in relationships
Jane Smiley (March Sisters: On Life, Death, and Little Women)
A public service announcement from that era, designed to combat littering, featured an Indian man (the actor Iron Eyes Cody, who was actually Sicilian) in full dress walking through a modern United States covered in litter. In the final frame, he sheds a single tear. All of this fit with the hippie-themed back-to-the-land movement that romanticized Indigenous people as much as taking them seriously. It was also of a piece with earlier responses to Native Americans. After removing them from their land, preventing them from becoming a threat, Americans often claimed to admire the special virtues of Native peoples, who were supposed to possess a unique spirit. They named towns after them, states, later sports franchises. That iconic commercial with the “Crying Indian” played to the idea that Indigenous people have a spiritual connection to the land that others do not possess. The people who took their land did not appreciate it, or care for it properly. This was almost a half-hearted confession that what had happened was wrong. That didn’t mean the land would be given back to them, of course.
Annette Gordon-Reed (On Juneteenth)
The moment the two men entered, she leapt from her seat, knelt, and bowed her head. “Hey! Watch it, that’s a new dress,” Hadrian said with a smile. “Oh!” She scrambled to her feet, blushing, then curtsied and bowed her head once more. “What’s she doing?” Royce whispered to Hadrian. “Not sure,” he whispered back. “I’m trying to show the proper reverence, Your Lordships,” she whispered to both of them while keeping her head down. “I’m sorry if I’m not very good at it.” Royce rolled his eyes and Hadrian began to laugh. “Why are you whispering?” Hadrian asked her. “Because you two were.
Michael J. Sullivan (Theft of Swords (The Riyria Revelations, #1-2))
It was late evening and as she came out to wear her sneakers, she was met by not a very charitable glance of another bhaiji. He always sat there, at the entrance, as a kind of watchman. He commented on Nanaki’s scarf and advised her to come properly clad in a dupatta. She walked out in a huff, heckles raised. Who was this man? Who was he to tell her how she ought to be dressed? Whose rules were these? In all honesty, Nanaki’s visit to the gurudwara was her own personal matter. It was more or less an aesthetic experience, feeding a very personal need for which she felt she owed no one an explanation.
Sakoon Singh (In The Land of The Lovers)
gracefully down in the shape of a question mark. ‘How did I escape?’ Walter asked. ‘Why, I did what any true cozener would do in such circumstances – told him the truth! Showed him the Tower, at least several levels of it. It stunned him, right and proper, and while he was open in such fashion, I took a leaf from his own book and hypnotized him. We were in one of the fistulas of time which sometimes swirl out from the Tower, and the world moved on all around us as we had our palaver in that bony place, aye! I brought more bones – human ones – and while he slept I dressed em in what was left of my own clothes.
Stephen King (The Dark Tower (The Dark Tower, #7))
That was my life until Stregobor and that whore Aridea ordered a huntsman to butcher me in the forest and bring back my heart and liver. Lovely, don't you think?” “No. I’m pleased you evaded the huntsman, Renfri.” “Like shit I did. He took pity on me and let me go. After the son of a bitch raped me and robbed me.” Geralt, fiddling with his medallion, looked her straight in the eyes. She didn't lower hers. “That was the end of the princess,” she continued. “The dress grew torn, the cambric grew grubby. And then there was dirt, hunger, stench, stink and abuse. Selling myself to any old bum for a bowl of soup or a roof over my head. Do you know what my hair was like? Silk. And it reached a good foot below my hips. I had it cut right to the scalp with sheep-shears when I caught lice. It's never grown back properly.” She was silent for a moment, idly brushing the uneven strands of hair from her forehead. “I stole rather than starve to death. I killed to avoid being killed myself. I was locked in prisons which stank of urine, never knowing if they would hang me in the morning, or just flog me and release me. And through it all, my stepmother and your sorcerer were hard on my heels, with their poisons and assassins and spells. And
Andrzej Sapkowski (The Last Wish (The Witcher 0.5))
Moody was not unaware of the advantage his inscrutable grace afforded him. Like most excessively beautiful persons, he had studied his own reflection minutely and, in a way, knew himself from the outside best; he was always in some chamber of his mind perceiving himself from the exterior. He had passed a great many hours in the alcove of his private dressing room, where the mirror tripled his image into profile, half-profile, and square: Van Dyck's Charles, though a good deal more striking. It was a private practice, and one he would likely have denied--for how roundly self-examination is condemned, by the moral prophets of our age! As if the self had no relation to the self, and one only looked in mirrors to have one's arrogance confirmed; as if the act of self-regarding was not as subtle, fraught, and ever-changing as any bond between twin souls. In his fascination Moody sought less to praise his own beauty than to master it. Certainly whenever he caught his own reflection, in a window box, or in a pane of glass after nightfall, he felt a thrill of satisfaction--but as an engineer might feel, chancing upon a mechanism of his own devising and finding it splendid, flashing, properly oiled and performing exactly as he had predicted it should.
