Drawn Together Best Quotes

This poem is very long So long, in fact, that your attention span May be stretched to its very limits But that’s okay It’s what’s so special about poetry See, poetry takes time We live in a time Call it our culture or society It doesn’t matter to me cause neither one rhymes A time where most people don’t want to listen Our throats wait like matchsticks waiting to catch fire Waiting until we can speak No patience to listen But this poem is long It’s so long, in fact, that during the time of this poem You could’ve done any number of other wonderful things You could’ve called your father Call your father You could be writing a postcard right now Write a postcard When was the last time you wrote a postcard? You could be outside You’re probably not too far away from a sunrise or a sunset Watch the sun rise Maybe you could’ve written your own poem A better poem You could have played a tune or sung a song You could have met your neighbor And memorized their name Memorize the name of your neighbor You could’ve drawn a picture (Or, at least, colored one in) You could’ve started a book Or finished a prayer You could’ve talked to God Pray When was the last time you prayed? Really prayed? This is a long poem So long, in fact, that you’ve already spent a minute with it When was the last time you hugged a friend for a minute? Or told them that you love them? Tell your friends you love them …no, I mean it, tell them Say, I love you Say, you make life worth living Because that, is what friends do Of all of the wonderful things that you could’ve done During this very, very long poem You could have connected Maybe you are connecting Maybe we’re connecting See, I believe that the only things that really matter In the grand scheme of life are God and people And if people are made in the image of God Then when you spend your time with people It’s never wasted And in this very long poem I’m trying to let a poem do what a poem does: Make things simpler We don’t need poems to make things more complicated We have each other for that We need poems to remind ourselves of the things that really matter To take time A long time To be alive for the sake of someone else for a single moment Or for many moments Cause we need each other To hold the hands of a broken person All you have to do is meet a person Shake their hand Look in their eyes They are you We are all broken together But these shattered pieces of our existence don’t have to be a mess We just have to care enough to hold our tongues sometimes To sit and listen to a very long poem A story of a life The joy of a friend and the grief of friend To hold and be held And be quiet So, pray Write a postcard Call your parents and forgive them and then thank them Turn off the TV Create art as best as you can Share as much as possible, especially money Tell someone about a very long poem you once heard And how afterward it brought you to them

EDMUND *Then with alcoholic talkativeness You've just told me some high spots in your memories. Want to hear mine? They're all connected with the sea. Here's one. When I was on the Squarehead square rigger, bound for Buenos Aires. Full moon in the Trades. The old hooker driving fourteen knots. I lay on the bowsprit, facing astern, with the water foaming into spume under me, the masts with every sail white in the moonlight, towering high above me. I became drunk with the beauty and signing rhythm of it, and for a moment I lost myself -- actually lost my life. I was set free! I dissolved in the sea, became white sails and flying spray, became beauty and rhythm, became moonlight and the ship and the high dim-starred sky! I belonged, without past or future, within peace and unity and a wild joy, within something greater than my own life, or the life of Man, to Life itself! To God, if you want to put it that way. Then another time, on the American Line, when I was lookout on the crow's nest in the dawn watch. A calm sea, that time. Only a lazy ground swell and a slow drowsy roll of the ship. The passengers asleep and none of the crew in sight. No sound of man. Black smoke pouring from the funnels behind and beneath me. Dreaming, not keeping looking, feeling alone, and above, and apart, watching the dawn creep like a painted dream over the sky and sea which slept together. Then the moment of ecstatic freedom came. the peace, the end of the quest, the last harbor, the joy of belonging to a fulfillment beyond men's lousy, pitiful, greedy fears and hopes and dreams! And several other times in my life, when I was swimming far out, or lying alone on a beach, I have had the same experience. Became the sun, the hot sand, green seaweed anchored to a rock, swaying in the tide. Like a saint's vision of beatitude. Like a veil of things as they seem drawn back by an unseen hand. For a second you see -- and seeing the secret, are the secret. For a second there is meaning! Then the hand lets the veil fall and you are alone, lost in the fog again, and you stumble on toward nowhere, for no good reason! *He grins wryly. It was a great mistake, my being born a man, I would have been much more successful as a sea gull or a fish. As it is, I will always be a stranger who never feels at home, who does not really want and is not really wanted, who can never belong, who must always be a a little in love with death! TYRONE *Stares at him -- impressed. Yes, there's the makings of a poet in you all right. *Then protesting uneasily. But that's morbid craziness about not being wanted and loving death. EDMUND *Sardonically The *makings of a poet. No, I'm afraid I'm like the guy who is always panhandling for a smoke. He hasn't even got the makings. He's got only the habit. I couldn't touch what I tried to tell you just now. I just stammered. That's the best I'll ever do, I mean, if I live. Well, it will be faithful realism, at least. Stammering is the native eloquence of us fog people.

And finally, I've always drawn a great deal of moral comfort from Humpty Dumpty. The part I like the best? 'All the king's horses and all the king's men couldn't put Humpty Dumpty back together again.' That's because there is no Humpty Dumpty, and there is no God. None, not one, no God, never was.

We were never just friends, were we?’ I tried to remember. Had there ever been a time when my heart didn’t race around her? When my hands weren’t drawn to her hands? When fighting with her didn’t feel like the end of the world? When she wasn’t untangling my life? When we weren’t tangled together? ‘No,’ I said. ‘I guess we were never just.

