“
Malachi scowled. "I don't remember the Clave inviting you into the Glass City, Magnus Bane."
"They didn't," Magnus said. "Your wards are down."
"Really?" the Consul's voice dripped sarcasm. "I hadn't noticed."
Magnus looked concerned. "That's terrible. Someone should have told you." He glanced at Luke. "Tell him the wards are down.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
It is a curious thing, the death of a loved one. We all know that our time in this world is limited, and that eventually all of us will end up underneath some sheet, never to wake up. And yet it is always a surprise when it happens to someone we know. It is like walking up the stairs to your bedroom in the dark, and thinking there is one more stair than there is. Your foot falls down, through the air, and there is a sickly moment of dark surprise as you try and readjust the way you thought of things.
”
”
Lemony Snicket (Horseradish: Bitter Truths You Can't Avoid)
“
Every book, every volume you see here, has a soul. The soul of the person who wrote it and of those who read it and lived and dreamed with it. Every time a book changes hands, every time someone runs his eyes down its pages, its spirit grows and strengthens.
”
”
Carlos Ruiz Zafón (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
“
The best moments in reading are when you come across something – a thought, a feeling, a way of looking at things – which you had thought special and particular to you. Now here it is, set down by someone else, a person you have never met, someone even who is long dead. And it is as if a hand has come out and taken yours.
”
”
Alan Bennett (The History Boys)
“
Everyone wants to ride with you in the limo, but what you want is someone who will take the bus with you when the limo breaks down.
”
”
Oprah Winfrey
“
An intellectual? Yes. And never deny it. An intellectual is someone whose mind watches itself. I like this, because I am happy to be both halves, the watcher and the watched. "Can they be brought together?" This is a practical question. We must get down to it. "I despise intelligence" really means: "I cannot bear my doubts.
”
”
Albert Camus
“
I want to grow a flower for every time someone tells me “F*** you.” Then I’ll go back to that person and pin the flower on their lapel in a gesture of friendship. And while they are looking down on it in astonishment, I’ll bunch up my knuckles and punch them in the face.
”
”
Jarod Kintz (I Want Two apply for a job at our country's largest funeral home, and then wear a suit and noose to the job interview.)
“
There are some things in this world you rely on, like a sure bet. And when they let you down, shifting from where you've carefully placed them, it shakes your faith, right where you stand.
”
”
Sarah Dessen (Someone Like You)
“
There are so many ways to be brave in this world. Sometimes bravery involves laying down your life for something bigger than yourself, or for someone else. Sometimes it involves giving up everything you have ever known, or everyone you have ever loved, for the sake of something greater.
But sometimes it doesn't.
Sometimes it is nothing more than gritting your teeth through pain, and the work of every day, the slow walk toward a better life.
That is the sort of bravery I must have now.
”
”
Veronica Roth (Allegiant (Divergent, #3))
“
Dare to Be
When a new day begins, dare to smile gratefully.
When there is darkness, dare to be the first to shine a light.
When there is injustice, dare to be the first to condemn it.
When something seems difficult, dare to do it anyway.
When life seems to beat you down, dare to fight back.
When there seems to be no hope, dare to find some.
When you’re feeling tired, dare to keep going.
When times are tough, dare to be tougher.
When love hurts you, dare to love again.
When someone is hurting, dare to help them heal.
When another is lost, dare to help them find the way.
When a friend falls, dare to be the first to extend a hand.
When you cross paths with another, dare to make them smile.
When you feel great, dare to help someone else feel great too.
When the day has ended, dare to feel as you’ve done your best.
Dare to be the best you can –
At all times, Dare to be!
”
”
Steve Maraboli (Life, the Truth, and Being Free)
“
We never really talked much or even looked at each other, but it didn't matter because we were looking at the same sky together, which is maybe even more intimate than eye contact anyway. I mean, anybody can look at you. It's quite rare to find someone who sees the same world you see.
”
”
John Green (Turtles All the Way Down)
“
Isn't it kind of silly to think that tearing someone else down builds you up?
”
”
Sean Covey (The 7 Habits of Highly Effective Teens: The Ultimate Teenage Success Guide)
“
They say a good love is one that sits you down, gives you a drink of water, and pats you on top of the head. But I say a good love is one that casts you into the wind, sets you ablaze, makes you burn through the skies and ignite the night like a phoenix; the kind that cuts you loose like a wildfire and you can't stop running simply because you keep on burning everything that you touch! I say that's a good love; one that burns and flies, and you run with it!
”
”
C. JoyBell C.
“
I will not have my life narrowed down. I will not bow down to somebody else's whim or to someone else's ignorance.
”
”
bell hooks
“
Oh, and the easiest way to make someone furious is to tell her to calm down.
”
”
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
“
Jace perched on the windowsill and looked down at him. "You really don't get this bodyguard thing, do you?"
"I didn't even think you liked me all that much," said Simon. "Is this one of those keep-your-friends-close-and-your-enemies-closer things?"
"I thought it was keep your friends close so you have someone to drive the car when you sneak over to your enemy's house a night and throw up in his mailbox."
"I'm pretty sure that's not it
”
”
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
“
So much of the language of love was like that: you devoured someone with your eyes, you drank in the sight of him, you swallowed him whole. Love was substance, broken down and beating through your bloodstream.
”
”
Jodi Picoult (Nineteen Minutes)
“
No matter who you choose to go down the road with, you're gonna get hurt. That's just the nature of caring about someone. No matter who you love, they will break your heart along the way.
”
”
Taylor Jenkins Reid (Daisy Jones & The Six)
“
Maybe that's what it all comes down to. Love, not as a surge of passion, but as a choice to commit to something, someone, no matter what obstacles or temptations stand in the way. And maybe making that choice, again and again, day in and day out, year after year, says more about love than never having a choice to make at all.
”
”
Emily Giffin (Love the One You're With)
“
Men always say that as the defining compliment, don’t they? She’s a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she’s hosting the world’s biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I don’t mind, I’m the Cool Girl.
Men actually think this girl exists. Maybe they’re fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men – friends, coworkers, strangers – giddy over these awful pretender women, and I’d want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men who’d like to believe that this kind of woman exists and might kiss them. I’d want to grab the poor guy by his lapels or messenger bag and say: The bitch doesn’t really love chili dogs that much – no one loves chili dogs that much! And the Cool Girls are even more pathetic: They’re not even pretending to be the woman they want to be, they’re pretending to be the woman a man wants them to be. Oh, and if you’re not a Cool Girl, I beg you not to believe that your man doesn’t want the Cool Girl. It may be a slightly different version – maybe he’s a vegetarian, so Cool Girl loves seitan and is great with dogs; or maybe he’s a hipster artist, so Cool Girl is a tattooed, bespectacled nerd who loves comics. There are variations to the window dressing, but believe me, he wants Cool Girl, who is basically the girl who likes every fucking thing he likes and doesn’t ever complain. (How do you know you’re not Cool Girl? Because he says things like: “I like strong women.” If he says that to you, he will at some point fuck someone else. Because “I like strong women” is code for “I hate strong women.”)
”
”
Gillian Flynn (Gone Girl)
“
If you show someone something you've written, you give them a sharpened stake, lie down in your coffin, and say, ‘When you’re ready’.
”
”
David Mitchell (Black Swan Green)
“
There will always be someone willing to hurt you, put you down, gossip about you, belittle your accomplishments and judge your soul. It is a fact that we all must face. However, if you realize that God is a best friend that stands beside you when others cast stones you will never be afraid, never feel worthless and never feel alone.
”
”
Shannon L. Alder
“
Because you can never go from going out to being friends, just like that. It's a lie. It's just something that people say they'll do to take the permanence out of a breakup. And someone always takes it to mean more than it does, and then is hurt even more when, inevitably, said ‘friendly' relationship is still a major step down from the previous relationship, and it's like breaking up all over again. But messier.
”
”
Sarah Dessen (This Lullaby)
“
I always wonder about raindrops.
I wonder about how they're always falling down, tripping over their own feet, breaking their legs and forgetting their parachutes as they tumble right out of the sky toward an uncertain end. It's like someone is emptying their pockets over the earth and doesn't seem to care where the contents fall, doesn't seem to care that the raindrops burst when they hit the ground, that they shatter when they fall to the floor, that people curse the days the drops dare to tap on their doors.
I am a raindrop.
My parents emptied their pockets of me and left me to evaporate on a concrete slab.
”
”
Tahereh Mafi (Shatter Me (Shatter Me, #1))
“
You know what would help?" I asked, not meeting his eyes.
"Hmm?"
"If you turned off this crap music and put on something that came out after the Berlin Wall went down."
