Drag Queens Quotes

We've searched our database for all the quotes and captions related to Drag Queens. Here they are! All 100 of them:

If I had a dollar for every time a random woman walked up to me and tried to seduce me, I'd have 50 cents. That's assuming drag queens are half price.
Jarod Kintz (This Book is Not for Sale)
It's a good thing I was born a girl, otherwise I'd be a drag queen.
Dolly Parton
Don't be a drag. Just be a queen.
Lady Gaga
Why," he asked. "Why did you save her?" She dragged a hand through her hair. [...] "Because that golden-haired witch, Asterin ...," Aelin said. "She screamed Manon's name the way I screamed yours.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
You know, you wouldn't even want a man who wouldn't go back to save someone's mother and a drag queen.
Kristen Ashley (Rock Chick (Rock Chick, #1))
I have a whole guard room full of brawny veterans who'd enjoy a chance to drag two Eddisians out of here, particularly if you kicked a lot and they could kick you back.
Megan Whalen Turner (The King of Attolia (The Queen's Thief, #3))
This requires a level of delusion/egomania usually reserved for popes and drag queens
Tina Fey (Bossypants)
In the past, when gays were very flamboyant as drag queens or as leather queens or whatever, that just amused people. And most of the people that come and watch the gay Halloween parade, where all those excesses are on display, those are straight families, and they think it's funny. But what people don't think is so funny is when two middle-aged lawyers who are married to each other move in next door to you and your wife and they have adopted a Korean girl and they want to send her to school with your children and they want to socialize with you and share a drink over the backyard fence. That creeps people out, especially Christians. So, I don't think gay marriage is a conservative issue. I think it's a radical issue.
Edmund White
I asked him for it. For the blood, for the rust, for the sin. I didn’t want the pearls other girls talked about, or the fine marble of palaces, or even the roses in the mouth of servants. I wanted pomegranates— I wanted darkness, I wanted him. So I grabbed my king and ran away to a land of death, where I reigned and people whispered that I’d been dragged. I’ll tell you I’ve changed. I’ll tell you, the red on my lips isn’t wine. I hope you’ve heard of horns, but that isn’t half of it. Out of an entire kingdom he kneels only to me, calls me Queen, calls me Mercy. Mama, Mama, I hope you get this. Know the bed is warm and our hearts are cold, know never have I been better than when I am here. Do not send flowers, we’ll throw them in the river. ‘Flowers are for the dead’, ‘least that’s what the mortals say. I’ll come back when he bores me, but Mama, not today.
Daniella Michalleni
Hey, you wanna drop back a few paces? Did you forget how spying works? You're supposed to at least aim for unobtrusive. The others pretty much have it down, but you're about as inconspicuous as a drag queen at a Girl Scout meeting.
Rachel Vincent (Stray (Shifters, #1))
It's a sort of piss-take on culture, because a drag queen is a clown - a parody of our society. It's a sarcastic spoof on culture, which allows us to laugh at ourselves - but in a way that is inclusive of everyone.
RuPaul
Day drag." Ashley answered simply. "The sun turns vampires into dust and drag queens into this." He motioned with his hand down his body.
Kyle Adams (A Dirty Drag Collection)
The little poets sing of little things: Hope, cheer, and faith, small queens and puppet kings; Lovers who kissed and then were made as one, And modest flowers waving in the sun. The mighty poets write in blood and tears And agony that, flame-like, bites and sears. They reach their mad blind hands into the night, To plumb abysses dead to human sight; To drag from gulfs where lunacy lies curled, Mad, monstrous nightmare shapes to blast the world. MUSINGS [click on the thumbnail by Jack "King" Kirby]
Robert E. Howard
I want to be so famous that drag queens will dress like me in parades when I'm dead.
Laura Kightlinger
I think a lot about queer villains, the problem and pleasure and audacity of them. I know I should have a very specific political response to them. I know, for example, I should be offended by Disney’s lineup of vain, effete ne’er-do-wells (Scar, Jafar), sinister drag queens (Ursula, Cruella de Vil), and constipated, man-hating power dykes (Lady Tremaine, Maleficent). I should be furious at Downton Abbey’s scheming gay butler and Girlfriend’s controlling, lunatic lesbian, and I should be indignant about Rebecca and Strangers on a Train and Laura and The Terror and All About Eve, and every other classic and contemporary foppish, conniving, sissy, cruel, humorless, depraved, evil, insane homosexual on the large and small screen. And yet, while I recognize the problem intellectually—the system of coding, the way villainy and queerness became a kind of shorthand for each other—I cannot help but love these fictional queer villains. I love them for all of their aesthetic lushness and theatrical glee, their fabulousness, their ruthlessness, their power. They’re always by far the most interesting characters on the screen. After all, they live in a world that hates them. They’ve adapted; they’ve learned to conceal themselves. They’ve survived.
Carmen Maria Machado (In the Dream House)
Bryce shouldered the canvas bag, surveying the Viper Queen. “Nice outfit.” The serpentine shifter smiled, revealing bright white teeth—and canines that were slightly too elongated. And slightly too thin. “Nice bodyguard.” Bryce shrugged as those snake’s eyes dragged over every inch of Hunt. “Nothing going on upstairs, but everything happening where it counts.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
He waved at his attendants. "I dragged them like a ball and chain all the way across the palace and back." "If sterner measures are called for, we can find a larger ball and chain." The queen turned and disappeared into the partment. "Oh, dear," Eugenides muttered as he followed...The queen's sterner measures, dispensed by the Eddisian Ambassador, arrived before dawn.
