Draper Quotes

We've searched our database for all the quotes and captions related to Draper. Here they are! All 100 of them:

Words have always swirled around me like snowflakes-each one delicate and different, each one melting untouched in my hands.
Sharon M. Draper (Out of My Mind (The Out of My Mind Series))
What's right isn't always popular, and whats popular isn't always right.
Sharon M. Draper
[A] person is so much more than the name of a diagnosis on a chart.
Sharon M. Draper (Out of My Mind (The Out of My Mind Series))
Thoughts need words. Words need a voice.
Sharon M. Draper (Out of My Mind (The Out of My Mind Series))
Do not let anyone stop you from succeding
Sharon M. Draper
But I'll always love you, and I'll always miss you and I'll never forget that It's okay to put dragons in the jungle and tears on a tiger
Sharon M. Draper (Tears of a Tiger (Hazelwood High, #1))
You use a welding rig to weld things. You use a gun to shoot things. You use a Bobbie Draper to fuck a bunch of bad guys permanently up.
James S.A. Corey (Babylon's Ashes (Expanse, #6))
I believe in me. And my family does. And Mrs. V. It's the rest of the world I'm not so sure of.
Sharon M. Draper (Out of My Mind (The Out of My Mind Series))
Nostalgia - its delicate, but potent. Teddy told me that in Greek nostalgia literally means “the pain from an old wound.” It’s a twinge in your heart far more powerful than memory alone. This device isn’t a spaceship, it’s a time machine. It goes backwards, and forwards… it takes us to a place where we ache to go again. It’s not called the wheel, it’s called the carousel. It let’s us travel the way a child travels - around and around, and back home again, to a place where we know are loved.
Don Draper
Do you know what courage is? I guess you don't. Do you know that the courage it took at that moment - to actually blow yourself away - was more than enough courage to keep on living?
Sharon M. Draper (Tears of a Tiger (Hazelwood High, #1))
In Greek, “nostalgia” literally means “the pain from an old wound”. It’s a twinge in your heart, far more powerful than memory alone. This device isn’t a spaceship, it’s a time machine. It goes backwards and forwards, it takes us to a place where we ache to go again.
Don Draper
Go ahead and cry, Andy. Don't be afraid of those tears. Sometimes they help to wash the soul clean.
Sharon M. Draper (Tears of a Tiger (Hazelwood High, #1))
What your body looks like has nothing to do with how well your brain works!
Sharon M. Draper (Out of My Mind (The Out of My Mind Series))
What would you do if you could fly?" Mrs. V asks as she glances from the bird to me. "Is that on the quiz?" I ask, grinning as I type. "I think we've studied just about everything else." Mrs. V chuckles. "I'd be scared to let go," I type. "Afraid you'd fall?" she asks. "No. Afraid it would feel so good, I'd just fly away.
Sharon M. Draper (Out of My Mind (The Out of My Mind Series))
Music is powerful, my young friends,” she said. “It can connect us to memories. It can influence our mood and our responses to problems we might face.
Sharon M. Draper (Out of My Mind (The Out of My Mind Series))
I learned to dream through reading, learned to create dreams through writing, and learned to develop dreamers through teaching. I shall always be a dreamer.
Sharon M. Draper
By the way, there is nothing cute about a pink wheelchair. Pink doesn't change a thing.
Sharon M. Draper (Out of My Mind (The Out of My Mind Series))
Maybe I'm not so different from everyone else after all. It's like somebody gave me a puzzle, but I don't have the box with the picture on it. So I don't know what the final thing is supposed to look like. I'm not even sure if I have all the pieces.
Sharon M. Draper (Out of My Mind (The Out of My Mind Series))
She talked to me like I was just like any other student, not a kid in a wheelchair.
Sharon M. Draper (Out of My Mind (The Out of My Mind Series))
I still feel haunted,' she said. 'I thought it would go away. I thought if I faced it, it would all go away.' 'It doesn't go away. Ever. But you get better at it.' 'At what?' 'At being haunted,' Avasarala said.