Dimitri laughted. "Your worst class is history, yet somehow, you know everything about Eastern Europe."
"Hey, gotta have material for my jokes, Comrade." Still smiling, he turned the radio dail. To a country station.
"Hey! This isn't what I had in mind," I exclaimed. I could tell he was on the verge of laughing again.
"Pick. It's one or the other."
I sighed. "Go back to the 1980s stuff."
He flipped the dail, and I crossed my arms over my chest as some vaguely European-sounding band sang about how video had killed the radio star. I wished someone would kill this radio.
”
”
Richelle Mead (Frostbite (Vampire Academy, #2))
“
It will hurt. Because deep down, I'll know there was someone.. someone I was supposed to have met. Only I'll never meet him. I'll go through my whole life waiting for him to come along, only he never will. What kind of life is that?
”
”
Meg Cabot (Twilight (The Mediator, #6))
“
Every time a book changes hands, every time someone runs his eyes down its pages, its spirit grows and strengthens.
”
”
Carlos Ruiz Zafón
“
She had written something that felt like I could have written it, except I knew I couldn't have. I wouldn't have come up with something like that. Which is what we all want from art, isn’t it? When someone pins down something that feels like it lives inside us? Takes a piece of your heart out and shows it to you? It’s like they are introducing you to a part of yourself.
”
”
Taylor Jenkins Reid (Daisy Jones & The Six)
“
What are you doing?”
“What?”
Emrys didn’t raise his voice as he said, “To that girl. What are you doing that makes her come in here with such emptiness in her eyes?”
“That’s none of your concern.”
Emrys pressed his lips into a tight line. “What do you see when you look at her, Prince?”
He didn’t know. These days, he didn’t know a damn thing. “That’s none of your concern, either.”
Emrys ran a hand over his weathered face. “I see her slipping away, bit by bit, because you shove her down when she so desperately needs someone to help her back up.
”
”
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
“
Well, while you were in the bathroom, I sat down at this picnic table here in Bumblefug, Kentucky, and noticed that someone had carved that GOD HATES FAG, which, aside from being a grammatical nightmare, is absolutely ridiculous. So I'm changing it to 'God Hates Baguettes.' It's tough to disagree with that. Everybody hates baguettes.
”
”
John Green (An Abundance of Katherines)
“
Yes, my mind was wandering. I wished I were there with someone who could bring peace to my heart someone with whom I could spend a little time without being afraid that i would lose him the next day. With that reassurance, the time would pass more slowly. We could be silent for a while because we'd know we had the rest of our lives together for conversation. I wouldn't have to worry about serious matters, about difficult decisions and hard words.
”
”
Paulo Coelho (By the River Piedra I Sat Down and Wept)
“
One thing I do know about intimacy is that there are certain natural laws which govern the sexual experience of two people, and that these laws cannot be budged any more than gravity can be negotiated with. To feel physically comfortable with someone else's body is not a decision you can make. It has very little to do with how two people think or act or talk or even look. The mysterious magnet is either there, buried somewhere deep behind the sternum, or it is not. When it isn't there (as I have learned in the past, with heartbreaking clarity) you can no more force it to exist than a surgeon can force a patient's body to accept a kidney from the wrong donor. My friend Annie says it all comes down to one simple question: "Do you want your belly pressed against this person's belly forever --or not?
”
”
Elizabeth Gilbert (Eat, Pray, Love)
“
People say, 'I'm going to sleep now,' as if it were nothing. But it's really a bizarre activity. 'For the next several hours, while the sun is gone, I'm going to become unconscious, temporarily losing command over everything I know and understand. When the sun returns, I will resume my life.'
If you didn't know what sleep was, and you had only seen it in a science fiction movie, you would think it was weird and tell all your friends about the movie you'd seen.
They had these people, you know? And they would walk around all day and be OK? And then, once a day, usually after dark, they would lie down on these special platforms and become unconscious. They would stop functioning almost completely, except deep in their minds they would have adventures and experiences that were completely impossible in real life. As they lay there, completely vulnerable to their enemies, their only movements were to occasionally shift from one position to another; or, if one of the 'mind adventures' got too real, they would sit up and scream and be glad they weren't unconscious anymore. Then they would drink a lot of coffee.'
So, next time you see someone sleeping, make believe you're in a science fiction movie. And whisper, 'The creature is regenerating itself.
”
”
George Carlin (Brain Droppings)
“
Suddenly this is all too hard. I am tired of putting up walls. I want someone with the strength - and the honesty - to break them down.
”
”
Jodi Picoult (Vanishing Acts)
“
When you love someone, they become a part of who you are. They're in everything you do. They're in the air you breathe and the water you drink and the blood in your veins. Their touch stays on your skin and their voice stays in your ears and their thoughts stay in your mind. You know their dreams because their nightmares pierce your heart and their good dreams are your dreams too. And you don't think they're perfect, but you know their flaws, the deep-down truth of them, and the shadows of all their secrets, and they don't frighten you away; in fact you love them more for it, because you don't want perfect. You want them. You want—"
He broke off then, as if realizing everyone was looking at him again.
"You want what?" said Dru with enormous eyes.
"Nothing," Julian said. "I'm just talking.
”
”
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
“
Have you ever felt the longing for someone you could admire? For something, not to look down at, but up to?
”
”
Ayn Rand
“
Night poured over the desert. It came suddenly, in purple. In the clear air, the stars drilled down out of the sky, reminding any thoughtful watcher that it is in the deserts and high places that religions are generated. When men see nothing but bottomless infinity over their heads they have always had a driving and desperate urge to find someone to put in the way.
”
”
Terry Pratchett (Jingo (Discworld, #21; City Watch, #4))
“
Usually my form of turning someone down was shoving a stake through his heart while smirking, Gotcha!
”
”
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
“
The way sadness works is one of the strange riddles of the world. If you are stricken with a great sadness, you may feel as if you have been set aflame, not only because of the enormous pain, but also because your sadness may spread over your life, like smoke from an enormous fire. You might find it difficult to see anything but your own sadness, the way smoke can cover a landscape so that all anyone can see is black. You may find that if someone pours water all over you, you are damp and distracted, but not cured of your sadness, the way a fire department can douse a fire but never recover what has been burnt down.
”
”
Lemony Snicket (The Bad Beginning (A Series of Unfortunate Events, #1))
“
I want a life that sizzles and pops and makes me laugh out loud. And I don't want to get to the end, or to tomorrow, even, and realize that my life is a collection of meetings and pop cans and errands and receipts and dirty dishes. I want to eat cold tangerines and sing out loud in the car with the windows open and wear pink shoes and stay up all night laughing and paint my walls the exact color of the sky right now. I want to sleep hard on clean white sheets and throw parties and eat ripe tomatoes and read books so good they make me jump up and down, and I want my everyday to make God belly laugh, glad that he gave life to someone who loves the gift.
”
”
Shauna Niequist (Cold Tangerines: Celebrating the Extraordinary Nature of Everyday Life)
“
I did love her, of course, but mostly because loving your mom is mandatory, not because she was someone I think I'd like very much if I met her walking down the street.
”
”
Ransom Riggs (Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1))
“
I have fallen for someone who's so emotionally shut down, I will only get hurt- deep down I know this- someone who by his own admission is completely fucked up.
”
”
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
“
the [coat] rack above his head like a javelin.
On the other side of the door was Jace. He blinked. "Is that a coatrack?"
Jordan slammed the coatrack down on the ground and sighed. "If you'd been a vampire, this would have been a lot more useful."
"Yes," said Jace. "Or, you know, just someone with a lot of coats.
”
”
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
“
It's more like you meet someone, and you fall in love, and you hope that that person is the one—and then at some point, you have to put down your chips. You just have to make a commitment and hope that you're right.
”
”
Rainbow Rowell (Landline)
“
There it was, Eve supposed. There was the answer to why people got tangled up with people. Because when you were down, when you were wallowing, someone you mattered to would ask if you were okay.
”
”
J.D. Robb (Promises in Death (In Death, #28))
“
Hug and kiss whoever helped get you - financially, mentally, morally, emotionally - to this day. Parents, mentors, friends, teachers. If you're too uptight to do that, at least do the old handshake thing, but I recommend a hug and a kiss. Don't let the sun go down without saying thank you to someone, and without admitting to yourself that absolutely no one gets this far alone.
”
”
Stephen King
“
I remember running down a road on my way to a nursery of flowers. I remember her smile and her laugh when I was my best self and she looked at me like I could do no wrong and was whole. I remember how she looked at me the same way even when I wasn’t. I remember her hand in mine and how that felt, as if something and someone belonged to me.
