β
Remember: the time you feel lonely is the time you most need to be by yourself. Life's cruelest irony.
β
β
Douglas Coupland (Shampoo Planet)
β
And then I felt sad because I realized that once people are broken in certain ways, they can't ever be fixed, and this is something nobody ever tells you when you are young and it never fails to surprise you as you grow older as you see the people in your life break one by one. You wonder when your turn is going to be, or if it's already happened.
β
β
Douglas Coupland (Life After God)
β
I don't deserve a soul, yet I still have one. I know because it hurts.
β
β
Douglas Coupland (The Gum Thief)
β
I don't think anyone ever gets over anything in life; they merely get used to it.
β
β
Douglas Coupland
β
TV and the Internet are good because they keep stupid people from spending too much time out in public.
β
β
Douglas Coupland (JPod)
β
We are all of us born with a letter inside us, and that only if we are true to ourselves, may we be allowed to read it before we die.
β
β
Douglas Coupland
β
Starved for affection, terrified of abandonment, I began to wonder if sex was really just an excuse to look deeply into another human being's eyes.
β
β
Douglas Coupland (Generation X: Tales for an Accelerated Culture)
β
In the end, I think the relationships that survive in this world are the ones where two people can finish each other's sentences. Forget drama and torrid sex and the clash of opposites. Give me banter any day of the week.
β
β
Douglas Coupland (Hey Nostradamus!)
β
Time ticks by; we grow older. Before we know it, too much time has passed and we've missed the chance to have had other people hurt us. To a younger me this sounded like luck; to an older me this sounds like a quiet tragedy.
β
β
Douglas Coupland (Life After God)
β
Here's my theory about meetings and life: the three things you can't fake are erections, competence and creativity.
β
β
Douglas Coupland (JPod)
β
When you're young, you always feel that life hasn't yet begunβthat "life" is always scheduled to begin next week, next month, next year, after the holidaysβwhenever. But then suddenly you're old and the scheduled life didn't arrive. You find yourself asking, 'Well then, exactly what was it I was havingβthat interludeβthe scrambly madnessβall that time I had before?
β
β
Douglas Coupland (Life After God)
β
The richness of the rain made me feel safe and protected; I have always considered the rain to be healingβa blanketβthe comfort of a friend. Without at least some rain in any given day, or at least a cloud or two on the horizon, I feel overwhelmed by the information of sunlight and yearn for the vital, muffling gift of falling water.
β
β
Douglas Coupland (Life After God)
β
All families are psychotic. Everybody has basically the same family - it's just reconfigured slightly different from one to the next.
β
β
Douglas Coupland (All Families are Psychotic)
β
Adventure without risk is Disneyland.
β
β
Douglas Coupland
β
Life is boring. People are vengeful. Good things always end. We do so many things and we donβt know why, and if we do find out why, itβs decades later and knowing why doesnβt matter any more.
β
β
Douglas Coupland
β
Here's what I think: the five most
unattractive traits in people are cheapness, clinginess, neediness, unwillingness to change and
jealousy. Jealousy is the worst, and by far the hardest to conceal.
β
β
Douglas Coupland (Hey Nostradamus!)
β
Please stop putting quotes from Nietzsche at the end of your emails. Five years ago you were laughing your guts out over American Pie 2. What β suddenly youβve magically turned into Noam Chomsky?
β
β
Douglas Coupland (JPod)
β
Eroticize intelligence.
β
β
Douglas Coupland (Generation X: Tales for an Accelerated Culture)
β
...blame is just a lazy person's way of making sense of chaos.
β
β
Douglas Coupland (All Families are Psychotic)
β
You know, I think the people I feel saddest for are the ones who once knew what profoundness was, but who lost or became numb to the sensation of wonder, who felt their emotions floating away and just didn't care. I guess that's what's scariest: not caring about the loss.
β
β
Douglas Coupland (Player One: What Is to Become of Us (CBC Massey Lectures))
β
In periods of rapid personal change, we pass through life as though we are spellcast. We speak in sentences that end before finishing. We sleep heavily because we need to ask so many questions as we dream alone. We bump into others and feel bashful at recognizing souls so similar to ourselves.
β
β
Douglas Coupland (Shampoo Planet)
β
We are changed souls; we don't look at things the same way anymore. For there was a time when we expected the worst. But then the worst happened, did it not? And so we will never be surprised again.
β
β
Douglas Coupland (Life After God)
β
there are three things we cry for in life: things that are lost, things that are found, and things that are magnificent.