James S.A. Corey (Caliban's War (The Expanse, #2))
Words. I’m surrounded by thousands of words. Maybe millions. Cathedral. Mayonnaise. Pomegranate. Mississippi. Neapolitan. Hippopotamus. Silky. Terrifying. Iridescent. Tickle. Sneeze. Wish. Worry. Words have always swirled around me like snowflakes—each one delicate and different, each one melting untouched in my hands. Deep within me, words pile up in huge drifts. Mountains of phrases and sentences and connected ideas. Clever expressions. Jokes. Love songs. From the time I was really little—maybe just a few months old—words were like sweet, liquid gifts, and I drank them like lemonade. I could almost taste them. They made my jumbled thoughts and feelings have substance. My parents have always blanketed me with conversation. They chattered and babbled. They verbalized and vocalized. My father sang to me. My mother whispered her strength into my ear. Every word my parents spoke to me or about me I absorbed and kept and remembered. All of them. I have no idea how I untangled the complicated process of words and thought, but it happened quickly and naturally. By the time I was two, all my memories had words, and all my words had meanings. But only in my head. I have never spoken one single word. I am almost eleven years old.
Sharon M. Draper (Out of My Mind (The Out of My Mind Series))
and the machine speaks the words I’ve never been able to say. “I love you.
Sharon M. Draper (Out of My Mind (The Out of My Mind Series))
Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunch-backed makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed form kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries' vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers, heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters' sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etiolated lacquerers; mottle-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men's wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of Last Chrysanthemum, where a puddle from last night's rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.
David Mitchell (The Thousand Autumns of Jacob de Zoet)
You came here because we do this better than you and part of that is letting our creatives be unproductive until they are.
Don Draper
It’s like I’ve always had a painted musical sound track playing background to my life. I can almost hear colors and smell images when music is played.
Sharon M. Draper (Out of My Mind (The Out of My Mind Series))
The history of Science is not a mere record of isolated discoveries; it is a narrative of the conflict of two contending powers, the expansive force of the human intellect on one side, and the compression arising from traditionary faith and human interests on the other.
John William Draper (History of the Conflict Between Religion and Science)
I just sit there. The morning started out like crystal, but the day has turned to broken glass.
Sharon M. Draper (Out of My Mind (The Out of My Mind Series))
Words fall out of the sky like leaves, girl. Grab a couple and write ’em down.
Sharon M. Draper (Stella by Starlight)
I can’t talk. I can’t walk. I can’t feed myself or take myself to the bathroom. Big bummer.
Sharon M. Draper (Out of My Mind (The Out of My Mind Series))
Delete, delete, delete. No way am I letting their negativity mess me up. I have enough to worry about.
Sharon M. Draper (Out of My Mind (The Out of My Mind Series))
One series of notes, high and delicate, sang of a sweet moonlight kiss gone sour; another line of music rippled with regret over opportunities forever lost.
Sharon M. Draper (The Battle of Jericho (Jericho, #1))
Why does everybody need to talk about everything?
Don Draper
Should you have liked your sister to have been noticed by a grocer's assistant for doing so?” "In the first place, as it is not many years since I myself was a draper's assistant, the mere circumstance of a grocer's assistant noticing any act does not alter the character of the act to me.
Elizabeth Gaskell (North and South)
Look at that amazing display of sparkle! And feel that wind? It's trying to tickle your toes,
Sharon M. Draper (Out of My Mind (The Out of My Mind Series))
Words. I'm surrounding by thousands of words. Maybe millions...Deep within me, words pile up in huge drifts. Mountains of phrases and sentences and connected ideas. Clever expressions. Jokes. Love songs...I have never spoken one single word. I am almost eleven years old.
Sharon M. Draper
I love the smell of my mother’s hair after she washes it. I love the feel of the scratchy stubble on my father’s face before he shaves. But I’ve never been able to tell them.
Sharon M. Draper (Out of My Mind (The Out of My Mind Series))
This was now officially the most inane conversation in which Griff had ever been a participant—and that included a drunken debate with Del over ostrich racing. “The color isn’t too awful?” She twisted a fold of the skirt. “The draper called it ‘dewy petal,’ but your mother said the shade was more of a ‘frosted berry.’ What do you say?” “I’m a man, Simms. Unless we’re discussing nipples, I don’t see the value in these distinctions.
