Dread Wolf Quotes

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Winter’s head snapped around, away from Scarlet. Scarlet’s pace slowed, dread pulsing through her as she, too, heard the footsteps. Pounding footsteps, like someone was running at full speed toward them. She reached for the knife Jacin had given her. A man barrelled around the corner, heading straight for the princess. Winter tensed half a second before he reached her. Grabbing Winter’s elbow, he yanked back the red hood. Scarlet gasped. Her knees weakened. The man stared at Winter with a mixture of confusion and disappointment and maybe even anger, all locked up in eyes so vividly green that Scarlet could see them glowing from here. She was the one hallucinating now. She took a stumbling, uncertain step forward. Wanting to run toward him, but terrified it was a trick. Her hand tightened around the knife handle as Wolf, ignoring how Winter was trying to pull away, grabbed her arm and smelled the filthy red sleeve of Scarlet’s hoodie, streaked with dirt and blood. He growled, ready to tear the princess apart. “Where did you get this?” So desperate, so determined, so him. The knife slipped out of Scarlet’s hand. Wolf’s attention snapped to her. “Wolf?” she whispered. His eyes brightened, wild and hopeful. Releasing Winter, he strode forward. His tumultuous eyes scooped over her. Devoured her. When he was in arm’s reach, Scarlet almost collapsed into him, but at the last moment she had the presence of mind to step back. She planted a hand on his chest. Wolf froze, hurt flickering across his face. “I’m sorry,” said Scarlet, her voice teetering with exhaustion. “It’s just…I smell so awful, I can hardly stand to be around myself right now, so I can’t even imagine what it’s like for you with your sense of sm-“ Batting her hand away, Wolf dug his fingers into Scarlet’s hair and crushed his mouth against hers. Her protests died with a muffled gasp. This time, she did collapse, her legs unable to hold her a second longer. Wolf fell with her, dropping his knees to break Scarlet’s fall and cradling her body against his. He was here. He was here.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
The bullying of citizens by means of dreads and fights has been going on since paleolithic times. Greenpeace fund-raisers on the subject of global warming are not much different than the tribal Wizards on the subject of lunar eclipses. 'Oh no, Night Wolf is eating the Moon Virgin. Give me silver and I will make him spit her out.
P.J. O'Rourke (All the Trouble in the World)
Feeling Robyn grow still, Shay’s heart stopped for a microsecond. Dread cut through her like ice. She looked at the female and noticed her staring at Shay’s upper thigh. She swallowed hard, afraid of what the woman might be thinking of her now, of the symbol tattooed into her skin. Just under the denim, but poking out enough, was the brand she’d worn her whole life. The dark moon rising out of the clouds. The mark of the Onyx Pack
Lia Davis (A Tiger's Claim (Shifters of Ashwood Falls, #2))
In the whole vast domain of living nature there reigns an open violence, a kind of prescriptive fury which arms all the creatures to their common doom. As soon as you leave the inanimate kingdom, you find the decree of violent death inscribed on the very frontiers of life. You feel it already in the vegetable kingdom: from the great catalpa to the humblest herb, how many plants die, and how many are killed. But from the moment you enter the animal kingdom, this law is suddenly in the most dreadful evidence. A power of violence at once hidden and palpable … has in each species appointed a certain number of animals to devour the others. Thus there are insects of prey, reptiles of prey, birds of prey, fishes of prey, quadrupeds of prey. There is no instant of time when one creature is not being devoured by another. Over all these numerous races of animals man is placed, and his destructive hand spares nothing that lives. He kills to obtain food and he kills to clothe himself. He kills to adorn himself, he kills in order to attack, and he kills in order to defend himself. He kills to instruct himself and he kills to amuse himself. He kills to kill. Proud and terrible king, he wants everything and nothing resists him. From the lamb he tears its guts and makes his harp resound ... from the wolf his most deadly tooth to polish his pretty works of art; from the elephant his tusks to make a toy for his child - his table is covered with corpses ... And who in all of this will exterminate him who exterminates all others? Himself. It is man who is charged with the slaughter of man ... So it is accomplished ... the first law of the violent destruction of living creatures. The whole earth, perpetually steeped in blood, is nothing but a vast altar upon which all that is living must be sacrificed without end, without measure, without pause, until the consummation of things, until evil is extinct, until the death of death.
Joseph de Maistre (St Petersburg Dialogues: Or Conversations on the Temporal Government of Providence)
All of them, artists and theorists, were talking as if their conscious aim was to create a totally immediate art, lucid, stripped of all the dreadful baggage of history, an art fully revealed, honest, as honest as the flat-out integral picture plane.
Tom Wolfe (The Painted Word)
when he came down with the dreaded Genghis ague (rhymes with “bay view”), today known as malaria.
Tom Wolfe (The Kingdom of Speech)
War doesn’t mature men; it merely pickles them in the brine of disgust and dread. Pfui!
Rex Stout (Over My Dead Body (Nero Wolfe, #7))
It is not Love that is the crime and it is not Love that is the sin. It is the absence of it!” ARcher Tariq - "A Rising Darkness
Nikki Dorakis (The Dread Wolf (Book 2 of The Hand of Justice))
truly, on the brink of the tomb no animosity should ever find a resting-place in the human heart.
