Drained Tired Exhausted Quotes

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We are going as fast as we can, living life at a dizzying speed, and God is nowhere to be found. We're not rejecting God; we just don't have time for him. We've lost him in the blurred landscape as we rush to church. We don't struggle with the Bible, but with the clock. It's not that we're too decadent; we're too busy. We don't feel guilty because of sin, but because we have no time for our spouses, our children, or our God. It's not sinning too much that's killing our souls, it's our schedule that's annihilating us. Most of us don't come home at night staggering drunk. Instead, we come home staggering tired, worn out, exhausted and drained because we live too fast.
Mike Yaconelli
hospital. I would go see her tomorrow. In the meantime, I'd had a memorable but exhausting day; chased into a pond by a serial limb-barber, surviving a car crash only to be nearly drowned, losing a perfectly good shoe, and on top of all that, as if that wasn't bad enough, forced to buddy up with Sergeant Doakes. Poor Drained Dexter. No wonder I was so tired. I fell into bed and went to sleep at once.
Jeff Lindsay (Dearly Devoted Dexter (Dexter, #2))
I felt a fear I’d had before: I needed the people in my life more than they needed me. This fear made me want to be useful and polite and good, so no one would ever tire of me; I had noticed the way some people, like my brother and father, drained the around them. And then I saw the problem from a different angle, in a different light, blinding and new: I had to care less about people. I had to separate myself from others. Let them need and miss me. Nothing exhausted me more than trying not to care. It was an effort, always. But it was necessary.
Santiago Jose Sanchez (Hombrecito)
When Peters first came to the apartment, he looked tired – ‘I have never seen anyone look so tired.’ He made an effort that drained him even further, transmitting vitality to Peters. And then, within fifteen minutes, was completely renewed and refreshed. The implication seems clear. Gurdjieff himself had forgotten that he had the power to renew his own energies, until the exhaustion of Fritz Peters forced him to make an enormous effort. Before Peters came, Gurdjieff had been taking his own fatigue for granted, as something inevitable. Pouring energy into Peters reminded him that he had the power to somehow call upon vital energy. This is why he told Peters that this was a fortunate meeting for both of them. This story enables us to see precisely why Kenneth Walker's wife thought Gurdjieff a magician.
Colin Wilson (G.I. Gurdjieff: The War Against Sleep)
You’re angry at me,” she says. I stop crying at once. My whole body goes cold and still. She squats down beside me, and even though I’m careful not to look up, not to look at her at all, I can feel her, can smell the sweat from her skin and hear the ragged pattern of her breathing. “You’re angry at me,” she repeats, and her voice hitches a little. “You think I don’t care.” Her voice is the same. For years I used to imagine that voice lilting over those forbidden words: I love you. Remember. They cannot take it. Her last words to me before she went away. She shuffles forward and squats next to me. She hesitates, then reaches out and places her palm against my cheek, and turns my head toward hers so I’m forced to look at her. I can feel the calluses on her fingers. In her eyes, I see myself reflected in miniature, and I tunnel back to a time before she left, before I believed she was gone forever, when her eyes welcomed me into every day and shepherded me, every night, into sleep. “You turned out even more beautiful than I’d imagined,” she whispers. She, too, is crying. The hard casement inside me breaks. “Why?” is the only word that comes. Without intending to or even thinking about it, I allow her to draw me against her chest, let her wrap her arms around me. I cry into the space between her collarbones, inhaling the still-familiar smell of her skin. There are so many things I need to ask her: What happened to you in the Crypts? How could you let them take you away? Where did you go? But all I can say is: “Why didn’t you come for me? After all those years—all that time—why didn’t you come?” Then I can’t speak at all; my sobs become shudders. “Shhh.” She presses her lips to my forehead, strokes my hair, just like she used to when I was a child. I am a baby once again in her arms—helpless and needy. “I’m here now.” She rubs my back while I cry. Slowly, I feel the darkness drain out of me, as though pulled away by the motion of her hand. Finally I can breathe again. My eyes are burning, and my throat feels raw and sore. I draw away from her, wiping my eyes with the heel of my hand, not even caring that my nose is running. I’m suddenly exhausted—too tired to be hurt, too tired to be angry. I want to sleep, and sleep. “I never stopped thinking about you,” my mother says. “I thought of you every day—you and Rachel.
