“
Rebound sex is fine when you want to rebound and bounce back in life, but when you only want to bounce back into a bed with your ex-girlfriend, rebound sex would only ever turn out to be a regrettable thing
”
”
Jimmy Tudeski (Double Trouble)
“
A consequence of female self-love is that the woman grows convinced of social worth. Her love for her body will be unqualified, which is the basis of female identification. If a woman loves her own body, she doesn't grudge what other women do with theirs; if she loves femaleness, she champions its rights. It's true what they say about women: Women are insatiable. We are greedy. Our appetites do need to be controlled if things are to stay in place. If the world were ours too, if we believed we could get away with it, we would ask for more love, more sex, more money, more commitment to children, more food, more care. These sexual, emotional, and physical demands would begin to extend to social demands: payment for care of the elderly, parental leave, childcare, etc. The force of female desire would be so great that society would truly have to reckon with what women want, in bed and in the world.
”
”
Naomi Wolf (The Beauty Myth)
“
A double bed can seem awfully small if your'e sharing it with someone you don't love. (Misia)
”
”
Chris Greenhalgh (Coco Chanel & Igor Stravinsky)
“
Women could probably be trained quite easily to see men first as sexual things. If girls never experienced sexual violence; if a girl's only window on male sexuality were a stream of easily available, well-lit, cheap images of boys slightly older than herself, in their late teens, smiling encouragingly and revealing cuddly erect penises the color of roses or mocha, she might well look at, masturbate to, and, as an adult, "need" beauty pornography based on the bodies of men. And if those initiating penises were represented to the girl as pneumatically erectible, swerving neither left nor right, tasting of cinnamon or forest berries, innocent of random hairs, and ever ready; if they were presented alongside their measurements, length, and circumference to the quarter inch; if they seemed to be available to her with no troublesome personality attached; if her sweet pleasure seemed to be the only reason for them to exist--then a real young man would probably approach the young woman's bed with, to say the least, a failing heart.
”
”
Naomi Wolf (The Beauty Myth)
“
Hey.” He watched me back away as if he was dangerous. He looked entirely too pleased with himself. “Where are you going?”
“To bed.” Double crap. What if he thought that was an invitation? Was it an invitation? And when, exactly, had I lost my mind? “Uh, I meant to my room. Where my bed is. And—shit.” I forced myself to stop babbling.
”
”
Alyxandra Harvey (Out for Blood (Drake Chronicles, #3))
“
At some point all of this is going to catch up with me,” I said.
“What is?”
“Gay, boyfriend, job loss, career in the toilet, gay, criminals in my house, criminals in my bed.”
“You said the gay thing twice.”
“It deserves double billing.
”
”
Dani Alexander (Shattered Glass (Shattered Glass, #1))
“
An afternoon drive from Los Angeles will take you up into the high mountains, where eagles circle above the forests and the cold blue lakes, or out over the Mojave Desert, with its weird vegetation and immense vistas. Not very far away are Death Valley, and Yosemite, and Sequoia Forest with its giant trees which were growing long before the Parthenon was built; they are the oldest living things in the world. One should visit such places often, and be conscious, in the midst of the city, of their surrounding presence. For this is the real nature of California and the secret of its fascination; this untamed, undomesticated, aloof, prehistoric landscape which relentlessly reminds the traveller of his human condition and the circumstances of his tenure upon the earth. "You are perfectly welcome," it tells him, "during your short visit. Everything is at your disposal. Only, I must warn you, if things go wrong, don't blame me. I accept no responsibility. I am not part of your neurosis. Don't cry to me for safety. There is no home here. There is no security in your mansions or your fortresses, your family vaults or your banks or your double beds. Understand this fact, and you will be free. Accept it, and you will be happy.
”
”
Christopher Isherwood (Exhumations)
“
The steel door of the incinerator went up and the muted hum of the eternal fire became a red roaring. The heat lunged out at them like a famished beast. Then Rahel's Ammu was fed to it. Her hair, her skin, her smile. Her voice. They way she used Kipling to love her children before putting them to bed: We be of one blood, though and I. Her goodnight kiss. The way she held their faces steady with one hand (squashed-cheeked, fish-mouthed) while she parted and combed their hair with the other. The way she held knickers out for Rahel to climb into. Left leg, right leg. All this was fed to the beast, and it was satisfied.
She was their Ammu and their Baba and she had loved them Double.
”
”
Arundhati Roy (The God of Small Things)
“
Fire
i
The morning you were made to leave
she sat on the front steps,
dress tucked between her thighs,
a packet of Marlboro Lights
near her bare feet, painting her nails
until the polish curdled.
Her mother phoned–
What do you mean he hit you?
Your father hit me all the time
but I never left him.
He pays the bills
and he comes home at night,
what more do you want?
Later that night she picked the polish off
with her front teeth until the bed you shared
for seven years seemed speckled with glitter
and blood.
ii
On the drive to the hotel, you remember
“the funeral you went to as a little boy,
double burial for a couple who
burned to death in their bedroom.
The wife had been visited
by her husband’s lover,
a young and beautiful woman who paraded
her naked body in the couple’s kitchen,
lifting her dress to expose breasts
mottled with small fleshy marks,
a back sucked and bruised, then dressed herself
and walked out of the front door.
The wife, waiting for her husband to come home,
doused herself in lighter fluid. On his arrival
she jumped on him, wrapping her legs around
his torso. The husband, surprised at her sudden urge,
carried his wife to the bedroom, where
she straddled him on their bed, held his face
against her chest and lit a match.
iii
A young man greets you in the elevator.
He smiles like he has pennies hidden in his cheeks.
You’re looking at his shoes when he says
the rooms in this hotel are sweltering.
Last night in bed I swear I thought
my body was on fire.
”
”
Warsan Shire (Teaching My Mother How to Give Birth)
“
Now, Watson,” said Holmes, as a tall dog-cart dashed up through the gloom, throwing out two golden tunnels of yellow light from its side lanterns. “You’ll come with me, won’t you?”
“If I can be of use.”
“Oh, a trusty comrade is always of use; and a chronicler still more so. My room at The Cedars is a double-bedded one.
”
”
Arthur Conan Doyle (The Adventures of Sherlock Holmes)
“
Modernity’s double punishment is to make us both age prematurely and live longer.
”
”
Nassim Nicholas Taleb (The Bed of Procrustes: Philosophical and Practical Aphorisms)
“
(The law) is like a single-bed blanket on a double bed and three folks in the bed and a cold night. There ain’t ever enough blanket to cover the case, no matter how much pulling and hauling, and somebody is always going to nigh catch pneumonia. Hell, the law is like the pants you bought last year for a growing boy, but it is always this year and the seams are popped and the shankbone’s to the breeze. The law is always too short and too tight for growing humankind.
”
”
Robert Penn Warren (All the King's Men)
“
We could endlessly reminisce, live in the past to an unhealthy degree, then politely kill each other some winter night before bedtime, stirring poison into our cups of whiskey-spiked chamomile tea, wearing party hats. Then, nervous about our double homicide, we could lie in bed together, holding hands again, frightened and waiting, still wondering, after all these years, if we even believed in our own souls.
”
”
Timothy Schaffert (The Coffins of Little Hope)
“
Long, long ago; her thought was of that child
By him begot, the son by whom the sire
Was murdered and the mother left to breed
With her own seed, a monstrous progeny.
Then she bewailed the marriage bed whereon
Poor wretch, she had conceived a double brood,
Husband by husband, children by her child.
”
”
Sophocles (Oedipus Rex (The Theban Plays, #1))
“
My sole consolation when I went upstairs for the night was that Mamma would come in and kiss me after I was in bed. But this good night lasted for so short a time, she went down again so soon, that the moment in which I heard her climb the stairs, and then caught the sound of her garden dress of blue muslin, from which hung little tassels of plaited straw, rustling along the double-doored corridor, was for me a moment of the utmost pain; for it heralded the moment which was to follow it, when she would have left me and gone downstairs again.
”
”
Marcel Proust (In Search of Lost Time: The Complete Masterpiece)
“
An emptiness rules at its core, a rottenness, a silence when one of you retires to bed without saying good night, when you eat together without conversation, when the phone's passed wordlessly to the other. An emptiness when every night you lie in the double bed, restlessly awake, astounded at how closely hate can nudge against love, can wind around it sinuously like a cat. An emptiness when you realize that the loneliest you've ever been is within a marriage, as a wife.
”
”
Nikki Gemmell (The Bride Stripped Bare (Bride Trilogy, #1))
“
Adam." She rubbed her forehead with her fingers. "There will be only one bed." He frowned. "No, as I said it's a double-" "It's not. It won't be. There will be only one bed, for sure."He gave her a puzzled look. "I got the booking confirmation the other day. I can forward it to you if you want; it says that-" "It doesn't matter what it says. It's always one bed." He stared at her, perplexed, and she sighed and leaned helplessly against the back of her chair. He'd clearly never seen a rom-com or read a romance novel in his life.
”
”
Ali Hazelwood (The Love Hypothesis)
“
There are quiet places also in the mind,” he said, meditatively. “But we build bandstand and factories on them. Deliberately—to put a stop to the quietness. We don’t like the quietness. All the thoughts, all the preoccupation in my head—round and round continually.” He made a circular motion with his hands. “And the jazz bands, the music hall songs, the boys shouting the news. What’s it all for? To put an end to the quiet, to break it up and disperse it, to pretend at any cost it isn’t there. Ah, but it is, it is there, in spite of everything, at the back of everything. Lying awake at night, sometimes—not restlessly, but serenely, waiting for sleep—the quiet re-establishes itself, piece by piece; all the broken bits, all the fragments of it we’ve been so busily dispersing all day long. It re-establishes itself, an inward quiet, like this outward quiet of grass and trees. It fills one, it grows –a crystal quiet, a growing expanding crystal. It grows, it becomes more perfect; it is beautiful and terrifying, yes, terrifying, as well as beautiful. For one’s alone in the crystal and there’s no support from outside, there’s nothing external and important, nothing external and trivial to pull oneself up by or to stand up, superiorly, contemptuously, so that one can look down. There’s nothing to laugh at or feel enthusiastic about. But the quiet grows and grows. Beautifully and unbearably. And at last you are conscious of something approaching; it is almost a faint sound of footsteps. Something inexpressibly lovely and wonderful advances through the crystal, nearer, nearer. And oh, inexpressibly terrifying. For if it were to touch you, if it were to seize and engulf you, you’d die; all the regular habitual, daily part of you would die. There would be and end of bandstands and whizzing factories, and one would have to begin living arduously in the quiet, arduously n some strange unheard-of manner. Nearer, nearer come the steps; but one can’t face the advancing thing. One daren’t. It’s too terrifying; it’s too painful to die. Quickly, before it is too late, start the factory wheels, bang the drum, blow up the saxophone. Think of the women you’d like to sleep with, the schemes for making money, the gossip about your friends, the last outrage of the politicians. Anything for a diversion. Break the silence, smash the crystal to pieces. There, it lies in bits; it is easily broken, hard to build up and easy to break. And the steps? Ah, those have taken themselves off, double quick. Double quick, they were gone at the flawing of the crystal. And by this time the lovely and terrifying thing is three infinities away, at least. And you lie tranquilly on your bed, thinking of what you’d do if you had ten thousand pounds and of all the fornications you’ll never commit.
”
”
Aldous Huxley
“
Now, Watson,' said Holmes, (...) 'you'll come with me, won't you?'
'If I can be of use.'
'Oh, a trusty comrade is always of use. And a chronicler still more so. My room at The Cedars is a double-bedded one.'
(...)
'You have a grand gift of silence, Watson,' said he. 'It makes you quite invaluable as a companion. Pon my word, it is a great thing for me to have someone to talk to, for my own thoughts are not over-pleasant.
