Downton Abbey Quotes

We've searched our database for all the quotes and captions related to Downton Abbey. Here they are! All 84 of them:

What is a week-end? Maggie Smith in Downton Abbey.
Julian Fellowes
People talk about confidence without ever bringing up hard work. That’s a mistake. I know I sound like some dour older spinster on Downton Abbey who has never felt a man’s touch and whose heart has turned to stone, but I don’t understand how you could have self-confidence if you don’t do the work... I have never, ever, ever, met a high confident person and successful person who is not what a movie would call a 'workaholic.' Because confidence is like respect; you have to earn it.
Mindy Kaling (Why Not Me?)
Vulgarity is no substitute for wit
Julian Fellowes
The business of life is the acquisition of memories. In the end that's all there is.
Carson of Downton Abbey.
Harsh reality is always better than false hope.
Downton Abbey
Violet, the Dowager Countess: ‘I have plenty of friends I don’t like.
Jessica Fellowes (The World of Downton Abbey)
You could have knocked ... Or, you know, announced your entrance like they do on Downton Abbey”. He steps out of his drawstring pants, now completely naked. He walks towards the glass shower door and stops. And then he knocks on it. I have petrified by the tiled wall. “It’s Loren Hale,” he says, a smile spreading across his lips. “May I come in?
Krista Ritchie (Addicted for Now (Addicted, #3))
Lord Grantham: ‘My dear fellow. We all have chapters we would rather keep unpublished.
Jessica Fellowes (The World of Downton Abbey)
The tag on her chamomile teabag said, There is no trouble that a good cup of tea can’t solve. It sounded like what a gentleman on Downton Abbey would say right before his wife got an impacted tooth and elegantly perished in bed.
Linda Holmes (Evvie Drake Starts Over)
I think a lot about queer villains, the problem and pleasure and audacity of them. I know I should have a very specific political response to them. I know, for example, I should be offended by Disney’s lineup of vain, effete ne’er-do-wells (Scar, Jafar), sinister drag queens (Ursula, Cruella de Vil), and constipated, man-hating power dykes (Lady Tremaine, Maleficent). I should be furious at Downton Abbey’s scheming gay butler and Girlfriend’s controlling, lunatic lesbian, and I should be indignant about Rebecca and Strangers on a Train and Laura and The Terror and All About Eve, and every other classic and contemporary foppish, conniving, sissy, cruel, humorless, depraved, evil, insane homosexual on the large and small screen. And yet, while I recognize the problem intellectually—the system of coding, the way villainy and queerness became a kind of shorthand for each other—I cannot help but love these fictional queer villains. I love them for all of their aesthetic lushness and theatrical glee, their fabulousness, their ruthlessness, their power. They’re always by far the most interesting characters on the screen. After all, they live in a world that hates them. They’ve adapted; they’ve learned to conceal themselves. They’ve survived.
Carmen Maria Machado (In the Dream House)
Violet, the Dowager Countess: “I mean, one way or another, everyone goes down the aisle with half the story hidden.
Jessica Fellowes (The World of Downton Abbey)
I'm not romantic. But I shall think that the heart has other uses, rather than just pumping blood.
Julian Fellowes (Downton Abbey: The Complete Scripts, Season One)
Matthew: Shall I remind you of some of the choicest remarks you made about me when I arrived here? Because they live in my memory as fresh as the day they were spoken. Mary: Oh, Matthew. What am I always telling you? You must pay no attention to the things I say. When they kiss, it is a long kiss, all the more passionate for being delayed far longer than it should have been.
Jessica Fellowes (The World of Downton Abbey)
The price of great love is great misery when one of you dies.
Julian Fellowes
This is college?' Schyler asked. 'or Downton Abbey?
Melissa de la Cruz (Gates of Paradise (Blue Bloods, #7))
Mary is a very well-written typical eldest child in that she puts her own needs at the forefront... She's not as inclined to conciliate or placate. Cora is fascinated by Mary
Jessica Fellowes (The World of Downton Abbey)
Hope is a tease designed to prevent us accepting reality.
