Dread Doctors Quotes

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Between 10 and 20 percent of people with anorexia die from heart attacks, other complications and suicide; the disease has the highest mortality rate of any mental illness. Or Kitty could have lost her life in a different way, lost it to the roller coaster of relapse and recovery, inpatient and outpatient, that eats up, on average, five to seven years. Or a lifetime: only half of all anorexics recovery in the end. The other half endure lives of dysfunction and despair. Friends and families give up on them. Doctors dread treating them. They’re left to stand in the bakery with the voice ringing in their ears, alone in every way that matters.
Harriet Brown
I work all day, and get half-drunk at night. Waking at four to soundless dark, I stare. In time the curtain-edges will grow light. Till then I see what’s really always there: Unresting death, a whole day nearer now, Making all thought impossible but how And where and when I shall myself die. Arid interrogation: yet the dread Of dying, and being dead, Flashes afresh to hold and horrify. The mind blanks at the glare. Not in remorse —The good not done, the love not given, time Torn off unused—nor wretchedly because An only life can take so long to climb Clear of its wrong beginnings, and may never; But at the total emptiness for ever, The sure extinction that we travel to And shall be lost in always. Not to be here, Not to be anywhere, And soon; nothing more terrible, nothing more true. This is a special way of being afraid No trick dispels. Religion used to try, That vast moth-eaten musical brocade Created to pretend we never die, And specious stuff that says No rational being Can fear a thing it will not feel, not seeing That this is what we fear—no sight, no sound, No touch or taste or smell, nothing to think with, Nothing to love or link with, The anaesthetic from which none come round. And so it stays just on the edge of vision, A small unfocused blur, a standing chill That slows each impulse down to indecision. Most things may never happen: this one will, And realisation of it rages out In furnace-fear when we are caught without People or drink. Courage is no good: It means not scaring others. Being brave Lets no one off the grave. Death is no different whined at than withstood. Slowly light strengthens, and the room takes shape. It stands plain as a wardrobe, what we know, Have always known, know that we can’t escape, Yet can’t accept. One side will have to go. Meanwhile telephones crouch, getting ready to ring In locked-up offices, and all the uncaring Intricate rented world begins to rouse. The sky is white as clay, with no sun. Work has to be done. Postmen like doctors go from house to house.
Philip Larkin (Collected Poems)
We might as well get started. Help to pass the timey-wimey. Do you have to talk like children? What is it that makes you so ashamed of being a grown-up? Oh. The way you both look at me. I'm trying to think of a better word than "dread.
Warrior Doctor
Sometimes, this disapproval of how you are managing your pain crosses over to disbelief that you are in as much pain as you say you are. They don’t believe that your pain is a legitimate enough reason to rest or nap or cry or take narcotic medications or not go to work or to go to the doctor. They might think that you are making too big of a deal out of it. They doubt the legitimacy of the pain itself. This kind of stigma is the source of the dreaded accusation that chronic pain is “all in your head.” It’s as if to say that you are making a mountain out of a molehill.
Murray J. McAlister
Before, they had been beasts, their instincts fitly adapted to their surroundings, and happy as living things may be. Now they stumbled in the shackles of humanity, lived in a fear that never died, fretted by a law they could not understand; their mock-human existence, begun in an agony, was one long internal struggle, one long dread of Moreau —
H.G. Wells (The Island of Doctor Moreau)
I was thinking about people," said Polynesia." People make me sick. They think they're so wonderful. The world has been going on now for thousands of years, hasn't it? And the only thing in animal language that people have learned to understand is that when a dog wags his tail he means 'I'm glad'! It's funny isn't it? You are the very first man to talk like us. Oh, sometimes people annoy me dreadfully - such airs they put on, talking about 'the dumb animals.' Dumb! Huh! Why I knew a macaw once who could say 'Good morning' in seven different ways.
Hugh Lofting (The Story of Doctor Dolittle (Doctor Dolittle, #1))
Don't blame me, Pongo,' said Lord Ickenham, 'if Lady Constance takes her lorgnette to you. God bless my soul, though, you can't compare the lorgnettes of to-day with the ones I used to know as a boy. I remember walking one day in Grosvenor Square with my aunt Brenda and her pug dog Jabberwocky, and a policeman came up and said the latter ought to be wearing a muzzle. My aunt made no verbal reply. She merely whipped her lorgnette from its holster and looked at the man, who gave one choking gasp and fell back against the railings, without a mark on him but with an awful look of horror in his staring eyes, as if he had seen some dreadful sight. A doctor was sent for, and they managed to bring him round, but he was never the same again. He had to leave the Force, and eventually drifted into the grocery business. And that is how Sir Thomas Lipton got his start.
P.G. Wodehouse (Uncle Fred in the Springtime)
I rather dread doctors at one’s age, it always seems to me they take one look at you, cry cancer & remove several important portions of your anatomy. (p89)
Nancy Mitford (The Bookshop at 10 Curzon Street: Letters between Nancy Mitford and Heywood Hill 1952-73)
Perhaps we are not following Christ all the way or in the right spirit. We are likely, for example, to be a little sparing of the palms and hosannas. We are chary of wielding the scourge of small cords, lest we should offend somebody or interfere with trade. We do not furnish up our wits to disentangle knotty questions about Sunday observance and tribute money, nor hasten to sit at the feet of the doctors, both hearing them and asking them questions. We pass hastily over disquieting jests about making friends with the mammon of unrighteousness and alarming observations about bringing not peace but a sword; nor do we distinguish ourselves by the graciousness by which we sit at meat with publicans and sinners. Somehow or other, and with the best intentions, we have shown the world the typical Christian in the likeness of a crashing and rather ill-natured bore---and this in the name of the one who assuredly never bored a soul in those thirty-three years during which he passed through the world like a flame. Let us, in heaven's name, drag out the divine drama from under the dreadful accumulation of slipshod thinking and trashy sentiment heaped upon it, and set it on an open stage to startle the world into some sort of vigorous reaction. If the pious are the first to be shocked, so much worse for the pious---others will pass into the kingdom of heaven before them. If all men are offended because of Christ, let them be offended; but where is the sense of their being offended at something that is not Christ and is nothing like him? We do him singularly little honor by watering down his personality till it could not offend a fly. Surely it is not the business of the Church to adapt Christ to men, but to adapt men to Christ.
Dorothy L. Sayers (Letters to a Diminished Church: Passionate Arguments for the Relevance of Christian Doctrine)
She dreaded all the necessary doctor appointments where she was supposed to surrender her own privacy and fears of being tortured for the benefit of the baby. Like it was already someone else's body and their needs superseded her own.
Zoje Stage (Baby Teeth)
The public hospitals are places where doctors learn how to get money off the rich by practising on the poor. That is why poor people dread and hate them, and why those with a good income are operated upon privately, or in their own homes.
Alasdair Gray (Poor Things)
That strange dividing line inside her body, the crack that seemed to nestle at the center of her being, now felt deep and solid. A fault line, filled with dread and anger. It scared her, this capacity for strength, for violence. It also awed her.
Silvia Moreno-Garcia (The Daughter of Doctor Moreau)
[G]randma was always afraid of something. She set aside time each day for dread. And not nameless dread. She was quite specific about the various tragedies stalking her. She feared pneumonia, muggers, riptides, meteors, drunk drivers, drug addicts, serial killers, tornadoes, doctors, unscrupulous grocery clerks, and the Russians. The depth of Grandma’s dread came home to me when she bought a lottery ticket and sat before the tv as the numbers were called. After her first three numbers were a match, she began praying feverishly that she wouldn’t have the next three. She dreaded winning, for fear that her heart would give out.
J.R. Moehringer (The Tender Bar: A Memoir)
Edward Jenner’s discovery of vaccination drew harsh criticism from the pulpit. Clergymen denounced the doctor for having put himself above God. Only the Almighty, they said, sends illness and only the Almighty cures it. Vaccination, critics charged, was “a diabolical operation,” and its inventor was “flying in the face of Providence
Albert Marrin (Very, Very, Very Dreadful: The Influenza Pandemic of 1918)
Hippocrates, the ancient Greek doctor, concluded in the fourth century B.C. that pathological anxiety was a straightforward biological and medical problem. “If you cut open the head [of a mentally ill individual],” Hippocrates wrote, “you will find the brain humid, full of sweat and smelling badly.” For Hippocrates, “body juices” were the cause of madness; a sudden flood of bile to the brain would produce anxiety.