”
”
Arthur Conan Doyle (The Man with the Twisted Lip - a Sherlock Holmes Short Story (The Adventures of Sherlock Holmes, #6))
“
Arthur Less is the first homosexual ever to grow old. That is, at least, how he feels at times like these. Here, in this tub, he should be twenty-five or thirty, a beautiful young man naked in a bathtub. Enjoying the pleasures of life. How dreadful if someone came upon naked Less today: pink to his middle, gray to his scalp, like those old double erasers for pencil and ink. He has never seen another gay man age past fifty, none except Robert. He met them all at forty or so but never saw them make it much beyond; they died of AIDS, that generation. Less’s generation often feels like the first to explore the land beyond fifty. How are they meant to do it? Do you stay a boy forever, and dye your hair and diet to stay lean and wear tight shirts and jeans and go out dancing until you drop dead at eighty? Or do you do the opposite—do you forswear all that, and let your hair go gray, and wear elegant sweaters that cover your belly, and smile on past pleasures that will never come again? Do you marry and adopt a child? In a couple, do you each take a lover, like matching nightstands by the bed, so that sex will not vanish entirely? Or do you let sex vanish entirely, as heterosexuals do? Do you experience the relief of letting go of all that vanity, anxiety, desire, and pain?
”
”
Andrew Sean Greer (Less)
“
My wife has made up Ty’s old bedroom for you,” he told him in a low voice as Ty and Mara argued over the merits of the couch cushions versus the rocks out back.
“Oh Christ.” Zane laughed, falling back in his chair. “He won’t let me forget this. Losing his bed to me.”
“Well,” Earl said with a sigh, “it’s either that or fight his mama over it.” He sat and watched Ty and Mara for a moment, sipping at his coffee contentedly. “Ain’t none of us ever won that fight,” he told Zane flatly.
“Me and Zane’ll just bunk together,” Ty was arguing.
Mara laughed at him. “You two boys won’t fit in a double bed any more than I’ll still fit in my wedding dress,” she scoffed.
[...]
“Good morning, Zane dear, how did you sleep?” Mara asked as she came up to him and pressed a glass of orange juice into his hands.
“Ah, okay,” Zane hedged, taking the glass out of self-defense. “I don’t do too well sleeping in strange places lately, but….”
“Well, Ty’s bed is about as strange a place as you can get,” Deuce offered under his breath. He followed it with a muffled grunt as Ty kicked him under the table.
”
”
Abigail Roux (Sticks & Stones (Cut & Run, #2))
“
How can I have put on 3 lbs. since the middle of the night? I was 130 when I went to bed, 128 at 4 a.m. and 131 when I got up. I can understand weight coming off—it could have evaporated or passed out of the body into the toilet—but how could it be put on? Could food react chemically with other food, double its density and volume, and solidify into even heavier and denser hard fat?
”
”
Helen Fielding (Bridget Jones's Diary (Bridget Jones, #1))
“
The Eye-Mote
Blameless as daylight I stood looking
At a field of horses, necks bent, manes blown,
Tails streaming against the green
Backdrop of sycamores. Sun was striking
White chapel pinnacles over the roofs,
Holding the horses, the clouds, the leaves
Steadily rooted though they were all flowing
Away to the left like reeds in a sea
When the splinter flew in and stuck my eye,
Needling it dark. Then I was seeing
A melding of shapes in a hot rain:
Horses warped on the altering green,
Outlandish as double-humped camels or unicorns,
Grazing at the margins of a bad monochrome,
Beasts of oasis, a better time.
Abrading my lid, the small grain burns:
Red cinder around which I myself,
Horses, planets and spires revolve.
Neither tears nor the easing flush
Of eyebaths can unseat the speck:
It sticks, and it has stuck a week.
I wear the present itch for flesh,
Blind to what will be and what was.
I dream that I am Oedipus.
What I want back is what I was
Before the bed, before the knife,
Before the brooch-pin and the salve
Fixed me in this parenthesis;
Horses fluent in the wind,
A place, a time gone out of mind.
--written 1959
”
”
Sylvia Plath (The Colossus and Other Poems)
“
Nana and I had to take off our shoes, roll up our trouser legs, and wade into the cottage. Fortunately the double bed we shared had tall legs, so we slept about two feet above the muddy water. . . . But the cottage was also fun. When the flood receded, mushrooms would spring up under the bed and in the corners of the room. With a little imagination, the floor looked like something out of a fairy tale.
”
”
Jung Chang (Wild Swans: Three Daughters of China)
“
I jumped up from the bed and paced the small space in front of Romeo. He was absolutely nuts.
"Why the hell would you do that?" I asked.
Then I stubbed my toe on the edge of my desk.
"Ow!" I hissed and doubled over while bouncing around on one foot.
"You're like a one-woman show," Romeo remarked from behind me. His voice was clearly amused.
"I need my glasses," I muttered, hopping around and reaching for them somewhere near my bed. I knocked something over and it fell to the floor.
"Whoa there, graceful," Romeo said and scooped me up in his arms.
I let out a little squeak in surprise. "Put me down."
"No," he said mildly. "You are a danger to yourself."
I made a hmph sound and he snickered.
- Rimmel & Romeo
”
”
Cambria Hebert (#Nerd (Hashtag, #1))
“
Jase had seen me, restless, walking, organizing supplies that were already ordered. Everyone else was asleep on their bedrolls. He came up behind me, his hands circling my waist. "I can't sleep either," he said. His lips grazed my neck, and he whispered, "Tell me a riddle, Kazi." We laid out a blanket on a bed of grass, the stars of Hetisha's Chariot, Eagle's Nest, and Thieves' Gold lighting our way, far from everyone else. I settled in next to him, laying my head in the crook of his shoulder, his arm wrapping around me, pulling me close.
"Listen carefully now, Jase Ballenger. I won't repeat myself."
"I'm a good listener."
I know you are. I've known that since our first night together. That's what makes you dangerous. You make me want to share everything with you. I cleared my throat, signaling I was ready to begin.
"If I were a color, I'd be red as a rose,
I make your blood rush, and tingle your toes,
I taste of honey and spring, and a good bit of trouble,
But I make the birds sing, and all the stars double.
I can be quick, a mere peck, or slow and divine,
And that is probably, the very best kind."
"Hmm..." he said, as if stumped. "Let me think for a minute..." He rolled up on one elbow, looking down at me, the stars dusting his cheekbones. "Honey?" He kissed my forehead. "Spring?" He kissed my chin. "You are a good bit of trouble, Kazi of Brightmist." "I try my best." "I may have to take this one slowly..." His hand traveled leisurely from my waist, across my ribs, to my neck, until he was cupping my cheek. My blood rushed; the stars blurred. "Very slowly...to figure it all out." And then his lips pressed, warm and demanding onto mine, and I hoped it would take him an eternity to solve the riddle.
”
”
Mary E. Pearson (Dance of Thieves (Dance of Thieves, #1))
“
In my own single bed, I know. I know its width and length in hand spans and kicks and there is no spot so far from my body that it cannot feel the heat of my blood. A double bed is a dare, a question. A single bed is complete with just me in it. A double bed is a vacant promise. A threatening Miss Havisham. The thought of having one in my house makes my lower back ache. I wouldn't know how to lie in it.
”
”
Toni Jordan (Addition)
“
A double bed can seem awfully small if your'e sharing it with someone you don't love." -Misia
― Coco Chanel & Igor Stravinsky
”
”
Chris Greenhalgh (Coco Chanel & Igor Stravinsky)
“
In other parts of the world, they have double-bed sheets,” wrote Wilbur Larch in A Brief History of St. Cloud’s. “Here in St. Cloud’s we do without—we just do without.
”
”
John Irving (The Cider House Rules)
“
I WOKE the next morning with a silly smile on my face. Like Donna Fargo, I was the "Happiest Girl in the Whole U.S.A." even though I was still "Sleeping Single in a Double Bed.
”
”
Nick Wilgus (Shaking the Sugar Tree (Sugar Tree, #1))
“
Oh how she wept, mourning the marriage-bed
where she let loose that double brood—monsters—
husband by her husband, children by her child.
”
”
Sophocles (The Three Theban Plays: Antigone; Oedipus the King; Oedipus at Colonus (Annotated))
“
[Sex] is only a mirage, floating in shimmering mockery before the bulging eyes of middle-aged men as they stumble with little whimpers toward the double bed, that somewhere there is a person that will evoke from them sensations of which they dimly dream they are capable.
”
”
Quentin Crisp (The Naked Civil Servant)
“
There were twin double beds, each covered with bright-gold spreads that had been tucked under the pillows and then pulled over them, so the pillows looked like the corpses of infants.
”
”
Stephen King (Everything's Eventual: 14 Dark Tales)
“
All you need to be married are champagne, a box of cigars, and a double bed,” he said. Or this: “One of the secrets of a happy marriage is never to speak to or see the loved one before noon.
”
”
Erik Larson (The Splendid and the Vile: A Saga of Churchill, Family, and Defiance During the Blitz)
“
Tonight , I leave the bathroom light on and double-check the lock on the front door. I rest in the middle of the bed again and make a few more snow angels. It is a fruitless exercise though, because when I am done moving my arms upward and downward, I end up in exactly the same place I started.
”
”
Julie Buxbaum
“
A lot of performers, if they go to bed with a woman on the road, they think of her as a slut. As a person and a man, what does that make them then? Lowlife or high living, you give as good as you get, and I don't think women's sex lives have a thing to do with the kinds of human beings they are.
”
”
Waylon Jennings (Waylon: An Autobiography)
“
Do you think we're being robbed?" I whispered.
He nodded gravely, then crawled over to my closet and opened it.
"Did you want to borrow something more formal to wear for the robbery? I'm not sure I have anything in your size."
"Shh," he whispered. "Don't you at least have a tennis racket or anything?"
"You think they came here looking for a doubles partner?"
He turned quickly and gave me a look, then whipped a Wiffle bat out of the mess.
"Wow," I said. "You jock-type people really are single-minded, aren't you? Uh-oh, we're being robbed. Let's play ball!"
"It's for a weapon," Carson whispered.
"You're gonna hit them with a Wiffle bat?"
"What else you got?"
"Um...A pillow"
"Exactly" ... "Stay behind me," he whispered.
"Can I just say that I never knew this about me before, but weirdly enough this whole protective he-man thing actually turns me on."
"Josie."
"What," I asked.
"Shut Up."
I grabbed my pillow, just in case, so to speak, and tiptoed behind him around the mussed-up bed. "Maybe we should just hide in the closet."
He turned around, rolled his eyes and kissed me. "Shh," he repeated.
”
”
Rachel Vail (You, Maybe: The Profound Asymmetry of Love in High School)
“
Churchill believed marriage to be a simple thing and sought to dispel its mysteries through a series of aphorisms. “All you need to be married are champagne, a box of cigars, and a double bed,” he said. Or this: “One of the secrets of a happy marriage is never to speak to or see the loved one before noon.” Churchill had a formula for family size as well. Four children was the ideal number: “One to reproduce your wife, one to reproduce yourself, one for the increase in population, and one in case of accident.
”
”
Erik Larson (The Splendid and the Vile: A Saga of Churchill, Family, and Defiance During the Blitz)
“
Three years of marriage,” he said, “and the dishwasher means more to your conjugal life than the double bed I’m throwing in for good measure. I warned you it wouldn’t last. The marriage, I mean, not the bed.