Downton Abbey
Capitalism cannot cause a financial crisis because capitalism is about markets constantly correcting errors. It is government intervention that can and often does cause crises,
John Tamny (Popular Economics: What the Rolling Stones, Downton Abbey, and LeBron James Can Teach You about Economics)
There's an independence about Mary - she's not influenced by anyone and she's very much her own person, she makes her own decisions. I understand her because I'm one of three girls too and I've always been defiant that I didn't want to do what they did.
Jessica Fellowes (The World of Downton Abbey)
Mary feels she should have been a boy and then everything would have been so much easier. She fights against her femininity in a way.
Jessica Fellowes (The World of Downton Abbey)
What I see is a good man, m'lady. And they are not like buses. There won't be another one around in ten minutes time" Anna Bates "Downton Abbey
Anna Bates "Downton Abbey"
She pursed her lips and nodded, swiveling around to continue her survey of my modest living space. Her arms were folded tightly across her chest as she strolled around. Letting out a long, deep breath, she dropped her hands to her sides when she reached my DVD collection. “Downton Abbey?” I jolted forward, clearing my throat. “Yeah, it’s uh…it’s a good show.
Rachael Wade (Declaration (Preservation, #3))
at my age, one must ration one's excitement
Julian Fellowes (Downton Abbey: The Complete Scripts, Season Three)
It took a while to shoot the scene by the coconut stall at the fun fair, so Michelle (Mary) and I had a competition. I think she beat me 10-1 - she was uncannily good. The crew were very disappointed in me. To be beaten by a woman is bad enough, but one in Edwardian dress is really highlighting something.
Jessica Fellowes (The World of Downton Abbey)
Mary: “Don’t be spiky, when I only want what you want – for you and Tony to walk into the sunset together.” Mabel: “Then why turn up looking like a cross between a Vogue fashion plate and a case of dynamite?” Mary: “Well, I can’t make it too easy for him.
Julian Fellowes
In truth, it is the act of amassing such details — and discussing them — that breeds the intimacy, but not between the fan and the fangirl: rather, between the fangirls themselves, who are bound together by their curiosity for this otherwise meaningless knowledge.
Abby Norman FANGIRLS A Journalist Explores The Modern World of Fandom
Principles are like prayers; noble, of course, but awkward at a party.
dowager countess of downton abbey
Look, it comes down to whether or not you love me! That's all! That's it! The rest is detail
Tom Branson
I'm a woman, Mary. I can be as contrary as I choose.
Julian Fellowes (Downton Abbey: The Complete Scripts, Season Four)
The business of life is the acquisition of memories.
Charles Carson
Highclere Castle, before it became a set for Downton Abbey.
Jodi Picoult (The Book of Two Ways)
Michelle Dockery is Mary: There was one scene where I had a corset visible, so it was made for me. After we had filmed it, we removed all the details - flowers and ribbons - to make it a plain corset and then I could wear that as it was a perfect fit. I'm taller than most actresses, so most corsets tend to be to short in the body.
Jessica Fellowes (The World of Downton Abbey)
An economy robbed of failure is also robbed of success, because failure provides knowledge about how to succeed. Failure is the healthy process whereby a poorly run entity is deprived of the ability to do more economic harm.
John Tamny (Popular Economics: What the Rolling Stones, Downton Abbey, and LeBron James Can Teach You about Economics)
Maybe, much later in life, some sensible considerations might play a part in deciding whether to commit your heart to another, but when you’re young you simply select people you are physically attracted to, and then invest them with all sorts of qualities which they probably don’t possess. Or, if they do, it is completely coincidental.