Scott Stossel (My Age of Anxiety: Fear, Hope, Dread, and the Search for Peace of Mind)
My mother has always been sickly; and though she has only gone to the hospital when she has been compelled to, it has cost a great deal of money, and my father’s life has been practically given up to it. “If only I knew how much the operation costs,” says he. “Have you not asked?” “Not directly. I cannot do that—the surgeon might take it amiss and that would not do; he must operate on Mother.” Yes, I think bitterly, that’s how it is with us, and with all poor people. They don’t dare ask the price, but worry themselves dreadfully beforehand about it; but the others, for whom it is not important, they settle the price first as a matter of course. And the doctor does not take it amiss from them.
Erich Maria Remarque (All Quiet on the Western Front)
Drop all this foolishness. Once and for all. Do not play the simpleton, do not be coy, do not lower your eyes bashfully. It will end badly someday. The dreadful line is very close here. One step, and you fall straight into the abyss. That is where the whole evil lies. Do not be embarrassed to refuse. Pretend that you never learned to dance or have broken your leg.
Boris Pasternak (Doctor Zhivago)
There were charming ones as well as terrible ones, that I must admit. The painter was particularly entranced by Japanese masks: warriors', actors' and courtesans' masks. Some of them were frightfully contorted, the bronze cheeks creased by a thousand wrinkles, with vermilion weeping from the corners of the eyes and long trails of green at the corners of the mouths like splenetic beards. 'These are the masks of demons,' said the Englishman, caressing the long black swept-back tresses of one of them. 'The Samurai wore them in battle, to terrify the enemy. The one which is covered in green scales, with two opal pendants between the nostrils, is the mask of a sea-demon. This one, with the tufts of white fur for eyebrows and the two horsehair brushes beside the lips, is the mask of an old man. These others, of white porcelain - a material as smooth and fine as the cheeks of a Japanese maiden, and so gentle to the touch - are the masks of courtesans. See how alike they all are, with their delicate nostrils, their round faces and their heavy slanted eyelids; they are all effigies of the same goddess. The black of their wigs is rather beautiful, isn't it? Those which bubble over with laughter even in their immobility are the masks of comic actors.' That devil of a man pronounced the names of demons, gods and goddesses; his erudition cast a spell. Then: 'Bah! I have been down there too long!' Now he took up the light edifices of gauze and painted silk which were Venetian masks. 'Here is a Cockadrill, a Captain Fracasse, a Pantaloon and a Braggadocio. Only the noses are different - and the cut of their moustaches, if you look at them closely. Doesn't the white silk mask with enormous spectacles evoke a rather comical dread? It is Doctor Curucucu, an actual marionette featured in the Tales of Hoffmann. And what about that one, with all the black horsehair and the long spatulate nose like a stork's beak tipped with a spoon? Can you imagine anything more appalling? It's a duenna's mask; amorous young women were well-guarded when they had to go about flanked by old dragons dressed up in something like that. The whole carnival of Venice is put on parade before us beneath the cape and the domino, lying in ambush behind these masks... Would you like a gondola? Where shall we go, San Marco or the Lido?
Jean Lorrain (Monsieur De Phocas)
DO YOU HAVE OR HAVE YOU EXPERIENCED IN THE PAST SIX MONTHS . . . — PART A — ■ A feeling you’re constantly racing from one task to the next? ■ Feeling wired yet tired? ■ A struggle calming down before bedtime, or a second wind that keeps you up late? ■ Difficulty falling asleep or disrupted sleep? ■ A feeling of anxiety or nervousness—can’t stop worrying about things beyond your control? ■ A quickness to feel anger or rage—frequent screaming or yelling? ■ Memory lapses or feeling distracted, especially under duress? ■ Sugar cravings (you need “a little something” after each meal, usually of the chocolate variety)? ■ Increased abdominal circumference, greater than 35 inches (the dreaded abdominal fat, or muffin top—not bloating)? ■ Skin conditions such as eczema or thin skin (sometimes physiologically and psychologically)? ■ Bone loss (perhaps your doctor uses scarier terms, such as osteopenia or osteoporosis)? ■ High blood pressure or rapid heartbeat unrelated to those cute red shoes in the store window? ■ High blood sugar (maybe your clinician has mentioned the words prediabetes or even diabetes or insulin resistance)? Shakiness between meals, also known as blood sugar instability? ■ Indigestion, ulcers, or GERD (gastroesophageal reflux disease)? ■ More difficulty recovering from physical injury than in the past? ■ Unexplained pink to purple stretch marks on your belly or back? ■ Irregular menstrual cycles? ■ Decreased fertility?
Sara Gottfried (The Hormone Cure)
For years of mornings, I have woken wanting to die. Life itself twists into nightmare. For years, I have pulled the covers up over my head, dreading to begin another day I’d be bound to just wreck. Years, I lie listening to the taunt of names ringing off my interior walls, ones from the past that never drifted far and away: Loser. Mess. Failure. They are signs nailed overhead, nailed through me, naming me. The stars are blinking out. Funny, this. Yesterday morning, the morning before, all these mornings, I wake to the discontent of life in my skin. I wake to self-hatred. To the wrestle to get it all done, the relentless anxiety that I am failing. Always, the failing. I yell at children, fester with bitterness, forget doctor appointments, lose library books, live selfishly, skip prayer, complain, go to bed too late, neglect cleaning the toilets. I live tired. Afraid. Anxious. Weary. Years, I feel it in the veins, the pulsing of ruptured hopes. Would I ever be enough, find enough, do enough?
Ann Voskamp (One Thousand Gifts: A Dare to Live Fully Right Where You Are)
Top 10 Actions to Reduce Your Risk for Illness Taking these actions today can reduce your risk of becoming sick, especially for the two most dreaded diseases in later life: cancer and dementia. 1. Eat real food on a regular schedule. 2. Avoid vitamins and supplements. 3. Discuss aspirin and statins with your doctor when you are staring at age forty. 4. Follow the prescribed cancer screening schedules. 5. Exercise regularly and move during the day. 6. Maintain a healthy weight. 7. Avoid tobacco products. 8. Avoid direct sun exposure without sunscreen. 9. Avoid sources of inflammation. 10. Get a yearly flu shot.
David B. Agus (A Short Guide to a Long Life)
I think the biggest thing is just how hard it is to be taken seriously, to be looked in the eye by doctors. I remember my doctors always looking at and talking to my partner, never to me, and if I was alone, just looking away. That’s an experience that Miranda frequently has in the book. Also, doctors quickly grabbing at “anxiety” as the reason why you might be in this shape. I felt pressure to make sure I wasn’t displaying any signs of stress so they had no reason to dismiss me or shut me up with a drug. I found there was a lot of pressure to be a good patient and to conform to some sort of progress narrative that my therapist or surgeon might have. And when your body fails to get better, they sort of want to blame you. So in All’s Well, Miranda is very anxious to prove that she is a good patient to her physical therapists and her doctors. But because she’s not improving, they dread her and don’t really know what to do with her anymore and they just kind of randomly experiment with her during therapy appointments—let’s do some tests, they say. It breeds a toxic relationship and a power dynamic that makes her really helpless, desperate, and ultimately worse off. There are some very sadistic surgeons and physical therapists in this book.
Mona Awad (All's Well)
It wasn't the shock treatment that struck me, so much as the bare-faced treachery of Doctor Nolan. I liked Doctor Nolan, I loved her, I had given her my trust on a platter and told her everything, and she had promised, faithfully, to warn me ahead of time if ever I had to have another shock treatment. If she had told me the night before I would have lain awake all night, of course, full of dread and foreboding, but by morning I would have been composed and ready. I would have gone down the hall between two nurses, past DeeDee and Loubelle and Mrs. Savage and Joan, with dignity, like a person coolly resigned to execution.
