Dreamy Place Quotes

Love has the power to create an inviting space in the lives of people. But if daily routine kills dreamy or passionate thoughts, the constraint of the room may become oppressive and the emptiness unbearable. The room loses then its original fullness and turns into a place of nothingness. ( " Another empty room" )

ah,the outdoors," Shallan said. "I visited that mythical place once. It was so very long ago, I've nearly forgotten it. Tell me, does the sun still shine, or is that just my dreamy recollection' 'Surely your studies aren't that bad.

[...] I grew up out of that strange, dreamy childhood of mine and went into the world of reality. I met with experiences that bruised my spirit - but they never harmed my ideal world. That was always mine to retreat into at will. I learned that that world and the real world clashed hopelessly and irreconcilably; and I learned to keep them apart so that the former might remain for me unspoiled. I learned to meet other people on their own ground since there seemed to be no meeting place on mine. I learned to hide the thoughts and dreams and fancies that had no place in the strife and clash of the market place. I found that it was useless to look for kindred souls in the multitude; one might stumble on such here and there, but as a rule it seemed to me that the majority of people lived for the things of time and sense alone and could not understand my other life. So I piped and danced to other people's piping - and held fast to my own soul as best I could.

The first thing you notice about New Orleans are the burying grounds - the cemeteries - and they're a cold proposition, one of the best things there are here. Going by, you try to be as quiet as possible, better to let them sleep. Greek, Roman, sepulchres- palatial mausoleums made to order, phantomesque, signs and symbols of hidden decay - ghosts of women and men who have sinned and who've died and are now living in tombs. The past doesn't pass away so quickly here. You could be dead for a long time. The ghosts race towards the light, you can almost hear the heavy breathing spirits, all determined to get somewhere. New Orleans, unlike a lot of those places you go back to and that don't have the magic anymore, still has got it. Night can swallow you up, yet none of it touches you. Around any corner, there's a promise of something daring and ideal and things are just getting going. There's something obscenely joyful behind every door, either that or somebody crying with their head in their hands. A lazy rhythm looms in the dreamy air and the atmosphere pulsates with bygone duels, past-life romance, comrades requesting comrades to aid them in some way. You can't see it, but you know it's here. Somebody is always sinking. Everyone seems to be from some very old Southern families. Either that or a foreigner. I like the way it is. There are a lot of places I like, but I like New Orleans better. There's a thousand different angles at any moment. At any time you could run into a ritual honoring some vaguely known queen. Bluebloods, titled persons like crazy drunks, lean weakly against the walls and drag themselves through the gutter. Even they seem to have insights you might want to listen to. No action seems inappropriate here. The city is one very long poem. Gardens full of pansies, pink petunias, opiates. Flower-bedecked shrines, white myrtles, bougainvillea and purple oleander stimulate your senses, make you feel cool and clear inside. Everything in New Orleans is a good idea. Bijou temple-type cottages and lyric cathedrals side by side. Houses and mansions, structures of wild grace. Italianate, Gothic, Romanesque, Greek Revival standing in a long line in the rain. Roman Catholic art. Sweeping front porches, turrets, cast-iron balconies, colonnades- 30-foot columns, gloriously beautiful- double pitched roofs, all the architecture of the whole wide world and it doesn't move. All that and a town square where public executions took place. In New Orleans you could almost see other dimensions. There's only one day at a time here, then it's tonight and then tomorrow will be today again. Chronic melancholia hanging from the trees. You never get tired of it. After a while you start to feel like a ghost from one of the tombs, like you're in a wax museum below crimson clouds. Spirit empire. Wealthy empire. One of Napoleon's generals, Lallemaud, was said to have come here to check it out, looking for a place for his commander to seek refuge after Waterloo. He scouted around and left, said that here the devil is damned, just like everybody else, only worse. The devil comes here and sighs. New Orleans. Exquisite, old-fashioned. A great place to live vicariously. Nothing makes any difference and you never feel hurt, a great place to really hit on things. Somebody puts something in front of you here and you might as well drink it. Great place to be intimate or do nothing. A place to come and hope you'll get smart - to feed pigeons looking for handouts

Will you look at us by the river! The whole restless mob of us on spread blankets in the dreamy briny sunshine skylarking and chiacking about for one day, one clear, clean, sweet day in a good world in the midst of our living. Yachts run before an unfelt gust with bagnecked pelicans riding above them, the city their twitching backdrop, all blocks and points of mirror light down to the water's edge.

I was dancing with an immortal august woman, who had black lilies in her hair, and her dreamy gesture seemed laden with a wisdom more profound than the darkness that is between star and star, and with a love like the love that breathed upon the waters; and as we danced on and on, the incense drifted over us and round us, covering us away as in the heart of the world, and ages seemed to pass, and tempests to awake and perish in the folds of our robes and in her heavy hair. Suddenly I remembered that her eyelids had never quivered, and that her lilies had not dropped a black petal, or shaken from their places, and understood with a great horror that I danced with one who was more or less than human, and who was drinking up my soul as an ox drinks up a wayside pool; and I fell, and darkness passed over me.

Dreamy dark eyes pinned me in place owning me. He licked his lips. Every time he did that my hormones erupted into the song of joy, a full orchestra plus heavenly choir accompanying. The whole shebang. It was ridiculous.

He was not a scholar – his brain seemed too sluggish or too dreamy to grasp the things demanded of it – but he was never happier than when left alone among books, and would spend hours turning the pages of atlases, novels or tales from history, alive to the alternative versions of himself they seemed to proffer.

He moves me to madness. He's an indescribable poetic impression. He's Persian blood re-defined by Parisian culture, softened in the right places, yet, fierce where it counts. Dreamy. The kind of boy you can't get too close to, because you might get lost in his brown eyes and melancholy.

I was so comfortable. I was warm and cozy, in that blissful, dreamy place between asleep and awake... Until my comfy pillow moved. And the blanket keeping me warm moved. I grumbled at them sleepily, and then my pillow and blanket chuckled. I looked up, trying to make sense of my thoughts, and I saw him. Cameron. My pillow and blanket was Cameron; a half asleep, chuckling Cameron. I groaned and let my head fall back on his chest, his arms tightened around me. "I wondered why my pillow moved." He chuckled again, and I could hear the sound resonate in my ear.

Places I love come back to me like music, Hush me and heal me when I am very tired; I see the oak woods at Saxton's flaming In a flare of crimson by the frost newly fired; And I am thirsty for the spring in the valley As for a kiss ungiven and long desired. I know a bright world of snowy hills at Boonton, A blue and white dazzling light on everything one sees, The ice-covered branches of the hemlocks sparkle Bending low and tinkling in the sharp thin breeze, And iridescent crystals fall and crackle on the snow-crust With the winer sun drawing cold blue shadows from the trees. Violet now, in veil on veil of evening, The hills across from Cromwell grow dreamy and far; A wood-thrush is singing soft as a viol In the heart of the hollow where the dark pools are; The primrose has opened her pale yellow flowers And heaven is lighting star after star. Places I love come back to me like music– Mid-ocean, midnight, the eaves buzz drowsily; In the ship's deep churning the eerie phosphorescence Is like the souls of people who were drowned at sea, And I can hear a man's voice, speaking, hushed , insistent, At midnight, in mid-ocean, hour on hour to me.

I believe that if one man were to live out his life fully and completely, were to give form to every feeling, expression to every thought, reality to every dream—I believe that the world would gain such a fresh impulse of joy that we would forget all the maladies of mediaevalism, and return to the Hellenic ideal—to something finer, richer, than the Hellenic ideal, it may be. But the bravest man amongst us is afraid of himself. The mutilation of the savage has its tragic survival in the self denial that mars our lives. We are punished for our refusals. Every impulse that we strive to strangle broods in the mind, and poisons us. The body sins once, and has done with its sin, for action is a mode of purification. Nothing remains then but the recollection of a pleasure, or the luxury of a regret. The only way to get ride of temptation is to yield to it. Resist it, and your soul grows sick with longing for the things it is forbidden to itself, with desire for what its monstrous laws have made monstrous and unlawful. It has been said that the great events of the world take place in the brain. It is in the brain, and the brain only, that the great sins of the world take place also.