Eleanor Catton (The Luminaries)
Cecily let her cheek fall to Leta’s shoulder and hugged her back. It felt so nice to be loved by someone in the world. Since her mother’s death, she’d had no one of her own. It was a lonely life, despite the excitement and adventure her work held for her. She wasn’t openly affectionate at all, except with Leta. “For God’s sake, next you’ll be rocking her to sleep at night!” came a deep, disgusted voice at Cecily’s back, and Cecily stiffened because she recognized it immediately. “She’s my baby girl,” Leta told her tall, handsome son with a grin. “Shut up.” Cecily turned a little awkwardly. She hadn’t expected this. Tate Winthrop towered over both of them. His jet-black hair was loose as he never wore it in the city, falling thick and straight almost to his waist. He was wearing a breastplate with buckskin leggings and high-topped mocassins. There were two feathers straight up in his hair with notches that had meaning among his people, marks of bravery. Cecily tried not to stare at him. He was the most beautiful man she’d ever known. Since her seventeenth birthday, Tate had been her world. Fortunately he didn’t realize that her mad flirting hid a true emotion. In fact, he treated her exactly as he had when she came to him for comfort after her mother had died suddenly; as he had when she came to him again with bruises all over her thin, young body from her drunken stepfather’s violent attack. Although she dated, she’d never had a serious boyfriend. She had secret terrors of intimacy that had never really gone away, except when she thought of Tate that way. She loved him… “Why aren’t you dressed properly?” Tate asked, scowling at her skirt and blouse. “I bought you buckskins for your birthday, didn’t I?” “Three years ago,” she said without meeting his probing eyes. She didn’t like remembering that he’d forgotten her birthday this year. “I gained weight since then.” “Oh. Well, find something you like here…” She held up a hand. “I don’t want you to buy me anything else,” she said flatly, and didn’t back down from the sudden menace in his dark eyes. “I’m not dressing up like a Lakota woman. In case you haven’t noticed, I’m blond. I don’t want to be mistaken for some sort of overstimulated Native American groupie buying up artificial artifacts and enthusing over citified Native American flute music, trying to act like a member of the tribe.” “You belong to it,” he returned. “We adopted you years ago.” “So you did,” she said. That was how he thought of her-a sister. That wasn’t the way she wanted him to think of her. She smiled faintly. “But I won’t pass for a Lakota, whatever I wear.” “You could take your hair down,” he continued thoughtfully. She shook her head. She only let her hair loose at night, when she went to bed. Perhaps she kept it tightly coiled for pure spite, because he loved long hair and she knew it. “How old are you?” he asked, trying to remember. “Twenty, isn’t it?” “I was, give years ago,” she said, exasperated. “You used to work for the CIA. I seem to remember that you went to college, too, and got a law degree. Didn’t they teach you how to count?” He looked surprised. Where had the years gone? She hadn’t aged, not visibly.
Diana Palmer (Paper Rose (Hutton & Co. #2))
Young sisters, be modest. Modesty in dress and language and deportment is a true mark of refinement and a hallmark of a virtuous Latter-day Saint woman. Shun the low and the vulgar and the suggestive. . . . Don’t see R-rated movies or vulgar videos or participate in any entertainment that is immoral, suggestive, or pornographic. And don’t accept dates from young men who would take you to such entertainment. . . . Also, don’t listen to music that is degrading. . . . Instead, we encourage you to listen to uplifting music, both popular and classical, that builds the spirit. Learn some favorite hymns from our new hymnbook that build faith and spirituality. Attend dances where the music and the lighting and the dance movements are conducive to the Spirit. Watch those shows and entertainment that lift the spirit and promote clean thoughts and actions. Read books and magazines that do the same. Remember, young women, the importance of proper dating. President Kimball gave some wise counsel on this subject: “Clearly, right marriage begins with right dating. . . . Therefore, this warning comes with great emphasis. Do not take the chance of dating nonmembers, or members who are untrained and faithless. A girl may say, ‘Oh, I do not intend to marry this person. It is just a “fun” date.’ But one cannot afford to take a chance on falling in love with someone who may never accept the gospel” (The Miracle of Forgiveness, pp. 241–42). Our Heavenly Father wants you to date young men who are faithful members of the Church, who will be worthy to take you to the temple and be married the Lord’s way. There will be a new spirit in Zion when the young women will say to their boyfriends, “If you cannot get a temple recommend, then I am not about to tie my life to you, even for mortality!” And the young returned missionary will say to his girlfriend, “I am sorry, but as much as I love you, I will not marry out of the holy temple.
Ezra Taft Benson
You're fixing everything I set down." He nods at my hands, which are readjusting the elephant. "It wasn't polite of me to come in and start touching your things." "Oh,it's okay," I say quickly, letting go of the figurine. "You can touch anything of mine you want." He freezes. A funny look runs across his face before I realize what I've said. I didn't mean it like that. Not that that/i> would be so bad. But I like Toph,and St. Clair has a girlfriend. And even if the situation were different, Mer still has dibs. I'd never do that to her after how nice she was my first day.And my second. And every other day this week. Besides,he's just an attractive boy. Nothing to get worked up over. I mean, the streets of Europe are filled with beautiful guys, right? Guys with grooming regimens and proper haircuts and stylish coats.Not that I've seen anyone even remotely as good-looking as Monsieur Etienne St.Clair.But still. He turns his face away from mine. Is it my imagination or does he look embarrassed? But why would he be embarrassed? I'm the one with the idiotic mouth. "Is that your boyfriend?" He points to my laptop's wallpaper, a photo of my coworkers and me goofing around. It was taken before the midnight release of the lastest fantasy-novel-to-film adaptation. Most of us were dressed like elves or wizards. "The one with his eyes closed?" "WHAT?" He thinks I'd date a guy like Hercules Hercules is an assistant manager. He's ten years older than me and,yes, that's his real name. And even though he's sweet and knows more about Japanese horror films than anyone,he also has a ponytail. A ponytail. "Anna,I'm kidding.This one. Sideburns." He points to Toph,the reason I love the picture so much.Our heads are turned into each other, and we're wearing secret smiles,as if sharing a private joke. "Oh.Uh...no.Not really.I mean, Toph was my almost-boyfriend.I moved away before..." I trail off, uncomfortable. "Before much could happen.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
He peered up at the house. “I know you’re finished in there, Blake. May as well come out.” I breathed a silent sigh. Blake strolled onto the deck wearing low-slung skater shorts and flip-flops. Being shirtless must’ve been mandatory in California. I kind of wished they’d get dressed so I could focus properly when I told them about the prophecy. Blake joined us beside the pool. “So . . . ,” said Blake, rocking back on his heels. “Lover’s quarrel over?” “We’re not lovers,” Kaidan and I said together. “What’s stopping you?” Blake smiled. “What’s stopping you and Ginger?” Kaidan asked. “An ocean, man. Fu—” He glanced at me. “Uh . . . eff you.” “Eff me?” Kaidan asked, grinning. “No, eff you, mate.” Blake put a fist over his mouth when he caught what must have been a seething look on my face, and he laughed, punching Kaidan in the arm. “Told you, man! She’s pissed about the cursing thing! Ginger was right.” I shook my head. I wouldn’t look at them. I was too humiliated to deny it. “Girl, all you have to do is say the word, and Mr. Lusty McLust a Lot here will be happy to whisper some dirty nothings in your ear.” Kaidan half grinned, sexuality rolling off him as wild as the Pacific below us. I took a shaky breath. “I don’t appreciate when people are fake with me.” I pointed this statement at Kaidan. Okay, calling him a fake was overboard, especially if he was just being respectful. But my feelings were bruised and battered. If Kai wasn’t going to forgive me or be willing to talk, I couldn’t hang around and deal with his bad attitude. It hurt too much, and the unfairness frustrated me to no end. “If you guys will sit down and shut up for a minute, I’ll tell you what I came here to say, and then I’m out of here. You two can find someone else to make fun of.” They both wiped the smiles from their faces. I pulled a padded lawn chair over and sat. They moved a couple of chairs closer, giving me their attention. 