”
”
Daphne du Maurier (The House on the Strand)
“
No, the Boss corrected, I'm not a lawyer. I know some law. ... but I'm not a lawyer. That's why I can see what the law is like. It's like a single-bed blanket on a double bed and three folks in the bed and a cold night. There ain't ever enough blanket to cover the case, no matter how much pulling and hauling, and somebody is always going to nigh catch pneumonia. Hell, the law is like the pants you bought last year for a growing boy, but it is always this year and the seams are popped and the shankbone's to the breeze. The law is always too short and too tight for growing humankind. The best you can do is do something and then make up some law to fit and by the time that law gets on the books you would have done something different.
”
”
Robert Penn Warren (All the King's Men)
“
Detective Inspector Carver took a picture from the breast pocket of his suit. He handed it to me. ‘This is what you did, Michael. Take a good look. See if it jogs your memory.’
I gawped at the mutilated corpse of a naked young girl lying on a blood-soaked double bed. Her hands were bound to the brass headboard with duct tape. Blood covered her upper body, and her long blonde hair was streaked a murderous shade of red. One eye stared at the ceiling as if searching for salvation, the other, a bloody unrecognisable pulp, bore no relation to its sightless counterpart.
‘Carla Marie Coombs. Twenty-one years of age. Do you recognise her, Michael?
”
”
Mark Tilbury (The Abattoir of Dreams)
“
My father was too distracted to see anything in this. Mimicking my mother, he taped it to the fridge in the same place Buckley's long-forgotten drawing of the Inbetween had been. But my brother knew something was wrong with his story. Knew it by how his teacher reacted, doing a double take like they did in his comic books. He took the story down and brought it to my old room while Grandma Lynn was downstairs. He folded it into a tiny square and put it inside the now-empty insides of my four poster bed.
~pgs 217-218; Buckley's childhood
”
”
Alice Sebold (The Lovely Bones)
“
But when I lay in bed and felt uncomfortable, it came back on the double as if to score a point each time I thought I’d felt the last of it. I had known it would hurt. What I hadn't expected was that the hurt would find itself coiled and twisted into sudden pangs of guilt.
”
”
André Aciman (Call Me by Your Name)
“
Adults called it the nursery. Willy had the larger half, with a double bed, a good-sized basin, a cupboard with mirrored doors, a beautiful window looking down on the courtyard, the fountain, the bronze statue of a roe deer buck. My half of the room was far smaller, less luxurious. I never asked why. I didn’t care. But I also didn’t need to ask. Two years older than me, Willy was the Heir, whereas I was the Spare.
”
”
Prince Harry (Spare)
“
The previous governess had used various monsters and bogeymen as a form of discipline. There was always something waiting to eat or carry off bad boys and girls for crimes like stuttering or defiantly and aggravatingly persisting in writing with their left hand. There was always a Scissor Man waiting for a little girl who sucked her thumb, always a bogeyman in the cellar. Of such bricks is the innocence of childhood constructed. Susan’s attempts at getting them to disbelieve in the things only caused the problems to get worse. Twyla had started to wet the bed. This may have been a crude form of defense against the terrible clawed creature that she was certain lived under it. Susan had found out about this one the first night, when the child had woken up crying because of a bogeyman in the closet. She’d sighed and gone to have a look. She’d been so angry that she’d pulled it out, hit it over the head with the nursery poker, dislocated its shoulder as a means of emphasis and kicked it out of the back door. The children refused to disbelieve in the monsters because, frankly, they knew damn well the things were there. But she’d found that they could, very firmly, also believe in the poker. Now she sat down on a bench and read a book. She made a point of taking the children, every day, somewhere where they could meet others of the same age. If they got the hang of the playground, she thought, adult life would hold no fears. Besides, it was nice to hear the voices of little children at play, provided you took care to be far enough away not to hear what they were actually saying. There were lessons later on. These were going a lot better now she’d got rid of the reading books about bouncy balls and dogs called Spot. She’d got Gawain on to the military campaigns of General Tacticus, which were suitably bloodthirsty but, more importantly, considered too difficult for a child. As a result his vocabulary was doubling every week and he could already use words like “disemboweled” in everyday conversation. After all, what was the point of teaching children to be children? They were naturally good at it.
”
”
Terry Pratchett (Hogfather (Discworld, #20))
“
What a world it was! Literally swimming in sunshine, from the sparkling sea in the distance, to the beds of marigolds close by--huge marigolds, double and single, mingled with carnations that filled the air with rich autumnal scent, all the more delicious because we feel it is autumnal, and therefore cannot last.
”
”
Dinah Maria Mulock Craik (An Unsentimental Journey Through Cornwall)
“
I shall never go back, I said to myself.
A door had shut, the low door in the wall I had sought and found in Oxford; open it now and I should find no enchanted garden.
I had come to the surface, into the light of common day and the fresh sea-air, after long captivity in the sunless coral palaces and waving forests of the ocean bed.
I had left behind me – what? Youth? Adolescence? Romance? The conjuring stuff of these things, "the Young Magician's Compendium," that neat cabinet where the ebony wand had its place beside the delusive billiard balls, the penny that folded double and the feather flowers that could be drawn into a hollow candle.
"I have left behind illusion," I said to myself. "Henceforth I live in a world of three dimensions — with the aid of my five senses."
I have since learned that there is no such world; but then, as the car turned out of sight of the house, I thought it took no finding, but lay all about me at the end of the avenue.
”
”
Evelyn Waugh (Brideshead Revisited)
“
So,Batman,eh?"
Effing St. Clair.
I cross my arms and slouch into one of the plastic seats. I am so not in the mood for this.He takes the chair next to me and drapes a relaxed arm over the back of the empty seat on his other side. The man across from us is engrossed in his laptop,and I pretend to be engrossed in his laptop,too. Well,the back of it.
St. Clair hums under his breath. When I don't respond,he sings quietly. "Jingle bells,Batman smells,Robin flew away..."
"Yes,great,I get it.Ha ha. Stupid me."
"What? It's just a Christmas song." He grins and continues a bit louder. "Batmobile lost a wheel,on the M1 motorway,hey!"
"Wait." I frown. "What?"
"What what?"
"You're singing it wrong."
"No,I'm not." He pauses. "How do you sing it?"
I pat my coat,double-checking for my passport. Phew. Still there. "It's 'Jingle bells, Batman smells,Robin laid an egg'-"
St. Clair snorts. "Laid an egg? Robin didn't lay an egg-"
"'Batmobile lost a wheel,and the Joker got away.'"
He stares at me for a moment,and then says with perfect conviction. "No."
"Yes.I mean,seriously,what's up with the motorway thing?"
"M1 motorway. Connects London to Leeds."
I smirk. "Batman is American. He doesn't take the M1 motorway."
"When he's on holiday he does."
"Who says Batman has time to vacation?"
"Why are we arguing about Batman?" He leans forward. "You're derailing us from the real topic.The fact that you, Anna Oliphant,slept in today."
"Thanks."
"You." He prods my leg with a finger. "Slept in."
I focus on the guy's laptop again. "Yeah.You mentioned that."
He flashes a crooked smile and shrugs, that full-bodied movement that turns him from English to French. "Hey, we made it,didn't we? No harm done."
I yank out a book from my backpack, Your Movie Sucks, a collection of Roger Ebert's favorite reviews of bad movies. A visual cue for him to leave me alone. St. Clair takes the hint. He slumps and taps his feet on the ugly blue carpeting.
I feel guilty for being so harsh. If it weren't for him,I would've missed the flight. St. Clair's fingers absentmindedly drum his stomach. His dark hair is extra messy this morning. I'm sure he didn't get up that much earlier than me,but,as usual, the bed-head is more attractive on him. With a painful twinge,I recall those other mornings together. Thanksgiving.Which we still haven't talked about.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
I treasure ruefully some memories of W.H. Auden that go back to the middle 1960s, when he arrived in New Haven to give a reading of his poems at Ezra Stiles College. We had met several times before, in New York City and at Yale, but were only acquaintances. The earlier Auden retains my interest, but much of the frequently devotional poetry does not find me. Since our mutual friend John Hollander was abroad, Auden phoned to ask if he might stay with my wife and me, remarking of his dislike of college guest suites.
The poet arrived in a frayed, buttonless overcoat, which my wife insisted on mending. His luggage was an attache case containing a large bottle of gin, a small one of vermouth, a plastic drinking cup, and a sheaf of poems. After being supplied with ice, he requested that I remind him of the amount of his reading fee. A thousand dollars had been the agreed sum, a respectable honorarium more than forty years ago. He shook his head and said that as a prima donna he could not perform, despite the prior arrangement. Charmed by this, I phoned the college master - a good friend - who cursed heartily but doubled the sum when I assured him that the poet was as obdurate as Lady Bracknell in 'The Importance of Being Earnest'. Informed of this yielding, Auden smiled sweetly and was benign and brilliant at dinner, then at the reading, and as he went to bed after we got home.
”
”
Harold Bloom (The Anatomy of Influence: Literature as a Way of Life)
“
He tip-toed past the double bed that had been placed in a corner - wrought-iron headboard, embroidered pillows, amulets against the evil-eye and a satiny, cobalt-blue bedspread. Blue was Iskender's favourite colour. It was the colour for boys, which meant the sky was a boy. So were the rivers and lakes. And the oceans, though he had yet to see one.
”
”
Elif Shafak
“
What thought engendered the spirit of Circe, or gave to a Helen the lust of tragedy? What lit the walls of Troy? Or prepared the woes of an Andromache? By what demon counsel was the fate of Hamlet prepared? And why did the weird sisters plan ruin to the murderous Scot?
Double, double toil and trouble,
Fire burn and cauldron bubble.
In a mulch of darkness are bedded the roots of endless sorrows - and of endless joys. Canst thou fix thine eye on the morning? Be glad. And if in the ultimate it blind thee, be glad also! Thou hast lived.
”
”
Theodore Dreiser
“
One week later, tucked into a double bed sheathed with red flannel, Deming Guo awoke with the crumbs of dialect on his tongue, smudges and smears of dissolving syllables, nouns and verbs washed out to sea. One language had outseeped another; New York City had provided him with an arsenal of new words. He’d bled English vowels and watched his mother’s face fall.
”
”
Lisa Ko (The Leavers)
“
After unlatching the tiny gold clasp, Pandora opened the case and beheld a double-stranded pearl necklace on a bed of red velvet. Her eyes widened, and she lifted one of the strands, gently rolling the lustrous ivory pearls between her fingers. "I never imagined having something so fine. Thank you."
"Do they please you, sweet?"
"Oh, so very much-" Pandora began, and stopped as she saw the gold clasp, glittering with diamonds. It was fashioned with two interlocking parts of swirling, deep cut leaves. "Acanthus scrolls," she said with a crooked grin. "Like the ones in the settee at the Chaworth ball."
"I have a fondness for acanthus scrolls." His gaze caressed her as she put on the necklace. The double strands were so long that there was no need to unfasten the clasp. "They kept you in place just long enough for me to catch you."
Pandora grinned, enjoying the cool, sensuous weight of the pearls as they slid against her neck and chest. "I think you were the one who was caught, my lord."
Gabriel reached out to touch the curve of her bare shoulder with his fingertips, and followed the pearl strands over her breast. "Your captive for life, my lady.
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
“
For my number-one favorite kill, I almost went with Johnny Depp being eaten alive and then regurgitated by his own bed in A Nightmare on Elm Street, but the winner, by a finger blade’s width, has to be the death of that feisty Tina (Amanda Wyss), who put up such a fight while I thrashed her about on the ceiling of her bedroom. Freddy loves a worthy adversary, especially if it’s a nubile teenaged girl.
A close second goes to my hearing-impaired victim Carlos (Ricky Dean Logan) in Nightmare 6. In these uber-politically-correct times, it’s refreshing to remember what an equal opportunity killer Freddy always was. Not only does he pump up the volume on the hearing aid from hell, but he also adds a nice Latino kid to his body count. Today they probably wouldn’t even let Freddy force-feed a fat kid junk food.