Tenways showed his rotten teeth. ‘Fucking make me.’ ‘I’ll give it a try.’ A man came strolling out of the dark, just his sharp jaw showing in the shadows of his hood, boots crunching heedless through the corner of the fire and sending a flurry of sparks up around his legs. Very tall, very lean and he looked like he was carved out of wood. He was chewing meat from a chicken bone in one greasy hand and in the other, held loose under the crosspiece, he had the biggest sword Beck had ever seen, shoulder-high maybe from point to pommel, its sheath scuffed as a beggar’s boot but the wire on its hilt glinting with the colours of the fire-pit. He sucked the last shred of meat off his bone with a noisy slurp, and he poked at all the drawn steel with the pommel of his sword, long grip clattering against all those blades. ‘Tell me you lot weren’t working up to a fight without me. You know how much I love killing folk. I shouldn’t, but a man has to stick to what he’s good at. So how’s this for a recipe…’ He worked the bone around between finger and thumb, then flicked it at Tenways so it bounced off his chain mail coat. ‘You go back to fucking sheep and I’ll fill the graves.’ Tenways licked his bloody top lip. ‘My fight ain’t with you, Whirrun.’ And it all came together. Beck had heard songs enough about Whirrun of Bligh, and even hummed a few himself as he fought his way through the logpile. Cracknut Whirrun. How he’d been given the Father of Swords. How he’d killed his five brothers. How he’d hunted the Shimbul Wolf in the endless winter of the utmost North, held a pass against the countless Shanka with only two boys and a woman for company, bested the sorcerer Daroum-ap-Yaught in a battle of wits and bound him to a rock for the eagles. How he’d done all the tasks worthy of a hero in the valleys, and so come south to seek his destiny on the battlefield. Songs to make the blood run hot, and cold too. Might be his was the hardest name in the whole North these days, and standing right there in front of Beck, close enough to lay a hand on. Though that probably weren’t a good idea. ‘Your fight ain’t with me?’ Whirrun glanced about like he was looking for who it might be with. ‘You sure? Fights are twisty little bastards, you draw steel it’s always hard to say where they’ll lead you. You drew on Calder, but when you drew on Calder you drew on Curnden Craw, and when you drew on Craw you drew on me, and Jolly Yon Cumber, and Wonderful there, and Flood – though he’s gone for a wee, I think, and also this lad here whose name I’ve forgotten.’ Sticking his thumb over his shoulder at Beck. ‘You should’ve seen it coming. No excuse for it, a proper War Chief fumbling about in the dark like you’ve nothing in your head but shit. So my fight ain’t with you either, Brodd Tenways, but I’ll still kill you if it’s called for, and add your name to my songs, and I’ll still laugh afterwards. So?’ ‘So what?’ ‘So shall I draw?

The Reed Flute's Song Listen to the story told by the reed, of being separated. "Since I was cut from the reedbed, I have made this crying sound. Anyone apart from someone he loves understands what I say. Anyone pulled from a source longs to go back. At any gathering I am there, mingling in the laughing and grieving, a friend to each, but few will hear the secrets hidden within the notes. No ears for that. Body flowing out of spirit, spirit up from body: no concealing that mixing. But it's not given us to see the soul. The reed flute is fire, not wind. Be that empty." Hear the love fire tangled in the reed notes, as bewilderment melts into wine. The reed is a friend to all who want the fabric torn and drawn away. The reed is hurt and salve combining. Intimacy and longing for intimacy, one song. A disastrous surrender and a fine love, together. The one who secretly hears this is senseless. A tongue has one customer, the ear. A sugarcane flute has such effect because it was able to make sugar in the reedbed. The sound it makes is for everyone. Days full of wanting, let them go by without worrying that they do. Stay where you are inside such a pure, hollow note. Every thirst gets satisfied except that of these fish, the mystics, who swim a vast ocean of grace still somehow longing for it! No one lives in that without being nourished every day. But if someone doesn't want to hear the song of the reed flute, it's best to cut conversation short, say good-bye, and leave.

It is often difficult to admit that someone you love is not perfect or to consider aspects of a person that are less than admirable. To the Baudelaires it felt almost as if they had drawn a line after their parents died. A secret line in their memories separating all the wonderful things about the Baudelaire parents from the things that were perhaps not quite so wonderful. Since the fire whenever they thought of their parents the Baudelaires never stepped over this secret line preferring to ponder the best moments the family had together rather than any of the times when they had fought, been unfair, or selfish.

I could not stop thinking of my sister’s face, that blank shock when I told her I would never be like her. What had she hoped for? That we would send messages back and forth in seabirds’ mouths? That we would share spells, fight the gods? That we might be, in our way, sisters at last? I tried to imagine it: our heads bent together over herbs, her laugh as she devised some cleverness. I wished then—oh, a dozen impossible things. That I had known sooner what she was. That we had grown up somewhere other than those glittering halls. I could have blunted her poisons, drawn her from her abuses, taught her how to gather the best herbs. Hah! she said. I will take no lessons from fools like you. You are weak and blind, and it is worse because you choose it. You will be sorry in the end. It was always easier when she was hateful. “I am not weak. And I will never be sorry not to be like you. Do you hear?” There was no answer, of course. Only the air, eating my words.

People are naturally drawn together – those who belong to each other. It’s a very instinctive thing. Such important decisions as who to let into our life and in what way we will let that person in are best made from a deep knowing in our heart. Many relationships seem irrational to other people. Sometimes, the depth of a relationship and what the people will do to remain together may seem incomprehensible. If we understand there is a certain belonging to each other then it helps to go with the flow of life. Sometimes, people come together for a short time as that is the design of that relationship. Sometimes, it’s a lifetime. Sometimes, it’s much longer than one life on Earth.

Come inside with me,” he urged, increasing the pressure on her elbow, “and I’ll begin making it up to you.” Elizabeth let herself be drawn forward a few steps and hesitated. “This is a mistake. Everyone will see us and think we’ve started it all over again-“ “No, they won’t,” he promised. “There’s a rumor spreading like fire in there that I tried to get you in my clutches two years ago, but without a title to tempt you I didn’t have a chance. Since acquiring a title is a holy crusade for most of them, they’ll admire your sense. Now that I have a title, I’m expected to use it to try to succeed where I failed before-as a way of bolstering my wounded male pride.” Reaching up to brush a wisp of hair from her soft cheek, he said, “I’m sorry. It was the best I could do with what I had to work with-we were seen together in compromising circumstances. Since they’d never believe nothing happened, I could only make them think I was in pursuit and you were evading.” She flinched from his touch but didn’t shove his hand away. “You don’t understand. What’s happening to me in there is no less than I deserve. I knew what the rules were, and I broke them when I stayed with you at the cottage. You didn’t force me to stay. I broke the rules, and-“ “Elizabeth,” he interrupted in a voice edge with harsh remorse, “if you won’t do anything else for me, at least stop exonerating me for that weekend. I can’t bear it. I exerted more force on you than you understand.” Longing to kiss her, Ian had to be satisfied instead with trying to convince her his plan would work, because he now needed her help to ensure its success. In a teasing voice he said, “I think you’re underrating my gift for strategy and subtlety. Come and dance with me, and I’ll prove to you how easily most of the male minds in there have been manipulated.” Despite his confidence, moments after they entered the ballroom Ian noticed the increasing coldness of the looks being directed at them, and he knew a moment of real alarm-until he glanced at Elizabeth as he took her in his arms for a waltz and realized the cause of it. “Elizabeth,” he said in a low, urgent voice, gazing down at her bent head, “stop looking meek! Put your nose in the air and cut me dead or flirt with me, but do not on any account look humble, because these people will interpret it as guilt!” Elizabeth, who had been staring at his shoulder, as she'd done with her other dancing partners, tipped her head back and looked at him in confusion. "What?" Ian's heart turned over when the chandeliers overhead revealed the wounded look in her glorious green eyes. Realizing logic and lectures weren't going to help her give the performance he badly needed her to give, he tried the tack that had, in Scotland, made her stop crying and begin to laugh: He tried to tease her. Casting about for a subject, he said quickly, "Belhaven is certainly in fine looks tonight-pink satin pantaloons. I asked him for the name of his tailor so that I could order a pair for myself." Elizabeth looked at him as if he'd taken leave of his senses; then his warning about looking meek hit home, and she began to understand what he wanted her to do. That added to the comic image of Ian's tall, masculine frame in those absurd pink pantaloons enabled her to manage a weak smile. "I have greatly admired those pantaloons myself," she said. "Will you also order a yellow satin coat to complement the look?" He smiled. "I thought-puce." "An unusual combination," she averred softly, "but one that I am sure will make you the envy of all who behold you.