George W.M. Reynolds (Penny Dreadful Multipack Vol. 1: Wagner The Wehr-Wolf; Varney the Vampire; The Mysteries of London)
She gasped and tried to swallow the sound while at the same time push down the big lump of dread lodged in her throat. The result came out as an undignified gulp.
Asa Maria Bradley (A Wolf's Hunger (Norse Warrior Protectors #3))
Where did this wolf-tribe appear from among our people? Does it really stem from our own roots? Our own blood? It is our own. And just so we don't go around flaunting too proudly the white mantle of the just, let everyone ask himself: "If my life had turned out differently, might I myself not have become just such an executioner?" It is a dreadful question if one really answers it honestly.
Aleksandr Solzhenitsyn (The Gulag Archipelago)
And even as he quaked with fear of such a catastrophe, he knew he was letting himself wallow in it for a superstitious reason. If you consciously envisioned something that dreadful, then it couldn’t possibly take place, could it…God or Fate would refuse to be anticipated by a mere mortal, wouldn’t He…He always insisted on giving His disasters the purity of surprise, didn’t He…And yet—and yet—some forms of doom are so obvious you can’t avoid them that way, can you!
Tom Wolfe (The Bonfire of the Vanities)
THE FORTRESS Under the pink quilted covers I hold the pulse that counts your blood. I think the woods outdoors are half asleep, left over from summer like a stack of books after a flood, left over like those promises I never keep. On the right, the scrub pine tree waits like a fruit store holding up bunches of tufted broccoli. We watch the wind from our square bed. I press down my index finger -- half in jest, half in dread -- on the brown mole under your left eye, inherited from my right cheek: a spot of danger where a bewitched worm ate its way through our soul in search of beauty. My child, since July the leaves have been fed secretly from a pool of beet-red dye. And sometimes they are battle green with trunks as wet as hunters' boots, smacked hard by the wind, clean as oilskins. No, the wind's not off the ocean. Yes, it cried in your room like a wolf and your pony tail hurt you. That was a long time ago. The wind rolled the tide like a dying woman. She wouldn't sleep, she rolled there all night, grunting and sighing. Darling, life is not in my hands; life with its terrible changes will take you, bombs or glands, your own child at your breast, your own house on your own land. Outside the bittersweet turns orange. Before she died, my mother and I picked those fat branches, finding orange nipples on the gray wire strands. We weeded the forest, curing trees like cripples. Your feet thump-thump against my back and you whisper to yourself. Child, what are you wishing? What pact are you making? What mouse runs between your eyes? What ark can I fill for you when the world goes wild? The woods are underwater, their weeds are shaking in the tide; birches like zebra fish flash by in a pack. Child, I cannot promise that you will get your wish. I cannot promise very much. I give you the images I know. Lie still with me and watch. A pheasant moves by like a seal, pulled through the mulch by his thick white collar. He's on show like a clown. He drags a beige feather that he removed, one time, from an old lady's hat. We laugh and we touch. I promise you love. Time will not take away that.
Anne Sexton (Selected Poems)
Women are poor; poorer than men. Women are poor; poor people need luxuries. Of course women should be free to buy whatever they want, but if we are going to spend our hard-earned cash, the luxuries should deliver what they promise, not simply leech guilt money. No one takes this fraud seriously because the alternative to it is the real social threat: that women will first accept their aging, then admire it, and finally enjoy it. Wasting women’s money is the calculable damage; but the damage this fraud does women through its legacy of the dread of aging is incalculable.
Naomi Wolf (The Beauty Myth)
Recent research consistently shows that inside the majority of the West’s controlled, attractive, successful working women, there is a secret “underlife” poisoning our freedom; infused with notions of beauty, it is a dark vein of self-hatred, physical obsessions, terror of aging, and dread of lost control.
Naomi Wolf (The Beauty Myth: How Images of Beauty Are Used Against Women)
A video screen descended from the spear-enhanced ceiling and locked into place. He pushed another button. Images of wolves, giants, gods, and weapons flashed across the screen. Then a title: The Signs of Ragnarok: Doomed if You Know Them, Doomed if You Don’t. I groaned inwardly. I’d sat through Odin’s instructional video when I first became a Valkyrie. I saw it a second time after I helped re-shackle the dreaded killer Fenris Wolf on Lyngvi, the Isle of Heather. Then once more after I’d inadvertently aided my father Loki, a vile trickster, to escape his imprisonment. And after Loki was recaptured? Yep—got to see it again.
Rick Riordan (9 From the Nine Worlds)
Man, it is true, can, by combination, surmount all his real enemies, and become master of the whole animal creation: but does he not immediately raise up to himself imaginary enemies, the daemons of his fancy, who haunt him with superstitious terrors, and blast every enjoyment of life? His pleasure, as he imagines, becomes, in their eyes, a crime: his food and repose give them umbrage and offense: his very sleep and dreams furnish new materials to anxious fear: and even death, his refuge from every other ill, presents only the dread of endless and innumerable woes. Nor does the wolf molest more the timid flock, than superstition does the anxious breast of wretched mortals.