β
β
Douglas Coupland (Girlfriend in a Coma)
β
I didn't realize then that so much of being adult is reconciling ourselves with the awkwardness and strangeness of our own feelings. Youth is the time of life lived for some imaginary audience.
β
β
Douglas Coupland (Girlfriend in a Coma)
β
So where do you start when you want to start your life again?
β
β
Douglas Coupland (Hey Nostradamus!)
β
I think of how the person who needs the other person the least in a relationship is the stronger member.
β
β
Douglas Coupland (Shampoo Planet)
β
My secret is that I need Godβthat I am sick and can no longer make it alone. I need God to help me give, because I no longer seem to be capable of giving; to help me be kind, as I no longer seem capable of kindness; to help me love, as I seem beyond being able to love.
β
β
Douglas Coupland
β
I realized that once people are broken in certain ways they can't ever be fixed, and this is something nobody ever tells you when you are young and it never fails to surprise you as you grow older as you see the people in your life break one by one.
β
β
Douglas Coupland (Life After God)
β
Dreams don't come true. Dreams die. Dreams get compromised. Dreams end up dealing meth in a booth at the back of the Olive Garden. Dreams choke to death on bay leaves. Dreams get spleen cancer.
β
β
Douglas Coupland (The Gum Thief)
β
I think if human beings had genuine courage, they'd wear their costumes every day of the year, not just on Halloween. Wouldn't life be more interesting that way? And now that I think about it, why the heck don't they? Who made the rule that everybody has to dress like sheep 364 days of the year? Think of all the people you'd meet if they were in costume every day. People would be so much easier to talk to - like talking to dogs.
β
β
Douglas Coupland (The Gum Thief)
β
She thought about her life and how lost sheβd felt for most of it. She thought about the way that all truths sheβd been taught to consider valuable invariably conflicted with the world as it was actually lived. How could a person be so utterly lost, yet remain living?
β
β
Douglas Coupland (All Families are Psychotic)
β
...and when you meet someone and fall in love, and they fall in love with you, you ask them "Will you take my heart-- stains and all?" and they say "I will," and they ask you the same question and you say, "I will," too.
β
β
Douglas Coupland (Microserfs)
β
Below a certain point, if you keep too quiet, people no longer see you as thoughtful or deep; they simply forget you.
β
β
Douglas Coupland (Eleanor Rigby)
β
I am going to give you a piece of advice... advice I wish I'd been told in guidance class back in high school, in between the don't-do-acid and don't-drink-and-drive films. I wish our counselors had told us, 'When you grow older a dreadful, horrible sensation will come over you. It's called loneliness, and you think you know what it is now, but you don't. Here is the list of the symptoms, and don't worryβloneliness is the most universal sensation on the planet. Just remember one factβloneliness will pass. You will survive and you will be a better human for it.
β
β
Douglas Coupland
β
As the expression goes, we spend our youth attaining wealth, and our wealth attaining youth.
β
β
Douglas Coupland (Generation X: Tales for an Accelerated Culture)
β
Destiny is what we work toward. The future doesn't exist yet. Fate is for losers!
β
β
Douglas Coupland (Girlfriend in a Coma)
β
Compromise is said to be the way of the world and yet I find myself feeling sick trying to accept what it has done to me.
β
β
Douglas Coupland (Life After God)
β
When someone tells you theyβve just bought a house, they might as well tell you they no longer have a personality. You can immediately assume so many things: that theyβre locked into jobs they hate; that theyβre broke; that they spend every night watching videos; that theyβre fifteen pounds overweight; that they no longer listen to new ideas. Itβs profoundly depressing.
β
β
Douglas Coupland (Generation X: Tales for an Accelerated Culture)
β
Jason once told me that eye contact is the most intimacy two people can have -- forget sex -- because the optic nerve is technically an extension of the brain, and when two people look into each other's eyes, it's brain-to-brain.
β
β
Douglas Coupland (Hey Nostradamus!)
β
She went crazy with a calm face,
justifiably so.
β
β
Douglas Coupland
β
I think that every reader on earth has a list of cherished books as unique as their fingerprints....I think that, as you age, you tend to gravitate towards the classics, but those aren't the books that give you the same sort of hope for the world that a cherished book does.
β
β
Douglas Coupland
β
Question: If there were two of you which one would win?
β
β
Douglas Coupland
β
I used to care about how other people thought I led my life. But lately I've realized that most people are too preoccupied with their own lives to give anybody else even the scantiest of thoughts.
