Dowry Quotes

We've searched our database for all the quotes and captions related to Dowry. Here they are! All 100 of them:

You did not let me keep my name, so I will strip you of yours. In this world you are what I say you are, and I say you are a ghost, a long night's fever dream that I have finally woken up from. I say you are the smoke-wisp memory of a flame, thawing ice suffering under an early spring sun, a chalk ledger of depts being wiped clean. I say you do not have a name.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
This is my last love letter to you, though some would call it a confession. I suppose both are a sort of gentle violence, putting down in ink what scorches the air when spoken aloud.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
War is the whetstone that grinds down all sense, all humanity.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
You liked me best when I was like an oil painting; perfectly arranged and silent.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
You could have kissed me or slit my throat and either would have made as much sense.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
I will render you as you really were, neither cast in pristine stained glass or unholy fire. I will make you into nothing more than a man, tender and brutal in equal measure, and perhaps in doing so I will justify myself to you. To my own haunted conscience.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
Even loneliness, hollow and cold, becomes so familiar it starts to feel like a friend.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
What is more lovely, after all, than a monster undone with want?
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
I made you into my private Christ, supplicated with my own dark devotions. Nothing existed beyond the range of your exacting gaze, not even me. I was simply a non-entity when you weren't looking at me, an empty vessel waiting to be filled by the sweet water of your attention. A woman can't live like that, my Lord. No one can. Don't ask me why I did it. God, forgive me. Christ, forgive me.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
I was tired of carrying around the weight of a love like worship, of sickly-warm rush of idolatry coloring my whole world.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
People aren’t meant to live forever. I know that now.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
If you can still hear me wherever you are, my love, my tormentor, hear this: It was never my intention to murder you. Not in the beginning, anyway.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
It is a violation of human rights when babies are denied food, or drowned, or suffocated, or their spines broken, simply because they are born girls. It is a violation of human rights when women and girls are sold into the slavery of prostitution. It is a violation of human rights when women are doused with gasoline, set on fire and burned to death because their marriage dowries are deemed too small. It is a violation of human rights when individual women are raped in their own communities and when thousands of women are subjected to rape as a tactic or prize of war. It is a violation of human rights when a leading cause of death worldwide among women ages 14 to 44 is the violence they are subjected to in their own homes. It is a violation of human rights when young girls are brutalized by the painful and degrading practice of genital mutilation. It is a violation of human rights when women are denied the right to plan their own families, and that includes being forced to have abortions or being sterilized against their will. If there is one message that echoes forth from this conference, it is that human rights are women's rights - and women's rights are human rights. Let us not forget that among those rights are the right to speak freely - and the right to be heard. [From 'Women's Rights Are Human Rights' Speech Beijing, China: 5 September 1995]
Hillary Rodham Clinton
I lost myself so entirely in charting the contours of my love for you that there wasn't any room for tracking time. There wasn't any room to examine the past or the future, there was only the eternal now.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
I was tried of being your Magdalene. I was tried of waiting expectantly at your tomb every night for you to rise and bring light into my world once again.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
She was a lovely blonde, with fine teeth. She had gold and pearls for her dowry; but her gold was on her head, and her pearls were in her mouth.
Victor Hugo (Les Misérables)
You have your whole life ahead of you. Be smart. Study hard and be independent. I'm afraid the chances of your getting a dowry are slim. You must rely on yourself. No matter what else people may steal from you, they will never be able to take away your knowledge. The world is changing. You must make your own life outside this home.
Adeline Yen Mah (Falling Leaves)
I have one final promise to make to you, one I hope I will never break. I promise to live, richly and shamelessly and with my arms wide open to the world. If there was any part left of you at the end that wished our our great happiness, that truly wanted what was best for us, I think it would be pleased to hear me say it. I do not know if I have justified my choice to you, but I think I have justified it to myself, and that has brought me peace enough.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
Wine is a bride who brings a great dowry to the man who woos her persistently and gracefully.
Evelyn Waugh
You never once thought I would have the strength to disobey you, did you? The possibility that my will was stronger than yours never even crossed your mind.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
I dove down deep into your psyche, turning over every word you gave me like a jewel. Looking for meaning, seeking out the mysteries of you. I didn't care if I lost myself in the process. I wanted to be brought by the hand into your world and disappear into your kiss until us two could no longer be told apart.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
It would be easier if he hated us,” she said. “But he loves us all terribly. And if we go on letting him love us, that love is going to kill us. That’s what makes him so dangerous.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
Through her eyes, I was able to experience the story for the first time all over again.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
You must never overthink any good and pleasurable thing.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
I simply broke under the weight of thousand tense nights, a thousand thoughtless, soul-stripping words.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
I know you loved us all, in your own way. Magdalena for her brilliance, Alexi for his loveliness. But I was your war bride, your faithful Constanta, and you loved me for my will to survive. You coaxed that tenacity out of me and broke it down in your hands, leaving me on your work table like a desiccated doll until you were ready to repair me. You filled me with your loving guidance, stitched up my seams with thread in your favorite color, taught me how to walk and talk and smile in whatever way pleased you best. I was so happy to be your marionette, at first. So happy to be chosen.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
Desire makes idiots of all of us. But you already knew that part, didn't you?