Sylvia Plath (The Bell Jar)
Gabriel was stunned by Pandora's compassion for a man who had caused her such harm. He shook his head in wonder as he stared into her eyes, as dark as cloud-shadow on a field of blue gentian. "That doesn't excuse him," he said thickly. Gabriel would never forgive the bastard. He wanted vengeance. He wanted to strip the flesh from the bastard's corpse and hang up his skeleton to scare the crows. His fingers contained a subtle tremor as he reached out to trace the fine edges of her face, the sweet, high plane of her cheekbone. "What did the doctor say about your ear? What treatment did he give?" "It wasn't necessary to send for a doctor." A fresh flood of rage seared his veins as the words sunk in. "Your eardrum was ruptured. What in God's name do you mean a doctor wasn't necessary?" Although he had managed to keep from shouting, his tone was far from civilized. Pandora quivered uneasily and began to inch backward. He realized the last thing she needed from him was a display of temper. Battening down his rampaging emotions, he used one arm to bring her back against his side. "No, don't pull away. Tell me what happened." "The fever had passed," she said after a long hesitation, "and... well, you have to understand my family. If something unpleasant happened, they ignored it, and it was never spoken of again. Especially if it was something my father had done when he'd lost his temper. After a while, no one remembered what had really happened. Our family history was erased and rewritten a thousand times. But ignoring the problem with my ear didn't make it disappear. Whenever I couldn't hear something, or when I stumbled or fell, it made my mother very angry. She said I'd been clumsy because I was hasty or careless. She wouldn't admit there was anything wrong with my hearing. She refused even to discuss it." Pandora stopped, chewing thoughtfully on her lower lip. "I'm making her sound terrible, and she wasn't. There were times when she was affectionate and kind. No one's all one way or the other." She flicked a glance of dread in his direction. "Oh God, you're not going to pity me, are you?" "No." Gabriel was anguished for her sake, and outraged. It was all he could do to keep his voice calm. "Is that why you keep it a secret? You're afraid of being pitied?" "That, and... it's a shame I'd rather keep private." "Not your shame. Your father's." "It feels like mine. Had I not been eavesdropping, my father wouldn't have disciplined me." "You were a child," he said brusquely. "What he did wasn't bloody discipline, it was brutality." To his surprise, a touch of unrepentant amusement curved Pandora's lips, and she looked distinctly pleased with herself. "It didn't even stop my eavesdropping. I just learned to be more clever about it." She was so endearing, so indomitable, that Gabriel was wrenched with a feeling he'd never known before, as if all the extremes of joy and despair had been compressed into some new emotion that threatened to crack the walls of his heart.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
While all of us dread being blamed, we all would wish to be more responsible—that is, to have the ability to respond with awareness to the circumstances of our lives rather than just reacting. We want to be the authoritative person in our own lives: in charge, able to make the authentic decisions that affect us. There is no true responsibility without awareness. One of the weaknesses of the Western medical approach is that we have made the physician the only authority, with the patient too often a mere recipient of the treatment or cure. People are deprived of the opportunity to become truly responsible. None of us are to be blamed if we succumb to illness and death. Any one of us might succumb at any time, but the more we can learn about ourselves, the less prone we are to become passive victims. Mind and body links have to be seen not only for our understanding of illness but also for our understanding of health. Dr. Robert Maunder, on the psychiatric faculty of the University of Toronto, has written about the mindbody interface in disease. “Trying to identify and to answer the question of stress,” he said to me in an interview, “is more likely to lead to health than ignoring the question.” In healing, every bit of information, every piece of the truth, may be crucial. If a link exists between emotions and physiology, not to inform people of it will deprive them of a powerful tool. And here we confront the inadequacy of language. Even to speak about links between mind and body is to imply that two discrete entities are somehow connected to each other. Yet in life there is no such separation; there is no body that is not mind, no mind that is not body. The word mindbody has been suggested to convey the real state of things. Not even in the West is mind-body thinking completely new. In one of Plato’s dialogues, Socrates quotes a Thracian doctor’s criticism of his Greek colleagues: “This is the reason why the cure of so many diseases is unknown to the physicians of Hellas; they are ignorant of the whole. For this is the great error of our day in the treatment of the human body, that physicians separate the mind from the body.” You cannot split mind from body, said Socrates—nearly two and a half millennia before the advent of psychoneuroimmunoendocrinology!
Gabor Maté (When the Body Says No: The Cost of Hidden Stress)
Boys and girls are only little men and women. And WE are much harder and hardier than they are--" (Peter liked the "we." Perhaps the Doctor had known he would.)--"and much stronger, and things that hurt THEM don't hurt US. You know you mustn't hit a girl--" "I should think not, indeed," muttered Peter, indignantly. "Not even if she's your own sister. That's because girls are so much softer and weaker than we are; they have to be, you know," he added, "because if they weren't, it wouldn't be nice for the babies. And that's why all the animals are so good to the mother animals. They never fight them, you know." "I know," said Peter, interested; "two buck rabbits will fight all day if you let them, but they won't hurt a doe." "No; and quite wild beasts--lions and elephants--they're immensely gentle with the female beasts. And we've got to be, too." "I see," said Peter. "And their hearts are soft, too," the Doctor went on, "and things that we shouldn't think anything of hurt them dreadfully. So that a man has to be very careful, not only of his fists, but of his words. They're awfully brave, you know," he went on. "Think of Bobbie waiting alone in the tunnel with that poor chap. It's an odd thing- -the softer and more easily hurt a woman is the better she can screw herself up to do what HAS to be done. I've seen some brave women-- your Mother's one," he ended abruptly. "Yes," said Peter. "Well, that's all. Excuse my mentioning it. But nobody knows everything without being told. And you see what I mean, don't you?
E. Nesbit (The Railway Children)
What then? Are we only to buy the books that we read? The question has merely to be thus bluntly put, and it answers itself. All impassioned bookmen, except a few who devote their whole lives to reading, have rows of books on their shelves which they have never read, and which they never will read. I know that I have hundreds such. My eye rests on the works of Berkeley in three volumes, with a preface by the Right Honourable Arthur James Balfour. I cannot conceive the circumstances under which I shall ever read Berkeley; but I do not regret having bought him in a good edition, and I would buy him again if I had him not; for when I look at him some of his virtue passes into me; I am the better for him. A certain aroma of philosophy informs my soul, and I am less crude than I should otherwise be. This is not fancy, but fact. […..] "Taking Berkeley simply as an instance, I will utilise him a little further. I ought to have read Berkeley, you say; just as I ought to have read Spenser, Ben Jonson, George Eliot, Victor Hugo. Not at all. There is no ‘ought’ about it. If the mass of obtainable first-class literature were, as it was perhaps a century ago, not too large to be assimilated by a man of ordinary limited leisure _in_ his leisure and during the first half of his life, then possibly there might be an ‘ought’ about it. But the mass has grown unmanageable, even by those robust professional readers who can ‘grapple with whole libraries.’ And I am not a professional reader. I am a writer, just as I might be a hotel-keeper, a solicitor, a doctor, a grocer, or an earthenware manufacturer. I read in my scanty spare time, and I don’t read in all my spare time, either. I have other distractions. I read what I feel inclined to read, and I am conscious of no duty to finish a book that I don’t care to finish. I read in my leisure, not from a sense of duty, not to improve myself, but solely because it gives me pleasure to read. Sometimes it takes me a month to get through one book. I expect my case is quite an average case. But am I going to fetter my buying to my reading? Not exactly! I want to have lots of books on my shelves because I know they are good, because I know they would amuse me, because I like to look at them, and because one day I might have a caprice to read them. (Berkeley, even thy turn may come!) In short, I want them because I want them. And shall I be deterred from possessing them by the fear of some sequestered and singular person, some person who has read vastly but who doesn’t know the difference between a J.S. Muria cigar and an R.P. Muria, strolling in and bullying me with the dreadful query: ‘_Sir, do you read your books?_
Arnold Bennett (Mental Efficiency)
We don't know what kills polio germs," Dr. Steinberg said. "We don't know who or what carries polio, and there's still some debate about how it enters the body. But what's important is that you cleaned up an unhygienic mess and reassured the boys by the way you took charge. ... You must understand that a lot of us who are much older and more experienced with illness than you are also shaken by it. To stand by as a doctor unable to stop the spread of this dreadful disease is painful for all of us. A crippling disease that attacks mainly children and leaves some of them dead -- that's difficult for any adult to accept. You have a conscience, and a conscience is a valuable attribute, but not if it begins to make you think you're to blame for what is far beyond the scope of your responsibility." He thought to ask: Doesn't God have a conscience? ... But instead he asked, "Should the playground be shut down?" "You're the director. Should it?" Dr. Steinberg asked.
