“
Adam lived in an apartment located above the office of St. Agnes Catholic Church, a fortuitous combination that focused most of the objects of Ronan's worship into one downtown block.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
Do you know anything
about silent films?”
“Sure,” I said. “The first ones were developed in the late
nineteenth century and sometimes had live musical
accompaniment, though it wasn’t until the 1920s that sound
become truly incorporated into films, eventually making
silent ones obsolete in cinema.”
Bryan gaped, as though that was more than he’d been
expecting. “Oh. Okay. Well, um, there’s a silent film festival
downtown next week. Do you think you’d want to go?”
I shook my head. “No, I don’t think so. I respect it as an
art form but really don’t get much out of watching them.”
“Huh. Okay.” He smoothed his hair back again, and I
could almost see him groping for thoughts. Why on earth
was he asking me about silent films? “What about Starship
30? It opens Friday. Do you want to see that?”
“I don’t really like sci-fi either,” I said. It was true, I found it
completely implausible.
Bryan looked ready to rip that shaggy hair out. “Is there
any movie out there you want to see?”
I ran through a mental list of current entertainment. “No.
Not really.” The bell rang, and with a shake of his head,
Bryan slunk back to his desk. “That was weird,” I muttered.
“He has bad taste in movies.” Glancing beside me, I was
startled to see Julia with her head down on her desk while
she shook with silent laughter. “What?”
“That,” she gasped. “That was hilarious.”
“What?” I said again. “Why?”
“Sydney, he was asking you out!”
I replayed the conversation. “No, he wasn’t. He was
asking me about cinema.”
She was laughing so hard that she had to wipe away a
tear. “So he could find out what you wanted to see and take
you out!”
“Well, why didn’t he just say that?”
“You are so adorably oblivious,” she said. “I hope I’m
around the day you actually notice someone is interested in
you.” I continued to be mystified, and she spent the rest of
class bursting out with spontaneous giggles.
”
”
Richelle Mead (Bloodlines (Bloodlines, #1))
“
"The wanderer in Manhattan must go forth with a certain innocence, because New York is best seen with innocent eyes. It doesn't matter if you are younger or old. Reading our rich history makes the experience more layered, but it is not a substitute for walking the streets themselves. For old-timer or newcomer, it is essential to absorb the city as it is now in order to shape your own nostalgias.
That's why I always urge the newcomer to surrender to the city's magic. Forget the irritations and the occasional rudeness; they bother New Yorkers too. Instead, go down to the North River and the benches that run along the west side of Battery Park City. Watch the tides or the blocks of ice in winter; they have existed since the time when the island was empty of man. Gaze at the boats. Look across the water at the Statue of Liberty or Ellis Island, the place to which so many of the New York tribe came in order to truly live. Learn the tale of our tribe, because it's your tribe too, no matter where you were born. Listen to its music and its legends. Gaze at its ruins and monuments. Walk its sidewalks and run fingers upon the stone and bricks and steel of our right-angled streets. Breathe the air of the river breeze."
”
”
Pete Hamill (Downtown: My Manhattan)
“
Maybe I don't need a relationship after all, she thought. Maybe thinking about these conversations was just as good as having them. She could sit in her Honda in the dark and experience whatever kind of life she wanted. Sometimes you think, Hey, maybe there's something else out there. But there really isn't. This is what being alive feels like, you know? The place doesn't matter. You just live.
”
”
Chuck Klosterman (Downtown Owl)
“
The hardcore drug addicts that I treat, are, without exception, people who have had extraordinarily difficult lives. The commonality is childhood abuse. These people all enter life under extremely adverse circumstances. Not only did they not get what they need for healthy development; they actually got negative circumstances of neglect. I don’t have a single female patient in the Downtown Eastside of Vancouver who wasn’t sexually abused, for example, as were many of the men, or abused, neglected and abandoned serially, over and over again. That’s what sets up the brain biology of addiction. In other words, the addiction is related both psychologically, in terms of emotional pain relief, and neurobiological development to early adversity.
”
”
Gabor Maté
“
I saw a banner hanging next to city hall in downtown Philadelphia that read, "Kill them all, and let God sort them out." A bumper sticker read, "God will judge evildoers; we just have to get them to him." I saw a T-shirt on a soldier that said, "US Air Force... we don't die; we just go to hell to regroup." Others were less dramatic- red, white, and blue billboards saying, "God bless our troops." "God Bless America" became a marketing strategy. One store hung an ad in their window that said, "God bless America--$1 burgers." Patriotism was everywhere, including in our altars and church buildings. In the aftermath of September 11th, most Christian bookstores had a section with books on the event, calendars, devotionals, buttons, all decorated in the colors of America, draped in stars and stripes, and sprinkled with golden eagles.
This burst of nationalism reveals the deep longing we all have for community, a natural thirst for intimacy... September 11th shattered the self-sufficient, autonomous individual, and we saw a country of broken fragile people who longed for community- for people to cry with, be angry with, to suffer with. People did not want to be alone in their sorrow, rage, and fear.
But what happened after September 11th broke my heart. Conservative Christians rallies around the drums of war. Liberal Christian took to the streets. The cross was smothered by the flag and trampled under the feet of angry protesters. The church community was lost, so the many hungry seekers found community in the civic religion of American patriotism. People were hurting and crying out for healing, for salvation in the best sense of the word, as in the salve with which you dress a wound. A people longing for a savior placed their faith in the fragile hands of human logic and military strength, which have always let us down. They have always fallen short of the glory of God.
...The tragedy of the church's reaction to September 11th is not that we rallied around the families in New York and D.C. but that our love simply reflected the borders and allegiances of the world. We mourned the deaths of each soldier, as we should, but we did not feel the same anger and pain for each Iraqi death, or for the folks abused in the Abu Ghraib prison incident. We got farther and farther from Jesus' vision, which extends beyond our rational love and the boundaries we have established. There is no doubt that we must mourn those lives on September 11th. We must mourn the lives of the soldiers. But with the same passion and outrage, we must mourn the lives of every Iraqi who is lost. They are just as precious, no more, no less. In our rebirth, every life lost in Iraq is just as tragic as a life lost in New York or D.C. And the lives of the thirty thousand children who die of starvation each day is like six September 11ths every single day, a silent tsunami that happens every week.
”
”
Shane Claiborne (The Irresistible Revolution: Living as an Ordinary Radical)
“
Where I'm at is a big Episcopal church in downtown Newark, New Jersey, sitting in the dark while I try to rescue the doomed bits and pieces of life, in the hope that a mere story can become Noah's Ark and deliver all the living things of the past to a bright and glorious immortality?
”
”
Chuck Palahniuk (Invisible Monsters Remix)
“
Adam lived in an apartment located above the office of St. Agnes Catholic Church, a fortuitous combination that focused most of the objects of Ronan’s worship into one downtown block. Ronan,
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
In the tell-me-again times, (…) when my mom and I lived in a little apartment in a little building downtown, I slept in her bed. It was a raft on the ocean, a cloud, a forest, a spaceship, a cocoon that we shared. I could stretch out like a five-pointed star and then she'd bundle me back up in her arms. I'd wake in the morning tangled in her hair.
”
”
Erica Lorraine Scheidt (Uses for Boys)
“
If they’d been at an out-of-control party in Compton, they would not have knocked. Leimert Park, Inglewood, Downtown, Koreatown, East L.A., Van Nuys, they would have walked right in. But this was Malibu, where the rich white people live. And rich white people get the benefit of the doubt and all of its many benefits.
”
”
Taylor Jenkins Reid (Malibu Rising)
“
Adam lived in an apartment located above the office of St. Agnes Catholic Church, a fortuitous combination that focused most of the objects of Ronan’s worship into one downtown block.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
Starkly in an instant she saw herself as she really was-alone in a wood standing among blue shadows with no sounds and the air a sort of black ice. She had no coat. All the people she’d known had forgotten her. Her mother, biting off thread between her teeth, couldn’t hear her, and her father with his eyes turned sorrowfully inward did not see her. They never had. Those she loved did not need her. Lila and Carl danced together in a bubble. Ralph Eastman picked lint from his sleeve. Buddy tucked in his shirttails, jumped in a truck and drove away. Fiona Speed showed the back of her hat, heading downtown in a cab. They all had more important concerns, they were all in their own lives, and there was no room for her. At night their doors were shut and through lit windows she could see them consulting one another, checking the baby, looking after business, licking envelopes, turning back the bedcover, shutting off the light switch, while she was left stranded out in the chill night in the true human state, lost, in the dark, alone.
”
”
Susan Minot (Evening)
“
But I can stop on any corner at the intersection of two busy streets, and before me are thousands of lives headed in all four directions, uptown downtown east and west, on foot, on bikes, on in-line skates, in buses, strollers, cars, trucks, with the subway rumble underneath my feet... and how can I not know I am momentarily part of the most spectacular phenomenon in the unnatural world? ...The city may begin from a marketplace, a trading post, the confluence of waters, but it secretly depends on the human need to walk among strangers.
”
”
E.L. Doctorow (City of God)
“
I live in Alexandria, Virginia. Near the Supreme Court chambers is a toll bridge across the Potomac. When in a rush, I pay the dollar toll and get home early. However, I usually drive outside the downtown section of the city and cross the Potomac on a free bridge. This bridge was placed outside the downtown Washington, DC area to serve a useful social service, getting drivers to drive the extra mile and help alleviate congestion during the rush hour. If I went over the toll bridge and through the barrier without paying the toll, I would be committing tax evasion ... If, however, I drive the extra mile and drive outside the city of Washington to the free bridge, I am using a legitimate, logical and suitable method of tax avoidance, and am performing a useful social service by doing so. For my tax evasion, I should be punished. For my tax avoidance, I should be commended. The tragedy of life today is that so few people know that the free bridge even exists.
”
”
Louis D. Brandeis
“
You used to be able to spot an ain't-shit man a lot easier. At pool halls and juke joints, speakeasies and rent parties and sometimes in church, snoring in the back pew. The type of man our brothers warned us about because he was going nowhere and he would treat us bad on the way to that nowhere. But nowadays? Most of these young men seem ain't-shit to us. Swaggering around downtown, drunk and swearing, fighting outside nightclubs, smoking reefer in their mamas' basements. When we were girls, a man who wanted to court us sipped coffee in the living room with our parents first. Nowadays, a young man fools around with any girl who's willing and if she gets in trouble - well, you just ask Luke Sheppard what these young men do next.
A girl nowadays has to get nice and close to tell if her man ain't shit and by then, it might be too late. We were girls once. It's exciting, loving someone who can never love you back. Freeing, in its own way. No shame in loving an ain't-shit man, long as you get it out of your system good and early. A tragic woman hooks into an ain't-shit man, or worse, lets him hook into her. He will drag her until he tires. He will climb atop her shoulders and her body will sag from the weight of loving him.
Yes, those are the ones we worry about.
”
”
Brit Bennett (The Mothers)
“
Heck, can’t you even try to see it my way? You’ve got children of your own, but I’m older than you. When mine are grown I’ll be an old man if I’m still around, but right now I’m—if they don’t trust me they won’t trust anybody. Jem and Scout know what happened. If they hear of me saying downtown something different happened—Heck, I won’t have them any more. I can’t live one way in town and another way in my home.
”
”
Harper Lee
“
I watch these kids.
They don't seem entirely unhappy. A few times I've even circled the Free Clinic on foot, trying to catch a closer glimpse of these kids and their lives as they pop in and out of the clinic's Sputnik-era, gone-to-seed building--Lancaster's future trolls and Popeyes loitering out back having hushed paranoid conversations. And once I even went to have a look where they hang out in a big way, out in the delivery bay behind the now-closed Donut Hut, the delivery bay grotto out back with a floor spongy with pigeon shit, chewing gum, cigarette ashes, and throat oysters--dank and sunless. I went to visit this place once when all the druggies were away, having their druggy lives downtown doing their druggy things: yelling at parked cars and having conversations with amber lights. I visited this place and I was confused: confused and attracted. Who do these people think they are? How can they not care about the future or hot running water or clean sheets or cable TV? These people. And on the walls down at the delivery bay, do you know what they had written? Written in letters several hands high, letters built of IV needles attached to the cement with soiled bandages and wads of chewing gum? They had written the words WE LIKE IT.
”
”
Douglas Coupland
“
These were the distractions I had to choose from. There were no other lights burning downtown after nine o'clock. On starlight nights I used to pace up and down those long, cold streets, scowling at the little, sleeping houses on either side, with their storm-windows and covered back porches. They were flimsy shelters, most of them poorly built of light wood, with spindle porch-posts horribly mutilated by the turning-lathe. Yet for all their frailness, how much jealousy and envy and unhappiness some of them managed to contain! The life that went on in them seemed to me made up of evasions and negations; shifts to save cooking, to save washing and cleaning, devices to propitiate the tongue of gossip. This guarded mode of existence was like living under a tyranny. People's speech, their voices, their very glances, became furtive and repressed. Every individual taste, every natural appetite, was bridled by caution.