Dream death number three is found in a sequence from Nightmare 3. Freddy plays puppet master with victim Phillip (Bradley Gregg), converting his arm and leg tendons into marionette strings, then cutting them in a Freddy meets Verigo moment.
The kiss of death Profressor Freddy gives Sheila (Toy Newkirk) is great, but not as good as Al Pacino’s in The Godfather, so my fourth pick is Freddy turning Debbie (Brooke Theiss) into her worst nightmare, a cockroach, and crushing her in a Roach Motel. A classic Kafka/Krueger kill.
For my final fave, you will have to check out Freddy vs. Jason playing at a Hell’s Octoplex near you. Here’s a hint: the hockey-puck guy and I double team a member of Destiny’s Child. Yummy! Now where’s that Beyonce…
”
”
Robert Englund (Hollywood Monster: A Walk Down Elm Street with the Man of Your Dreams)
“
Almondine
To her, the scent and the memory of him were one. Where it lay strongest, the distant past came to her as if that morning: Taking a dead sparrow from her jaws, before she knew to hide such things. Guiding her to the floor, bending her knee until the arthritis made it stick, his palm hotsided on her ribs to measure her breaths and know where the pain began. And to comfort her. That had been the week before he went away.
He was gone, she knew this, but something of him clung to the baseboards. At times the floor quivered under his footstep. She stood then and nosed into the kitchen and the bathroom and the bedroom-especially the closet-her intention to press her ruff against his hand, run it along his thigh, feel the heat of his body through the fabric.
Places, times, weather-all these drew him up inside her. Rain, especially, falling past the double doors of the kennel, where he’d waited through so many storms, each drop throwing a dozen replicas into the air as it struck the waterlogged earth. And where the rising and falling water met, something like an expectation formed, a place where he might appear and pass in long strides, silent and gestureless. For she was not without her own selfish desires: to hold things motionless, to measure herself against them and find herself present, to know that she was alive precisely because he needn’t acknowledge her in casual passing; that utter constancy might prevail if she attended the world so carefully. And if not constancy, then only those changes she desired, not those that sapped her, undefined her.
And so she searched. She’d watched his casket lowered into the ground, a box, man-made, no more like him than the trees that swayed under the winter wind. To assign him an identity outside the world was not in her thinking. The fence line where he walked and the bed where he slept-that was where he lived, and they remembered him.
Yet he was gone. She knew it most keenly in the diminishment of her own self. In her life, she’d been nourished and sustained by certain things, him being one of them, Trudy another, and Edgar, the third and most important, but it was really the three of them together, intersecting in her, for each of them powered her heart a different way. Each of them bore different responsibilities to her and with her and required different things from her, and her day was the fulfillment of those responsibilities. She could not imagine that portion of her would never return. With her it was not hope, or wistful thoughts-it was her sense of being alive that thinned by the proportion of her spirit devoted to him.
"ory of Edgar Sawtelle"
As spring came on, his scent about the place began to fade. She stopped looking for him. Whole days she slept beside his chair, as the sunlight drifted from eastern-slant to western-slant, moving only to ease the weight of her bones against the floor.
And Trudy and Edgar, encapsulated in mourning, somehow forgot to care for one another, let alone her. Or if they knew, their grief and heartache overwhelmed them. Anyway, there was so little they might have done, save to bring out a shirt of his to lie on, perhaps walk with her along the fence line, where fragments of time had snagged and hung. But if they noticed her grief, they hardly knew to do those things. And she without the language to ask.
”
”
David Wroblewski (The Story of Edgar Sawtelle)
“
Luther Burbank was born in a brick farmhouse in Lancaster Mass,
he walked through the woods one winter
crunching through the shinycrusted snow
stumbling into a little dell where a warm spring was
and found the grass green and weeds sprouting
and skunk cabbage pushing up a potent thumb,
He went home and sat by the stove and read Darwin
Struggle for Existence Origin of Species Natural
Selection that wasn't what they taught in church,
so Luther Burbank ceased to believe moved to Lunenburg,
found a seedball in a potato plant
sowed the seed and cashed in on Darwin’s Natural Selection
on Spencer and Huxley
with the Burbank potato.
Young man go west;
Luther Burbank went to Santa Rosa
full of his dream of green grass in winter ever-
blooming flowers ever-
bearing berries; Luther Burbank
could cash in on Natural Selection Luther Burbank
carried his apocalyptic dream of green grass in winter
and seedless berries and stoneless plums and thornless roses brambles cactus—
winters were bleak in that bleak
brick farmhouse in bleak Massachusetts—
out to sunny Santa Rosa;
and he was a sunny old man
where roses bloomed all year
everblooming everbearing
hybrids.
America was hybrid
America could cash in on Natural Selection.
He was an infidel he believed in Darwin and Natural
Selection and the influence of the mighty dead
and a good firm shipper’s fruit
suitable for canning.
He was one of the grand old men until the churches
and the congregations
got wind that he was an infidel and believed
in Darwin.
Luther Burbank had never a thought of evil,
selected improved hybrids for America
those sunny years in Santa Rosa.
But he brushed down a wasp’s nest that time;
he wouldn’t give up Darwin and Natural Selection
and they stung him and he died
puzzled.
They buried him under a cedartree.
His favorite photograph
was of a little tot
standing beside a bed of hybrid
everblooming double Shasta daisies
with never a thought of evil
And Mount Shasta
in the background, used to be a volcano
but they don’t have volcanos
any more.
”
”
John Dos Passos (The 42nd Parallel (U.S.A. #1))
“
Your grandma is a magician. Remember that time when you fell off your bicycle and she lifted you up onto the kitchen counter? She cleaned your bloody knees, washed the tears and snot off your face, told you funny stories and tickled your stomach until you giggled so hard it made you hiccup. The tears, the blood, the pain, your mum’s closed bedroom door—all vanished, as if your grandma had waved a wand—sim sala bim! Hard to keep your smile off your face now, no? She did such things. Still does. A trickster, she is. Always full of pranks and laughter. Like now, looking so wrinkled and pale in her bed, not responding. Bet she opens her eyes any moment now with that mischievous grin of hers, pleased she fooled you. You’ll both double over in laughing fits. Any moment now.
From: "Grandma's Tricks", In-flight literary magazine issue 4 2015
”
”
Margrét Helgadóttir
“
Billy Bob, as though he were in pain, doubled up on the bed like a jackknife; but his face was suddenly clear, his grubby boy-eyes twitching like candles. She’s so cute, he whispered, she’s the cutest dickens I ever saw, gee, to hell with it, I don’t care, I’d pick all the roses in China.
Preacher would have picked all the roses in China, too. He was as crazy about her as Billy Bob. But Miss Bobbit did not notice them.
”
”
Truman Capote (Children On Their Birthdays)
“
The Fall of Rome
(for Cyril Connolly)
The piers are pummelled by the waves;
In a lonely field the rain
Lashes an abandoned train;
Outlaws fill the mountain caves.
Fantastic grow the evening gowns;
Agents of the Fisc pursue
Absconding tax-defaulters through
The sewers of provincial towns.
Private rites of magic send
The temple prostitutes to sleep;
All the literati keep
An imaginary friend.
Cerebrotonic Cato may
Extol the Ancient Disciplines,
But the muscle-bound Marines
Mutiny for food and pay.
Caesar's double-bed is warm
As an unimportant clerk
Writes I DO NOT LIKE MY WORK
On a pink official form.
Unendowed with wealth or pity,
Little birds with scarlet legs,
Sitting on their speckled eggs,
Eye each flu-infected city.
Altogether elsewhere, vast
Herds of reindeer move across
Miles and miles of golden moss,
Silently and very fast.
”
”
W.H. Auden
“
But I'm not a lawyer. That's why I can see what the law is like. It's like a single-bed blanket on a double bed and three folks on a cold night. There ain't ever enough blanket to cover the case, no matter how much pulling and hauling, and somebody is always going to nigh catch pneumonia. Hell, the law is like the pants you bought last year for a growing boy, but it is always this year and the seams are popped and the shankbone's in the breeze. The law is always too short and too tight for growing humankind. The best you can do is do something and then make up some law to fit and by the time that law gets on the books you would have done something different...
”
”
Robert Penn Warren (All the King's Men)
“
October's Double by Stewart Stafford
Light a fire in flinty February,
As the evening time comes down,
Welcome all the family home
With shopping bought from town.
Hear the logs crackle and roll,
And the sparks pop and hiss,
A storm roars down the chimney,
To deliver its tempestuous kiss.
Drowsiness in the living room,
As the expiring embers fade,
Up we go to those clean sheets,
And beds so neatly made.
© Stewart Stafford, 2022. All rights reserved.
”
”
Stewart Stafford
“
Formerly these harsh cells in which the discipline of the prison leaves the condemned to himself were composed of four stone walls, a ceiling of stone, a pavement of tiles, a camp bed, a grated air-hole, a double iron door, and were called "dungeons" ; but the dungeon has been thought too horrible; now it is composed ofan iron door, a grated air-hole, a camp bed, a pavement of tiles, a ceiling of stone, four stone walls, and it is called "punishment cell.
”
”
Victor Hugo
“
We have all been processed on Procrustean beds. At least some of us have managed to hate what they have made of us. Inevitably we see the other as the reflection of the occasion of our own self-division. The others have become installed in our hearts, and we call them ourselves. Each person, not being himself either to himself or the other, just as the other is not himself to himself or to us, in being another for another neither recognizes himself in the other, nor the other in himself. Hence being at least a double absence, haunted by the ghost of his own murdered self, no wonder modern man is addicted to other persons, and the more addicted, the less satisfied, the more lonely.
”
”
R.D. Laing (The Politics of Experience/The Bird of Paradise)
“
... Radio. Television. Things began to have mass.'
Montag sat in bed, not moving.
'And because they had mass, they became simpler,' said Beatty. 'Once, books appealed to a few people, here, there, everywhere. They could afford to be different. The world was roomy. But then the world got full of eyes and elbows and mouths. Double, triple, quadruple population. Films and radios, magazines, books leveled down to a sort
of paste pudding norm, do you follow me?
”
”
Ray Bradbury (Fahrenheit 451)
“
It’s your fault that I’ve been reduced to such behavior,” he continued. “I assure you, I myself find it appalling that the only pleasure I obtain these days is chasing after you like an adolescent lordling with a housemaid.”
“Did you chase after the housemaids when you were a boy?”
“Good God, of course not. How could you ask such a thing?” Sebastian looked indignant. Just as she felt a twinge of guilt and began to apologize, he said smugly, “They chased after me.”
Evie raised a cue stick as if to crown him with it.
He caught her wrist easily in one hand and pried the stick from her fingers. “Easy, firebrand. You’ll knock out the few wits I have left—and then of what use would I be to you?”
“You would be purely ornamental,” Evie replied, giggling.
“Ah, well, I suppose there’s some value in that. God help me if I should ever lose my looks.”
“I wouldn’t mind.”
He gave her a quizzical smile. “What?”
“If…” Evie paused, suddenly embarrassed. “If anything happened to your looks…if you became…less handsome. Your appearance wouldn’t matter to me. I would still…” She paused and finished hesitantly, “…want you as my husband.”
Sebastian’s smile faded slowly. He gave her a long, intent stare, her wrist still clasped in his hand. Something strange crossed his expression…an undefinable emotion wrought of heat and vulnerability. When he answered, his voice was strained from the effort to sound cavalier. “Without a doubt, you’re the first one who’s ever said that to me. I hope you won’t be such a pea goose as to endow me with characteristics that I don’t have.”