Megan Whalen Turner (The King of Attolia (The Queen's Thief, #3))
The first thing you notice about New Orleans are the burying grounds - the cemeteries - and they're a cold proposition, one of the best things there are here. Going by, you try to be as quiet as possible, better to let them sleep. Greek, Roman, sepulchres- palatial mausoleums made to order, phantomesque, signs and symbols of hidden decay - ghosts of women and men who have sinned and who've died and are now living in tombs. The past doesn't pass away so quickly here. You could be dead for a long time. The ghosts race towards the light, you can almost hear the heavy breathing spirits, all determined to get somewhere. New Orleans, unlike a lot of those places you go back to and that don't have the magic anymore, still has got it. Night can swallow you up, yet none of it touches you. Around any corner, there's a promise of something daring and ideal and things are just getting going. There's something obscenely joyful behind every door, either that or somebody crying with their head in their hands. A lazy rhythm looms in the dreamy air and the atmosphere pulsates with bygone duels, past-life romance, comrades requesting comrades to aid them in some way. You can't see it, but you know it's here. Somebody is always sinking. Everyone seems to be from some very old Southern families. Either that or a foreigner. I like the way it is. There are a lot of places I like, but I like New Orleans better. There's a thousand different angles at any moment. At any time you could run into a ritual honoring some vaguely known queen. Bluebloods, titled persons like crazy drunks, lean weakly against the walls and drag themselves through the gutter. Even they seem to have insights you might want to listen to. No action seems inappropriate here. The city is one very long poem. Gardens full of pansies, pink petunias, opiates. Flower-bedecked shrines, white myrtles, bougainvillea and purple oleander stimulate your senses, make you feel cool and clear inside. Everything in New Orleans is a good idea. Bijou temple-type cottages and lyric cathedrals side by side. Houses and mansions, structures of wild grace. Italianate, Gothic, Romanesque, Greek Revival standing in a long line in the rain. Roman Catholic art. Sweeping front porches, turrets, cast-iron balconies, colonnades- 30-foot columns, gloriously beautiful- double pitched roofs, all the architecture of the whole wide world and it doesn't move. All that and a town square where public executions took place. In New Orleans you could almost see other dimensions. There's only one day at a time here, then it's tonight and then tomorrow will be today again. Chronic melancholia hanging from the trees. You never get tired of it. After a while you start to feel like a ghost from one of the tombs, like you're in a wax museum below crimson clouds. Spirit empire. Wealthy empire. One of Napoleon's generals, Lallemaud, was said to have come here to check it out, looking for a place for his commander to seek refuge after Waterloo. He scouted around and left, said that here the devil is damned, just like everybody else, only worse. The devil comes here and sighs. New Orleans. Exquisite, old-fashioned. A great place to live vicariously. Nothing makes any difference and you never feel hurt, a great place to really hit on things. Somebody puts something in front of you here and you might as well drink it. Great place to be intimate or do nothing. A place to come and hope you'll get smart - to feed pigeons looking for handouts
Bob Dylan (Chronicles, Volume One)
Goddamn fatherfucking asshole politician moral paraplegic dipshit drag-queen bitch!
Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
Why", he asked. "Why did you save her?" She dragged a hand through her hair. A white bandage around her upper arm peeked through her shirt with the movement. He hadn't even been conscious for that wound. He stifled the urge to demand to see it, assess the injury himself—and tug her close against him. "Because that golden-haired witch, Asterin...," Aelin said. "She screamed Manon's name the way I screamed yours." Rowan stilled. His queen gazed at the floor, as if recalling the moment. "How can I take away somebody who means the world to someone else? Even if she's my enemy." A little shrug. "I thought you were dying. It seemed like bad luck to let her die out of spite. And..." she snorted. "Falling into a ravine seemed like a pretty shitty way to die for someone who fights that spectacularly." Rowan smiled, drinking in the sight of her: pale, grave face; the dirty clothes; the injuries. Yet her shoulders were back, chin high. "You make me proud to serve you." A jaunty slant to her lips, but silver lined her eyes. "I know.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
Every corner of the sky awkwardly showed up wearing the exact same thing, a moody gray dress accessorized with flat clouds. If North, South, East, and West were drag queens, this would be bad, very bad.
Edmond Manning (King Perry (The Lost and Founds, #1))
The drag queen walks into a Catholic church as the priest is coming down the aisle swinging the incense pot. And he says to the priest, “Oh, honey, I love your dress, but did you know your handbag’s on fire?
Garrison Keillor (A Prairie Home Companion Pretty Good Joke Book)
The drag queens who started Stonewall are no better off today, but they made the world safe for gay Republicans. It's a bitter pill to swallow, but the people who make change are not the people who benefit from it
Sarah Schulman (The Gentrification of the Mind: Witness to a Lost Imagination)
WHEN I WAS LITTLE, I was so girlie and ambitious, I was practically a drag queen. I wanted to be everything at once: a prima ballerina, an actress, a model, a famous artist, a nurse, an Ice Capades dancer, and Batgirl. I spent inordinate amounts of time waltzing around our living room with a doily on my head, imagining in great detail my promenade down the runway as the new Miss America, during which time I would also happen to receive a Nobel Prize for coloring.
Susan Jane Gilman
Radical Edwards's profile? He's a seven-foot tall ex-basketball pro hindu guru drag-queen alien. -Jet Black, from the Cowboy Bebop anime script
Keiko Nobumoto
Did you even use anything at all in that bag of yours?" "No, but I might use some of it later." And I almost certainly would, once I got rid of this crybaby and picked up my drag queen.
Cherie Priest (Bloodshot (Cheshire Red Reports, #1))
You need to come with us right now," one of the queen's guards said. "If you resist, we'll take you by force." "Leave him alone!" I yelled, looking from face to face. That angry darkness exploded within me. How could they still not believe? Why were they still coming after him? "He hasn't done anything! Why can't you guys accept that he's really a dhampir now?" The man who'd spoken arched an eyebrow. "I wasn't talking to him." "You're...you're here for me?" I asked. I tried to think of any new spectacles I might have caused recently. I considered the crazy idea that the queen had found out I'd spent the night with Adrian and was pissed off about it. That was hardly enough to send the palace guard for me, though...or was it? Had I really gone too far with my antics? "What for?" demanded Dimitri. That tall, wonderful bod of his—the one that could be so sensual sometimes—was filled with tension and menace now. The man kept his gaze on me, ignoring Dimitri. "Don't make me repeat myself: Come with us quietly, or we will make you." The glimmer of handcuffs showed in his hands. My eyes went wide. "That's crazy! I'm not going anywhere until you tel me how the hell this—" That was the point at which they apparently decided I wasn't coming quietly. Two of the royal guardians lunged for me, and even though we technically worked for the same side, my instincts kicked in. I didn't understand anything here except that I would not be dragged away like some kind of master criminal. I shoved the chair I'd been sitting in earlier at the one of the guardians and aimed a punch at the other. It was a sloppy throw, made worse because he was taller than me. That height difference allowed me to dodge his next grab, and when I kicked hard at his legs, a grunt told me I'd hit home. [...] Meanwhile, other guardians were joining the fray. Although I got a couple of good punches in, I knew the numbers were too overwhelming. One guardian caught hold of my arm and began trying to put the cuffs on me. He stopped when another set of hands grabbed me from the other side and jerked me away. Dimitri. "Don't touch her," he growled. There was a note in his voice that would have scared me if it had been directed toward me. He shoved me behind him, putting his body protectively in front of mine with my back to the table. Guardians came at us from all directions, and Dimitri began dispatching them with the same deadly grace that had once made people call him a god. [...] The queen's guards might have been the best of the best, but Dimitri...well, my former lover and instructor was in a category all his own. His fighting skills were beyond anyone else's, and he was using them all in defense me. "Stay back," he ordered me. "They aren't laying a hand on you.
Richelle Mead (Spirit Bound (Vampire Academy, #5))
I just felt like . . . me. And whatever “me” meant, that was perfectly fine and absolutely enough. Everyone should feel that kind of peace and self-acceptance far more often than I think most of us do.