She thinks she’s fighting against lethargy. She does jumping jacks in the motel courtyard, calls her best friend in Juneau from the motel pay phone and anxiously tries to reminisce about their shitty high school band. They sing an old song together, and she feels almost normal. But increasingly she finds herself powerless to resist the warmth that spreads through her chest, the midday paralysis, the hunger for something slow and deep and unnameable. Some maid has drawn the blackout curtains. One light bulb dangles. The dark reminds Angie of packed earth, moisture. What she interprets as sprawling emotion is the Joshua tree. Here was its birth, in the sands of Black Rock Canyon. Here was its death, and its rebirth as a ghostly presence in the human. Couldn’t it perhaps Leap back into that older organism? The light bulb pulses in time with Angie’s headache. It acquires a fetal glow, otherworldly.

The Coach’s head was oblong with tiny slits that served as eyes, which drifted in tides slowly inward, as though the face itself were the sea or, in fact, a soup of macromolecules through which objects might drift, leaving in their wake, ripples of nothingness. The eyes—they floated adrift like land masses before locking in symmetrically at seemingly prescribed positions off-center, while managing to be so closely drawn into the very middle of the face section that it might have seemed unnecessary for there to have been two eyes when, quite likely, one would easily have sufficed. These aimless, floating eyes were not the Coach’s only distinctive feature—for, in fact, connected to the interior of each eyelid by a web-like layer of rubbery pink tissue was a kind of snout which, unlike the eyes, remained fixed in its position among the tides of the face, arcing narrowly inward at the edges of its sharp extremities into a serrated beak-like projection that hooked downward at its tip, in a fashion similar to that of a falcon’s beak. This snout—or beak, rather—was, in fact, so long and came to such a fine point that as the eyes swirled through the soup of macromolecules that comprised the man’s face, it almost appeared—due to the seeming thinness of the pink tissue—that the eyes functioned as kinds of optical tether balls that moved synchronously across the face like mirror images of one another. 'I wore my lizard mask as I entered the tram, last evening, and people found me fearless,' the Coach remarked, enunciating each word carefully through the hollow clack-clacking sound of his beak, as its edges clapped together. 'I might have exchanged it for that of an ox and then thought better. A lizard goes best with scales, don’t you think?' Bunnu nodded as he quietly wondered how the Coach could manage to fit that phallic monstrosity of a beak into any kind of mask, unless, in fact, this disguise of which he spoke, had been specially designed for his face and divided into sections in such a way that they could be readily attached to different areas—as though one were assembling a new face—in overlapping layers, so as to veil, or perhaps even amplify certain distinguishable features. All the same, in doing so, one could only imagine this lizard mask to be enormous to the extent that it would be disproportionate with the rest of the Coach’s body. But then, there were ways to mask space, as well—to bend light, perhaps, to create the illusion that something was perceptibly larger or smaller, wider or narrower, rounder or more linear than it was in actuality. That is to say, any form of prosthesis designed for the purposes of affecting remedial space might, for example, have had the capability of creating the appearance of a gap of void in occupied space. An ornament hangs from the chin, let’s say, as an accessory meant to contour smoothly inward what might otherwise appear to be hanging jowls. This surely wouldn’t be the exact use that the Coach would have for such a device—as he had no jowls to speak of—though he could certainly see the benefit of the accessory’s ingenuity. This being said, the lizard mask might have appeared natural rather than disproportionate given the right set of circumstances. Whatever the case, there was no way of even knowing if the Coach wasn’t, in fact, already wearing a mask, at this very moment, rendering Bunnu’s initial appraisal of his character—as determined by a rudimentary physiognomic analysis of his features—a matter now subject to doubt. And thus, any conjecture that could be made with respect to the dimensions or components of a lizard mask—not to speak of the motives of its wearer—seemed not only impractical, but also irrelevant at this point in time.

Ode to a Dressmaker’s Dummy" Papier-mache body; blue-and-black cotton jersey cover. Metal stand. Instructions included. --Sears, Roebuck Catalogue O my coy darling, still You wear for me the scent Of those long afternoons we spent, The two of us together, Safe in the attic from the jealous eyes Of household spies And the remote buffooneries of the weather; So high, Our sole remaining neighbor was the sky, Which, often enough, at dusk, Leaning its cloudy shoulders on the sill, Used to regard us with a bored and cynical eye. How like the terrified, Shy figure of a bride You stood there then, without your clothes, Drawn up into So classic and so strict a pose Almost, it seemed, our little attic grew Dark with the first charmed night of the honeymoon. Or was it only some obscure Shape of my mother’s youth I saw in you, There where the rude shadows of the afternoon Crept up your ankles and you stood Hiding your sex as best you could?-- Prim ghost the evening light shone through.

He came back from France when Tom and Daisy were still on their wedding trip, and made a miserable but irresistible journey to Louisville on the last of his army pay. He stayed there a week, walking the streets where their footsteps had clicked together through the November night and revisiting the out-of-the-way places to which they had driven in her white car. Just as Daisy's house had always seemed to him more mysterious and gay than other houses so his idea of the city itself, even though she was gone from it, was pervaded with a melancholy beauty. He left feeling that if he had searched harder he might have found her—that he was leaving her behind. The day-coach—he was penniless now—was hot. He went out to the open vestibule and sat down on a folding-chair, and the station slid away and the backs of unfamiliar buildings moved by. Then out into the spring fields, where a yellow trolley raced them for a minute with people in it who might once have seen the pale magic of her face along the casual street. The track curved and now it was going away from the sun which, as it sank lower, seemed to spread itself in benediction over the vanishing city where she had drawn her breath. He stretched out his hand desperately as if to snatch only a wisp of air, to save a fragment of the spot that she had made lovely for him. But it was all going by too fast now for his blurred eyes and he knew that he had lost that part of it, the freshest and the best, forever.