”
”
Jennifer Niven (All the Bright Places)
“
You're fucked. You thought you were going to be someone, but now it's obvious you're nobody. You haven't got as much talent as you thought you had, and there was no Plan B, and you got no skills and no education, and now you're looking at forty or fifty years of nothing. Less than nothing, probably. That's pretty heavy. That's worse than having the brain thing, because what you got now will take a lot longer to kill you. You've got the choice of a slow, painful death, or a quick, merciful one.
”
”
Nick Hornby (A Long Way Down)
“
We are as forlorn as children lost in the wood. When you stand in front of me and look at me, what do you know of the griefs that are in me and what do I know of yours? And if I were to cast myself down before you and tell you, what more would you know about me that you know about Hell when someone tells you it is hot and dreadful?
”
”
Franz Kafka
“
It interests me how we find ways to feel superior to another person, another group of people. It happens everywhere, and all the time. Whatever we call it, I think it’s the lowest part of who we are, this need to find someone else to put down.
”
”
Elizabeth Strout (My Name Is Lucy Barton (Amgash #1))
“
Entertaining a notion, like entertaining a baby cousin or entertaining a pack of hyenas, is a dangerous thing to refuse to do. If you refuse to entertain a baby cousin, the baby cousin may get bored and entertain itself by wandering off and falling down a well. If you refuse to entertain a pack of hyenas, they may become restless and entertain themselves by devouring you. But if you refuse to entertain a notion - which is just a fancy way of saying that you refuse to think about a certain idea - you have to be much braver than someone who is merely facing some blood-thirsty animals, or some parents who are upset to find their little darling at the bottom of a well, because nobody knows what an idea will do when it goes off to entertain itself.
”
”
Lemony Snicket (Horseradish: Bitter Truths You Can't Avoid)
“
See, as much as you want to hold on to the bitter sore memory that someone has left this world, you are still in it. And the very act of living is a tide: at first it seems to make no difference at all, and then one day you look down and see how much pain has eroded.
”
”
Jodi Picoult (My Sister’s Keeper)
“
Vhat ozzer abilities do you haf?" ter Borcht snapped, which his assistant waited, pen in hand.
Gazzy thought. "I have X-ray vision," he said. He peered at ter Borcht's chest, then blinked and looked alarmed.
Ter Borcht was startled for a second, but then he frowned. "Don't write dat down," he told his assistant in irritation. The assistant froze in midsentence.
"You. Do you haf any qualities dat distinguish you in any way?"
Nudge chewed on a fingernail. "You mean, like, besides the WINGS?" She shook her shoulders gently, and her beautiful fawn-colored wings unfolded a bit.
His face flushed, and I felt like cheering. "Yes," he said stiffly. "Besides de vings."
"Hmm. Besides de vings." Nudge tapped one finger against her chin. "Um..." Her face brightened. "I once ate nine Snickers bars in one sitting. Without barfing. That was a record!"
"Hardly a special talent," ter Borcht said witheringly.
Nudge was offended. "Yeah? Let's see YOU do it."
...
"I vill now eat nine Snickers bars," Gazzy said in a perfect, creepy imitation of ter Borcht's voice, "visout bahfing."
Iggy rubbed his forehead with one hand. "Well, I have a highly developed sense of irony."
Ter Borcht tsked. "You are a liability to your group. I assume you alvays hold on to someone's shirt, yes? Following dem closely?"
"Only when I'm trying to steal their dessert"
...Fang pretended to think, gazing up at the ceiling. "Besides my fashion sense? I play a mean harmonica."
"I vill now destroy de Snickuhs bahrs!" Gazzy barked.
”
”
James Patterson
“
I once read in my physics book that the universe begs to be observed, that energy travels and transfers when people pay attention. Maybe that's what love really boils down to--having someone who cares enough to pay attention so that you're encouraged to travel and transfer, to make your potential energy spark into kinetic energy.
”
”
Jasmine Warga (My Heart and Other Black Holes)
“
It is because the human spirit knows, deep down, that all lives intersect. That death doesn't just take someone, it misses someone else, and in the small distance between being taken and being missed, lives are changed.
”
”
Mitch Albom (The Five People You Meet in Heaven)
“
Do you know how far the wall is from the mines?”
He gave her blank look. She closed her eyes and sighed dramatically.
“From my shaft, it was three hundred sixty-three feet. I had someone measure.”
“So?” Dorian repeated.
“Captain Westfall, how far do slaves make it from the mines when they try to escape?”
“Three feet,” he muttered. “Endovier sentries usually shoot a man down before he's moved three feet.”
The Crown Prince's silence was not her desired effect. “You knew it was suicide,” he said at last, the amusement gone.
Perhaps it had been a bad idea to bring up the wall.
“Yes.”
...
“I never intended to escape.
”
”
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
“
I don't know you. The only thing I know about you is, you're reading this. I don't know if your happy or not; I don't know whether you're young or not. I sort of hope you're young and sad. If you're old and happy, I can imagine that you'll smile to yourself when you hear me going, he broke my heart. You'll remember someone who broke your heart, and you'll think to yourself, Oh yes, i remember how that feels. But you can't, you smug old git. Oh you'll remember feeling sort of plesantly sad. You might remember listening to music and eating chocolates in your room, or walking along the embankment on your own, wrapped up in a winter coat and feeling lonely and brave. But can you remember how with every mouthful of food it felt like you were biting into your own stomach? Can you remember the taste of red wine as it came back up and into the toilet bowl? Can you remember dreaming every night that you were still together, that he was talking to you gently and touching you, so that every morning when you woke up you had to go through it all over again?
”
”
Nick Hornby (A Long Way Down)
“
Perhaps in the back of our minds we already understand, without all the science I've discussed, that something terribly wrong is happening. Our sustenance now comes from misery. We know that if someone offers to show us a film on how our meat is produced, it will be a horror film. We perhaps know more than we care to admit, keeping it down in the dark places of our memory-- disavowed. When we eat factory-farmed meat we live, literally, on tortured flesh. Increasingly, that tortured flesh is becoming our own.
”
”
Jonathan Safran Foer (Eating Animals)
“
I’d do almost anything for you,” Simon said quietly. “I’d die for you. You know that. But would I kill someone else, someone innocent? What about a lot of innocent lives? What about the whole world? Is it really love to tell someone that if it came down to picking between them and every other life on the planet, you’d pick them? Is that—I don’t know, is that a moral sort of love at all?
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
There is a kind of crying I hope you have not experienced, and it is not just crying about something terrible that has happened, but a crying for all of the terrible things that have happened, not just to you but to everyone you know and to everyone you don’t know and even the people you don’t want to know, a crying that cannot be diluted by a brave deed or a kind word, but only by someone holding you as your shoulders shake and your tears run down your face.
”
”
Lemony Snicket (The End (A Series of Unfortunate Events, #13))
“
When looking for a life partner, my advice to women is date all of them: the bad boys, the cool boys, the commitment-phobic boys, the crazy boys. But do not marry them. The things that make the bad boys sexy do not make them good husbands. When it comes time to settle down, find someone who wants an equal partner. Someone who thinks women should be smart, opinionated and ambitious. Someone who values fairness and expects or, even better, wants to do his share in the home. These men exist and, trust me, over time, nothing is sexier.
”
”
Sheryl Sandberg (Lean In: Women, Work, and the Will to Lead)
“
Take a drink every time you hear you’re not enough.
Not the right fit.
Not the right look.
Not the right focus.
Not the right drive.
Not the right time.
Not the right job.
Not the right path.
Not the right future.
Not the right present.
Not the right you.
Not you.
(Not me?)
There’s just something missing.
From us.
What could I have done?
Nothing. It’s just…
(Who you are.)
I didn’t think we were serious.
(You’re just too…
…sweet.
…soft.
…sensitive.)
I just don’t see us ending up together.
I met someone.
I’m sorry
It’s not you.
Swallow it down.
We’re not on the same page.
We’re not in the same place.
It’s not you.
We can’t help who we fall in love with.
(And who we don’t.)
You’re such a good friend.
You’re going to make the right girl happy.
You deserve better.
Let’s stay friends.
I don’t want to lose you.
It’s not you.
I’m sorry.
”
”
Victoria E. Schwab (The Invisible Life of Addie LaRue)
“
It hurts to live after someone has died. It just does. It can hurt to walk down a hallway or open the fridge. It hurts to put on a pair of socks, to brush your teeth. Food tastes like nothing. Colors go flat. Music hurts, and so do memories. You look at something you’d otherwise find beautiful—a purple sky at sunset or a playground full of kids—and it only somehow deepens the loss. Grief is so lonely this way.