Tessa Dare (Any Duchess Will Do (Spindle Cove, #4))
Who Am I? I’m a creator, a visionary, a poet. I approach the world with the eyes of an artist, the ears of a musician, and the soul of a writer. I see rainbows where others see only rain, and possibilities when others see only problems. I love spring flowers, summer’s heat on my body, and the beauty of the dying leaves in the fall. Classical music, art museums, and ballet are sources of inspiration, as well as blues music and dim cafes. I love to write; words flow easily from my fingertips, and my heart beats rapidly with excitement as an idea becomes a reality on the paper in front of me. I smile often, laugh easily, and I weep at pain and cruelty. I'm a learner and a seeker of knowledge, and I try to take my readers along on my journey. I am passionate about what I do. I learned to dream through reading, learned to create dreams through writing, and learned to develop dreamers through teaching. I shall always be a dreamer. Come dream with me.
Sharon M. Draper
People want to be told what to do so badly that they'll listen to anyone. [Written by Andre and Maria Jacquemetton]
Don Draper from 'Mad Men'
Earthquake report: Call the paramedics. A girl in fifth grade is about to explode.
Sharon M. Draper (Out of My Mind (The Out of My Mind Series))
I believe in doing the thing you feel is right. If it looks right, it is right.
Dorothy Draper (Decorating Is Fun!: How to be Your Own Decorator)
I’m always amazed at how adults assume I can’t hear. They talk about me as if I’m invisible, figuring I’m too retarded to understand their conversation. I learn quite a bit this way.
Sharon M. Draper (Out of My Mind (The Out of My Mind Series))
As a rule, theologians know nothing of this world, and far less of the next; but they have the power of stating the most absurd propositions with faces solemn as stupidity touched by fear. It is a part of their business to malign and vilify the Voltaires, Humes, Paines, Humboldts, Tyndalls, Haeckels, Darwins, Spencers, and Drapers, and to bow with uncovered heads before the murderers, adulterers, and persecutors of the world. They are, for the most part, engaged in poisoning the minds of the young, prejudicing children against science, teaching the astronomy and geology of the bible, and inducing all to desert the sublime standard of reason.
Robert G. Ingersoll (Some Mistakes of Moses)
I believe in the goodness of people, sir, and the power of young folks like us to overcome what grown-ups like you might not be able to. ―Sylvia Patterson
Sharon M. Draper (Fire from the Rock)
I tried so hard, I farted! Mrs.
Sharon M. Draper (Out of My Mind (The Out of My Mind Series))
Her physical beauty had initially caught my attention, but it was her spirit that imprisoned my heart and soul forever. - Jonathan
Helen Boswell (Mythology: The Wicked (Mythology #2))
Change is neither good or bad; it simply is.
Matthew Weiner
Long as you remember, ain't nothin' really gone.
Sharon M. Draper (Copper Sun)
I keep going to a lot of places and ending up somewhere I've already been
Matthew Weiner
Chocolate family meets vanilla family in the artificial reality that is a mall. Caramel daughter caught helplessly between the two.
Sharon M. Draper (Blended)
Right away, I invited on guests like Steve Wozniak, John Draper, and even porn star Danni Ashe, who took her top off in the studio to show us all how hot she was. (Listen up, Howard Stern, I’m following in your footsteps!)
Kevin D. Mitnick (Ghost in the Wires: My Adventures as the World's Most Wanted Hacker)
Mrs Draper took this as an order for her departure, and crept silently out of the room, closing the door behind her with the long protracted elaborate click which is always produced by an attempt at silence on such occasions.
Anthony Trollope (The Last Chronicle of Barset (Chronicles of Barsetshire #6))
(Don't take life as a ADVANTAGE take it SERIOUSLY because it's not a game)
Sharon M. Draper
Don't make me regret taking you on. If I get irritated, I might drown you a little bit.
Tamora Pierce (Tempests and Slaughter (The Numair Chronicles, #1))
He has a beauty to him that is not quite angelic, a quality that's both ethereal and dark. (Jonathan)
Helen Boswell (Mythology: The Wicked (Mythology #2))
I know people will say that it's because of the accident that I came back to church-well, they're right. I'm not too proud to know when a problem is bigger than I am.
Sharon M. Draper (Tears of a Tiger (Hazelwood High, #1))
She's, like, really, really beautiful, but I don't think she sees that when she looks in the mirror.
Sharon M. Draper (Panic)
We were no longer a whole, but three separate pieces. A mom. A dad. A kid sliced in half. Actually, that made us four pieces—’cause I have to be two people: Mom’s Izzy and Dad’s Isabella.