Wendy Higgins (Sweet Peril (Sweet, #2))
What, may I ask, does your one truck contain if not gowns?” Inspiration struck, and Elizabeth smiled radiantly. “Something of great value. Priceless value,” she confided. All faces at the table watched her with alert fascination-particularly the greedy Sir Francis. “Well, don’t keep us in suspense, love. What’s in it?” “The mortal remains of Saint Jacob.” Lady Eloise and Lady Mortand screamed in unison, Sir William choked on his wine, and Sir Francis gaped at her in horror, but Elizabeth wasn’t quite finished. She saved the coup de grace until the meal was over. As soon as everyone arose she insisted they sit back down so a proper prayer of gratitude could be said. Raising her hands heavenward, Elizabeth turned a simple grace into a stinging tirade against the sins of lust and promiscuity that rose to crescendo as she called down the vengeance of doomsday on all transgressors and culminated in a terrifyingly lurid description of the terrors that awaited all who strayed down the path of lechery-terrors that combined dragon lore with mythology, a smattering of religion, and a liberal dash of her own vivid imagination. When it was done Elizabeth dropped her eyes, praying in earnest that tonight would loose her from her predicament. There was no more she could do; she’d played out her hand with all her might; she’d given it her all. It was enough. After supper Sir Francis escorted her to her chamber and, with a poor attempt at regret, announced that he greatly feared they wouldn’t suit. Not at all. Elizabeth and Berta departed at dawn the following morning, an hour before Sir Francis’s servants stirred themselves. Clad in a dressing robe, Sir Francis watched from his bedchamber window as Elizabeth’s coachman helped her into her conveyance. He was about to turn away when a sudden gust of wind caught Elizabeth’s black gown, exposing a long and exceptionally shapely leg to Sir Francis’s riveted gaze. He was still staring at the coach as it circled the drive; through its open window he saw Elizabeth laugh and reach up, unpinning her hair. Clouds of golden tresses whipped about the open window, obscuring her face, and Sir Francis thoughtfully wet his lips.
Judith McNaught (Almost Heaven (Sequels, #3))
I reach out and squeeze her hand, and remember everything we’ve lived through together. The normal things we endured as we grew from girls to women. The days in school where boys would line us up in order of our fuckability. The parties where it was normal to lie on top of a semi-conscious girl, do things to her, then call her a slut afterwards. A Christmas number-one song about a pregnant woman being stuffed into the boot of a car and driven off a bridge. Laughing when your male friends made rape jokes. Opening a newspaper and seeing the breasts of a girl who had only just turned legal, dressed in school uniform to make her look underage. Of the childhood films we grew up on, and loved, and knew all the words to, where, at the end, a girl would always get chosen for looking the prettiest compared to all the others. Reading magazines that told you to mirror men’s body language, and hum on their dick when you went down on them, that turned into books about how to get them to commit by not being yourself. Of size zero, and Atkins, and Five-Two, and cabbage soup, and juice cleanses and eat clean. Of pole-dancing lessons as a great way to get fit, and actually, if you want to be really cool, come to the actual strip club too. Of being sexually assaulted when you kissed someone on a dance floor and not thinking about it properly until you are twenty-seven and read a book about how maybe it was wrong. Of being jealous of your friend who got assaulted on the dance floor because why didn’t he pick you to assault? Boys not wanting to be with you unless you fuck them quickly. Boys not wanting to be with you because you fucked them too quickly. Being terrified to walk anywhere in the dark in case the worst thing happens to you, and so your male friend walks you home to keep you safe, and then comes into your bedroom and does the worst thing to you, and now, when you look him up online, he’s engaged to a woman who wears a feminist T-shirt and isn’t going to change her name when they get married. Of learning to have no pubic hair, and how liberating it is to pay thirty-five pounds a month to rip this from your body and lurch up in agony. Rings around famous women’s bodies saying ‘look at this cellulite’, oh, by the way, here is a twenty-quid cream so you don’t get
Holly Bourne (Girl Friends: the unmissable, thought-provoking and funny new novel about female friendship)
It was in Cleveland that Magic Slim became the most successful pornographic film producer in America. His training center was a key link in a human trafficking supply chain stretching from the former Soviet Republics in Eastern Europe to the United States. Trafficking accounts for an estimated $32 billion in annual trade with sex slavery and pornographic film production accounting for the greatest percentage. The girls arrived at Slim’s building young and naive, they left older and wiser. This was a classic value chain with each link making a contribution.  Slim’s trainers were the best, and it showed in the final product. Each class of girls was judged on the merits. The fast learners went on to advanced training. They learned proper etiquette, social skills and party games. They learned how to dress, apply makeup and discuss world events.  Best in-class were advertised in international style magazines with code words. These codes were known only to select clients and certain intermediaries approved by Slim. This elaborate distribution system was part of Slim’s business model, his clients paid an annual subscription fee for the on-line dictionary. The code words and descriptions were revised monthly.  An interested client would pay an access fee for further information that included a set of professional  photographs, a video and voice recordings of the model addressing the client by name.  Should the client accept, a detailed travel itinerary was submitted calling for first class travel and accommodation.  Slim required a letter of understanding spelling out terms and conditions and a 50% deposit. He didn’t like contracts, his word was his bond, everyone along the chain knew that. Slim's business was booming.