Lauren Oliver (Requiem (Delirium, #3))
Tim bid us good-bye after helping us carry in my three-hundred-pound suitcase, and Marlboro Man and I looked around our quiet house, which was spick-and-span and smelled of fresh paint and leather cowboy boots, which lined the wall near the front door. The entry glowed with the light of the setting sun coming in the window, and I reached down to grab one of my bags so I could carry it to the bedroom. But before my hand made it to the handle, Marlboro Man grabbed me tightly around the waist and carried me over to the leather sofa, where we fell together in a tired heap of jet lag, emotional exhaustion, and--ironically, given the week we’d just endured--a sudden burst of lust. “Welcome home,” he said, nuzzling his face into my neck. Mmmm. This was a familiar feeling. “Thank you,” I said, closing my eyes and savoring every second. As his lips made their way across my neck, I could hear the sweet and reassuring sound of cows in the pasture east of our house. We were home. “You feel so good,” he said, moving his hands to the zipper of my casual black jacket. “You do, too,” I said, stroking the back of his closely cut hair as his arms wrapped more and more tightly around my waist. “But…uh…” I paused. My black jacket was by now on the floor. “I…uh…,” I continued. “I think I need to take a shower.” And I did. I couldn’t do the precise calculation of what it had meant for my hygiene to cross back over the international date line, but as far as I was concerned, I hadn’t showered in a decade. I couldn’t imagine christening our house in such a state. I needed to smell like lilac and lavender and Dove soap on the first night in our little house together. Not airline fuel. Not airports. Not clothes I’d worn for two days straight. Marlboro Man chuckled--the first one I’d heard in many days--and as he’d done so many times during our months of courtship, he touched his forehead to mine. “I need one, too,” he said, a hint of mischief in his voice. And with that, we accompanied each other to the shower, where, with a mix of herbal potions, rural water, and determination, we washed our honeymoon down the drain.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
One hundred percent is an illusion. Why do you think so many people in the Bikram world have a beautiful practice for a few years and then slip away? One hundred or even ninety percent is impossible to maintain. You will become exhausted. Mentally if not physically. Terrified of practicing the yoga you love because it is draining you not replenishing you… but even if you could practice at that intensity - it would be undesirable. you can’t make adjustments at your edge. For regular practice, seventy-five to eighty-five percent is fine - you will never tire out and in the long run you will grow much stronger.
Benjamin Lorr (Hell-Bent: Obsession, Pain, and the Search for Something Like Transcendence in Competitive Yoga)
27. To Get, You Have First To Give A lot of advice in this book comes from my parents, and I am always grateful for having been raised by two wonderful and smart people. So here’s another gem from my mum: If you want to receive, you must first look around for something to give. As a kid, this was usually a pretty simple equation - she would only buy me a new toy if I selected an old one to give to the charity shop. (Quite annoying, I seem to remember!) But as I got older I realized that giving to get is actually one of the universe’s hidden rules. You want someone to help you? Guess what: if you’ve helped them in the past, they are far more likely to come to your rescue. You want to get a bumper crop from your veg patch? Guess what, the more water, fertilizer and attention you give your seedlings, the more bountiful harvests they will produce. But the inexplicable thing about my mum’s rule is that it works in the wilderness, too. There have been many times when I’ve been lost, exhausted, hungry, and I’ve felt my strength and my ability to keep going draining away. In these situations, it’s human nature to shrink back and give up. Yet my mother’s wisdom has been proved to me time and time again - to ‘get’ good results, you have to ‘give out’ something good or positive first. So when I am tired, I commit to working even harder. When I feel downcast, I decide to be upbeat. You see, no matter how low your optimism or strength feels, if you can ‘force’ yourself to put out the good vibes, the good attitudes, the hopeful thoughts (even if you don’t feel them or believe them right at that moment), then you will be rewarded. Try it some time when you are dog-tired. Get off that couch and start moving energetically. You will soon feel invigorated. Or when you are knee-deep in paperwork, slowing to a crawl, try just picking up the pace and focus, get ripping through it, giving it your all - and your body and mind will respond. To get, first you have to give.