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
It was like grasping at a flame. I never penetrated to the burning heart of you, only came away with empty, scorched fingers.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
Looking at the mother, you might hope that the daughter would become like her, which is a prospective advantage equal to a dowry—the mother too often standing behind the daughter like a malignant prophecy—“Such as I am, she will shortly be.
George Eliot (Middlemarch)
I never penetrated to the burning heart of you, only came away with empty, scorched fingers.
S.T. Gibson (A Dowry of Blood)
This felt cosmic, like a piece of me was being excised so it could take up residence in you
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
I should have been more aggressive in my dowry demands, she suddenly thought. Because she had not been paid enough to marry into this family.
S.A. Chakraborty (The Kingdom of Copper (The Daevabad Trilogy, #2))
(...) I was still optimistic. I still wanted to believe I was living in a fairy tale, that I laid down every night with a prince instead of a wolf. I wanted to believe you.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
I like Daniel. He takes care of you." I blinked. "Oh my God. Did you really just say that? He takes care of me?" Dad flushed. "I didn't mean it like-" "Takes care of me? Did I go to sleep and wake up in the nineteenth century?" I looked down at my jeans and T-shirt. "Ack! I can't go to school like this. Where's my corset? My bonnet?" Dad sighed as Mom walked in with her empty teacup. "What did I miss?" She said. "Dad's trying to marry me off to Daniel." I looked at him. "You know, if you offer him a new truck for a dowry, he might go for it.
Kelley Armstrong (The Gathering (Darkness Rising, #1))
The real story isn’t half as pretty as the one you’ve heard. The real story is, the miller’s daughter with her long golden hair wants to catch a lord, a prince, a rich man’s son, so she goes to the moneylender and borrows for a ring and a necklace and decks herself out for the festival. And she’s beautiful enough, so the lord, the prince, the rich man’s son notices her, and dances with her, and tumbles her in a quiet hayloft when the dancing is over, and afterwards he goes home and marries the rich woman his family has picked out for him. Then the miller’s despoiled daughter tells everyone that the moneylender’s in league with the devil, and the village runs him out or maybe even stones him, so at least she gets to keep the jewels for a dowry, and the blacksmith marries her before that firstborn child comes along a little early. Because that’s what the story’s really about: getting out of paying your debts.
Naomi Novik (Spinning Silver)
In the face of all the dire and often accurate warnings of danger on the road for women, it took modern feminism to ask the rock-bottom question: Compared to what? Whether by dowry murders in India, honor killings in Egypt, or domestic violence in the United States, records show that women are most likely to be beaten or killed at home and by men they know. Statistically speaking, home is an even more dangerous place for women than the road. Perhaps the most revolutionary act for a woman will be a self-willed journey—and to be welcomed when she comes home.
Gloria Steinem (My Life on the Road)
You taught us to never feel guilty, to revel when the world demands mourning
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
She is herself a dowry.
William Shakespeare (King Lear)
Like Christ, I had become intimately acquainted with violence and the sins of the world, but I had not come away unblemished.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
You usually looked at us like we were hoards of gold, precious and rarefied. But now you looked at me the way you looked at one of your books. Like you were draining me of all useful knowledge before tossing me aside.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
I don’t wish to be a dowry.” She looked to him. “I do not wish to be commodified. I wish to be mine. To choose for myself.
Sarah MacLean (Brazen and the Beast (The Bareknuckle Bastards, #2))
How freely he offered himself up! All the enthusiasm of youth with non of the wisdom and caution of age.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
I knew then I would chase your tiny moments of weakness all the way into hell and back. What is more lovely, after all, than a monster undone with wanting?
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
Sometimes, when I walk through the city, I get a crawling feeling on the back of my neck that compels me to turn around. Sometimes, I think I see your face in the crowd, only for an instant, before you’re swept away by the masses once again.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
Oh, my dear, love isn't always the coup de foudre--the lightning strike. Sometimes it happens quietly, so quietly you may not even notice.
Julia Justiss (Convenient Proposal to the Lady (Hadley's Hellions #3))
I saw every soft moment we had shared flicker over your face, and you were so beautiful. Desperate, vulnerable. Fear for your life made you look like a man who could really love and be loved, like you might hand over your heart and all its secrets without my having to crack your ribs open to get to them.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
Look on beauty, And you shall see 'tis purchased by the weight; Which therein works a miracle in nature, Making them lightest that wear most of it: So are those crisped snaky golden locks Which make such wanton gambols with the wind, Upon supposed fairness, often known To be the dowry of a second head, The skull that bred them in the sepulchre. Thus ornament is but the guiled shore To a most dangerous sea; the beauteous scarf Veiling an Indian beauty; in a word, The seeming truth which cunning times put on To entrap the wisest.