I don’t believe in love that never ends,” said Aiden, his whisper clear and distinct. “I don’t believe in being true until death or finding the other half of your soul.” Harvard raised an eyebrow but didn’t comment. Privately, he considered that it might be good that Aiden hadn’t delivered this speech to this guy he apparently liked so much—whom Aiden had never even mentioned to his best friend before now. This speech was not romantic. Once again, Harvard had to wonder if what he’d been assuming was Aiden’s romantic prowess had actually been many guys letting Aiden get away with murder because he was awfully cute. But Aiden sounded upset, and that spoke to an instinct in Harvard natural as breath. He put his arm around Aiden, and drew his best friend close against him, warm skin and soft hair and barely there shirt and all, and tried to make a sound that was more soothing than fraught. “I don’t believe in songs or promises. I don’t believe in hearts or flowers or lightning strikes.” Aiden snatched a breath as though it was his last before drowning. “I never believed in anything but you.” “Aiden,” said Harvard, bewildered and on the verge of distress. He felt as if there was something he wasn’t getting here. Even more urgently, he felt he should cut off Aiden. It had been a mistake to ask. This wasn’t meant for Harvard, but for someone else, and worse than anything, there was pain in Aiden’s voice. That must be stopped now. Aiden kissed him, startling and fierce, and said against Harvard’s mouth, “Shut up. Let me… let me.” Harvard nodded involuntarily, because of the way Aiden had asked, unable to deny Aiden even things Harvard should refuse to give. Aiden’s warm breath was running down into the small shivery space between the fabric of Harvard’s shirt and his skin. It was panic-inducing, feeling all the impulses of Harvard’s body and his heart like wires that were not only crossed but also impossibly tangled. Disentangling them felt potentially deadly. Everything inside him was in electric knots. “I’ll let you do anything you want,” Harvard told him, “but don’t—don’t—” Hurt yourself. Seeing Aiden sad was unbearable. Harvard didn’t know what to do to fix it. The kiss had turned the air between them into dry grass or kindling, a space where there might be smoke or fire at any moment. Aiden was focused on toying with the collar of Harvard’s shirt, Aiden’s brows drawn together in concentration. Aiden’s fingertips glancing against his skin burned. “You’re so warm,” Aiden said. “Nothing else ever was. I only knew goodness existed because you were the best. You’re the best of everything to me.” Harvard made a wretched sound, leaning in to press his forehead against Aiden’s. He’d known Aiden was lonely, that the long line of guys wasn’t just to have fun but tied up in the cold, huge manor where Aiden had spent his whole childhood, in Aiden’s father with his flat shark eyes and sharp shark smile, and in the long line of stepmothers who Aiden’s father chose because he had no use for people with hearts. Harvard had always known Aiden’s father wanted to crush the heart out of Aiden. He’d always worried Aiden’s father would succeed. Aiden said, his voice distant even though he was so close, “I always knew all of you was too much to ask for.” Harvard didn’t know what to say, so he obeyed a wild foolish impulse, turned his face the crucial fraction toward Aiden’s, and kissed him. Aiden sank into the kiss with a faint sweet noise, as though he’d finally heard Harvard’s wordless cry of distress and was answering it with belated reassurance: No, I’ll be all right. We’re not lost. The idea of anyone not loving Aiden back was unimaginable, but it had clearly happened. Harvard couldn’t think of how to say it, so he tried to make the kiss say it. I’m so sorry you were in pain. I never guessed. I’m sorry I can’t fix this, but I would if I could. He didn’t love you, but I do.

Colette"s "My Mother's House" and "Sido" After seeing the movie "Colette" I felt so sad that it didn't even touch the living spirit of her that exists in her writing. 'What are you doing with that bucket, mother? Couldn't you wait until Josephine (the househelp) arrives?' "And out I hurried. But the fire was already blazing, fed with dry wood. The milk was boiling on the blue-tiled charcoal stove. Nearby, a bar of chocolate was melting in a little water for my breakfast, and, seated squarely in her cane armchair, my mother was grinding the fragrant coffee which she roasted herself. The morning hours were always kind to her. She wore their rosy colours in her cheeks. Flushed with a brief return to health, she would gaze at the rising sun, while the church bell rang for early Mass, and rejoice at having tasted, while we still slept, so many forbidden fruits. "The forbidden fruits were the over-heavy bucket drawn up from the well, the firewood split with a billhook on an oaken block, the spade, the mattock, and above all the double steps propped against the gable-windows of the attic, the flowery spikes of the too-tall lilacs, the dizzy cat that had to be rescued from the ridge of the roof. All the accomplices of her old existence as a plump and sturdy little woman, all the minor rustic divinities who once obeyed her and made her so proud of doing without servants, now assumed the appearance and position of adversaries. But they reckoned without that love of combat which my mother was to keep till the end of her life. At seventy-one dawn still found her undaunted, if not always undamaged. Burnt by fire, cut with the pruning knife, soaked by melting snow or spilt water, she had always managed to enjoy her best moments of independence before the earliest risers had opened their shutters. She was able to tell us of the cats' awakening, of what was going on in the nests, of news gleaned, together with the morning's milk and the warm loaf, from the milkmaid and the baker's girl, the record in fact of the birth of a new day.

Excerpt from Storm’s Eye by Dean Gray With a final drag and drop, Jordan Rayne sent his latest creation winging its way toward the publisher. He looked up, squinted at that little clock in the right hand corner of his monitor, and removed his glasses to rub the bridge of his nose. His cover art was finished and shipped, just in time for lunch. He sighed and stood, rolling his shoulders and bending side to side, his back cracking in protest as the muscles loosened after having been hunched over the screen for so long. Sam raised his head, tilting it enquiringly at him, and Jordan laughed. “Yeah, I know what you want, some lunch and a nice long walk along the beach, hmm?” Jordan smiled fondly at the furry ball of energy he’d saved from certain death. With his mom’s recent death it was just Sam and him in the house. Sometimes he wondered what kept him here, now that the last thread tethering him to the island was severed. Sam limped over and nuzzled at his hand. When Jordan had first found him out on the main road, hurt and bleeding, he hadn’t been sure the pooch would make it. Taylor, his best friend and the local vet, had done what she could. At the time, Jordan simply didn’t have the deep pockets for the fancy surgery needed to mend Sam’s leg perfectly, he could barely afford the drugs to keep his mom in treatment. So they’d patched him up as well as they could, Taylor extending herself further than he could ever repay, and hoped for the best. The dog had made a startling recovery, urged on by plenty of rest and good food and lots of love, and had flourished, the slight limp now barely noticeable. Jordan’s conscience still twinged as he watched Sam limp over to his dish, but he had barely been keeping things together at the time. He had done the best he could. He’d done his best to find Sam’s real owners as well, papering downtown Bar Harbor with a hand-drawn sketch of the dog, but to no avail. The only thing it had prompted was one kind soul wanting to buy the illustration. But no one had ever come forward to claim the “goldendoodle,” which Taylor had told him was a golden retriever/standard poodle cross. Who had a dog breed like that anyway? Summer people! Jordan shook his head, grinning at the dog’s foolish antics, weaving in and around his legs like he was still a little pup instead of the fifty-pound fuzzball he actually was now. So without meaning to at all, Sam had drifted into Jordan’s life and stayed, a loyal, faithful companion.