Bear Grylls (A Survival Guide for Life: How to Achieve Your Goals, Thrive in Adversity, and Grow in Character)
The weight of unspoken words drains my spirit, leaving me weary with untold truths, the fatigue of a thousand unspoken stories. It exhausts me that I am full of things that I cannot say. It's tiring to be brimming with thoughts and feelings that never find their voice...
Carson Anekeya
While I wait to heal, I often find solace in solitude. I don't fully understand why, but I know I must be alone. I withdraw from the world, and in that quiet space, I focus solely on my recovery. This solitude forces me to confront my raw emotions, with no distractions to dull their intensity. It is within these moments of despair that my most brilliant ideas emerge. I allow myself to feel deeply, to the point where I can no longer feel. To overcome heartache, it's essential to exhaust every emotion—cry until the tears run dry, feel until you're tired of feeling, talk about the person until even your own voice bores you. When you are drained, empty, and devoid of emotion, you are almost across the bridge to healing. It is only then that true detachment begins. Each time my heart has been broken, I've learned how to heal myself. Heartbreak no longer holds power over me. I've realized that the only way to get over it is to go through it. The longer I deny my feelings to protect myself, the more pain I endure. But if I accept the situation and fully experience my emotions, the pain fades more quickly. At most, they may occupy my thoughts for a few days; if I loved them deeply, maybe two or three weeks. I simply withdraw from society and return when I am better, when I am healed. During my healing process, I commit to self-improvement. I channel my energy into refining the parts of myself that led to unnecessary pain. I acknowledge my mistakes, see where I went wrong, and take responsibility for my role in my suffering. And as long as he makes no effort, I am gone. The quickest way for any man to lose me is to stop trying and to make his intentions clear. While he may think I am suffering, I am actually healing. I am recalibrating, renewing, and rehabilitating. I am resurrecting, realigning, adjusting, refocusing, and resetting. I am fine-tuning. In the midst of this, I give him nothing—no attention, no thoughts, no feelings. Exes thrive on your negative emotions, so silence must be so profound that it echoes. No attention, no access. They may resort to stalking through fake profiles, but let them exert the effort. Block all other avenues of communication. I am reshaping, reorienting, tweaking, reassessing, reconfiguring, restructuring. In my absence, I am transforming. Ducked. I am for all ill purposes and intentions, my most productive and fruitful self when I am hurt or alone. This leads my naysayers, detractors and enemies to learn that for the most part, excluding death, I am by most standards, indestructible. I will build empires with the stones one throws at me. I will create fertilizers with the trash and feaces hurled at me. I will rise like pheonix from the ashes. I am antifragile, I can withstand trials, tribulations, chaos and uncertainty and grow in the face of adversity. I am the epitome of the resilience paradox, trial bloom, adversity alchemy, refiners fire and the pheonix effect. I am fortitude - me. Ducked. What’s even more magical, is what comes out on the other side of this process. It’s a peace, you do not want anyone to destroy. A clarity, you won’t risk blurring. A renewed you, a different version of you, stronger, fierce, centered and certain. A rebirth, refinement. You never saw it coming. Neither will they. Copyright ©️ 2024 Crystal Evans
Crystal Evans (100 Dating Tips for Jamaican Women)
The eye of the movie camera is an evil eye. When you act in front of it, that cyclops keeps taking from you, until you feel empty. On the stage, you give something to the audience, more comes back. When the curtain comes down in a theater, you have a feeling of exhilaration - something's been completed, fulfilled. It's so different from an exhausting day of shooting at the studio. You come home tired, drained. Making a =movie is like making a mosaic - laboriously putting little pieces together, jumping from one part of the picture to another, never seeing the whole, whereas in a ply, the momentum of the continuity works with you, takes you along. Doing a play is like dancing to music. Making a movie is like dancing in wet cement.