”
”
Michelle Obama (Becoming)
“
No. Absolutely not.'
'Simon,' she said. 'It’s a perfectly fine plan.'
'The plan where you follow Jace and Sebastian off to some unknown dimensional pocket and we use these rings to communicate so those of us over here in the regular dimension of Earth can track you down? That plan?'
'Yes.'
'No,' he said. 'No, it isn’t.'
Clary sat back. 'You don’t just get to say no.'
'This plan involves me! I get to say no! No.'
'Simon—'
Simon patted the seat beside him as if someone were sitting there. 'Let me introduce you to my good friend No.
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
Is it really love to tell someone that if it came down to picking between them and every other life on the planet, you’d pick them? Is that — I don’t know, is that a moral sort of love at all?'
'Love isn’t moral or immoral,' said Clary. 'It just is.'
'I know,' Simon said. 'But the actions we take in the name of love, those are moral or immoral.
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
When Kai fell silent, she risked a glance at him. He was staring at her hands [which she always holds mechanic gloves over to hide her...you know, cyborg hands]...
"Do you ever take those off?" he asked.
"No."
Kai tilted his head, peering at her as if he could see right through to the metal plate in her head..."I think you should go to the ball with me."
She clutched her fingers..."Stars," she muttered. "Didn't you already asked me that?"
"I'm hoping for a more favorable answer this time and I seem to be getting more desperate by the minute."
"How charming."
Kai's lips twitched. "Please?"
"Why?"
"Why not?"
"I mean, why me?"
Kai hooked his thumbs on his pockets. "So if my escape hover breaks down, I'll have someone to fix it?
”
”
Marissa Meyer (Cinder (The Lunar Chronicles, #1))
“
What I told you about saving people isn't true. You might think it is, because you might want someone else to save you, or you might want to save someone so badly. But no one else can save you, not really. Not from yourself. [...] You fall asleep in the foothills, and the wolf comes down from the mountains. And you hope someone will wake you up. Or chase it off. Or shoot it dead. But when you realize that the wolf is inside you, that's when you know. You can't run from it. And no one who loves you can kill the wolf, because it's part of you. They see your face on it. And they won't fire the shot.
”
”
Ava Dellaira (Love Letters to the Dead)
“
That he'll never let you down. That boy's got a heart the size of Kentucky, and he loves you. That's important. Take it from someone who knows. My mom used to tell me that whatever you do, marry someone who loves you more than you love him. And I listened to her. Why do you think Henry and I get along so well? I'm not saying that I don't love him, because I do. But if I ever left Henry or something, God forbid, ever happened to me, I don't think he'll be able to go on. And that guy would risk his life for mine in a heartbeat.
”
”
Nicholas Sparks (The Guardian)
“
People aren’t always what you want them to be. Sometimes they disappoint you or let you down, but you have to give them a chance first. You can’t just meet someone and expect them to be everything you’re looking for and then be angry when they’re not every hope and aspiration you projected onto them. It’s foolish to believe that someone will be what you imagine them to be. And sometimes, when you give them a chance, they turn out to be better than you imagined. Different, but better.
”
”
Chloe Rattray (Sacré Noir)
“
How many times have you tried to talk to someone about something that matters to you, tried to get them to see it the way you do? And how many of those times have ended with you feeling bitter, resenting them for making you feel like your pain doesn't have any substance after all?
Like when you've split up with someone, and you try to communicate the way you feel, because you need to say the words, need to feel that somebody understands just how pissed off and frightened you feel. The problem is, they never do. "Plenty more fish in the sea," they'll say, or "You're better off without them," or "Do you want some of these potato chips?" They never really understand, because they haven't been there, every day, every hour. They don't know the way things have been, the way that it's made you, the way it has structured your world. They'll never realise that someone who makes you feel bad may be the person you need most in the world. They don't understand the history, the background, don't know the pillars of memory that hold you up. Ultimately, they don't know you well enough, and they never can. Everyone's alone in their world, because everybody's life is different. You can send people letters, and show them photos, but they can never come to visit where you live.
Unless you love them. And then they can burn it down.
”
”
Michael Marshall Smith (Only Forward)
“
anyone lived in a pretty how town
(with up so floating many bells down)
spring summer autumn winter
he sang his didn't he danced his did
Women and men(both little and small)
cared for anyone not at all
they sowed their isn't they reaped their same
sun moon stars rain
children guessed(but only a few
and down they forgot as up they grew
autumn winter spring summer)
that noone loved him more by more
when by now and tree by leaf
she laughed his joy she cried his grief
bird by snow and stir by still
anyone's any was all to her
someones married their everyones
laughed their cryings and did their dance
(sleep wake hope and then)they
said their nevers they slept their dream
stars rain sun moon
(and only the snow can begin to explain
how children are apt to forget to remember
with up so floating many bells down)
one day anyone died i guess
(and noone stooped to kiss his face)
busy folk buried them side by side
little by little and was by was
all by all and deep by deep
and more by more they dream their sleep
noone and anyone earth by april
wish by spirit and if by yes.
Women and men (both dong and ding)
summer autumn winter spring
reaped their sowing and went their came
sun moon stars rain
”
”
E.E. Cummings (Selected Poems)
“
Oh," he said, knocking a red ball into a hole. "It's you."
"You were expecting someone else?" I asked. "Am I interrupting your social calender?" I made a big show of glancing around the empty room. "I don't want to keep you from the mob of fans beating down your door."
"Hey, a guy can hope. I mean, it's not impossible that a car full of scantily clad sorority girls might break down outside and need my help.
”
”
Richelle Mead (Bloodlines (Bloodlines, #1))
“
The truth is, everyone likes to look down on someone. If your favorites are all avant-garde writers who throw in Sanskrit and German, you can look down on everyone. If your favorites are all Oprah Book Club books, you can at least look down on mystery readers. Mystery readers have sci-fi readers. Sci-fi can look down on fantasy. And yes, fantasy readers have their own snobbishness. I’ll bet this, though: in a hundred years, people will be writing a lot more dissertations on Harry Potter than on John Updike. Look, Charles Dickens wrote popular fiction. Shakespeare wrote popular fiction—until he wrote his sonnets, desperate to show the literati of his day that he was real artist. Edgar Allan Poe tied himself in knots because no one realized he was a genius. The core of the problem is how we want to define “literature”. The Latin root simply means “letters”. Those letters are either delivered—they connect with an audience—or they don’t. For some, that audience is a few thousand college professors and some critics. For others, its twenty million women desperate for romance in their lives. Those connections happen because the books successfully communicate something real about the human experience. Sure, there are trashy books that do really well, but that’s because there are trashy facets of humanity. What people value in their books—and thus what they count as literature—really tells you more about them than it does about the book.
”
”
Brent Weeks
“
Butterfly.
What a beautiful word
What a delicate creature.
Delicate like the cruel words that flow right out of your mouths and the food that flies right out of your hands…
Does it make you feel better?
Does it make you feel good ?
Does picking on a girl make you more of a man?
Well, I’m standing up for myself
Like I should have done before
I’m not putting up with your Butterfly anymore."
(Kiersten slides the sack off her wrist and opens it, pulling out a handful of hand-made butterflies. She takes the microphone out of the stand and begins walking down the stairs as she continues speaking.)
“I’d like to extend to others what others have extended to me.”
(She walks up to Mrs. Brill first and holds out a butterfly)
“Butterfly you, Mrs. Brill.”
(Mrs. Brill smiles at her and takes the butterfly out of her hands. Lake laughs out loud and I have to nudge her to get her to be quiet. Kiersten walks around the room, passing out butterflies to several of the students, including the three from the lunchroom.)
“Butterfly you, Mark.
Butterfly you, Brendan.
Butterfly you, Colby.”
(When she finishes passing out the butterflies, she walks back onto the stage and places the microphone back into the stand.)
“I have one thing to say to you
And I’m not referring to the bullies
Or the ones they pursue.
I’m referring to those of you that just stand by
The ones who don’t take up for those of us that cry
Those of you who just…turn a blind eye.
After all it’s not you it’s happening to
You aren’t the one being bullied
And you aren’t the one being rude
It isn’t your hand that’s throwing the food
But…it is your mouth not speaking up
It is your feet not taking a stand
It is your arm not lending a hand
It is your heart
Not giving a damn.
So take up for yourself
Take up for your friends
I challenge you to be someone
Who doesn’t give in.
Don’t give in.