The people asleep in those houses, I thought, tried to live like the mice in their own kitchens; to make no noise, to leave no trace, to slip over the surface of things in the dark. The growing piles of ashes and cinders in the back yards were the only evidence that the wasteful, consuming process of life went on at all. On Tuesday nights the Owl Club danced; then there was a little stir in the streets, and here and there one could see a lighted window until midnight. But the next night all was dark again.
”
”
Willa Cather (My Ántonia)
“
You’re sure you want to do this,” Galen says, eyeing me like I’ve grown a tiara of snakes on my head.
“Absolutely.” I unstrap the four-hundred-dollar silver heels and spike them into the sand. When he starts unraveling his tie, I throw out my hand. “No! Leave it. Leave everything on.”
Galen frowns. “Rachel would kill us both. In our sleep. She would torture us first.”
“This is our prom night. Rachel would want us to enjoy ourselves.” I pull the thousand-or-so bobby pins from my hair and toss them in the sand. Really, both of us are right. She would want us to be happy. But she would also want us to stay in our designer clothes.
Leaning over, I shake my head like a wet dog, dispelling the magic of hairspray. Tossing my hair back, I look at Galen.
His crooked smile almost melts me where I stand. I’m just glad to see a smile on his face at all. The last six months have been rough. “Your mother will want pictures,” he tells me.
“And what will she do with pictures? There aren’t exactly picture frames in the Royal Caverns.” Mom’s decision to mate with Grom and live as his queen didn’t surprise me. After all, I am eighteen years old, an adult, and can take care of myself. Besides, she’s just a swim away.
“She keeps picture frames at her house though. She could still enjoy them while she and Grom come to shore to-“
“Okay, ew. Don’t say it. That’s where I draw the line.”
Galen laughs and takes off his shoes. I forget all about Mom and Grom. Galen, barefoot in the sand, wearing an Armani tux. What more could a girl ask for?
“Don’t look at me like that, angelfish,” he says, his voice husky. “Disappointing your grandfather is the last thing I want to do.”
My stomach cartwheels. Swallowing doesn’t help. “I can’t admire you, even from afar?” I can’t quite squeeze enough innocence in there to make it believable, to make it sound like I wasn’t thinking the same thing he was.
Clearing his throat, he nods. “Let’s get on with this.” He closes the distance between us, making foot-size potholes with his stride. Grabbing my hand, he pulls me to the water. At the edge of the wet sand, just out of reach of the most ambitious wave, we stop.
“You’re sure?” he says again.
“More than sure,” I tell him, giddiness swimming through my veins like a sneaking eel. Images of the conference center downtown spring up in my mind. Red and white balloons, streamers, a loud, cheesy DJ yelling over the starting chorus of the next song. Kids grinding against one another on the dance floor to lure the chaperones’ attention away from a punch bowl just waiting to be spiked. Dresses spilling over with skin, matching corsages, awkward gaits due to six-inch heels. The prom Chloe and I dreamed of.
But the memories I wanted to make at that prom died with Chloe. There could never be any joy in that prom without her. I couldn’t walk through those doors and not feel that something was missing. A big something.
No, this is where I belong now. No balloons, no loud music, no loaded punch bowl. Just the quiet and the beach and Galen. This is my new prom. And for some reason, I think Chloe would approve.
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))
“
Fred and I had no surviving time frame. In 1979 we lived at the Book Cadillac Hotel in downtown Detroit. We lived around the clock, moving through the days and nights with little regard for time.
”
”
Patti Smith (M Train)
“
If only I could cry. I am beyond that. The light, the light, lending itself to empty downtown Saturday, but still the stupid insensate cars flush by oblivious to their stupidity, my silent plea.
It isn't Mexico. It's not Paris. It's a painting by Hopper come to life. I am trapped inside a dead thing. Language is impossible here, even in English. Who has the arrogance to say: I'm mad, this is my crazy view of things, help me.
I'm trapped in a silent world, a tableau of forty years ago. The walls are different, the tables, the heights of the veiling and the chairs. I loom above this letter. The view past the rows of cakes in the plate glass window is unfamiliar. I am a ghost. There is nothing now between me and death. Death is the unfamiliarity of everything, the strangeness of the once familiar. The same spatial configurations only the light is hollow, sick.
I think I lack the energy to hit expensive discos which I don't know where they are to be rejected tonight. I look passable. My energy's low. I love to dance but despair is not a good muse.
This Mexico, babe. Men who don't love you but act wildly as if they do initially. Self-involved, narcissistic men... The men drink and philosophize about pain. The women live it solo and culturelessly. No one cries, except easily, sentimentally. The devil, therefore God, exists.
Oaxaca was a pushover compared to this. Pain had boundaries there.
Spare us big cities, oh lord!
”
”
Maryse Holder (Give Sorrow Words: Maryse Holder's Letters From Mexico)
“
People who are wrong during particularly important moments inevitably spend the rest of their lives trying to explain how their wrongness was paradoxically correct, or—at the very least—why their wrongness “felt right at the time,” which is very, very different from being authentically correct.
”
”
Chuck Klosterman (Downtown Owl)
“
He had been living in a down-town Y.M.C.A., but when he quit the task of making sow-ear purses out of sows' ears, he moved up-town and went to work immediately as a reporter for The Sun. He kept at this for a year, doing desultory writing on the side, with little success, and then one day an infelicitous incident peremptorily closed his newspaper career. On a February afternoon he was assigned to report a parade of Squadron A. Snow threatening, he went to sleep instead before a hot fire, and when he woke up did a smooth column about the muffled beats of the horses' hoofs in the snow… This he handed in. Next morning a marked copy of the paper was sent down to the City Editor with a scrawled note: "Fire the man who wrote this." It seemed that Squadron A had also seen the snow threatening—had postponed the parade until another day. A week later he had begun "The Demon Lover."… In
”
”
F. Scott Fitzgerald (The Beautiful and Damned)
“
The Jewish doctors and lawyers and the successful merchants who owned big stores downtown lived in one-family houses on streets branching off the eastern slope of the Chancellor Avenue hill, closer to grassy, wooded Weequahic Park, a landscaped three hundred acres whose boating lake, golf course, and harness-racing track separated the Weequahic section from the industrial plants and shipping terminals lining Route 27 and the Pennsylvania Railroad viaduct east of that and the burgeoning airport east of that and the very edge of America east of that—the depots and docks of Newark Bay, where they unloaded cargo from around the world.
”
”
Philip Roth (The Plot Against America)
“
Downtown may be gritty and dark and full of evil but on some level an unspoken belief, a faith that we live in a manageable world with its own episodic rules and conventions: Life takes place one hour at a time. Clues present themselves in order, one at a time. Two investigators, properly paired, can solve any mystery.
”
”
Charles Yu (Interior Chinatown)
“
But I won’t ring. I don’t want to see him. I won’t ring the bell. This was a firm decision, at last! The decision that opened the gate to a full and useful lifetime of firm decisions! She walked down the path! Back to downtown! Up to the Derry Town House! Packed! Cabbed! Flew! Told Tom to bug out! Lived successfully! Died happily! Rang the bell.
”
”
Stephen King (It)
“
I
lived through beautiful times, Busayna. It was a different age. Cairo
was like Europe. It was clean and smart and the people were well
mannered and respectable and everyone knew his place exactly. I was
different too. I had my station in life, my money, all my friends were of
a certain niveau, I had my special places where I would spend the
evening—the Automobile Club, the Club Muhammad Ali, the Gezira
Club. What times! Every night was filled with laughter and parties and
drinking and singing. There were lots of foreigners in Cairo. Most of
the people living downtown were foreigners, until Abd el Nasser threw
them out in 1956.”
“Why did he throw them out?”
“He threw the Jews out first, then the rest of the foreigners got
scared and left. By the way, what’s your opinion of Abd el Nasser?”
“I was born after he died. I don’t know. Some people say he was a
hero and others say he was a criminal.”
“Abd el Nasser was the worst ruler in the whole history of Egypt.
He ruined the country and brought us defeat and poverty. The damage
he did to the Egyptian character will take years to repair. Abd el Nasser
taught the Egyptians to be cowards, opportunists, and hypocrites.”
“So why do people love him?”
“Who says people love him?”
“Lots of people that I know love him.”
“Anyone who loves Abd el Nasser is either an ignoramus or did
well out of him. The Free Officers were a bunch of kids from the dregs
of society, destitutes and sons of destitutes. Nahhas Basha was a good
man and he cared about the poor. He allowed them to join the Military
College and the result was that they made the coup of 1952. They ruled
Egypt and they robbed it and looted it and made millions. Of course
they have to love Abd el Nasser; he was the boss of their gang.
”
”
Alaa Al Aswany (The Yacoubian Building)
“
Seek values, not facts
What we really want to know about someone in our first conversations is what kind of person he or she is. You want to know if he shares your values, whether he's ambitious, kind, intellectual, and curious. You aren't going to find out these things by knowing that he works in investment banking, lives downtown , and likes to go to the movies.
”
”
Matthew Hussey (Get the Guy: Learn Secrets of the Male Mind to Find the Man You Want and the Love You Deserve)
“
I did not become a Christian to live the 50s and 60s all over a second time. Muslims have more rights and freedom of religion than I do as a Christian. Tell a Muslim he can’t pray at school or at the airport or downtown when prayer time is called for, and see what happens. Tell a Muslim cleric serving as a chaplain in our brilliant military that he has to marry a same-sex couple, and see what happens.
”
”
Ken Hutcherson
“
WALTER (Gathering him up in his arms) You know what, Travis? In seven years you going to be seventeen years old. And things is going to be very different with us in seven years, Travis. … One day when you are seventeen I’ll come home—home from my office downtown somewhere— TRAVIS You don’t work in no office, Daddy. WALTER No—but after tonight. After what your daddy gonna do tonight, there’s going to be offices—a whole lot of offices.… TRAVIS What you gonna do tonight, Daddy? WALTER You wouldn’t understand yet, son, but your daddy’s gonna make a transaction … a business transaction that’s going to change our lives. … That’s how come one day when you ’bout seventeen years old I’ll come home and I’ll be pretty tired, you know what I mean, after a day of conferences and secretaries getting things wrong the way they do … ’cause an executive’s life is hell, man—(The more he talks the farther away he gets) And I’ll pull the car up on the driveway … just a plain black Chrysler, I think, with white walls—no—black tires. More elegant. Rich people don’t have to be flashy … though I’ll have to get something a little sportier for Ruth—maybe a Cadillac convertible to do her shopping in. … And I’ll come up the steps to the house and the gardener will be clipping away at the hedges and he’ll say, “Good evening, Mr. Younger.” And I’ll say, “Hello, Jefferson, how are you this evening?” And I’ll go inside and Ruth will come downstairs and meet me at the door and we’ll kiss each other and she’ll take my arm and we’ll go up to your room to see you sitting on the floor with the catalogues of all the great schools in America around you. … All the great schools in the world! And—and I’ll say, all right son—it’s your seventeenth birthday, what is it you’ve decided? … Just tell me where you want to go to school and you’ll go. Just tell me, what it is you want to be—and you’ll be it. … Whatever you want to be—Yessir! (He holds his arms open for TRAVIS) YOU just name it, son … (TRAVIS leaps into them) and I hand you the world!
”
”
Lorraine Hansberry (A Raisin in the Sun)
“
She was in her element walking the concrete sidewalks, listening to the buzz of traffic and the hum of city life. One reason was because as a child she lived in the old downtown of the small town, where the movie theater, the bank, several restaurants and most of city’s government structure was located. As a child she’d seen empty wine bottles and empty snuff boxes littering the streets on Sunday morning.
”
”
Richard E. Riegel (Tough City, Tougher Woman)
“
Under the seeming disorder of the old city, wherever the old city is working successfully, is a marvelous order for maintaining the safety of the streets and the freedom of the city. It is a complex order. Its essence is intricacy of sidewalk use, bringing with it a constant succession of eyes. This order is all composed of movement and change, and although it is life, not art, we may fancifully call it the art form of the city and liken it to the dance — not to a simple-minded precision dance with everyone kicking up at the same time, twirling in unison and bowing off en masse, but to an intricate ballet in which the individual dancers and ensembles all have distinctive parts which miraculously reinforce each other and compose an orderly whole. The ballet of the good city sidewalk never repeats itself from place to place, and in any once place is always replete with new improvisations.
The stretch of Hudson Street where I live is each day the scene of an intricate sidewalk ballet. I make my own first entrance into it a little after eight when I put out my garbage gcan, surely a prosaic occupation, but I enjoy my part, my little clang, as the junior droves of junior high school students walk by the center of the stage dropping candy wrapper. (How do they eat so much candy so early in the morning?)