Nick Hahn
Doing things the right way, giving guys accolades for that. It’s important. In Burger King we used to call it taking a walk. Taking a walk means you get out of your office and walk around the restaurant. You walk outside and look for trash. Is the dining room clean? Are your employees dressed properly? Are they smiling? Are the lights on? We all need to take a walk more often. Just look around and say, ‘Is everything right? Is everything the way it should be? Are we giving ourselves the best chance to have success?’ And if we are, then what’s wrong with going up to that person that has that area cleaned up, and is focused, with a smile on their face, and saying, ‘Hey, I want you to know I appreciate it.’ If there’s one thing I learned as an owner, it’s that the players, people that work for you, they’re the ones that are going to make you successful.” Plank bought
Rich Cohen (Monsters: The 1985 Chicago Bears and the Wild Heart of Football)
Onions! Fresh, hot, sweet onions,” Sam called as Mary Lou pulled the cart down Main Street. “Eight cents a dozen.” It was a beautiful spring morning. The sky was painted pale blue and pink—the same color as the lake and the peach trees along its shore. Mrs. Gladys Tennyson was wearing just her nightgown and robe as she came running down the street after Sam. Mrs. Tennyson was normally a very proper woman who never went out in public without dressing up in fine clothes and a hat. So it was quite surprising to the people of Green Lake to see her running past them. “Sam!” she shouted. “Whoa, Mary Lou,” said Sam, stopping his mule and cart. “G’morning, Mrs. Tennyson,” he said. “How’s little Becca doing?” Gladys Tennyson was all smiles. “I think she’s going to be all right. The fever broke about an hour ago. Thanks to you.” “I’m sure the good Lord and Doc Hawthorn deserve most of the credit.” “The Good Lord, yes,” agreed Mrs. Tennyson, “but not Dr. Hawthorn. That quack wanted to put leeches on her stomach! Leeches! My word! He said they would suck out the bad blood. Now you tell me. How would a leech know good blood from bad blood?” “I wouldn’t know,” said Sam. “It was your onion tonic,” said Mrs. Tennyson. “That’s what saved her.” Other townspeople made their way to the cart. “Good morning, Gladys,” said Hattie Parker. “Don’t you look lovely this morning.” Several people snickered. “Good morning, Hattie,” Mrs. Tennyson replied. “Does your husband know you’re parading about in your bed clothes?” Hattie asked. There were more snickers. “My husband knows exactly where I am and how I am dressed, thank you,” said Mrs. Tennyson. “We have both been up all night and half the morning with Rebecca. She almost died from stomach sickness. It seems she ate some bad meat.” Hattie’s face flushed. Her husband, Jim Parker, was the butcher. “It made my husband and me sick as well,” said Mrs. Tennyson, “but it nearly killed Becca, what with her being so young. Sam saved her life.” “It wasn’t me,” said Sam. “It was the onions.” “I’m glad Becca’s all right,” Hattie said contritely. “I keep telling Jim he needs to wash his knives,” said Mr. Pike, who owned the general store. Hattie Parker excused herself, then turned and quickly walked away. “Tell Becca that when she feels up to it to come by the store for a piece of candy,” said Mr. Pike. “Thank you, I’ll do that.” Before returning home, Mrs. Tennyson bought a dozen onions from Sam. She gave him a dime and told him to keep the change. “I don’t take charity,” Sam told her. “But if you want to buy a few extra onions for Mary Lou, I’m sure she’d appreciate it.” “All right then,” said Mrs. Tennyson, “give me my change in onions.” Sam gave Mrs. Tennyson an additional three onions, and she fed them one at a time to Mary Lou. She laughed as the old donkey ate them out of her hand.
Louis Sachar (Holes)
How many of us are willing to give up anything—let alone everything? Most of us will lash out bitterly if we are asked to make any sacrifice at all, any adjustment to our lives, any change to our lifestyles. We will shriek in horror if anyone suggests, say, that we give up watching certain television shows or listening to certain music. We will explode in fury if anyone questions whether a Christian ought to watch pornography, or dress provocatively, or use profanity. We will laugh and mock and practically spit at any critic who dares to look at something we do, something we enjoy, something that gives us pleasure, and question whether it is proper. Most of us, if we are being perfectly honest, cannot think of one thing—one measly thing—that we greatly enjoy and have the means to do yet have stopped doing because we know it is inconsistent with our faith. I do not believe that I exaggerate when I say that the average American Christian has never given up one single thing for Christ.
Matt Walsh (Church of Cowards: A Wake-Up Call to Complacent Christians)
Merripen, what does it mean when a man wears a thumb ring? Is it a Gypsy custom?” Seeming uncomfortable with the question, Merripen looked through the window into the damp night. A group of young men passed the vehicle, wearing fine coats and tall hats, laughing among themselves. A pair of them stopped to speak with a gaudily dressed woman. Still frowning, Merripen replied to Amelia’s question. “It signifies independence and freedom of thought. Also a certain separateness. In wearing it, he reminds himself he doesn’t belong where he is.” “Why would Mr. Rohan want to remind himself of something like that?” “Because the ways of your kind are seductive,” Merripen said darkly. “It’s difficult to resist them.” “Why must you resist them? I fail to see what is so terrible about living in a proper house and securing a steady income, and enjoying things like nice dishes and upholstered chairs.” “Gadji,” he murmured in resignation, making Amelia grin briefly. It was the word for a non-Gypsy woman.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
Has anyone had a look at Merripen's shoulder?" Amelia asked, glancing at Win. "It's probably time for the dressing to be changed." "I'll do it," Win said at once. "And I'll take up a supper tray." "Beatrix will accompany you," Amelia advised. "I can manage the tray," Win protested. "It's not that... I meant it's not proper for you to be alone with Merripen in his room." Win looked surprised, and made a face. "I don't need Beatrix to come. It's only Merripen, after all." After Win left the dining hall, Poppy looked at Amelia. "Do you think that Win really doesn't know how he-" "I have no idea. And I've never dared to broach the subject, because I don't want to put ideas into her head." "I hope she doesn't know," Beatrix ventured. "It would be dreadfully sad if she did." Amelia and Poppy both glanced at their younger sister quizzically. "Do you know what we're talking about, Bea?" Amelia asked. "Yes, of course. Merripen's in love with her. I knew it a long time ago, from the way he washed her window." "Washed her window?" both older sisters asked at the same time. "Yes, when we lived in the cottage at Primrose Place. Win's room had a casement window that looked out onto the big maple tree- do you remember? After the scarlet fever, when Win couldn't get out of bed for the longest time and she was too weak to hold a book, she would just lie there and watch a birds' nest on one of the other tree limbs. She saw the baby swallows hatch and learn to fly. One day she complained that the window was so dirty, she could barely see through it, and it made the sky look so grayish. So from then on Merripen always kept the glass spotless. Sometimes he climbed a ladder to wash the outside, and you know how afraid of heights he is. You never saw him do that?" "No," Amelia said with difficulty, her eyes stinging. "I didn't know he did that." "Merripen said the sky should always be blue for her," Beatrix said. "And that was when I knew he... are you crying, Poppy?" Poppy used a napkin to dab at the corners of her eyes. "No, I just inh-haled some pepper." "So did I," Amelia said, blowing her nose.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
Then she dove into the morning cleaning. There weren't many rooms in the tower, which made it easy, but she liked to be thorough. Sweep, mop, polish. The garderobe and her mirror got sparkly from scrubbing with a bit of vinegar (a trick she learned from Book #14: Useful Recipes for Master Servants). She transferred a day dress that was soaking in a soapy bucket to a clean water bucket, scrubbing out the bit of lingonberry juice stain from breakfast on Monday. 7:00: Personal ablutions. She washed her face and nails and applied cream to her cuticles and everywhere on her face but the T-zone, which was, despite her fairy-tale beauty, just a tad prone to breaking out. 8:00: Reading. She (re)read Book #26, Sidereus Nuncius by Galileo. More a pamphlet than a book, but it counted. 8:30: Art! Lacking a proper canvas (or piece of wall space) she chose to spend her painting time decorating the mop handle. It might not be dry enough to actually use the next day, but that was all right. Birthday weeks meant the occasional break from routine-- that was part of the fun!