“No, you’re endowed enough as it is,” Evie replied, before the double meaning of the statement occurred to her. She burned a brilliant scarlet. “Th-that is…I didn’t mean…”
But Sebastian was laughing quietly, the odd tension passing, and he pulled her against him. As she responded to him eagerly, his amusement dissolved like sugar in hot liquid. He kissed her longer, harder, his breath striking her cheek in rapid drives.
“Evie,” he whispered, “you’re so warm, so lovely…oh, hell. I’ve got two months, thirteen days and six hours before I can take you to my bed. Little she-devil. This is going to be the death of me.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
Araminta Ditch was always larfing. She woof larf at these, larf at thas. Always larfing she was. Many body peofle woof look atat her saying, 'Why does that Araminta Ditch keep larfing?' They could never understamp why she was ever larfing about the place. 'I hope she's not larfing at me,' some peokle would say, 'I certainly hope that Araminta Ditch is not larfing at me.
One date Araminta rose up out of her duffle bed, larfing as usual with that insaje larf peojle had come to know her form. 'Hee! Hee! Hee!' she larfed all the way down to breakfart. 'Hee! Hee! Hee!' she gurgled over the morman papiers. 'Hee! Hee! Hee!' continude Araminta on the buzz to wirk. This pubbled the passages and condoctor equally both. 'Why is that boot larfing all the time?' inqueered an elderberry passengeorge who trabelled regularge on that roof and had a write to know.
'I bet nobody knows why I am always larfing,' said Araminta to herself privately, to herself. 'They would dearly love to know why I am always larfing like this to myselve privately to myselve. I bet some peoble would really like to know.' She was right, off course, lots of peotle would.
Araminta Ditch had a boyfred who could never see the joke. 'As long as she's happy,' he said. He was a good man. 'Pray tell me, Araminta, why is it that you larf so readily.
Yeaye, but I am sorly troubled sometimes when thy larfter causes sitch tribulation and embarresment amongst my family and elders.' Araminta would larf all the more at an outburp like this, even to the point of hysteriffs. 'Hee! Hee! Hee!' she would scream as if possesed by the very double himself.
”
”
John Lennon (A Spaniard in the Works)
“
Look, barkeeper, I'm a peaceful man. Fairly normal. I don't sniff armpits or wear ladies' underwear. But everywhere I go, somebody is pushing shots at me, they give me no rest. Why is this?
-I think you got it comin' somehow.
-Well, Eddie, you stop thinking and see if you can fix me a double vodka and tonic, touch of lime.
-We don't got no lime.
-Yeah, you have. I can see it from here.
-That lime's not for you
-Yeah? Who's it for? Elizabeth Taylor? Now, if you want to sleep in your own bed tonight, I'll have that lime. In my drink. Pronto.
”
”
Charles Bukowski (Pulp)
“
This is because the outcomes of life are not governed by passion; they are governed by principle. You may not think what you did this morning was important, but it was. You may not think that the little things add up, but they do. Consider the age-old brainteaser: Would you rather have $1 million in hand today or a penny that doubles in value every day for the next month? The $1 million right now sounds great, but after a 31-day month, that one penny would be worth over $10 million. Making big, sweeping changes is not difficult because we are flawed, incompetent beings. It’s difficult because we are not meant to live outside of our comfort zones. If you want to change your life, you need to make tiny, nearly undetectable decisions every hour of every day until those choices are habituated. Then you’ll just continue to do them. If you want to spend less time on your phone, deny yourself the chance to check it one time today. If you want to eat healthier, drink half a cup of water today. If you want to sleep more, go to bed 10 minutes earlier tonight than you did last night. If you want to exercise more, do it now for just 10 minutes. If you want to read, read one page. If you want to meditate, do so for 30 seconds. Then keep doing those things. Do them every single day. You’ll get used to not checking your phone. You’ll want more water, and you’ll drink more water. You’ll run for 10 minutes, and you won’t feel like you have to stop, so you won’t. You’ll read one page, grow interested, and read another. At our most instinctive, physiological level, “change” translates to something dangerous and potentially life-threatening. No wonder why we build our own cages and stay in them, even though there’s no lock on the door. Trying to shock yourself into a new life isn’t going to work, and that’s why it hasn’t yet.
”
”
Brianna Wiest (The Mountain Is You: Transforming Self-Sabotage Into Self-Mastery)
“
The Mad Gardener's Song
He thought he saw an Elephant,
That practised on a fife:
He looked again, and found it was
A letter from his wife.
'At length I realise,' he said,
'The bitterness of Life!'
He thought he saw a Buffalo
Upon the chimney-piece:
He looked again, and found it was
His Sister's Husband's Niece.
'Unless you leave this house,' he said,
'I'll send for the Police!'
He thought he saw a Rattlesnake
That questioned him in Greek:
He looked again, and found it was
The Middle of Next Week.
'The one thing I regret,' he said,
'Is that it cannot speak!'
He thought he saw a Banker's Clerk
Descending from the bus:
He looked again, and found it was
A Hippopotamus.
'If this should stay to dine,' he said,
'There won't be much for us!'
He thought he saw a Kangaroo
That worked a coffee-mill:
He looked again, and found it was
A Vegetable-Pill.
'Were I to swallow this,' he said,
'I should be very ill!'
He thought he saw a Coach-and-Four
That stood beside his bed:
He looked again, and found it was
A Bear without a Head.
'Poor thing,' he said, 'poor silly thing!
It's waiting to be fed!'
He thought he saw an Albatross
That fluttered round the lamp:
He looked again, and found it was
A Penny-Postage Stamp.
'You'd best be getting home,' he said:
'The nights are very damp!'
He thought he saw a Garden-Door
That opened with a key:
He looked again, and found it was
A Double Rule of Three:
'And all its mystery,' he said,
'Is clear as day to me!'
He thought he saw a Argument
That proved he was the Pope:
He looked again, and found it was
A Bar of Mottled Soap.
'A fact so dread,' he faintly said,
'Extinguishes all hope!
”
”
Lewis Carroll (Sylvie and Bruno)
“
Romance Of A Youngest Daughter"
Who will wed the Dowager’s youngest daughter,
The Captain? filled with ale?
He moored his expected boat to a stake in the water
And stumbled on sea-legs into the Hall for mating,
Only to be seduced by her lady-in-waiting,
Round-bosomed, and not so pale.
Or the thrifty burgher in boots and fancy vest
With considered views of marriage?
By the tidy scullery maid he was impressed
Who kept that house from depreciation and dirt,
But wife does double duty and takes no hurt,
So he rode her home in his carriage.
Never the spare young scholar antiquary
Who was their next resort;
They let him wait in the crypt of the Old Library
And found him compromised with a Saxon book,
Claiming his truelove Learning kept that nook
And promised sweet disport.
Desirée (of a mother’s christening) never shall wed
Though fairest child of her womb;
“We will have revenge,” her injured Ladyship said,
“Henceforth the tightest nunnery be thy bed
By the topmost stair! When the ill-bred lovers come
We’ll say, She is not at home.
”
”
John Crowe Ransom
“
I believe there’s something you’ll need, Sentinel.” Ethan slid from his chair, dropped to one knee on the carpet. My mind had to race to keep up, but my heart pounded madly. Ethan looked up at me, grinned. “That thing, of course, is this.” He held up a small dessert fork. “You dropped your fork, Sentinel.” My blood pounded in my ears. I stood up, swatted his arms with slaps. “You are a jerk.” He roared with laughter. “Ah, Sentinel. The look on your face.” He doubled over with laughter. “Such terror.” I kept swatting. “At the thought of marrying you, you pretentious ass.” He roared again, then picked me up and carried me to the bed. “My pretentions are well earned, Sentinel.” “You have got to stop doing that.” “I can’t. It’s hilarious.” Only a man would think fake proposals were so funny.
”
”
Chloe Neill (Blood Games (Chicagoland Vampires, #10))
“
La Mort des Amants
Nous aurons des lits pleins d'odeurs légères,
Des divans profonds comme des tombeaux,
Et d'étranges fleurs sur des étagères,
Ecloses pour nous sous des cieux plus beaux.
Usant à l'envi leurs chaleurs dernières,
Nos deux coeurs seront deux vastes flambeaux,
Qui réfléchiront leurs doubles lumières
Dans nos deux esprits, ces miroirs jumeaux.
Un soir fait de rose et de bleu mystique,
Nous échangerons un éclair unique,
Comme un long sanglot, tout chargé d'adieux;
Et plus tard un Ange, entr'ouvrant les portes,
Viendra ranimer, fidèle et joyeux,
Les miroirs ternis et les flammes mortes.
We will have beds which exhale odours soft,
We will have divans profound as the tomb,
And delicate plants on the ledges aloft,
Which under the bluest of skies for us bloom.
Exhausting our hearts to their last desires,
They both shall be like unto two glowing coals,
Reflecting the twofold light of their fires
Across the twin mirrors of our two souls.
One evening of mystical azure skies,
We'll exchange but one single lightning flash,
Just like a long sob — replete with good byes.
And later an angel shall joyously pass
Through the half-open doors, to replenish and wash
The torches expired, and the tarnished glass.
”
”
Charles Baudelaire
“
While disease had thus become an inhabitant of Lowood, and death its frequent visitor; while there was gloom and fear within its walls; while its rooms and passages steamed with hospital smells, the drug and the pastille striving vainly to overcome the effluvia of mortality, that bright May shone unclouded over the bold hills and beautiful woodland out of doors. Its garden, too, glowed with flowers: hollyhocks had sprung up tall as trees, lilies had opened, tulips and roses were in bloom; the borders of the little beds were gay with pink thrift and crimson double daisies; the sweetbriars gave out, morning and evening, their scent of spice and apples; and these fragrant treasures were all useless for most of the inmates of Lowood, except to furnish now and then a handful of herbs and blossoms to put in a coffin.
”
”
Charlotte Brontë (Jane Eyre)
“
No," the Boss (Willie) corrected, "I'm not a lawyer. I know some law. In fact, I know a lot of law. And I made me some money out of law. That's why I can see what the law is like. It's like a single-bed blanket on a double bed and three folks in the bed and a cold night. There ain't ever enough blanket to cover the case, no matter how much pulling and hauling, and somebody is always going to nigh catch pneumonia. Hell, the law is like the pants you bought last year for a growing boy, but it is always this year and the seams are popped and the shankbone's to the breeze. The law is too short and too tight for growing humankind. The best you can do is do something and then make up some law to fit and by the time that law gets onto the books you would have done something different..." Willie Stark; All the King's Men
”
”
Robert Penn Warren
“
The honky-tonk bartender, who doubled as bouncer, waiter, and cashier, was in no mood to compromise. Mercy was not in him. He came out around the open end of the long counter, waddled threatening across the floor in a sullen, red-faced fury and began to shake the inanimate figure lying across the table with its head bedded on its arms. "Hey, you! Do your sleeping in the gutter!"
If you gave these bums an inch; they took a yard. And this one was a particularly glaring example of the genus bar-fly. He was in here all the time like this, inhaling smoke and then doing a sunset across the table. He'd been in here since four this afternoon. The boss and he, who were partners in the joint - the bartender called it jernt - would have been the last ones to claim they were running a Rainbow Room, but at least they were trying to give the place a little class, keep it above the level of a Bowery smoke-house; they even paid a guy to pound the piano and a canary to warble three times a week. And then bums like this had to show up and give the place a bad look!