The doorway smells of lavender, of freshly brewed chamomile tea, and my doll eyes flutter, suddenly heavy, like silver coins placed on the eyelids of the dead. I feel the soft, dreamy tug of a gentle wind. Easy and quiet. Like bedding down in a knoll of moss, or sinking into a cellar, without sound.

Those boys at the counter are too dreamy and young to do anything but drool as they watch Gillian. And, to her credit, Gillian is especially kind to them, even when Ephraim, the cook, suggests she kick them out. She understands that theirs might just be the last hearts she will break. When you're thirty-six and tired, when you've been living in places where the temperature rising to a hundred and ten and the air is so dry you have to use gallons of moisturizer, when you've been smacked around, late at night, by a man who loves bourbon, you start to realize that everything is limited, including your own appeal. You begin to look at young boys with tenderness, since they know so little and think they know so much. You watch teenage girls and feel shivers up and down your arms - those poor creatures don't know the first thing about time or agony or the price they're going to have to pay for just about anything.

I’m in that dreamy place between wakefulness and sleep when I hear his whisper in the dark. “We’ll never miss each other again, sweetheart.

When I was six I decided that my only chance of having a life half as exciting as Grandpa Portman’s was to become an explorer. He encouraged me by spending afternoons at my side hunched over maps of the world, plotting imaginary expeditions with trails of red pushpins and telling me about the fantastic places I would discover one day. At home I made my ambitions known by parading around with a cardboard tube held to my eye, shouting, “Land ho!” and “Prepare a landing party!” until my parents shooed me outside. I think they worried that my grandfather would infect me with some incurable dreaminess from which I’d never recover—that these fantasies were somehow inoculating me against more practical ambitions—so one day my mother sat me down and explained that I couldn’t become an explorer because everything in the world had already been discovered. I’d been born in the wrong century, and I felt cheated.

Flirtation, seduction, falling in love, and the whole romantic realm take place in a dreamy, trancelike state, alternating between hope and fear. One minute you think you may be rejected; the next minute you’re excited about succeeding.

Our car is constantly in motion. It is raining in the streets we glide through, and this constitutes one more added pleasantness. Some people find it frightfully agreeable to see that it is raining and at the same time be permitted to sense that they themselves are not getting wet. The image produced by a gray, wet street has something consoling and dreamy about it, and so you stand now upon the rear platform of the creaking car that is rumbling its way forward, and you gaze straight ahead. Gazing straight ahead is something done by almost all the people who sit or stand in the "electric.

Oh, shut up,” I grumbled. “I suck at cooking and you know it.” He got a glazed, dreamy look on his face and after a while, he said, “I’m sorry, you mentioned sucking and I got distracted. I didn’t hear a word after that.” I rolled my eyes and walked into the kitchen, but he called out, “Your cooking is fine, Tom. But your sucking skills are your true talent.

What's coming out of the stereo is like a genre unto itself, a charming, fucked-up fairy tale that immediately breaks my heart in all the best ways. I stretch out on the floor with my ear parked next to the speaker, in a trance. I place the album cover over my face to block out any interruption as "I'll Be Your Mirror" seduces me. I immediately add the song to my mental list of top ten songs ever. And as I'm bobbing my head with dreamy abandon, I hear a voice. "Nice choice, DJ," it says. I slowly slide the album cover down past my eyes and look up. My eyes spy his shoes first--paint-splattered brogues. My heart stops when I look at his face. Pale skin, messy black hair, emerald eyes...Senor Smolder! He's eighteen, maybe nineteen. And no, my imagination didn't lie, he is just as devastating now as he was the first time I saw him. Only even more, because he just complimented my taste in music.

We are amazingly similar to the children of Israel. We spend half our lives looking back at our own Egypt with selective memories, longing to have our comfort zone back. Then we spend the other half wishing our days away for a dreamy future in our own promised land.

So when a little girl asks her father where the moon came from, he might tell her that the moon circles around the earth and reflects light from the sun. He might tell her that the moon likes to play hide-and-seek with the sun, so sometimes the moon looks like it’s peeking out from behind a black curtain; sometimes all you can see is the top of its head, and sometimes you can’t even see it at all! He might tell her about how the moon has invisible arms that can pull the oceans back and forth, making tides rise and fall. He might tell her that astronauts have walked on the moon and played golf on the moon and collected rocks from the moon. He might tell her that the moon has dimples and craters and basins that we can see only with a telescope and that there’s a special place on the moon called the Sea of Tranquility that isn’t really a sea. Then the father might take the little girl outside, hoist her up onto his shoulders, and let her stare at the moon for a while. He might recite a poem about a cow jumping over the moon or sing a song about a dreamy-eyed kid slow-dancing with it. Soon the little girl will become so lost in her father’s beautiful stories that she will forget she ever had a question to begin with.

And it’s only Folgers.  Imagine if it was Starbucks.” A dreamy look came over her face.  “Starbucks,” she said.  “If I were a zombie—which I might be after the chapter I wrote last night—that’s the first place I’d go.  I’d have a Java Chip Frappuccino, a cookie, and obviously a side of brains, because,

I told her about the best and the worst. The slow and sleepy places where weekdays rolled past like weekends and Mondays didn’t matter. Battered shacks perched on cliffs overlooking the endless, rumpled sea. Afternoons spent waiting on the docks, swinging my legs off a pier until boats rolled in with crates full of oysters and crayfish still gasping. Pulling fishhooks out of my feet because I never wore shoes, playing with other kids whose names I never knew. Those were the unforgettable summers. There were outback towns where you couldn’t see the roads for red dust, grids of streets with wandering dogs and children who ran wild and swam naked in creeks. I remembered climbing ancient trees that had a heartbeat if you pressed your ear to them. Boomboom-boomboom. Dreamy nights sleeping by the campfire and waking up covered in fine ash, as if I’d slept through a nuclear holocaust. We were wanderers, always with our faces to the sun.

Our visits to the library were never long enough for me. The place was so bountiful. I loved wandering around the bookshelves, scanning the spines until something happened to catch my eye. Those visits were dreamy, frictionless interludes that promised I would leave richer than I arrived. It wasn’t like going to a store with my mom, which guaranteed a tug-of-war between what I wanted and what my mother was willing to buy me; in the library I could have anything I wanted.

Dear Producers, Something is radiating deep within me and it must be transmitted or I will implode and the world will suffer a great loss, unawares. Epic are the proportions of my soul, yet without a scope who cares am I? This is why I must but must be one of the inhabitants of MTV's "Real World." Only there, burning brightly into a million dazzled eyes, will my as yet uncontoured self assume the beauteous forms that are not just its own, but an entire market niche's, due. I am a Kirk Cameron-Kurt Cobain figure, roguishly quirky, dandified but down to earth, kooky but comprehensible; denizen of the growing penumbra between alternative and mainstream culture; angsty prophet of the already bygone apocalypse, yet upbeat, stylish and sexy! Oscar Wilde wrote, "Good artists exist in what they make, and consequently are perfectly uninteresting in what they are. A great poet, a really great poet, is the most unpoetical of all creatures. But inferior poets are absolutely fascinating... [they] live the poetry [they] cannot write." As with Dorian Gray, life is my art! Oh MTV, take me, make me, wake me from my formless slumbers and place me in the dreamy Real World of target marketing.

Motherhood is a place of dreamy hopes and crushed fantasies and the hard, hard work of sinners in relationship with each other day by day.

On the Monday evening, furnace fires and clanking hammers on the banks of the canal, warned us that we approached the termination of this part of our journey. After going through another dreamy place—a long aqueduct across the Alleghany River, which was stranger than the bridge at Harrisburg, being a vast low wooden chamber full of water—we emerged upon that ugly confusion of backs of buildings and crazy galleries and stairs, which always abuts on water, whether it be river, sea, canal, or ditch: and were at Pittsburg.

Instead of relying on technique she looked for cues that were individual to the man—her man—the quickening of his breath, a sighing moan and the grip of his fingertips on her hip. Her body listened to his and learned what was right instead of what her experience said should work. And in its place they became a dreamy roll of fluid exploration.

No dreamy reality could ever equal my first ever concert in São Paulo, when the crowd lifted a girl over their heads towards me, and as she came closer I could see that she held a white stick, and closer still I could see that she was blind, and as the crowd placed her gently on the stage she handed me a note which read, 'I cannot see you, but I love you.