The local pub, The Red Lion, has the double distinction of being the only pub in Britain to be surrounded by a stone circle and be voted one of the top 10 most haunted bars in the world. The pub has quite a bit of history. It started as a farmhouse in the early 17th century before becoming a coaching inn in 1802, acting as a rest stop for the growing network of horse-drawn coaches taking passengers and mail between cities. It continues to serve drinks to this day. The Red Lion’s landlord says there are at least five ghosts in his pub. The best known is a young woman named Florrie, who married a local soldier in the 17th century. When he went off to fight in the English Civil War, she took another lover. The soldier returned unexpectedly, discovered them together, and shot the man who had cuckolded him before stabbing Florrie and throwing her down a well located inside the building. The well is still there today, and she is often seen hovering nearby or floating in and out of it. Sometimes, she is not seen, but acts as a poltergeist, throwing small objects across the bar.

You can take the Governor’s pinnace; that’s small, but it’s seaworthy.” Grey fumbled through the drawer of his desk. “I’ll write an order for the dockers to hand it over to you.” “Aye, we’ll need the boat—I canna risk the Artemis; as she’s Jared’s—but I think we’d best steal it, John.” Jamie’s brows were drawn together in a frown. “I wouldna have ye be involved wi’ me in any visible way, aye? You’ll be having trouble enough with things, without that.” Grey smiled unhappily. “Trouble? Yes, you might call it trouble, with four plantation houses burnt, and over two hundred slaves gone—God knows where! But I vastly doubt that anyone will take notice of my social acquaintance, under the circumstances. Between fear of the Maroons and fear of the Chinaman, the whole island is in such a panic that a mere smuggler is the most negligible of trivialities.” “It’s a great relief to me to be thought trivial,” Jamie said, very dryly. “Still, we’ll steal the boat. And if we’re taken, ye’ve never heard my name or seen my face, aye?” Grey stared at him, a welter of emotions fighting for mastery of his features, amusement, fear, and anger among them. “Is that right?” he said at last. “Let you be taken, watch them hang you, and keep quiet about it—for fear of smirching my reputation? For God’s sake, Jamie, what do you take me for?

Paul turned pinkened, watery eyes toward him. “Oh, boy,” Jack said. “You’re going to hate yourself.” “Don’t I know it,” he agreed with a slight slur, drinking another shot nonetheless. “Want to tell me about it?” “About what?” “I’m thinking it has something to do with Vanessa,” Jack said. “Matt’s my best friend. That would be wrong.” “What happened?” “Nothing happened. For me, anyway.” He put his empty glass on the bar. Jack was sure Paul had already had too much, but he poured. “Okay, now I’m just taking advantage of you,” Jack said. “Because I’m curious. She said you and Matt were together the night you met.” “Yeah. I should’ve stopped going out with him years ago. I spotted her first.” Jack kind of lifted his brows. “How’d he get her, then?” Paul threw back his drink. “I think the son of a bitch said dibs.” And then he put his head down on the bar and passed out. So that’s how it went. Because if Matt was the first one to get to her, talk to her, and if she was impressed enough to go out with him, a Marine doesn’t mess with a brother’s woman. Not even Valenzuela would do that. That was a line even he had never crossed—not his Mexican brothers and not his Marine brothers. Because he liked living…. Whoa, damn, Jack thought. And now she’s married, pregnant and Paul is still miserably drawn to her. That bites. “I’m

Paul, the baby is coming very soon.” He smiled. “That’s getting real obvious.” “You’re my very best friend, Paul.” “Thanks, Vanni,” he said, but he furrowed his eyebrows. Suspicious. “I want you to be with me during the delivery.” “With you how?” he asked. “I want you to be the one to encourage me, coach me, coax me. Hold my hand. Support me.” “Um… Isn’t that Mel’s job?” “Mel is going to be very much a coach, but she’s also going to be the midwife and she’ll be busy with other things. Especially when the baby is coming out. I need you to do this.” “Vanni,” he said, scooting forward on his chair, “I’m a guy.” “I know. Guys do this.” “I can’t…Vanni, I shouldn’t…. Vanessa, listen. I can’t see you like that. It wouldn’t be…appropriate.” “Well, actually, I thought about my brother or my dad and frankly, that really doesn’t appeal to me. So,” she said, lifting a video from the table beside her, “I got us a childbirth movie from Mel.” “Aw, no,” he said, pleading. She stood up and popped it into the VCR, then sat down again with the remote in her hand. “Jack delivered his own son,” she said. “I know, but in case you’re interested, he wasn’t thrilled about it at the time. And he refuses to do it again—he’s adamant about that. And, Vanni, this isn’t my son. This is my best friend’s son.” “Of course I know that, Paul. But since it is your best friend’s son, he’d be so grateful.” She started the video. “Now, I want you to concentrate on what the partner is doing. Don’t worry about the mother. Most of the time while I’m in labor you’ll either be behind me, or helping me walk or squat to use gravity to help with the dilating, or reminding me to breathe properly. It’s not like you’re going to have your face in the field of birth.” “I’m starting to feel kind of weak,” he said. “Why don’t you ask Brie or Paige, if you need someone for that?” “I could do that, but to tell you the truth, I’m much closer to you. And you’re here—right here. You can do this. We’ll watch the movie together and if you have any questions, just ask me.” He looked at the screen, his brows drawn together. He squinted. This was an unattractive woman, giving birth. Well, not just yet—she was working up to it. Her big belly was sticking out, which was not what made her plain. It was the stringy hair, monobrow, baggy socks on her feet and—“Vanni, she has very hairy legs.” “If that’s what worries you I can still manage to shave my legs, even though I have to admit I’ve lost interest.” The hospital gown on the woman was draped over her belly and legs in such a way that when she started to rise into a sitting position, spreading her thighs and grabbing them to bear down, she was covered. Then the doctor or midwife or whoever was in charge flipped that gown out of the way and there, right in Paul’s face, was the top of a baby’s head emerging from the woman’s body. “Aw, man,” he whined, putting his head in his hands. “I said watch the coach—don’t worry about the woman,” Vanni lectured. “It’s pretty damn hard to not look at that, Vanni,” he said. “Concentrate.” So