Julian Fellowes (Downton Abbey Script Book Season 1: The Complete Scripts)
When dealing with the excessively rich and privileged, you’ve got your two basic approaches. One is to go in hard and deliberately working class. A regional accent is always a plus in this. Seawoll has been known to deploy a Mancunian dialect so impenetrable that members of Oasis would have needed subtitles, and graduate entries with double firsts from Oxford practise a credible Estuary in the mirror and drop their glottals with gay abandon when necessary. That approach only works if the subject suffers from residual middle-class guilt – unfortunately the properly posh, the nouveau riche and senior legal professionals are rarely prey to such weaknesses. For them you have to go in obliquely and with maximum Downton Abbey. Fortunately for us we have just the man.
Ben Aaronovitch (Lies Sleeping (Rivers of London, #7))
Back at home, I caught up on TV shows Bill had been saving. We raced through old episodes of The Good Wife, Madam Secretary, Blue Bloods, and NCIS: Los Angeles, which Bill insists is the best of the franchise. I also finally saw the last season of Downton Abbey.
Hillary Rodham Clinton (What Happened)
Allen Leech is Tom Branson: The car I drive is a 1920 Renault and it is an absolute nightmare with all the double declutching. The owner drives it first, then I get in and the gears start clunking. Once I heard a massive clunk and I looked back and a huge piece of metal had fallen out into the road - he had to go back and get it. He'd driven that car to France and back, so I blame the owner for losing half the gearbox, not my gear changing! It's a hand-crank start and you have to be careful how you do it because once it starts spinning you can lose your thumb.
Jessica Fellowes (The World of Downton Abbey)
Susannah Buxton, costume designer: These three dresses demonstrate well the different ways in which we brought the costumes together for the show. Mary's dress was made for her, Edith's was hired - it was previously used in the Merchant-Ivory production of A Room With A View - and Sybil's is an original Edwardian summer dress.
Jessica Fellowes (The World of Downton Abbey)
CLARKSON: Are you fond of babies? VIOLET: Of course. CLARKSON: What’s your favourite age? VIOLET: About sixteen.
Julian Fellowes (Downton Abbey Script Book Season 3: The Complete Scripts)
Sometimes a hard sacrifice must be made for a future that's worth having
Tom Branson
All life is a series of problems which we must try and solve, first one and then the next and the next, until at last we die.
Jessica Fellowes (The Wit and Wisdom of Downton Abbey (The World of Downton Abbey))
Real love means giving someone the power to hurt you.
Jessica Fellowes (The Wit and Wisdom of Downton Abbey (The World of Downton Abbey))
Taxes are the price we charge people to work, and that price affects where they work and whether they work at all.
John Tamny (Popular Economics: What the Rolling Stones, Downton Abbey, and LeBron James Can Teach You about Economics)
Cora, the daughter of Isidore Levinson, a dry goods millionaire from Cincinnati, arrived in England in 1888, when she was 20 years old, with her mother as chaperone. By this time, even respectable rich American girls preferred to find their husbands amongst the nobility. Thanks to the successes of the earlier Buccaneers and a fashion for all things European, from interiors to dress designers such as the House of Worth, pursuing an English marriage had now become desirable. For these families, the many years in which Americans had fought to escape the clutches of colonial rule and create their own republic appeared to have been forgotten.
Jessica Fellowes (The World of Downton Abbey)
People say, ‘I suppose you got bored with life,’ but it wasn’t as sudden as that. The seeds are in you and although it may take ten, twenty, or forty years, eventually you can do what you wanted to do at the beginning.
Margaret Powell (Below Stairs: The Classic Kitchen Maid's Memoir That Inspired "Upstairs, Downstairs" and "Downton Abbey")
Laura Carmichael is Edith: During the war, Edith learns to drive the family car. "I haven't got a driving license, so I think production were a bit nervous! But in some ways it was an advantage that driving isn't second nature to me because I wasn't so surprised about where the things were. My heart was in my mouth - the car is one of the last of its kind and worth half a million pounds. The gears are all in a straight line and neutral is a tiny point in between, you have to do double declutching - so I just kept it in first. On the second take I thought I was thought o kill the cameraman! We were filming in Bampton so all the locals were watching, just to add to the pressure...