William Shakespeare (The Merchant of Venice)
Laying with her made me feel so vibrantly alive. It was almost enough to make me forget that I was already dead.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
He's like a sickness... Being around him is like burning up with fever. I know I'm not well, but I'm too delirious to do anything.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
Well, wife,' he says to me, a chill in his voice. 'It seems you have kept at least one secret from your dowry.
Holly Black (The Wicked King (The Folk of the Air, #2))
I wanted to dash myself against your rocks like a wave, to obliterate my old self and see what rose shining and new from the sea foam. The only words I had to describe you in those early days were plunging cliffside or primordial sea, crystal-cold stars or a black expanse of sky. I dove down deep into your psyche, turning over every world you gave me like a jewel. Looking for meaning, seeking out the mysteries of you. I didn’t care if I lost myself in the process. I wanted to be brought by the hand into your world and disappear into your kiss until us two could no longer be told apart.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
My dowry is thirty-five. A year.” His brows climbed. “You’re joking.” “I would never joke about money with a notorious thief. Just imagine, in a mere two years you’re at a profit.” “How I adore a woman who does mathematics in her head.” “I can forge signatures as well.” “Splendid. Exactly the bride I’ve been hoping for.
Shana Abe
In India, a "bride burning"-- to punish a woman for inadequate dowry or to eliminate her so a man can remarry-- takes place approximately once every two hours, but rarely constitute news.
Nicholas D. Kristof (Half the Sky: Turning Oppression into Opportunity for Women Worldwide)
I was tired of being your Magdalene. I was tired of waiting expectantly at your tomb every night for you to rise and bring light into my world once again.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
To those who escaped a love like death, and to those still caught in its grasp: you are the heroes of this story
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
It hadn’t made any difference. The dowry was too large. Unbeknown to her, she’d been bred for sale and fattened like a calf with manners and education. She’d felt betrayed, but she’d been young. She understood the world better now. Meat didn’t get a say on whose hook it hung from.
Stuart Turton (The Devil and the Dark Water)
You kissed me. Punishingly, until my lips were bruised, until there was scarcely any air left in my lungs. The force of your love nearly drove me to my knees. I was no woman, I was merely a supplicant, a pilgrim who had stumbled across your dark altar and was doomed to worship at it forever.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
I am trying to tell you why I did what I did. It is the only way I can think to survive and I hope, even now, that you would be proud of my determination to persist. God. Proud. Am I sick to still think on you softly, even after all the blood and broken promises?
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
I was tired of the circumference of the whole universe living in your circled arms, of the spark of life hiding in your kiss, of the power of death lying in wait in your teeth.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
You could never resist a survivor. Or a mirror.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
Being an author of a book is like being a mother of a debutante in the Middle Ages. You have to present your baby to society and provide her with dowry, and in your heart, you hope that some royalty spends a night with her and ensures her way to success.
Elvira Baryakina
Suppose the ambassador from the French comes back: Tells Harry that the King doth offer him Katherine his daughter; and with her to dowry some petty and unprofitable dukedoms: The offer likes not;
William Shakespeare (Henry V)
I sensed pure, exquisite violence behind your kiss, a desire to rend and devour that reminded me more of a wolf than a man. Your hunger for me was always more apparent under the cover of darkness, when you didn’t have to arrange your face into any semblance of civility.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
(...) but the melancholy always came back, calling on her like an unwelcome old lover disrupting a wedding.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
Dear Madam Vorsoisson, I am sorry. This is the eleventh draft of this letter. They’ve all started with those three words, even the horrible version in rhyme, so I guess they stay. You once asked me never to lie to you. All right, so. I’ll tell you the truth now even if it isn’t the best or cleverest thing, and not abject enough either. I tried to be the thief of you, to ambush and take prisoner what I thought I could never earn or be given. You were not a ship to be hijacked, but I couldn’t think of any other plan but subterfuge and surprise. Though not as much of a surprise as what happened at dinner. The revolution started prematurely because the idiot conspirator blew up his secret ammo dump and lit the sky with his intentions. Sometimes these accidents end in new nations, but more often they end badly, in hangings and beheadings. And people running into the night. I can’t be sorry that I asked you to marry me, because that was the one true part in all the smoke and rubble, but I’m sick as hell that I asked you so badly. Even though I’d kept my counsel from you, I should have at least had the courtesy to keep it from others as well, till you’d had the year of grace and rest you’d asked for. But I became terrified that you’d choose another first. So I used the garden as a ploy to get near you. I deliberately and consciously shaped your heart’s desire into a trap. For this I am more than sorry, I am ashamed. You’d earned every chance to grow. I’d like to pretend I didn’t see it would be a conflict of interest