I don’t take kindly to any of you shanty boys touching me,” she said. “So unless I give you permission, from now on, you’d best keep your hands off me.” With the last word, she lifted her boot and brought the heel down on Jimmy’s toes. She ground it hard. Like most of the other shanty boys, at the end of a day out in the snow, he’d taken off his wet boots and layers of damp wool socks to let them dry overnight before donning them again for the next day’s work. Jimmy cursed, but before he could move, she brought her boot down on his other foot with a smack that rivaled a gun crack. This time he howled. And with an angry curse, he shoved her hard, sending her sprawling forward. She flailed her arms in a futile effort to steady herself and instead found herself falling against Connell McCormick. His arms encircled her, but the momentum of her body caused him to lose his balance. He stumbled backward. “Whoa! Hold steady!” Her skirt and legs tangled with his, and they careened toward the rows of dirty damp socks hanging in front of the fireplace. The makeshift clotheslines caught them and for a moment slowed their tumble. But against their full weight, the ropes jerked loose from the nails holding them to the beams. In an instant, Lily found herself falling. She twisted and turned among the clotheslines but realized that her thrashing was only lassoing her against Connell. In the downward tumble, Connell slammed into a chair near the fireplace. Amidst the tangle of limbs and ropes, she was helpless to do anything but drop into his lap. With a thud, she landed against him. Several socks hung from his head and covered his face. Dirty socks covered her shoulders and head too. Their stale rotten stench swarmed around her. And for a moment she was conscious only of the fact that she was near to gagging from the odor. She tried to lift a hand to move the sock hanging over one of her eyes but found that her arms were pinned to her sides. She tilted her head and then blew sideways at the crusty, yellowed linen. But it wouldn’t budge. Again she shook her head—this time more emphatically. Still the offending article wouldn’t fall away. Through the wig of socks covering Connell’s head, she could see one of his eyes peeking at her, watching her antics. The corner of his lips twitched with the hint of a smile. She could only imagine what she looked like. If it was anything like him, she must look comical. As he cocked his head and blew at one of his socks, she couldn’t keep from smiling at the picture they both made, helplessly drenched in dirty socks, trying to remove them with nothing but their breath. “Welcome to Harrison.” His grin broke free. “You know how to make a girl feel right at home.” She wanted to laugh. But as he straightened himself in the chair, she became at once conscious of the fact that she was sitting directly in his lap and that the other men in the room were hooting and calling out over her intimate predicament. She scrambled to move off him. But the ropes had tangled them together, and her efforts only caused her to fall against him again. She was not normally a blushing woman, but the growing indecency of her situation was enough to chase away any humor she may have found in the situation and make a chaste woman like herself squirm with embarrassment. “I’d appreciate your help,” she said, struggling again to pull her arms free of the rope. “Or do all you oafs make a sport of manhandling women?” “All you oafs?” His grin widened. “Are you insinuating that I’m an oaf?” “What in the hairy hound is going on here?” She jumped at the boom of Oren’s voice and the slam of the door. The room turned quiet enough to hear the click-click of Oren pulling down the lever of his rifle. She glanced over her shoulder to the older man, to the fierceness of his drawn eyebrows and the deadly anger in his eyes as he took in her predicament.

Lest we conclude this is a fringe movement involving only a small percentage of American Christians, statistics show that nearly two-thirds of mainline Protestants7—members of the supposedly “liberal” Christian denominations—and two-thirds of all Christians taken together8 agree with many of the sentiments, if not the actions, of the thousands who marched on the Capitol on January 6. Many of us have neighbors, friends, and family members who agree at least with the beliefs underlying that violent insurgence. Based on the best research to date, approximately half (52%) of Americans either fully embrace or lean toward the main tenets of Christian nationalism. 9 While this percentage decreased slightly between 2007 and 2017, Christian nationalists have become more visible and vocal since Trump’s election in 2016. The 2001 attack on the World Trade Center (9/ 11) caused an upsurge in nationalistic fervor and a parallel rise in Islamophobia.

Dawn arising I am a girls-l I change my hair color as I do with undies, boys, and my mind about loving only girls. ‘Our existence is drawn-out by chances, even the ones that are missed out on.’ Sleeping with me is a lot like the first step of dying. Running down a dream, looking for an answer that may never come. Yet when it comes, will you want to go or run the other way. It’s just like you never- ever fail to recall the appearance of the soul who was your last and hopes to save you from yourself. Your future life is shown to throw your dreams; however, I could see much of anything, and that was odd for me. The only thing that was shown in this dream was my hand slipping away for someone else’s in the scary blackness. I was falling, and you were falling to me. Yet never together even in the dream. I am sure he is holding me, yet I was never really sure. Something a guess is best left unknown. Or maybe I fainted in his arms and he put me to bed, I don’t know. I swear that I am going to have a sex consent document made, so I know when were, and how. I am sick of boys that freaking hard. I want to know I am making love. I am sick of serenading my everything to anyone, that says they own me. Yet again I am on the pill, so I don’t have anything to worry about. The whole time Bela Lucas, one of Ray Hobro’s girl's best friends, is standing in the corner laughing at me, and Ray stumbles over to her and kisses her like they have been hooking up for months.

I didn’t expect you to call me,” Ashton said softly while studying the plate of biscuits in her hands. I’d had a moment of intense weakness when I’d woken up form an incredibly good dream she had starred in. All I could think about was being near her again. “I hated the way we left things last night.” She blushed and glanced up at me. “I’m really sorry about how I acted.” Damn, damn, damn, I wasn’t going to be able to resist her. Pushing Sawyer to the deep, dark forgotten part of my mind, I walked over to her, took the plate of biscuits, and put them down on the counter. “I told you last night: I started it. I should be the one apologizing.” She let out a small laugh and stared down at her feet. “No, I distinctly remember it being my leg that was hiked up in your lap and my hand that was up your shirt. You had completely stopped touching me. Thanks for trying to take the blame off me, but I was there, Beau.” I slipped my arms around her waist and pulled her to me. Right now I didn’t care who she belonged to. I wanted her and I couldn’t see past my need. “Look at me,” I whispered, slipping my finger under her chin and tilting her face up so I could see her eyes. “The only reason I didn’t grab you and haul you onto my lap last night was because for the first time in my life, I want something that belongs to the only person I love. I started touching you last night because I couldn’t keep my hands off you. I thought if I could touch you just a little bit, I’d be able to handle it. But then you didn’t react the way I expected.” I stopped and closed my eyes. Staring down at her while I talked about her reaction to my touch was difficult. Those big, innocent green eyes soaked in every word out of my mouth. God, she was perfect. “And my good intentions were fading fast. If you’d kept touching me for just a few more seconds, I’d have lost it. I was hanging on by a thread. A very thin thread.” She stepped back out of my embrace and gave me a little grin. “Okay. Thank you for saying that.” She turned and walked over to the counter then began taking the plastic wrap off the biscuits. “We both love him. Neither of us wants to hurt him. But…we’re drawn to each other. We have history. The three of us. For the past few years, it’s been just me and Sawyer. I didn’t want it to be that way; it just happened. I think we can all be friends again. I want us to be. So while he’s gone, let’s just enjoy being friends. I promise to keep my hands to myself if you promise the same.” She peered at me over her shoulder as she moved to set the biscuits on plates she’d found in the dish rack. Telling her how I’d do anything she asked wasn’t exactly the best move. I nodded and went to get glasses and orange juice so we could eat breakfast together. Just like we use to.