Jessica Fellowes (The World of Downton Abbey)
Susannah Buxton, costume designer: This dress (above) was made of original beading so delicate that it couldn't be worn again. The red dress (right) is made from a turn-of-the-century Spanish evening dress. We sourced beautiful silk chiffon and had it pleated for the cap sleeves and bands across the front. We built layers for the final effect, with embroidered lace laid over the deep-red satin under-dress. We used evening gloves from the costume house selection, which are "dipped down" - that is, run through with dyes to take the brightness out of the fabric.
Jessica Fellowes (The World of Downton Abbey)
Should the girls decide to go for a walk, they would need to change into a different outfit, a light woollen tweed suit and sturdier boots - but on simpler days, such as for the garden party, they make mercifully few changes. Cora, like many married ladies in her position, takes the opportunity on quiet afternoons to take off her corset and wear a teagown for an hour or two before getting into her evening dress. Its huge advantage was that it was always ornately decorated but simply cut, meaning it was the only garment a woman could conceivably get in and out of alone, as it could be worn without a corset underneath. Worn between five and seven o'clock, it gave rise to the French phrase 'cinq a sept'. This referred to the hours when lovers were received, the only time of day when a maid wouldn't need to be there to help you undress and therefore discover your secret. Lady Colin Campbell's divorce had hinged on the fact that her clothes had clearly been fastened by a man who didn't know what he was doing; when her lady's maid saw her for the next change, the fastenings were higgledy-piggledy. But for Cora, the teagown is not for any illicit behaviour, just for respite from her underpinnings.
Jessica Fellowes (The World of Downton Abbey)
You said to remind you to wear the uniform so his lordship and her ladyship don’t suspect you skipped school.” He speaks in a professional old BBC-like tone. He watches Downton Abbey a lot and takes this whole thing way too seriously. I even suspect he has a little black book with notes tucked somewhere.
Rina Kent (Vicious Prince (Royal Elite, #5))
Does Jesus accept, affirm, and celebrate godly men who can’t throw a football and who cry while watching Downton Abbey? Absolutely. Jesus values godliness, not gender stereotypes. But does Jesus use the eunuch to show that a person’s internal sense of self is more definitive than their biological sex when there is incongruence between the two? I think this is a bit of a stretch.
Preston M. Sprinkle (Embodied: Transgender Identities, the Church, and What the Bible Has to Say)
working
Jessica Fellowes (The World of Downton Abbey)
When Matthew first started going to elementary school, I would make sure that the very last thing I said to him every morning was ‘I will always love you,’ so that if something happened to me, that would be the last thing he remembered me saying. But that sort of fell by the wayside and now when I drop him off, I say, ‘Don’t tell me you forgot your backpack again!’ or ‘Jump out quickly before someone honks!’ You know, in general, I feel my standards of mothering have declined over the years. Doesn’t it seem like I would have gotten better after so much practice? Like by this point, I should just be able to snap my fingers and—poof!—Matthew’s dressed and fed and loved and secure? But instead it’s more like Downton Abbey and I had a couple of very strong seasons there in the beginning and now I’m cutting corners like crazy.