While I sweep up the wrappers I watch the other rituals of the morning: Mr Halpert unlocking the laundry's handcart from its mooring to a cellar door, Joe Cornacchia's son-in-law stacking out the empty crates from the delicatessen, the barber bringing out his sidewalk folding chair, Mr. Goldstein arranging the coils of wire which proclaim the hardware store is open, the wife of the tenement's super intendent depositing her chunky three-year-old with a toy mandolin on the stoop, the vantage point from which he is learning English his mother cannot speak. Now the primary childrren, heading for St. Luke's, dribble through the south; the children from St. Veronica\s cross, heading to the west, and the children from P.S 41, heading toward the east. Two new entrances are made from the wings: well-dressed and even elegant women and men with brief cases emerge from doorways and side streets. Most of these are heading for the bus and subways, but some hover on the curbs, stopping taxis which have miraculously appeared at the right moment, for the taxis are part of a wider morning ritual: having dropped passengers from midtown in the downtown financial district, they are now bringing downtowners up tow midtown. Simultaneously, numbers of women in housedresses have emerged and as they crisscross with one another they pause for quick conversations that sound with laughter or joint indignation, never, it seems, anything in between. It is time for me to hurry to work too, and I exchange my ritual farewell with Mr. Lofaro, the short, thick bodied, white-aproned fruit man who stands outside his doorway a little up the street, his arms folded, his feet planted, looking solid as the earth itself. We nod; we each glance quickly up and down the street, then look back at eachother and smile. We have done this many a morning for more than ten years, and we both know what it means: all is well.
The heart of the day ballet I seldom see, because part off the nature of it is that working people who live there, like me, are mostly gone, filling the roles of strangers on other sidewalks. But from days off, I know enough to know that it becomes more and more intricate. Longshoremen who are not working that day gather at the White Horse or the Ideal or the International for beer and conversation. The executives and business lunchers from the industries just to the west throng the Dorgene restaurant and the Lion's Head coffee house; meat market workers and communication scientists fill the bakery lunchroom.
”
”
Jane Jacobs (The Death and Life of Great American Cities)
“
Bohemians.
These Bohemians, Mr. and Mrs. Clarence Williams, and their seven children, Biff, Tina, Sparky, Louise, Tuffy, Mickey, and Biff Number Two, lived in a notorious artist's colony and planned community.
Naturally, the bohemian's existence thrived on creativity. Early in the morning, Mrs. Williams would rise and create breakfast. Then, Mr. Williams, inspired by his wife's limitless energy, would rush off to a special room and create tiny hairs in a sink. The children would create things, too. But being temperamental artists, they would often flush them away without a second thought.
But the bohemians' creativity didn't stop there. Mr. Williams would then rush off downtown and create reams and reams of papers with numbers on them and send them out to other Bohemians who would create special checks to send to him with figures like $7.27written on them.
At home, the children would be creating unusual music, using only their voices to combine in avant-garde, atonal melodies.
Yes, these were the bohemians. A seething hot-bed of rebellion-the artists, the creators of all things that lie between good and bad.
”
”
Steve Martin
“
There is danger that someday the farm land will be gone, the Downtown will be deserted, and the middle class living outside the city boundaries. If it is done intentionally, then that is our choice, but if it is allowed simply to happen without purpose, then that is ignorance. Indianapolis contains fantastic elements to become a vital city, but frequently our heritage has been destroyed in favor of cheap development and easy profits. Architects are not perfect, and many chances to improve our city have been lost. They allow the client to build structures without concern for what that building will do to the surrounding environment. The matter of conscience falls prey to the matter of making a living. A desire to improve our quality of life on the part of the client and profession will provide the best solution for all. Readers of this book, be inquisitive, explore your city, question its growth, let your feelings be known if your city is faulty, speak out if it is praiseworthy. Talk to your architects, politicians and developers; they are professionals, but they are also your servants. Use them to make your city better. Enjoy Indianapolis. It is a city to be lived in and can be taken to heart if one tries.
”
”
Rick A. Ball (Indianapolis Architecture)
“
If our democracy worked as it should, we would elect wise women and men who made laws for the good of the people and enforced those laws.
That, though, is not the way things work. Greedy, power–mad billionaires spend money so that politicians such as George W. Bush can buy elections. Corrupt corporations such as Enron defraud old ladies and commit crimes. And they get away with it. They get away with it because most of us are so afraid of losing the security of our nice, normal lives that we are not willing to risk anything about those lives. We are either afraid to fight or we don’t know how. Or we believe that bad things won’t happen to us.
And so, in the end, too many people lose their lives anyway. In Nazi Germany, millions of men who acquiesced to Hitler’s murderous rise to power wound up marching into Russia’s icy wasteland—into the Soviet Army’s machine guns and cannon—to themselves be murdered. In America after 9–11, trusting teenagers who had joined the National Guard found themselves sent to Iraq on extended and additional tours. Our enemy killed many of them because we, citizens of the richest country in the world, did not provide them with body armor.
Grieving mothers protested the wasting of their sons’ lives. Nadia McCaffrey defied Bush’s shameful ban on the filming of U.S. soldiers’ coffins returning home from Iraq. She knew, as we all did, that this tyrannical dictum of Bush dishonored our soldiers’ sacrifice. And so she invited the press to the Sacramento International Airport to photograph her son’s flag–draped coffin.
Again, I am not comparing George W. Bush to Adolph Hitler, nor America to Germany’s Third Reich. What I do believe is that each of us has the duty to keep the Bushes of the world from becoming anything like Hitler—and to keep America from invading other countries with no just cause.
We will never, though, be able to stop corrupt politicians and corporations from doing criminal things until we stop surrendering our power to them. The more we fear to oppose them—the more we want to retreat into the supposed safety of our nice gated communities or downtown lofts—the more powerful people will conspire to ruin our prosperity and wreck our lives.
”
”
David Zindell (Splendor)
“
I consider myself a Chicagoan now, having lived in the city since I graduated from the University of Illinois at Urbana-Champaign with a degree in accounting. I came here often when I went to Maine West High School out in Des Plaines, which is a short drive west on the Kennedy or a short Blue Line ride toward O’Hare airport, the next-to-last stop in fact. My friends and I would take the Blue Line downtown and then transfer to the Red or Brown Line up to Belmont and Clark, our favorite part of the city when we were 16 and 17, mainly because of The Alley—a store that sold concert shirts, posters, spiked bracelets and stuff like that—and Gramophone Records, the electronic music store that took my virginity, so to speak. - 1st paragraph from Sophomoric Philosophy
”
”
Victor David Giron (Sophomoric Philosophy)
“
Stories of hiding out and near captures abound, including a humorous account of President Wilford Woodruff escaping capture because he was weeding a garden at the Squire home near downtown St. George wearing an oversized "Old Mother Hubbard" dress and bonnet sewn for him by young Sister Emma Squire. She wrote: "Soon after our marriage the president of the Church, Wilford Woodruff, came to live with us. It was the time of the raid, when the Government took the property away from the Mormon people...and they were hunting all the men that had plural wives and putting them in jail. ... We had some neighbors that knew we had someone staying with us, and they were very anxious to [discover] who it was. ... [So] I made [President Woodruff] a Mother Hubbard dress and sun bonnet and...dress[ed] him up ... and disguise[d] him so he could come [and go]. ... We called him Grandma Allen so the people wouldn't know.
”
”
Blaine M. Yorgason
“
Success is not a random act. It arises out of a predictable and powerful set of circumstances and opportunities, and at this point, after examining the lives of Bill Joy and Bill Gates, pro hockey players and geniuses, and Joe Flom, the Janklows, and the Borgenichts, it shouldn't tbe hard to figure out where the perfect lawyer comes from.
This person will have been born in a demographic trough, so as to have had the best of New York's public schools and the easiest time in the job market. He will be Jewish, of course, and so, locked out of the old-line downtown law firms on account of his "antecedents". This person's parents will have done meaningful work in the garment business, passing on to their children autonomy and complexity and the connection between effort and reward. A good school -- although it doesn't have to be a great school -- will have been attended. He need not have been the smartest in the class, only smart enough.
”
”
Malcolm Gladwell (Outliers: The Story of Success)
“
At six years old we didn't have any money;
there was my mother, my brother and I.
We had a deadbeat dad; left us before we were
two, but she took us at Christmas-time to
downtown Los Angeles.
We had little cars going around in circles,
it was pretty cool, and decorations in the
window.
She gave my brother and I a dime and told
us, "Boys whole half of it each, give it to
the man ringing the bell in the bucket."
We put it in this bucket, we said, "Mom, why
did we give that man a dime?
That's like two soda pops."
This is 1951, two soda pops, three candy bars.
And mom said, "Boys, that's the Salvation
Army.
They take care of people that have no place
to live and no food.
And we don't have a lot of money, but we can
afford a dime this year.
Boys, always remember in life: give a little
something to those in need, they'll always
be somebody that's not as well-off as you
are.
No matter where you are or how far down you
are, try and help someone along the way."
It stuck with me.
”
”
John Paul DeJoria (Leading With Integrity: Build Your Capacity for Success and Happiness)
“
She started choosing her words carefully. 'It's the way you were trying to earn money that made me mad,' she began. Then she leaned down until her face was on a level with his, still talking slowly, still picking her words thoughtfully. 'You see, colored people have been shining shoes and washing clothes and scrubbing floors for years and years. White people seem to think that's the only kind of work they're fit to do. The hard work. The dirty work. The work that pays the least.' She thought about this small dark apartment they were living in, about 116th Street which was filled to overflowing with people who lived in just such apartments as this, about the white people on the downtown streets who stared at her with open hostility in their eyes, and she started talking swiftly, forgetting to choose her words.
'I'm not going to let you begin at eight doing what white folks figure all eight-year-old colored boys ought to do. For if you're shining shoes at eight, you'll probably be doing the same thing when you're eighty. And I'm not going to have it.
”
”
Ann Petry (The Street)
“
Not knowing what to do, I started walking down St. Mark’s toward Tompkins Square. All Day All Night. You Must Be Twenty One To Enter. Downtown, away from the high-rise press, the wind cut more bitterly and yet the sky was more open too, it was easier to breathe. Muscle guys walking paired pit bulls, inked-up Bettie Page girls in wiggle dresses, stumblebums with drag-hemmed pants and Jack O’Lantern teeth and taped-up shoes. Outside the shops, racks of sunglasses and skull bracelets and multicolored transvestite wigs. There was a needle exchange somewhere, maybe more than one but I wasn’t sure where; Wall Street guys bought off the street all the time if you believed what people said but I wasn’t wise enough to know where to go or who to approach, and besides who was going to sell to me, a stranger with horn rimmed glasses and an uptown haircut, dressed for picking out wedding china with Kitsey? Unsettled heart. The fetishism of secrecy. These people understood—as I did—the back alleys of the soul, whispers and shadows, money slipping from hand to hand, the password, the code, the second self, all the hidden consolations that lifted life above the ordinary and made it worth living.
”
”
Donna Tartt (The Goldfinch)
“
Thomas Paine, one of the principal architects of American democracy, wrote a formal denunciation of civilization in a tract called Agrarian Justice: “Whether . . . civilization has most promoted or most injured the general happiness of man is a question that may be strongly contested,” he wrote in 1795. “[Both] the most affluent and the most miserable of the human race are to be found in the countries that are called civilized.” When Paine wrote his tract, Shawnee and Delaware warriors were still attacking settlements just a few hundred miles from downtown Philadelphia. They held scores of white captives, many of whom had been adopted into the tribe and had no desire to return to colonial society. There is no way to know the effect on Paine’s thought process of living next door to a communal Stone-Age society, but it might have been crucial. Paine acknowledged that these tribes lacked the advantages of the arts and science and manufacturing, and yet they lived in a society where personal poverty was unknown and the natural rights of man were actively promoted. In that sense, Paine claimed, the American Indian should serve as a model for how to eradicate poverty and bring natural rights back into civilized life.
”
”
Sebastian Junger (Tribe: On Homecoming and Belonging)
“
I lived in New York City back in the 1980s, which is when the Bordertown series was created. New York was a different place then -- dirtier, edgier, more dangerous, but also in some ways more exciting. The downtown music scene was exploding -- punk and folk music were everywhere -- and it wasn't as expensive to live there then, so a lot of young artists, musicians, writers, etc. etc. were all living and doing crazy things in scruffy neighborhoods like the East Village.
I was a Fantasy Editor for a publishing company back then -- but in those days, "fantasy" to most people meant "imaginary world" books, like Tolkien's Lord of the Rings. A number of the younger writers in the field, however, wanted to create a branch of fantasy that was rooted in contemporary, urban North America, rather than medieval or pastoral Europe. I'd already been working with some of these folks (Charles de Lint, Emma Bull, etc.), who were writing novels that would become the foundations for the current Urban Fantasy field. At the time, these kinds of stories were considered so strange and different, it was actually hard to get them into print.
When I was asked by a publishing company to create a shared-world anthology for Young Adult readers, I wanted to create an Urban Fantasy setting that was something like a magical version of New York...but I didn't want it to actually be New York. I want it to be any city and every city -- a place that anyone from anywhere could go to or relate to. The idea of placing it on the border of Elfland came from the fact that I'd just re-read a fantasy classic called The King of Elfland's Daughter by the Irish writer Lord Dunsany. I love stories that take place on the borderlands between two different worlds...and so I borrowed this concept, but adapted it to a modern, punky, urban setting.