Liz Braswell (What Once Was Mine)
I turned my focus to clothes, immediately endeavoring to find just the right dress for the occasion. This was huge--my debut as the girlfriend of Marlboro Man--and I shopped with that in mind. Should I go for a sleek, sexy suit? That might seem too confident and brazen. A floral silk skirt? Too obvious for a wedding. A little black dress? Too conservative and safe. The options pummeled my brain as I browsed the choices on the racks. I tried on dress after dress, suit after suit, outfit after outfit, my frustration growing more acute with each zip of the zipper. I wanted to be a man. Men don’t agonize over what to wear to a wedding. They don’t spend seven hours trying on clothes. They don’t think of wardrobe choices as life-or-death decisions. That’s when I found it: a drop-dead gorgeous fitted suit the exact color of a stick of butter. It was snug, with just a slight hint of sexy, but the lovely, pure color made up for it. The fabric was a lightweight wool, but since the wedding would be at night, I knew it would be just fine. I loved the suit--not only would I feel pretty for Marlboro Man, but I’d also appear moderately, but not overly, confident to all his cousins, and appropriate and proper to his elderly grandmothers.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Once upon a time, there was a princess. All of her life the king and queen told her that princesses behaved like ladies, wore beautiful dresses, trained in proper manners and elegance, and were to always wait for a handsome prince to come and save them if ever needed. Princes behaved like gentlemen, wore the finest suites, trained in swordsmanship and sailing, and were always ready to save a princess. This was the perfect formula for a "happily ever after", or at least that's what her parents always told her. What if they were wrong? Could her "happily ever after" look different? One day, this particular human found herself to be in a bit of a pickle. She somehow ended up in the den of a vicious, multi-headed, fire-breathing dragon. She was not about to wait around for a prince to save her, partly because she didn't have time, and partly because she didn't need a prince. She had no sword, no shield, and no idea what to do. (...) She behaved with nobility, wore the most impenetrable armor, wielded her weapon with stength, trained her brain and her body, and never ever waited to be saved. She could slay dragons and fo to afternoon tea with the queen in the same day. She could marry a princess. She was herself, and she lived happily ever after.
Ashley Mardell (The ABC's of LGBT+)
To my knowledge, none of them has ever taken advantage of a respectable female. Even my brothers had their...dalliances as bachelors." "So did your father." He would point that out. "That's different. Papa broke his marriage vows. That doesn't mean my suitors would do so." She swallowed. "Unless you think it impossible for a woman like me to keep men like them satisfied and happy?" He started. "No! I wasn't trying to say...That is-" "It's all right, Mr. Pinter," she said, fighting to keep the hurt out of her voice. "I know what you think of me." His gaze locked with hers, confusing her with its sudden fierceness. "You have no idea what I think of you." She twisted her bracelet nervously, and the motion drew his eyes down to her hands. But as his gaze came back up, it slowed, lingering on her bosom. Could Mr. Pinter...Was it possible that he... Certainly not! Proper Pinter would never be interested in a reckless female of her stamp. Why, he didn't even like her. She'd dressed carefully today, hoping to sway him into doing her bidding by showing that she could look and act like a lady, hoping to gain a measure of his respect. But the intimate way his gaze continued up past her bosom to her throat, and then paused again at her mouth, was more how her brothers looked at their wives. It wasn't so much disrespectful as it was...interested. No, she must be imagining that. He was merely trying to make her uncomfortable; she was misinterpreting the seeming heat in his glance. She refused to let herself be taken in by imagining what wasn't there.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
It was his fault.She could put the blame for this entirely on Brian Donnelly's shoudlers.If he hadn't been so insufferable,if he hadn't been there being insufferable when Chad had called, she wouldn't have agreed to go out to dinner.And she wouldn't have spent nearly four hours being bored brainless when she could've been doing something more useful. Like watching paint dry. There was nothing wrong with Chad, really.If you only had,say,half a brain, no real interest outside of the cut of this year's designer jacket and were thrilled by a rip-roaring debate over the proper way to serve a triple latte,he was the perfect companion. Unfortunately,she didn't gualify on any of those levels. Right now he was droning on about the painting he'd bought at a recent art show. No,not the painting,Keeley thought wearily. A discussion of the painting,of art,might have been the medical miracle that prevented her from slipping into a coma.But Chad was discoursing-no other word for it-on The Investment. He had the windows up and the air conditioning clasting as they drove. It was a perfectly beautiful night, she mused, but putting the windows down meant Chad's hair would be mussed. Couldn't have that. At least she didn't have to attempt conversation. Chad preferred monologues. What he wanted was an attractive companion of the right family and tax bracket who dressed well and would sit quietly while he pontificated on the narrow areas of his interest. Keeley was fully aware he'd decided she fit the bill,and now she'd only encouraged him by agreeing to this endlessly tedious date.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
How exactly did Armand Peugeot, the man, create Peugeot, the company? In much the same way that priests and sorcerers have created gods and demons throughout history, and in which thousands of French curés were still creating Christ’s body every Sunday in the parish churches. It all revolved around telling stories, and convincing people to believe them. In the case of the French curés, the crucial story was that of Christ’s life and death as told by the Catholic Church. According to this story, if a Catholic priest dressed in his sacred garments solemnly said the right words at the right moment, mundane bread and wine turned into God’s flesh and blood. The priest exclaimed, ‘Hoc est corpus meum! ’ (Latin for ‘This is my body!’) and hocus pocus – the bread turned into Christ’s flesh. Seeing that the priest had properly and assiduously observed all the procedures, millions of devout French Catholics behaved as if God really existed in the consecrated bread and wine. In the case of Peugeot SA the crucial story was the French legal code, as written by the French parliament. According to the French legislators, if a certified lawyer followed all the proper liturgy and rituals, wrote all the required spells and oaths on a wonderfully decorated piece of paper, and affixed his ornate signature to the bottom of the document, then hocus pocus – a new company was incorporated. When in 1896 Armand Peugeot wanted to create his company, he paid a lawyer to go through all these sacred procedures. Once the lawyer had performed all the right rituals and pronounced all the necessary spells and oaths, millions of upright French citizens behaved as if the Peugeot company really existed.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