Sharon M. Draper (Blended)
Fifth grade is probably pretty rocky for lots of kids. Homework. Never being quite sure if you’re cool enough. Clothes. Parents. Wanting to play with toys and wanting to be grown up all at the same time. Underarm odor. I guess I have all that, plus about a million different layers of other stuff to deal with. Making people understand what I want. Worrying about what I look like. Fitting in. Will a boy ever like me? Maybe I’m not so different from everyone else after all.
Sharon M. Draper (Out of My Mind (The Out of My Mind Series))
I am old enough to be married twice. I am old enough to be bedded without tenderness or consideration. I am old enough to face death in the confinement room and be told that my own mother--my own mother--has commanded them to save the child and not me! I think I am a woman now. I have a babe in arms, and I have been married and widowed and now bethrothed again. I am like a draper's parcel to be sent about like cloth and cut to the pattern that people wish. My mother told me that my father died by his own hand and that we are an unlucky family. I think I am a woman now! I am treated as a woman grown when it suits you all, you can hardly make me a child again.
Philippa Gregory (The Red Queen (The Plantagenet and Tudor Novels, #3))
Ozorne, please don't let him try to make me into a battle mage. I wish you'd told me that's what you wanted." Arram stopped and grabbed his friend by the arms. "I won't do it. I'm not a killer. I'll never be a killer.
Tamora Pierce (Tempests and Slaughter (The Numair Chronicles, #1))
The class laughed. I can tell the difference between people making fun of us and people being nice to us.
Sharon M. Draper
Change is neither good or bad; it simply is. [Written by Matthew Weiner]
Don Draper from 'Mad Men'
Social hierarchy doesn’t hold a candle to the power of feeling isolated in your own skin.
Elyse Draper (Freewill (Freewill, #1))
I like how a book feels when I turn the pages, and how the ink smells—almost like something good to eat.
Sharon M. Draper (Fire from the Rock)
She read it over one last time, not really satisfied, but it was the truth. Even if it still had some scratch-outs.
Sharon M. Draper (Stella by Starlight)
Freedom is a delicate flower, like a pretty leaf in the air: It's hard to catch and may not be what you thought when you get it, she observed quietly.- Polly from Copper Sun
Sharon M. Draper (Copper Sun)
I can create any musical combination of sounds on my piano. That’s my superpower.
Sharon M. Draper (Blended)
Mom "I can' read and the school might be open in three weaks
Sharon M. Draper (Double Dutch)
When we return--when I have delivered our discovery--I will give you a book to read about a thing called wild magic," she said drily. "I wouldn't talk about it in the university. It's supposed to be an old wives' tale. Well, I am an old wife. You might be interested, that's all.
Tamora Pierce (Tempests and Slaughter (The Numair Chronicles, #1))
Thoughts need words. Words need a voice. I love the smell of my mother’s hair after she washes it. I love the feel of the scratchy stubble on my father’s face before he shaves. But I’ve never been able to tell them.
Sharon M. Draper (Out of My Mind (The Out of My Mind Series))
—El conde tiene que agradecer el descifrado de los Antiguos Escritos a personajes tan famosos como Raimundus Lullus, Agrippa von Nettesheim, John Colet, Henry Draper, Simon Forman, Samuel Hartlib, Kenelm Digby y John Wallis —informó mister De Villiers. Ninguno de esos nombres me sonaba de nada. —Ninguno de esos nombres le suena de nada —dijo Gideon burlonamente. ¡Demonios! ¿Es qué podía leer el pensamiento? Por si acaso podía hacerlo, le dirigí una mirada asesina y pensé con todas mis fuerzas: «¡Estúpido fanfarrón!». Apartó la mirada.
Kerstin Gier (Ruby Red (Precious Stone Trilogy, #1))
You know, children, quilts, like stories, are part of our heritage, part of our culture. Some quilts even tell stories. Our past is a patchwork of memories and tales. You all keep that forever tucked in your pockets, you hear?
Sharon M. Draper (Stella by Starlight)
Time seems so inconceivably vast, until it crushes, pressing you paper-thin between one broken-heartbeat passed, and the laughter yet to come.
Elyse Draper
each grabbing one silver-wrapped chocolate from Mrs. Cooper’s basket, it struck Stella that everyone got the same thing, no matter which school they went to.
Sharon M. Draper (Stella by Starlight)
A library filled with thousands of books waiting for a thirsty kid like me to gulp them down.
Sharon M. Draper (Fire from the Rock)
Trust me. The older you get, the scarier the world gets to be.