He shook the recumbent figure again, more roughly than the first time. Shook him so violently that the whole reedy table under him rattled and threatened to collapse. "Come on, clear out, I said! Pay me for what you had and get outa here!" ("I'm Dangerous Tonight")
”
”
Cornell Woolrich (The Fantastic Stories of Cornell Woolrich (Alternatives SF Series))
“
I was just beginning to wrap my mind around the way daily life unfolded here: wake up early, get your work done, eat, relax, and go to bed. Repeat daily. There wasn’t a calendar of events or dinner dates with friends in town or really much room for recreation--because that just meant double the work when you got back to work. It was hard for me not to wonder when any of these people ever went out and had a good time, or built a snowman.
Or slept past 5:00 A.M.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
I was merely the instrument of habits of not working, of not going to bed, of not sleeping, which must find expression somehow, cost what it might; if I offered them no resistance, if I contented myself with the pretext they seized from the first opportunity that the day afforded them of acting as they chose, I escaped without serious injury, I slept for a few hours after all, towards morning, I read a little, I did not over-exert myself; but if I attempted to thwart them, if I pretended to go to bed early, to drink only water, to work, they grew restive, they adopted strong measures, they made me really ill, I was obliged to double my dose of alcohol, did not lie down in bed for two days and nights on end, could not even read, and I vowed that another time I would be more reasonable, that is to say less wise, like the victim of an assault who allows himself to be robbed for fear, should he offer resistance, of being murdered.
”
”
Marcel Proust (In Search of Lost Time [volumes 1 to 7])
“
Amity was the cold, steady gaze of a double-barreled shotgun, bearing down. She was the glint of pinprick pupils gleaming through a night-lit window, the rythmic blast of a door left banging in a gale wind. The slither of a flesh-flayed limb beneath a bed skirt, a welcome note etched in blood. Amity's forever was reflected in the glimmering edge of an ax, in the rushing footprints, the twitching tail, the brushing fingertips of a zephyr, a cipher, a wordless, formless shape.
”
”
Micol Ostow (Amity)
“
Yet although I could not resist doing so, my sleep was not interrupted. The door opened and a dark figure entered whom I recognized to my horror as my own self in Capuchin robes, with beard and tonsure. The figure came nearer and nearer my bed: I lay motionless, and every sound I tried to utter was stifled in the trance that gripped me. The figure sat down on my bed and leered mockingly at me.
“You must come with me,” it said. “Let us climb on to the roof beneath the weathercock, which is playing a merry tune for the owl's wedding. Up there we will fight with each other, and the one who pushes the other over will become king and be able to drink blood.”
I felt the figure take hold of me and lift me up. With a strength born of desperation I screamed:
“You are not me, you are the Devil!” - and clawed at the face of the menacing spectre. But my fingers went through his eyes as if they were empty cavities, and the figure burst into strident laughter.
”
”
E.T.A. Hoffmann (The Devil's Elixirs)
“
Several friends told stories, boasting about how much Marcia had meant to them, how deeply she'd touched their lives. Marcia would have liked it, John thought - all these people discussing her, pointing out her best qualities, remembering her finest moments. She'd have eaten it up. But what did these people really know about her? What could one know about a person? John had known her best of all, had been able to predict her every move, the arc of her sighs, her laughs, the twists of her shadow as it crossed a room. In the days since her death, he'd felt her drifting through the apartment. He'd done double takes the way you do when you think you see your own cat or dog begging for food under the table at a restaurant. Nobody would understand, John thought, how well he knew the sound of Marcia's coffee spoon hitting the saucer, how the sheets rustled around her when she turned over in bed. But were those things significant enough, he wondered, to boast about?
”
”
Ottessa Moshfegh (Homesick for Another World)
“
Robert is, of course, at the theater, but it’s true that Jeff isn’t alone. Behind him, Lulu holds up two bottles of tequila, and behind her is Gene, Lulu’s . . . bed-friend, holding a bag of limes and sporting the world’s most enormous mustache.
I take the bag of limes from him. “Are you guessing my weight tonight?”
Jeff laughs in a loud bark before heading into the kitchen, but Gene does a bewildered double take. “What?”
“Do I get to shoot a water gun to knock down the ducks?”
I see the moment he gets it because his giant mustache twitches under his suppressed grin. “I’ll take my limes home if you’re going to be sassy, miss.”
“You look like an old-timey auction barker,” I say. “Or Yosemite Sam. I have this sudden urge to buy a few head of cattle.” Behind me, Calvin snickers.
“You wish you could grow a ’stache like this.”
I burst out laughing. “I’m sorry, I can’t even hear what you’re saying through that thing.”
“I told him it’s awful.” Lulu tugs at it and Gene leans away.
He smoothes it down proudly. “I’m so lazy, and this is much more low maintenance than shaving.”
I don’t need to look that closely to see he’s clearly waxed and styled it with a comb. It’s really not an afterthought mustache; it’s the kind that a person chooses from a book on various mustache styles—the perfect accessory for his very carefully crafted I don’t care enough to even glance in the mirror look (which Lulu tells me takes him a long time in front of the mirror).
”
”
Christina Lauren (Roomies)
“
With a raw ache in his voice he said, “If you would take one step forward, darling, you could cry in my arms. And while you do, I’ll tell you how sorry I am for everything I’ve done-“ Unable to wait, Ian caught her, pulling her tightly against him. “And when I’m finished,” he whispered hoarsely as she wrapped her arms around him and wept brokenly, “you can help me find a way to forgive myself.”
Tortured by her tears, he clasped her tighter and rubbed his jaw against her temple, his voice a ravaged whisper: “I’m sorry,” he told her. He cupped her face between his palms, tipping it up and gazing into her eyes, his thumbs moving over her wet cheeks. “I’m sorry.” Slowly, he bent his head, covering her mouth with his. “I’m so damned sorry.”
She kissed him back, holding him fiercely to her while shattered sobs racked her slender body and tears poured from her eyes. Tormented by her anguish, Ian dragged his mouth from hers, kissing her wet cheeks, running his hands over her shaking back and shoulders, trying to comfort her. “Please darling, don’t cry anymore,” he pleaded hoarsely. “Please don’t.” She held him tighter, weeping, her cheek pressed to his chest, her tears soaking his heavy woolen shirt and tearing at his heart.
“Don’t,” Ian whispered, his voice raw with his own unshed tears. “You’re tearing me apart.” An instant after he said those words, he realized that she’d stop crying to keep from hurting him, and he felt her shudder, trying valiantly to get control. He cupped the back of her head, crumpling the silk of her hair, holding her face pressed to his chest, imagining the nights he’d made her weep like this, despising himself with a virulence that was almost past bearing.
He’d driven her here, to hide from the vengeance of his divorce petition, and still she had been waiting for him. In all the endless weeks since she’d confronted him in his study and warned him she wouldn’t let him put her out of his life, Ian had never imagined that she would be hurting like this. She was twenty years old and she had loved him. In return, he had tried to divorce her, publicly scorned her, privately humiliated her, and then he had driven her here to weep in solitude and wait for him. Self-loathing and shame poured through him like hot acid, almost doubling him over. Humbly, he whispered, “Will you come upstairs with me?”
She nodded, her cheek rubbing his chest, and he swung her into his arms, cradling her tenderly against him, brushing his lips against her forehead. He carried her upstairs, intending to take her to bed and give her so much pleasure that-at least for tonight-she’d be able to forget the misery he’d caused her.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
A large and comfortable double-bedded room had been placed at our disposal, and I was quickly between the sheets, for I was weary after my night of adventure. Sherlock Holmes was a man, however, who when he had an unsolved problem upon his mind would go for days, and even for a week, without rest, turning it over, rearranging his facts, looking at it from every point of view, until he had either fathomed it, or convinced himself that his data were insufficient. It was soon evident to me that he was now preparing for an all-night sitting. He took off his coat and waistcoat, put on a large blue dressing-gown, and then wandered about the room collecting pillows from his bed, and cusions from the sofa and armchairs. With these he constructed a sort of Eastern divan, upon which he perched himself cross-legged, with an ounce of shag tobacco and a box of matches laid out in front of him. In the dim light of the lamp I saw him sitting there, an old brier pipe between his lips, his eyes fixed vacantly upon the corner of the ceiling, the blue smoke curling up from him, silent, motionless, with the light shining upon his strong-set aquiline features. So he sat as I dropped off to sleep, and so he sat when a sudden ejaculation caused me to wake up, and I found the summer sun shining into the apartment. The pipe was still between his lips, the smoke still curled upwards, and the room was full of a dense tobacco haze, but nothing remained of the heap of shag which I had seen upon the previous night.
'Awake, Watson?' he asked.
'Yes.'
'Game for a morning drive?'
'Certainly.'
'Then dress. No one is stirring yet, but I know where the stable-boy sleeps, and we shall soon have the trap out.
”
”
Arthur Conan Doyle (The Man with the Twisted Lip - a Sherlock Holmes Short Story (The Adventures of Sherlock Holmes, #6))
“
Cynnie’s disappeared while I’ve shut up shop. So has Ty, without even giving me a hug. He’s getting a dozen noogies for that the next time I see him. I lock up, checking and double-checking my security. On the way back from checking the manual lock on the fire escape door, I find the dress Cynnie was wearing draped across the foot of the staircase up into the loft like a fallen flower petal.
“Baby?”
Her wild giggle answers me.
Grinning, I scoop up the dress and carry it up the stairs.
I expect her to be n*ked in the bed, but she’s not. There’s no sign of her.
“Baby, where are you?”
Another wild giggle. With the open plan of my apartment, the stairwell, and the screen of trees in the loft, the acoustics can be weird. I was sure the first giggle came from upstairs. Now, it sounds like her giggle is coming from downstairs.
“Come out, come out, wherever you are, bumble baby,” I call.
Insane giggles. I spin around in place on the landing, trying to locate the source of those irresistible giggles.
“When I find you, I’m going to b*te my bumble very hard on her b*ttom,” I growl.
“I sting you!”
That was definitely from my bedroom. I tear through the doorway and look around. No naughty bumble in my bed. I yank open the closet doors. No naughty bumble in my closets. There aren’t many hiding places in my bedroom. There’s no way she could fit between the trees.
Then I spot the black rectangle half-hidden in the rumpled bedding. A phone. She’s put it on speaker and dimmed the screen. That sneaky little bee.
I grab the phone and growl into it. “I’m going to find you.”
“I fly away!”
“You’ll never get away from me, little girl. And when I catch you, I’m going to eat you up.” I grip the phone, so turned on my hand shakes, muscles bunching. I pant into the phone. “I’m going to find you, wherever you are, and rail you into the ground.”
She squees. There’s a very faint echo, and I realize where she is.
Game on.
”
”
E.J. Frost (Max's Bumble (Daddy P.I. Casefiles, #3))
“
Stepfather—January 6, 1980 In addition to imitation mayonnaise, fake fur, sugar substitutes and plastic that wears like iron, the nuclear family has added another synthetic to its life: step-people. There are stepmothers, stepfathers, stepsons and stepdaughters. The reception they get is varied. Some are looked upon as relief pitchers who are brought in late but are optimistic enough to try to win the game. Some are regarded as double agents, who in the end will pay for their crimes. There are few generalizations you can make about step-people, except they’re all locked into an awkward family unit none of them are too crazy about. I know. I’ve been there. Perhaps you’ve heard of me. I became a hyphenated child a few years after my “real” father died. I was the only stepchild in North America to have a stepfather who had the gall to make me go to bed when I was sleepy, do homework before I went to school, and who yelled at me for wearing bedroom slippers in the snow. My real father wouldn’t have said that. My stepfather punished me for sassing my mother, wouldn’t allow me to waste food and wouldn’t let me spend money I didn’t have. My real father wouldn’t have done that. My stepfather remained silent when I slammed doors in his face, patient when I insisted my mother take “my side” and emotionless when I informed him he had no rights. My real father wouldn’t have taken that. My stepfather paid for my needs and my whims, was there through all my pain of growing up...and checked himself out of the VA hospital to give me away at my wedding. My real father...was there all the time, and I didn’t know it. What is a “real” mother, father, son or daughter? “Real” translates to something authentic, genuine, permanent. Something that exists. It has nothing to do with labor pains, history, memories or beginnings. All love begins with one day and builds. “Step” in the dictionary translates to “a short distance.” It’s shorter than you think.