For a brief moment she considered the unfairness of it all. How short was the time for fun, for pretty clothes, for dancing, for coquetting! Only a few, too few years! Then you married and wore dull-colored dresses and had babies that ruined your waist line and sat in corners at dances with other sober matrons and only emerged to dance with your husband or with old gentlemen who stepped on your feet. If you didn't do these things, the other matrons talked about you and then your reputation was ruined and your family disgraced. It seemed such a terrible waste to spend all your little girlhood learning how to be attractive and how to catch men and then only use the knowledge for a year or two. When she considered her training at the hands of Ellen and Mammy, se knew it had been thorough and good because it had always reaped results. There were set rules to be followed, and if you followed them success crowned your efforts. With old ladies you were sweet and guileless and appeared as simple minded as possible, for old ladies were sharp and they watched girls as jealously as cats, ready to pounce on any indiscretion of tongue or eye. With old gentlemen, a girl was pert and saucy and almost, but not quite, flirtatious, so that the old fools' vanities would be tickled. It made them feel devilish and young and they pinched your cheek and declared you were a minx. And, of course, you always blushed on such occasions, otherwise they would pinch you with more pleasure than was proper and then tell their sons that you were fast. With young girls and young married women, you slopped over with sugar and kissed them every time you met them, even if it was ten times a day. And you put your arms about their waists and suffered them to do the same to you, no matter how much you disliked it. You admired their frocks or their babies indiscriminately and teased about beaux and complimented husbands and giggled modestly and denied you had any charms at all compared with theirs. And, above all, you never said what you really thought about anything, any more than they said what they really thought. Other women's husbands you let severely alone, even if they were your own discarded beaux, and no matter how temptingly attractive they were. If you were too nice to young husbands, their wives said you were fast and you got a bad reputation and never caught any beaux of your own. But with young bachelors-ah, that was a different matter! You could laugh softly at them and when they came flying to see why you laughed, you could refuse to tell them and laugh harder and keep them around indefinitely trying to find out. You could promise, with your eyes, any number of exciting things that would make a man maneuver to get you alone. And, having gotten you alone, you could be very, very hurt or very, very angry when he tried to kiss you. You could make him apologize for being a cur and forgive him so sweetly that he would hang around trying to kiss you a second time. Sometimes, but not often, you did let them kiss you. (Ellen and Mammy had not taught her that but she learned it was effective). Then you cried and declared you didn't know what had come over you and that he couldn't ever respect you again. Then he had to dry your eyes and usually he proposed, to show just how much he did respect you. And there were-Oh, there were so many things to do to bachelors and she knew them all, the nuance of the sidelong glance, the half-smile behind the fan, the swaying of hips so that skirts swung like a bell, the tears, the laughter, the flattery, the sweet sympathy. Oh, all the tricks that never failed to work-except with Ashley.
Margaret Mitchell (Gone with the Wind)
And then the world stopped and there was nothing but Rose as she slipped from the crowd to stand before him. Grey forgot about Lady Devane. He forgot about everyone but her. She wore a mask, but even if he hadn’t recognized the hair and the dress he would have known it was her. He knew her scent, the shape of her mouth. He recognized her by the way his heart rejoiced at her nearness. She stared at him, her mask doing nothing to conceal her wonder. “Why are you here?” Grey smiled down at her. Did she notice that he’d pinned the rosette from the gown she’d worn their first night together to his lapel? “Because I hold you above my horse, my fortune, and my pride.” Her brow puckered. “I beg your pardon?” “Those were the traits you said you required in a husband, were they not?” Her face relaxed, and he thought he saw a glimmer of understanding in her dark eyes. “Yes. I believe they were. You came here just to tell me that?” He laughed. Her face was so bright below the edge of her mask, her eyes damp and warm. It broke is heart-and buoyed it as well-to know he was responsible for all of that. “No. I came here to dance with my wife. And to do this.” He took her face in his hands and kissed her in front of the entire ballroom. He didn’t care about the gasps or that everyone could see. He didn’t care what they said or whether or not his behavior was proper. He was a duke, damn it. A scandalous one at that. When he lifted his head, Rose’s eyes fluttered open. Her breath came in short, gentle heaves. “I’m very glad you decided that could not wait until I get home.” Grey offered his arm. “Shall we?” “There’s no music.” But she took his arm anyway. The orchestra had stopped playing shortly after he walked in. Grey turned his gaze in their direction, nodded at the leader and once again the room was filled with music.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
Because I have already had a long leave I get none on Sundays. So the last Sunday before I go back to the front my father and eldest sister come over to see me. All day we sit in the Soldiers’ Home. Where else could we go? We don’t want to stay in the camp. About midday we go for a stroll on the moors. The hours are a torture; we do not know what to talk about, so we speak of my mother’s illness. It is now definitely cancer, she is already in the hospital and will be operated on shortly. The doctors hope she will recover, but we have never heard of cancer being cured. ”Where is she then?” I ask. ”In the Luisa Hospital,” says my father. ”In which class?” ”Third. We must wait till we know what the operation costs. She wanted to be in the third herself. She said that then she would have some company. And besides it is cheaper.” ”So she is lying there with all those people. If only she could sleep properly.” My father nods. His face is broken and full of furrows. My mother has always been sickly; and though she has only gone to the hospital when she has been compelled to, it has cost a great deal of money, and my father’s life has been practically given up to it. ”If only I knew how much the operation costs,” says he. ”Have you not asked?” ”Not directly, I cannot do that–the surgeon might take it amiss and that would not do; he must operate on mother.” Yes, I think bitterly, that’s how it is with us, and with all poor people. They don’t dare ask the price, but worry themselves dreadfully beforehand about it; but the others, for whom it is not important, they settle the price first as a matter of course. And the doctor does not take it amiss from them. ”The dressings afterwards are so expensive,” says my father. ”Doesn’t the Invalid’s Fund pay anything toward it, then?” I ask. ”Mother has been ill too long.” ”Have you any money at all?” He shakes his head: ”No, but I can do some overtime.” I know. He will stand at his desk folding and pasting and cutting until twelve o’clock at night. At eight o’clock in the evening he will eat some miserable rubbish they get in exchange for their food tickets, then he will take a powder for his headache and work on.