Philip Roth (Nemesis)
He kept his distance from the villa. It was too easy to slip in Kestrel’s presence. One day, Lirah came to the forge. Arin was sure that he was being called to serve as Kestrel’s escort somewhere. He felt an eager dread. “Enai would like to see you,” Lirah said. Arin set the hammer on the anvil. “Why?” His interactions with Enai had been limited, and he liked to keep them that way. The woman’s eyes were too keen. “She’s very sick.” Arin considered this, then nodded, following Lirah from the forge. When they entered the cottage, they could hear the sounds of sleep from beyond the open bedroom door. Enai coughed, and Arin heard fluid in her lungs. The coughing subsided, then gave way to ragged breath. “Someone should fetch a doctor,” Arin told Lirah. “Lady Kestrel has gone for one. She was very upset. She’ll return soon, I hope.” Haltingly, Lirah said, “I’d like to stay with you, but I have to get back to the house.” Arin barely noticed her touch his arm before leaving him. Reluctant to wake Enai, Arin studied the cottage. It was snug and well maintained. The floor didn’t creak. There were signs, everywhere, of comfort. Slippers. A stack of dry wood. Arin ran a hand along the smooth mantel of the fireplace until he touched a porcelain box. He opened it. Inside was a small braid of dark blond hair with a reddish tinge, looped in a circle and tied with golden wire. Although he knew he shouldn’t, Arin traced the braid with one fingertip. “That’s not yours,” a voice said. He snatched his hand away. He turned, his face hot. Through the open bedroom door, Arin saw Enai staring at him from where she lay. “I’m sorry.” He set the lid on the box. “I doubt it,” she muttered, and told him to come near. Arid did, slowly. He had the feeling he was not going to like this conversation. “You spend a lot of time with Kestrel,” Enai said. He shrugged. “I do what she asks.” Enai held his gaze. Despite himself, he looked away first. “Don’t hurt her,” the woman said. It was a sin to break a deathbed promise. Arin left without making one.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Mollie’s brother-in-law, Bill Smith, was one of the first to wonder if there was something curious about Lizzie’s death, coming so soon after the murders of Anna and Whitehorn. A bruising bulldog of a man, Bill had also expressed deep frustration over the authorities’ investigation, and he had begun looking into the matter himself. Like Mollie, he was struck by the peculiar vagueness of Lizzie’s sickness; no doctor had ever pinpointed what was causing it. Indeed, no one had uncovered any natural cause for her death. The more Bill delved, conferring with doctors and local investigators, the more he was certain that Lizzie had died of something dreadfully unnatural: she’d been poisoned. And Bill was sure that all three deaths were connected—somehow—to the Osage’s subterranean reservoir of black gold. 4  UNDERGROUND RESERVATION The money had come suddenly, swiftly, madly. Mollie had been ten years old when the oil was first discovered, had witnessed, firsthand, the ensuing frenzy. But, as the elders in the tribe had relayed to Mollie, the tangled history of how their people had gotten hold of this oil-rich land went back to the seventeenth century, when the Osage had laid claim to much of the central part of the country—a territory that stretched from what is now Missouri and Kansas to Oklahoma, and still farther west, all the way to the Rockies. In
David Grann (Killers of the Flower Moon: The Osage Murders and the Birth of the FBI)
Because I have already had a long leave I get none on Sundays. So the last Sunday before I go back to the front my father and eldest sister come over to see me. All day we sit in the Soldiers’ Home. Where else could we go? We don’t want to stay in the camp. About midday we go for a stroll on the moors. The hours are a torture; we do not know what to talk about, so we speak of my mother’s illness. It is now definitely cancer, she is already in the hospital and will be operated on shortly. The doctors hope she will recover, but we have never heard of cancer being cured. ”Where is she then?” I ask. ”In the Luisa Hospital,” says my father. ”In which class?” ”Third. We must wait till we know what the operation costs. She wanted to be in the third herself. She said that then she would have some company. And besides it is cheaper.” ”So she is lying there with all those people. If only she could sleep properly.” My father nods. His face is broken and full of furrows. My mother has always been sickly; and though she has only gone to the hospital when she has been compelled to, it has cost a great deal of money, and my father’s life has been practically given up to it. ”If only I knew how much the operation costs,” says he. ”Have you not asked?” ”Not directly, I cannot do that–the surgeon might take it amiss and that would not do; he must operate on mother.” Yes, I think bitterly, that’s how it is with us, and with all poor people. They don’t dare ask the price, but worry themselves dreadfully beforehand about it; but the others, for whom it is not important, they settle the price first as a matter of course. And the doctor does not take it amiss from them. ”The dressings afterwards are so expensive,” says my father. ”Doesn’t the Invalid’s Fund pay anything toward it, then?” I ask. ”Mother has been ill too long.” ”Have you any money at all?” He shakes his head: ”No, but I can do some overtime.” I know. He will stand at his desk folding and pasting and cutting until twelve o’clock at night. At eight o’clock in the evening he will eat some miserable rubbish they get in exchange for their food tickets, then he will take a powder for his headache and work on.
Erich Maria Remarque (All Quiet on the Western Front)
This way please,' said a voice. In the door stood Dr Sesame, the famous Dr Sesame, whose reputation as a sympathetic and, according to some, also a kind-hearted man had spread throughout the town and beyond. He had also written a popular pamphlet on sexual problems, which had given Pinneberg the courage to write making an appointment for Emma and himself. This, then, was the Dr Sesame at present standing in the doorway, and saying 'This way, please.' Dr Sesame searched on his desk for the letter. 'You wrote to me, Mr Pinneberg... saying you couldn't have any children just yet because you couldn't afford it?' 'Yes,' said Pinneberg, dreadfully embarrassed. 'You can start undressing,' said the doctor to Emma, and carried on: 'And you want to know an entirely reliable means of prevention. Hm, an entirely reliable means...' He smiled sceptically behind his gold-rimmed spectacles. 'I read about it in your book... These pessoirs...' 'Pessaries,' said the doctor. 'Yes, but they don't suit every woman. And it's always a bit of a business. It depends on whether your wife would be nimble-fingered enough...' He looked up at her. She had already taken off her blouse and skirt. Her slim legs made her look very tall. 'Well, let's go next door,' said the doctor. 'You needn't have taken your blouse off for this, young lady.' Emma went a deep red. 'Oh well, leave it off now. Come this way. One moment, Mr Pinneberg.' The two of them went into the next room. Pinneberg watched them go. The top of the doctor's head reached no farther than the 'young lady's' shoulders. How beautiful she was! thought Pinneberg yet again; she was the greatest girl in the world, the only one for him. He worked in Ducherow, and she worked here in Platz, and he never saw her more than once a fortnight, so his joy in her was always fresh, and his desire for her absolutely inexpressible. Next door he heard the doctor asking questions on and off in a low voice, and an instrument clinking on the side of a bowl. He knew that sound from the dentist's; it wasn't a pleasant one. Then he winced violently. Never had he heard that tone from Emma. She was saying in a high, clear voice that was almost a shriek - 'No, no, no!' And once again, 'No!' And then, very softly, but he still heard it: 'Oh God.' Pinneberg took three steps to the door - What was that? What could it be? What about these rumours that those kind of doctors were terrible lechers? But then Dr Sesame spoke again - impossible to hear what he said - and the instrument clinked again. There was a long silence.
Hans Fallada (Little Man, What Now?)