Katherine Heiny (Standard Deviation)
Travel Bucket List 1. Have a torrid affair with a foreigner. Country: TBD. 2. Stay for a night in Le Grotte della Civita. Matera, Italy. 3. Go scuba diving in the Great Barrier Reef. Queensland, Australia. 4. Watch a burlesque show. Paris, France. 5. Toss a coin and make an epic wish at the Trevi Fountain. Rome, Italy. 6. Get a selfie with a guard at Buckingham Palace. London, England. 7. Go horseback riding in the mountains. Banff, Alberta, Canada. 8. Spend a day in the Grand Bazaar. Istanbul, Turkey. 9. Kiss the Blarney Stone. Cork, Ireland. 10. Tour vineyards on a bicycle. Bordeaux, France. 11. Sleep on a beach. Phuket, Thailand. 12. Take a picture of a Laundromat. Country: All. 13. Stare into Medusa’s eyes in the Basilica Cistern. Istanbul, Turkey. 14. Do NOT get eaten by a lion. The Serengeti, Tanzania. 15. Take a train through the Canadian Rockies. British Columbia, Canada. 16. Dress like a Bond Girl and play a round of poker at a casino. Montreal, Quebec, Canada. 17. Make a wish on a floating lantern. Thailand. 18. Cuddle a koala at Currumbin Wildlife Sanctuary. Queensland, Australia. 19. Float through the grottos. Capri, Italy. 20. Pose with a stranger in front of the Eiffel Tower. Paris, France. 21. Buy Alex a bracelet. Country: All. 22. Pick sprigs of lavender from a lavender field. Provence, France. 23. Have afternoon tea in the real Downton Abbey. Newberry, England. 24. Spend a day on a nude beach. Athens, Greece. 25. Go to the opera. Prague, Czech Republic. 26. Skinny dip in the Rhine River. Cologne, Germany. 27. Take a selfie with sheep. Cotswolds, England. 28. Take a selfie in the Bone Church. Sedlec, Czech Republic. 29. Have a pint of beer in Dublin’s oldest bar. Dublin, Ireland. 30. Take a picture from the tallest building. Country: All. 31. Climb Mount Fuji. Japan. 32. Listen to an Irish storyteller. Ireland. 33. Hike through the Bohemian Paradise. Czech Republic. 34. Take a selfie with the snow monkeys. Yamanouchi, Japan. 35. Find the penis. Pompeii, Italy. 36. Walk through the war tunnels. Ho Chi Minh, Vietnam. 37. Sail around Ha long Bay on a junk boat. Vietnam. 38. Stay overnight in a trulli. Alberobello, Italy. 39. Take a Tai Chi lesson at Hoan Kiem Lake. Hanoi, Vietnam. 40. Zip line over Eagle Canyon. Thunderbay, Ontario, Canada.
K.A. Tucker (Chasing River (Burying Water, #3))
Masterpiece" lives on and on because it brilliantly does one of the things television is supposed to do: it entertains and distracts. Its programs are high-class escapism, but they don't leave you feeling that you've wasted your time. "Downton Abbey" may be high-end soap opera, but it's satisfying -- and it makes you feel something.
Rebecca Eaton (Making Masterpiece: 25 Years Behind the Scenes at Masterpiece Theatre and Mystery! on PBS)
Doug started in the White House as an intern and became Bill Clinton’s closest aide in the post–White House years, parlaying his role into a profitable private-sector gig. One of the ’08 Guys used a Downton Abbey reference to sum up Doug’s position in the House of Clinton: “Doug forgot that he lives downstairs.” The Guys welcomed negative stories about Doug. He was the perfect scapegoat for all Bill’s questionable behavior, as if the forty-second president were just a lovable St. Bernard.