Don’t let them win.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
And let’s face it people, no one is ever honest with you about child birth. Not even your mother. “It’s a pain you forget all about once you have that sweet little baby in your arms.” Bullshit. I CALL BULLSHIT. Any friend, cousin, or nosey-ass stranger in the grocery store that tells you it’s not that bad is a lying sack of shit. Your vagina is roughly the size of the girth of a penis. It has to stretch and open andturn into a giant bat cave so the life-sucking human you’ve been growing for nine months can angrily claw its way out. Who in their right mind would do that willingly? You’re just walking along one day and think to yourself, “You know, I think it’s time I turn my vagina into an Arby’s Beef and Cheddar (minus the cheddar) and saddle myself down for a minimum of eighteen years to someone who will suck the soul and the will to live right out of my body so I’m a shell of the person I used to be and can’t get laid even if I pay for it.
”
”
Tara Sivec (Seduction and Snacks (Chocolate Lovers, #1))
“
We are as forlorn as children lost in the woods. When you stand in front of me and look at me, what do you know of the griefs that are in me and what do I know of yours. And if I were to cast myself down before you and weep and tell you, what more would you know about me than you know about Hell when someone tells you it is hot and dreadful? For that reason alone we human beings ought to stand before one another as reverently, as reflectively, as lovingly, as we would before the entrance to Hell.
”
”
Franz Kafka
“
I miss us too. I always have and I probably always will. Sometimes there are no happy endings. No matter what, I'll be losing something, someone. But maybe that's what it all comes down to. Love, not as a surge of passion, but as a choice to commit to something, someone, no matter what obstacles or temptations stand in the way. And maybe making that choice again and again, day in and day out, year after year,says more about love than never having a choice to make at all.
”
”
Emily Giffin (Love the One You're With)
“
You know what my mother said to me when she came to say good-bye, as if to cheer me up, she says maybe District Twelve will finally have a winner. Then I realized she didn't mean me, she meant you!" bursts out Peeta.
"Oh, she meant you," I say with a wave of dismissal.
"She said, 'She's a survivor, that one.' She is," says Peeta.
That pulls me up short. Did his mother really say that about me? Did she rate me over her son? I see the pain in Peeta's eyes and know he isn't lying.
Suddenly I'm behind the bakery and I can feel the chill of the rain running down my back, the hollowness in my belly. I sound eleven years old when I speak. "But only because someone helped me.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
Shit. . . this was a bad idea. A pure-blooded, bonded male vampire about to watch his shellan feed someone else. Holy hell, when the Scribe Virgin had suggested Beth come down, V had assumed it was for ceremonial purposes, not so she could be a vein. But what was the choice? Butch was going to suck Marissa dry and not have enough and there wasn't another female in the house who could do the job: Mary was still human and Bella was pregnant.
Besides, like dealing with Rhage or Z would be any easier? For the beast, they'd need a tranq gun the size of a cannon and Z. . . well, shit.
”
”
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
“
It hurts so much, she thought. Our children, Ned, all our sweet babes. Rickon, Bran, Arya, Sansa, Robb… Robb… please, Ned, please, make it stop, make it stop hurting… The white tears and the red ones ran together until her face was torn and tattered, the face that Ned had loved. Catelyn Stark raised her hands and watched the blood run down her long fingers, over her wrists, beneath the sleeves of her gown. Slow red worms crawled along her arms and under her clothes. It tickles. That made her laugh until she screamed. “Mad,” someone said, “she’s lost her wits,” and someone else said, “Make an end,” and a hand grabbed her scalp just as she’d done with Jinglebell, and she thought, No, don’t, don’t cut my hair, Ned loves my hair. Then the steel was at her throat, and its bite was red and cold.— Catelyn Stark
”
”
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
“
When you love someone, they become a part of who you are. They’re in everything you do. They’re in the air you breathe and the water you drink and the blood in your veins. Their touch stays on your skin and their voice stays in your ears and their thoughts stay in your mind. You know their dreams because their nightmares pierce your heart and their good dreams are your dreams too. And you don’t think they’re perfect, but you know their flaws, the deep-down truth of them, and the shadows of all their secrets, and they don’t frighten you away; in fact you love them more for it, because you don’t want perfect. You want them.
”
”
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
“
I close my eyes and I let my body shut itself down and I let my mind wander. It wanders to a familiar place. A place I don’t talk about or acknowledge exists. A place where there is only me. A place that I hate. I am alone. Alone here and alone in the world. Alone in my heart and alone in my mind. Alone everywhere, all the time, for as long as I can remember. Alone with my Family, alone with my friends, alone in a Room full of People. Alone when I wake, alone through each awful day, alone when I finally meet the blackness. I am alone in my horror. Alone in my horror. I don’t want to be alone. I have never wanted to be alone. I fucking hate it. I hate that I have no one to talk to, I hate that I have no one to call, I hate that I have no one to hold my hand, hug me, tell me everything is going to be all right. I hate that I have no one to share my hopes and dreams with, I hate that I no longer have any hopes or dreams, I hate that I have no one to tell me to hold on, that I can find them again. I hate that when I scream, and I scream bloody murder, that I am screaming into emptiness. I hate that there is no one to hear my scream and that there is no one to help me learn how to stop screaming. . . More than anything, all I have ever wanted is to be close to someone. More than anything, all I have ever wanted is to feel as if I wasn’t alone.
”
”
James Frey (A Million Little Pieces)
“
I made up my mind I was going to find someone who would love me unconditionally three hundred and sixty five days a year, I was still in elementary school at the time - fifth or sixth grade - but I made up my mind once and for all.”
“Wow,” I said. “Did the search pay off?”
“That’s the hard part,” said Midori. She watched the rising smoke for a while, thinking. “I guess I’ve been waiting so long I’m looking for perfection. That makes it tough.”
“Waiting for the perfect love?”
“No, even I know better than that. I’m looking for selfishness. Perfect selfishness. Like, say I tell you I want to eat strawberry shortcake. And you stop everything you’re doing and run out and buy it for me. And you come back out of breath and get down on your knees and hold this strawberry shortcake out to me. And I say I don’t want it anymore and throw it out the window. That’s what I’m looking for.”
“I’m not sure that has anything to do with love,” I said with some amazement.
“It does,” she said. “You just don’t know it. There are time in a girl’s life when things like that are incredibly important.”
“Things like throwing strawberry shortcake out the window?”
“Exactly. And when I do it, I want the man to apologize to me. “Now I see, Midori. What a fool I have been! I should have known that you would lose your desire for strawberry shortcake. I have all the intelligence and sensitivity of a piece of donkey shit. To make it up to you, I’ll go out and buy you something else. What would you like? Chocolate Mousse? Cheesecake?”
“So then what?”
“So then I’d give him all the love he deserves for what he’s done.”
“Sounds crazy to me.”
“Well, to me, that’s what love is…
”
”
Haruki Murakami (Norwegian Wood)
“
It's your call," he said softly, "but whatever you decide, I'll help you." He placed a soft, warm hand at the back of her neck and Laurel's breath caught in her chest. "Whatever you need, I'll be. If you need the science geek to give you answers from a textbook, I'm your guy; if you just want a friend to sit by you in bio and help you feel better when you're sad, I'm still your guy." His thumb slowly stroked across her earlobe and down her cheek. "And if you need someone to hold you and protect you from anyone in the world who might want to hurt you, then I am definitely your guy." His pale-blue eyes bore into hers, and for a second she couldn't breath. "But it's all up to you," he whispered.
”
”
Aprilynne Pike (Wings (Wings, #1))
“
His tunic was unbuttoned at the top, and he ran a hand through his blue-black hair before he wordlessly slumped against the wall across from me and slid to the floor.
"What do you want?" I demanded.
"A moment of peace and quiet," he snapped, rubbing his temples.
I paused. "From what?"
He massaged his pale skin, making the corners of his eyes go up and down, out and in. He sighed. "From this mess."
I sat up farther on my pallet of the hay. I'd never seen him so candid.
"That damned bitch is running me ragged," he went on, and dropped his hands from his temples to lean his head against the wall. "You hate me. Imagine how you'd feel if I made you serve in my bedroom. I'm High Lord of the Night Court - not her harlot."
So the slurs were true. And I could imagine very easily how much I would hate him - what it would do to me - to be enslaved to someone like that. "Why are you telling me this?"
The swagger and nastiness were gone. "Because I'm tired and lonely, and you're the only person I can talk to without putting myself at risk." He let out a low laugh. "How absurd: a High Lord of Prythian and a - "
"You can leave if you're just going to insult me."