I drew upon elements of the various cities I knew best -- New York, Boston, London, Dublin, maybe even a little of Mexico City, where I'd been for a little while as a teen -- and scrambled them up and turned them into Bordertown. There actually IS a Mad River in southern Ohio (where I went to college) and I always thought that was a great name, so I imported it to Bordertown. As for the water being red, that came from the river of blood in the Scottish folk ballad "Thomas the Rhymer," which Thomas must cross to get into Elfland.
[speaking about the Borderland series she "founded" and how she came up with the setting. Link to source; Q&A with Holly, Ellen & Terri!]
”
”
Terri Windling
“
The Smiths were unable to conceive children and decided to use a surrogate father to start their family. On the day the surrogate father was to arrive, Mr. Smith kissed his wife and said, "I'm off. The man should be here soon" Half an hour later, just by chance a door-to-door baby photographer rang the doorbell, hoping to make a sale. "Good morning, madam. I've come to...." "Oh, no need to explain. I've been expecting you," Mrs. Smith cut in. "Really?" the photographer asked. "Well, good. I've made a specialty of babies" "That's what my husband and I had hoped. Please come in and have a seat" After a moment, she asked, blushing, "Well, where do we start?" "Leave everything to me. I usually try two in the bathtub, one on the couch and perhaps a couple on the bed. Sometimes the living room floor is fun too; you can really spread out!" "Bathtub, living room floor? No wonder it didn't work for Harry and me" "Well, madam, none of us can guarantee a good one every time. But, if we try several different positions and I shoot from six or seven different angles, I'm sure you'll be pleased with the results" "My, that's a lot of....." gasped Mrs. Smith. "Madam, in my line of work, a man must take his time. I'd love to be in and out in five minutes, but you'd be disappointed with that, I'm sure" "Don't I know it," Mrs. Smith said quietly. The photographer opened his briefcase and pulled out a portfolio of his baby pictures. "This was done on the top of a bus in downtown London" "Oh my God!" Mrs. Smith exclaimed, tugging at her handkerchief. "And these twins turned out exceptionally well, when you consider their mother was so difficult to work with" "She was difficult?" asked Mrs. Smith. "Yes, I'm afraid so. I finally had to take her to Hyde Park to get the job done right. People were crowding around four and five deep, pushing to get a good look" "Four and five deep?" asked Mrs. Smith, eyes widened in amazement. "Yes," the photographer said, "And for more than three hours too. The mother was constantly squealing and yelling. I could hardly concentrate. Then darkness approached and I began to rush my shots. Finally, when the squirrels began nibbling on my equipment, I just packed it all in." Mrs. Smith leaned forward. "You mean squirrels actually chewed on your, um......equipment?" "That's right. Well, madam, if you're ready, I'll set up my tripod so we can get to work." "Tripod?????" "Oh yes, I have to use a tripod to rest my Canon on. It's much too big for me to hold for very long. Madam? Madam? ....... Good Lord, she's fainted!!
”
”
Adam Kisiel (101 foolproof jokes to use in case of emergency)
“
we have much to learn from the struggles in Alabama and Mississippi in the early 1960s. In the spring of 1963 the Southern Christian Leadership Conference led by Dr. King launched a “fill the jails” campaign to desegregate downtown department stores and schools in Birmingham. But few local blacks were coming forward. Black adults were afraid of losing their jobs, local black preachers were reluctant to accept the leadership of an “Outsider,” and city police commissioner Bull Connor had everyone intimidated. Facing a major defeat, King was persuaded by his aide, James Bevel, to allow any child old enough to belong to a church to march. So on D-day, May 2, before the eyes of the whole nation, thousands of schoolchildren, many of them first graders, joined the movement and were beaten, fire-hosed, attacked by police dogs, and herded off to jail in paddy wagons and school buses. The result was what has been called the “Children’s Miracle.” Inspired and shamed into action, thousands of adults rushed to join the movement. All over the country rallies were called to express outrage against Bull Connor’s brutality. Locally, the power structure was forced to desegregate lunch counters and dressing rooms in downtown stores, hire blacks to work downtown, and begin desegregating the schools. Nationally, the Kennedy administration, which had been trying not to alienate white Dixiecrat voters, was forced to begin drafting civil rights legislation as the only way to forestall more Birminghams. The next year as part of Mississippi Freedom Summer, activists created Freedom Schools because the existing school system (like ours today) had been organized to produce subjects, not citizens. People in the community, both children and adults, needed to be empowered to exercise their civil and voting rights. A mental revolution was needed. To bring it about, reading, writing, and speaking skills were taught through discussions of black history, the power structure, and building a movement. Everyone took this revolutionary civics course, then chose from more academic subjects such as algebra and chemistry. All over Mississippi, in church basements and parish halls, on shady lawns and in abandoned buildings, volunteer teachers empowered thousands of children and adults through this community curriculum. The Freedom Schools of 1964 demonstrated that when Education involves young people in making community changes that matter to them, when it gives meaning to their lives in the present instead of preparing them only to make a living in the future, young people begin to believe in themselves and to dream of the future.
”
”
Grace Lee Boggs (The Next American Revolution: Sustainable Activism for the Twenty-First Century)
“
People reacted with hate and fear and then community by wearing American flag shirts, bandannas, crying, huddling, lost, and senseless. They packed the gymnasium to talk about how they felt. A lot of students were from New York so I understood their pain. For them, it was personal. But for me, it was surreal. I didn't take it personally: I'd never subscribed to America. I never felt included in this country. To this day, someone tells me to go back to China at least three times a year and I live in downtown New York. (222-233)
Americans. Americans. AMERICANS. They've called me chink. They've treated me like the Other. They laughed at my food, they laughed at my family, they laughed at my culture, they wouldn't give me a proper interview because of my face. Americans. They did that. When 9/11 happened, I was an observer. I mourned for the victims and felt for the people as individuals, but this wasn't my fight. It wasn't the victims' fight, either, though. They were caught in the middle as always. The little people suffer for the crimes of few. This fight wasn't between the people that flew the planes and the people in the towers. We all got played by politics we had nothing to do with. (223)
If you want your voice to be heard, you have to fight. There's no other way around it. You can't expect people to seek you out; if you know you're right and you have the answers, then it's your duty to tell the world.(224)
”
”
Eddie Huang (Fresh Off the Boat)
“
Most of the guests left the rehearsal dinner at the country club; the remaining group--a varied collection of important figures in both of our lives--had skittered away to the downtown hotel where all of the out-of-town guests were staying. Marlboro Man and I, not ready to bid each other good night yet, had joined them in the small, dimly lit (lucky for me, given the deteriorating condition of my epidermis) hotel bar. We gathered at a collection of tiny tables butted up together and wound up talking and laughing into the night, toasting one another and spouting various late-night versions of “I’m so glad I know you” and “I love you, man!” In the midst of all the wedding planning and craziness, hanging out in a basement bar with uncles, college friends, and siblings was a relaxing, calming elixir. I wanted to bottle the feeling and store it up forever.
It was late, though; I saw Marlboro Man looking at the clock in the bar.
“I think I’ll head back to the ranch,” he whispered as his brother told another joke to the group. Marlboro Man had a long drive ahead, not to mention an entire lifetime with me. I couldn’t blame him for wanting a good night’s sleep.
“I’m tired, too,” I said, grabbing my purse from under the table. And I was; the long day had finally set in.
The two of us stood up and said our good-byes to all the people who loved us so much. Men stood up, some stumbling, and shook hands with Marlboro Man. Women blew kisses and mouthed Love you guys! to us as we walked out of the room and waved good-bye. But no one left the bar. Nobody loved us that much.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
Cages of women. Women and girls of all ages. Lining downtown streets behind The Great Barrier Walls. Passersby prodding at them with canes, sticks, and whatever they could find. Spitting on them through the bars, as law and culture required.
“Cages of women who had disobeyed their husbands, or sons, their preachers, or some other males in their lives. One or two of them had been foolish and self-destructive enough to have reported a rapist.
“A couple of them had befriended someone higher or lower than their stations, or maybe entertained a foreigner from outside the community, or allowed someone of a lesser race into their homes. A few may have done absolutely nothing wrong but for being reported by a neighbor with a grudge.
“For the most part they had disobeyed or disrespected males.
“Watching from behind tinted and bullet-proof windows at the rear of his immaculate stretch limo, the Lord High Chancellor of PolitiChurch, grinned the sadistic grin of unholy conquest. A dark satisfaction only a deeply tarred soul could enjoy.” …
… “Caged women and young girls at major street corners in even the worst weather. Every one of them his to do with, or dispose of, as he would.
“In this world – in His world – He was God.”
- From “The Soul Hides in Shadows”
“It is the year 2037. What is now referred to as ‘The Great Electoral Madness of ’16’ had freed the darkest ignorance, isolationism, misogyny, and racial hatreds in the weakest among us, setting loose the cultural, economic, and moral destruction of America. In the once powerful United States, paranoia, distrust, and hatred now rage at epidemic levels.
”
”
Edward Fahey (The Soul Hides in Shadows)
“
The neighborhood of Indian Village lay just twelve blocks west of Hurlbut, but it was a different world altogether. The four grand streets of Burns, Iroquois, Seminole, and Adams (even in Indian Village the White Man had taken half the names) were lined with stately houses built in eclectic styles. Red-brick Georgian rose next to English Tudor, which gave onto French Provincial. The houses in Indian Village had big yards, important walkways, picturesquely oxidizing cupolas, lawn jockeys (whose days were numbered), and burglar alarms (whose popularity was only just beginning). My grandfather remained silent, however, as he toured his son’s impressive new home. “How do you like the size of this living room?” Milton was asking him. “Here, sit down. Make yourself comfortable. Tessie and I want you and Ma to feel like this is your house, too. Now that you’re retired—” “What do you mean retired?” “Okay, semiretired. Now that you can take it a little bit easy, you’ll be able to do all the things you always wanted to do. Look, in here’s the library. You want to come over and work on your translations, you can do it right here. How about that table? Big enough for you? And the shelves are built right into the wall.” Pushed out of the daily operations at the Zebra Room, my grandfather began to spend his days driving around the city. He drove downtown to the Public Library to read the foreign newspapers. Afterward, he stopped to play backgammon at a coffee house in Greektown. At fifty-four, Lefty Stephanides was still in good shape. He walked three miles a day for exercise. He ate sensibly and had less of a belly than his son. Nevertheless
”
”
Jeffrey Eugenides (Middlesex)
“
Predictable but Contingent: The First ‘Political’ Killing at Karachi University On 25 February 1981, a group of left-wing students from the NSF and PSF was gathered at the Arts Faculty lobby of KU for a demonstration in downtown Karachi when they heard that a military jeep was parked in front of the Administration building. An army major had come to help his daughter get admitted to the university and though he was there for personal reasons, the students were enraged—this was Zia’s Pakistan, a country under military rule, where the left was living its twilight but remained a force to be reckoned with on the campuses, particularly in Karachi. As the organiser of the demonstration, Akram Qaim Khani, recalls, ‘it was a surprise. It was a challenge to us. I was a student leader and the army was in my university…’. At Khani’s instigation, the fifty-odd crowd set off for the Administration building, collected petrol from parked cars, filled a Coca-Cola bottle with it and tried to set fire to the jeep. Khani claims that he saved the driver (‘he ran away, anyway…’), so no one was hurt in the incident, but while the students—unsuccessfully—tried to set the jeep on fire, a group of Thunder Squad militants arrived on the scene and assaulted the agitators. Khani (who contracted polio in his childhood and thus suffered from limited mobility) had been spared from physical assault in the past (‘even the big badmash thought “we cannot touch Akram, otherwise his friends will kill us’”), but this time he was roughed up by Thunder Squad badmashs Farooq and Zarar Khan, and he was eventually captured, detained, and delivered to the army, which arrested him.