The Job Application Esteemed gentlemen, I am a poor, young, unemployed person in the business field, my name is Wenzel, I am seeking a suitable position, and I take the liberty of asking you, nicely and politely, if perhaps in your airy, bright, amiable rooms such a position might be free. I know that your good firm is large, proud, old, and rich, thus I may yield to the pleasing supposition that a nice, easy, pretty little place would be available, into which, as into a kind of warm cubbyhole, I can slip. I am excellently suited, you should know, to occupy just such a modest haven, for my nature is altogether delicate, and I am essentially a quiet, polite, and dreamy child, who is made to feel cheerful by people thinking of him that he does not ask for much, and allowing him to take possession of a very, very small patch of existence, where he can be useful in his own way and thus feel at ease. A quiet, sweet, small place in the shade has always been the tender substance of all my dreams, and if now the illusions I have about you grow so intense as to make me hope that my dream, young and old, might be transformed into delicious, vivid reality, then you have, in me, the most zealous and most loyal servitor, who will take it as a matter of conscience to discharge precisely and punctually all his duties. Large and difficult tasks I cannot perform, and obligations of a far-ranging sort are too strenuous for my mind. I am not particularly clever, and first and foremost I do not like to strain my intelligence overmuch. I am a dreamer rather than a thinker, a zero rather than a force, dim rather than sharp. Assuredly there exists in your extensive institution, which I imagine to be overflowing with main and subsidiary functions and offices, work of the kind that one can do as in a dream? --I am, to put it frankly, a Chinese; that is to say, a person who deems everything small and modest to be beautiful and pleasing, and to whom all that is big and exacting is fearsome and horrid. I know only the need to feel at my ease, so that each day I can thank God for life's boon, with all its blessings. The passion to go far in the world is unknown to me. Africa with its deserts is to me not more foreign. Well, so now you know what sort of a person I am.--I write, as you see, a graceful and fluent hand, and you need not imagine me to be entirely without intelligence. My mind is clear, but it refuses to grasp things that are many, or too many by far, shunning them. I am sincere and honest, and I am aware that this signifies precious little in the world in which we live, so I shall be waiting, esteemed gentlemen, to see what it will be your pleasure to reply to your respectful servant, positively drowning in obedience. Wenzel

No you're not adventurous, but that doesn't matter. That's precisely what I love about you. Your vulnerability, your shyness. This world is not just for the rash and the fearless, for the loud go-getters-no, the shy and quiet, the dreamy and eccentric have their place there, too. Without them, there world would be no nuances, no light blue watercolours, no unsaid words that give the imagination space to work. And isn't it precisely the dreamers who know the truest and greatest adventures take place in the heart?

The classroom is a place of high drama. You'll never know what you've done to, or for, the hundreds coming and going. You see them leaving the classroom: dreamy, flat, sneering, admiring, smiling, puzzled. After a few years you develop antennae. You can tell when you've reached them or alienated them. It's chemistry. It's psychology. It's animal instinct. You are with the kids and, as long as you want to be a teacher, there's no escape. Don't expect help from the people who've escaped the classroom, the higher-ups. They're busy going to lunch and thinking higher thoughts. It's you and the kids. So, there's the bell. See you later. Find what you love and do it.

Okay,” I finally said. “Can we all agree that this is maybe the most screwed-up situation we’ve ever found ourselves in?” “Agreed,” they said in unison. “Awesome.” I gave a little nod. “And do either of you have any idea what we should do about it?” “Well, we can’t use magic,” Archer said. “And if we try to leave, we get eaten by Monster Fog,” Jenna added. “Right. So no plans at all, then?” Jenna frowned. “Other than rocking in the fetal position for a while?” “Yeah, I was thinking about taking one of those showers where you huddle in the corner fully clothed and cry,” Archer offered. I couldn’t help but snort with laughter. “Great. So we’ll all go have our mental breakdowns, and then we’ll somehow get ourselves out of this mess.” “I think our best bet is to lie low for a while,” Archer said. “Let Mrs. Casnoff think we’re all too shocked and awed to do anything. Maybe this assembly tonight will give us some answers.” “Answers,” I practically sighed. “About freaking time.” Jenna gave me a funny look. “Soph, are you…grinning?” I could feel my cheeks aching, so I knew that I was. “Look, you two have to admit: if we want to figure out just what the Casnoffs are plotting, this is pretty much the perfect place.” “My girl has a point,” Archer said, smiling at me. Now my cheeks didn’t just ache, they burned. Clearing her throat, Jenna said, “Okay, so we all go up to our rooms, then after the assembly tonight we can regroup and decide what to do next.” “Deal,” I said as Archer nodded. “Are we all going to high-five now?” Jenna asked after a pause. “No, but I can make up some kind of secret handshake if you want,” Archer said, and for a second, they smiled at each other. But just as quickly, the smile disappeared from Jenna’s face, and she said to me, “Let’s go. I want to see if our room is as freakified as the rest of this place.” “Good idea,” I said. Archer reached out and brushed his fingers over mine. “See you later, then?” he asked. His voice was casual, but my skin was hot where he touched me. “Definitely,” I answered, figuring that even a girl who has to stop evil witches from taking over the world could make time for kissage in there somewhere. He turned and walked away. As I watched him go, I could feel Jenna starting at me. “Fine,” she acknowledged with a dramatic roll of her eyes. “He’s a little dreamy.” I elbowed her gently in the side. “Thanks.” Jenna started to walk to the stairs. “You coming?” “Yeah,” I said. “I’ll be right up. I just want to take a quick look around down here.” “Why, so you can be even more depressed?” Actually, I wanted to stay downstairs just a little longer to see if anyone else showed up. So far, I’d seen nearly everyone I remembered from last year at Hex Hall. Had Cal been dragged here, too? Technically he hadn’t been a student, but Mrs. Casnoff had used his powers a lot last year. Would she still want him here? To Jenna, I just said, “Yeah, you know me. I like poking bruises.” “Okay. Get your Nancy Drew on.

eyes, golden-brown curls and crimson cheeks. She laughed too much to please her father's congregation and had shocked old Mrs. Taylor, the disconsolate spouse of several departed husbands, by saucily declaring—in the church-porch at that—"The world ISN'T a vale of tears, Mrs. Taylor. It's a world of laughter." Little dreamy Una was not given to laughter. Her braids of straight, dead-black hair betrayed no lawless kinks, and her almond-shaped, dark-blue eyes had something wistful and sorrowful in them. Her mouth had a trick of falling open over her tiny white teeth, and a shy, meditative smile occasionally crept over her small face. She was much more sensitive to public opinion than Faith, and had an uneasy consciousness that there was something askew in their way of living. She longed to put it right, but did not know how. Now and then she dusted the furniture—but it was so seldom she could find the duster because it was never in the same place twice. And when

Careless of her own life, the princess sought to protect the precious new life first. This is in contrast to her cousins, Princesses Akiko and Noriko, who shoved their imperial guards in front of them." Mariko stops and takes one overexcited breath. Her cheeks are flushed. She is dreamy-eyed. This is what gets her excited. Good to know. "They compare you to the empress after the 1923 earthquake!" The empress rolled up her sleeves and laid bricks for a new school. She refused to leave until the town was fed, the children safe. There is a famous picture of her hugging a mother who lost her son, both of their cheeks coated in dust. "They end with calling you our very own royal." Words fail me. Mariko seems to know I need a private moment. She places the article in my lap, then glides out the door. When she's gone, I pick it up. I rub my thumb over the last sentence of the article. It's not the royal part that warms me. No, it's the other two words. Very own, it says. Very own. Yes. That's me. A true daughter of Japan.