David Hume (Dialogues Concerning Natural Religion)
I have no idea how I managed to pass as normal in school, except that other people are generally caught up in their own lives and seldom notice despair in others if those despairing make an effort to disguise the pain. I made not just an effort, but an enormous effort not to be noticed. I knew something was dreadfully wrong, but I had no idea what, and I had been brought up to believe that you kept your problems to yourself. Given that, it turned out to be unnervingly easy to keep my friends and family at psychological bay: 'To be sure,' wrote Hugo Wolf, 'I appear at times merry and in good heart, talk, too, before others quite reasonably, and it looks as if I felt, too, God knows how well within my skin. Yet the soul maintains its deathly sleep and the heart bleeds from at thousand wounds.
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
how from time to time some young and beautiful nun had suddenly disappeared, to the surprise and alarm of her companions; how piercing shrieks had been heard to issue from the interior of the building, by those who passed near it at night,—and how the inmates themselves were often aroused from their slumbers by strange noises resembling the rattling of chains, the working of ponderous machinery, and the revolution of huge wheels.
George W.M. Reynolds (Penny Dreadful Multipack Vol. 1: Wagner The Wehr-Wolf; Varney the Vampire; The Mysteries of London)
That settled something else, too, the troublesome … souped-up thing the Pranksters were always into, this 400-horsepower takeoff game, this American flag-flying game, this Day-Glo game, this yea-saying game, this dread neon game, this … superhero game, all wired-up and wound up and amplified in the electropastel chrome game gleam. It wasn’t the Buddha, not for a moment. Life is shit, said the Buddha, a duress of bad karmas, and satori is passive, just lying back and grooving and grokking on the Overmind and leave Teddy Roosevelt out of it. Grace is in a far country, India by name … Oh, the art of living in India, brothers … And so what if there is no plumbing and the streets are dirty, they have mastered the art of living …
Tom Wolfe (The Electric Kool-Aid Acid Test)
LXXII In sooth, it was no vulgar sight to see Their barbarous, yet their not indecent, glee, And as the flames along their faces gleam’d, Their gestures nimble, dark eyes flashing free, The long wild locks that to their girdles stream’d, While thus in concert they this lay half sang, half scream’d: Tambourgi! Tambourgi! thy ’larum afar Gives hope to the valiant, and promise of war; All the sons of the mountains arise at the note, Chimariot, Illyrian, and dark Suliote! Oh! who is more brave than a dark Suliote, To his snowy camese and his shaggy capote? To the wolf and the vulture he leaves his wild flock, And descends to the plain like the stream from the rock. Shall the sons of Chimari, who never forgive The fault of a friend, bid an enemy live? Let those guns so unerring such vengeance forego? What mark is so fair as the breast of a foe? Macedonia sends forth her invincible race; For a time they abandon the cave and the chase: But those scarves of blood-red shall be redder, before The sabre is sheathed and the battle is o’er. Then the pirates of Parga that dwell by the waves, And teach the pale Franks what it is to be slaves, Shall leave on the beach the long galley and oar, And track to his covert the captive on shore. I ask not the pleasure that riches supply, My sabre shall win what the feeble must buy; Shall win the young bride with her long flowing hair, And many a maid from her mother shall tear. I love the fair face of the maid in her youth, Her caresses shall lull me, her music shall soothe; Let her bring from her chamber the many-toned lyre, And sing us a song on the fall of her sire. Remember the moment when Previsa fell, The shrieks of the conquer’d, the conquerors’ yell; The roofs that we fired, and the plunder we shared, The wealthy we slaughter’d, the lovely we spared. I talk not of mercy, I talk not of fear; He neither must know who would serve the Vizier: Since the days of our prophet, the Crescent ne’er saw A chief ever glorious like Ali Pasha. Dark Muchtar his son to the Danube is sped, Let the yellow-haired Giaours view his horsetail with dread; When his Delhis come dashing in blood o’er the banks, How few shall escape from the Muscovite ranks! Selictar, unsheath then our chief’s scimitar: Tambourgi! thy ’larum gives promise of war; Ye mountains, that see us descend to the shore, Shall view us as victors, or view us no more!
Lord Byron (Childe Harold's Pilgrimage)
By this unhinged craziness - I sing praises to dead rabbits. Embodied by the craven of sin, their whispers exist in me. No dawn can avert me, just leave me here in this forbidding place. All I want is this noesis to leave me on this crest of soaring Alps. The bliss of this nameless nightmare will make me dwell on its snow-covered form. All I can discern are gateways leading into the deepest frozen infernos. None of them are willing to torment me - as I am already disturbed. Is this the stead where God has died? It seems to be fervently so. No Moon has ascended here - only a pallid eye-like sun was staring down at me. Only this bitter cold shows me a real horror - a dreadful worry that no monster has to reside in it. Vacancy has made the surrounding atmosphere eerily still. All there was, was a weak hum of a chirping bird whistling in the obscurity. Every Tree was massless - nameless - shapeless confined to hostile spaces that grew ahead. This aeonian, a limitless eternity of interminable suffering, has a beckon to endure fourth. Indignant cries erupt from my flaccid throat - sounding for a sob that someone can hear. All there was a deafening hush, with that ominous bird tweeting in the distance; so I believed. Within a moment, a rumbling of a devastating howl was booming and crashing directly in front of me. It was indeed not a wolf, for this was something far more malicious than any canine species. I could not perceive it with my naked eyes, for it was just another aspect of the void that can not be witnessed. Its presence did not want to be detected, it just desired for me to know its existence is here. Inconceivably, I was not able to go face-to-face with this utterly horrific thing that was invisible before me. O’ the great madness and fright was ravaging me, rendering me psychotic and deranged. Discordantly, this nemesis splendor was starting to manifest its fondness for my presence. Barren and bleak when it invoked its cryptic witchcraft, withering away my insecurities to be frightened. The bottomless pit was eager for me to be eternal, wanting to enthrone my image as the coming Lucifer. I was conceived to become the supreme embodiment of blasphemy for the emergence of hell itself. My inner consciousness was being Plunged by the menacing screaming, as my hearing was being bombarded by piercing sounds of a violin shrieking. The God-awful screech of these horribly shrill screams where just the roar of hysterical laughter. Chaos - O’ that glorious disarray - I was condemned to be impelled with an absurd compulsion for madness.