Amy Chozick (Chasing Hillary: On the Trail of the First Woman President Who Wasn't)
I was trying to apologize,” she said, relief and humor easing into her eyes and curving her lips. “You didn’t answer my question.” He thought he might snap off the end of the pier, he was gripping it so hard. In response, she ducked her hand into the pocket of her shorts and pulled out a folded and now somewhat crumpled piece of paper. “Here. Read for yourself.” He took the paper, realizing he was acting like a complete yobbo, and knew then that perhaps he wasn’t nearly so cool and levelheaded about this whole endeavor as he’d led her to believe. The truth of it being, he only really wanted her to figure out what would make her happy if what made her happy was him. Under her amused stare, he unfolded the paper and read: Dear Hook, I’m trying to be a good and supportive sister and help get Fiona and her ridiculously long veil down the aisle before I strangle her into submission with every hand-beaded, pearl-seeded foot of it. At the moment, sitting here knee-deep in crinolines and enough netting to outfit every member of Downton Abbey, I can’t safely predict a win in that ongoing effort. That said, I’d much rather be spending the time with you, sailing the high seas on our pirate ship. Especially that part where we stayed anchored in one spot for an afternoon and all the plundering was going on aboard our own boat. I’ve been thinking a lot about everything everyone has said and have come to the conclusion that the only thing I’m sure of is that I’m thinking too much. I’ve decided it was better when I was just feeling things and not thinking endlessly about them. I especially liked the things I was feeling on our picnic for two. So this is all to say I’d like to go, um, sailing again. Even if there’s no boat involved this time. I hope you won’t think less of me for the request, but please take seeing a whole lot more of me as a consolation prize if you do. Also? Save me. Or send bail money. Sincerely, Starfish, Queen of the High Seas, Plunderer of Pirates, especially those with a really clever right Hook. He was smiling and shaking his head as he folded the note closed and tucked it in his shirt pocket. “Well?” she said at length. “Apology accepted” was all he said. “And?” He slid a look her way. “And…what?” She’d made him wait three days, and punitive or not, he wasn’t in any hurry to put her out of her misery. Plus, when he did, it was likely to be that much more fun. “You’re going to make me spell it out, aren’t you? Don’t you realize it was hard enough just putting it in writing?” “I accept your lovely invitation,” he said, then added, “I only have one caveat.” Her relief turned to wary suspicion as she eyed him. “Oh? And that would be?” “Will you wear the crinolines?
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
To Stanley Ager, the gift of human "service" was no one-way loyalty. He clearly gave his all to the families he served but, though he was almost too polite to state this, his expectation of loyalty in return was implicit.
Stanley Ager (The Butler's Guide to Running the Home and Other Graces)
Sybil, vulgarity is no substitute for wit.
Julian Fellowes (Downton Abbey Script Book Season 3: The Complete Scripts)
Income inequality in a capitalist system is truly beautiful. It provides the incentive for creative people to gamble on new ideas, and it turns luxuries into common goods. Income inequality nurses sick companies back to health. It rewards hard work, talent, and achievement regardless of pedigree. And it’s a signal that some of the world’s worst problems will disappear in our lifetimes.
John Tamny (Popular Economics: What the Rolling Stones, Downton Abbey, and LeBron James Can Teach You about Economics)
Mr. Fellowes, the creator of “Downton Abbey” as well as the upcoming NBC period drama “The Gilded Age,” is adapting “Doctor Thorne,” the 1858 novel by Anthony Trollope, for ITV in Britain. The novel is the third in a series of six set in the fictional English county of Barsetshire, and depicts a tumultuous engagement. Like “Downton Abbey,” the story deals with social status, seduction, and illegitimacy.
Anonymous
Failure is merely a harsh word for the experiences that animate the constant drive for self-improvement.
John Tamny (Popular Economics: What the Rolling Stones, Downton Abbey, and LeBron James Can Teach You about Economics)
Like not a few other Americans, I imagine, I found myself in the evenings nursing a bowl of ice cream in front of the British TV sensation Downton Abbey, fantasizing that I had married a wealthy aristocrat who commanded a vast estate,
Anu Partanen (The Nordic Theory of Everything: In Search of a Better Life)
We can just lie back and look at the stars.
Lady Sybil Branson
When I was young, men like my father would often come home and put on their smoking jacket over their perfectly ordinary trousers, as a way of relaxing in the evening.
Julian Fellowes (Downton Abbey Script Book Season 3: The Complete Scripts)
Walter looked like he could chew nails and still come back for a helping of chain link fence. “Why can’t Romeo and Juliet meet in a garden like in Downton Abbey?” Romeo asked. “I mean who meets on a balcony? How real is that?
Suzanne M. Trauth (Show Time (A Dodie O'Dell Mystery #1))
Mostly the social progress and changes brought about are beneficial, but we must not patronise the people of a hundred years ago. They understood who and what they were–they were not divided into aristocratic snobs or servile beings. They were making the best of the world they were in and much of the time they were enjoying themselves as they did so.