But wait. My eyes are almost burned by what I see. There’s a bowl in front of me that wasn’t there before. A brown button bowl and in it some apricots, some small oranges, some nuts, cherries, a banana. The fruits, the colours, mesmerize me in a quiet rapture that spins through my head. I am entranced by colour. I lift an orange into the flat filthy palm of my hand and feel and smell and lick it. The colour orange, the colour, the colour, my God the colour orange. Before me is a feast of colour. I feel myself begin to dance, slowly, I am intoxicated by colour. I feel the colour in a quiet somnambulant rage. Such wonder, such absolute wonder in such an insignificant fruit. I cannot. I will not eat this fruit. I sit in quiet joy, so complete, beyond the meaning of joy. My soul finds its own completeness in that bowl of colour. The forms of each fruit. The shape and curl and bend all so rich, so perfect. I want to bow before it. Loving that blazing, roaring, orange colour ... Everything meeting in a moment of colour and form, my rapture no longer abstract euphoria. It is there in that tiny bowl, the world recreated in that broken bowl. I feel the smell of each fruit leaping into me and lifting me and carrying me away. I am drunk with something that I understand but cannot explain. I am filled with a sense of love. I am filled and satiated by it. What I have waited and longed for has without my knowing come to me, and taken all of me. For days I sit in a kind of dreamy lethargy, in part contemplation and in part worship. The walls seem to be singing. I focus all of my attention on the bowl of fruit. At times I fondle the fruits, at times I rearrange them, but I cannot eat them. I cannot hold the ecstasy of the moment and its passionate intensity. It seems to drift slowly from me as the place in which I am being held comes back to remind me of where I am and of my condition. But my containment does not oppress me. I sit and look at the walls but now this room seems so expansive, it seems I can push the walls away from me. I can reach out and touch them from where I sit and yet they are so far from me.

As associate beauty editor, it was my job to represent the magazine at get-togethers like these: to rub elbows and be pleasant and professional. Seriously, it was the easiest gig in the world! And yet it wasn’t always so easy for me. “I’ll take one of those.” I stopped a dude with a tray of champagne. “Thanks, honey.” “Hi, Cat!” a beauty publicist with a clipboard said. “Thanks so much for coming!” “Good to see you,” I lied. Thunder clapped outside. “The gang’s over there,” she said. The publicist was referring to the usual group of beauty editors—my colleagues. They were from every title you’ve ever heard of: Teen Vogue, Glamour, Elle, Vogue, W, Harper’s Bazaar, InStyle, O, Shape, Self. I attended events alongside them every day, and yet I never felt like I belonged. I’d spent years trying to get into their world: interning, studying mastheads, interviewing all over town. But now that I was one of them, I felt defective—self-conscious and out of place in the dreamy career I’d worked so hard for, and unable to connect with these chic women I’d idolized.

There are marble-workers at the Barrière du Maine, and painters and workers in the sculptors' studios. They're keen, on the whole, but inclined to blow hot and cold. I don't know what's got into them recently. They seem to have lost interest, they spend their whole time playing dominoes. It's important for someone to go and talk to them, and talk bluntly. Their place is the Café Richefeu and they're always there between twelve and one. It needs a puff of air to brighten up those members. I was going to ask that dreamy character, Marius, but he doesn't come here any more. So I need someone for the Barrière du Maine, and I've no one to send." "There's me," said Grantaire. "I'm here." "You?" "Why not?" "You'll go out and preach republicanism, rouse up the half-hearted in the name of principle?" "Why shouldn't I?" "Would you be any good at it?" "I'd quite like to try," said Grantaire. "But you don't believe in anything?" "I believe in you." "Grantaire, do you really want to do me a service?" "Anything you like — I'd black your boots." "Then keep out of our affairs. Stick to your absinthe.

He leaned in, held his breath so as not to make a noise, went close to her, inhaled the scent that emanated from the pores of her forehead; inhaled the air that bounced back from her head. He stopped there, listening intently to the blood flowing, heart beating, pulse pulsating, her hair drifting slowly below her ear resting where the carotid artery was. He closed his eyes as if picturing everything. Like a dexterous doctor discerning the malfunction in a patient or an adroit maestro listening to every note to discern where the one note is missing. He stacked everything neatly in his head, still the intent hearing continued. Finally, a smile came to his face just as easily as breath came to him. A ecstatic smoke rose in his head, he had heard the murmur of her thoughts, she was in a peaceful world now. She had drifted into slumber, through the doors to the dream worlds, nothing was troubling her now. He was filled with an air of comfort and triumph, he was there when she needed it. He was happy that nothing bothered her anymore, how he wanted to ostracize the world just a few moments before!? He wanted to drag this drab world out of her dreamy gleaming eyes, petal covered, almond eyes. She was stumbling in her own world now, as he sat beside her bed. He kissed her forehead, whisked the world with those thin lips of his; he whisked that pile of rubble. He leaned to the side and below, not knowing which side; right or left, it didn't matter; whispered in her ear: "I love you". A smile played on her lips as if she heard that. Again he kissed her forehead, had a good look at her closed eyes. His taverns, he thought; where he got drunk, placed so adjacent to each other. He was happy, that she was happy, she was happy so he was happy. The rest of the world didn't matter; No! No! There was no "Rest" she was his world the whole and entire of it, there was no "Rest of the world". He got up collected his phone, which played slow Beethoven, turned it off, switched the lamp off, pulled the blanket over her, got up, patted the dog along, made out of her room; into her balcony. He didn't want to go yet, he stood there as many thoughts danced in front of him, slow in the moonlight.

I believe that if one man were to live out his life fully and completely, were to give form to every feeling, expression to every thought, reality to every dream—I believe that the world would gain such a fresh impulse of joy that we would forget all the maladies of mediævalism, and return to the Hellenic ideal—to something finer, richer, than the Hellenic ideal, it may be. But the bravest man amongst us is afraid of himself. The mutilation of the savage has its tragic survival in the self-denial that mars our lives. We are punished for our refusals. Every impulse that we strive to strangle broods in the mind, and poisons us. The body sins once, and has done with its sin, for action is a mode of purification. Nothing remains then but the recollection of a pleasure, or the luxury of a regret. The only way to get rid of a temptation is to yield to it. Resist it, and your soul grows sick with longing for the things it has forbidden to itself, with desire for what its monstrous laws have made monstrous and unlawful. It has been said that the great events of the world take place in the brain. It is in the brain, and the brain only, that the great sins of the world take place also.

The same song was playing the second I met my ex–best friend and the moment I realized I’d lost her. I met my best friend at a neighborhood cookout the year we would both turn twelve. It was one of those hot Brooklyn afternoons that always made me feel like I'd stepped out of my life and onto a movie set because the hydrants were open, splashing water all over the hot asphalt. There wasn't a cloud in the flawless blue sky. And pretty black and brown people were everywhere. I was crying. ‘What a Wonderful World’ was playing through a speaker someone had brought with them to the park, and it reminded me too much of my Granny Georgina. I was cupping the last snow globe she’d ever given me in my small, sweaty hands and despite the heat, I couldn’t help imagining myself inside the tiny, perfect, snow-filled world. I was telling myself a story about what it might be like to live in London, a place that was unimaginably far and sitting in the palm of my hands all at once. But it wasn't working. When Gigi had told me stories, they'd felt like miracles. But she was gone and I didn't know if I'd ever be okay again. I heard a small voice behind me, asking if I was okay. I had noticed a girl watching me, but it took her a long time to come over, and even longer to say anything. She asked the question quietly. I had never met anyone who…spoke the way that she did, and I thought that her speech might have been why she waited so long to speak to me. While I expected her to say ‘What’s wrong?’—a question I didn’t want to have to answer—she asked ‘What are you doing?’ instead, and I was glad. “I was kind of a weird kid, so when I answered, I said ‘Spinning stories,’ calling it what Gigi had always called it when I got lost in my own head, but my voice cracked on the phrase and another tear slipped down my cheek. To this day I don’t know why I picked that moment to be so honest. Usually when kids I didn't know came up to me, I clamped my mouth shut like the heavy cover of an old book falling closed. Because time and taught me that kids weren't kind to girls like me: Girls who were dreamy and moony-eyed and a little too nice. Girls who wore rose-tonted glasses. And actual, really thick glasses. Girls who thought the world was beautiful, and who read too many books, and who never saw cruelty coming. But something about this girl felt safe. Something about the way she was smiling as she stuttered out the question helped me know I needn't bother with being shy, because she was being so brave. I thought that maybe kids weren't nice to girls like her either. The cookout was crowded, and none of the other kids were talking to me because, like I said, I was the neighborhood weirdo. I carried around snow globesbecause I was in love with every place I’d never been. I often recited Shakespeare from memory because of my dad, who is a librarian. I lost myself in books because they were friends who never letme down, and I didn’t hide enough of myself the way everyone else did, so people didn’t ‘get’ me. I was lonely a lot. Unless I was with my Gigi. The girl, she asked me if it was making me feel better, spinning the stories. And I shook my head. Before I could say what I was thinking—a line from Hamlet about sorrow coming in battalions that would have surely killed any potential I had of making friends with her. The girl tossed her wavy black hair over her shoulder and grinned. She closed her eyes and said 'Music helps me. And I love this song.' When she started singing, her voice was so unexpected—so bright and clear—that I stopped crying and stared at her. She told me her name and hooked her arm through mine like we’d known each other forever, and when the next song started, she pulled me up and we spun in a slow circle together until we were both dizzy and giggling.