"But I'm so good at it". He flashed one of his grins. I glared at him, but he sighted. "One wrong move tomorrow, Freyre, and we're all doomed.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
Islam and Christianity promise eternal paradise to the faithful. And that is a powerful opiate, certainly, the hope of a better life to come. But there's a Sufi story that challenges the notion that people believe only because they need an opiate. Rabe'a al-Adiwiyah, a great woman saint of Sufism, was seem running through the streets of her hometown, Basra, carrying a torch in one hand and a bucket of water in the other. When someone asked her what she was doing, she answered, 'I am going to take this bucket of water and pour it on the flames of hell, and then I am going to use this torch to burn down the gates of paradise so that people will not love God for want of heaven of fear of hell, but because He is God.
”
”
John Green (Looking for Alaska)
“
It comes from a very ancient democracy, you see..."
"You mean, it comes from a world of lizards?"
"No," said Ford, who by this time was a little more rational and coherent than he had been, having finally had the coffee forced down him, "nothing so simple. Nothing anything like so straightforward. On its world, the people are people. The leaders are lizards. The people hate the lizards and the lizards rule the people."
"Odd," said Arthur, "I thought you said it was a democracy."
"I did," said Ford. "It is."
"So," said Arthur, hoping he wasn't sounding ridiculously obtuse, "why don't people get rid of the lizards?"
"It honestly doesn't occur to them," said Ford. "They've all got the vote, so they all pretty much assume that the government they've voted in more or less approximates to the government they want."
"You mean they actually vote for the lizards?"
"Oh yes," said Ford with a shrug, "of course."
"But," said Arthur, going for the big one again, "why?"
"Because if they didn't vote for a lizard," said Ford, "the wrong lizard might get in. Got any gin?"
"What?"
"I said," said Ford, with an increasing air of urgency creeping into his voice, "have you got any gin?"
"I'll look. Tell me about the lizards."
Ford shrugged again.
"Some people say that the lizards are the best thing that ever happenned to them," he said. "They're completely wrong of course, completely and utterly wrong, but someone's got to say it."
"But that's terrible," said Arthur.
"Listen, bud," said Ford, "if I had one Altairian dollar for every time I heard one bit of the Universe look at another bit of the Universe and say 'That's terrible' I wouldn't be sitting here like a lemon looking for a gin.
”
”
Douglas Adams (So Long, and Thanks for All the Fish (Hitchhiker's Guide to the Galaxy, #4))
“
Once upon a time, there was a wise man who used to go to the ocean to do his writing. He had a habit of walking on the beach before he began his work.
One day, as he was walking along the shore, he looked down the beach and saw a human figure moving like a dancer. He smiled to himself at the thought of someone who would dance to the day, and so, he walked faster to catch up.
As he got closer, he noticed that the figure was that of a young man, and that what he was doing was not dancing at all. The young man was reaching down to the shore, picking up small objects, and throwing them into the ocean.
He came closer still and called out "Good morning! May I ask what it is that you are doing?"
The young man paused, looked up, and replied "Throwing starfish into the ocean."
"I must ask, then, why are you throwing starfish into the ocean?" asked the somewhat startled wise man.
To this, the young man replied, "The sun is up and the tide is going out. If I don't throw them in, they'll die."
Upon hearing this, the wise man commented, "But, young man, do you not realize that there are miles and miles of beach and there are starfish all along every mile? You can't possibly make a difference!"
At this, the young man bent down, picked up yet another starfish, and threw it into the ocean. As it met the water, he said,
"It made a difference for that one.
”
”
Loren Eiseley
“
I love all the girls who have my song on their myspaces. I love the people who come to my shows and put the pictures on here. I love the people at those shows who sing along with me. I love reading your stories in emails, some so touching they've given me chills. I love every single person who has wanted my autograph, because for the life of me I never really thought it would mean something to someone for me to write my name down. I love the little girls who stand in line with their mothers like I used to do. That was me. I love the couple who danced to my song at their wedding. Every comment, letter, and message. I love people who listen to the radio. I love every single person who is reading this, because you've let me into your life.
I love you all so much, I just wanted you to know.
”
”
Taylor Swift
“
Some catastrophic moments invite clarity, explode in split moments: You smash your hand through a windowpane and then there is blood and shattered glass stained with red all over the place; you fall out a window and break some bones and scrape some skin. Stitches and casts and bandages and antiseptic solve and salve the wounds. But depression is not a sudden disaster. It is more like a cancer: At first its tumorous mass is not even noticeable to the careful eye, and then one day -- wham! -- there is a huge, deadly seven-pound lump lodged in your brain or your stomach or your shoulder blade, and this thing that your own body has produced is actually trying to kill you. Depression is a lot like that: Slowly, over the years, the data will accumulate in your heart and mind, a computer program for total negativity will build into your system, making life feel more and more unbearable. But you won't even notice it coming on, thinking that it is somehow normal, something about getting older, about turning eight or turning twelve or turning fifteen, and then one day you realize that your entire life is just awful, not worth living, a horror and a black blot on the white terrain of human existence. One morning you wake up afraid you are going to live.
In my case, I was not frightened in the least bit at the thought that I might live because I was certain, quite certain, that I was already dead. The actual dying part, the withering away of my physical body, was a mere formality. My spirit, my emotional being, whatever you want to call all that inner turmoil that has nothing to do with physical existence, were long gone, dead and gone, and only a mass of the most fucking god-awful excruciating pain like a pair of boiling hot tongs clamped tight around my spine and pressing on all my nerves was left in its wake.
That's the thing I want to make clear about depression: It's got nothing at all to do with life. In the course of life, there is sadness and pain and sorrow, all of which, in their right time and season, are normal -- unpleasant, but normal. Depression is an altogether different zone because it involves a complete absence: absence of affect, absence of feeling, absence of response, absence of interest. The pain you feel in the course of a major clinical depression is an attempt on nature's part (nature, after all, abhors a vacuum) to fill up the empty space. But for all intents and purposes, the deeply depressed are just the walking, waking dead.
And the scariest part is that if you ask anyone in the throes of depression how he got there, to pin down the turning point, he'll never know. There is a classic moment in The Sun Also Rises when someone asks Mike Campbell how he went bankrupt, and all he can say in response is, 'Gradually and then suddenly.' When someone asks how I love my mind, that is all I can say too
”
”
Elizabeth Wurtzel (Prozac Nation)
“
Love the quick profit, the annual raise,
vacation with pay. Want more
of everything ready-made. Be afraid
to know your neighbors and to die.
And you will have a window in your head.
Not even your future will be a mystery
any more. Your mind will be punched in a card
and shut away in a little drawer.
When they want you to buy something
they will call you. When they want you
to die for profit they will let you know.
So, friends, every day do something
that won’t compute. Love the Lord.
Love the world. Work for nothing.
Take all that you have and be poor.
Love someone who does not deserve it.
Denounce the government and embrace
the flag. Hope to live in that free
republic for which it stands.
Give your approval to all you cannot
understand. Praise ignorance, for what man
has not encountered he has not destroyed.
Ask the questions that have no answers.
Invest in the millenium. Plant sequoias.
Say that your main crop is the forest
that you did not plant,
that you will not live to harvest.
Say that the leaves are harvested
when they have rotted into the mold.
Call that profit. Prophesy such returns.
Put your faith in the two inches of humus
that will build under the trees
every thousand years.
Listen to carrion — put your ear
close, and hear the faint chattering
of the songs that are to come.
Expect the end of the world. Laugh.
Laughter is immeasurable. Be joyful
though you have considered all the facts.
So long as women do not go cheap
for power, please women more than men.
Ask yourself: Will this satisfy
a woman satisfied to bear a child?
Will this disturb the sleep
of a woman near to giving birth?
Go with your love to the fields.
Lie down in the shade. Rest your head
in her lap. Swear allegiance
to what is nighest your thoughts.
As soon as the generals and the politicos
can predict the motions of your mind,
lose it. Leave it as a sign
to mark the false trail, the way
you didn’t go.
Be like the fox
who makes more tracks than necessary,
some in the wrong direction.
Practice resurrection.
”
”
Wendell Berry
“
I used to love the ocean.
Everything about her.
Her coral reefs, her white caps, her roaring waves, the rocks they lap, her pirate legends and mermaid tails,
Treasures lost and treasures held...
And ALL
Of her fish
In the sea.
Yes, I used to love the ocean,
Everything about her.
The way she would sing me to sleep as I lay in my bed
then wake me with a force
That I soon came to dread.
Her fables, her lies, her misleading eyes,
I'd drain her dry
If I cared enough to.
I used to love the ocean,
Everything about her.
Her coral reefs, her white caps, her roaring waves, the rocks they lap, her pirate legends and mermaid tails, treasures lost and treasures held.
And ALL
Of her fish
In the sea.