D.L. Lewis
What are the great poetical names of the last hundred years or so? Coleridge, Wordsworth, Byron, Shelley, Landor, Keats, Tennyson, Browning, Arnold, Morris, Rossetti, Swinburne—we may stop there. Of these, all but Keats, Browning, Rossetti were University men, and of these three, Keats, who died young, cut off in his prime, was the only one not fairly well to do. It may seem a brutal thing to say, and it is a sad thing to say: but, as a matter of hard fact, the theory that poetical genius bloweth where it listeth, and equally in poor and rich, holds little truth. As a matter of hard fact, nine out of those twelve were University men: which means that somehow or other they procured the means to get the best education England can give. As a matter of hard fact, of the remaining three you know that Browning was well to do, and I challenge you that, if he had not been well to do, he would no more have attained to write Saul or The Ring and the Book than Ruskin would have attained to writing Modern Painters if his father had not dealt prosperously in business. Rossetti had a small private income; and, moreover, he painted. There remains but Keats; whom Atropos slew young, as she slew John Clare in a mad-house, and James Thomson by the laudanum he took to drug disappointment. These are dreadful facts, but let us face them. It is—however dishonouring to us as a nation—certain that, by some fault in our commonwealth, the poor poet has not in these days, nor has had for two hundred years, a dog’s chance. Believe me—and I have spent a great part of ten years in watching some three hundred and twenty elementary schools, we may prate of democracy, but actually, a poor child in England has little more hope than had the son of an Athenian slave to be emancipated into that intellectual freedom of which great writings are born.’ (cit. The Art of Writing, Sir Arthur Quiller-Couch) Nobody could put the point more plainly. ‘The poor poet has not in these days, nor has had for two hundred years, a dog’s chance . . . a poor child in England has little more hope than had the son of an Athenian slave to be emancipated into that intellectual freedom of which great writings are born.’ That is it. Intellectual freedom depends upon material things. Poetry depends upon intellectual freedom. And women have always been poor, not for two hundred years merely, but from the beginning of time. Women have had less intellectual freedom than the sons of Athenian slaves. Women, then, have not had a dog’s chance of writing poetry. That is why I have laid so much stress on money and a room of one’s own. However, thanks to the toils of those obscure women in the past, of whom I wish we knew more, thanks, curiously enough to two wars, the Crimean which let Florence Nightingale out of her drawing-room, and the European War which opened the doors to the average woman some sixty years later, these evils are in the way to be bettered. Otherwise you would not be here tonight, and your chance of earning five hundred pounds a year, precarious as I am afraid that it still is, would be minute in the extreme.
Virginia Wolf
O, the thrill when each knows its own guilt, travels the thorny paths. Thus did he find the white form of the child in the thorn bush, bleeding after the cloak of its bride-groom. Yet he stood before her buried in his steely hair, mute and suffering. O, the radiant angels scattered by the purple night winds. Long nights did he dwell in a crystal cave and leprosy grew all silvery upon his brow. A shadow, he walked down the boundary path beneath autumnal stars. Snow fell and the blue darkness filled the house. As a blind man's, Father's harsh voice resounded and called up dread. Woe, the bowed appearance of women. Beneath petrified hands fruit and implements mouldered to the appalled race. A wolf devoured the first-born and my sisters fled into dark gardens to skeletal old men. A deranged seer, that man sang by the derelict walls and God's wind consumed his voice. O ecstasy of death. O you children of a midnight race. All silver the evil flowers of the blood shimmer about that man's brow, the cold moon within his broken eyes. O, the creatures of night; O, those who are accursed.
Georg Trakl (Poems and Prose)
There’s something special about the people with whom you can enjoy silence. Something necessary. So much of our time is spent filling the silence with noise. We play background music and incessantly murmur among ourselves. Some of it has value. But much of it is to ward off our dread of silence. Our darkest thoughts live there. Our fears of inadequacy lurk in the shadows of quiet reflection, a truth we avoid by filling the world with sound and distraction. We live petrified that if our thoughts are allowed to come into clear focus, we won’t be able to stomach how they appear. But occasionally you meet someone with whom you can traverse the treacherous waters of silence. Someone with whom you can sit, content in stillness, and simply be. Someone with whom the world needs no distraction or white noise. This is a relationship to cherish.