I can’t remember a specific time when the comments and the name-calling started, but one evening in November it all got much worse,’ she said. ‘My brother Tobias and me were doing our homework at the dining room table like we always did.’ ‘You’ve got a brother?’ She hesitated before nodding. ‘Papa was working late at the clinic in a friend’s back room – it was against the law for Jews to work as doctors. Mama was making supper in the kitchen, and I remember her cursing because she’d just burned her hand on the griddle. Tobias and me couldn’t stop laughing because Mama never swore.’ The memory of it made her mouth twitch in an almost-smile. Then someone banged on our front door. It was late – too late for social calling. Mama told us not to answer it. Everyone knew someone who’d had a knock on the door like that.’ ‘Who was it?’ ‘The police, usually. Sometimes Hitler’s soldiers. It was never for a good reason, and it never ended happily. We all dreaded it happening to us. So, Mama turned the lights out and put her hand over the dog’s nose.’ Esther, glancing sideways at me, explained: ‘We had a sausage dog called Gerta who barked at everything. ‘The knocking went on and they started shouting through the letter box, saying they’d burn the house down if we didn’t answer the door. Mama told us to hide under the table and went to speak to them. They wanted Papa. They said he’d been treating non-Jewish patients at the clinic and it had to stop. Mama told them he wasn’t here but they didn’t believe her and came in anyway. There were four of them in Nazi uniform, stomping through our house in their filthy great boots. Finding us hiding under the table, they decided to take Tobias as a substitute for Papa. ‘When your husband hands himself in, we’ll release the boy,’ was what they said. ‘It was cold outside – a freezing Austrian winter’s night – but they wouldn’t let Tobias fetch his coat. As soon as they laid hands on him, Mama started screaming. She let go of Gerta and grabbed Tobias – we both did – pulling on his arms, yelling that they couldn’t take him, that he’d done nothing wrong. Gerta was barking. I saw one of the men swing his boot at ther. She went flying across the room, hitting the mantelpiece. It was awful. She didn’t bark after that.’ It took a moment for the horror of what she was saying to sink in. ‘Don’t tell me any more if you don’t want to,’ I said gently. She stared straight ahead like she hadn’t heard me. ‘They took my brother anyway. He was ten years old. ‘We ran into the street after them, and it was chaos – like the end of the world or something. The whole town was fully of Nazi uniforms. There were broken windows, burning houses, people sobbing in the gutter. The synagogue at the end of our street was on fire. I was terrified. So terrified I couldn’t move. But Mum kept running. Shouting and yelling and running after my brother. I didn’t see what happened but I heard the gunshot.’ She stopped. Rubbed her face in her hands. ‘Afterwards they gave it a very pretty name: Kristallnacht – meaning “the night of broken glass”. But it was the night I lost my mother and my brother. I was sent away soon after as part of the Kindertransport, though Papa never got used to losing us all at once. Nor did I. That’s why he came to find me. He always promised he’d try.’ Anything I might’ve said stayed stuck in my throat. There weren’t words for it, not really. So I put my arm through Esther’s and we sat, gazing out to sea, two old enemies who were, at last, friends. She was right – it was her story to tell. And I could think of plenty who might benefit from hearing it.
Emma Carroll (Letters from the Lighthouse)
While all of us dread being blamed, we all would wish to be more responsible—that is, to have the ability to respond with awareness to the circumstances of our lives rather than just reacting. We want to be the authoritative person in our own lives: in charge, able to make the authentic decisions that affect us. There is no true responsibility without awareness. One of the weaknesses of the Western medical approach is that we have made the physician the only authority, with the patient too often a mere recipient of the treatment or cure. People are deprived of the opportunity to become truly responsible. None of us are to be blamed if we succumb to illness and death. Any one of us might succumb at any time, but the more we can learn about ourselves, the less prone we are to become passive victims. Mind and body links have to be seen not only for our understanding of illness but also for our understanding of health. Dr. Robert Maunder, on the psychiatric faculty of the University of Toronto, has written about the mindbody interface in disease. “Trying to identify and to answer the question of stress,” he said to me in an interview, “is more likely to lead to health than ignoring the question.” In healing, every bit of information, every piece of the truth, may be crucial. If a link exists between emotions and physiology, not to inform people of it will deprive them of a powerful tool. And here we confront the inadequacy of language. Even to speak about links between mind and body is to imply that two discrete entities are somehow connected to each other. Yet in life there is no such separation; there is no body that is not mind, no mind that is not body. The word mindbody has been suggested to convey the real state of things. Not even in the West is mind-body thinking completely new. In one of Plato’s dialogues, Socrates quotes a Thracian doctor’s criticism of his Greek colleagues: “This is the reason why the cure of so many diseases is unknown to the physicians of Hellas; they are ignorant of the whole. For this is the great error of our day in the treatment of the human body, that physicians separate the mind from the body.” You cannot split mind from body, said Socrates—nearly two and a half millennia before the advent of psychoneuroimmunoendocrinology!
Gabor Maté (When the Body Says No: The Cost of Hidden Stress)
As with all new doctors, there were a thousand forms to fill out, with the dreaded single, married, or other boxes to check. Sometimes they have a “widowed” box, but this form didn't. I checked “other” and wrote over the top of it “widowed”. There were several questions pertaining to why I felt I needed a psychological appointment, such as: Why did you make this appointment? My husband died. What contributed to this issue? My husband died. Why do you think you have this issue? My husband died. When did you first experience this issue? When my husband died. Next, it wanted to know if I was in a committed relationship. I checked the “yes” box and then wrote next to it, “but he's dead.” I should have been able to scrawl over the first page with a giant Sharpie “MY HUSBAND DIED!” and that should have been a sufficient answer for all questions.
Jennifer Stults (Carry on Castle)
Hopelessly happy, Olivier did not hide his love. Now that she was a prima donna, Marie was radiant. "What a lovely couple! How well suited they are!" people said. She was so happy that she believed she was in love. Her parents' smiles enchanted her less than the ugly moue she saw on the lips of her peers. What fun, to be the star of this hit film! Six weeks later she was singing another tune. She ran to the doctor, who confirmed what she had been dreading. Horrified, she shared the news with Olivier, who immediately put his arm around her. "My darling, that's wonderful! Marry me!" She burst into tears. "Don't you want to?" "Yes," she said, through her tears. "But I wanted things to be different.
Amélie Nothomb (Frappe-toi le cœur)
In America today, anyone over fifty lives in dread of the Big A—Alzheimer’s disease. Small social gatherings (dinner, cocktail parties, etc.) take on the atmosphere of a segment from NPR’s weekly quiz show “Wait Wait . . . Don’t Tell Me.” That’s the one where guests vie with each other in intense competitions to be the first to come up with the names of such things as the actor playing a role in the latest mini-series everybody is binging on. Almost inevitably, someone will pull out a cellphone to check the accuracy of the person who responded first. Quick, quicker, quickest lest others suspect you of coming down with the initial symptoms of the Big A. Although Alzheimer’s disease is not nearly as common as many people fear, nevertheless worries about perceived memory lapses are increasingly expressed to friends. They are also the most common complaint that persons over fifty-five years of age bring to their doctors. Such memory concerns are often unjustified and arouse needless anxiety. This widespread anxiety has helped create a national pre-occupation with memory and signs of memory failure. One of the reasons for this panic is the confusion in many people’s minds about how we form memories.
Richard Restak (The Complete Guide to Memory: The Science of Strengthening Your Mind)
Doctors were the allies of the death-dreading bourgeoisie.
Saul Bellow (Ravelstein)
For all of these reasons, a shocking amount of expert research turns out to be wrong. John Ioannidis, a Greek doctor and epidemiologist, examined forty-nine studies published in three prominent medical journals.8 Each study had been cited in the medical literature at least a thousand times. Yet roughly one-third of the research was subsequently refuted by later work. (For example, some of the studies he examined promoted estrogen replacement therapy.) Dr. Ioannidis estimates that roughly half of the scientific papers published will eventually turn out to be wrong.9 His research was published in the Journal of the American Medical Association, one of the journals in which the articles he studied had appeared. This does create a certain mind-bending irony: If Dr. Ioannidis’s research is correct, then there is a good chance that his research is wrong. Regression
Charles Wheelan (Naked Statistics: Stripping the Dread from the Data)
You don't wait till your case become terminal before you ask for a doctor. If you wait till it becomes incurable you will die without knowing your right. Spiritually put; you don't wait until you have problem before you pray. Pray without ceasing for you do not know when the problem will come. If you can bind headache you can bind cancer. If you can bind fever, you can equally bind ulcer. If you can loss a mentally dreaded man, you can loss and raise the dead.
Patience Johnson (Why Does an Orderly God Allow Disorder)
After that everything was a blur for Emma. She remembered little beyond blinding pain, hazy, shifting faces, and finally, relief and the furious squall of an infant. “My baby,” she whispered, lying back. “My baby’s here.” “It’s a fine girl,” Dr. Mayfield said. When had he arrived? Emma decided she didn’t care, and smiled wearily. “Steven?” “He’s not feeling too well right now,” the doctor explained. “Crumpled to the floor when I had to cut you.” Emma laughed. Steven the outlaw, with his dreaded Colt .45. She’d never let him forget the occasion of his first child’s birth.
Linda Lael Miller (Emma And The Outlaw (Orphan Train, #2))
Dread Lord,” I said. “With respect, I told you that a dragon his age shouldn’t be eating knights. Especially not knights in full plate armor.