Kirk Douglas (The Ragman's Son)
How is my brother?” “Dr. Weeks is treating him. Mrs. Church and I saw an appalling bruise on his chest and side--we think he may have broken ribs. But he was conscious when he left the carriage, and he opened his eyes when he was brought to his room.” “Thank God.” West sighed heavily. “It’s a miracle if it’s nothing more than broken ribs. That accident…my God, railway cars were strewn about like children’s toys. And the people who didn’t survive--” He broke off and swallowed hard. “I wish I could forget what I saw.” Sitting on the beside chair, Kathleen reached out and squeezed his hand gently. “You’re exhausted,” she murmured. West let out a brief, mirthless laugh. “I’m so dog-tired that exhaustion would be an improvement.” “I should leave you to rest.” His hand turned and curled around hers. “Not yet,” he muttered. “I don’t want to be alone.” She nodded, remaining in the chair. Letting go of her hand, West reached for his tea. “Is it true?” Kathleen asked. “The story you were telling about Devon?” After draining the tea in two gulps, West gave her a haunted glance. “All true. The son of a bitch almost succeeded in killing himself.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
She was quiet for a long time before she answered me. “Josh, if you knew that being with me would take away the one thing I’ve always wanted, would you do it?” I understood her reasoning. I did. But it didn’t make it easier. “What if it were me who couldn’t have kids?” I asked. “Would you leave me?” She sighed. “Josh, it’s different.” “How? How is it different?” “Because you’re worth it. You’re worth any flaw you might have. I’m not.” I moved her away from me so I could look her in the eye. “You don’t think you’re worth it? Are you kidding me?” Her exhausted eyes just stared back at me, empty. “I’m not worth it. I’m a mess. I’m irritable and impatient. I’m bossy and demanding. And I have all these health issues. I can’t give you babies. I’m not worth it, Josh. I’m not. Another woman would be so much easier.” “I don’t want an easy woman. I want you.” I shook my head. “Don’t you get it? You are perfect to me. I feel like a better man just knowing that I can do anything for you—make you lunch, make you laugh, take you dancing. These things feel like a privilege to me. All those things that you think are flaws are what I love about you. Look at me.” I tipped her chin up. “I’m miserable. I’m so fucking miserable without you.” She started to cry again, and I pulled her back in and held her. This was the longest talk we’d had about this. I don’t know if she was just too tired and sick to shut me down, or if she just didn’t have anywhere to run to, stuck in my truck like she was, but it made me feel hopeful that she was at least talking to me about it. I nuzzled into her hair, breathed her in. “I don’t want any of it without you.” She shook her head against my chest. “I wish I could love you less. Maybe if I did, I could stomach taking this dream from you. But I don’t know how to even begin letting someone give up something like that for me. I would feel like apologizing every day of my life.” I took a deep breath. “You have no idea how much I wish I could go back and never put that shit in your head.” Her fingers opened and closed on my chest. I felt happy. Just sitting there in my truck in a Burger King parking lot, I felt more peace than I’d felt in weeks just because she was there with me, touching me, talking to me, telling me she loved me. And then that joy drained away when I remembered that this wasn’t going to last. She was going to leave again, and Brandon was still gone. But it was this temporary reprieve that told me that with her by my side, I could get through anything. I could navigate the worst days of my life as long as she stayed by me. If only she’d let me get her through the worst days of hers. She spoke against my chest. “You know you’re the only man I’ve ever cried over?” I laughed a little. “I saw you cry over Tyler. More than once.” She shook her head. “No. That was always about you. Because I was so in love with you and I knew I couldn’t be with you. You turned me into some sort of crazy person.” She lifted her head and looked at me. “I’m so proud to know you, Josh. And I feel so lucky to have been loved by someone like you.” She was crying, and I couldn’t keep my own eyes dry anymore. I just couldn’t. And I didn’t care if she saw me cry. I’d lost the two people I needed most in this life, and I’d never be ashamed for grieving over either one of them. I let the tears well, and she leaned in and kissed me. The gasp when she touched me and the tightness of her lips told me she was trying not to break down. She held my cheeks in her hands, and we kissed and held each other like we were saying goodbye—lovers about to be separated by an ocean or a war, desperate, and too grieved to let go. But she didn’t have to let me go. And she would anyway.
Abby Jimenez