Brandon J. Wolf (A Place for Us: A Memoir)
How many weeks is Catherine now? Probably too far along to fly, huh?” Thirty-seven weeks. Much too far along to fly. And my dread grew with every day that passed, knowing I’d soon have to deal with a bumbling idiot who was very much not her on a daily basis. “Catherine’s pregnant?” Elise straightened, pinning me, followed by Weston, with a glare. “Neither of you told me. Why is that?” Weston’s fingers curled around her bicep. “I didn’t realize it was something you’d want to know.” I lifted a shoulder. “You’ve only met her a couple times.” Elise rolled her eyes. “So? She’s important to you, isn’t she?” I hesitated to agree, but she wasn’t wrong. Catherine kept me running on a daily basis, and she was so easy to be around. I spent more time with her than any of my previous assistants. “Yes, she is,” I admitted. “Then I want to buy her a gift.” Elise turned to Saoirse. “What are you doing after this? We need to shop for the baby.” Saoirse rubbed her hands together. “Yes, we absolutely do. I know the cutest little shop nearby. What’s she having, Elliot? Boy or girl?” “I have no idea.” Saoirse’s mouth dropped then snapped shut. “Why am I not surprised you haven’t asked? If it doesn’t make money or help you conquer the world, it isn’t on your radar.
Julia Wolf (P.S. You're Intolerable (The Harder They Fall, #3))
Now the city is under siege from its own prince-bishop, who intends to starve it out. The defenders, they say, are for the most part the women and children left behind; they are held in dread by a tailor called Bockelson, who has crowned himself King of Jerusalem. It is rumored that Bockelson’s friends have instituted polygamy, as recommended in the Old Testament, and that some of the women have been hanged or drowned rather than submit to rape under cover of Abraham’s law.
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
mental toughness involves a particular attitude to novel events: a toughened individual welcomes novelty as a challenge, sees in it an opportunity for gain; an untoughened individual dreads it as a threat and sees in it nothing but potential harm.
John Coates (The Hour Between Dog and Wolf: How Risk Taking Transforms Us, Body and Mind)
Many animals flourish not in spite of the fact that they are "animals" but because they are "animals"—or even more precisely, perhaps, because they are felt to be members of our families and our communities, regardless of their species. And yet, at the very same moment, billions of animals in factory farms, many of whom are very near to or indeed exceed cats and dogs and other companion animals in the capacities we take to be relevant to standing (the ability to experience pain and suffering, anticipatory dread, emotional bonds and complex social interactions, and so on), have as horrible a life as one could imagine, also because they are "animals." Clearly, then, the question here is not simply of the "animal" as the abjected other of the "human" tout court, but rather something like a distinction between bios and zoe that obtains within the domain of domesticated animals itself.
Cary Wolfe (Before the Law: Humans and Other Animals in a Biopolitical Frame)
Meg was surprised at how grown up he sounded as he thanked God not only for the food, their house and all the animals, but also for Nita and Ace. When he prayed for Ace to come home, Meg couldn’t help the rush of tears or the way her breath caught at the knowledge that Teddy had come to look up to Ace, to depend on him. To love him. And no wonder. Ace had been more of a father to him than Elton had ever been. She dreaded the day Teddy realized that Ace wasn’t coming back.
Penny Richards (Wolf Creek Widow)
Danes, Norse... all were from the northlands in the eyes of her people. To their fright-frozen minds, Hakan was another of the dreaded Norse, sweeping over the land like a plague and leaving little in the wake. But summer had yielded a different crop for her: not all Norse were vicious raiders out for death and plunder. Hakan braced one foot on a rock. "And now the Norse wolf brings you safely home."... "Aye," she said.
Gina Conkle (Norse Jewel (Norse, #1))
Mikhail pushed a hand through his thick mane of hair. “Our people cannot do without you, Gregori, and quite simply, neither can I.” “You are so certain that I will not turn?” Gregori’s smile was self-mocking. “Your faith in me exceeds my own. This vampire is ruthless, drunk on his own power. He craves the killing, the destruction. I walk the line of that madness every day. His power is nothing, a feather in the wind compared to mine. I have no heart, and my soul is dark. I do not want to wait until I cannot make my own choice. The one thing I do not want is to force you to seek me out to destroy me. My life has been my belief in you, in protecting you. I will not wait until I must be hunted.” Mikhail waved a tired hand to open the earth above his brother. “You are our greatest healer, the greatest asset to our people.” “That is why they whisper my name in fear and dread.” Beneath their feet the ground suddenly shook, heaved and bucked, rolling perilously. The center of the earthquake was obviously a great distance away, but there was no mistaking the howl of rage produced by a powerful vampire at the destruction of his lair. The undead had entered his lair confidently, until he found the body of the first wolf. Each turn or passage entrance was marked with one of his minions, until his entire pack lay dead at his feet. The burned bodies of his sentinels, the bats, lay in a mound of blackened ashes. Fear turned to terror. It would not be Mikhail, whose sense of justice and fair play would be his downfall, but the dark one. Gregori— the most feared of all Carpathians. It had not occurred to the vampire that the dark one might take a hand in this game. Andre hurtled himself from the safety of his favorite lair just as the mountain heaved and the chamber walls collapsed in on themselves. Cracks widened in the narrow passageway, and the rock faces inched closer and closer together. The clap of granite grinding against granite nearly burst his eardrums. A true vampire making numerous kills was far more susceptible to the sun, and to the terrible lethargy that claimed Carpathian bodies in the day. Andre had little time to find a safe hole. As he burst from the collapsing mountain, the sun hit his body, and he screamed with the agony of it. Dust and rock spewed from his home, and the echo of Gregori’s taunting laughter drifted down with the debris from the earthquake. “No, Gregori.” There was amusement in Mikhail’s soft voice as he floated into the soothing arms of the earth. “That is a good example of why they whisper your name in fear and dread. No one understands your dark humor the way I do.