Sharon M. Draper (Stella by Starlight)
Bad writers don’t practice, Stella. It’s the good ones who care enough to try, who worry about getting the words just right.
Sharon M. Draper (Stella by Starlight)
Never be afraid to be honest and stand up for what is right, Stella,” he said pointedly. “Just remember to balance your courage with wisdom.
Sharon M. Draper (Stella by Starlight)
It's a Stormwing," Ozorne said. "I always wanted one.
Tamora Pierce (Tempests and Slaughter (The Numair Chronicles, #1))
You have a destiny. You aren't allowed to know it.
Tamora Pierce (Tempests and Slaughter (The Numair Chronicles, #1))
diversity doesn't look like anyone. it looks like everyone.
Karen Draper
I felt like a real girl.
Sharon M. Draper (Out of My Mind (The Out of My Mind Series))
All the salve in the world can't cure what gets broken in somebody's soul" -Mama
Sharon M. Draper (Stella by Starlight)
Ashes don't necessarily signify an end
Sharon M. Draper (Stella by Starlight)
Peggy, just think about it. Deeply. Then forget it. And an idea will jump up in your face.
Don Draper
Our worst fears lie in anticipation.
Don Draper
Mr. Charles Dickens was serializing his novel Oliver Twist; Mr. Draper had just taken the first photograph of the moon, freezing her pale face on cold paper; Mr. Morse had recently announced a way of transmitting messages down metal wires. Had you mentioned magic or Faerie to any of them, they would have smiled at you disdainfully, except, perhaps for Mr. Dickens, at the time a young man, and beardless. He would have looked at you wistfully.
Neil Gaiman (Stardust)
Stella's father hesitated. "Georgia supports me, but she was a mite trembly this morning. I brought Stella though."He squeezed her shoulders affectionately. "I don't want to just tell her about bravery--I want to show her what it looks like.
Sharon M. Draper (Stella by Starlight)
Teenage girls today need strong, positive role models that can show them how to be independent thinkers and confident decision-makers. Dana is proud and self-confident, which is good, but she does not always make wise decisions. Rather than make her a super woman, I balanced her with difficult situations that could have been handled better. Her strength, however, shines through. This way, a young woman can read the book, discuss Dana's actions, and reflect on the decision-making in her own life.
Sharon M. Draper
The doors of Target opened with a welcoming swoosh, and I was instantly distracted. Yeah. Target does that to me. I feel at home. They've got stuff I need. Stuff I don't need. Stuff I didn't even know I wanted. Neatly placed and waiting for me. I love that place.
Sharon M. Draper (Blended)
The morning started out like crystal, but the day has turned to broken glass.
Sharon M. Draper (Out of My Mind (The Out of My Mind Series))
...and a familiar voice was coming from the terminal, "Going to be monitoring anything we fucking say. If you wanted to discuss menstruation at great length and detail, this is probably our best chance. He's always been squeamish about women. And no one likes a Peeping Tom, even if he is Prime Minister.
James S.A. Corey (Nemesis Games (The Expanse, #5))
As to Science, she has never sought to ally herself to civil power. She has never attempted to throw odium or inflict social ruin on any human being. She has never subjected anyone to mental torment, physical torture, least of all to death, for the purpose of upholding or promoting her ideas. She presents herself unstained by cruelties and crimes. But in the Vatican—we have only to recall the Inquisition—the hands that are now raised in appeals to the 'Most Merciful' are crimsoned. They have been steeped in blood!
John William Draper (History of the Conflict Between Religion and Science)
I know this will be hard, Arram. Do not be heroic. I have often done this on my own with Daleric's people. Sometimes I work here with two mastery students. I--" "Two mastery students!" Arram cried, as close to hysterics as he had ever been in his life. "Then why not at least bring another instead of using only me?" Ramasu raised his eyebrows until Arram caught his breath. Then he said, his voice kind and firm, "Because I knew you would be enough.
Tamora Pierce (Tempests and Slaughter (The Numair Chronicles, #1))
He had learned a great deal while he was there, it was true. In particular, he had found that he wasn't certain he could stay in a country where slavery was practiced. He had always thought he would manage to avoid it somehow when he left the university, or that he would become used to it. Now he understood he could not avoid it. The university managed to live slave-free, but it was a lie. The shadow of slavery lay over it. The arena was only the very worst of this way of life. Lesser forms of brutality to men and women were everywhere. When people were bought and sold, it was just too easy for free people to treat them as things. He couldn't face that. Sooner or later he would have to leave his friends and his teachers. He could not stay here.