But the crown jewel was the columned Greek Revival mansion, which dated from the mid-1800s, along with the manicured boxwood gardens that would serve as the backdrop for the couple's ceremony. Of course, everything was not only very traditional but also a standard to what one might imagine an over-the-top Southern wedding to be. As I said, "Steel Magnolias on steroids." The ceremony would take place outdoors in the garden, but large custom peach-and-white scalloped umbrellas were placed throughout the rows of bamboo folding chairs to shade the guests. Magnolia blossoms and vintage lace adorned the ends of the aisles. White, trellis-covered bars flanked the entrance to the gardens where guests could select from a cucumber cooler or spiked sweet tea to keep cool during the thirty-minute nuptials. It was still considered spring, but like Dallas, Nashville could heat up early in the year, and we were glad to be prepared. By the time we arrived the tent was well on its way to completion, and rental deliveries were rolling in. The reception structure was located past the gardens near the enormous whitewashed former stable, and inside the ceiling was draped in countless yards of peach fabric with crystal chandeliers hanging above every dining table. Custom napkins with embroidered magnolias on them complemented the centerpieces' peach garden roses, lush greenery, and dried cotton stems. Cedric's carpentry department created floor-to-ceiling lattice walls covered in faux greenery and white wisteria blooms, a dreamy backdrop for the band.

Dorian, like a good boy," said the painter, deep in his work and conscious only that a look had come into the lad's face that he had never seen there before. "And yet," continued Lord Henry, in his low, musical voice, and with that graceful wave of the hand that was always so characteristic of him, and that he had even in his Eton days, "I believe that if one man were to live out his life fully and completely, were to give form to every feeling, expression to every thought, reality to every dream--I believe that the world would gain such a fresh impulse of joy that we would forget all the maladies of mediaevalism, and return to the Hellenic ideal--to something finer, richer than the Hellenic ideal, it may be. But the bravest man amongst us is afraid of himself. The mutilation of the savage has its tragic survival in the self-denial that mars our lives. We are punished for our refusals. Every impulse that we strive to strangle broods in the mind and poisons us. The body sins once, and has done with its sin, for action is a mode of purification. Nothing remains then but the recollection of a pleasure, or the luxury of a regret. The only way to get rid of a temptation is to yield to it. Resist it, and your soul grows sick with longing for the things it has forbidden to itself, with desire for what its monstrous laws have made monstrous and unlawful. It has been said that the great events of the world take place in the brain. It is in the brain, and the brain only, that the great sins of the world take place also. You, Mr. Gray, you yourself, with your rose-red youth and your rose-white boyhood, you have had passions that have made you afraid, thoughts that have filled you with terror, day-dreams and sleeping dreams whose mere memory might stain your cheek with shame-

She sighed and leaned down, kissed my thigh, and then looked up, and put her arm around my shoulder, moving close, so our thighs and arms were touching. She put her finger to my lips. “Well, Gwendoline, my dear vampire-pale mistress-confessor, who wishes to possess my soul, the first confession is this: I love playing like this. Being your prisoner is exciting. Her voice had gone throaty, dreamy, and her fingers were playing in my stubble, caressing it, stroking it, my recently shaved skull. We slid to the floor and rolled over. I pinned her down. I bit her left nipple, just a delicate nip and twist, and lingering lick and kiss. Remember! Leave no marks! “Oh, Gwendoline, the silliest things arouse me,” she whispered, her teeth tugging my earlobe. “Like what?” I slid off her body, and lay beside her, both of us now on our sides, face to face, only a few inches apart. “Like what?” I repeated, kissing her, and running my hand over the curve of her hip, and cupping her backside. She took a deep breath. “Certain gestures you make drive me crazy.” “Me?” “Yes, like when you reach up to put the curls at the nape of your neck back in place, or when you just touch the nape of your neck. Or when you tilt your head down and look up from under your eye¬brows that are coal-black like arched arrows in flight. Or like the way your English accent in French is sometimes just a bit awkward, and I want to touch your lips and correct you by kissing you. And then – and this is unbearably beautiful – there’s the self-conscious way you sometimes walk, looking down as if abashed at the cobble¬stones just in front of your toes, as if you were self-conscious of your sexual vulnerability, as if you were shy, and retiring, a vestal virgin, a timid, self-conscious child. And then there’s the way your shoes are always so neat and impeccable, even when it is raining, or muddy. I want to get down on my knees and worship! Everything about you is neat and self-contained, and as if it had been just polished.

You know those statistics people are always spouting off, about teenage boys thinking about sex every seven seconds? Is that really true?” “Nope. And I just want to point out that you’re the one who keeps bringing up sex. I think teenage girls might be more obsessed than boys.” “Maybe,” I say, and his eyes widen, all excited. Hastily I add, “I mean, I’m definitely curious about it. It’s definitely a thought. But I don’t see myself doing it anytime soon. With anybody. Including you.” I can tell Peter is embarrassed, the way he rushes to say, “Okay, okay, I got it. Let’s just change the subject.” Under his breath he mutters, “I didn’t even want to talk about it in the first place.” It’s sweet that he’s embarrassed. I didn’t think he would be, with all his experience. I tug on his sweater sleeve. “At some point, when I’m ready, if I’m ready, I’ll let you know.” And then I pull him toward me and press my lips against his softly. His mouth opens, and so does mine, and I think, I could kiss this boy for hours. Mid-kiss, he says, “Wait, so we’re never having sex? Like ever?” “I didn’t say never. But not now. I mean, not until I’m really, really sure. Okay?” He lets out a laugh. “Sure. You’re the one driving this bus. You have been from the start. I’m still catching up.” He snuggles closer and sniffs my hair. “What’s this new shampoo you’re wearing?” “I stole it from Margot. It’s juicy pear. Nice, right?” “It’s all right, I guess. But can you go back to the one you used to wear? The coconut one? I love the smell of that one.” A dreamy look crosses his face, like evening fog settling over a city. “If I feel like it,” I say, which makes him pout. I’m already thinking I should buy a bottle of the coconut hair mask, too, but I like to keep him on his toes. Like he said, “I’m the one driving this bus. Peter pulls me against him so he’s curved around my back like shelter. I let my head rest on his shoulder, rest my arms on his kneecaps. This is nice. This is cozy. Just me and him, just for a while, apart from the rest of the world.

That the life of Man is but a dream has been sensed by many a one, and I too am never free of the feeling. When I consider the restrictions that are placed on the active, inquiring energies of Man; when I see that all our efforts have no other result than to satisfy needs which in turn serve no purpose but to prolong our wretched existence, and then see that all our reassurance concerning the particular questions we probe is no more than dreamy resignation, since all we are doing is to paint our prison walls with colourful figures and bright views – all of this, Wilhelm, leaves me silent. I withdraw into myself, and discover a world, albeit a notional world of dark desire rather than one of actuality and vital strength. And everything swims before my senses, and I go my way in the world wearing the smile of the dreamer. All our learned teachers and educators are agreed that children do not know why they want what they want; but no one is willing to believe that adults too, like children, wander about this earth in a daze and, like children, do not know where they come from or where they are going, act as rarely as they do according to genuine motives, and are as thoroughly governed as they are by biscuits and cake and the rod. And yet it seems palpably clear to me. I gladly confess, since I know the reply you would want to make, that they are the happiest who, like children, live for the present moment, drag their dolls around and dress and undress them, and watchfully steal by the drawer where Mama has locked away the cake, and, when at last they get their hands on what they want, devour it with their cheeks crammed full and cry, ‘More!’ – They are happy creatures. And those others, who give pompous titles to their beggarly pursuits and even to their passions, and chalk them up as vast enterprises for the good and well-being of mankind, they too are happy. – It is all very well for those who can be like that! But he who humbly perceives where it is all leading, who sees how prettily the happy man makes an Eden of his garden, and how even the unhappy man goes willingly on his weary way, panting beneath his burden, and that all are equally interested in seeing the light of the sun for one minute more – he indeed will be silent, and will create a world from within for himself, and be happy because he is a man. And then, confined as he may be, he none the less still preserves in his heart the sweet sensation of freedom, and the knowledge he can quit this prison whenever he wishes.