In medieval society, daily or at least frequent contact with opponents was inescapable; thus conflict was a constant and ongoing part of life. Enemies frequently were forced to encounter one another, perhaps even to work together, and certainly to pray together, and this constantly reinforced atmosphere of hostility ultimately involved not only the opponents themselves and their immediate families but the entire community. Every conflict drew into it a wider society; as individuals and families were forced to take sides, to define their relationships to the principal participants. In the dispute at Chorges we see a conflict that involves not only the prior and the de Turre brothers but also their respective vassals, lords (the abbot and the archbishop respectively), and kin and, ultimately, the neighbors who are forced to testify for one side or the other. The circle of conflict becomes progressively wider. The fatal magnetism that feuds exercised on society at large is perhaps best illustrated in contemporary literature. The essence of the tragedy in medieval epics and sagas is often exactly this: that a man, burdened by complex obligations to estranged parties, is ultimately and fatally drawn into their conflict. Neutrality is unthinkable. The most obvious example is the conflict between Roland and his father-in-law, Ganelon, which ultimately leads to the deaths not only of the two principals but also of the peers, numerous Frankish knights, and thirty of Ganelon's kinsmen (not to mention thousands of Saracens). At Chorges, the prior tries to avoid having Peter de Rosset drawn into the web of conflict for fear of losing his friendship; the bailiff Peter attempts to avoid testifying because he knows that to do so will place in the conflict. Both efforts come to nought. From this process of taking sides, of testing bonds, came not only social antagonism but cohesion as well. Dispute thus served to define the boundaries of social groups: kindreds, vassalic groups, patronage connections, and the like. Moreover, conflicts created new groups as individuals or parties sought new alliances to assist them in pressing their claims. Finally, every conflict tested the implicit, preexisting social bonds and hierarchies, and every new outbreak caused existing ties to be either reaffirmed or denied. The Chorges dispute tests and reinforces the bonds uniting the de Turre and de Rosset groups, tests and strengthens the loyalty of their vassals and amid, and forces the entire local community to define itself in relationship to the two sides. By the end of the account (which is not the same as the end of the dispute), the knights have reason to doubt the strength of their bonds with their lord, the archbishop, and to take comfort in the loyalty of Bruno Stephanus and their other vassals who have proven their devotion. The archbishop and the monks, who had often faced each other as opponents, have drawn closer together in their mutual effort to end the conflict. Like the dispute over the sponsaficium itself, the narrative of it does not begin at the "beginning" and carry through to the "end." This is typical of such records because these conflicts were such an essential part of the social fabric that one can hardly speak of them in this society as having a beginning, a middle, and an end. Conflicts were more structures than events--structures often enduring generations. The basis for social forms themselves was often a long-term, inherited conflict without which social groups would have lost their meaning and hence their cohesion.

Sanna measured the apple juice into a large glass beaker and added it to the carboy, swirling a cheery red- like Santa's suit. She wrote down the amount in her notebook and did the same with the next juice, this one a bold sapphire blue, which mixed with the red into a vivid purple. When it came to cider, colors and flavors blended together for her. She knew she had the right blend when it matched the color she had envisioned. It wasn't scientific- and it didn't happen with anything else Sanna tasted- but here, with her beloved trees, it worked. She carefully tracked the blends in her journal. The sun streamed through the window, lighting up the colors in the carboy like Christmas lights. She was close- one more juice should do it. She closed her eyes, calling to mind all the juices in the barn's cooler and their corresponding colors. Every juice she tasted from their apples had a slightly different hue, differing among individual varieties, but even varying slightly from tree to tree. When she was twenty-four, she had stood at the tall kitchen counter tasting freshly pressed juices she had made for the first time with the press she had unearthed from the old barn. Her plan had originally been to sell them in the farm stand, but she wanted to pick the best. As she sipped each one, an unmistakable color came to mind- different for each juice- and she finally understood the watercolor apple portraits above the fireplace. They were proof she wasn't the only family member who could see the colors. After she explained it to her dad, he smiled. "I thought you might have the gift." "You knew about this?" "It's family legend. My dad said Grandpa could taste colors in the apples, but no one in my lifetime has been able to, so I thought it might be myth. When you returned home after college- the way you were drawn to Idun's- I thought you might have it." He had put his hands on the side of her face. "This means something good, Sanna." "Why didn't you say anything? Why didn't I know before?" "Would you have believed me?" "I've had apple juice from the Rundstroms a thousand times. Why can't I see that with theirs?" "I think it has something to do with apples from our land. We're connected to it, and it to us." Sanna had always appreciated the sanctuary of the orchard, and this revelation bonded Sanna like another root digging into the soil, finding nourishment. She'd never leave. After a few years of making and selling apple juice, Sanna strolled through the Looms wondering how these older trees still produced apples, even though they couldn't sell them. They didn't make for good eating or baking- Einars called them spitters. Over the years, the family had stopped paying attention to the sprawling trees since no one would buy their fruit- customers only wanted attractive, sweet produce. Other than the art above the mantel, they had lost track of what varieties they had, but with a bit of research and a lot of comparing and contrasting to the watercolors and online photos, Sanna discovered they had a treasure trove of cider-making apples- Kingston Black, Ashton Bitter, Medaille d'Or, Foxwhelp, her favorite Rambo tree, and so many more. The first Lunds had brought these trees to make cider, but had to stop during Prohibition, packing away the equipment in the back of their barn for Sanna to find so many years later. She spent years experimenting with small batches, understanding the colors, using their existing press and carboys to ferment. Then, last year, Einars surprised her with plans to rebuild the barn, complete with huge fermentation tanks and modern mills and presses. Sanna could use her talent and passion to help move their orchard into a new phase... or so they had hoped.