Christine Feehan (Dark Prince (Dark, #1))
The kingdom of Bosnia forms a division of the Ottoman empire, and is a key to the countries of Roumeli (or Romeli). Although its length and breadth be of unequal dimensions, yet it is not improper to say it is equal in climate to Misr and Sham (Egypt and Syria). Each one of its lofty mountains, exalted to Ayuk, (a bright red star that * The peace of Belgrade was signed on the first of September, 1739. By this peace the treaty of Passarowitz was nullified, and the rivers Danube, Save, and Una re-established, as the boundaries of the two empires. See note to page 1. always follows the Hyades,) is an eye-sore to a foe. By reason of this country's vicinity to the infidel nations, such as the deceitful Germans, Hungarians, Serbs (Sclavonians), the tribes of Croats, and the Venetians, strong and powerful, and furnished with abundance of cannon, muskets, and other weapons of destruction, it has had to carry on fierce war from time to time with one or other, or more, of these deceitful enemies—enemies accustomed to mischief, inured to deeds of violence, resembling wild mountaineers in asperity, and inflamed with the rage of seeking opportunities of putting their machinations into practice; but the inhabitants of Bosnia know this. The greater part of her peasants are strong, courageous, ardent, lion-hearted, professionally fond of war, and revengeful: if the enemy but only show himself in any quarter, they, never seeking any pretext for declining, hasten to the aid of each other. Though in general they are harmless, yet in conflict with an enemy they are particularly vehement and obstinate; in battle they are strong-hearted ; to high commands they are obedient, and submissive as sheep; they are free from injustice and wickedness; they commit no villany, and are never guilty of high-way robbery; and they are ready to sacrifice their lives in behalf of their religion and the emperor. This is an honour which the people of Bosnia have received as an inheritance from their forefathers, and which every parent bequeaths to his son at his death. By far the greater number of the inhabitants, but especially the warlike chiefs, capudans, and veterans of the borders, in order to mount and dismount without inconvenience, and to walk with greater freedom and agility, wear short and closely fitted garments: they wear the fur of the wolf and leopard about their shoulders, and eagles' wings in their caps, which are made of wolf-skins. The ornaments of their horses are wolf and bearskins: their weapons of defence are the sword, the javelin, the axe, the spear, pistols, and muskets : their cavalry are swift, and their foot nimble and quick. Thus dressed and accoutred they present a formidable appearance, and never fail to inspire their enemies with a dread of their valour and heroism. So much for the events which have taken place within so short a space of time.* It is not in our power to write and describe every thing connected with the war, or which came to pass during that eventful period. Let this suffice. * It will be seen by the dates given in page 1, that the war lasted about two years and five months. Prepared and printed from the rare and valuable collection of Omer EfFendi of Novi, a native of Bosnia, by Ibrahim.* * This Ibrahim was called Basmajee^ the printer. He is mentioned in history as a renegado, and to have been associated with the son of Mehemet Effendi, the negotiator of the peace of Paasarowitz, and who was, in 1721, deputed on a special em-, bassy to Louis XV. Seyd Effendi, who introduced the art of printing into Turkey. Ibrahim, under the auspices of the government, and by the munificence of Seyd Effendi aiding his labours^ succeeded in sending from the newly instituted presses several works, besides the Account of the War in Bosnia.
Anonymous
You can’t go home again,” wrote Thomas Wolfe, and he might as well have been writing about the newly minted Imperial Japanese Navy aviator, resplendently clad in blue and brass, returning home to visit his family. Of course his parents and siblings were overjoyed to see him, and he them. He had done them a great honor, lifting the status of his entire clan in the eyes of neighbors, colleagues, and friends. He was bigger, stronger, tougher, older, wiser. But his homecoming was inevitably poignant, and more than a little strange. He might have dreamed of home every night he was away, clasping it in his imagination as a sanctuary from the brutality of his tormentors and the unremitting toil of his training. Once there, however, he was inevitably taken aback by the comfort, the ease, the disorder, the aimlessness. The reality of home had steadily diverged from the image he had carried in his mind. It contrasted too sharply with the harsh, purposeful life to which he had grown accustomed. He loved his family as much as he ever had, and they loved him as much as they ever had, but he was aghast at how much space had grown between them. They could never fully understand what he had done and endured, or what he had become. That was a secret known only to his classmates, his fellow survivors, who had shared in the long crucible of his training—the fatigue, the humiliations, the beatings, the deprivations, the chronic dread of expulsion, the ecstasy of flight, and the inconceivable joy he had felt upon receiving those blessed wings. He might never admit it, but his fellow airmen were closer to him now than his own kin. He belonged with them. He could not go home again because now the navy was his home.