We went to dinner that night and ordered steak and talked our usual dreamy talk, intentionally avoiding the larger, looming subject. When he brought me home, it was late, and the air was so perfect that I was unaware of the temperature. We stood outside my parents’ house, the same place we’d stood two weeks earlier, before the Linguine with Clam Sauce and J’s surprise visit; before the overcooked flank steak and my realization that I was hopelessly in love. The same place I’d almost wiped out on the sidewalk; the same place he’d kissed me for the first time and set my heart afire. Marlboro Man moved in for the kill. We stood there and kissed as if it was our last chance ever. Then we hugged tightly, burying our faces in each other’s necks. “What are you trying to do to me?” I asked rhetorically. He chuckled and touched his forehead to mine. “What do you mean?” Of course, I wasn’t able to answer. Marlboro Man took my hand. Then he took the reins. “So, what about Chicago?” I hugged him tighter. “Ugh,” I groaned. “I don’t know.” “Well…when are you going?” He hugged me tighter. “Are you going?” I hugged him even tighter, wondering how long we could keep this up and continue breathing. “I…I…ugh, I don’t know,” I said. Ms. Eloquence again. “I just don’t know.” He reached behind my head, cradling it in his hands. “Don’t…,” he whispered in my ear. He wasn’t beating around the bush. Don’t. What did that mean? How did this work? It was too early for plans, too early for promises. Way too early for a lasting commitment from either of us. Too early for anything but a plaintive, emotional appeal: Don’t. Don’t go. Don’t leave. Don’t let it end. Don’t move to Chicago. I didn’t know what to say. We’d been together every single day for the past two weeks. I’d fallen completely and unexpectedly in love with a cowboy. I’d ended a long-term relationship. I’d eaten beef. And I’d begun rethinking my months-long plans to move to Chicago. I was a little speechless. We kissed one more time, and when our lips finally parted, he said, softly, “Good night.” “Good night,” I answered as I opened the door and went inside. I walked into my bedroom, eyeing the mound of boxes and suitcases that sat by the door, and plopped down on my bed. Sleep eluded me that night. What if I just postponed my move to Chicago by, say, a month or so? Postponed, not canceled. A month surely wouldn’t hurt, would it? By then, I reasoned, I’d surely have him out of my system; I’d surely have gotten my fill. A month would give me all the time I needed to wrap up this whole silly business. I laughed out loud. Getting my fill of Marlboro Man? I couldn’t go five minutes after he dropped me off at night before smelling my shirt, searching for more of his scent. How much worse would my affliction be a month from now? Shaking my head in frustration, I stood up, walked to my closet, and began removing more clothes from their hangers. I folded sweaters and jackets and pajamas with one thing pulsating through my mind: no man--least of all some country bumpkin--was going to derail my move to the big city. And as I folded and placed each item in the open cardboard boxes by my door, I tried with all my might to beat back destiny with both hands. I had no idea how futile my efforts would be.

In fact, all the comic-book shops in the world are really just one essential place, and their entrances but doors to a single coincidence. That’s why you always see there, no matter where you are, the same dreamy, awkward clients.

As for Mr. Meredith," said Miss Cornelia, "even his engagement has made a different man of him. He isn't half so dreamy and absent-minded, believe me. I was so relieved when I heard that he had decided to close the manse and let the children visit round while he was away on his honeymoon. If he had left them and old Aunt Martha there alone for a month I should have expected to wake every morning and see the place burned down.

The Most Popular Diamond Cuts - Learn Before You Shop For A Diamond Earring You have finally made up your mind and decided to buy a diamond earring. You have a purpose and occasion in mind. What now? Do you randomly go diamond shopping and invest your hard-earned money in whatever you find there? No. Absolutely not. Mining about the details for the diamond you are seeking for your earring is the wisest of decisions. Whether it is about the best place to buy diamonds from or the cut of your earring, some research is a must! But, research? It takes the fun out of the shopping experience, doesn't it? No worries. Keep the fun with diamonds shopping and look at this list of most popular diamond cuts. Popular Diamond Cuts That You Must Know About A timeless accessory becomes even more precious if you find it exactly how you imagined it to be. The dreamy earrings are not just about having diamonds in them. The cut quality and the cut shape are essential features too! If you already know the best place to buy diamonds, your quality concern goes out of the window. You still have to choose the cut shape for your personal, exotic experience. Before choosing the cut, you need to keep your face in mind too. If the diamond cut doesn't flatter your face, take the next option. Essentially, you can choose from the four variants of the diamond cuts. Round Cut: Widely in demand and spectacularly sparkly, the round cut allows the maximum light to enter and dazzle the diamond. Primarily used in studs, these cuts are good for you if you have a thin face. Oval Cuts: The cut includes the oval-shaped and modified version of oval cuts as well. If you want the appearance of an elongated diamond with the shine as the round cut, consider this one. This cut comes with a variety of options for you. If you like it pointy at both ends, the marquise cut is the one for you. But, if you have your heart set on a sharp end and the other in the oval shape, you'd love the pear cut more. Besides, if you are a romantic, you have to choose the heart-shaped diamond cut for your earrings. Rectangular Cuts: You want a cut that is equally classic and elegant; the rectangular cuts are your options. It includes the Princess cut, the Emerald cut, the Asscher cut, the Cushion cut, and the Radiant cut. You can choose the best fit based on the rectangular appearance and brilliance of your outlook. Triangular Cuts: Are you a fan of pointed edges and equal sides in your jewelry? You will be thrilled to have a triangular cut diamond in your accessory bag. All you have to look out for is the protection the edges have in the earring. Remember: Be on the lookout for the 4Cs you need in your earrings. The carat or the weight and the cut define the shape and size of your precious. The color and the clarity will take care of the hue and brilliance you will get. The pleasing appearance of the earrings is a reflection of the diamond cutting and polishing process. The more precisely and skillfully a diamond-cut polish is taken care of, the more beauty it will exude. If you want a breezy diamond shopping experience, what's better than having it from the best place to shop diamonds from? The quality and the cut are going to make you the talk of the town after this! Your choice for the most suitable diamond cut will make your earring the most prized possession. It will not only bring beauty to your appearance but also complement it.

Underhill had to fight with himself to remain in place. But something was already changing inside him. Something that had become familiar in the last year or so. He could feel the world subtly reordering itself as his father walked away; that strange feeling that he sometimes had and couldn’t explain, not even to himself, so certainly not to his mother or anyone else. But he couldn’t acknowledge it right now; he was afraid that if he didn’t know his way home, he might wander lost in unfamiliar neighbourhoods until the end of time; he might end up in a different country altogether. Soon Underhill couldn’t even hear his father’s footsteps but the panic subsided, and the world gradually began to settle around him, changing little by little, soft and gentle and pliant, like his mother’s embrace. He could hear the insect drone of a languid summer day and the silence of a Christmas Eve wrapped in snow. It tranquillised him. He looked up to find the buildings were all changed and very distant from him, like looking through the wrong end of a telescope. They were lit up from within with an incandescent golden light. They were like cathedrals floating in a changed sky; all the dreamy colours of a place where words ran out and art took over.

Distractions In Prayer Ah dearest Lord! I cannot pray, My fancy is not free; Unmannerly distractions come, And force my thoughts from Thee. The world that looks so dull all day Glows bright on me at prayer, And plans that ask no thought but then Wake up and meet me there. All nature one full fountain seems Of dreamy sight and sound, Which, when I kneel, breaks up its deeps, And makes a deluge round. Old voices murmur in my ear, New hopes start to life, And past and future gaily blend In one bewitching strife. My very flesh has restless fits; My changeful limbs conspire With all these phantoms of the mind My inner self to tire. I cannot pray; yet, Lord! Thou knowst The pain it is to me To have my vainly struggling thoughts Thus torn away from Thee. Sweet Jesus! teach me how to prize These tedious hours when I, Foolish and mute before Thy Face, In helpless worship lie. Prayer was not meant for luxury, Or selfish pastime sweet; It is the prostrate creature’s place At his Creator’s Feet. Had I, dear Lord! no pleasure found But in the thought of Thee, Prayer would have come unsought, and been A truer liberty. Yet Thou art oft most present, Lord! In weak distracted prayer: A sinner out of heart with self Most often finds Thee there. For prayer that humbles sets the soul From all illusions free, And teaches it how utterly, Dear Lord! it hangs on Thee. The heart, that on self-sacrifice Is covetously bent, Will bless Thy chastening hand that makes Its prayer its punishment. Holy Saviour! why should I complain And why fear aught but sin? Distractions are but outward things; Thy peace dwells far within. These surface-troubles come and go, Like rufflings of the sea; The deeper depth is out of reach To all, my God, but Thee. FREDERICK WILLIAM FABER, 1814-1863

The neurons that rested in deep slumber for decades started to fire; now, they are incessant and unstoppable. The faintest spark has set in motion a raging wildfire in my brain taking me back to dreamy places.