”
”
Laurent Gayer (Karachi: Ordered Disorder and the Struggle for the City)
“
Stanley Perlman. She hurried out of the building at One Market Plaza, stepped off the curb, and hailed a cab. It occurred to her, as it always did, that one of these days when she met with him, it would really be for the last time. He always said it was. She had begun to expect him to live forever, despite his protests, and in spite of the realities of time. Her law firm had handled his affairs for more than half a century. She had been his estate and tax attorney for the past three years. At thirty-eight, Sarah had been a partner of the firm for the past two years, and had inherited Stanley as a client when his previous attorney died. Stanley had outlived them all. He was ninety-eight years old. It was hard to believe sometimes. His mind was as sharp as it had ever been, he read voraciously, and he was well aware of every nuance and change in the current tax laws. He was a challenging and entertaining client. Stanley Perlman had been a genius in business all his life. The only thing that had changed over the years was that his body had betrayed him, but never once his mind. He was bedridden now, and had been for nearly seven years. Five nurses attended to him, three regularly in eight-hour shifts, two as relief. He was comfortable, most of the time, and hadn't left his house in years. Sarah had always liked and admired him, although others thought he was irascible and cantankerous. She thought he was a remarkable man. She gave the cabdriver Stanley's Scott Street address. They made their way through the downtown traffic in San Francisco's financial district, and headed west uptown, toward Pacific Heights, where he had lived in the same house for seventy-six years. The sun was shining brightly as they climbed Nob Hill up California Street, and she knew it might be otherwise when they got uptown. The fog often sat heavily on the residential
”
”
Danielle Steel (The House)
“
I heard the fear in the first music I ever knew, the music that pumped from boom boxes full of grand boast and bluster. The boys who stood out on Garrison and Liberty up on Park Heights loved this music because it told them, against all evidence and odds, that they were masters of their own lives, their own streets, and their own bodies. I saw it in the girls, in their loud laughter, in their gilded bamboo earrings that announced their names thrice over. And I saw it in their brutal language and hard gaze, how they would cut you with their eyes and destroy you with their words for the sin of playing too much. “Keep my name out your mouth,” they would say. I would watch them after school, how they squared off like boxers, vaselined up, earrings off, Reeboks on, and leaped at each other.
I felt the fear in the visits to my Nana’s home in Philadelphia. You never knew her. I barely knew her, but what I remember is her hard manner, her rough voice. And I knew that my father’s father was dead and that my uncle Oscar was dead and that my uncle David was dead and that each of these instances was unnatural. And I saw it in my own father, who loves you, who counsels you, who slipped me money to care for you. My father was so very afraid. I felt it in the sting of his black leather belt, which he applied with more anxiety than anger, my father who beat me as if someone might steal me away, because that is exactly what was happening all around us. Everyone had lost a child, somehow, to the streets, to jail, to drugs, to guns. It was said that these lost girls were sweet as honey and would not hurt a fly. It was said that these lost boys had just received a GED and had begun to turn their lives around. And now they were gone, and their legacy was a great fear.
Have they told you this story? When your grandmother was sixteen years old a young man knocked on her door. The young man was your Nana Jo’s boyfriend. No one else was home. Ma allowed this young man to sit and wait until your Nana Jo returned. But your great-grandmother got there first. She asked the young man to leave. Then she beat your grandmother terrifically, one last time, so that she might remember how easily she could lose her body. Ma never forgot. I remember her clutching my small hand tightly as we crossed the street. She would tell me that if I ever let go and were killed by an onrushing car, she would beat me back to life. When I was six, Ma and Dad took me to a local park. I slipped from their gaze and found a playground. Your grandparents spent anxious minutes looking for me. When they found me, Dad did what every parent I knew would have done—he reached for his belt. I remember watching him in a kind of daze, awed at the distance between punishment and offense. Later, I would hear it in Dad’s voice—“Either I can beat him, or the police.” Maybe that saved me. Maybe it didn’t. All I know is, the violence rose from the fear like smoke from a fire, and I cannot say whether that violence, even administered in fear and love, sounded the alarm or choked us at the exit. What I know is that fathers who slammed their teenage boys for sass would then release them to streets where their boys employed, and were subject to, the same justice. And I knew mothers who belted their girls, but the belt could not save these girls from drug dealers twice their age. We, the children, employed our darkest humor to cope. We stood in the alley where we shot basketballs through hollowed crates and cracked jokes on the boy whose mother wore him out with a beating in front of his entire fifth-grade class. We sat on the number five bus, headed downtown, laughing at some girl whose mother was known to reach for anything—cable wires, extension cords, pots, pans. We were laughing, but I know that we were afraid of those who loved us most. Our parents resorted to the lash the way flagellants in the plague years resorted to the scourge.
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Ta-Nehisi Coates (Between the World and Me)
“
Not long after I learned about Frozen, I went to see a friend of mine who works in the music industry. We sat in his living room on the Upper East Side, facing each other in easy chairs, as he worked his way through a mountain of CDs. He played “Angel,” by the reggae singer Shaggy, and then “The Joker,” by the Steve Miller Band, and told me to listen very carefully to the similarity in bass lines. He played Led Zeppelin’s “Whole Lotta Love” and then Muddy Waters’s “You Need Love,” to show the extent to which Led Zeppelin had mined the blues for inspiration. He played “Twice My Age,” by Shabba Ranks and Krystal, and then the saccharine ’70s pop standard “Seasons in the Sun,” until I could hear the echoes of the second song in the first. He played “Last Christmas,” by Wham! followed by Barry Manilow’s “Can’t Smile Without You” to explain why Manilow might have been startled when he first heard that song, and then “Joanna,” by Kool and the Gang, because, in a different way, “Last Christmas” was an homage to Kool and the Gang as well. “That sound you hear in Nirvana,” my friend said at one point, “that soft and then loud kind of exploding thing, a lot of that was inspired by the Pixies. Yet Kurt Cobain” — Nirvana’s lead singer and songwriter — “was such a genius that he managed to make it his own. And ‘Smells Like Teen Spirit’?” — here he was referring to perhaps the best-known Nirvana song. “That’s Boston’s ‘More Than a Feeling.’ ” He began to hum the riff of the Boston hit, and said, “The first time I heard ‘Teen Spirit,’ I said, ‘That guitar lick is from “More Than a Feeling.” ’ But it was different — it was urgent and brilliant and new.” He played another CD. It was Rod Stewart’s “Do Ya Think I’m Sexy,” a huge hit from the 1970s. The chorus has a distinctive, catchy hook — the kind of tune that millions of Americans probably hummed in the shower the year it came out. Then he put on “Taj Mahal,” by the Brazilian artist Jorge Ben Jor, which was recorded several years before the Rod Stewart song. In his twenties, my friend was a DJ at various downtown clubs, and at some point he’d become interested in world music. “I caught it back then,” he said. A small, sly smile spread across his face. The opening bars of “Taj Mahal” were very South American, a world away from what we had just listened to. And then I heard it. It was so obvious and unambiguous that I laughed out loud; virtually note for note, it was the hook from “Do Ya Think I’m Sexy.” It was possible that Rod Stewart had independently come up with that riff, because resemblance is not proof of influence. It was also possible that he’d been in Brazil, listened to some local music, and liked what he heard.
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Malcolm Gladwell (What the Dog Saw and Other Adventures)
“
Anna Chapman was born Anna Vasil’yevna Kushchyenko, in Volgograd, formally Stalingrad, Russia, an important Russian industrial city. During the Battle of Stalingrad in World War II, the city became famous for its resistance against the German Army. As a matter of personal history, I had an uncle, by marriage that was killed in this battle. Many historians consider the battle of Stalingrad the largest and bloodiest battle in the history of warfare.
Anna earned her master's degree in economics in Moscow. Her father at the time was employed by the Soviet embassy in Nairobi, Kenya, where he allegedly was a senior KGB agent. After her marriage to Alex Chapman, Anna became a British subject and held a British passport. For a time Alex and Anna lived in London where among other places, she worked for Barclays Bank. In 2009 Anna Chapman left her husband and London, and moved to New York City, living at 20 Exchange Place, in the Wall Street area of downtown Manhattan. In 2009, after a slow start, she enlarged her real-estate business, having as many as 50 employees. Chapman, using her real name worked in the Russian “Illegals Program,” a group of sleeper agents, when an undercover FBI agent, in a New York coffee shop, offered to get her a fake passport, which she accepted. On her father’s advice she handed the passport over to the NYPD, however it still led to her arrest.
Ten Russian agents including Anna Chapman were arrested, after having been observed for years, on charges which included money laundering and suspicion of spying for Russia. This led to the largest prisoner swap between the United States and Russia since 1986. On July 8, 2010 the swap was completed at the Vienna International Airport. Five days later the British Home Office revoked Anna’s citizenship preventing her return to England. In December of 2010 Anna Chapman reappeared when she was appointed to the public council of the Young Guard of United Russia, where she was involved in the education of young people. The following month Chapman began hosting a weekly TV show in Russia called Secrets of the World and in June of 2011 she was appointed as editor of Venture Business News magazine.
In 2012, the FBI released information that Anna Chapman attempted to snare a senior member of President Barack Obama's cabinet, in what was termed a “Honey Trap.” After the 2008 financial meltdown, sources suggest that Anna may have targeted the dapper Peter Orzag, who was divorced in 2006 and served as Special Assistant to the President, for Economic Policy. Between 2007 and 2010 he was involved in the drafting of the federal budget for the Obama Administration and may have been an appealing target to the FSB, the Russian Intelligence Agency. During Orzag’s time as a federal employee, he frequently came to New York City, where associating with Anna could have been a natural fit, considering her financial and economics background. Coincidently, Orzag resigned from his federal position the same month that Chapman was arrested. Following this, Orzag took a job at Citigroup as Vice President of Global Banking. In 2009, he fathered a child with his former girlfriend, Claire Milonas, the daughter of Greek shipping executive, Spiros Milonas, chairman and President of Ionian Management Inc. In September of 2010, Orzag married Bianna Golodryga, the popular news and finance anchor at Yahoo and a contributor to MSNBC's Morning Joe. She also had co-anchored the weekend edition of ABC's Good Morning America. Not surprisingly Bianna was born in in Moldova, Soviet Union, and in 1980, her family moved to Houston, Texas. She graduated from the University of Texas at Austin, with a degree in Russian/East European & Eurasian studies and has a minor in economics. They have two children. Yes, she is fluent in Russian! Presently Orszag is a banker and economist, and a Vice Chairman of investment banking and Managing Director at Lazard.
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Hank Bracker
“
This city-and-corporate-led “pro-arts” agenda runs the risk of not only driving out present art-making residents out via a combination of gate-keeping and escalating living costs (including but not limited to rent), it also prevents people who co-habitated with or preceded underground artists – frequently communities of color and poor/working class people overall – from returning. Even leading up to periods of economic decline (which frequently include an influx of artists, due to the increase in more affordable housing), the potential of keeping people out when the gentrification cycle eventually reverses, and housing becomes affordable again – typically when middle-class and up whites leave the city, developers abandon future projects, and things start to decay – is real. In other words, the pro-arts agenda provides the convergence of moneyed, powerful interests that drive gentrification with an additional cultural and economic weapon against keeping undesirables out, if they so choose, by labeling them as “the bad sort of creatives” or otherwise less-than, while keeping the semblance of being pro-artist intact, to be utilized as needed. This utilization may include implementation during periods of decline, depending on the plans, interests and future needs of capital, in a local/global context. – The solution to this is for communities to organize for the sorts of transformative conditions that allow people the practical and life-altering means to make all kinds of art, not for artists to be played by corporate arts entities that collude with downtown interests – while collectively resisting gentrification as soon as it starts to happen. The Right To The City is real. We are not your puppets!
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Anonymous
“
Yet all these gadgets cumulatively contribute only a fraction of what we save by living in a walkable neighborhood. It turns out that trading all of your incandescent lightbulbs for energy savers conserves as much carbon per year as living in a walkable neighborhood does each week. Why, then, is the vast majority of the national conversation on sustainability about the former and not the latter?
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Jeff Speck (Walkable City: How Downtown Can Save America, One Step at a Time)
“
We didn’t believe when we first heard because you know how church folk can gossip. Like the time we all thought First John, our head usher, was messing around on his wife because Betty, the pastor’s secretary, caught him cozying up at brunch with another woman. A young, fashionable woman at that, one who switched her hips when she walked even though she had no business switching anything in front of a man married forty years. You could forgive a man for stepping out on his wife once, but to romance that young woman over buttered croissants at a sidewalk café? Now, that was a whole other thing. But before we could correct First John, he showed up at Upper Room Chapel that Sunday with his wife and the young, hip-switching woman—a great-niece visiting from Fort Worth—and that was that. When we first heard, we thought it might be that type of secret, although, we have to admit, it had felt different. Tasted different too. All good secrets have a taste before you tell them, and if we’d taken a moment to swish this one around our mouths, we might have noticed the sourness of an unripe secret, plucked too soon, stolen and passed around before its season. But we didn’t. We shared this sour secret, a secret that began the spring Nadia Turner got knocked up by the pastor’s son and went to the abortion clinic downtown to take care of it. She was seventeen then. She lived with her father, a Marine, and without her mother, who had killed herself six months earlier. Since then, the girl had earned a wild reputation—she was young and scared and trying to hide her scared in her prettiness. And she was pretty, beautiful even, with amber skin, silky long hair, and eyes swirled brown and gray and gold. Like most girls, she’d already learned that pretty exposes you and pretty hides you and like most girls, she hadn’t yet learned how to navigate the difference. So we heard all about her sojourns across the border to dance clubs in Tijuana, the water bottle she carried around Oceanside High filled with vodka, the Saturdays she spent on base playing pool with Marines, nights that ended with her heels pressed against some man’s foggy window. Just tales, maybe, except for one we now know is true: she spent her senior year of high school rolling around in bed with Luke Sheppard and come springtime, his baby was growing inside her. — LUKE SHEPPARD WAITED TABLES at Fat Charlie’s Seafood Shack, a restaurant off the pier known for its fresh food, live music, and family-friendly atmosphere. At least that’s what the ad in the San Diego Union-Tribune said, if you were fool enough to believe it. If you’d been around Oceanside long enough, you’d know that the promised fresh food was day-old fish and chips stewing under heat lamps, and the live music, when delivered, usually consisted of ragtag teenagers in ripped jeans with safety pins poking through their lips.