Ian W. Toll (Pacific Crucible: War at Sea in the Pacific, 1941-1942)
Alfred released a short, ambiguous spurt of sound somewhere between a moan and a bark. Even Kristen, attuned by now to his screaming and well past the point of finding it charming, wasn’t entirely sure he’d been the source. Only when she saw his face—the single face devoid of curiosity—did her blue eyes contract into a threat. But Alfred was already savoring the two opposing forces at work in his fellow passengers: a collective wish to shrug off the unaccountable sound, and a contrary intimation of dread. Thus the Suspension Phase, when everyone floated together on a tide of mystery whose solution Alfred alone possessed. He could have stopped there—had, on rare occasions when mystery and power alone had felt like enough. But not today. When mystery deliquesced into renewed bitching over the cramped ride, Alfred issued a second moan-bark: longer, louder, and impossible to ignore. Now came the Questioning Phase, when everyone within range (except Kristen, who stared fixedly ahead) tried, discreetly, to assess the nature of his complaint. Had the sound been inadvertent, best met with polite oblivion? Or was it a cry of distress? Thus preoccupied, his fellow passengers fell into a childlike state of reception that was breathtaking to behold. They forgot that they could be seen. Alfred basked in their unselfconscious wonderment while also sucking in breath to the brink of explosion; then he disgorged the contents of his lungs in an earsplitting emission that was part roar, part shriek, which he drove like a stake into the unguarded faces around him. He howled like a wolf howling at the moon, except he wasn’t looking up, he was looking out at his fellow travelers, whose panic, horror, and attempts to escape evoked the hysterics of passengers on an airplane plunging nose-first into the sea. To observe such extremes in the absence of any real threat was not a delight. It was not a pleasure. It was a revelation. And once a person had had that revelation, he returned to daily life awakened to the fact that beneath its bland surface there gushed a hidden tumult.
Jennifer Egan (The Candy House)
Fear governs our life—that soul-sickening dread of loss.
Trisha Wolfe (Born, Madly (Darkly, Madly, #2))
True Evil only comes from corrupting something truly good.
dread doctors
Once, I had dreaded that first snow, had lived in terror of long, brutal winters. But it had been a long, brutal winter that had brought me so deep into the woods that day nearly two years ago. A long, brutal winter that had made me desperate enough to kill a wolf, that had eventually led me here- to this life, this... happiness.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
War doesn’t mature men; it merely pickles them in the brine of disgust and dread.
Rex Stout (Over My Dead Body (Nero Wolfe #7))
Just as his own life had been a struggle, with pain that he recognized and had to tolerate and contain, Lincoln viewed all of American history as a struggle—one that the Founders foresaw and made contingencies for. “The assertion that ‘all men are created equal’ was of no practical use in effecting our separation from Great Britain,” Lincoln explained, “and it was placed in the Declaration, not for that, but for future use. Its authors meant it to be, thank God, it is now proving itself, a stumbling block to those who in after times might seek to turn a free people back into the hateful paths of despotism. They knew the proneness of prosperity to breed tyrants, and they meant when such should re-appear in this fair land and commence their vocation they should find left for them at least one hard nut to crack.” Slavery, Lincoln argued, presented just such a temptation, “now when we have grown fat, and have lost all dread of being slaves ourselves.” He argued that the South, in its advocacy of slavery, and the Douglas Democrats, in their apology for it, followed the same logic as that of kings and despots throughout the world who said that one group should work and another should benefit from it.
Joshua Wolf Shenk (Lincoln's Melancholy: How Depression Challenged a President and Fueled His Greatness)
Our people cannot do without you, Gregori, and quite simply, neither can I.” “You are so certain that I will not turn?” Gregori’s smile was self-mocking. “Your faith in me exceeds my own. This vampire is ruthless, drunk on his own power. He craves the killing, the destruction. I walk the line of that madness every day. His power is nothing, a feather in the wind compared to mine. I have no heart, and my soul is dark. I do not want to wait until I cannot make my own choice. The one thing I do not want is to force you to seek me out to destroy me. My life has been my belief in you, in protecting you. I will not wait until I must be hunted.” Mikhail waved a tired hand to open the earth above his brother. “You are our greatest healer, the greatest asset to our people.” “That is why they whisper my name in fear and dread.” Beneath their feet the ground suddenly shook, heaved and bucked, rolling perilously. The center of the earthquake was obviously a great distance away, but there was no mistaking the howl of rage produced by a powerful vampire at the destruction of his lair. The undead had entered his lair confidently, until he found the body of the first wolf. Each turn or passage entrance was marked with one of his minions, until his entire pack lay dead at his feet. The burned bodies of his sentinels, the bats, lay in a mound of blackened ashes. Fear turned to terror. It would not be Mikhail, whose sense of justice and fair play would be his downfall, but the dark one. Gregori--the most feared of all Carpathians.