β
β
Douglas Coupland (Microserfs)
β
Sometimes you can't realize you're in a bad mood until another person enters your orbit.
β
β
Douglas Coupland
β
I am aware that there is a world out there that functions without regard to me. There are wars and budgets and bombings and vast dimensions of wealth and greed and ambition and corruption. And yet I don't feel a part of that world, and I wouldn't know how to join if I tried.
β
β
Douglas Coupland (Hey Nostradamus!)
β
If you don't change, then what's the point of anything happening to you? It'll still be happening to an unchanged person.
β
β
Douglas Coupland (The Gum Thief)
β
Remember how, back in 1990, if you used a cellphone in public you looked like a total asshole? We're all assholes now.
β
β
Douglas Coupland (JPod)
β
After you're dead and buried and floating around whatever place we go to, what's going to be your best memory of earth? What one moment for you defines what it's like to be alive on this planet. What's your takeaway? Fake yuppie experiences that you had to spend money on, like white water rafting or elephant rides in Thailand don't count. I want to hear some small moment from your life that proves you're really alive.
β
β
Douglas Coupland (Generation X: Tales for an Accelerated Culture)
β
I saw doves and I thought they were rocks, but they were asleep. My breath made them stir, and they rocks took flight, the earth exploding... and my only thought was that I wanted you to see them, too.
β
β
Douglas Coupland (Microserfs)
β
Only the disenfranchised can party with abandon.
β
β
Douglas Coupland
β
A few years ago it dawned on me that everybody past a certain age - regardless of how they look on the outside - pretty much constantly dreams of being able to escape from their lives.
β
β
Douglas Coupland (The Gum Thief)
β
Do you ever just want to take your car out onto the highway and gun the engine as fast
as you can and then close your eyes and see what happens?
β
β
Douglas Coupland
β
There is no shame in impulse.
β
β
Douglas Coupland (Generation X: Tales for an Accelerated Culture)
β
One of the cruelest things you can do to another person is pretend you care about them more than you really do.
β
β
Douglas Coupland
β
People who advocate simplicity have money in the bank; the money came first, not the simplicity.
β
β
Douglas Coupland (The Gum Thief)
β
Beyond a certain age, sincerity ceases to feel pornographic.
β
β
Douglas Coupland (Life After God)
β
A few years ago it dawned on me that everybody past a certain age ... pretty much constantly dreams of being able to escape from their lives. They don't want to be who they are any more. They want out. This list includes Thurston Howell the Third, Ann-Margret, the cat members of Rent, VΓ‘clav Havel, space shuttle astronauts and Snuffleupagus. It's universal.
β
β
Douglas Coupland (The Gum Thief)
β
I thought about how odd it is for billions of people to be alive, yet not one of them is really quite sure of what makes people people. The only activities I could think of that humans do that have no animal equivalent were smoking, body-building and writing. That's not much, considering how special we seem to think we are.
β
β
Douglas Coupland (Life After God)
β
If he'd learned one thing while he'd been away, it was that loneliness is the most taboo subject in the world. Forget sex or politics or religion. Or even failure. Loneliness is what clears out a room.
β
β
Douglas Coupland (Miss Wyoming)
β
Life always kills you in the end, but first it prevents you from getting what you want.
β
β
Douglas Coupland (The Gum Thief)
β
I would like to fall in love again but my only hope is that love doesn't happen to me so often after this. I don't want to get so used to falling in love that i get curious to experience something more extreme - whatever that may be.
β
β
Douglas Coupland (Life After God)
β
Lists only spell out the things that can be taken away from us by moths and rust and thieves. If something is valuable, don't put it in a list. Don't even say the words.
β
β
Douglas Coupland (Hey Nostradamus!)
β
As I'm never going to be old, I'm glad that I never lost my sense of wonder about the world, although I have a hunch it would have happened pretty soon. I loved the world, its beauty and bigness as well as its smallness.
β
β
Douglas Coupland (Hey Nostradamus!)
β
Letting go of randomness is one of the hardest decisions a person can make.
β
β
Douglas Coupland (Microserfs)
β
Everybody has a βgripping strangerβ in their lives, Andy, a stranger who unwittingly possesses a bizarre hold over you. Maybe itβs the kid in cut-offs who mows your lawn or the woman wearing White Shoulders who stamps your book at the libraryβa stranger who, if you were to come home and find a message from them on your answering machine saying βDrop everything. I love you. Come away with me now to Florida,β youβd follow them.