for me to be the one to give you some of those chances, but that would be another lie. But it made me crazy to watch you constrained to tiny steps, when you could be outrunning time. There is only a brief moment of apogee to do that, in most lives. I love you. But I lust after and covet so much more than your body. I wanted to possess the power of your eyes, the way they see form and beauty that isn’t even there yet and draw it up out of nothing into the solid world. I wanted to own the honor of your heart, unbowed in the vilest horrors of Komarr. I wanted your courage and your will, your caution and your serenity. I wanted, I suppose, your soul, and that was too much to want. I wanted to give you a victory. But by their essential nature triumphs can’t be given. They must be taken, and the worse the odds and the fiercer the resistance, the greater the honor. Victories can’t be gifts. But gifts can be victories, can’t they. It’s what you said. The garden could have been your gift, a dowry of talent, skill, and vision. I know it’s too late now, but I just wanted to say, it would have been a victory most worthy of our House. Yours to command, Miles Vorkosigan
Lois McMaster Bujold (A Civil Campaign (Vorkosigan Saga, #12))
In this world, you are what I say you are, and I say you are a ghost, a long night’s fever dream that I have finally woken up from. I say you are the smoke-wisp memory of a flame, thawing ice suffering under an early spring sun, a chalk ledger of debts being wiped clean.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
I never dreamed it would end like this, my lord: your blood splashing hot flecks onto my nightgown and pouring in rivulets onto our chamber floor. But creatures like us live a long time. There is no horror left in this world that can surprise me. Eventually, even your death becomes its own sort of inevitability.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
No matter. Nothing else will do. Nothing less than a full account of our life together, from the trembling start all the way to the brutal end. I fear I will go mad if I don’t leave behind some kind of record. If I write it down, I won’t be able to convince myself that none of it happened. I won’t be able to tell myself that you didn’t mean any of it, that it was all just some terrible dream.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
At the time, I would have called it proof of your love, burning and all-consuming. But I've grow to understand that you have more of the scientist obsessed than the love possessed in you, and that your examinations lend themselves more towards a scrutiny of weakness, imperfection, any detail in need of your corrective care.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
One thing that kept me from being unhappy was the mountains, for with mountaintops to see, a body can't quite despair.
Florence Maule Updegraff (Blue Dowry)
You must forgive me. You had overstepped so many of my boundaries and left me so little of my own privacy that it didn’t seem unfair for me to deny you a little of yours.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
There will only be sweetness and kindheartedness, and a hundred years of bliss.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
Eventually, even your death becomes its own sort of inevitability.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
After that whole debate with the Harkers he was sullen for months.” “Who are the Harkers?” “Before your time dear, just some dreadful Victorians.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
The marriage broker had assured her the groom’s family was more concerned about the colour of Malli’s skin than the size of her dowry.
Rasana Atreya (Tell A Thousand Lies)
Cleopatra moreover came of age in a country that entertained a singular definition of women’s roles. Well before her and centuries before the arrival of the Ptolemies, Egyptian women enjoyed the right to make their own marriages. Over time their liberties had increased, to levels unprecedented in the ancient world. They inherited equally and held property independently. Married women did not submit to their husbands’ control. They enjoyed the right to divorce and to be supported after a divorce. Until the time an ex-wife’s dowry was returned, she was entitled to be lodged in the house of her choice. Her property remained hers; it was not to be squandered by a wastrel husband. The law sided with the wife and children if a husband acted against their interests. Romans marveled that in Egypt female children were not left to die; a Roman was obligated to raise only his first-born daughter. Egyptian women married later than did their neighbors as well, only about half of them by Cleopatra’s age. They loaned money and operated barges. They served as priests in the native temples. They initiated lawsuits and hired flute players. As wives, widows, or divorcées, they owned vineyards, wineries, papyrus marshes, ships, perfume businesses, milling equipment, slaves, homes, camels. As much as one third of Ptolemaic Egypt may have been in female hands.
Stacy Schiff (Cleopatra)
They were all there (at the airport) - the deaf ammoomas, the cantankerous, arthritic appoopas, the pining wives, scheming uncles, children with the runs. The fiancées to be reassessed. The teacher's husband still waiting for his Saudi visa. The teacher's husband's sisters waiting for their dowries. The wire-bender's pregnant wife. "Mostly sweeper class," Baby Kochamma said grimly, and looked away while a mother, no wanting to give up her good place near the railing, aimed her distracted baby's penis into an empty bottle while he smiled and waved at the people around him...
Arundhati Roy (The God of Small Things)
It was never my intention to murder you. Not in the beginning, anyway.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
We are children of the same rotten family, survivors of the same intimate war. We will always be lovers, forever bonded, across distance and time.