Haven't you figured it out, love?" Jared's words feathered over her, far away and dreamy. "There's no place I can't take you. Nowhere you won't go. Nothing you can't take. That's what this is.

irritatingly moralistic. Democratic globalism sees as the engine of history not the will to power but the will to freedom. And while it has been attacked as a dreamy, idealistic innovation, its inspiration comes from the Truman Doctrine of 1947, the Kennedy inaugural of 1961, and Reagan’s “evil empire” speech of 1983. They all sought to recast a struggle for power between two geopolitical titans into a struggle between freedom and unfreedom, and yes, good and evil. Which is why the Truman Doctrine was heavily criticized by realists like Hans Morgenthau and George Kennan—and Reagan was vilified by the entire foreign policy establishment for the sin of ideologizing the Cold War by injecting a moral overlay. That was then. Today, post-9/11, we find ourselves in a similar existential struggle but with a different enemy: not Soviet communism, but Arab-Islamic totalitarianism, both secular and religious. Bush and Blair are similarly attacked for naïvely and crudely casting this struggle as one of freedom versus unfreedom, good versus evil. Now, given the way not just freedom but human decency were suppressed in both Afghanistan and Iraq, the two major battles of this new war, you would have to give Bush and Blair’s moral claims the decided advantage of being obviously true. Nonetheless, something can be true and still be dangerous. Many people are deeply uneasy with the Bush-Blair doctrine—many conservatives in particular. When Blair declares in his address to Congress: “The spread of freedom is … our last line of defense and our first line of attack,” they see a dangerously expansive, aggressively utopian foreign policy. In short, they see Woodrow Wilson. Now, to a conservative, Woodrow Wilson is fightin’ words. Yes, this vision is expansive and perhaps utopian. But it ain’t Wilsonian. Wilson envisioned the spread of democratic values through as-yet-to-be invented international institutions. He could be forgiven for that. In 1918, there was no way to know how utterly corrupt and useless those international institutions would turn out to be. Eight decades of bitter experience later—with Libya chairing the UN Commission on Human Rights—there is no way not to know. Democratic globalism is not Wilsonian. Its attractiveness is precisely that it shares realism’s insights about the centrality of power. Its attractiveness is precisely that it has appropriate contempt for the fictional legalisms of liberal internationalism. Moreover, democratic globalism is an improvement over realism. What it can teach realism is that the spread of democracy is not just an end but a means, an indispensable means for securing American interests. The reason is simple. Democracies are inherently more friendly to the United States, less belligerent to their neighbors and generally more inclined to peace. Realists are right that to protect your interests you often have to go around the world bashing bad guys over the head. But that technique, no matter how satisfying, has its limits. At some point, you have to implant something, something organic and self-developing. And that something is democracy. But where? V. DEMOCRATIC REALISM The danger of democratic globalism is its universalism, its open-ended commitment to human freedom, its temptation to plant the flag of democracy everywhere. It must learn to say no. And indeed, it does say no. But when it says no to Liberia, or Congo, or Burma, or countenances alliances with authoritarian rulers in places like Pakistan

With her lemon cakes and dreamy grief, she was as out of place in King’s Landing as a conscience.

Kokomo Aruba, Jamaica, ooh I want to take ya Bermuda, Bahama, come on pretty mama Key Largo, Montego, baby why don't we go, Jamaica Off the Florida Keys, there's a place called Kokomo That's where you want to go to get away from it all Bodies in the sand, tropical drink melting in your hand We'll be falling in love to the rhythm of a steel drum band Down in Kokomo [Chorus] Aruba, Jamaica, ooh I want to take you to Bermuda, Bahama, come on pretty mama Key Largo, Montego, baby why don't we go Ooh I want to take you down to Kokomo, we'll get there fast and then we'll take it slow That's where we want to go, way down in Kokomo. Martinique, that Montserrat mystique We'll put out to sea and we'll perfect our chemistry And by and by we'll defy a little bit of gravity Afternoon delight, cocktails and moonlit nights That dreamy look in your eye, give me a tropical contact high Way down in Kokomo [Chorus] Port au Prince, I want to catch a glimpse Everybody knows a little place like Kokomo Now if you want to go and get away from it all Go down to Kokomo [Chorus] Aruba, Jamaica, ooh I want to take you to Bermuda, Bahama, come on pretty mama Key Largo, Montego, baby why don't we go Ooh I want to take you down to

Richard Avedon photographs Marilyn, her torso covered in feathers (her sexual plumage) and wearing high heels, her left leg bent and brought up to her body so that the leg projects outward horizontally. Her right arm stretches out diagonally and clutches a fan, and her head is tilted right with her eyes half closed and her mouth wide open, suggesting the dynamism of her erotic allure. Another Avedon shot shows her in a spangled dress. She wraps herself in a silver fur stole that seems almost to waft out of the frame in her extended right arm, while her left hand touches her shoulder and she projects one of those dreamy poses with half-closed eyes—although this time with a closed mouth that suggests a little more mystery and not quite so much availability.

Description: ‘With just five euros from each Facebook friend I could make a dream come true: spark an inextinguishable passion for literature in a tiny village that doesn’t even have a school (a bit like Juliette Binoche in Chocolat, but with books). The village is called Lucignana, only a few kilometres away from dreamy Garfagnana, and it’s here that I want to open a little bookshop – say, a tiny wooden cottage open six months a year where children (but also adults) can find a book that speaks to them, a magical place where you can admire the most wonderful sunsets on the Apuan Alps.

It’s my personal view, if you care to know, that something has been accomplished already. New valuable ideas, new valuable works are circulating in the place of our old dreamy and romantic authors. Literature is taking a maturer form, many injurious prejudices have been rooted up and turned into ridicule.... In a word, we have cut ourselves off irrevocably from the past, and that, to my thinking, is a great thing...” “He’s learnt it by heart to show off!” Raskolnikov pronounced suddenly.

And truthfully, Valentine's Town is unexpectedly charming--in an odd, sideways sort of way. No sooty sky or charcoal buildings teetering in the distance. No rotted skulls or jack-o'-lanterns glowing sinisterly in the dark, no cackling ghouls or demons or grim reapers with hollowed-out eyes watching us from shadowed corners. In fact, there are no dark places at all. Instead, everything is bright and confectioner-sugar-shiny. The air has a pinked, dreamy quality, a subtly sweet tinge, like rosebuds newly bloomed in spring or the first lick of pumpkin-pie filling on a spoon.

DWAAL, noun, a dreamy, dazed, or absent-minded state. "In that space of peaceful serenity, I finally understood that home is where you heart feels free. A place far removed from any physical barriers or constraints. Home is a space where you feel alive. You feel like dancing. A dance called dwaal – meaning to wander into the uncharted waters of our stories unexplored and underrepresented chapters" (All Roads Lead to Cape Town, a novel about the birthplace of our togetherness and amazing words like 'dwaal' -- side note, born in Bloemfontein, South Africa, J.R.R. Tolkien described this word through his own unique perspective when he said: 'Not all who wander are lost'.