Well, if you've ever tried navigating your sailboat through her stormy seas, you would realize that her white caps
are your enemies. If you've ever tried swimming ashore when your leg gets a cramp and you just had a huge meal of In-n-Out burgers that's weighing you down, and her roaring waves are knocking the wind out of you, filling your lungs with water as you flail your arms, trying to get someone's attention, but your
friends
just
wave
back at you?
And if you've ever grown up with dreams in your head about life, and how one of these days you would pirate your own ship and have your own crew and that all of the mermaids
would love
only
you?
Well, you would realize...
Like I eventually realized...
That all the good things about her?
All the beautiful?
It's not real.
It's fake.
So you keep your ocean,
I'll take the Lake.
”
”
Colleen Hoover
“
Do you know the hallmark of a second rater? It's resentment of another man's achievement. Those touchy mediocrities who sit trembling lest someone's work prove greater than their own - they have no inkling of the loneliness that comes when you reach the top. The loneliness for an equal - for a mind to respect and an achievement to admire. They bare their teeth at you from out of their rat holes,thinking that you take pleasure in letting your brilliance dim them - while you'd give a year of my life to see a flicker of talent anywhere among them. They envy achievement, and their dream of greatness is a world where all men have become their acknowledged inferiors. They don't know that that dream is the infallible proof of mediocrity, because that sort of world is what the man of achievement would not be able to bear. They have no way of knowing what he feels when surrounded by inferiors - hatred? no, not hatred, but boredom - the terrible, hopeless, draining, paralyzing boredom. Of what account are praise and adulation from men whom you don't respect? Have you ever felt the longing for someone you could admire? For something, not to look down at, but up to?"
"I've felt it all my life," she said.
”
”
Ayn Rand (Atlas Shrugged)
“
Kizzy wanted to be a woman who would dive off the prow of a sailboat into the sea, who would fall back in a tangle of sheets, laughing, and who could dance a tango, lazily stroke a leopard with her bare foot, freeze an enemy's blood with her eyes, make promises she couldn't possibly keep, and then shift the world to keep them. She wanted to write memoirs and autograph them at a tiny bookshop in Rome, with a line of admirers snaking down a pink-lit alley. She wanted to make love on a balcony, ruin someone, trade in esoteric knowledge, watch strangers as coolly as a cat. She wanted to be inscrutable, have a drink named after her, a love song written for her, and a handsome adventurer's small airplane, champagne-christened Kizzy, which would vanish one day in a windstorm in Arabia so that she would have to mount a rescue operation involving camels, and wear an indigo veil against the stinging sand, just like the nomads.
Kizzy wanted.
”
”
Laini Taylor (Lips Touch: Three Times)
“
Hello? This is Clary Fairchild.”
“Clary? It’s me, Emma.”
“Oh, Emma, hi! I haven’t heard from you in ages. My mom says thanks for the wedding flowers, by the way. She wanted to send a note but Luke whisked her away on a honeymoon to Tahiti.”
“Tahiti sounds nice.”
“It probably is — Jace, what are you doing with that thing? There is no way it’ll fit.”
“Is this a bad time?”
“What? No! Jace is trying to drag a trebuchet into the training room. Alec, stop helping him.”
“What’s a trebuchet?”
“It’s a huge catapult.”
“What are they going to use it for?”
“I have no idea. Alec, you’re enabling! You’re an enabler!”
“Maybe it is a bad time.”
“I doubt there’ll be a better one. Is something wrong? Is there anything I can do?”
“I think we have your cat.”
“What?”
“Your cat. Big fuzzy Blue Persian? Always looks angry? Julian says it’s your cat. He says he saw it at the New York Institute. Well, saw him. It’s a boy cat.”
“Church? You have Church? But I thought — well, we knew he was gone. We thought Brother Zachariah took him. Isabelle was annoyed, but they seemed to know each other. I’ve never seen Church actually likeanyone like that.”
“I don’t know if he likes anyone here. He bit Julian twice. Oh, wait. Julian says he likes Ty. He’s asleep on Ty’s bed.”
“How did you wind up with him?”
“Someone rang our front doorbell. Diana, she’s our tutor, went down to see what it was. Church was in a cage on the front step with a note tied to it. It said For Emma. This is Church, a longtime friend of the Carstairs. Take care of this cat and he will take care of you. —J.”
“Brother Zachariah left you a cat.”
“But I don’t even really know him. And he’s not a Silent Brother any more.”
“You may not know him, but he clearly knows you.”
“What do you think the J stands for?”
“His real name. Look, Emma, if he wants you to have Church, and you want Church, you should keep him.”
“Are you sure? The Lightwoods —“
‘They’re both standing here nodding. Well, Alec is partially trapped under a trebuchet, but he seems to be nodding.”
“Jules says we’d like to keep him. We used to have a cat named Oscar, but he died, and, well, Church seems to be good for Ty’s nightmares.”
“Oh, honey. I think, really, he’s Brother Zachariah’s cat. And if he wants you to have him, then you should.”
“Why does Brother Zachariah want to protect me? It’s like he knows me, but I don’t know why he knows me.”
“I don’t exactly know … But I know Tessa. She’s his — well, girlfriend seems not the right word for it. They’ve known each other a long, long time. I have a feeling they’re both watching over you.”
“That’s good. I have a feeling we’re going to need it.”
“Emma — oh my God. The trebuchet just crashed through the floor. I have to go. Call me later.”
“But we can keep the cat?”
“You can keep the cat.
”
”
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
“
And then," Ress was saying, his boyish face set with fiendish delight, "just as he got her into bed, stark naked as the day he was born, her father walked in"- winces and groans came from the guards, even Chaol himself-"and he dragged him out of bed by his feet, took him down the hall, and dumped him down the stairs. He was shrieking like a pig the whole time."
Chaol leaned back in his seat, crossing his arms. "You would be, too, if someone were dragging your naked carcass across the ice-cold floor." He smirked as Ress tried to deny it. Chaol seemed so comfortable with the men, his body relaxed, eyes alight. And they respected him, too-always glancing at him for approval, for confirmation, for support. As Celaena's chuckle faded, Chaol looked at her, his brows high.
"You're one to laugh. You moan about the cold floor more than anyone else than I know."
She straightened as the guards gave hesitant smiles. "If I recall correctly, you complain about every time I wipe the floor with you when we spar."
"Oho!" Ress cried, and Chaol's brows rose higher. Celaena gave him a grin.
"Dangerous words," Chaol said. "Do we need to go to the training hall to see if you can back them up?"
"Well, as long as your men don't object to seeing you knocked on your ass."
"We certainly do not object to that," Ress crowed. Chaol shot him a look, more amused than warning.
Ress quickly added, "Captain.
”
”
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
“
Civilized people must, I believe, satisfy the following criteria:
1) They respect human beings as individuals and are therefore always tolerant, gentle, courteous and amenable ... They do not create scenes over a hammer or a mislaid eraser; they do not make you feel they are conferring a great benefit on you when they live with you, and they don't make a scandal when they leave. (...)
2) They have compassion for other people besides beggars and cats. Their hearts suffer the pain of what is hidden to the naked eye. (...)
3) They respect other people's property, and therefore pay their debts.
4) They are not devious, and they fear lies as they fear fire. They don't tell lies even in the most trivial matters. To lie to someone is to insult them, and the liar is diminished in the eyes of the person he lies to. Civilized people don't put on airs; they behave in the street as they would at home, they don't show off to impress their juniors. (...)
5) They don't run themselves down in order to provoke the sympathy of others. They don't play on other people's heartstrings to be sighed over and cosseted ... that sort of thing is just cheap striving for effects, it's vulgar, old hat and false. (...)
6) They are not vain. They don't waste time with the fake jewellery of hobnobbing with celebrities, being permitted to shake the hand of a drunken [judicial orator], the exaggerated bonhomie of the first person they meet at the Salon, being the life and soul of the bar ... They regard prases like 'I am a representative of the Press!!' -- the sort of thing one only hears from [very minor journalists] -- as absurd. If they have done a brass farthing's work they don't pass it off as if it were 100 roubles' by swanking about with their portfolios, and they don't boast of being able to gain admission to places other people aren't allowed in (...) True talent always sits in the shade, mingles with the crowd, avoids the limelight ... As Krylov said, the empty barrel makes more noise than the full one. (...)
7) If they do possess talent, they value it ... They take pride in it ... they know they have a responsibility to exert a civilizing influence on [others] rather than aimlessly hanging out with them. And they are fastidious in their habits. (...)
8) They work at developing their aesthetic sensibility ... Civilized people don't simply obey their baser instincts ... they require mens sana in corpore sano.