David Clawson (My Fairy Godmother is a Drag Queen)
Picture a thirteen-year-old boy sitting in the living room of his family home doing his math assignment while wearing his Walkman headphones or watching MTV. He enjoys the liberties hard won over centuries by the alliance of philosophic genius and political heroism, consecrated by the blood of martyrs; he is provided with comfort and leisure by the most productive economy ever known to mankind; science has penetrated the secrets of nature in order to provide him with the marvelous, lifelike electronic sound and image reproduction he is enjoying. And in what does progress culminate? A pubescent child whose body throbs with orgasmic rhythms; whose feelings are made articulate in hymns to the joys of onanism or the killing of parents; whose ambition is to win fame and wealth in imitating the drag-queen who makes the music. In short, life is made into a nonstop, commercially prepackaged masturbational fantasy.
Allan Bloom (The Closing of the American Mind)
It was a race between the tortoise and the hare, but the tortoise had just enough head start, and he had the magus to drag him along.
Megan Whalen Turner (The Thief (The Queen's Thief, #1))
Take my advice, never heckle a drag queen. They’ll make mincemeat out of you.
Kristen Ashley (Rock Chick (Rock Chick, #1))
We’re having Thanksgiving at our place,” he said. “An old-fashioned Thanksgiving.” “With drag queens and hookers and cranberry sauce?” I asked breathlessly. “Just like at Grandma’s,” he replied.
Josh Kilmer-Purcell (I Am Not Myself These Days: A Memoir)
For you, dear Sophie, I would rope the moon itself and drag it to your window.
Sherry D. Ficklin (Queen of Someday (Stolen Empire, #1))
No tourists, no screaming drag queens, no horse hooves clacking down the street. The perfect still of the night - this was something I would never get used to. Not in New Orleans. The quietness freaked me out.
Alys Arden (The Casquette Girls (The Casquette Girls, #1))
If Los Angeles is a woman reclining billboard model and the San Fernando Valley is her teenybopper sister, then New York is their cousin. Her hair is dyed autumn red or aubergine or Egyptian henna, depending on her mood. Her skin is pale as frost and she wears beautiful Jil Sander suits and Prada pumps on which she walks faster than a speeding taxi (when it is caught in rush hour, that is). Her lips are some unlikely shade of copper or violet, courtesy of her local MAC drag queen makeup consultant. She is always carrying bags of clothes, bouquets of roses, take-out Chinese containers, or bagels. Museum tags fill her pockets and purses, along with perfume samples and invitations to art gallery openings. When she is walking to work, to ward off bums or psychos, her face resembles the Statue of Liberty, but at home in her candlelit, dove-colored apartment, the stony look fades away and she smiles like the sterling roses she has brought for herself to make up for the fact that she is single and her feet are sore.
Francesca Lia Block (I Was a Teenage Fairy)
He squeezes his eyes shut and tries to steady his breathing, then he decides that's stupid. He's come this far, he's handcuffed to the bed, he's about to let a tattooed part-time drag queen in thigh-high leather boots fuck him. What's the point of trying for self-control?
Richard Rider (No Beginning, No End (Stockholm Syndrome, #3))
There's a strange lack of knowledge about the role of drag queens in our culture. I attribute this to the appalling state of our country's education system. Others might blame an utter lack of interest. Who am I to judge?
Josh Kilmer-Purcell (I Am Not Myself These Days)
He’d use this opportunity to impress Rick and show him that he did, in fact, have more to offer than just being a sexy skanktart. To show that he wasn’t just a brainless bimfoon, that’s when a bimbo breeds with a buffoon, resulting in a true, hot mess.
Kyle Adams (Dirty Drag 3: Beyond The Drag)
When a straight man puts on a dress and gets his sexual kicks, he is a transvestite. When a man is a woman trapped in a man's body and has a little operation, he is a Transsexual. When a gay man has WAY too much fashion sense for one gender he is a drag queen. And when a tired little Latin boy puts on a dress, he is simply a boy in a dress!
Tirumalai S. Srivatsan
In the silent aftermath, I said, "We'll give them a second chance." With my right hand, I reached to the other pocket. I had known as soon as I lifted the false bottom in the gun case and looked underneath what it meant. I had tried without ceasing to find some alternative to Attolia's ruthless advice and I had failed. Gen's gift told me that I had not failed for lack of trying. I'd lifted out the matching gun and read its archaic inscription. Realisa onum. Not 'the queen made me,' but 'I can make the king.' Looking at Akretenesh's startled face down the long barrel of the handgun, I smiled, until I felt the scar tissue tighten. That one expression, I'd never showed him. My face gave away my humiliation, my rage, my surprise, and my embarrassment, but I had never let him see what I looked like when I smiled: my uncle. His diplomatic mask dissolved, and he backed away. In Attolia, I had been in front of a mirror at last, and I had understood what made Oerus back in Hanaktos ask me if my expression was a happy one or not. The smile rumpled the scar tissue under my skin, and it dragged my face askew, giving me the leer of a man who'd never had a moment of self-doubt, who'd never regretted a life lost. I'd worried that I wouldn't have the nerve to carry this off, but in the moment, it was easy. Seeing Akretenesh recoil, I laughed out loud.
Megan Whalen Turner (A Conspiracy of Kings (The Queen's Thief, #4))
Who would have thought that a drag queen could be my ultimate male fantasy?
L.H. Cosway (Painted Faces (Painted Faces, #1))
I'm a drag queen. I'm a celebrity trapped in a normal person's body.
Josh Kilmer-Purcell (I Am Not Myself These Days)
It's hazy but she remembers Jane telling her about drag shows she used to go to in the '70s, the balls, how queens would go hungry for weeks to buy gowns, the shimmering nightclubs that sometimes felt like the only safe places. She lets Jane's memories transpose over here, now, like double exposed film, two different generations of messy, loud, brave and scared and brave again people stomping their feet and waving hands with bitten nails, all the things they share and all the things they don't, the things she has that people like Jane smashed windows and spat blood for.
Casey McQuiston (One Last Stop)
That's one of the things that "queer" can refer to: the open mesh of possibilities, gaps, overlaps, dissonances and resonances, lapses and excesses of meaning when the constituent elements of anyone's gender, of anyone's sexuality aren't made (or can't be made) to signify monolithically. The experimental linguistic, epistemological, representational, political adventures attaching to the very many of us who may at times be moved to describe ourselves as (among many other possibilities) pushy femmes, radical faeries, fantasists, drags, clones, leatherfolk, ladies in tuxedos, feminist women or feminist men, masturbators, bulldaggers, divas, Snap! queens, butch bottoms, storytellers, transsexuals, aunties, wannabes, lesbian-identified men or lesbians who sleep with men, or ... people able to relish, learn from, or identify with such.
Eve Sedgwick
It’s tough enough to be a straight boy in a small town high school looking for the love of your life. But at least your possible loves are all out in the open.
JUVENALIUS
You’re welcome, by the way, for dragging you back here. I had a couple offers to sell you and almost considered it.” “Intriguing. For how much? ” “A bag of gold, the ability to make thunderstorms go to sleep. Something else. Five goats? ” “Just five goats? I’m worth at least ten. Plus a cow.