Scott G. Huggins (A Doctor to Dragons)
Miss Minton, what on earth made you let a young girl travel up the Amazon and spend weeks living with savages? What made you do it? The British consul thinks that you must all have been drugged.” “Perhaps. Yes, perhaps we were drugged. Not by the things the Xanti smoked--none of us touched them--but by…peace…by happiness. By a different sense of time.” “I don’t think you have explained why you let Maia--” Miss Minton interrupted him. “I will explain. At least I will try to. You see, I have looked after some truly dreadful children in my time, and it was easy not to get fond of them. After all, a governess is not a mother. But Maia…well, I’m afraid I grew to love her. And that meant I began to think what I would do if she were my child.” “And you would let her--” began Mr. Murray. But Miss Minton stopped him. “I would let her…have adventures. I would let her…choose her path. It would be hard…it was hard…but I would do it. Oh, not completely, of course. Some things have to go on. Cleaning one’s teeth, arithmetic. But Maia fell in love with the Amazon. It happens. The place was for her--and the people. Of course there was some danger, but there is danger everywhere. Two years ago, in this school, there was an outbreak of typhus, and three girls died. Children are knocked down and killed by horses every week, here in these streets--” She broke off, gathering her thoughts. “When she was traveling and exploring…and finding her songs, Maia wasn’t just happy, she was…herself. I think something broke in Maia when her parents died, and out there it was healed. Perhaps I’m mad--and the professor, too--but I think children must lead big lives…if it is in them to do so. And it is in Maia.” The old lawyer was silent, rolling his silver pencil over and over between his fingers. “You would take her back to Brazil?” “Yes.” “To live among savages?” “No. To explore and discover and look for giant sloths and new melodies and flowers that only blossom once every twenty years. Not to find them necessarily, but to look--” She broke off, remembering what they had planned, the four of them, as they sailed up the Agarapi. To build a proper House of Rest near the Carters’ old bungalow and live there in the rainy season, studying hard so that if Maia wanted to go to music college later, or Finn to train as a doctor, they would be prepared. And in the dry weather, to set off and explore. Mr. Murray had risen to his feet. He walked over to the window and stood with his back to her, looking out at the square. “It’s impossible. It’s madness.” There was a long pause. “Or is it?” the old man said.
Eva Ibbotson (Journey to the River Sea)
Giles’ head is full of blood. In capillaries it chugs busily up and down the hills and valleys of his brain. In his imagination it streams down from the sky and moves in the water. He scratches a scab on his wrist and flakes off layer after layer of skin until the blood pours out. Pieces of metal whine out of the blue sky towards him and smash into his body, scooping out his intestines. His bowels trail along the deck. Yellow globules of shit, their journey through the colon interrupted, huddle together inside the slit open pipes. The eyes of his friends are continually attacked. They appear and disappear. Each part of the ship is a weapon. The clews of his hammock can strangle, the guard rails buckle and toss him overboard; the lifeboats fall and crush him. … Giles, looking up, feels the shafts of his eyes penetrate deep, deep, past the light and into the blackness of space. The sky is the palest, palest blue … Death stalks them. … The horrors of his imagination are real. This is war. This is the purpose of war. To give shape to the menacing blackness of space behind the blue sky, the silver death in the water, the streams of blood behind the smooth forehead. This pale forehead, grey brown hair crusted with salt, frizzing more than ever in the fresh, damp air, these straight eyebrows, delicate veil of lids, jumping eyeballs, hide many patterns and possibilities of death. Those he has been trained for. Those he has seen, heard or imagined. Those he fears. Death lurking in the pure blue sky is not new to him and now he can put a name to it. … Sometimes they happen to other people and you are still alive. Sometimes you make them happen to your enemy and you are still alive. Sometimes they happen to you and you are dead. Or you are still alive, having lost a lump of flesh, a yard of skin, a pint of blood. Picking over what is left a doctor can make something of it. A catalogue at least. If you can know or name what is left, nothing so dreadful has been lost.
Dinah Brooke (Lord Jim at Home (McNally Editions))
I have been doomed to such a dreadful shipwreck: that man is not truly one, but truly two.
Robert Louis Stevenson (The Strange Case of Doctor Jekyll and Mr. Hyde (Masterpiece Library Edition))
The bodies were not lying here and there throughout the room, but piled in a mass to the ceiling. The reason for this was that the gas first inundated the lower layers of air and rose slowly towards the ceiling. This forced the victims to trample one another in a frantic effort to escape the gas. Yet a few feet higher up the gas reached them. What a struggle for life there must have been! Nevertheless it was merely a matter of two or three minutes' respite. If they had been able to think about what they were doing, they would have realized they were trampling their own children, their wives, their relatives. But they couldn't think. Their gestures were no more than the reflexes of the instinct of self-preservation. I noticed that the bodies of the women, the children, and the aged were at the bottom of the pile; at the top, the strongest. Their bodies, which were covered with scratches and bruises from the struggle against each other, were often interlaced. Blood oozed from their noses and mouths; their faces, bloated and blue, were so deformed as to be almost unrecognizable. Nevertheless some of the Sonderkommando often did recognize their kin.The encounter was not easy, and I dreaded it myself. I had no reason to be there, and yet I had come down to be among the dead. I felt it my duty to my people and to the entire world to be able to give an accurate account of what I had seen if ever, by some miraculous whim of fate, I should escape.
Miklós Nyiszli (Auschwitz: A Doctor's Eyewitness Account)
Soon he really shut his eyes and fell asleep. He did not sleep long and suddenly awoke with a start and in a cold perspiration. As he fell asleep he had still been thinking of the subject that now always occupied his mind- about life and death, and chiefly about death. He felt himself nearer to it. "Love? What is love?" he thought. "Love hinders death. Love is life. All, everything that I understand, I understand only because I love. Everything is, everything exists, only because I love. Everything is united by it alone. Love is God, and to die means that I, a particle of love, shall return to the general and eternal source." These thoughts seemed to him comforting. But they were only thoughts. Something was lacking in them, they were not clear, they were too one-sidedly personal and brain-spun. And there was the former agitation and obscurity. He fell asleep. He dreamed that he was lying in the room he really was in, but that he was quite well and unwounded. Many various, indifferent, and insignificant people appeared before him. He talked to them and discussed something trivial. They were preparing to go away somewhere. Prince Andrew dimly realized that all this was trivial and that he had more important cares, but he continued to speak, surprising them by empty witticisms. Gradually, unnoticed, all these persons began to disappear and a single question, that of the closed door, superseded all else. He rose and went to the door to bolt and lock it. Everything depended on whether he was, or was not, in time to lock it. He went, and tried to hurry, but his legs refused to move and he knew he would not be in time to lock the door though he painfully strained all his powers. He was seized by an agonizing fear. And that fear was the fear of death. It stood behind the door. But just when he was clumsily creeping toward the door, that dreadful something on the other side was already pressing against it and forcing its way in. Something not human- death- was breaking in through that door, and had to be kept out. He seized the door, making a final effort to hold it back- to lock it was no longer possible- but his efforts were weak and clumsy and the door, pushed from behind by that terror, opened and closed again. Once again it pushed from outside. His last superhuman efforts were vain and both halves of the door noiselessly opened. It entered, and it was death, and Prince Andrew died. But at the instant he died, Prince Andrew remembered that he was asleep, and at the very instant he died, having made an effort, he awoke. "Yes, it was death! I died- and woke up. Yes, death is an awakening!" And all at once it grew light in his soul and the veil that had till then concealed the unknown was lifted from his spiritual vision. He felt as if powers till then confined within him had been liberated, and that strange lightness did not again leave him. When, waking in a cold perspiration, he moved on the divan, Natasha went up and asked him what was the matter. He did not answer and looked at her strangely, not understanding. That was what had happened to him two days before Princess Mary's arrival. From that day, as the doctor expressed it, the wasting fever assumed a malignant character, but what the doctor said did not interest Natasha, she saw the terrible moral symptoms which to her were more convincing. From that day an awakening from life came to Prince Andrew together with his awakening from sleep. And compared to the duration of life it did not seem to him slower than an awakening from sleep compared to the duration of a dream.