β
β
Douglas Coupland (Generation X: Tales for an Accelerated Culture)
β
Happy. And then I got afraid that it would vanish as quickly as it came. That it was accidental-- that I didn't deserve it. It's like this very, very nice car crash that never ends.
β
β
Douglas Coupland (Microserfs)
β
You keep waiting for the moral of your life to become obvious, but it never does. Work, work, work: No moral. No plot. No eureka! Just production schedules and days. You might as well be living inside a photocopier. Your lives are all they're ever going to be.
β
β
Douglas Coupland (Player One: What Is to Become of Us (CBC Massey Lectures))
β
maybe memories are like karaoke-where you realize up on the stage, with all those lyrics scrawling across the screen's bottom, and with everybody clapping at you, that you didn't know even half the lyrics to your all-time favourite song. Only afterwards, when someone else is up on stage humiliating themselves amid the clapping and laughing, do you realize that what you liiked most about your favourite song was precisely your ignorance of its full meaning- and you read more into it than maybe existed in the first place. I think it's better to not know the lyrics to your life.
β
β
Douglas Coupland (The Gum Thief)
β
My mind then wandered. I thought of this: I thought of how every day each of us experiences a few little moments that have just a bit more resonance than other momentsβwe hear a word that sticks in our mindβor maybe we have a small experience that pulls us out of ourselves, if only brieflyβwe share a hotel elevator with a bride in her veils, say, or a stranger gives us a piece of bread to feed to the mallard ducks in the lagoon; a small child starts a conversation with us in a Dairy Queenβor we have an episode like the one I had with the M&M cars back at the Husky station.
And if we were to collect these small moments in a notebook and save them over a period of months we would see certain trends emerge from our collectionβcertain voices would emerge that have been trying to speak through us. We would realize that we have been having another life altogether; one we didnβt even know was going on inside us. And maybe this other life is more important than the one we think of as being realβthis clunky day-to-day world of furniture and noise and metal. So just maybe it is these small silent moments which are the true story-making events of our lives.
β
β
Douglas Coupland (Life After God)
β
After my brush with the suicidal impulse, I listen with new ears to others when they
speak on the subject. I think there are people who were born with that little door open, and they
have to go through life knowing that they might jump through it at any moment.
β
β
Douglas Coupland (Hey Nostradamus!)
β
Hasn't it been a long time since you had a flying dream?
β
β
Douglas Coupland (JPod)
β
Our achievements may make us interesting, Tyler, but our darkness makes us lovable.
β
β
Douglas Coupland (Shampoo Planet)
β
At least when you're young you're also stupid.
β
β
Douglas Coupland (Hey Nostradamus!)
β
Do you remember how you felt at seventeen? I do and I don't (...) Imagine you came from outer space and someone showed you a butterfly and a caterpillar. Would you ever put the two of them together? That's me and my memories.
β
β
Douglas Coupland (The Gum Thief)
β
Q: If you could be an animal, what kind of animal would you be?
A: You already are an animal.
β
β
Douglas Coupland (Generation X: Tales for an Accelerated Culture)
β
We're all born lost, aren't we? We're all born separated from God - over and over life makes sure to inform us of this - and yet we're all real: we have names, we have lives. We mean something. We must.
β
β
Douglas Coupland (Hey Nostradamus!)
β
Books turn people into isolated individuals, and once that's happened, the road only grows rockier. Books wire you to want to be Steve McQueen, but the world wants you to be SMcQ23667bot@hotmail.com.
β
β
Douglas Coupland (Generation A)
β
The modern world is devoted to vanishing species, vanishing weather and vanishing capacity for wonder.
β
β
Douglas Coupland (The Gum Thief)
β
I curled myself into a ball and cried quietly, doing that thing that only young people can do, namely, feeling sorry for myself. Once you're past thirty you lose that ability; instead of feeling sorry for yourself you turn bitter.
β
β
Douglas Coupland (Eleanor Rigby)
β
I think it takes an amazing amount of energy to convince oneself that the Forever Person isn't just around the corner. In the end I believe we never do convince ourselves. I know that I found it increasingly hard to maintain the pose of emotional self-sufficiency lying on my bed and sitting at my desk, watching the gulls cartwheeling in the clouds over the bridges, cradling myself in my own arms, breathing warm chocolate-and-vodka breath on a rose I had found on a street corner, trying to force it to bloom.
β
β
Douglas Coupland (Life After God)
β
I have always liked the idea of Superman because I have always liked the idea that there is one person in the world who doesnβt do bad things. And that there is one person in the world who is able to fly.