Roshani Chokshi (A Crown of Wishes (The Star-Touched Queen, #2))
In this man’s smile was all the unfairness of the world in its thuggish seduction. “Just come with me. We’ll take care of you.” “No, you won’t.” Taylor stroked the man’s cheek. She reached her arms up to cradle the back of his head and, with the skill of a champion, she broke his neck. Then she dragged him into the bushes, took his gun and walkie-talkie, and kept moving.
Libba Bray (Beauty Queens)
It can't drag on this way much longer," she said to herself. "One evening he'll whistle under my window, I'll go down by a ladder or a knotted rope and he will carry me away on a motorcycle, off to a den where his subjects will be assembled. He'll say: 'Here is your new Queen.' And... and... it will be terrible!" viii. Their Queen is away and anarchy reigns! The Journal said so! How grand to be Queen, with a red ribbon and a revolver...
Colette
Gay is not about fashion, being rich, drag queens or queer or the color pink. What gay is about is love, self-happiness, unity, contentment, emotions.' Gay is a lot of things. I'm gay, but gay is not what I'm about. Gay is just a part of me.
Brad Matthew Fuglei
Trying to Enjoy It (Proceed as if You Look Awesome)...This requires a level of delusion/egomania usually reserved for popes and drag queens, but you can do it. It's like being a little kid again, parading around in a nightgown tucked into your underpants, believing it looks terrific. Your "right mind" knows that you look ridiculous in a half-open dress and giant shoes, but you must put yourself back in third grade, slipping on your mom's quilted caftan and drinking cream soda out of a champagne glass while watching The Love Boat. You have never been more glamorous.
Tina Fey (Bossypants)
Every time he said those words it was like a supernova of joy exploding inside me. I just didn’t yet know that supernovas burn so brightly because a catastrophe is taking place. That lesson would come later.
David Clawson (My Fairy Godmother is a Drag Queen)
This is astounding, amazing, so incredibly thrilling. Only today a world travelling cabaret performing drag queen took me out for lunch and named me as his new best friend. The idea plunges my black and white world into a vibrant techni-colour rainbow.
L.H. Cosway (Painted Faces (Painted Faces, #1))
Don't know. Never let a wolf near my neck." He grinned and gave me a quick hug. "I love you, Essie. Before you came into my life, I had considered ending myself. Three hundred years is a long time to be alone. You've given me hope, a career as a drag queen and a dysfunctional family. I am supremely grateful. Bite me." And because I trusted him....I did.
Robyn Peterman (Ready to Were (Shift Happens, #1))
Happiness can be a dangerous thing; it can make you greedy for more.
David Clawson (My Fairy Godmother is a Drag Queen)
Drag queen is a gender like no other, and with practice I'd learned to rise to it.
Kate Bornstein (A Queer and Pleasant Danger: The True Story of a Nice Jewish Boy Who Joins the Church of Scientology and Leaves Twelve Years Later to Become the Lovely Lady She is Today)
There was also this inconvenient truth: everything about Batwoman was presented as so kitschily überfeminine that she could have passed for Batman’s fierce drag queen persona.
Glen Weldon (The Caped Crusade: Batman and the Rise of Nerd Culture)
Tacos and home renovation supplies with an entrepreneur, a male exotic dancer, and a drag queen on her day off. Just another glamorous day in the life.
Lucy Score (By a Thread)
Whoa," Nick breathed. "That was intense." "I'm a drag queen who can turn into lightning. Everything I do is intense.
T.J. Klune
My friend, still seemingly perplexed, asked me "So if it's not about genitals, what is it about trans women's bodies that you find so attractive?" I paused for a second to consider the question. Then I replied that it is almost always their eyes. When I look into them, I see both endless strength and inconsolable sadness. I see someone who has overcome humiliation and abuses that would flatten the average person. I see a woman who was made to feel shame for her desires and yet had the courage to pursue them anyway. I see a woman who was forced against her will into boyhood, who held on to a dream that everybody in her life desperately tried to beat out of her, who refused to listen to the endless stream of people who told her that who she was and what she wanted was impossible. When I look into a trans woman's eyes, I see a profound appreciation for how fucking empowering it can be to be female, an appreciation that seems lost on many cissexual women who sadly take their female identities and anatomies for granted, or who perpetually seek to cast themselves as victims rather than instigators. In trans women's eyes, I see a wisdom that can only come from having to fight for your right to be recognised as female, a raw strength that only comes from unabashedly asserting your right to be feminine in an inhospitable world. In a trans woman's eyes, I see someone who understands that, in a culture that's seemingly fuelled on male homophobic hysteria, choosing to be female and openly expressing one's femininity is not a sign of frivolousness, weakness or passivity, it is a fucking badge of courage. Everybody loves to say that drag queens are "fabulous", but nobody seems to get the fact that trans women are fucking badass!
Julia Serano (Whipping Girl: A Transsexual Woman on Sexism and the Scapegoating of Femininity)
And LO and BEHOLD, I was on BOTH the six AND eleven o’clock newscasts! AND all the commercials, as well! (‘Day of the drag queen at one area high school, controversy at six!’) And it must have been a slow night because I was the SECOND PIECE of the night! The granny suicide bomber got the lead. BITCH! But I managed to beat out the president’s pulled groin and day six of the Jessica Simpson chapped-lip crisis!
James St. James (Freak Show)
would have let me break the color code for shoes at work. These were borrowed from Indy’s next door neighbor, who was Denver’s top drag queen. Luckily, he had small feet; or I liked to think that way. Not that my feet were large.
Kristen Ashley (Rock Chick Rescue (Rock Chick, #2))
I’m always amazed by how readily people judge the right and wrong of things they know only from the outside. Honestly, it kind of pisses me off.
David Clawson (My Fairy Godmother is a Drag Queen)
When your enemies drag your name through the dirt, you can emerge covered in roses if you look for the flowers hidden in the field.
Chris Colfer (Queen Red Riding Hood's Guide to Royalty (The Land of Stories #Companion))
Persephone Speaks “I asked him for it. For the blood, for the rust, for the sin. I didn’t want the pearls other girls talked about, or the fine marble of palaces, or even the roses in the mouth of servants. I wanted pomegranates— I wanted darkness, I wanted him. So I grabbed my king and ran away to a land of death, where I reigned and people whispered that I’d been dragged. I’ll tell you I’ve changed. I’ll tell you, the red on my lips isn’t wine. I hope you’ve heard of horns, but that isn’t half of it. Out of an entire kingdom he kneels only to me, calls me Queen, calls me Mercy. Mama, Mama, I hope you get this. Know the bed is warm and our hearts are cold, know never have I been better than when I am here. Do not send flowers, we’ll throw them in the river. ‘Flowers are for the dead’, ‘least that’s what the mortals say. I’ll come back when he bores me, but Mama, not today.