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Brit Bennett (The Mothers)
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Driving toward Gillette on Route 59 north of Bill, Wyoming, Tom Carson felt alien in the rolling landscape. Pronghorn antelope appeared here and there in the hills, grazing in herds, strung out along a stream drinking. Buffalo grazed too in the gently undulant pastures. They weren’t wild herds, he knew. They were ranch buffalo, healthful, destined to be slaughtered and sold in specialty stores. He’d never been anywhere very much until he moved to Wyoming. Lived all his life in Paradise, and his parents too. His mother taught seventh grade at Paradise Junior High. His father ran the Gulf station. The only gas station in the downtown area. He had no military experience. He hadn’t gone to college. He’d joined the cops after working three years for his father. The
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Robert B. Parker (Night Passage: The first Jesse Stone novel (A Jesse Stone Mystery Book 1))
“
No society can understand itself without looking at its shadow side. I believe there is one addiction process, whether it is manifested in the lethal substance dependencies of my Downtown Eastside patients; the frantic self-soothing of overeaters or shopaholics; the obsessions of gamblers, sexaholics and compulsive Internet users; or the socially acceptable and even admired behaviours of the workaholic. Drug addicts are often dismissed and discounted as unworthy of empathy and respect.
They have much in common with the society that ostracizes them. If they seem to have chosen a path to nowhere, they still have much to teach the rest of us. In the dark mirror of their lives, we can trace outlines of our own.
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Gabor Maté (In the Realm of Hungry Ghosts: Close Encounters with Addiction)
“
Such risk aversion breeds its own failure. So deeply rooted is gentrification that Richard Florida has now modified his widely acclaimed thesis about the rise of the creative classes. Cities are becoming too successful for their own good. Until recently, he believed they would be the engine rooms of the new economy, embracing the diversity necessary to attract talent. That has certainly happened. Gay pride parades seem to get larger every year. A thousand multicultural flowers are blooming. Yet in squeezing out income diversity, the new urban economies are also shutting off the scope for serendipity. The West’s global cities are like tropical islands surrounded by oceans of resentment. Florida’s latest book is called The New Urban Crisis. Rather than being shaped by those who live there full-time, the characters of our biggest cities are increasingly driven by the global super-rich as a place to park their money. Many of the creative classes are being edged out. Urban downtowns have turned into ‘deadened trophy districts’. New York’s once-bohemian SoHo is now better known for its high-end boutiques than its artists’ studios. SoHo could nowadays be found in any big city in the world. ‘Superstar cities and tech hubs will become so expensive that they will turn into gilded and gated communities,’ Florida predicts.51 ‘Their innovative and creative sparks will eventually fade.’ Karl Marx was wrong: it is the rich who are losing their nation, not the proletariat. The gap between global cities and their national anchors is already a metaphor for our times. By contrast, the rise of the robot economy has only half lodged itself in our expectations. It is easy to dismiss some of Silicon Valley’s wilder talk as the stuff of science-fiction movies. But the gap between sci-fi and reality is closing.
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Edward Luce (The Retreat of Western Liberalism)
“
Creeping around under steel overpasses downtown I lived with my eyes to the ground, struck by how many gutter punks, panhandlers, dumpster divers, gakkers, vagrants, and romantic trumps would never fuckin get it: the fact that we have to dig for stuff we don’t understand cuz we live in a past we don’t understand.
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Grace Krilanovich (The Orange Eats Creeps)
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McGahern still lives on and works a farm in Leitrim, and friends say that even though he has held high profile academic posts round the world as a visiting professor he remains essentially a countryman.
Last term he taught in an upstate New York college, but seeing him in the soulless urban grid of downtown Syracuse wearing an old tweed flat cap and long black overcoat, he could have been in an Irish agricultural town on market day as he casually engaged strangers on the street to ask for advice on finding a decent restaurant. Friends say he has extraordinary confidence in who he is and where he's from - he behaves pretty much the same way wherever is and whoever he is with.
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John McGahern
“
After 1965, people in Africatown could shop anywhere they wanted. Cars had become common in the community, and the larger markets and department stores of Mobile’s downtown shopping district were just a three-minute ride away. Likewise, desegregation meant African-Americans were no longer confined to living near the few schools available to the Black population. People started moving out, to other parts of Mobile, or to several small African-American towns that surround Africatown, places where you couldn’t smell the overpowering stench from the paper mills. Contributing to the problem was a sudden dearth of housing when the Meaher clan decided to get out of the house rental business in 1967, after building more than five hundred rental houses in Africatown since the 1880s. Residents say the family simply moved people out and bulldozed the houses, destroying much of the area’s longtime housing stock.
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Ben Raines (The Last Slave Ship: The True Story of How Clotilda Was Found, Her Descendants, and an Extraordinary Reckoning)
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Pets that never go near areas in which a given disease is reported are routinely vaccinated against it anyway. A cat living alone on the twelfth floor in downtown Manhattan can receive up to ten vaccines at a time every year for life. A dog that never goes beyond the fire hydrant at the corner can be inoculated with up to twelve diseases each time.
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Charles Danten (Un vétérinaire en colère - Essai sur la condition animale)
“
The reason we live downtown is to get the diversity of the city. Our kids are really experiencing the world, you know? If you live uptown, like Lauren and Jason, you’re really only exposing them to that white, rich crowd. Also, I work in the music industry, and so my kids know that you can pursue something other than finance to be happy. I think that’s so valuable.
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Emma Rosenblum (Bad Summer People)
“
Gone the glitter and glamour; gone the pompous wealth beside naked starvation; gone the strange excitement of a polyglot and many-sided city; gone the island of Western civilization flourishing in the vast slum that was Shanghai.
Good-by to all that: the well-dressed Chinese in their chauffeured cars behind bullet-proof glass; the gangsters, the shakedowns, the kidnapers; the exclusive foreign clubs, the men in white dinner jackets, their women beautifully gowned; the white-coated Chinese “boys” obsequiously waiting to be tipped; Jimmy’s Kitchen with its good American coffee, hamburgers, chili and sirloin steaks. Good-by to all the night life: the gilded singing girl in her enameled hair-do, her stage make-up, her tight-fitting gown with its slit skirt breaking at the silk clad hip, and her polished ebony and silver-trimmed rickshaw with its crown of lights; the hundred dance halls and the thousands of taxi dolls; the opium dens and gambling halls; the flashing lights of the great restaurants, the clatter of mah-jongg pieces, the yells of Chinese feasting and playing the finger game for bottoms-up drinking; the sailors in their smelly bars and friendly brothels on Szechuan Road;
the myriad short-time whores and pimps busily darting in and out of the alleyways; the display signs of foreign business, the innumerable shops spilling with silks, jades, embroideries, porcelains and all the wares of the East; the generations of foreign families who called Shanghai home and lived quiet conservative lives in their tiny vacuum untouched by China; the beggars on every downtown block and the scabby infants urinating or defecating on the curb while mendicant mothers absently scratched for lice; the “honey carts” hauling the night soil through the streets; the blocks-long funerals, the white-clad professional mourners weeping false tears, the tiers of paper palaces and paper money burned on the rich man’s tomb; the jungle free-for- all struggle for gold or survival and the day’s toll of unwanted infants and suicides floating in the canals; the knotted rickshaws with their owners fighting each other for customers and arguing fares; the peddlers and their plaintive cries; the armored white ships on the Whangpoo, “protecting foreign lives and property”; the Japanese conquerors and their American and Kuomintang successors; gone the wickedest and most colorful city of the old Orient: good-by to all that.
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Edgar Snow (Red China Today: The Other Side of the River)
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Dear friends and enemies, Season’s greetings! It’s me, Serge! Don’t you just hate these form letters people stuff in Christmas cards? Nothing screams “you’re close to my heart” like a once-a-year Xerox. Plus, all the lame jazz that’s going on in their lives. “Had a great time in Memphis.” “Bobby lost his retainer down a storm drain.” “I think the neighbors are dealing drugs.” But this letter is different. You are special to me. I’m just forced to use a copy machine and gloves because of advancements in forensics. I love those TV shows! Has a whole year already flown by? Much to report! Let’s get to it! Number one: I ended a war. You guessed correct, the War on Christmas! When I first heard about it, I said to Coleman, “That’s just not right! We must enlist!” I rushed to the front lines, running downtown yelling “Merry Christmas” at everyone I saw. And they’re all saying “Merry Christmas” back. Hmmm. That’s odd: Nobody’s stopping us from saying “Merry Christmas.” Then I did some research, and it turns out the real war is against people saying “Happy holidays.” The nerve: trying to be inclusive. So, everyone … Merry Christmas! Happy Hannukah! Good times! Soul Train! Purple mountain majesties! The Pompatus of Love! There. War over. And just before it became a quagmire. Next: Decline of Florida Roundup. —They tore down the Big Bamboo Lounge near Orlando. Where was everybody on that one? —Remember the old “Big Daddy’s” lounges around Florida with the logo of that bearded guy? They’re now Flannery’s or something. —They closed 20,000 Leagues. And opened Buzz Lightyear. I offered to bring my own submarine. Okay, actually threatened, but they only wanted to discuss it in the security office. I’ve been doing a lot of running lately at theme parks. —Here’s a warm-and-fuzzy. Anyone who grew up down here knows this one, and everyone else won’t have any idea what I’m talking about: that schoolyard rumor of the girl bitten by a rattlesnake on the Steeplechase at Pirate’s World (now condos). I’ve started dropping it into all conversations with mixed results. —In John Mellencamp’s megahit “Pink Houses,” the guy compliments his wife’s beauty by saying her face could “stop a clock.” Doesn’t that mean she was butt ugly? Nothing to do with Florida. Just been bugging me. Good news alert! I’ve decided to become a children’s author! Instilling state pride in the youngest residents may be the only way to save the future. The book’s almost finished. I’ve only completed the first page, but the rest just flows after that. It’s called Shrimp Boat Surprise. Coleman asked what the title meant, and I said life is like sailing on one big, happy shrimp boat. He asked what the surprise was, and I said you grow up and learn that life bones you up the ass ten ways to Tuesday. He started reading and asked if a children’s book should have the word “motherfucker” eight times on the first page. I say, absolutely. They’re little kids, after all. If you want a lesson to stick, you have to hammer it home through repetition…In advance: Happy New Year! (Unlike 2008—ouch!)
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Tim Dorsey (Gator A-Go-Go (Serge Storms Mystery, #12))
“
Quattro"
Only for a piece of broken glass
I will be there waiting
For it
Always
Taken to another place
Where I see it happen
Bear witness to a spectacular
Spectacle
One day we'll be up as gods on high
That praise the beats of undeniable bliss
And kiss the stars of harmony gone blind
But all of this could be averted
All of this could be unearthed
We could go get gowns, spread loss
And force invisible lines and flaws
Take our time, and hurry up to die
Save it all or try, try, try
To be free, to be us
To be something real to us
Catered affairs, daytime nightmares
Standing on chairs three nights straight
County fairs, I said "who cares?"
And what he wears ain't that great
Freight train antics, slick camera tricks
Forty licks and I'm alright
Late night comics, black and white flicks
White trash hicks on TV tonight, alright
Living with weak CD compilations
Driving downtown again
Pop culture confrontations
Eye rolling people spend
Forgotten dates, old dinner plates
Rush the gates and we'll let you in
What she hates is how he waits
And fifty states are wrong again
Limousine got no time for you
Limousine got no time for you
Dollar bills soaked up red wine for you
Dollar bills soaked up red, white and blue
Living with weak CD compilations
Driving downtown again
Pop culture confrontations
Eye rolling people spend
Forgotten dates, old dinner plates
Rush the gates and we'll let you in
What she hates is how he waits
And fifty states are wrong again
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Born Ruffians
“
I'm no one. I've lived on the streets, begged for food, scrimped and saved and worked my way through the dodgiest jobs in downtown Rourton. I've been cold. I've been alone. But I've survived it all, and I'm not prepared to die tonight.