S.T. Gibson (An Encore of Roses (A Dowry of Blood, #1.5))
Power, of course. To know oneself, one's limits and abilities, is its own power. To know how one may best subdue another with similar abilities is another.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
He looked like a lithe young Christ, crucified between two beautiful women with you as his cross.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
I met your eyes. So very black, like I could fall into them and never find my way out again.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
(...) all my carefully crafted excuses for you dissolved like sugar under absinthe, revealing a truth I had spent centuries avoiding.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
You filled me with your loving guidance, stitched up my seams with tread in your favorite color, taught me how to walk and talk and smile in whatever way pleased you best. I was so happy to be your marionette, at first. So happy to be chosen.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
It was tragic to be a burn victim—oil, acid, dowry disputes, cruel in-laws, all that—though what was expected next was a humble, pained exit, feminine in its sorrow, in its sense of proportion. In other words, what was expected was invisibility. For the woman to disappear. But Poornima refused, or rather, she never even considered it. She walked down the street, she held her head high, she wore no mangalsutra, she had no male escort, she was iron in her purpose, imperial in her poise.
Shobha Rao (Girls Burn Brighter)
I stretched my arms towards the sky like blades of tall grass The sun beat between my shoulders like carnival drums I sat still in hopes that it would help my wings grow So then I could really be fly And then she arrived Like day break inside a railway tunnel Like the new moon, like a diamond in the mines Like high noon to a drunkard, sudden She made my heart beat in a now-now time signature Her skinny canvas for ultraviolet brushstrokes She was the sun's painting She was a deep cognac color Her eyes sparkled like lights along the new city She lips pursed as if her breath was too sweet And full for her mouth to hold I said, "You are the beautiful, the stress of mathematics." I said, "For you, I would peel open the clouds like new fruit And give you lightning and thunder as a dowry I would make the sky shed all of it's stars, light and rain And I would clasp the constellations across your waist And I would make the heavens your cape And they would be pleased to cover you They would be pleased to cover you May I please, cover you, please
Mos Def
I kissed you the way you had bitten me all those years ago; mercilessly, until you were panting. I pinned you between my thighs and kissed you like I was trying to get back at you for something, like I would never kiss you again. I fit all the love and hate my soul had endured for so many years into that kiss.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
My Last Duchess That’s my last Duchess painted on the wall, Looking as if she were alive. I call That piece a wonder, now: Fra Pandolf’s hands Worked busily a day, and there she stands. Will’t please you sit and look at her? I said “Fra Pandolf” by design, for never read Strangers like you that pictured countenance, The depth and passion of its earnest glance, But to myself they turned (since none puts by The curtain I have drawn for you, but I) And seemed as they would ask me, if they durst, How such a glance came there; so, not the first Are you to turn and ask thus. Sir, ’twas not Her husband’s presence only, called that spot Of joy into the Duchess’ cheek: perhaps Fra Pandolf chanced to say “Her mantle laps Over my lady’s wrist too much,” or “Paint Must never hope to reproduce the faint Half-flush that dies along her throat”: such stuff Was courtesy, she thought, and cause enough For calling up that spot of joy. She had A heart—how shall I say?—too soon made glad, Too easily impressed; she liked whate’er She looked on, and her looks went everywhere. Sir, ’twas all one! My favour at her breast, The dropping of the daylight in the West, The bough of cherries some officious fool Broke in the orchard for her, the white mule She rode with round the terrace—all and each Would draw from her alike the approving speech, Or blush, at least. She thanked men,—good! but thanked Somehow—I know not how—as if she ranked My gift of a nine-hundred-years-old name With anybody’s gift. Who’d stoop to blame This sort of trifling? Even had you skill In speech—(which I have not)—to make your will Quite clear to such an one, and say, “Just this Or that in you disgusts me; here you miss, Or there exceed the mark”—and if she let Herself be lessoned so, nor plainly set Her wits to yours, forsooth, and made excuse, —E’en then would be some stooping; and I choose Never to stoop. Oh sir, she smiled, no doubt, Whene’er I passed her; but who passed without Much the same smile? This grew; I gave commands; Then all smiles stopped together. There she stands As if alive. Will’t please you rise? We’ll meet The company below, then. I repeat, The Count your master’s known munificence Is ample warrant that no just pretence Of mine for dowry will be disallowed; Though his fair daughter’s self, as I avowed At starting, is my object. Nay, we’ll go Together down, sir. Notice Neptune, though, Taming a sea-horse, thought a rarity, Which Claus of Innsbruck cast in bronze for me!
Robert Browning (My Last Duchess and Other Poems (Dover Thrift Editions: Poetry))
My nights are full of long walks and the scent of ocean breezes and the sound of people singing. Sometimes, I hear your voice in my dreams and I wake with a start, but I’m getting better at soothing myself back to sleep these days. Perhaps in time I will stop asking God for his forgiveness. Perhaps I will be able to uncurl the defenses around my heart and let someone see me the way you saw me: vulnerable and naked and totally trusting. I have one final promise to make to you, one I will never break. I promise to live, richly and shamelessly and with my arms wide open to the world. If there was any part left of you at the end that wished for our great happiness, that truly wanted what was best for us, I think it would be pleased to hear me say it. I do not know if I have justified my choice to you, but I think I have justified it to myself, and that has brought me peace enough.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
Elisandra read while I tried my hand at embroidering a pillowcase that she lent me. The results were execrable. I had no skill with a needle, and no desire to learn, either. "I wouldn't shame a dog by laying this upon his bed," I remarked, showing Elisandra my efforts. She actually smiled. "I like it," she said. "I'll put it on one of my pillows." "Bryan won't let you sleep in the same bed with him if you bring this as your dowry," I said with an attempt at humor. She bent her head back over her book. "Then stitch me another.