Daniella Michalleni
Ben wasn’t sure when it had all started to go so wrong but it had definitely been the Lemon Puff’s fault. What a screw up. First she brains him in the head with a drawer, then she almost suffocates him, then she pins him to the floor, proving exactly what he knew already, this girl was no lightweight. Being dragged face down across the bank floor by his ankles was no picnic either.
Jane Cousins (Three For The Bank Job (By The Numbers, #3))
You should address me as Queen Lenora or Your Majesty.” Another should I hover over her. “But you’re not, are you?” She lifts her chin to look up at me. “Not what?” “My Majesty,” I say softly. I drop my eyes, dragging them over every inch of her, all her delectable swells and valleys. And she is glorious to look at. “At least…not yet.
Emma Chase (Royally Yours (Royally, #4))
Yes—at the cost of a third of your army. What will happen when you try to seize what remains of Tamoura? When the Beldish strike at you again? Queen Maeve is watching you, I’m sure.” He takes a deep breath. “Adelina, you’re Queen of the Sealands now. You’ve annexed Domacca and northern Tamoura in the Sunlands. At some point, your goal should be not to conquer more territories but to keep order in the territories you do have. And you won’t achieve that by ordering your Inquisitors to drag unmarked civilians out into the streets and brand them with a hot iron.
Marie Lu (The Midnight Star (The Young Elites, #3))
One by one, the silence by the bed drew their attention. Even the king was quiet. Exhausted, relieved, he lay boneless and silent. The skin was dragged thin across his cheekbones. His sweaty hair stuck to his face, and his eyes were closed. His hand, clutching the fabric of his tunic, had relaxed and slipped down to his side, revealing what the careful bunching of the cloth had concealed. The tunic had been split by a knife stroke from one side to the other. As the edges of the fabric separated, those by the bed realized how much blood had been soaking, unseen, into the waist of the king’s trousers. The wound wasn’t a simple nick in the king’s side. It began near the navel and slid all the way across his belly. If the wall of the gut had been opened, the king would be dead of infection within days. He should have said something, why hadn’t he? Costis wondered. In fact, the king had. He had complained at every step all the way across the palace, and they’d ignored it. If he’d been stoic and denied the pain, the entire palace would have been in a panic already, and Eddisian soldiers on the move. He’d meant to deceive them, and he’d succeeded. It made Costis wonder for the first time just how much the stoic man really wants to hide when he unsuccessfully pretends not to be in pain.
Megan Whalen Turner (The King of Attolia (The Queen's Thief, #3))
That stereotype about transsexuals being all wild and criminal and bold and outside the norm and, like, engendering in the townsfolk the courage to break free from the smothering constraints of conformity? That stereotype is about drag queens. Maria is transsexual and she is so meek she might disappear.
Imogen Binnie (Nevada: A Novel)
I even went to the source of all wisdom, I went and knelt at the great Queen of Drag’s feet and asked her how to find love. She backhanded me in between verses of Whitney Houston and told me if she knew, why in fuck would she be here ?
John Goode
For some historians, drag queens are not the ideal representatives of the LGBT community. Oppression within oppression was and is still of concern. Even recently, with the transgender issue finally being taken seriously, there is still a backlash from the community about including them in the general gay movement.
New York Public Library (The Stonewall Reader)
And right now, some affiliates of the promiscuous persuasion were beckoning, urging the women to join their huge orgy. ‘Come have a go, ladyships!’ said one of the strumpets. Stella mustered a look so disapproving it made steel feel guilty for being hard. Unabated, the prostitute lit herself a cigarette and winked suggestively. ‘Will make it worth your while and no trouble.’ ‘Er.’ The strumpet sucked on her cigarette with gusto and hastily turned to Aurora. Under the heavy theatrical greasepaint, she saw a hint of black stubble. ‘What about you, hon? Ever swallowed a sword with its sheath?’ ‘Once,’ said Aurora through a wooden expression. ‘It didn’t end too well for the sword.’ ‘Oh leave ‘em be, Kevin,’ another strumpet butted in, as she adjusted the apples in her corset. She had a tall voice, coarse, rugged and edged; the sort of edge you cut protons on. ‘Doncha see they ‘av a lil’un with ‘em?’ ‘And I’ve a wife. What’s your point, Steve?’ the drag queen retorted. ‘Yer wife’s a corpse, mate.’ ‘Guess that makes me a necromancer.
Louise Blackwick (5 Stars)
My queen,” he said formally, “before Glitch sends out the knights and the hounds to drag us back to Mag Tuiredh, will you do me the honor of a last dance?
Julie Kagawa (An Iron Fey Valentine (The Iron Fey, #4.4))
I have a theory that he’s not actually as stupid as he likes to act, because often he’ll play the stupidity card in a really smart way .
David Clawson (My Fairy Godmother is a Drag Queen)
Society often blurs the lines between drag queens and trans women. This is highly problematic, because many people believe that, like drag queens, trans women go home, take off their wigs and chest plates, and walk around as men. Trans womanhood is not a performance or costume. As Wendi likes to joke, “A drag queen is part-time for showtime, and a trans woman is all the time!
Janet Mock (Redefining Realness: My Path to Womanhood, Identity, Love & So Much More)
Drag intends to make a parody of what society believes to be the domain of either gender, in order to make us realise how tenuous and ridiculous such constructs are. The drag queen may have all the accessories and paraphernalia which society uses to determine femininity, but the result is not feminine at all. Drag is a creatively subversive performance, inviting the audience to question frameworks of gender.
Az Hakeem (TRANS: Exploring Gender Identity and Gender Dysphoria)
I will say this about that moment when you realize your worst nightmare has proven to be reality— it can be oddly comforting. After all, once you’ve hit rock bottom and lived, there’s only one place you can go, and that’s up.
David Clawson (My Fairy Godmother is a Drag Queen)
AN INCOMPLETE LIST: THINGS I LOVE ABOUT HRH PRINCE HENRY OF WALES 1. The sound of your laugh when I piss you off. 2. The way you smell underneath your fancy cologne, like clean linens but somehow also fresh grass (what kind of magic is this?) 3. That thing you do where you stick out your chin to try to look tough. 4. How your hands look when you play piano. 5. All he things I understand about myself now because of you. 6. How you think Return of the Jedi is the best Star Wars (wrong) because deep down you're a gigantic, sappy, embarrassing romantic who just wants the happily ever after. 7. Your ability to recite Keats. 8. Your ability to recite Bernadette's "Don't let it drag you down" monologue from Priscilla, Queen of the Desert. 9. How hard you try. 10. How hard you've always tried. 11. How determined you are to keep trying. 12. That when your shoulders cover mine, nothing else in the entire stupid world matters. 13. The goddamn issue of Le Monde you brought back to London with you and kept and have on your nightstand (yes, I saw it). 14. The way you look when you first wake up. 15. Your shoulder-to-waist ratio. 16. Your huge, generous, ridiculous, indestructible heart. 17. Your equally huge dick. 18. The face you just made when you read that last one. 19. The way you look when you first wake up (I know I already said this, but I really, really love it). 20. The fact that you loved me all along.