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Skye Melki-Wegner (Chasing the Valley (Chasing the Valley #1))
“
But then something nobody could have predicted happened. Embarrassed by this endless protest, Mayor Owen decided he had better find out who these addicts were, and how they could be shut up. They were from a different world: he had been a businessman for thirty years, and came from a privileged political dynasty in which his grandfather was the chief constable, and his father the lieutenant governor. He hadn’t ever known any addicts, so he decided to walk around the Downtown Eastside incognito, and sit with the addicts, and hear what they had to say. And this man who had argued that they should all be rounded up and locked away on army bases—this local Anslinger—was amazed. When he described his memory of it in 2012, he still seemed startled by what he had witnessed. “The stories you hear,” he said to me, “blow you away.” These people, he found, had had such hard lives. He remembered a fifteen-year-old girl on the streets, and shook his head. They’re not malicious, he came to see. They’re not bad. They’re just broken. So he arranged “an afternoon tea party” for “the most hard-core addicts” and sat and listened to them talk about their lives for hours. “The stories were just unbelievable,” Owen repeated, shaking his head again. Now
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Johann Hari (Chasing the Scream: The First and Last Days of the War on Drugs)
“
LOVE AND LOGIC TIP 8 What They See Is What They Learn I (Jim) spent my childhood on the wrong side of the tracks in a trailer in industrial Denver. When my family scraped enough money together, we bought a little garage to live in while my dad built a house on the property. Dad worked a morning shift downtown and rode the streetcar to work, and then when he returned at 2:00 p.m. every day, he picked up his hammer and saw and built a house. It took seven years. As I watched him work, I thought, Wow! He gets to do all the fun stuff: mix the concrete, lay the bricks, put on the shingles, hammer nails, saw wood. I watched it all day, every day. At the end of the day, when my dad knocked off, he invariably said, “Jim, clean up this mess.” So I would roll out the wheelbarrow, pick up a shovel and a rake, and clean up the mess. At the same time, Dad would explain to me that people have to learn to clean up after themselves. They need to finish and put the tools away. When my dad noticed that I left my own stuff lying around, he complained, “Why don’t you ever pick up your stuff, Jim? There’s your bike on the sidewalk, and your tools are all over the place. When you go to look for a tool, you won’t know where it is.” I, of course, was learning all about cleaning up. I was learning that adults don’t clean up after themselves. Had my father modeled cleaning up after himself — saying in the process, “I feel good now that the day’s work is finished, but I’ll feel better when I clean up this mess and put all the tools in the right places” — he would have developed a son who liked to clean up his own messes. As it is, my garage is a mess to this very day.
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Foster W. Cline (Parenting with Love and Logic: Teaching Children Responsibility)
“
Why is it only in these gun-free zones that we see so many people killed? Attackers have good reason to target gun-free zones. As shown earlier, concealed carry permit holders have stopped many mass public shootings. In addition to the cases listed earlier, mass public shootings have been stopped in Pearl, Mississippi; Edinboro, Pennsylvania; Grundy, Virginia; Memphis, Tennessee; Colorado Springs, Colorado; Portland, Oregon; and Salt Lake City, Utah. It has happened at colleges, in busy downtowns, in churches, in malls, and outside apartment buildings. Concealed carry saves lives everywhere. Mass public shooters avoid places where victims can defend themselves. After all, how quickly people can arrive with a gun to stop the attack reduces the number of likely victims and the publicity that the killer will be able to get.
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John R. Lott Jr. (The War on Guns: Arming Yourself Against Gun Control Lies)
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In the 1950s Detroit was undergoing changes in the city and factories with enormous political consequences. When I arrived in Detroit the city had just begun Urban Renewal (which blacks renamed “Negro Removal”) in the area near downtown where most blacks were concentrated. Hastings Street and John R, the two main thoroughfares that were the hub of the commerce and nightlife of the black community, were still alive with pedestrians. Large sections of the inner city, however, were being bulldozed to build the Ford Freeway crisscrossing the city from east to west, the Lodge Freeway bisecting the city from north to south, and the Fisher and Chrysler Freeways coming from Toledo and proceeding all the way north to the Upper Peninsula. These freeways were built to make it easy to live in the suburbs and work in the city and at the same time to expand the car market. So in 1957 whites began pouring out of the city by the tens of thousands until by the end of the decade one out of every four whites who had lived in the city had left. Their exodus left behind thousands of houses and apartments for sale and rental to blacks who had formerly been confined inside Grand Boulevard, a horseshoe-shaped avenue delimiting the inner city, many of whom had been uprooted by Negro Removal. Blacks who had been living on the East Side, among them Annie Boggs, began buying homes on the West Side and the North End. The black community was not only expanding but losing the cohesiveness it had enjoyed (or endured) when it was jammed together on the Lower East Side. New neighbors no longer served as extended family to the young people growing up in the new black neighborhoods. Small businesses owned by blacks and depending on black customers went bankrupt, eliminating an entrepreneurial middle class that had played a key role in stabilizing the community. By the end of the 1950s one-fourth of the buildings inside the Boulevard stood vacant. At the same time all Americans, regardless of race, creed, or national origin, were being seduced by the consumerism being fostered by large corporations so that they could sell the abundance of goods coming off the American assembly lines. All around us in the black community parents were determined to give their children “the things I didn’t have.
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Grace Lee Boggs (Living for Change: An Autobiography)
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Captain Joseph Frye
One of the nicest parks in present day downtown Tampa, Florida, is the Cotanchobee Fort Brooke Park. The 5-acre park, which lies between the Tampa Bay Times Forum (Amalie Arena) and the mouth of the Hillsborough River at the Garrison Channel, is used for many weddings and special events such as the dragon boat races and the duck race. Few people give thought to the historic significance of the location, or to Captain Joseph Frye, considered Tampa’s first native son, who was born there on June 14, 1826.
Going to sea was a tradition in the Frye family, starting with his paternal great-grandfather Samuel Frye from East Greenwich, Rhode Island, who was the master of the sloop Humbird. As a young man, Joseph attended the United States Naval Academy and graduated with the second class in 1847. Starting as an Ensign, he served as a commissioned officer in the U.S. Navy until the Civil War, at which time he resigned and took a commission as a Lieutenant in the Confederate Navy.
The Ten Years’ War, also known as “the Great War,” which started in 1868 became the first of three wars of Cuban Independence. In October 1873, following the defeat of the Confederacy and five years into the Cuban revolution, Frye became Captain of a side-wheeler, the S/S Virginius. His mission was to take guns and ammunition, as well as approximately 300 Cuban rebels to Cuba, with the intent of fighting the Spanish army for Cuban Independence. Unfortunately, the mission failed when the ship was intercepted by the Spanish warship Tornado.
Captain Frye and his crew were taken to Santiago de Cuba and given a hasty trial and before a British warship Commander, hearing of the incident, could intervene, they were sentenced to death. After thanking the members of his crew for their service, Captain Frye and fifty-three members of his crew were put to death by firing squad, and were then decapitated and trampled upon by the Spanish soldiers. However, the British Commander Sir Lambton Lorraine of HMS Niobe did manage to save the lives of a few of the remaining crewmembers and rebels.
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Hank Bracker
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We can’t afford to build places where people just park their bodies at night,” Burden said. “We can’t afford to spend a single transportation dollar that doesn’t increase land value rather than decrease it.” We should go back to building towns the way our great-grandparents did, he suggested. Most people today want to live in a community where they don’t have to drive long distances. They want to live near enough to the stores and jobs so they can walk, take a bus, or ride a bike wherever they need to go. If Muscatine wanted to stay competitive, retain existing businesses, attract new ones, and have money in the treasury for parks and other amenities, then the best thing residents could do would be to focus on making their town walkable and livable, Burden said. That meant adding sidewalks, improving crosswalks, replacing intersections with roundabouts in some places, and converting one-way streets to run in both directions. “One-way streets help move people faster,” Burden said. “But is that your goal? To empty out downtown?” You should be doing just the opposite, he argued. You want people to linger downtown and enjoy themselves. “Then, before you know it, your children won’t be moving off to other cities. Everything they want will be right here in your own community.
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Dan Buettner (The Blue Zones Solution: Eating and Living Like the World's Healthiest People (Blue Zones, The))
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Albergue Buenos aires is just the right place for you if you are looking for a clean spacious and a furnished place to live in during your stay in Argentina located in the downtown of Buenos Aires serves as the right place to connect to the major places in the city.
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Albergue Buenos Aires
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But in 1954 the organization was banned, then almost annihilated by Nasser. He claimed they tried to assassinate him while he delivered a public speech in October that year in Alexandria, the shots heard live on Egyptian radio. The Brothers denied any involvement in the events of that day. Nasser, it should be noted, was not beyond conjuring up such spectacular crises to shore up his domestic support—having likely arranged, for instance, the bombing of the landmark coffee shop Groppi's in the heart of downtown Cairo in a bid to create instability at the height of his power struggle with the first figurehead leader of the republic.
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John R. Bradley (Inside Egypt: The Land of the Pharaohs on the Brink of a Revolution)
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black suit that is drenched with the sky’s tears. His footsteps splash on the cold, hard ground as he staggers down the center yellow line of the city street. It is night and, although tall glass-encased buildings fill the metropolis and mirror the brilliant streetlights, the city is lifeless. Not a car, a person, or an animal fills the sprawling downtown. There are only two living beings—the man and the rain. His eyes are wide
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Jonathan Sturak (Clouded Rainbow)
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Luxor attack in 1997 in which Al-Jamaa Al-Islamiya killed fifty-eight tourists and four Egyptians outside a pharaonic temple. In the same year, an ambush near the Egyptian museum in downtown Cairo by the group took the lives of nine tourists. In 1995, eighteen Greek tourists had been killed close to the Pyramids. But the violence was not only directed at the ‘infidel Westerners’ (though they, and the tourism industry, were especially prized victims). Egyptians also suffered: between 1982 and 2000, more than 2,000 Egyptians died in terror attacks – from the speaker of parliament to a number of secular writers and commentators (for example, Farag Foda, a prominent and controversial writer, was assassinated in 1992, and in 1994 an assassination attempt was made against Egypt's Nobel Literature Laureate Naguib Mahfouz), to a series of senior police officers,39 and children caught up in the blasts.
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Tarek Osman (Egypt on the Brink: From the Rise of Nasser to the Fall of Mubarak)
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The final assault on the old city arrived via the interstate highway system. In 1956 the Federal-Aid Highway Act funneled billions of tax dollars into the construction of new freeways, including dozens of wide new roads that would push right into the heart of cities. This—along with federal home mortgage subsidies and zoning that effectively prohibited any other kind of development but sprawl—rewarded Americans who abandoned downtowns and punished those who stayed behind, with freeways cutting swaths through inner-city neighborhoods from Baltimore to San Francisco. Anyone who could afford to get out, did.
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Charles Montgomery (Happy City: Transforming Our Lives Through Urban Design)
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Ample, easy parking is the hallmark of the dispersed city. It is also a killer of street life. A cruise through Los Angeles illustrates the dynamic. The city’s downtown has been said to contain more parking spaces per acre than any other place on earth, and its streets are some of the most desolate.
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Charles Montgomery (Happy City: Transforming Our Lives Through Urban Design)
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Wiggly Worm lived in a backyard garden with his best friends, Snarky Snail, Rattles Snake, and Munchy Mosquito. As much as he loved wiggling around in the mud, Wiggly often wondered what it would be like to live in a town. Wiggly and his friends knew all about towns because they liked to listen to the kids who played in the backyard. The kids were always talking about how they had done this or that, or gone here or there, downtown. Wiggly knew that towns had parks and stores and restaurants and bakeries and places to get sweet treats. That sounded wonderful to him! “All we have here is plants,” he said to his friends. “Wouldn’t it be amazing if we had all kinds of special places to go, like the kids always talk about?” “I’d like that,” said Rattles. “Imagine a five-star restaurant where we could eat tasty little insects all day long. Except for mosquitoes, of course!” he added, glancing quickly at Munchy.
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Arnie Lightning (Wiggly the Worm)
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She worked cleaning houses on the other side, over there, with gringos or for Mexicans who lived like gringos, I’m not sure. I just know she crossed the bridge downtown every day to get to gringolandia. It’s shit going back and forth, but the shit pays well, she’d tell anyone she ran into. Her apron
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Sylvia Aguilar-Zéleny (Trash)
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Remember WWJD? What would Jesus do? It’s a fine question, but a much better question is WWJDIHWM? What would Jesus do if he were me? Why is it better? Because the odds are that you’re not a first-century, celibate Jewish rabbi; you’re a twenty-first-century mom, freshman at uni, VP of a startup, freelance graphic designer, or my secret dream—a luchador. It’s a bit hard to ask WWJD if your current work is raising a two-year-old or teaching kindergarten or writing software or designing the HVAC system for a new building downtown—much less doing any of the latter while raising your two-year-old. Instead, ask this: How would Jesus live if he had my gender, place, personality profile, age, life stage, job, resources, and address? How would he show up to the world? How would he handle _______? For
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John Mark Comer (Practicing the Way: Be with Jesus. Become like him. Do as he did.)