Erich Maria Remarque (All Quiet on the Western Front)
Gray burst into the galley. “Miss Turner is not eating.” The cramped, boxed-in nature of the space, the oppressive heat-it seemed an appropriate place to take this irrational surge of resentment. If only his emotion could dissipate through the ventilation slats as quickly as steam. “And good morning to you, too.” Gabriel wiped his hands on his apron without glancing up. “She’s not eating,” Gray repeated evenly. “She’s wasting away.” He didn’t even realize his knuckled cracked. He flexed his fingers impatiently. “Wasting away?” Gabriel’s face split in a grin as he picked up a mallet and attacked a hunk of salted pork. “Now what makes you say that?” “Her dress no longer fits properly. The neckline of her bodice is too loose.” Gabriel stopped pounding and looked up, meeting Gray’s eyes for the first time since he’d entered the galley. The mocking arch of the old man’s eyebrows had Gray clenching his teeth. They stared at each other for a second. Then Gray blew out his breath and looked away, and Gabriel broke into peals of laughter. “Never thought I’d live to see the day,” the old cook finally said, “when you would complain that a beautiful lady’s bodice was too loose.” “It’s not that she’s a beautiful lady-“ Gabriel looked up sharply. “It’s not merely that she’s a beautiful lady,” Gray amended. “She’s a passenger, and I have a duty to look out for her welfare.” “Wouldn’t that be the captain’s duty?” Gray narrowed his eyes. “And I know my duty well enough,” Gabriel continued. “It’s not as though I’m denying her food, now is it? I’m thinking Miss Turner just isn’t accustomed to the rough living aboard a ship. Used to finer fare, that one.” Gray scowled at the hunk of cured pork under Gabriel’s mallet and the shriveled, sprouted potatoes rolling back and forth with each tilt of the ship. “Is this the noon meal?” “This, and biscuit.” “I’ll order the men to trawl for a fish.” “Wouldn’t that be the captain’s duty?” Gabriel’s tone was sly. Gray wasn’t sure whether the plume of steam swirling through the galley originated for the stove or his ears. He didn’t care for Gabriel’s flippant tone. Neither did he care for the possibility of Miss Turner’s lush curves disappearing when he’d never had any chance to appreciate them. Frustrated beyond all reason, Gray turned to leave, wrenching open the galley door with such force, the hinges creaked in protest. He took a deep breath to compose himself, resolving not to slam the door shut behind him. Gabriel stopped pounding. “Sit down, Gray. Rest your bones.” With another rough sigh, Gray complied. He backed up two paces, slung himself onto a stool, and watched as the cook grabbed a tin cup from a hook on the wall and filled it, drawing a dipper of liquid from a small leather bucket. Then Gabriel set the cup on the table before him. Milk. Gabriel stared it. “For God’s sake, Gabriel. I’m not six years old anymore.” The old man raised his eyebrows. “Well, seeing as how you haven’t outgrown a visit to the kitchen when you’re in a sulk, I thought maybe you’d have a taste for milk yet, too. You did buy the goats.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Many other inhabitants of the city were similarly afflicted. Every day, more and more people took to saving time, and the more they did so, the more they were copied by others - even by those who had no real desire to join in but felt obligated to. Radio, television, and newspapers daily advertised and extolled the merits of new, time saving gadgets that would one day leave people free to live the 'right' kind of life. Walls and billboards were plastered with posters depicting scenes of happiness and prosperity. The real picture, however, was very different. Admittedly, timesavers were better dressed than the people who lived near the old amphitheater. They earned more money and had more to spend, but they looked tired, disgruntled and sour, and there was an unfriendly light in their eyes. They'd never heard the phrase, "Why not go and see Momo?' nor did they have anyone to listen to them in a way that would make them reasonable or conciliatory, let alone happy. Even had they known such a person, they would have been highly unlikely to pay him or her a visit unless the whole affair could be dealt with in five minutes flat, or they would have considered it a waste of time. In their view, even leisure time had to be used to the full, so as to extract the maximum of entertainment and relaxation with the minimum amount of delay. Whatever the occasion, whether solemn or joyous, timesavers could no longer celebrate it properly. Daydreaming they regarded almost as a criminal offense. What they could endure least of all, however, was silence, for when silence fell they became terrified by the realization of what was happening to their lives. And so, whenever silence threatened to descend, they made a noise. It wasn't a happy sound, of course, like the hubbub in a children's playground, but an angry ill tempered din that grew louder every day. It had ceased to matter that people should enjoy their work and take pride in it; on the contrary, enjoyment merely slowed them down. All that mattered was to get through as much work as possible in the shortest possible time, so notices to the effect were prominently displayed in every factory and office building. They read: TIME IS PRECIOUS - DON'T WASTE IT! or: TIME IS MONEY - SAVE IT! Last but not least, the appearance of the city itself changed more and more. Old buildings were pulled down and replaced with modern ones devoid of all the things that were now through superfluous. No architect troubled to design houses that suited the people who were to live in them, because that would have meant building a whole range of different houses. It was far cheaper, and above all, more time saving to make them identical. Huge modern housing developments sprang up on the city's outskirts - endless rows of multi-storied tenements as indistinguishable as peas in a pod. And because all the buildings looked alike, so of course, did the streets. [.....] People never seemed to notice that, by saving time, they were losing something else. No one cared to admit that life was becoming even poorer, bleaker, and more monotonous. The ones who felt this most keenly were the children, because no one had time for them any more. But time is life itself, and life resides in the human heart. And the more people saved, the less they had.