Red, White & Royal Blue
Watching Paris is Burning, I began to think that the many yuppie-looking, straight -acting, pushy, predominantly white folks in the audience were there because the film in no way interrogates “whiteness.” These folks left the film saying it was “amazing,” “marvellous,” incredibly funny,” worthy of statements like, “Didn’t you just love it?” And no, I didn’t love it. For in many ways the film was a graphic documentary portrait of the way in which colonized black people (in this case black gay brothers, some of whom were drag queens) worship at the throne of whiteness, even when such worship demands that we live in perpetual self-hate, steal, go hungry, and even die in its pursuit. The "we" evoked here is all of us, black people/people of color, who are daily bombarded by a powerful colonizing whiteness that seduces us away from ourselves, that negates that there is beauty to be found in any form of blackness that is not imitation whiteness.
bell hooks (Black Looks: Race and Representation)
Drag is armor, darling. No matter how you look at it. Once I become Bambi, nobody can hurt me. Not my family, not the drunk assholes at the bar, nobody. A good lace-front wig and the right contouring are as strong a bulletproof vest as I’ve ever needed.
Jeffery Self (Drag Teen)
She called herself Starla, Queen of the Nile, and she had me from the first moment I saw her walk onto that stage. She wore nine-inch-heels and a dress that shone in the multi-colored lighting, glimmering through the haze created by the smoke machines and cigarettes.
Emma Rose Kraus (A Blue One)
The assumption that femininity is always structured by and performed for a male gaze fails to take seriously queer feminine desire. The radical feminist critiques of femininity also disregarded the fact that not all who are (seen as) feminine are women. Crucially, what is viewed as appropriately feminine is not only defined in relation to maleness or masculinity, but through numerous intersections of power including race, sexuality, ability, and social class. In other words, white, heterosexual, binary gender-conforming, able-bodied, and upper- or middle-class femininity is privileged in relation to other varieties. Any social system may contain multiple femininities that differ in status, and which relate to each other as well as to masculinity. As highlighted by “effeminate” gay men, trans women, femmes, drag queens, and “bad girls,” it is possible to be perceived as excessively, insufficiently, or wrongly feminine without for that sake being seen as masculine. Finally, the view of femininity as a restrictive yet disposable mask presupposes that emancipation entails departure into neutral (or masculine) modes of being. This is a tenuous assumption, as the construction of selfhood is entangled with gender, and conceptions of androgyny and gender neutrality similarly hinge on culturally specific ideas of masculinity and femininity.
Manon Hedenborg White (Double Toil and Gender Trouble? Performativity and Femininity in the Cauldron of Esotericism Research)
Girls run the bee world, and worker bees are all female. They feed baby bees, shape new cells out of beeswax, forage for and store nectar and pollen, ripen the honey, cool down the hive when it’s too hot. They also are undertakers, working in pairs to drag out the dead. But their most important job, arguably, is taking care of the queen, who can’t take care of herself—feeding and cleaning her while she lays fifteen hundred eggs a day.
Jodi Picoult (Mad Honey)
To be clear, I’m not, like, a drag queen. I’m not trans. I just like how I look with my eyes outlined in dark colors, or sometimes some color on my eyelids or lips. Call me femme if you want, or a queen, but whatever it is, it’s just me. And after sitting in a room with a dozen other kids and knowing thousands of other kids are also sitting in rooms, taking the same test, making us all anonymous little filled-in dots on answer sheets, I desperately want to feel like me again. I deserve to. So I buy me, or at least the things that make me feel like me. Capitalism must be so proud of what it’s made me into.
Lev A.C. Rosen
Knock it off,Finn!" I tried to pull my arm from him, but physically he was still stronger than me. "Loki is right. You are my tracker. You need to stop dragging me around and telling me what to do." "Loki?" Finn stopped so he could glare suspiciously at me. "You're on a first-name basis with the Vittra prisoner who kidnapped you? And you're lecturing me on propriety?" "I'm not lecturing you on anything!" I shouted, and I finally got my arm free from him. "But if I were to lecture you, it would be about how you're being such a jerk." "Hey,maybe you should just calm-" Duncan tried to interject. He'd been standing a few feet away from us, looking sheepish and worried. "Duncan,don't you dare tell me how to do my job!" Finn stabbed a finger at him. "You are the most useless, incompetent tracker I have ever met, and first chance I get,I'm going to recommend that the Queen dismiss you. And trust me, I'm doing you a favor. She should have you banished!" Duncan's entire face crumpled, and for a horrible moment I was certain he would cry. Instead,he just gaped at us, then lowered his eyes and nodded. "Finn!" I yelled, wanting to slap him. "Duncan did nothing wrong!" Duncan turned to walk away, and I tried to stop him. "Duncan,no. You don't need to go anywhere." He kept walking, and I didn't go after him. Maybe I should have,but I wanted to yell at Finn some more. "He repeatedly left you alone with the Vittra!" Finn shouted. "I know you have a death wish, but it's Duncan's job to prevent you from acting on it." "I am finding out more about the Vittra so I can stop this ridiculous fighting!" I shot back. "So I've been interviewing a prisoner. It's not that unusual,and I've been perfectly safe." "Oh,yeah, 'interviewing,'" Finn scoffed. "You were flirting with him." "Flirting?" I repeated and rolled my eyes. "You're being a dick because you think I was flirting? I wasn't, but even if I was,that doesn't give you the right to treat me or Duncan or anybody this way." "I'm not being a dick," Finn insisted. "I am doing my job, and fraternizing with the enemy is looked down on, Princess. If he doesn't hurt you, the Vittra or Trylle will." "We were only talking,Finn!" "I saw you,Wendy," Finn snapped. "You were flirting. You even wore your hair down when you snuck off to see him." "My hair?" I touched it. "I wore it down because I had a headache from training, and I wasn't sneaking. I was...No,you know what? I don't have to explain anything to you. I didn't do anything wrong, and I don't have to answer to you." "Princess-" "No,I don't want to hear it!" I shook my head. "I really don't want to do this right now.Just go away,Finn!
Amanda Hocking (Torn (Trylle, #2))
One little boy, and he a bastard,' Anne said thoughtfully. 'One little girl of six, one elderly Queen and a King in the prime of his life.' She looked up at the two of us, dragging her gaze away from her own pale face in the water. 'What's going to happen?' She asked. 'Something has to happen. What's it going to be?
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
Quinns always come at half price, about half the time, and half-naked, even during the colder half of winter. A Quinn is like a queen, but draggier, and cheaper to buy and use for personal gain, unless you’re suspicious that you’re poor and illiterate like Jarod Kintz, in which case Quinns could be the spirits of your dead relatives, come to haunt you until you gather a massive fortune through selling books on the internet, to send some back in time through a portal you bought from the NSA, so they would have lived better lives without having to move a finger for their fortune. Oh, yah, and since they aren’t - they’re blue, like smurfs, yet they turn purple whenever tickled on the belly, which is something they seem to rather dislike, since they start biting and scratching when it happens, for no good reason, I might add.