Leo Tolstoy (War and Peace)
And it was at this very moment that some obscure enemy crouching inside me—since when?—chose to twist around and shake my nerves, to force me to vent anger that I didn’t feel, that I didn’t want to feel, to make me yell and dance and then convulse like the two Agitated in the brown brick building! I had been completely honest, sincere and frank—and now it was no longer true! I hated Bid’homme and Roffieux! I wanted to bleed them, to do them in—and I shouted this out as clear as day! And I didn’t want to hate them and I didn’t want to shout out—and I clamored more loudly than ever!... I was sure that a terribly hostile being haunted me, a cruel being that had settled in me, a dreadful being that tortured me to force me to roar and writhe around like someone possessed… There was a moment of semi-calm and I begged (so absurd it was disturbing!): “Doctor! Doctor! Save me! I’m inhabited like a wormy fruit!
John-Antoine Nau (Enemy Force)
Mrs. E. K. Shields, of Saginaw, Michigan, was driven to despair—even to the brink of suicide—before she learned to live just till bedtime. “In 1937, I lost my husband,” Mrs. Shields said as she told me her story. “I was very depressed—and almost penniless. I wrote my former employer, Mr. Leon Roach, of the Roach-Fowler Company of Kansas City, and got my old job back. I had formerly made my living selling World Books to rural and town school boards. I had sold my car two years previously when my husband became ill; but I managed to scrape together enough money to put a down payment on a used car and started out to sell books again. “I had thought that getting back on the road would help relieve my depression; but driving alone and eating alone was almost more than I could take. Some of the territory was not very productive, and I found it hard to make those car payments, small as they were. “In the spring of 1938, I was working out of Versailles, Missouri. The schools were poor, the roads bad; I was so lonely and discouraged that at one time I even considered suicide. It seemed that success was impossible. I had nothing to live for. I dreaded getting up each morning and facing life. I was afraid of everything: afraid I could not meet the car payments; afraid I could not pay my room rent; afraid I would not have enough to eat. I was afraid my health was failing and I had no money for a doctor. All that kept me from suicide were the thoughts that my sister would be deeply grieved, and that I did not have enough money to pay my funeral expenses. “Then one day I read an article that lifted me out of my despondence and gave me the courage to go on living. I shall never cease to be grateful for one inspiring sentence in that article. It said: ‘Every day is a new life to a wise man.’ I typed that sentence out and pasted it on the windshield of my car, where I saw it every minute I was driving. I found it wasn’t so hard to live only one day at a time. I learned to forget the yesterdays and to not think of the tomorrows. Each morning I said to myself, ‘Today is a new life.
Dale Carnegie (How to Stop Worrying and Start Living)
Then one day you find yourself in a boutique of terminal illness, forced to purchase something in order to use the bathroom, and from then on, you have nothing to think about except a catalogue of the instances you took when you could have given. My assistant said, “You are not alone.” “There is no time to update my software,” I snapped at her the next day, from my deathbed. “Who in God’s name cares if my cursor’s disappeared?” “What can I do for you?” she asked. That dreadful refrain. She offered me a cottage, a precious director, a bottomless brunch. The window was open, and the breeze was hot, and the pain was totalizing. “Blamelessness,” I told her. “Doctor my biography.
Tess Gunty (The Rabbit Hutch)
Right at the end sat the man called Saturday, the simplest and the most baffling of all. He was a short, square man with a dark, square face clean-shaven, a medical practitioner going by the name of Bull. He had that combination of savoir-faire with a sort of well-groomed coarseness which is not uncommon in young doctors. He carried his fine clothes with confidence rather than ease, and he mostly wore a set smile. There was nothing whatever odd about him, except that he wore a pair of dark, almost opaque spectacles. It may have been merely a crescendo of nervous fancy that had gone before, but those black discs were dreadful to Syme; they reminded him of half-remembered ugly tales, of some story about pennies being put on the eyes of the dead.
G.K. Chesterton (The Man Who Was Thursday)
It is a well-known fact, and one that has given much ground for complaint, that after women have lost their genital function their character often undergoes a peculiar alteration, they become quarrelsome, vexatious and overbearing, petty and stingy, that is to say that they exhibit typically sadistic and anal-erotic traits which they did not possess earlier during their period of womanliness,” Sigmund Freud declared in 1913.8 Well, you can argue that he was a man of his time; the first couple of decades of the twentieth century weren’t exactly known for their respect for women’s finer qualities. But unfortunately, the nonsense didn’t stop there. “The unpalatable truth must be faced that all postmenopausal women are castrates,” pronounced American gynecologist Robert Wilson in a 1963 essay;9 he then elaborated fulsomely on this theme in his 1966 bestseller Feminine Forever.10 This frighteningly influential book, it later emerged, was backed by a pharmaceutical company eager to market hormone replacement therapy. “Once the ovaries stop, the very essence of being a woman stops,” psychiatrist David Reuben wrote in 1969 in another bestseller, Everything You Always Wanted to Know About Sex but Were Afraid to Ask.11 The postmenopausal woman, he added, comes “as close as she can to being a man.” Or rather, “not really a man but no longer a functional woman.” Half a century on, has anything really changed? Sadly, I don’t think so. It might not be acceptable in most circles to write that kind of thing anymore, but menopausal women are too often the butt of men’s jokes for me really to believe that the attitudes themselves have shifted. They’ve just gone a little more underground. So if these are the stories men are telling about us, where are the stories we’re telling about ourselves? Unfortunately, they’re not always very much more helpful. A surprising number of self-help or quasi-medical books by female authors toe the male line, enjoining women to try to stay young and beautiful at all costs, and head off to their doctor to get hormone replacement therapy to hold off the “symptoms” of the dreaded aging “disease” for as long as possible. Their aim, it seems, is above all a suspension of the aging process, an exhortation to live in a state of suspended animation. And although more women are beginning to write about menopause as a natural and profoundly transformational life-passage, in the culture at large it is still primarily viewed as something to be managed, held off, even fought.
Sharon Blackie (Hagitude: Reimagining the Second Half of Life)
Cardiologists obviously care about their “scorecard.” However, the easiest way for a surgeon to improve his mortality rate is not by killing fewer people; presumably most doctors are already trying very hard to keep their patients alive. The easiest way for a doctor to improve his mortality rate is by refusing to operate on the sickest patients. According to a survey conducted by the School of Medicine and Dentistry at the University of Rochester, the scorecard, which ostensibly serves patients, can also work to their detriment: 83 percent of the cardiologists surveyed said that, because of the public mortality statistics, some patients who might benefit from angioplasty might not receive the procedure; 79 percent of the doctors said that some of their personal medical decisions had been influenced by the knowledge that mortality data are collected and made public. The sad paradox of this seemingly helpful descriptive statistic is that cardiologists responded rationally by withholding care from the patients who needed it most.
Charles Wheelan (Naked Statistics: Stripping the Dread from the Data)
For all of these reasons, a shocking amount of expert research turns out to be wrong. John Ioannidis, a Greek doctor and epidemiologist, examined forty-nine studies published in three prominent medical journals.8 Each study had been cited in the medical literature at least a thousand times. Yet roughly one-third of the research was subsequently refuted by later work. (For example, some of the studies he examined promoted estrogen replacement therapy.) Dr. Ioannidis estimates that roughly half of the scientific papers published will eventually turn out to be wrong.9 His research was published in the Journal of the American Medical Association, one of the journals in which the articles he studied had appeared. This does create a certain mind-bending irony: If Dr. Ioannidis’s research is correct, then there is a good chance that his research is wrong.
Charles Wheelan (Naked Statistics: Stripping the Dread from the Data)
If we attempt to explain crime rates (our dependent variable) by using police officers per capita as an explanatory variable (along with other controls), we will have a serious reverse causality problem. We have a solid theoretical reason to believe that putting more police officers on the street will reduce crime, but it’s also possible that crime could “cause” police officers, in the sense that cities experiencing crime waves will hire more police officers. We could easily find a positive but misleading association between crime and police: the places with the most police officers have the worst crime problems. Of course, the places with lots of doctors also tend to have the highest concentration of sick people. These doctors aren’t making people sick; they are located in places where they are needed most (and at the same time sick people are moving to places where they can get appropriate medical care). I suspect that there are disproportionate numbers of oncologists and cardiologists in Florida; banishing them from the state will not make the retiree population healthier.
Charles Wheelan (Naked Statistics: Stripping the Dread from the Data)
The last thing in the world she wanted was to end up like the boss. Vera was bloated, idle. When the inspector leaned against the desk at the front of the room to address her minions, the fat on her bum spread and made unsightly bulges in those dreadful crimplene trousers she’d taken to wearing now the weather was colder. Though Holly had seen her put on a surprising turn of speed occasionally, not even her biggest admirer – the brown-nose Joe Ashworth – would claim she was fit, and the woman’s diet would make any doctor weep.