And so on. That's what civilized people are like ... Reading Pickwick and learning a speech from Faust by heart is not enough if your aim is to become a truly civilized person and not to sink below the level of your surroundings.
[From a letter to Nikolay Chekhov, March 1886]
”
”
Anton Chekhov (A Life in Letters)
“
Rosie,
I'm returning to Boston tomorrow but before I go I wanted to write this letter to you. All the thoughts and feelings that have been bubbling up inside me are finally overflowing from this pen and I'm leaving this letter for you so that you don't feel that I'm putting you under any great pressure. I understand that you will need to take your time trying to decide on what I am about to say.
I no what's going on, Rosie. You're my best friend and I can see the sadness in your eyes. I no that Greg isn't away working for the weekend. You never could lie to me; you were always terrible at it. Your eyes betray you time and time again. Don't pretend that everything is perfect because I see it isn't. I see that Greg is a selfish man who has absolutely no idea just how lucky he is and it makes me sick.
He is the luckiest man in the world to have you, Rosie, but he doesn't deserve you and you deserve far better. You deserve someone who loves you with every single beat of his heart, someone who thinks about you constantly, someone who spends every minute of every day just wondering what you're doing, where you are, who you're with and if you're OK. You need someone who can help you reach your dreams and who can protect you from your fears. You need someone who will treat you with respect, love every part of you, especially your flaws. You should be with someone who can make you happy, really happy, dancing-on-air happy. Someone who should have taken the chance to be with you years ago instead of becoming scared and being too afraid to try.
I am not scared any more, Rosie. I am not afraid to try. I no what the feeling was at your wedding - it was jealousy. My heart broke when I saw the woman I love turning away from me to walk down the aisle with another man, a man she planned to spend the rest of her life with. It was like a prison sentence for me - years stretching ahead without me being able to tell you how I feel or hold you how I wanted to.
Twice we've stood beside each other at the altar, Rosie. Twice. And twice we got it wrong. I needed you to be there for my wedding day but I was too stupid to see that I needed you to be the reason for my wedding day.
I should never have let your lips leave mine all those years ago in Boston. I should never have pulled away. I should never have panicked. I should never have wasted all those years without you. Give me a chance to make them up to you. I love you, Rosie, and I want to be with you and Katie and Josh. Always.
Please think about it. Don't waste your time on Greg. This is our opportunity. Let's stop being afraid and take the chance. I promise I'll make you happy.
All my love,
Alex
”
”
Cecelia Ahern (Love, Rosie)
“
Every morning the maple leaves.
Every morning another chapter where the hero shifts
from one foot to the other. Every morning the same big
and little words all spelling out desire, all spelling out
You will be alone always and then you will die.
So maybe I wanted to give you something more than a catalog
of non-definitive acts,
something other than the desperation.
Dear So-and-So, I’m sorry I couldn’t come to your party.
Dear So-and-So, I’m sorry I came to your party
and seduced you
and left you bruised and ruined, you poor sad thing.
You want a better story. Who wouldn’t?
A forest, then. Beautiful trees. And a lady singing.
Love on the water, love underwater, love, love and so on.
What a sweet lady. Sing lady, sing! Of course, she wakes the dragon.
Love always wakes the dragon and suddenly
flames everywhere.
I can tell already you think I’m the dragon,
that would be so like me, but I’m not. I’m not the dragon.
I’m not the princess either.
Who am I? I’m just a writer. I write things down.
I walk through your dreams and invent the future. Sure,
I sink the boat of love, but that comes later. And yes, I swallow
glass, but that comes later.
Let me do it right for once,
for the record, let me make a thing of cream and stars that becomes,
you know the story, simply heaven.
Inside your head you hear a phone ringing
and when you open your eyes
only a clearing with deer in it. Hello deer.
Inside your head the sound of glass,
a car crash sound as the trucks roll over and explode in slow motion.
Hello darling, sorry about that.
Sorry about the bony elbows, sorry we
lived here, sorry about the scene at the bottom of the stairwell
and how I ruined everything by saying it out loud.
Especially that, but I should have known.
Inside your head you hear
a phone ringing, and when you open your eyes you’re washing up
in a stranger’s bathroom,
standing by the window in a yellow towel, only twenty minutes away
from the dirtiest thing you know.
All the rooms of the castle except this one, says someone, and suddenly
darkness,
suddenly only darkness.
In the living room, in the broken yard,
in the back of the car as the lights go by. In the airport
bathroom’s gurgle and flush, bathed in a pharmacy of
unnatural light,
my hands looking weird, my face weird, my feet too far away.
I arrived in the city and you met me at the station,
smiling in a way
that made me frightened. Down the alley, around the arcade,
up the stairs of the building
to the little room with the broken faucets, your drawings, all your things,
I looked out the window and said
This doesn’t look that much different from home,
because it didn’t,
but then I noticed the black sky and all those lights.
We were inside the train car when I started to cry. You were crying too,
smiling and crying in a way that made me
even more hysterical. You said I could have anything I wanted, but I
just couldn’t say it out loud.
Actually, you said Love, for you,
is larger than the usual romantic love. It’s like a religion. It’s
terrifying. No one
will ever want to sleep with you.
Okay, if you’re so great, you do it—
here’s the pencil, make it work …
If the window is on your right, you are in your own bed. If the window
is over your heart, and it is painted shut, then we are breathing
river water.
Dear Forgiveness, you know that recently
we have had our difficulties and there are many things
I want to ask you.
I tried that one time, high school, second lunch, and then again,
years later, in the chlorinated pool.
I am still talking to you about help. I still do not have
these luxuries.
I have told you where I’m coming from, so put it together.
I want more applesauce. I want more seats reserved for heroes.
Dear Forgiveness, I saved a plate for you.
Quit milling around the yard and come inside.
”
”
Richard Siken
“
You don't notice the dead leaving when they really choose to leave you. You're not meant to. At most you feel them as a whisper or the wave of a whisper undulating down. I would compare it to a woman in the back of a lecture hall or theater whom no one notices until she slips out.Then only those near the door themselves, like Grandma Lynn, notice; to the rest it is like an unexplained breeze in a closed room.
Grandma Lynn died several years later, but I have yet to see her here. I imagine her tying it on in her heaven, drinking mint juleps with Tennessee Williams and Dean Martin. She'll be here in her own sweet time, I'm sure.
If I'm to be honest with you, I still sneak away to watch my family sometimes. I can't help it, and sometimes they still think of me. They can't help it....
It was a suprise to everyone when Lindsey found out she was pregnant...My father dreamed that one day he might teach another child to love ships in bottles. He knew there would be both sadness and joy in it; that it would always hold an echo of me.
I would like to tell you that it is beautiful here, that I am, and you will one day be, forever safe. But this heaven is not about safety just as, in its graciousness, it isn't about gritty reality. We have fun.
We do things that leave humans stumped and grateful, like Buckley's garden coming up one year, all of its crazy jumble of plants blooming all at once. I did that for my mother who, having stayed, found herself facing the yard again. Marvel was what she did at all the flowers and herbs and budding weeds. Marveling was what she mostly did after she came back- at the twists life took.
And my parents gave my leftover possessions to the Goodwill, along with Grandma Lynn's things.
They kept sharing when they felt me. Being together, thinking and talking about the dead, became a perfectly normal part of their life. And I listened to my brother, Buckley, as he beat the drums.
Ray became Dr. Singh... And he had more and more moments that he chose not to disbelieve. Even if surrounding him were the serious surgeons and scientists who ruled over a world of black and white, he maintained this possibility: that the ushering strangers that sometimes appeared to the dying were not the results of strokes, that he had called Ruth by my name, and that he had, indeed, made love to me.
If he ever doubted, he called Ruth. Ruth, who graduated from a closet to a closet-sized studio on the Lower East Side. Ruth, who was still trying to find a way to write down whom she saw and what she had experienced. Ruth, who wanted everyone to believe what she knew: that the dead truly talk to us, that in the air between the living, spirits bob and weave and laugh with us. They are the oxygen we breathe.
Now I am in the place I call this wide wide Heaven because it includes all my simplest desires but also the most humble and grand. The word my grandfather uses is comfort.
So there are cakes and pillows and colors galore, but underneath this more obvious patchwork quilt are places like a quiet room where you can go and hold someone's hand and not have to say anything. Give no story. Make no claim. Where you can live at the edge of your skin for as long as you wish. This wide wide Heaven is about flathead nails and the soft down of new leaves, wide roller coaster rides and escaped marbles that fall then hang then take you somewhere you could never have imagined in your small-heaven dreams.
”
”
Alice Sebold (The Lovely Bones)