Will Advise (Nothing is here...)
And maybe I was a little intense. But not as much as the princess who marched into that court in a very unprofessional pair of jeans and a T-shirt, looking like she had gone to hell and back--and was about to drag the rest of us back there with her, just like I kinda planned to do. I knew it in a split second--and everybody else knew it too, even old Fabio--that we weren't just seeing a princess standing there in a pair of jeans and boots. We were all getting our first glimpse of the next queen.
Beth Fantaskey
Drag wasn’t a disguise or an illusion; it was armor. When he stepped onstage, Axel became someone fierce and untouchable, a force of nature that gave no fucks and couldn’t be bothered. He brought hecklers to their knees, read homophobes until they needed the Da Vinci Code to piece their dignity back together, and faced the worst with a smart remark and a tongue pop. Lisel was both shield and weapon, the only refuge he’d had from these ugly years.
Caleb Roehrig (Death Prefers Blondes)
But the boy protected Yorda from the shadows-that-walk-alone. He took her hand, defended her, swung his thin arm, and fought with his tiny frame, driving them back. If the shades dragged her into their realm, she would once again become a prisoner, and the boy would turn to stone, a sad adornment in the castle. Yorda knew this. But the boy did not--even as he did not know that Yorda was the property of the queen of the castle--and he protected her.
Miyuki Miyabe (Ico: Castle in the Mist)
It’s been four years since Justin kissed his best friend Lucas when they were both just 12. Then Justin, afraid of what it meant, afraid of how he felt, afraid of what it made him, ran and has been running from and avoiding Lucas for these four years. The thing about running is that no matter how fast you run, the past always catches up with you, and when faced with his past and all the things he’s missed, Justin finds he doesn’t want to run anymore. Now Justin wants to try to make things right with Lucas; he wants his best friend back. But maybe it's too late. Maybe Lucas has moved on. Read the story to find out if Justin is successful. This story isn't only about internalized homophobia and the hurtful things it leads gay kids to do to themselves and others. It is much more about truth, love and hurt and coming to terms with those things, forgiving yourself, and loving yourself enough to hold yourself accountable.
JUVENALIUS
Is this what you imagined I'd be like, back in your rooms at Hollow Hall, when you thought of me and hated it? Is this how you pictured my eventual surrender?' He looks absolutely mortified, but there's no disguising the flush of his cheeks, the shine of his eyes. 'Yes,' he says, sounding like the word was dragged out of him, his voice rough with desire. 'Then what did I do?' I ask, my voice low. I reach out to press my hand against his thigh. His gaze shimmers with a sharp spike of heat. There's a wariness in his face, though, and I realise he believes i might be asking him all this because I'm angry. Because I want to see him humiliated. But he keeps speaking anyway. 'I imagined you telling me to do with you whatever I liked.' 'Really?' I ask, and the surprised laugh in mny voice makes him meet my gaze. 'Along with some begging on your part. A little light grovelling.' He gives me an embarrassed smile. 'My fantasies were rife with overweening ambition.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Child, I am taking you to The Autumnal Ball.” “The . . . but . . . but . . . I don’t have a ticket.” “Don’t worry about it.” “But how—” “Don’t worry about it.” “But I don’t have a thousand dollars for—” “I said, don’t worry about it.” “But how can I not worry about it? Worrying is what I do! About everything!” With an unexpectedly calm smile, Coco put I finger to my lips. “And that’s why you need a fairy godmother. For the rest of the night you’re not allowed to worry about anything. You have one, and only one, responsibility. To have a dream come true and have the sweetass time of your sweetass life. Do you understand me?
David Clawson (My Fairy Godmother is a Drag Queen)
Dimly Kev remembered one of the mythology stories the Hathaways were so fond of... the Greek one about Hades, the god of the underworld, kidnapping the maiden Persephone in a flowery field and dragging her down through an opening in the earth. Down to his dark, private world where he could possess her. Although the Hathaway daughters had all been indignant about Persephone's fate, Kev's sympathies had privately been on Hades' side. Romany culture tended to romanticize the idea of kidnapping a woman for one's bride, even mimicking it during their courtship rituals. "I don't see why eating a mere half-dozen pomegranate seeds should have condemned Persephone to stay with Hades part of every year," Poppy had said in outrage. "No one told her the rules. It wasn't fair. I'm certain she would never have touched a thing, had she known what would happen." "And it wasn't a very filling snack," Beatrix had added, perturbed. "If I'd been there, I would have asked for a pudding or a jam pastry, at least." "Perhaps she wasn't altogether unhappy, having to stay," Win had suggested, her eyes twinkling. "After all, Hades did make her his queen. And the story says he possessed 'the riches of the earth.'" "A rich husband," Amelia had said, "doesn't change the fact that Persephone's main residence is in an undesirable location with no view whatsoever. Just think of the difficulties in leasing it out during the off-months." They had all agreed that Hades was a complete villain. But Kev had understood exactly why the underworld god had stolen Persephone for his bride. He had wanted a little bit of sunshine, of warmth, for himself, down in the cheerless gloom of his dark palace.
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
Sita closed her eyes and breathed into her cupped hands. Before she left, she had remembered to perfume her wrist with Muguet. The faint odor of that flower, so pure and close to the earth, was comforting. She had planted real lilies of the valley because she liked them so much as a perfume. Just last fall, before the hard freeze, when she was feeling back to normal, the pips had arrived in a little white box. Her order from a nursery company. She'd put on her deerskin gloves and, on her knees, using a hand trowel, dug a shallow trench along the border of her blue Dwarf iris. Then one by one she'd planted the pips. They looked like shelled acorns, only tinier. "To be planted points upward," said a leaflet in the directions. They came up early in the spring. The tiny spears of their leaves would be showing soon. Lying there, sleepless, she imaged their white venous roots, a mass of them fastening together, forming new shoots below the earth, unfurling their stiff leaves. She saw herself touching their tiny bells, waxed white, fluted, and breathing the ravishing fragrance they gave off because Louis had absently walked through her border again, dragging his shovel, crushing them with his big, careless feet. It seemed as though hours of imaginary gardening passed before Mrs. Waldvogel tiptoed in without turning on the light.