”
”
Erma Bombeck (Forever, Erma)
“
What are you doing?” he asks me.
“Just wait one second.”
I run to the bathroom and change out of my old bra and underwear and put on the lacy ones. Then I brush my teeth, look at my face in the mirror. This is it. I, Lara Jean Song Covey, am about to lose my virginity to Peter K.
Peter calls out, “Is everything okay?”
“Just a sec!” Should I put my clothes back on or just come out in my bra and underwear? He’s never seen me in just my underwear before. Well, I guess he’s about to see me without any clothes at all, so I might as well.
I step out of the bathroom, carrying my clothes in front of me like a shield, and Peter does a double take when he sees me and quickly takes his shirt off. I can feel myself blush. I stuff my bra and underwear in my suitcase, and then dig around inside until I find the packet of condoms. I take one out and then climb back into bed and get under the sheets. “Okay, now I’m ready.”
“I like your bra,” Peter says, peeling the sheet away from me.
“Thank you.”
He moves closer to me and kisses my eyelid. First the left, then the right. “Are you nervous?”
“A little.”
“We don’t have to do anything tonight, Covey.”
“No, I want to.” I hold up the condom, and Peter’s eyebrows shoot up. “From my dad’s kit. Remember, I told you he made me a contraception kit?”
Taking the condom from me, he kisses my neck and says, “Can we not talk about your dad right now?”
“Sure,” I say.
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
be apart. Despite getting rejected by my top-choice school, I was starting to really believe in myself again based on all the positive feedback we continued to get on our videos. And besides, I knew I could always reapply to Emerson the following year and transfer. • • • College started out great, with the best part being my newly found freedom. I was finally on my own and able to make my own schedule. And not only was Amanda with me, I’d already made a new friend before the first day of classes from a Facebook page that was set up for incoming freshmen. I started chatting with a pretty girl named Chloe who mentioned that she was also going to do the film and video concentration. Fitchburg isn’t located in the greatest neighborhood, but the campus has lots of green lawns and old brick buildings that look like mansions. My dorm room was a forced triple—basically a double that the school added bunk beds to in order to squeeze one extra person in. I arrived first and got to call dibs on the bunk bed that had an empty space beneath it. I moved my desk under it and created a little home office for myself. I plastered the walls with Futurama posters and made up the bed with a new bright green comforter and matching pillows. My roommates were classic male college stereotypes—the football player and the stoner. Their idea of decorating was slapping a Bob Marley poster and a giant ad for Jack Daniels on the wall.
”
”
Joey Graceffa (In Real Life: My Journey to a Pixelated World)
“
On the next floor below are the abdominal and spine cases, head wounds and double amputations. On the right side of the wing are the jaw wounds, wounds in the joints, wounds in the kidneys, wounds in the testicles, wounds in the intestines. Here a man realizes for the first time in how many places a man can get hit. Two fellows die of tetanus. Their skin turns pale, their limbs stiffen, at last only their eyes live—stubbornly. Many of the wounded have their shattered limbs hanging free in the air from a gallows; underneath the wound a basin is placed into which drips the pus. Every two or three hours the vessel is emptied. Other men lie in stretching bandages with heavy weights hanging from the end of the bed. I see intestine wounds that are constantly full of excreta. The surgeon’s clerk shows me X-ray photographs of completely smashed hipbones, knees and shoulders. A man cannot realize that above such shattered bodies there are still human faces in which life goes its daily round. And this is only one hospital, one single station; there are hundreds of thousands in Germany, hundreds of thousands in France, hundreds of thousands in Russia. How senseless is everything that can ever be written, done, or thought, when such things are possible. It must be all lies and of no account when the culture of a thousand years could not prevent this stream of blood being poured out, these torture-chambers in their hundreds of thousands. A hospital alone shows what war is. I am young, I am twenty years old; yet I know nothing of life but despair, death, fear, and fatuous superficiality cast over an abyss of sorrow. I see how peoples are set against one another, and in silence, unknowingly, foolishly, obediently, innocently slay one another. I see that the keenest brains of the world invent weapons and words to make it yet more refined and enduring. And all men of my age, here and over there, throughout the whole world see these things; all my generation is experiencing these things with me. What would our fathers do if we suddenly stood up and came before them and proffered our account? What do they expect of us if a time ever comes when the war is over? Through the years our business has been killing;—it was our first calling in life. Our knowledge of life is limited to death. What will happen afterwards? And what shall come out of us?
”
”
Erich Maria Remarque (All Quiet on the Western Front)
“
No longer kneeling at the foot of the bed, knees on the hard wood of the gym floor, Aunt Elizabeth standing by the double doors, arms folded, cattle prod hung on her belt, while Aunt Lydia strides along the rows of kneeling nightgowned women, hitting our backs or feet or bums or arms lightly, just a flick, a tap, with her wooden pointer if we slouch or slacken. She wanted our heads bowed just right, our toes together and pointed, our elbows at the proper angle. Part of her interest in this was aesthetic: she liked the look of the thing. She wanted us to look like something Anglo-Saxon, carved on a tomb; or Christmas card angels, regimented in our robes of purity. But she knew too the spiritual value of bodily rigidity, of muscle strain: a little pain cleans out the mind, she’d say.
”
”
Margaret Atwood (The Handmaid's Tale (The Handmaid's Tale, #1))
“
We were examining a big hole with two entrances. The burrow sloped into the ground at a gentle angle, so that we could see where the two corridors united, and the floor was dusty from use, like a little highway over which much travel went. I was walking backward, in a crouching position, when I heard Antonia scream. She was standing opposite me, pointing behind me and shouting something in Bohemian. I whirled around, and there, on one of those dry gravel beds, was the biggest snake I had ever seen. He was sunning himself, after the cold night, and he must have been asleep when Antonia screamed. When I turned, he was lying in loose waves, like a letter "W". He twitched and began to coil slowly. He was not merely a big snake, I thought - he was a circus monstrosity. His abominable muscularity, his loathsome, fluid motion, somehow made me sick. He was as thick as my leg, and looked as if millstones couldn't crush the disgusting vitality out of him. He lifted his hideous little head , and rattled. I didn't run because I didn't think of it - if my back had been against a stone wall I couldn't have felt more cornered. I saw his coils tighten - now he would spring, spring his length, I remembered. I ran up and drove at his head with my spade, struck him fairly across the neck, and in a minute he was all about my feet in wavy loops. I struck now from hate. Antonia, barefooted as she was, ran up behind me. Even after I had pounded his ugly head flat, his body kept on coiling and winding, doubling and falling back on itself. I walked away and turned my back. I felt seasick.
”
”
Willa Cather (My Ántonia)
“
We were both seniors in college when we learned she had cancer. By then we weren’t at St. Thomas anymore. We’d both transferred to the University of Minnesota after that first year—she to the Duluth campus, I to the one in Minneapolis—and, much to our amusement, we shared a major. She was double majoring in women’s studies and history, I in women’s studies and English. At night, we’d talk for an hour on the phone. I was married by then, to a good man named Paul. I’d married him in the woods on our land, wearing a white satin and lace dress my mother had sewn. After she got sick, I folded my life down. I told Paul not to count on me. I would have to come and go according to my mother’s needs. I wanted to quit school, but my mother ordered me not to, begging me, no matter what happened, to get my degree. She herself took what she called a break. She only needed to complete a couple more classes to graduate, and she would, she told me. She would get her BA if it killed her, she said, and we laughed and then looked at each other darkly. She’d do the work from her bed. She’d tell me what to type and I’d type it. She would be strong enough to start in on those last two classes soon, she absolutely knew. I stayed in school, though I convinced my professors to allow me to be in class only two days each week. As soon as those two days were over, I raced home to be with my mother. Unlike Leif and Karen, who could hardly bear to be in our mother’s presence once she got sick, I couldn’t bear to be away from her. Plus, I was needed. Eddie was with her when he could be, but he had to work. Someone had to pay the bills.
”
”
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
“
I was merely the instrument of habits of not working, of not going to bed, of not sleeping, which had to fulfil themselves at any cost; if I offered no resistance, if I made do with the pretext they drew from the first opportunity that arose for them to act as they chose, I escaped without serious harm, I still slept for a few hours towards morning, I managed to read a little, I did not over-exert myself; but if I tried to resist them, by deciding to go to bed early, to drink only water, to work, they became annoyed, they resorted to strong measures, they made me really ill, I was obliged to double my dose of alcohol, I did not go to bed for two days, I could not even read, and I would vow to be more reasonable in future, that is to say less wise, like the victim who allows himself to be robbed for fear of being murdered if he puts up resistance.
”
”
Marcel Proust (The Guermantes Way)
“
I also suspect that he loves you."
Trying to suppress the anguished hope that flared in her heart, Lauren turned her face to the stained-glass window near their table. "What makes you think so?"
"To begin with, he isn't treating you the way he normally treats the women in his life."
"I know that. He's nice to the others," Lauren said bitterly.
"Exactly!" Mary agreed. "He's always treated his women with an attitude of amused indulgence...of tolerant indifference. While an affair lasts he's attentive and charming. When a woman begins to bore him he courteously but firmly dismisses her from his life. Not once to my knowledge has any woman touched an emotion in him deeper than affection or desire. I've seen them try in the most inventive ways to make him jealous,yet he has reacted with nothing stronger than amusement, or occasionally exasperation. Which brings us to you."
Lauren blushed at being correctly categorized with the other woen Nick had taken to bed,but she knew it was useless to deny it.
"You," Mary continued quietly, "have evoked genuine anger in him.He is furious with you and with himself. Yet he doesn't dismiss you fro his life; he doesn't even send you downstairs. Doesn't it seem odd to you that he won't let you work for Jim,and simply have you come upstairs to act as translator when Rossi's call finally comes through?"
"I think he's keeping me up there for revenge," Lauren said grimly.
"i think he is too.Perhaps he's trying to get back at you for what you're making him feel.Or possibly he's trying to find fault with you,so that he won't feel the way he does any longer. I don't know. Nick is a complex man. Jim, Ericka and I are all very close to him, and yet he keeps each one of us at a slight distance. There's a part of himself that he will not share with others, not even us.
”
”
Judith McNaught (Double Standards)
“
Not much time had passed when he opened his eyes to find her standing over him. “Umm,” she said nervously. “Can you…? This is awkward. I’m still very squeamish about a man even seeing me on the treadmill, but could you share the bed, in your clothes, and manage not to do anything? I mean, even in your sleep?” “I’m okay right here, Brie. Don’t worry about me.” “I’m not worried about… I just thought, that couch isn’t big enough. And there’s a bed in the loft, but I just don’t want you way up there. And I… Could you lie beside me on the bed without—” “I’m not going to try anything with you, Brie. I know you can’t handle that.” “I don’t think I can sleep unless you’re…closer,” she said very softly. “Aw, honey…” “Then come on,” she said, turning back to the bedroom. He didn’t move for a moment, thinking. It didn’t take long. He wanted to be next to her, but he didn’t have to be. But if she needed him, he was there. He stood and got rid of his belt because of the big buckle, but everything else stayed on. And he went to the bedroom. She was curled up under the covers, her back facing out, leaving him room. So he lay down on the bed on top of the covers, giving her that security. “Okay?” he asked. “Okay,” she murmured. It wasn’t a big bed, just a double, and it was impossible to keep a lot of space between them. He curved around her back, spooning her, his face against her hair, his wrist resting over her hip. “Okay?” he asked. “Okay,” she murmured. He nestled in, his cheek against the fragrant silkiness of all that loose hair, his body wrapped around hers, though separated by layers of clothes and quilts, and it was a long, long time before he found sleep. By her even breathing, Mike knew she rested comfortably and that made him feel good. When he woke in the morning, she had turned in her sleep and lay in the crook of his arm, snuggled up close to him, her lips parted slightly, her breath soft and warm against his cheek. And he thought, Oh damn, she’s right—this is going to just break the hell out of my heart. *
”
”
Robyn Carr (Whispering Rock (Virgin River, #3))
“
One's prescription can seem extensive--even overwhelming, depending on an individual's circumstance--and I can imagine the prospects exciting few people of any stripe. Lots of eaters are going to balk at abstaining, but to learn that recovery is going to require rigorous honesty, or more attention to spirit, could be far more off-putting.