Tamora Pierce (Tempests and Slaughter (The Numair Chronicles, #1))
Words. I’m surrounded by thousands of words. Maybe millions. Cathedral. Mayonnaise. Pomegranate. Mississippi. Neapolitan. Hippopotamus. Silky. Terrifying. Iridescent. Tickle. Sneeze. Wish. Worry. Words have always swirled around me like snowflakes— each one delicate and different, each one melting untouched in my hands. Deep within me, words pile up in huge drifts. Mountains of phrases and sentences and connected ideas. Clever expressions. Jokes. Love songs. From the time I was really little—maybe just a few months old—words were like sweet, liquid gifts, and I drank them like lemonade. I could almost taste them. They made my jumbled thoughts and feelings have substance. My parents have always blanketed me with conversation. They chattered and babbled. They verbalized and vocalized. My father sang to me. My mother whispered her strength into my ear. Every word my parents spoke to me or about me I absorbed and kept and remembered. All of them. I have no idea how I untangled the complicated process of words and thought, but it happened quickly and naturally. By the time I was two, all my memories had words, and all my words had meanings. But only in my head. I have never spoken one single word. I am almost eleven years old. . . .
Sharon M. Draper (Out of My Mind (The Out of My Mind Series))
We passed the Irish club, and the florist’s with its small stiff pink-and-white carnations in a bucket, and the drapers called ‘Elvina’s’, which displayed in its window Bear Brand stockings and knife-pleated skirts like cloth concertinas and pasty-shaped hats on false heads. We passed the confectioner’s – or failed to pass it; the window attracted Karina. She balled her hands into her pockets, and leant back, her feet apart; she looked rooted, immovable. The cakes were stacked on decks of sloping shelves, set out on pink doilies whitened by falls of icing sugar. There were vanilla slices, their airy tiers of pastry glued together with confectioners’ custard, fat and lolling like a yellow tongue. There were bubbling jam puffs and ballooning Eccles cakes, slashed to show their plump currant insides. There were jam tarts the size of traffic lights; there were whinberry pies oozing juice like black blood. ‘Look at them buns,’ Karina would say. ‘Look.’ I would turn sideways and see her intent face. Sometimes the tip of her tongue would appear, and slide slowly upwards towards her flat nose. There were sponge buns shaped like fat mushrooms, topped with pink icing and half a glace cherry. There were coconut pyramids, and low square house-shaped chocolate buns, finished with a big roll of chocolate-wrapped marzipan which was solid as the barrel of a cannon.
Hilary Mantel (An Experiment in Love: A Novel)
When I play, I don’t pay attention to the individual notes. The notes become the melody. The melody becomes the rhythm. The rhythm is the harmony. Whether I play the blues or boogies, concertos or cantatas, I forget about me. I’m Bach. I’m Beethoven. I’m B.B. King. And the music is me. I’m a three-year-old in Italy, running though a field of daisies. I’m a turquoise-backed African sunbird, soaring over the desert savanna. The music slips out and shines like gold. I’m a tiger running through the jungle, strong and powerful. I’m a panther, dark and mysterious. I am so strong. I am in complete control of this world. Chords. Arpeggios. Cadenzas. Sharps and flats. Major chords. Minor scales. Harmony.
Sharon M. Draper (Blended)
Don hits rock bottom in the series’ finest hour, “The Suitcase,” which is essentially a two-character play about Don and Peggy stuck in the office through a tumultuous night. She wants to leave for a birthday dinner with her boyfriend, while he needs company to avoid placing the phone call that will tell him that Anna Draper — the widow of the real Don, and the one person on Earth with whom this Don feels truly comfortable and safe — has died of cancer. Over the course of the episode, Jon Hamm and Elisabeth Moss are asked to play every emotion possible: rage and despair, joy and humiliation, companionship and absolute contempt. In the most iconic moment, Peggy complains that Don took all the credit for an award-winning campaign she helped conceive. “It’s your job,” he tells her, his voice dripping with condescension. “I give you money. You give me ideas.” “And you never say, ‘Thank you,’” she complains, fighting back tears. “That’s what the money is for!” he screams.
Alan Sepinwall