Jessica Fellowes (The World of Downton Abbey)
our eleven-year-old cat Edith on my chest. Lady Edith Clawley—so named because of Asher’s Downton Abbey obsession
Rachel Lynn Solomon (We Can't Keep Meeting Like This)
Life's altered you, as it altered me. And what would be the point of living if we didn't let life change us?
Charlie Carson (Downton Abbey)
Don’t we all want company in some form, are we not attracted to the idea of a body beside us in a thunderstorm, or another voice to help decide on dinner, to share astonishment at the latest political buffoonery or appreciation for the lush sets on Downton Abbey? Are we not, at our most basic, social animals, people who need other people, whether we want to or not?
Elizabeth Berg (Tapestry of Fortunes)
Sometimes a hard sacrifice must be made for a future that's worth having.
Jessica Fellowes (The Wit and Wisdom of Downton Abbey (The World of Downton Abbey))
The business of life is the acquisition of memories. In the end that's all there is.
Jessica Fellowes (The Wit and Wisdom of Downton Abbey (The World of Downton Abbey))
doesn’t
Julian Fellowes (Snobs: From the creator of DOWNTON ABBEY and THE GILDED AGE)
and
Fiona Carnarvon (Lady Almina and the Real Downton Abbey: The Lost Legacy of Highclere Castle)
The same is true for taxes. Politicians may raise the cost of work for their citizens, but if the cost is too high, those citizens won’t stick around to be fleeced, especially if they’re well to do. Like the car shoppers, they’ll go elsewhere.
John Tamny (Popular Economics: What the Rolling Stones, Downton Abbey, and LeBron James Can Teach You about Economics)
Most people do not begin life on top. Politicians who raise income tax rates on top earners in the name of “fairness” are telling the strivers lower down that they will incur a penalty for succeeding.
John Tamny (Popular Economics: What the Rolling Stones, Downton Abbey, and LeBron James Can Teach You about Economics)
musicians and microbreweries. The nineteenth-century Downton-Abbey-eat-your-heart-out Vanderbilt house.
Kathy Reichs (Speaking in Bones (Temperance Brennan, #18))
maybe. Luckily for me, it did. I was quite happy – I would have taken
Jessica Fellowes (Downton Abbey: A Celebration: The Official Companion to All Six Seasons (The World of Downton Abbey))
You can never get a cup of tea large enough or a book long enough to suit me.” -C.S. LEWIS
Penelope M. Carlevato (The Art of Afternoon Tea: From the Era of Downton Abbey and the Titanic)
Tea is the ultimate form of hospitality.” - AMY VANDERBILT
Penelope M. Carlevato (The Art of Afternoon Tea: From the Era of Downton Abbey and the Titanic)
the
Wendy Wax (While We Were Watching Downton Abbey)
When dealing with the excessively rich and privileged, you’ve got your two basic approaches. One is to go in hard and deliberately working class. A regional accent is always a plus in this. Seawoll has been known to deploy a Mancunian dialect so impenetrable that members of Oasis would have needed subtitles, and graduate entrants with double firsts from Oxford practice a credible Estuary in the mirror and drop their glottals with gay abandon when necessary. That approach only works if the subject suffers from residual middle-class guilt—unfortunately the properly posh, the nouveau riche and senior legal professionals are rarely prey to such weaknesses. For them you have to go in obliquely and with maximum Downton Abbey. Fortunately for us we have just the man.
Ben Aaronovitch (Lies Sleeping (Rivers of London, #7))
aversion
Wendy Wax (While We Were Watching Downton Abbey)
Telephone? Alright, Downton Abbey. No. You don’t need to telephone anyone. You don’t need to be here at all, in fact.
Kirsty Greenwood (The Love of My Afterlife)
That approach only works if the subject suffers from residual middle-class guilt—unfortunately the properly posh, the nouveau riche and senior legal professionals are rarely prey to such weaknesses. For them you have to go in obliquely and with maximum Downton Abbey.
Ben Aaronovitch (Lies Sleeping (Rivers of London, #7))