Sharon Shinn (Summers at Castle Auburn)
If you think that educating your girl is enough for her to tackle the boundaries of tradition, then you are wrong. You have to ensure that not only you empower her with education, but also make her strong enough to resist the evils of societal pressure under which she often buckles. Her life and honour are far more important than "What will people say?" A little emotional support from the parents can make the life of a daughter abused by her in-laws beautiful.
Neelam Saxena Chandra
Appropriate. The absurdity of the word struck me and I almost scoffed aloud. What, if anything, in our life was appropriate? We killed to live, we lied and cheated and took lovers, we slipped from town to town like ghosts, draining the populace of their money and blood before moving on. Not a month ago we had brought two young men home with us from the streets and taken our pleasure with them before draining them dry in our wedding bed. I had given up appropriate when I had given up my ability to eat mortal food, to walk abroad in the sun.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
I was tired of being your Magdalene. I was tired of waiting expectantly at your tomb every night for you to rise and bring light into my world once again. I was tired of groveling on my knees and washing blood off your heels with my hair and tears. I was tired of having the air sucked out of my lungs every time your eyes cut right to the heart of me. I was tired of the circumference of the whole universe living in your circled arms, of the spark of life hiding in your kiss, of the power of death lying in wait in your teeth. I was tired of carrying around the weight of a love like worship, of the sickly-warm rush of idolatry coloring my whole world. I was tired of faithfulness. I made you into my private Christ, supplicated with my own dark devotions. Nothing existed beyond the range of your exacting gaze, not even me. I was simply a non-entity when you weren't looking at me, an empty vessel waiting to be filled by the sweet water of your attention. A woman can't live like that, my lord. No one can. Don't ask me why I did it. God, forgive me. Christ, forgive me.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
I was tired of being your Magdalene. I was tired of waiting expectantly at your tomb every night for you to rise and bring light into my world once again. I was tired of groveling on my knees and washing blood off your heels with my hair and tears. I was tired of having the air sucked out of my lungs every time your eyes cut right to the heart of me. I was tired of the circumference of the whole universe living in your circled arms, of the spark of life hiding in your kiss, of the power of death lying in wait in your teeth. I was tired of carrying around the weight of a love like worship, of the sickly-warm rush of idolatry coloring my whole world. I was tired of faithfulness. I made you into my private Christ, supplicated with my own dark devotions. Nothing existed beyond the range of your exacting gaze, not even me. I was simply a none-entity when you weren't looking at me, an empty vessel waiting to be filled by the sweet water of your attention. A woman can't live like that, my lord. No one can. Don't ask me why I did it. God, forgive me. Christ, forgive me.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
But we belong to no one, we’re always on some frontier, always someone’s dowry. Is it then surprising that we’re poor? For centuries we’ve been trying to find, trying to recognize ourselves. Soon we won’t even know who we are, we’re already forgetting that we’ve even been striving for anything. Others do us the honor of letting us march under their banners, since we have none of our own. They entice us when they need us, and reject us when we’re no longer any use to them. The saddest land in the world, the most unhappy people in the world. We’re losing our identity, but we cannot assume another, foreign one. We’ve been severed from our roots, but haven’t become part of anything else; foreign to everyone, both to those who are our kin and those who won’t take us in and adopt us as their own. We live at a crossroads of worlds, at a border between peoples, in everyone’s way. And someone always thinks we’re to blame for something. The waves of history crash against us, as against a reef. We’re fed up with those in power and we’ve made a virtue out of distress: we’ve become noble-minded out of spite. You’re ruthless on a whim. So who’s backward?