Michael Ende, Momo
One: A Book Is A Universe and the Universe is a Book. Inside a book, any Physiks or Magical Laws or Manners or Histories may hold sway. A book is its own universe and while in it, you must play by their rules. More or less. Some of the more modern novels are lenient on this point and have very few policemen to spare. This is why sometimes, when you finish a book, you feel strange and woozy, as though you have just woken up. Your body is getting used to the rules and your own universe again. And your own universe is just the biggest and longest and most complicated book ever written—except for all the other ones. This is also why books along the walls make a place feel different—all those universes, crammed into one spot! Things are bound to shift and warp and hatch schemes! Two: Books Are People. Some are easy to get along with and some are shy, some are full of things to say and some are quiet, some are fanciful and some are plainspoken, some you will feel as though you've known forever the moment you open the cover, and some will take years to grow into. Just like people, you must be introduced properly and sit down together with a cup of something so that you can sniff at each other like tomcats but lately acquainted. Listen to their troubles and share their joys. They will have their tempers and you will have yours, and sometimes you will not understand a book, nor will it understand you—you can't love all books any more than you can love every stranger you meet. But you can love a lot of them. And the love of a book is a precious, subtle, strange thing, well worth earning, And just like people, you are never really done with a book—some part of it will stay with you, gently changing the way you see and speak and know. Three: People Are Books. This has two meanings. The first is: Every person is a story. They have a beginning and a middle and an end (though some may have sequels and series).They have motifs and narrative tricks and plot twists and daring escapes and love lost and love won. The rules of books are the rules of life because a book must be written by a person alive, and an alive person will usually try to tell the truth about the world, even if they dress it up in spangles and feathers. The other meaning is: When you read a book, it is not only a story. It is never only a story. Exciting plots may occur, characters suffer and triumph, yes, It is a story. But it is also a person speaking to you, directly to you. A person far away, perhaps in time, perhaps in space, perhaps both. A person who wanted to say something so loud that everyone could hear it. A book is a time-travelling teleportation machine. And there's millions and millions of them! When you read a book, you have a conversation with the person who wrote it. And that conversation is never quite the same twice. Every single reader has a different chat, because they are different people with different histories and ideas in their heads. Why, you cannot even have the same conversation with the same book twice! If you read a book as a child, and again as a Grown-Up, it will be something altogether other. New things will have happened to you, new folk will have come into your life and taught you wild and wonderful notions you never thought of before. You will not be the same person—and neither will the book. When you read, know that someone somewhere wrote those very words just for you, in hopes that you would find something there to take with you in your own travels through time and space.
Catherynne M. Valente (The Girl Who Fell Beneath Fairyland and Led the Revels There (Fairyland, #2))
The process of receiving teaching depends upon the student giving something in return; some kind of psychological surrender is necessary, a gift of some sort. This is why we must discuss surrendering, opening, giving up expectations, before we can speak of the relationship between teacher and student. It is essential to surrender, to open yourself, to present whatever you are to the guru, rather than trying to present yourself as a worthwhile student. It does not matter how much you are willing to pay, how correctly you behave, how clever you are at saying the right thing to your teacher. It is not like having an interview for a job or buying a new car. Whether or not you will get the job depends upon your credentials, how well you are dressed, how beautifully your shoes are polished, how well you speak, how good your manners are. If you are buying a car, it is a matter of how much money you have and how good your credit is. But when it comes to spirituality, something more is required. It is not a matter of applying for a job, of dressing up to impress our potential employer. Such deception does not apply to an interview with a guru, because he sees right through us. He is amused if we dress up especially for the interview. Making ingratiating gestures is not applicable in this situation; in fact it is futile. We must make a real commitment to being open with our teacher; we must be willing to give up all our preconceptions. Milarepa expected Marpa to be a great scholar and a saintly person, dressed in yogic costume with beads, reciting mantras, meditating. Instead he found Marpa working on his farm, directing the laborers and plowing his land. I am afraid the word guru is overused in the West. It would be better to speak of one’s “spiritual friend,” because the teachings emphasize a mutual meeting of two minds. It is a matter of mutual communication, rather than a master-servant relationship between a highly evolved being and a miserable, confused one. In the master-servant relationship the highly evolved being may appear not even to be sitting on his seat but may seem to be floating, levitating, looking down at us. His voice is penetrating, pervading space. Every word, every cough, every movement that he makes is a gesture of wisdom. But this is a dream. A guru should be a spiritual friend who communicates and presents his qualities to us, as Marpa did with Milarepa and Naropa with Marpa. Marpa presented his quality of being a farmer-yogi. He happened to have seven children and a wife, and he looked after his farm, cultivating the land and supporting himself and his family. But these activities were just an ordinary part of his life. He cared for his students as he cared for his crops and family. He was so thorough, paying attention to every detail of his life, that he was able to be a competent teacher as well as a competent father and farmer. There was no physical or spiritual materialism in Marpa’s lifestyle at all. He did not emphasize spirituality and ignore his family or his physical relationship to the earth. If you are not involved with materialism, either spiritually or physically, then there is no emphasis made on any extreme. Nor is it helpful to choose someone for your guru simply because he is famous, someone who is renowned for having published stacks of books and converted thousands or millions of people. Instead the guideline is whether or not you are able actually to communicate with the person, directly and thoroughly. How much self-deception are you involved in? If you really open yourself to your spiritual friend, then you are bound to work together. Are you able to talk to him thoroughly and properly? Does he know anything about you? Does he know anything about himself, for that matter? Is the guru really able to see through your masks, communicate with you properly, directly? In searching for a teacher, this seems to be the guideline rather than fame or wisdom.
Chögyam Trungpa (Cutting Through Spiritual Materialism)