β
β
Douglas Coupland (Life After God)
β
And any small moments of intense, flaring beauty such as this morning's will be utterly forgotten, dissolved by time like a super-8 film left out in the rain, without sound, and quickly replaced by thousands of silently growing trees.
β
β
Douglas Coupland (Generation X: Tales for an Accelerated Culture)
β
By the age of twenty, you know you're not going to be a rock star. By twenty-five, you know you're not going to be a dentist or any kind of professional. And by thirty, darkness starts moving in- you wonder if you're ever going to be fulfilled, let alone wealthy and successful. By thirty-five, you know, basically, what you're going to be doing for the rest of your life, and you become resigned to your fate...
...I mean, why do people live so long? What could be the difference between death at fifty-five and death at sixty-five or seventy-five or eighty-five? Those extra years... what benefit could they possibly have? Why do we go on living even though nothing new happens, nothing new is learned, and nothing new is transmitted? At fifty-five, your story's pretty much over.
β
β
Douglas Coupland (Player One: What Is to Become of Us (CBC Massey Lectures))
β
Negative? Moi? I think realistic might be a better word. You mean to tell me we can drive all the way here from L.A. and see maybe ten thousand square miles of shopping malls, and you don't have maybe just the weentsiest inkling that something, somewhere has gone very very cuckoo?
β
β
Douglas Coupland (Generation X: Tales for an Accelerated Culture)
β
I cry because the future has once again found its sparkle and has grown a million times larger. And I cry because I am ashamed of how badly I have treated the people I loveβof how badly I behaved during my own personal Dark Agesβback before I had a future and someone who cared for me from above. It is like today the sky opened up and only now am I allowed to enter
β
β
Douglas Coupland (Shampoo Planet)
β
believe that you've had most of your important memories by the time you're thirty. After that, memory becomes water overflowing into an already full cup. New experiences just don't register in the same way or with the same impact. I could be shooting heroin with the Princess of Wales, naked in a crashing jet, and the experience still couldn't compare to the time the cops chased us after we threw the Taylors' patio furniture into their pool in eleventh grade.
β
β
Douglas Coupland
β
How can we be alive and not wonder about the stories we knit together this place we call the world? Without stories our universe is merely rocks and clouds and lava and blackness. It's a village scraped raw by warm waters leaving not a trace of what existed before.
β
β
Douglas Coupland (Generation A)
β
Our conversations are never easy, but as I-we-get older, we are finding that our conversations must bespoken. A need burns inside us to share with others what we are feeling Beyond a certain age, sincerity ceases to feel pornographic. It is as though the coolness that marked out youth is itself a type of retrovirus that can only leave you feeling empty. Full of holes.
β
β
Douglas Coupland (Life After God)
β
When you see such photos, you can't help but wonder at just how sweet and sad and innocent all moments of life are rendered by the tripping of a camera's shutter, for at that point the future is still unknown and has yet to hurt us, and also for that brief moment, our poses are accepted as honest.
β
β
Douglas Coupland
β
...we're told by TV and Reader's Digest that a crisis will trigger massive personal change--and that those big changes will make the pain worthwhile. But from what he could see, big change almost never happens. People simply feel lost. They have no idea what to say or do or feel or think. they become messes and tend to remain messes.
β
β
Douglas Coupland (The Gum Thief)
β
And then sometimes I think the people to feel saddest for are people who once knew what profoundness was, but who lost or became numb to the sensation of wonder β people who closed the doors that leads us into the secret world β or who had the doors closed for them by time and neglect and decisions made in times of weakness.
β
β
Douglas Coupland (Life After God)
β
Now - here is my secret:
I tell it to you with an openness of heart that I doubt I shall ever achieve again,
so I pray that you are in a quiet room as you hear these words. My secret is that I need God - that I am sick and can no longer make it alone. I need God to help me give, because I no longer seem capable of giving; to help me be kind, as I no longer seem capable of kindness; to help me love, as I seem beyond being able to love.
β
β
Douglas Coupland
β
It's starts out young- you try not be different just to survive- you try to be just like everyone else- anonymity becomes reflexive- and then one day you wake up and you've become all those other people- the others- the something you aren't. And you wonder if you can ever be what it is you really are. Or you wonder if it's too late to find out.
β
β
Douglas Coupland (Microserfs)
β
Time, Baby - so much, so much time left until the end of my life - sometimes I go crazy at how slowly time passes yet how quickly my body ages.
But I shouldn't allow myself to think like this. I have to remind myself that time only frightens me when I think of having to spend it alone. Sometimes I scare myself with how many of my thoughts revolve around making me feel better about sleeping alone in a room.