Ann Cleeves (The Rising Tide (Vera Stanhope, #10))
True Evil only comes from corrupting something truly good.
dread doctors
Writing a dissertation is very much like being in a long-term relationship: there are likely to be some very good times and some perfectly dreadful ones, and it’s a big help if you like what you’ve chosen.
Joan Bolker (Writing Your Dissertation in Fifteen Minutes a Day: A Guide to Starting, Revising, and Finishing Your Doctoral Thesis)
Well, Tommy has proposed to me again. Tommy really does nothing but propose to me. He proposed to me last night in the music-room, when I was quite unprotected, as there was an elaborate trio going on. I didn’t dare to make the smallest repartee, I need hardly tell you. If I had, it would have stopped the music at once. Musical people are so absurdly unreasonable. They always want one to be perfectly dumb at the very moment when one is longing to be absolutely deaf. Then he proposed to me in broad daylight this morning, in front of that dreadful statue of Achilles. Really, the things that go on in front of that work of art are quite appalling. The police should interfere. At luncheon I saw by the glare in his eye that he was going to propose again, and I just managed to check him in time by assuring him that I was a bimetallist. Fortunately I don’t know what bimetallism means. And I don’t believe anybody else does either. But the observation crushed Tommy for ten minutes. He looked quite shocked. And then Tommy is so annoying in the way he proposes. If he proposed at the top of his voice, I should not mind so much. That might produce some effect on the public. But he does it in a horrid confidential way. When Tommy wants to be romantic he talks to one just like a doctor. I am very fond of Tommy, but his methods of proposing are quite out of date. I wish, Gertrude, you would speak to him, and tell him that once a week is quite often enough to propose to any one, and that it should always be done in a manner that attracts some attention.
Oscar Wilde (Selected works of Oscar Wilde: The Picture of Dorian Gray, the Canterville Ghost, the Happy Prince)
age of computers and programming, and he couldn’t understand either. Sure, he could send emails, had even mastered Word and Excel, but apart from that, the complexities of the machine left him baffled. There was unemployment, but he had never taken the dole, or he could go overseas, try his luck on an oil rig. Even if that were possible, he didn’t want to go, but these were desperate times, and now, to add confusion, there was a solution. Betty Galton, his former sister-in-law, had in her possession a million pounds in gold. He opened his laptop and switched it on. How does one melt gold? How does one dispose of it? he thought. He entered the search terms, fingering one key at a time, and pressed enter. If a criminal act was committed during the planning stage, then he was guilty as charged. And for once, he did not care. He hummed a tune to himself. It had been some time since he had been contented. For that night, he would forget what would be required and envisage what his life could be like with money in his pocket. Maybe a small place in the country, a dog, possibly a woman. How long had it been since he had enjoyed the closeness of another’s skin? He picked up his phone and made a call. It was a special treat for himself and for once the budget was going to be blown. He knew she’d look after him, the way she looked after so many others. Chapter 11 Clare woke early the next day; her phone was ringing. She leant over and picked it up. ‘Yarwood, I’m at the hospital,’ Tremayne said. She could tell by his voice that something was amiss. ‘I’ll be there in fifteen.’ ‘Thanks, and don’t tell anyone.’ A quick shower, some food for her cat, and Clare was out of her cottage. A murder enquiry was serious; her boss being ill, more so. Parking at the hospital, she soon found her way to outpatients, meeting someone she knew. ‘It’s Tremayne, he’s not well,’ Clare said. ‘And please, not a word to anyone.’ The woman, a friend, understood. Inside, behind some screens, Tremayne was lying flat on his back. His shoes had been removed, and his tie had been loosened. ‘How long have you been here?’ Clare said. She knew Tremayne would not appreciate lashings of sympathy, although he looked dreadful. ‘Since last night. I’d had a few drinks, a few cigarettes, and all of a sudden I’m in the back of an ambulance.’ ‘Does Jean know?’ ‘Not yet. Maybe you can phone her. She went to see her son for a few days, left me on my own.’ ‘Off the leash and into trouble, that’s you, guv.’ ‘Not today, Yarwood. Maybe Moulton’s right about me retiring.’ ‘Having you feeling sorry for yourself isn’t going to help, is it?’ The nurse, standing on the other side of the bed, looked over at Clare disapprovingly. ‘It’s how we work,’ Clare said. ‘That may be the case, but Mr Tremayne has had a bit of a scare. He needs to be here for a few days while we conduct a few checks.’ ‘What’s the problem?’ ‘It’s not for me to say. That’s for the doctor.’ ‘He told me to cut down on the beer, quit smoking, and take it easy.’ ‘Retire, is that it?’ Clare said. ‘They don’t get it, do they?’ Tremayne looked over at the nurse who was monitoring his condition. ‘Sorry. We’ve got a murder to deal with, nothing personal.’ ‘Don’t worry about me. We get our fair share of people, men mainly, who think they’re invincible. You’re not the first, not the last, who thinks they know more
Phillip Strang (Death by a Dead Man's Hand (DI Tremayne Thriller Series #5))
Ryzex Male EnhancementThe producers of these doctor prescribed drugs state which it could be in any event ten years or longer before contain a practical answer for be needed to handle erectile brokenness and p . e through medications. Doubtlessly, you take in hard with the goal that you could pick the top male improvement supplement that could fulfill your need deciding such huge numbers of to browse. It is indispensable that before choosing which male enhancer will you pick, you should be at any rate 90% sure from the quality and viability. Fixings where encourage for nourishment is manufactured are significant contemplations dreadfully.
Troy Jackson (Life: A Book of Poems)
His hand slid around to the nape of her neck. Slowly, inexorably, he forced her head down toward his. Shea closed her eyes, wanting, yet dreading his taking her blood. “I’d hate to have to feed you every day,” she muttered rebelliously. And then his mouth touched hers. Featherlight, a skimming brush Shea felt right down to her toes. His teeth scraped her lower lip, teasing, tempting, enticing. Darts of fire raced through her bloodstream. Her stomach muscles clenched. Open your mouth for me, stubborn little red hair. His teeth tugged; his tongue followed with a soothing caress. Shea gasped as much at the tender, teasing note as at the feel of his lips on hers. He took advantage immediately, fastening his mouth to hers, his tongue exploring every inch of her velvet-soft interior. Flames licked at her, swept through her like a storm. Electricity crackled, and Shea knew the full meaning of chemistry. Feeling. Pure and simple. There was nothing else but his mouth claiming hers, whirling her into another world she hadn’t known existed. The ground shifted, and Shea clutched at his shoulders to keep from floating to the clouds. He was sweeping aside every resistance, demanding her response, taking her response, all hunger and desire. Then he was in her mind, white-hot heat, possession. She was his, only his, always his. Smug male satisfaction. Shea shoved at his broad shoulders, then tumbled backward to the floor, wiping at her mouth with the back of her hand. They glared at one another, until amusement crept into her mind. Low, male, taunting. Nothing showed on his face, not a flicker in the ice of his eyes, but she knew he was laughing at her. It took a moment to realize her robe was gaping open, giving him a generous view of her bare skin. With great dignity Shea dragged the lapels together. “I think we need to straighten something out here.” Sitting on the floor, struggling desperately to get her breathing under control, to throw ice water on the raging fire in her blood, Shea was afraid he wasn’t going to take her seriously. “I am your doctor. You are my patient. This…” She waved a hand, searching for the right words. “This sort of thing is unethical. And another thing. I am in charge here. You follow my orders, not the other way around. Absolutely never, under any circumstances, do that again.” Involuntarily she touched her fingers to her lower lip. “It wouldn’t have happened at all if you hadn’t infected me with some sort of, I don’t know, rabies strain.” She glared at him.
Christine Feehan (Dark Desire (Dark, #2))
There’s only one thing difficult about being a man, Doctor. Only one thing. They don’t teach us how to love. It’s a secret they keep from us. We spend our whole lives trying to get someone to teach us how to do it and we never find out how. The only people we can ever love are other men because we understand the loneliness engendered by this thing denied. When a woman loves us we’re overpowered by it, filled with dread, helpless and chastened before it. Why women don’t understand us is that we can never return their love in full measure. We have nothing to return. We were never granted the gift.
Pat Conroy (The Prince of Tides)