Louise Erdrich (The Beet Queen)
The few remaining men can exist out their puny days dropped out on drugs or strutting around in drag or passively watching the high-powered female in action, fulfilling themselves as spectators, vicarious liver*, or breeding in the cow pasture with the toadies, or they can go off to the nearest friendly suicide center where they will be quietly, quickly, and painlessly gassed to death. Prior to the institution of automation, to the replacement of males by machines, the male should be of use to the female, wait on her, cater to her slightest whim, obey her every command, be totally subservient to her, exist in perfect obedience to her will, as opposed to the completely warped, degenerate situation we have now of men, not only not only not existing at all, cluttering up the world with their ignominious presence, but being pandered to and groveled before by the mass of females, millions of women piously worshiping the Golden Calf, the dog leading the master on a leash, when in fact the male, short of being a drag queen, is least miserable when his dogginess is recognized – no unrealistic emotional demands are made of him and the completely together female is calling the shots. Rational men want to be squashed, stepped on, crushed and crunched, treated as the curs, the filth that they are, have their repulsiveness confirmed. The sick, irrational men, those who attempt to defend themselves against their disgustingness, when they see SCUM barreling down on them, will cling in terror to Big Mama with her Big Bouncy Boobies, but Boobies won’t protect them against SCUM; Big Mama will be clinging to Big Daddy, who will be in the corner shitting in his forceful, dynamic pants. Men who are rational, however, won’t kick or struggle or raise a distressing fuss, but will just sit back, relax, enjoy the show and ride the waves to their demise.
Valerie Solanas
Things external to her may have their own weight and dimension: but within inside us she gives them such measures as she wills: death is terrifying to Cicero, desirable to Cato, indifferent to Socrates. Health, consciousness, authority, knowledge, beauty and their opposites doff their garments as they enter the soul and receive new vestments, coloured with qualities of her own choosing: brown or green; light or dark; bitter or sweet, deep or shallow, as it pleases each of the individual souls, who have not agreed together on the truth of their practices, rules or ideas. Each soul is Queen in her own state. So let us no longer seek excuses from the external qualities of anything, the responsibility lies within ourselves. Our good or our bad depends on us alone. So let us make our offertories and our vows to ourselves not to Fortune: she has no power over our behaviour, on the contrary our souls drag Fortune in their train and mould her to their own idea.
Michel de Montaigne (The Complete Essays)
Why,” he asked. “Why did you save her?” She dragged a hand through her hair. A white bandage around her upper arm peeked through her shirt with the movement. He hadn’t even been conscious for that wound. He stifled the urge to demand to see it, assess the injury himself—and tug her close against him. “Because that golden-haired witch, Asterin … ,” Aelin said. “She screamed Manon’s name the way I screamed yours.” Rowan stilled. His queen gazed at the floor, as if recalling the moment. “How can I take away somebody who means the world to someone else? Even if she’s my enemy.” A little shrug. “I thought you were dying. It seemed like bad luck to let her die out of spite. And …” she snorted. “Falling into a ravine seemed like a pretty shitty way to die for someone who fights that spectacularly.” Rowan smiled, drinking in the sight of her: the pale, grave face; the dirty clothes; the injuries. Yet her shoulders were back, chin high. “You make me proud to serve you.” A jaunty slant to her lips, but silver lined her eyes. “I know.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
Come for a walk, dear. The air will do you good." Raoul thought that she would propose a stroll in the country, far from that building which he detested as a prison whose jailer he could feel walking within the walls... the jailer Erik... But she took him to the stage and made him sit on the wooden curb of a well, in the doubtful peace and coolness of a first scene set for the evening's performance. On another day, she wandered with him, hand in hand, along the deserted paths of a garden whose creepers had been cut out by a decorator's skillful hands. It was as though the real sky, the real flowers, the real earth were forbidden her for all time and she condemned to breathe no other air than that of the theatre. An occasional fireman passed, watching over their melancholy idyll from afar. And she would drag him up above the clouds, in the magnificent disorder of the grid, where she loved to make him giddy by running in front of him along the frail bridges, among the thousands of ropes fastened to the pulleys, the windlasses, the rollers, in the midst of a regular forest of yards and masts. If he hesitated, she said, with an adorable pout of her lips: "You, a sailor!" And then they returned to terra firma, that is to say, to some passage that led them to the little girls' dancing-school, where brats between six and ten were practicing their steps, in the hope of becoming great dancers one day, "covered with diamonds..." Meanwhile, Christine gave them sweets instead. She took him to the wardrobe and property-rooms, took him all over her empire, which was artificial, but immense, covering seventeen stories from the ground-floor to the roof and inhabited by an army of subjects. She moved among them like a popular queen, encouraging them in their labors, sitting down in the workshops, giving words of advice to the workmen whose hands hesitated to cut into the rich stuffs that were to clothe heroes. There were inhabitants of that country who practiced every trade. There were cobblers, there were goldsmiths. All had learned to know her and to love her, for she always interested herself in all their troubles and all their little hobbies. She knew unsuspected corners that were secretly occupied by little old couples. She knocked at their door and introduced Raoul to them as a Prince Charming who had asked for her hand; and the two of them, sitting on some worm-eaten "property," would listen to the legends of the Opera, even as, in their childhood, they had listened to the old Breton tales.
Gaston Leroux (The Phantom of the Opera)
Prince Arctic?” A silvery white dragon poked her head around the door, tapping three times lightly on the ice wall. Arctic couldn’t remember her name, which was the kind of faux pas his mother was always yelling at him about. He was a prince; it was his duty to have all the noble dragons memorized along with their ranks so he could treat them according to exactly where they fit in the hierarchy. It was stupid and frustrating and if his mother yelled at him about it one more time, he would seriously enchant something to freeze her mouth shut forever. Oooo. What a beautiful image. Queen Diamond with a chain of silver circles wound around her snout and frozen to her scales. He closed his eyes and imagined the blissful quiet. The dragon at his door shifted slightly, her claws making little scraping sounds to remind him she was there. What was she waiting for? Permission to give him a message? Or was she waiting for him to say her name — and if he didn’t, would she go scurrying back to the queen to report that he had failed again? Perhaps he should enchant a talisman to whisper in his ear whenever he needed to know something. Another tempting idea, but strictly against the rules of IceWing animus magic. Animus dragons are so rare; appreciate your gift and respect the limits the tribe has set. Never use your power frivolously. Never use it for yourself. This power is extremely dangerous. The tribe’s rules are there to protect you. Only the IceWings have figured out how to use animus magic safely. Save it all for your gifting ceremony. Use it only once in your life, to create a glorious gift to benefit the whole tribe, and then never again; that is the only way to be safe. Arctic shifted his shoulders, feeling stuck inside his scales. Rules, rules, and more rules: that was the IceWing way of life. Every direction he turned, every thought he had, was restricted by rules and limits and judgmental faces, particularly his mother’s. The rules about animus magic were just one more way to keep him trapped under her claws. “What is it?” he barked at the strange dragon. Annoyed face, try that. As if he were very busy and she’d interrupted him and that was why he was skipping the usual politic rituals. He was very busy, actually. The gifting ceremony was only three weeks away. It was bad enough that his mother had dragged him here, to their southernmost palace, near the ocean and the border with the Kingdom of Sand. She’d promised to leave him alone to work while she conducted whatever vital royal business required her presence. Everyone should know better than to disturb him right now. The messenger looked disappointed. Maybe he really was supposed to know who she was. “Your mother sent me to tell you that the NightWing delegation has arrived.” Aaarrrrgh. Not another boring diplomatic meeting.
Tui T. Sutherland (Darkstalker (Wings of Fire: Legends, #1))