β
β
Douglas Coupland (Life After God)
β
You guys just wait and see. We'll stand taller than these mountains. We'll bare open our hearts for the world to grab. We'll see lights where there was dimness. We'll testify together to what we have seen and felt. Life will go on--all of us--crawling; stumbling, falling perhaps. But we will be the strong ones. Our hearts will shine brightly.
β
β
Douglas Coupland (Girlfriend in a Coma)
β
She says to me, but were we ever intimate? How intimate were we really? Sure, there were the ordinary familiarity-type things - our bodies, our bodily discharges and stains and seepages, an encyclopedic knowledge of each other's family grudges, knowledge of each other's early school yard slights, our dietary peccadilloes, our tv remote control channel-changing styles. And yet...
And yet?
And yet in the end did we ever really give each other completely to the other? Do either of us even know how to really share ourselves? Imagine the house is on fire and I reach to save one thing - what is it? Do you know? Imagine that I am drowning and I reach within myself to save that one memory which is me - what is it? Do you know? What things would either of us reach for? Neither of us know. After all these years we just wouldn't know.
β
β
Douglas Coupland (Life After God)
β
What else? I also believe that if someone comes up behind you on the freeway and flashes their lights to get you to move into the slow lane, they deserve whatever punishment you dole out to them. I promptly slow down and drive at the same speed as the car beside me so that I can punish Speed Racer for his impertinence.
Actually, itβs not the impertinence Iβm punishing him for, itβs that he let other people know what he wanted.
Speed Racer, my friend, never ever let people know what you want. Because if you do, you might as well send them engraved invitations saying, βHi, this is what I want you to prevent me from ever having.
β
β
Douglas Coupland (The Gum Thief)
β
I am a quiet man. I tend to think things through and try not to say too much. But here I am, saying perhaps too much. But there are these feelings inside me which need badly to escape, I guess. And this makes me feel relieved because one of my big concerns these past few years is that I've been losing my ability to feel things with the same intensity- the way I felt when I was younger. It's scary- to feel your emotions floating away and just not caring. I guess what's really scary is not caring about the loss.
β
β
Douglas Coupland (Life After God)
β
There are a number of things a woman can tell about a man who is roughly twenty-nine years old,
sitting in the cab of a pickup truck at 3:37 in the afternoon on a weekday, facing the Pacific,
writing furiously on the back of pink invoice slips. Such a man may or may not be employed, but
regardless, there is mystery there. If this man is with a dog, then that's good, because it means he's
capable of forming relationships. But if the dog is a male dog, that's probably a bad sign, because
it means the guy is likely a dog, too. A girl dog is much better, but if the guy is over thirty, any
kind of dog is a bad sign regardless, because it means he's stopped trusting humans altogether. In
general, if nothing else, guys my age with dogs are going to be work.
Then there's stubble: stubble indicates a possible drinker, but if he's driving a van or a pickup
truck, he hasn't hit bottom yet, so watch out, honey. A guy writing something on a clipboard
while facing the ocean at 3:37 P.M. may be writing poetry, or he may be writing a letter begging
someone for forgiveness. But if he's writing real words, not just a job estimate or something
business-y, then more likely than not this guy has something emotional going on, which could
mean he has a soul.
β
β
Douglas Coupland (Hey Nostradamus!)
β
What I will tell you, son of sons, is this: shortly, if not already, you will begin noticing the blackness inside us all. You will develop black secrets and commit black actions. You will be shocked at the insensitivities and transgressions you are capable of, yet you will be unable to stop them. And by the time you are thirty, your friends will all have black secrets, too, but it will be years before you learn exactly *what* their black secrets are. Life at that point will become like throwing a Frisbee in a graveyard; much of the pleasure of your dealings with your friends will stem from the contrast between your sparkling youth and the ink you now know lies at your feet.
Later, as you get to be my age, you will see your friends begin to die, to lose their memories, to see their skins turn wrinkled and sick. You will see the effects of dark secrets making themslves know - via their minds and bodies and via the stories your friends - yes, Harmony, Gaia, Mei-lin, Davidson, and the rest - will begin telling you at three-thirty in the morning as you put iodine on their bruises, arrange for tetanus shots, dial 911, and listen to them cry. The only payback for all of this - for the conversion of their once-young hearts into tar - will be that you will love your friends more, even though they have made you see the universe as an emptier and scarier place - and they will love you more, too.
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Douglas Coupland (Shampoo Planet)