Christine Feehan (Dark Prince (Dark, #1))
You are our greatest healer, the greatest asset to our people.” “That is why they whisper my name in fear and dread.” Beneath their feet the ground suddenly shook, heaved and bucked, rolling perilously. The center of the earthquake was obviously a great distance away, but there was no mistaking the howl of rage produced by a powerful vampire at the destruction of his lair. The undead had entered his lair confidently, until he found the body of the first wolf. Each turn or passage entrance was marked with one of his minions, until his entire pack lay dead at his feet. The burned bodies of his sentinels, the bats, lay in a mound of blackened ashes. Fear turned to terror. It would not be Mikhail, whose sense of justice and fair play would be his downfall, but the dark one. Gregori--the most feared of all Carpathians. It had not occurred to the vampire that the dark one might take a hand in this game. Andre hurtled himself from the safety of his favorite lair just as the mountain heaved and the chamber walls collapsed in on themselves. Cracks widened in the narrow passageway, and the rock faces inched closer and closer together. The clap of granite grinding against granite nearly burst his eardrums. A true vampire making numerous kills was far more susceptible to the sun, and to the terrible lethargy that claimed Carpathian bodies in the day. Andre had little time to find a safe hole. As he burst from the collapsing mountain, the sun hit his body, and he screamed with the agony of it. Dust and rock spewed from his home, and the echo of Gregori’s taunting laughter drifted down with the debris from the earthquake. “No, Gregori.” There was amusement in Mikhail’s soft voice as he floated into the soothing arms of the earth. “That is a good example of why they whisper your name in fear and dread. No one understands your dark humor the way I do.” “Mikhail?” Mikhail stayed the hand closing the blanket of soil over him. “I would not endanger you or Jacques with my challenge. The vampire cannot get through my safeguards.” “I have never feared Andre. And I know your spells are strong. I think our friend has his own problems finding somewhere to rest out of the sun. He will not be disturbing us this day.
Christine Feehan (Dark Prince (Dark, #1))
We reached the bottom and I sat down on the lowest step. The Fool sat down beside me, and Bee came to my other side. Here we were. All of us alive. For now. I put my arm around her and drew her close. For an instant she stiffened at my touch. Then she leaned into me. For a time, I just sat there. My strength was at a low ebb, but Bee was here. My child was beside me. Above us, fire and falling walks and a furious enemy. Down here, chill and dank and dimness. We were caged in by stone and sea. Prilkop crouched beside the prisoners he had freed. They sat together in one cell, ragged and round-shouldered, huddle close on a single pallet. I could not hear what he was saying to them. Across the room, a shaky Spark inspected a section of the wall. I watched her and Lant run their hands over the stonework, rub at the scratched mortar, and shake their heads. They looked discouraged. “We may have to use a fire-pot,” Lant suggested Spark rubbed her eyes and gingerly shook her head. “Last resort,” she said loudly. “Unless we could put it inside the wall, more of the force would come at us than into the stone. Chade and I did many tests. If we buried the pot, it blasted a hole. On top of the ground it made a wide, shallow indentation. It could as easily bring the ceiling down on us.” “I’m so tired,” Bee said. I could barely hear her. “So am I.” The carris seed had already faded, leaving its darkness and weariness. “Wolf-Father is with you now?” Yes. “Yes.” Her name for Nighteyes made me smile at her. “What is he?” I didn’t know. “He’s good,” I said. I sensed approval from him. “He is,” she agreed. She waited for me to say more. I shrugged at her, and a smile flickered across her face. Then she asked, “Are we safe here?” “Safe enough. For now,” I told her. I studied her face. Her eyes widened. Almost defiantly, she said, “I know what I look like. I’m not pretty anymore.” “You never were,” I told her. I shook my head. The Fool gasped at my cruelty, and Bee’s eyes went wide in shock. “You were and are beautiful,” I said. I freed a hand to touch her lumpy ear. “Every scar a victory. I see you had many of them.” She straightened her back. “Every time they beat me, I tried to hurt them back. Wolf-Father told me that. Make them fear me, he said. So I did. I bit a hole in Dwalia’s face.” That shocked me to silence. But the Fool leaned in and said, “Oh, well done! Would that I could have done that myself.” He smiled at her. “Do you like your father’s nose?” She looked up at me, and I fingered the break in it. She had never seen it any other way. “What’s wrong with it?” she asked in puzzlement. “Nothing at all,” the Fool told her merrily. “I’ve always told people, ‘There’s nothing wrong with his nose.’” He laughed out loud, and both Lant and Spark turned to regard us in surprise. I didn’t understand his joke, but their expressions made me laugh and even Bee smiled, in the way one does at a madman. She leaned closer and closed her eyes. The pain from my leg came in surges with my heartbeat. Rest, rest, rest said the pain. I knew I could not. My body wanted to sleep, to heal, but now was not the time. I needed to get up, to help the others, but Bee was slumped against me and I didn’t want to move her. I leaned back and the last fire-pot in the belt poked me. “Help me,” I said, and the Fool tugged it off me. Bee didn’t stir. I looked down at her little face. Her eyes were closed. Her disfigurement told a dreadful tale. Scars, some months old, some fresh, distorted her face. I wanted to touch the cut at the corner of her mouth and heal it. No. Don’t wake her. I realized I was leaning heavily on the Fool. I lifted my head to look at him. “Did we win?” he asked me. His smile was lopsided in his swollen face. “The fight isn’t over until you win,” I said. Burrich’s words. Spoken to me so long ago. I touched my leg. Warm and wet. I was hungry and thirsty and so tired. But I had them both beside me. Alive.
Robin Hobb (Assassin's Fate (The Fitz and the Fool, #3))