Then again, who gets excited about any serious treatment prescription? Certainly not the cancer patient told she'll have to undergo radiation, or the back patient ordered to a month's uninterrupted bed rest, or the lung patient told he'll need a double transplant.
To some, the flaw of those comparisons will be their being equated with food addiction, and that is the rub, entirely. The medical profession and the public at large don't see that they are equivalent. The consequences of obesity (the chief consequence of food addiction) constitute the fastest-growing, and soon the gravest, threat to public health. Obesity is suicide on lay-away: It has plenty of time to degrade quality of life before finally ending life prematurely.
”
”
Michael Prager (Fat Boy Thin Man)
“
Robin’s voice on the executive chef’s line came to signify tongue. She didn’t say more than a word or two before Denise tuned out. Robin’s tongue and lips continued to form the instructions demanded by the day’s exigencies, but in Denise’s ear they were already speaking that other language of up and down and round and round that her body intuitively understood and autonomously obeyed; sometimes she melted so hard at the sound of this voice that her abdomen caved in and she doubled over; for the next hour-plus there was nothing in the world but tongue, no inventory or buttered pheasants or unpaid purveyors; she left the Generator in a buzzing hypnotized state of poor reflexes, the volume of the world’s noise lowered to near zero, other drivers luckily obeying basic traffic laws. Her car was like a tongue gliding down the melty asphalt streets, her feet like twin tongues licking pavement, the front door of the house on Panama Street like a mouth that swallowed her, the Persian runner in the hall outside the master bedroom like a tongue beckoning, the bed in its cloak of comforter and pillows a big soft tongue begging to be depressed, and then.
”
”
Jonathan Franzen (The Corrections)
“
My mouth- always so active, alert- could now generally identify forty of fifty states in the produce or meat I ate. I had taken to tracking those more distant elements on my plate, and each night, at dinner, a U.S. map would float up in my mind as I chewed and I'd use it to follow the nuances in the parsley sprig, the orange wedge, and the baked potato to Florida, California, and Kansas, respectively. I could sometimes trace eggs to the county. All the while, listening to my mother talk about carpentry, or spanking the bottle of catsup. It was a good game for me, because even though it did command some of my attention, it also distracted me from the much louder and more difficult influence of the mood of the food maker, which ran the gamut. I could be half aware of the conversation, cutting up the meat, and the rest of the time I was driving truck routes through the highways of America, truck beds full of yellow onions. When I went to the supermarket with my mother I double-checked all my answers, and by the time I was twelve, I could distinguish an orange slice from California from an orange slice from Florida in under five seconds because California's was rounder-tasting, due to the desert ground and the clear tangy water of far-flung irrigation.
”
”
Aimee Bender (The Particular Sadness of Lemon Cake)
“
The morning after / my death”
The morning after
my death
we will sit in cafés
but I will not
be there
I will not be
*
There was the great death of birds
the moon was consumed with
fire
the stars were visible
until noon.
Green was the forest drenched
with shadows
the roads were serpentine
A redwood tree stood
alone
with its lean and lit body
unable to follow the
cars that went by with
frenzy
a tree is always an immutable
traveller.
The moon darkened at dawn
the mountain quivered
with anticipation
and the ocean was double-shaded:
the blue of its surface with the
blue of flowers
mingled in horizontal water trails
there was a breeze to
witness the hour
*
The sun darkened at the
fifth hour of the
day
the beach was covered with
conversations
pebbles started to pour into holes
and waves came in like
horses.
*
The moon darkened on Christmas eve
angels ate lemons
in illuminated churches
there was a blue rug
planted with stars
above our heads
lemonade and war news
competed for our attention
our breath was warmer than
the hills.
*
There was a great slaughter of
rocks of spring leaves
of creeks
the stars showed fully
the last king of the Mountain
gave battle
and got killed.
We lay on the grass
covered dried blood with our
bodies
green blades swayed between
our teeth.
*
We went out to sea
a bank of whales was heading
South
a young man among us a hero
tried to straddle one of the
sea creatures
his body emerged as a muddy pool
as mud
we waved goodbye to his remnants
happy not to have to bury
him in the early hours of the day
We got drunk in a barroom
the small town of Fairfax
had just gone to bed
cherry trees were bending under the
weight of their flowers:
they were involved in a ceremonial
dance to which no one
had ever been invited.
*
I know flowers to be funeral companions
they make poisons and venoms
and eat abandoned stone walls
I know flowers shine stronger
than the sun
their eclipse means the end of
times
but I love flowers for their treachery
their fragile bodies
grace my imagination’s avenues
without their presence
my mind would be an unmarked
grave.
*
We met a great storm at sea
looked back at the
rocking cliffs
the sand was going under
black birds were
leaving
the storm ate friends and foes
alike
water turned into salt for
my wounds.
*
Flowers end in frozen patterns
artificial gardens cover
the floors
we get up close to midnight
search with powerful lights
the tiniest shrubs on the
meadows
A stream desperately is running to
the ocean
The Spring Flowers Own & The Manifestations of the Voyage (The Post-Apollo Press, 1990)
”
”
Elinor Wylie
“
THE OBEDIENCE GAME DUGGAR KIDS GROW UP playing the Obedience Game. It’s sort of like Mother May I? except it has a few extra twists—and there’s no need to double-check with “Mother” because she (or Dad) is the one giving the orders. It’s one way Mom and Dad help the little kids in the family burn off extra energy some nights before we all put on our pajamas and gather for Bible time (more about that in chapter 8). To play the Obedience Game, the little kids all gather in the living room. After listening carefully to Mom’s or Dad’s instructions, they respond with “Yes, ma’am, I’d be happy to!” then run and quickly accomplish the tasks. For example, Mom might say, “Jennifer, go upstairs to the girls’ room, touch the foot of your bed, then come back downstairs and give Mom a high-five.” Jennifer answers with an energetic “Yes, ma’am, I’d be happy to!” and off she goes. Dad might say, “Johannah, run around the kitchen table three times, then touch the front doorknob and come back.” As Johannah stands up she says, “Yes, sir, I’d be happy to!” “Jackson, go touch the front door, then touch the back door, then touch the side door, and then come back.” Jackson, who loves to play army, stands at attention, then salutes and replies, “Yes, sir, I’d be happy to!” as he goes to complete his assignment at lightning speed. Sometimes spotters are sent along with the game player to make sure the directions are followed exactly. And of course, the faster the orders can be followed, the more applause the contestant gets when he or she slides back into the living room, out of breath and pleased with himself or herself for having complied flawlessly. All the younger Duggar kids love to play this game; it’s a way to make practicing obedience fun! THE FOUR POINTS OF OBEDIENCE THE GAME’S RULES (MADE up by our family) stem from our study of the four points of obedience, which Mom taught us when we were young. As a matter of fact, as we are writing this book she is currently teaching these points to our youngest siblings. Obedience must be: 1. Instant. We answer with an immediate, prompt “Yes ma’am!” or “Yes sir!” as we set out to obey. (This response is important to let the authority know you heard what he or she asked you to do and that you are going to get it done as soon as possible.) Delayed obedience is really disobedience. 2. Cheerful. No grumbling or complaining. Instead, we respond with a cheerful “I’d be happy to!” 3. Thorough. We do our best, complete the task as explained, and leave nothing out. No lazy shortcuts! 4. Unconditional. No excuses. No, “That’s not my job!” or “Can’t someone else do it? or “But . . .” THE HIDDEN GOAL WITH this fun, fast-paced game is that kids won’t need to be told more than once to do something. Mom would explain the deeper reason behind why she and Daddy desired for us to learn obedience. “Mom and Daddy won’t always be with you, but God will,” she says. “As we teach you to hear and obey our voice now, our prayer is that ultimately you will learn to hear and obey what God’s tells you to do through His Word.” In many families it seems that many of the goals of child training have been lost. Parents often expect their children to know what they should say and do, and then they’re shocked and react harshly when their sweet little two-year-old throws a tantrum in the middle of the grocery store. This parental attitude probably stems from the belief that we are all born basically good deep down inside, but the truth is, we are all born with a sin nature. Think about it: You don’t have to teach a child to hit, scream, whine, disobey, or be selfish. It comes naturally. The Bible says that parents are to “train up a child in the way he should go: and when he is old, he will not depart from it” (Proverbs 22:6).
”
”
Jill Duggar (Growing Up Duggar: It's All about Relationships)
“
I've got the kids in my room," she explained, while Jubal strove to keep up with her, "so that Honey Bun can watch them."
Jubal was mildly startled to see, a moment later, what Patricia meant by that. The boa was arranged on one of twin double beds in squared-off loops that formed a nest - a twin nest, as one bight of the snake had been pulled across to bisect the square, making two crib-sized pockets, each padded with a baby blanket and each containing a baby.
The ophidian nursemaid raised her head inquiringly as they came in. Patty stroked it and said, "It's all right, dear. Father Jubal wants to see them. Pet her a little, and let her grok you, so that she will know you next time."
First Jubal coochey-cooed at his favorite girl friend when she gurgled at him and kicked, then petted the snake. He decided that it was the handsomest specimen of Bojdae he had ever seen, as well as the biggest - longer, he estimated, than any other boa constrictor in captivity. Its cross bars were sharply marked and the brighter colors of the tail quite showy. He envied Patty her blue-ribbon pet and regretted that he would not have more time in which to get friendly with it.
The snake rubbed her head against his hand like a cat. Patty picked up Abby and said, "Just as I thought. Honey Bun, why didn't you tell me?"- then explained, as she started to change diapers, "She tells me at once if one of them gets tangled up, or needs help, or anything, since she can't do much for them herself - no hands - except nudge them back if they try to crawl out and might fall. But she just can't seem to grok that a wet baby ought to be changed - Honey Bun doesn't see anything wrong about that. And neither does Abby."
"I know. We call her 'Old Faithful.' Who's the other cutie pie?"
"Huh? That's Fatima Michele, I thought you knew."
"Are they here? I thought they were in Beirut!"
"Why, I believe they did come from some one of those foreign parts. I don't know just where. Maybe Maryam told me but it wouldn't mean anything to me; I've never been anywhere. Not that it matters; I grok all places are alike - just people. There, do you want to hold Abigail Zenobia while I check Fatima?"
Jubal did so and assured her that she was the most beautiful girl in the world, then shortly thereafter assured Fatima of the same thing. He was completely sincere each time and the girls believed him - Jubal had said the same thing on countless occasions starting in the Harding administration, had always meant it and had always been believed. It was a Higher Truth, not bound by mundane logic.
Regretfully he left them, after again petting Honey Bun and telling her the same thing, and just as sincerely.
”
”
Robert A. Heinlein (Stranger in a Strange Land)