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Catholics are worried about Communism: and they have a right to be, because the Communist revolution aims, among other things, at wiping out the Church. But few Catholics stop to think that Communism would make very little progress in the world, or none at all, if Catholics really lived up to their obligations, and really did the things Christ came on earth to teach them to do: that is, if they really loved one another, and saw Christ in one another, and lived as saints, and did something to win justice for the poor. For, she said, if Catholics were able to see Harlem, as they ought to see it, with the eyes of faith, they would not be able to stay away from such a place. Hundreds of priests and lay-people would give up everything to go there and try to do something to relieve the tremendous misery, the poverty, sickness, degradation, and dereliction of a race that was being crushed and perverted, morally and physically, under the burden of a colossal economic injustice. Instead of seeing Christ suffering in His members, and instead of going to help Him, Who said: “Whatsoever you did to the least of these my brethren, you did it to Me,” we preferred our own comfort: we averted our eyes from such a spectacle, because it made us feel uneasy: the thought of so much dirt nauseated us—and we never stopped to think that we, perhaps, might be partly responsible for it. And so people continued to die of starvation and disease in those evil tenements full of vice and cruelty, while those who did condescend to consider their problems, held banquets in the big hotels downtown to discuss the “Race situation” in a big rosy cloud of hot air. If Catholics, she said, were able to see Harlem as they should see it, with the eyes of faith, as a challenge to their love of Christ, as a test of their Christianity, the Communists would be able to do nothing there. But, on the contrary, in Harlem the Communists were strong. They were bound to be strong. They were doing some of the things, performing some of the works of mercy that Christians should be expected to do. If some Negro workers lose their jobs, and are in danger of starving, the Communists are there to divide their own food with them, and to take up the defence of their case.
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Thomas Merton (The Seven Storey Mountain)
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Well, didn't you look sharp with your boots when you met me on the path?
From two-tone to downtown Beirut but only halfway back
Stealing bits of wisdom from the shelf
Turned prisons into prisms of the self
And what do they know about the springtime or me and you?
Born in the midst of the long hot summer we lived through
Did they see you run for every rhyme?
Did we run for running out of time?
When even heroes have to die
No one lives forever, love, no one's wise to try
We're adding our own wisdom to the shelf
Stealing bits of paper, we had help
But working away, did we miss the passing of the time?
In your own flame you can wither though your passions still outshine
Did you read the writing on the wall?
Prophesying doom upon us all
But even heroes have to die
No one lives forever, love, no one's wise to try
But hidden in the writing on the wall
Many are the beauties of the fall
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Ted Leo
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Of course, that was nothing compared to what it was like back in downtown Los Angeles, where they’d lived until this morning. Surrounded by the asphalt and concrete and shiny skyscrapers, Jessie would often walk out of their condo into the late summer heat to face temperatures above one hundred. In comparison, this felt like a respite. She reminded herself that this was exactly the sort of perk that would justify moving away from the familiar life she’d grown
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Blake Pierce (The Perfect Wife (Jessie Hunt, #1))
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The year was 1967. The nation lived with this constant low-level anxiety about nuclear war. Some researchers had decided to study how people would actually respond during a nuclear attack. Right there in downtown Chicago, they’d built a nuclear fallout shelter and asked for volunteers. For some reason Carter’s mother had thought it a good idea to raise her hand, and so without Carter’s fully understanding why, he and his parents and his five siblings were taken to the shelter. “There’s barely enough room for four hundred people,” he recalled. “There’s concrete floors with no pillows or blankets. To eat, you had crackers, plus water that tasted like bleach. There’s one light that’s powered by a bike, so someone has to ride the bike to keep the light on. But the bike also can power a fan, so you had to choose between the light and the fan. It’s hot as hell.” The only creature comfort allowed was cigarettes. So the whole place filled with smoke. There Carter and his family remained for three days. The researchers stepped around them, taking notes. “They wanted to watch how people would behave,” said Carter. “So I got to watch, too.” What he realized, as he watched, was that there was no way a nuclear war would be anything like that. “My mom would be at home, and we’d be at school, and my dad would be at work,” he said. “We’d all be separated. We wouldn’t know how to get to the shelter, and that’s not where we’d go anyway.” His mind unspooled a different scenario that left him with a conviction that nuclear fallout shelters were probably a dumb idea. “Going through that experience forever changed my vision of these events.
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Michael Lewis (The Premonition: A Pandemic Story)
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Ruben had started using heroin in El Paso, and he took his habit with him to Los Angeles. To support his addiction, he worked odd jobs, stole cars, and burglarized homes. Ruben was tall, thin, and lanky, and he had the fluid grace of the natural athlete. With stealth, rarely seen or heard, he got in and out of peoples’ homes. When Ruben was twenty, he and his wife, an El Paso woman named Suzanna, jumped on a Greyhound Bus and took the sixteen-hour ride to the Los Angeles Greyhound Bus Terminal. In 1972, as now, there was much crime and the selling of drugs and sex around the terminal. Julian and Suzanna wanted to get away from the downtown area, and they took an apartment in Watts, where it was even cheaper to live than downtown L.A.
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Philip Carlo (The Night Stalker: The Disturbing Life and Chilling Crimes of Richard Ramirez)
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This may be the fundamental problem with caring a lot about what others think: It can put you on the established path—the my-isn’t-that-impressive path—and keep you there for a long time. Maybe it stops you from swerving, from ever even considering a swerve, because what you risk losing in terms of other people’s high regard can feel too costly. Maybe you spend three years in Massachusetts, studying constitutional law and discussing the relative merits of exclusionary vertical agreements in antitrust cases. For some, this might be truly interesting, but for you it is not. Maybe during those three years you make friends you’ll love and respect forever, people who seem genuinely called to the bloodless intricacies of the law, but you yourself are not called. Your passion stays low, yet under no circumstance will you underperform. You live, as you always have, by the code of effort/result, and with it you keep achieving until you think you know the answers to all the questions—including the most important one. Am I good enough? Yes, in fact I am. What happens next is that the rewards get real. You reach for the next rung of the ladder, and this time it’s a job with a salary in the Chicago offices of a high-end law firm called Sidley & Austin. You’re back where you started, in the city where you were born, only now you go to work on the forty-seventh floor in a downtown building with a wide plaza and a sculpture out front. You used to pass by it as a South Side kid riding the bus to high school, peering mutely out the window at the people who strode like titans to their jobs. Now you’re one of them. You’ve worked yourself out of that bus and across the plaza and onto an upward-moving elevator so silent it seems to glide. You’ve joined the tribe. At the age of twenty-five, you have an assistant. You make more money than your parents ever have. Your co-workers are polite, educated, and mostly white. You wear an Armani suit and sign up for a subscription wine service. You make monthly payments on your law school loans and go to step aerobics after work. Because you can, you buy yourself a Saab. Is there anything to question? It
doesn’t seem that way. You’re a lawyer now. You’ve taken everything ever given to you—the love of your parents, the faith of your teachers, the music from Southside and Robbie, the meals from Aunt Sis, the vocabulary words drilled into you by Dandy—and converted it to this. You’ve climbed the mountain. And part of your job, aside from parsing abstract intellectual property issues for big corporations, is to help cultivate the next set of young lawyers being courted by the firm. A senior partner asks if you’ll mentor an incoming summer associate, and the answer is easy: Of course you will. You have yet to understand the altering force of a simple yes. You don’t know that when a memo arrives to confirm the assignment, some deep and unseen fault line in your life has begun to tremble, that some hold is already starting to slip. Next to your name is another name, that of
some hotshot law student who’s busy climbing his own ladder. Like you, he’s black and from Harvard. Other than that, you know nothing—just the name, and it’s an odd one. Barack.
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Becoming
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No dystopia,' he thought when he looked out his living room window. 'Still just a topia.
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Chuck Klosterman (Downtown Owl)
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Dames N’ Games, Southern California's largest topless sports bar and grill, offers an unrivaled experience in Downtown LA and Van Nuys. Enjoy local cuisine, live sports on HD TVs, and top-notch entertainment across 22,000 sq ft, including a sports bar, main cabaret, and VIP lounge. Open until 1 a.m. daily, it's the ultimate destination for game days, featuring everything from NFL to college football, with private party options in luxurious settings.
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Dames N' Games Topless Sports Bar Los Angeles
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For someone who lives in downtown Seattle, calling Juneau a city is using the term loosely.
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J.A. Jance (Birds Of Prey (J.P. Beaumont, #15))
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The derelict station, like most of the old downtown section, was fixed in a rigor mortis of past usefulness; shapes flitted among the shadows here and there but it couldn't be said the place was inhabited. The impression that people no longer wanted to live in this part of town was reinforced by the new tall buildings to the east: orthogonal Venusian World's Fair constructions, a giant mega-globe and the expensive hotels thrown up to host a transient population. A freeway loop on stilts cut across the city like the dreadful scar from a dangerous necessary operation. Knoxville had recently undergone some major surgery; its vital organs had been replaced by artificial replicas. It had been transformed into a Conference Centre, one of those places that depends for its prosperity on cartel-constructed hotels that guarantee a standard minimum-quality accommodation for businessmen siphoning off the wealth of other richer cities. Where local industry had declined the franchise commodity and service companies had moved in: Hilton, McDonald's, Texaco. If you had ever wondered how it was you could cross the United States without ever encountering the family hotel, the home-made hamburger or locally-brewed beer, in Knoxville, Tennessee, you can see the reason with your own eyes: the miracle of capitalism regenerating itself on its own corpse.
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Neil Ferguson (Bars of America)
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During and after the Revolution, there was essentially only one road out of the city; what was called the Bowery downtown ran up the island’s east side (roughly today’s Park Avenue) until it cut west and descended a steep gully known as McGown’s Pass. This was the path by which Washington, Hamilton, Burr, et al., retreated on September 15, 1776, after the city had fallen to the British.
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James Nevius (Footprints in New York: Tracing the Lives of Four Centuries of New Yorkers)
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My feet are even more numb. The bakery is located downtown, and we live quite a distance from it.
I get there and enter it. The smell of the bread makes me forget the bitterness, the cold and the distance. My feet feel the warmth of the place and relax; I feel relief and smile at a friendly, good-natured face.
" Good morning, Carolina!" On her long locks of hair, there lay a trail of light coming in through the window behind the counter. " Can I have a pound of bread, please?"
Carolina, smiling at me, with an air of shyness and deep gratitude, turns to pick out the loaf of bread for me.
It is round, has flour on the surface, and is still warm!
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Nicoletta Gassler (The rustle of the soul)
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I live downtown and I work uptown. Six days a week, back and forth, fifty-nine blocks, fifty-five of them underground on the subway. The Lex Line number four-five. That’s my godforsaken life right now. But one of these days I’m going to get out of here and go to, I don’t know, just call it elsewhere. Like, you know, somewhere, anywhere, because I want to see what goes on out there in all those wheres.—DOLORES, NEW YORK CITY WAITRESS, 2001
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William Least Heat-Moon (Here, There, Elsewhere: Stories from the Road)
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...the seemingly widespread conviction of many ordinary Italians that polite behavior such as standing in line is either a Nazi characteristic or a British folly, one that in any event has no real application to this country. Indeed, although things are now gradually changing, left to themselves many Italians appear constitutionally unable to stand in line. “Where do you think you are, in Bulgaria?” a well-dressed man once snarled at me when I protested that he had pushed ahead of me on the cashier’s line at a downtown café.
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Sari Gilbert (My Home Sweet Rome: Living (and loving) in Italy's Eternal City)
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I couldn't help but humbly smile when every elderly local we spoke to when walking downtown or eating at Karen's diner—yes, it was still in business—each fondly remembered the league and the tournament that they still held dear in their hearts. These were memories and stories that were passed on to their own families. Each conversation they would constantly rave about three things that they and even former locals proudly took claim to, like their own badge of honor. They'd say during the league's heyday that they "lived in God's country." That they "lived in the times of pure baseball." That they "lived in the times of the Dalton boys.
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Michael Dault (The Sons of Summer)
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While you sleep, you are oppressed by dark meandering dreams. They’re characterized by an oppressive feeling of endless overcast shadow. The world is encased in dim blue darkness, and white ash is drifting everywhere. You find yourself in an abandoned tennis court that has gone to seed. The birds have stopped singing, the robins have disappeared and you become one of only thousands of people left. More than half of humanity has died of disease, pestilence, and military genocide. Fat golden rats scurry here and there among severed heads lying all around the tennis court in varying stages of putrid decay. As you walk out of the exit, you see piles of dead soldiers in rotting heaps, victims of mass poisoning by rebel civilians smart enough to fool them with Kool Aid on a hot day. Men, women and children lie everywhere, their empty bodies’ ravaged, their desiccated purple tongues, stick limbs and empty eye sockets all that’s left of them. They were the fortunate ones, shot through the head, the illiterate civilians whose organs were harvested for the criminal elite. The elite live high up in the hills with their armed guards inside abandoned mansions with no electricity or running water. Harvested as replacement organs for the sick or as dinner for those who used to enjoy beef liver, the elite are the only ones with handguns and rifles and everyone else is at their mercy hiding in the abandoned buildings all through downtown and the industrial area of NW Portland.
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Theresa Griffin Kennedy (Talionic Night in Portland: A Love Story)