I can’t explain what I don’t understand. It’s never happened with any other Skill-healing I’ve witnessed. Only between you and me. Whatever injury I take from you appears on me.” He stood, his arms crossed on his chest. He wore his own face, and Amber’s painted lips and rouged cheeks looked peculiar now. His eyes seemed to bore into me. “No. Explain why you hid this from me! Why you couldn’t trust me with the simple truth. What did you imagine? That I would demand you blind yourself that I might see?” “I…no!” I braces my elbows on the table and rested my head in my hands. I could not recall when I had felt more drained. A steady pulse of pounding pain in my temples kept pace with my heartbeat. I felt a desperate need to recover my strength, but even sitting still was demanding more than I had to give. I wanted to topple over onto the floor and surrender to sleep. I tried to order my thoughts. “You were so desperate to regain your sight. I didn’t want to take that hope from you. My plan was that once you were strong enough the coterie could try to heal you, if you would let them. My fear was that if I told you I couldn’t heal you without losing my sight, you’d lose all hope.” The last piece of the truth was angular and sharp-edged in my mouth. “And I feared you would think me selfish that I did not heal you.” I let my head lower onto my folded arms. The Fool said something. “I didn’t hear that.” “You weren’t meant to,” he replied in a low voice. Then he admitted, “I called you a clodpoll.” “Oh.” I could barely keep my eyes open. He asked a cautious question. “After you’d taken on my hurts, did they heal?” “Yes. Mostly. But very slowly.” My back still bore the pinkish dimples in echo of the ulcers that had been on his back. “Or so it seemed to me. You know hun body has been since that runaway healing the coterie did on me years ago. I scarcely age and injuries heal overnight, leaving me exhausted. But they healed, Fool. Once I knew what was happening, I was more careful. When I worked on the bones around your eyes, I kept strict control.” I halted. It was a terrifying offer to make. But in our sort of friendship, it had to be made. “I could try to heal your eyes. Give you sight, lose mine, and see if my body could restore mine. It would take time. And I’m not sure this is the best place for us to make such an attempt. Perhaps in Bingtown, after we’ve sent the others home, we could take rooms somewhere and make the attempt.” “No. Don’t be stupid.” His tone forbade any response. In his long silence, sleep crept up on me, seeping into every part of my body. It was an engulfing demand the body makes, one that knows no refusal. “Fitz. Fitz? Look at me. What do you see?” I prised my eyelids open and looked at him. I thought I knew what he needed to hear. “I see my friend. My oldest, dearest friend. No matter what guise you wear.” “And you see me clearly?” Something in his voice made me lift up my head. I blinked blearily and stared at him. After a time, he swam into focus. “Yes.” He let out his pent up breath. “Good. Because when I touched you, I felt something happen, something more than I expected. I reached for you, to call you back, for I feared you were vanishing into the Skill-current. But when I touched you, it wasn’t as if I touched someone else. It was like folding my hands together. As if your blood suddenly ran through my veins. Fitz, I can see the shape of you, there in your chair. I fear I may have taken something from you.” “Oh. Good. I’m glad.” I closed my eyes, too weary for surprise. Too exhausted for fear. I thought of that day, long ago, when I had drawn him back from death and pushed him into his own body again. In that moment, as I had left the body I had repaired for him, as we had passed each other before resuming our own flesh again, I’d felt the same. A sense of oneness. Of completion. I recalled it but was too weary to put it into words. I put my head down on the table and slept.

I can’t explain what I don’t understand. It’s never happened with any other Skill-healing I’ve witnessed. Only between you and me. Whatever injury I take from you appears on me.” He stood, his arms crossed on his chest. He wore his own face, and Amber’s painted lips and rouged cheeks looked peculiar now. His eyes seemed to bore into me. “No. Explain why you hid this from me! Why you couldn’t trust me with the simple truth. What did you imagine? That I would demand you blind yourself that I might see?” “I…no!” I braces my elbows on the table and rested my head in my hands. I could not recall when I had felt more drained. A steady pulse of pounding pain in my temples kept pace with my heartbeat. I felt a desperate need to recover my strength, but even sitting still was demanding more than I had to give. I wanted to topple over onto the floor and surrender to sleep. I tried to order my thoughts. “You were so desperate to regain your sight. I didn’t want to take that hope from you. My plan was that once you were strong enough the coterie could try to heal you, if you would let them. My fear was that if I told you I couldn’t heal you without losing my sight, you’d lose all hope.” The last piece of the truth was angular and sharp-edged in my mouth. “And I feared you would think me selfish that I did not heal you.” I let my head lower onto my folded arms. The Fool said something. “I didn’t hear that.” “You weren’t meant to,” he replied in a low voice. Then he admitted, “I called you a clodpoll.” “Oh.” I could barely keep my eyes open. He asked a cautious question. “After you’d taken on my hurts, did they heal?” “Yes. Mostly. But very slowly.” My back still bore the pinkish dimples in echo of the ulcers that had been on his back. “Or so it seemed to me. You know how my body has been since that runaway healing the coterie did on me years ago. I scarcely age and injuries heal overnight, leaving me exhausted. But they healed, Fool. Once I knew what was happening, I was more careful. When I worked on the bones around your eyes, I kept strict control.” I halted. It was a terrifying offer to make. But in our sort of friendship, it had to be made. “I could try to heal your eyes. Give you sight, lose mine, and see if my body could restore mine. It would take time. And I’m not sure this is the best place for us to make such an attempt. Perhaps in Bingtown, after we’ve sent the others home, we could take rooms somewhere and make the attempt.” “No. Don’t be stupid.” His tone forbade any response. In his long silence, sleep crept up on me, seeping into every part of my body. It was an engulfing demand the body makes, one that knows no refusal. “Fitz. Fitz? Look at me. What do you see?” I prised my eyelids open and looked at him. I thought I knew what he needed to hear. “I see my friend. My oldest, dearest friend. No matter what guise you wear.” “And you see me clearly?” Something in his voice made me lift up my head. I blinked blearily and stared at him. After a time, he swam into focus. “Yes.” He let out his pent up breath. “Good. Because when I touched you, I felt something happen, something more than I expected. I reached for you, to call you back, for I feared you were vanishing into the Skill-current. But when I touched you, it wasn’t as if I touched someone else. It was like folding my hands together. As if your blood suddenly ran through my veins. Fitz, I can see the shape of you, there in your chair. I fear I may have taken something from you.” “Oh. Good. I’m glad.” I closed my eyes, too weary for surprise. Too exhausted for fear. I thought of that day, long ago, when I had drawn him back from death and pushed him into his own body again. In that moment, as I had left the body I had repaired for him, as we had passed each other before resuming our own flesh again, I’d felt the same. A sense of oneness. Of completion. I recalled it but was too weary to put it into words. I put my head down on the table and slept.