We used to sit on the sand, our shoulders grazing for the warmth that beat the chillness of the early morning. The skies would change colours constantly. From dark black to dense grey to dreamy pink to descending blue to a definite yellow to a destined mix of colours where the metamorphosis is more than that of a butterfly. There is no hurry. There are no stop clocks. Slow and steady, everything falls into place. Nature doesn’t rush at all, but still makes the most beautiful pieces of art in the blink of our eyes. That high when the first ray of sunlight hits our face through the creek of the cloud is inexplicable. A lot of things in life, especially love, are so.

gold standard for infrastructure, a brick house in a world of straw; those stupid raised freeways, built strong enough to withstand the Big One, had served as refugia for the entire population of the city, and the subsequent evacuation had proceeded successfully. A very impressive improvisation. Despite LA’s uneven popularity across the world, it was for sure immensely famous. The dream factory had accomplished that at least. Many people all over the world felt they knew the place, and were transfixed by the images of it suddenly inundated. If it could happen to LA, rich as it was, dreamy as it was, it could happen anywhere. Was that right? Maybe not, but it felt that way. Some deep flip in the global unconscious was making people queasy. Despite this sense that the world was falling apart, or maybe because of it, demonstrations in the capitals of the world intensified. Actually these seemed to be occupations rather than demonstrations, because they didn’t end but rather persisted as disruptions of the ordinary business of the capitals. Within the occupied spaces, people were setting up and performing alternative lifeways with gift supplies of food and impromptu shelter and

Our visits to the library were never long enough for me. The place was so bountiful. I loved wandering around the bookshelves, scanning the spines until something happened to catch my eye. Those visits were dreamy, frictionless interludes that promised I would leave richer than I arrived.

No, no, I’m not afraid of…of anything.” “Because some girls, they don’t like it much. I suppose with the wrong man, it could be uncomfortable, or even unpleasant.” “You really don’t need to—” “But the, um, conjugal act is really quite nice. You do understand what a man and woman do in bed together?” “Uh…” “No, no one has told you, have they? Well, men, they take their, their…thing.” Mrs. Begley made a vague gesture toward her waist. “And they put it, um, where it goes.” Another vague gesture to her waist. “The first time may hurt a bit, but after that it can be quite lovely. And there’s usually a bit of kissing and snuggling and…and kissing that goes on.” Mrs. Begley got an odd, almost dreamy expression on her face. “Squire is very good at it, you know.” “No! No, please, don’t feel—” Emma did not want to think about portly Squire Begley and Mrs. Begley doing anything that involved a bed and…things located anywhere near a person’s waist. Squire Begley didn’t even have a waist any longer. Mrs. Begley grinned. “Very good at it, indeed. Why, just last night…” She sighed and shook her head. “Well, that’s neither here nor there. The point is, Miss Peterson, that the marriage bed can be a very comfortable place. And I’m quite certain Lord Knightsdale knows how to please a lady. Why, if I didn’t have my Squire and if I were a few years younger…

Do not stare directly into his eyes!” she warned, in an accent I couldn’t place. “Why not?” I said, but she was already too late. I was staring directly into his eyes too. “Because they are dreamy, and endless, and magical. And then when you learn what a terrible boy he is, your heart will turn into a black husk of doom.” I blinked off the spell of the boy’s eyes. “Wait, what?” —Nimet Simit and Willa Snap, conversing on the power of Ravenlock Sward's eyes.

I wish I’d fallen softly. Light and graceful like a feather drifting slowly to the earth on a warm and dreamy summer’s day. I wish that I’d landed softly too. But there is nothing soft or graceful about that devastating moment when the worst has come to pass. The unavoidable truth is that it is hard, cold and brutal. All that you know to be true and good in life shatters in an instant. You feel like a delicate pottery bowl violently tossed from your place of rest, watching yourself crash and scatter across the hostile dark earth. The sound is deafening. Time stops. Inside, the quiet ache of shock and heartbreak slowly makes its grip known. They cut deep, these jagged edges of broken sherds. You gasp for air hungrily, yet somehow forget how to breathe.

Do you know much about Hogsmeade?" asked Hermione keenly. "I've read it's the only entirely non-Muggle settlement in Britain-" "Yeah, I think it is," said Ron in an offhand sort of way, "but that's not why I want to go. I just want to get inside Honeydukes!" "What's that?" said Hermione. "It's the sweetshop," said Ron, a dreamy look coming over his face, "where they've got everything.... Pepper Imps- they make you smoke at the mouth- and great fat Chocoballs full of strawberry mousse and clotted cream, and really excellent sugar quills, which you can suck in class and just look like you're thinking what to write next-" "But Hogsmeade's a very interesting place, isn't it?" Hermione pressed on eagerly. "In Sites of Historical Society it says the inn was the headquarters for the 1612 goblin rebellion, and the Shrieking Shack's supposed to be the most severely haunted building in Britain-" "- and massive sherbert balls that make you levitate a few inches off the ground while you're sucking them," said Ron, who was plainly not listening to a word Hermione was saying.

Young man, that there is such a thing as prosperity or, as they now say, progress, if only in the name of science and economic truth... A common place! No, it is not a common place, sir! If up to now, for example I have been told to love my neighbor, and I did love him, what came of it? What came of it was that I tore my caftan in two, shared it with my neighbor, and we were both left half naked, as the Russian proverb says: if you chase several hares at once, you won't catch any of them. But science says: love yourself before all, because everything in the world is based on self-interest. If you love only yourself, you will set your affairs up properly, and your caftan will also remain in one piece. And economic truth adds that the more properly arranged personal affairs and, so to speak, whole caftans there are in society, the firmer its foundations are and the better arranged its common cause. It follows that by acquiring solely and exclusively for myself, I am thereby precisely acquiring for everyone, as it were, and working so that my neighbor will have something more than a torn caftan, not from private, isolated generosities now, but as a result of universal prosperity. A simple though, which unfortunately has been too long in coming, overshadowed by rapturousness and dreaminess, though it seems it would not take much wit to realize...

Call Girls in Islamabad >> 03294111153 >> Independent Call Girl Serivce Available For Booking/Appointment Contact us on these Number: 03210033448 03292178555 03294111153 Islamabad Call Girls With VIP Service For A Night If you are looking for a night out, Islamabad Call Girls is the way to go. These services provide a pretty dreamy company that can give you anything and everything you need. It is not only about the right attitude and discretion, but also about the single most amazing part called VIP service. At Islamabad Call Girls they offer VIP service at an affordable price with no compromise on quality or service. Thanks to the expertise of the professionals in the field, their VIP service has been built up with perfection and style allowing them to offer completely free rounds of drinks and companions in different nightclubs. In Islamabad, you can get Aerocity Call Girls for an hour or night. High-Class Call Girls Service in Islamabad They offer services at places where it is always full of fun and entertainment. Their company provides a complete Call Girl package for you to spend a night with some of the sexiest girls in town. With their services, you can have all the fun without having any trouble or paying high fees, or overcharging. They are endorsed by numerous VIPs and celebrities all over town, making them the most wanted girls to be with. Professional Islamabad Call Girls With Unique Skills The professionals at the Call Girl service of Islamabad Call Girls keep an eye on everything and make sure customers are having the best time of their lives. They have different packages to choose from and you can always find some exciting deals for your company. With high-class skills, a professional attitude, and high-profile clientele, these girls can make your night fun as well as memorable. Exotic Nature Uncontrolled with Islamabad Call Girls Service The Islamabad Call Girls Service is one of the leading call girls in New Islamabad. We are one of the most reliable and affordable Call Girl service providers in Islamabad, Islamabad. Our services include Call Girls Services, Upscale Hookers, And Massage Services. We are well-known for our wide range of highly skilled Call Girls with whom you will feel truly contended and pleased to enjoy many pleasurable hours with them. Meet Natural Beauty Islamabad Call Girl Near Shanti Residency Want to be charmed by a perfect blend of nature and grace? Our natural beauty Call Girl Islamabad Call Girl Near Shanti Residence is in the category of beautiful Call Girls in Empress Market that are extraordinary. We have exquisite beauties that you can choose from, visually stunning. So, whether you want to relax or explore the city like never before with our best choice of Call Girls Islamabad Call Girl Near Shanti Residence in your life, we will not disappoint. The Energy of Independent Munrika Call Girls Monika Call Girls is part of a wider industry in India that offers companionship, affection, and grooming to the eligible single urban male. In the current climate where the demand for these services is on the rise and awareness about their existence is increasing, it makes sense for us to take a closer look at this ever-growing business. In our recent article, we explore both Munrika Call Girls’ wide range of skills and personality types that make them different from other Call Girl services – such as how they offer genuine affection. Amazing Features of Islamabad Call Girls One of the most beautiful features of these Call Girls is that they offer emergency services.