Meša Selimović (Death and the Dervish)
When Elizabeth finally descended the stairs on her way to the dining room she was two hours late. Deliberately. “Good heavens, you’re tardy, my dear!” Sir Francis said, shoving back his chair and rushing to the doorway where Elizabeth had been standing, trying to gather her courage to do what needed to be done. “Come and meet my guests,” he said, drawing her forward after a swift, disappointed look at her drab attire and severe coiffure. “We did as you suggested in your note and went ahead with supper. What kept you abovestairs so long?” “I was at prayer,” Elizabeth said, managing to look him straight in the eye. Sir Francis recovered from his surprise in time to introduce her to the three other people at the table-two men who resembled him in age and features and two women of perhaps five and thirty who were both attired in the most shockingly revealing gowns Elizabeth had ever seen. Elizabeth accepted a helping of cold meat to silence her protesting stomach while both women studied her with unhidden scorn. “That is a most unusual ensemble you’re wearing, I must say,” remarked the woman named Eloise. “Is it the custom where you come from to dress so…simply?” Elizabeth took a dainty bite of meat. “Not really. I disapprove of too much personal adornment.” She turned to Sir Francis with an innocent stare. “Gowns are expensive. I consider them a great waste of money.” Sir Francis was suddenly inclined to agree, particularly since he intended to keep her naked as much as possible. “Quite right!” he beamed, eyeing the other ladies with pointed disapproval. “No sense in spending all that money on gowns. No point in spending money at all.” “My sentiments exactly,” Elizabeth said, nodding. “I prefer to give every shilling I can find to charity instead.” “Give it away?” he said in a muted roar, half rising out of his chair. Then he forced himself to sit back down and reconsider the wisdom of wedding her. She was lovely-her face more mature then he remembered it, but not even the black veil and scraped-back hair could detract from the beauty of her emerald-green eyes with their long, sooty lashes. Her eyes had dark circles beneath them-shadows he didn’t recall seeing there earlier in the day. He put the shadows down to her far-too-serious nature. Her dowry was creditable, and her body beneath that shapeless black gown…he wished he could see her shape. Perhaps it, too, had changed, and not for the better, in the past few years. “I had hoped, my dear,” Sir Francis said, covering her hand with his and squeezing it affectionately, “that you might wear something else down to supper, as I suggested you should.” Elizabeth gave him an innocent stare. “This is all I brought.” “All you brought?” he uttered. “B-But I definitely saw my footmen carrying several trunks upstairs.” “They belong to my aunt-only one of them is mine,” she fabricated hastily, already anticipating his next question and thinking madly for some satisfactory answer. “Really?” He continued to eye her gown with great dissatisfaction, and then he asked exactly the question she’d expected: “What, may I ask, does your one truck contain if not gowns?” Inspiration struck, and Elizabeth smiled radiantly. “Something of great value. Priceless value,” she confided. All faces at the table watched her with alert fascination-particularly the greedy Sir Francis. “Well, don’t keep us in suspense, love. What’s in it?” “The mortal remains of Saint Jacob.
Judith McNaught (Almost Heaven (Sequels, #3))
Lillian kept her face against Marcus’s shoulder. As mortified as she had been on the day that he had seen her playing rounders in her knickers, this was ten times worse. She would never be able to face Simon Hunt again, she thought, and groaned. “It’s all right,” Marcus murmured. “He’ll keep his mouth shut.” “I don’t care whom he tells,” Lillian managed to say. “I’m not going to marry you. Not if you compromised me a hundred times.” “Lillian,” he said, a sudden tremor of laughter in his voice, “it would be my greatest pleasure to compromise you a hundred times. But first I would like to know what I’ve done this morning that is so unforgivable.” “To begin with, you talked to my father.” His brows lifted a fraction of an inch. “That offended you?” “How could it not? You’ve behaved in the most highhanded manner possible by going behind my back and trying to arrange things with my father, without one word to me—” “Wait,” Marcus said sardonically, rolling to his side and sitting up in an easy movement. He reached out with a broad hand to pull Lillian up to face him. “I was not being high-handed in meeting with your father. I was adhering to tradition. A prospective bridegroom usually approaches a woman’s father before he makes a formal proposal.” A gently caustic note entered his voice as he added, “Even in America. Unless I’ve been misinformed?” The clock on the mantel dispensed a slow half-minute before Lillian managed a grudging reply. “Yes, that’s how it’s usually done. But I assumed that you and he had already made a betrothal agreement, regardless of whether or not it was what I wanted—” “Your assumption was incorrect. We did not discuss any details of a betrothal, nor was anything mentioned about a dowry or a wedding date. All I did was ask your father for permission to court you.” Lillian stared at him with surprised chagrin, until another question occurred to her. “What about your discussion with Lord St. Vincent just now?” Now it was Marcus’s turn to look chagrined. “That was high-handed,” he admitted.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
This might baffle you, but despite not being a physician, I do have some pride. Although most certainly not enough to withstand the kind of beating you're capable of dealing it. The kind of beating you've repeatedly dealt it from the first time we've met. You're right, I value honesty, so I'll tell you that I make it a practice not to find women who insult me at every opportunity attractive." Color flooded her cheeks and traveled down her neck. Finally, she stepped away from him, too, and found the back of a chair to clutch. She looked entirely devastated. Had no one ever denied her anything? He hated the hurt in her eyes. But it was done now. "How is telling you I'm attracted to you an insult?" He pressed the back of his hand into his forehead. It made him feel like a drama queen in some sort of musical farce. Which this had to be. "Telling me how unworthy I am of your attraction, that's the insulting part. And, no, that's not all it is. Even if you hadn't told me at every opportunity how inferior to you I am... all I do is cook... every assumption you've made about me is insulting. Culinary school is definitely college. And Le Cordon Bleu is one of the most competitive institutions in the world. The fact that that's so wholly incomprehensible to you... that's the insulting part. And it wasn't thrown in my overly privileged lap either. I had to work my bottom off to make it in." Ammaji had sold her dowry jewels to pay for his application, something her family would have thrown her out on the street for had they found out. Trisha squared her shoulders, the devastation draining fast from her face, leaving behind the self-possession he was so much more used to. And the speed with which she gathered herself shook something inside him. "I might not do what you see as important work, but I work hard at being a decent human being, and I would need anyone I'm with to be that first and foremost. Even if I didn't find snobbery in general incredibly unattractive, I would never go anywhere near a person as self-absorbed and arrogant as you, Dr. Raje. I would have to be insane to subject myself to your view of me and the world." "Wow." She was panting, or maybe it was him. He couldn't be sure. "You wanted honesty. I'm sorry if I hurt you." She cleared her throat. "I'm surprised you think someone as... as... self-absorbed and arrogant as me is even capable of being hurt.
Sonali Dev (Pride, Prejudice, and Other Flavors (The Rajes, #1))
We're working on disrupting an old family tradition." He accepted the glass the Justice offered. "He means feud," Shelby explained at her mother's blank look. She sipped the liqueur,approved it, then sat on the arm of Myra's chair. "Oh...Oh," Deborah repeated as she remembered. "The Campbells and the MacGregors were blood enemies in Scotland-though I can't quite remember why." "They stole our land," Alan put in mildly. "That's what you say." Shelby shot him a look as she sipped again. "We acquired MacGregor land through a royal decree.They weren't good sports about it." Alan gave her a thoughtful smile. "I'd be interested to hear you debate that issue with my father." "What a match," Myra said, brightening at the thought. "Herbert,can you just see our Shelby nose-to-nose with Daniel? All that red hair and stubbornness. You really should arrange it, Alan." "I've been giving it some thought." "Have you?" Shelby's brows lifted to disappear completely under her frizz of bangs. "Quite a bit of thought," he said in the same even tone. "I've been to that wonderful anachronism in Hyannis Port." Myra gave Shelby a brief pat on the thigh. "It's right up your alley,dear.She's so fond of the-well,let's say unique,shall we?" "Yes." Deborah sent Shelby a fond smile. "I could never figure out why. But then,both of my children have always been a mystery.Perhaps it's because they're so bright and clever and restless.I'm always hoping they'll settle down." This time she beamed the smile at Alan. "You're not married, either,are you,Senator?" "If you'd like," Shelby said as she studied the color of her liqueur through the crystal, "I could just step out while you discuss the terms of the dowry." "Shelby,really," Deborah murmured over the sound of the Justice's chuckle.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
The traditional Roman wedding was a splendid affair designed to dramatize the bride’s transfer from the protection of her father’s household gods to those of her husband. Originally, this literally meant that she passed from the authority of her father to her husband, but at the end of the Republic women achieved a greater degree of independence, and the bride remained formally in the care of a guardian from her blood family. In the event of financial and other disagreements, this meant that her interests were more easily protected. Divorce was easy, frequent and often consensual, although husbands were obliged to repay their wives’ dowries. The bride was dressed at home in a white tunic, gathered by a special belt which her husband would later have to untie. Over this she wore a flame-colored veil. Her hair was carefully dressed with pads of artificial hair into six tufts and held together by ribbons. The groom went to her father’s house and, taking her right hand in his, confirmed his vow of fidelity. An animal (usually a ewe or a pig) was sacrificed in the atrium or a nearby shrine and an Augur was appointed to examine the entrails and declare the auspices favorable. The couple exchanged vows after this and the marriage was complete. A wedding banquet, attended by the two families, concluded with a ritual attempt to drag the bride from her mother’s arms in a pretended abduction. A procession was then formed which led the bride to her husband’s house, holding the symbols of housewifely duty, a spindle and distaff. She took the hand of a child whose parents were living, while another child, waving a hawthorn torch, walked in front to clear the way. All those in the procession laughed and made obscene jokes at the happy couple’s expense. When the bride arrived at her new home, she smeared the front door with oil and lard and decorated it with strands of wool. Her husband, who had already arrived, was waiting inside and asked for her praenomen or first name. Because Roman women did not have one and were called only by their family name, she replied in a set phrase: “Wherever you are Caius, I will be Caia.” She was then lifted over the threshold. The husband undid the girdle of his wife’s tunic, at which point the guests discreetly withdrew. On the following morning she dressed in the traditional costume of married women and made a sacrifice to her new household gods. By the late Republic this complicated ritual had lost its appeal for sophisticated Romans and could be replaced by a much simpler ceremony, much as today many people marry in a registry office. The man asked the woman if she wished to become the mistress of a household (materfamilias), to which she answered yes. In turn, she asked him if he wished to become paterfamilias, and on his saying he did the couple became husband and wife.
Anthony Everitt (Cicero: The Life and Times of Rome's Greatest Politician)