Dora Sayings And Quotes

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Dora can marry anyone she likes when she’s old enough, and I can say with absolute certainty that it won’t be anyone at this table.
MsKingBean89 (All the Young Dudes)
(Just so you know, I practice Spanish watching Dora the Explorer and playing GTA, so I know how to say backpack, whore, and weed. I hope you’re impressed.)
Camilla Monk (Spotless (Spotless, #1))
Dora found beauty in everything. She found nature’s magnificent work and incredible symmetry in a turtle’s carapace, or a stork’s egg, or an autumn reed from a swamp. How wonderful, she would often say. I understood the meaning of the word, but I could never feel the splendor it carried.
Sohn Won-Pyung (Almond)
Trust me,” I say. “I’ve seen things that make your porn look like Dora the Explorer.
Grady Hendrix (The Final Girl Support Group)
All was over in a moment. I had fulfilled my destiny. I was a captive and a slave. I loved Dora Spenlow to distraction! She was more than human to me. She was a Fairy, a Sylph, I don't know what she was - anything that no one ever saw, and everything that everybody ever wanted. I was swallowed up in an abyss of love in an instant. There was no pausing on the brink; no looking down, or looking back; I was gone, headlong, before I had sense to say a word to her.
Charles Dickens (David Copperfield)
He took her hand in his, caressed her palm with his finger.“Duin an doras,” he whispered hoarsely, feverishly.“Fuirichidh mise.” Close the door. I’ll stay. Ellie flushed dark, her lashes fluttered shut. “I…I don’t know what you say,” she murmured. Liam dropped her hand, gently laid his at the base of her bare neck. Her skin was soft and warm against his callused palm, and he whispered in her ear,“I know.” He moved his head; his lips whisked across hers, shimmering like a whisper of silk. He breathed her in once more, made himself remove his hand from her heated flesh.
Julia London (Highlander Unbound (Lockhart Family, #1))
…and he wasn't reconciled to dying. Dora told him he was going to a better world. "Mebbe, mebbe," says poor Ben, "but I'm sorter used to the imperfections of this one.
L.M. Montgomery (Anne of Windy Poplars (Anne of Green Gables, #4))
Nicely, thank you, Mr. Laurence. But I am not Miss March, I'm only Jo," returned the young lady. "I'm not Mr. Laurence, I'm only Laurie." "Laurie Laurence, what an odd name." "My first name is Theodore, but I don't like it, for the fellows called me Dora, so I made them say Laurie instead." "I hate my name, too, so sentimental! I wish every one would say Jo instead of Josephine. How did you make the boys stop calling you Dora?" "I thrashed 'em." "I can't thrash Aunt March, so I suppose I shall have to bear it." And Jo resigned herself with a sigh
Louisa May Alcott
The Dora bag has straps, it’s like Backpack but with Dora on it instead of Backpack’s face. It has a handle too, when I try it pulls up, I think I broke it, but then it rolls, it’s a wheelie bag and a backpack at the same time, that’s magic. “You like it?” It’s Deana talking to me. “Would you like to keep your things in it?” “Maybe one that’s not pink,” says Paul to her. “What about this one, Jack, pretty cool or what?” He’s holding up a bag of Spider-Man. I give Dora a big hug. I think she whispers, Hola, Jack. Deana tries to take the Dora bag but I won’t let her. “It’s OK, I just have to pay the lady, you’ll get it back in two seconds…” It’s not two seconds, it’s thirty-seven.
Emma Donoghue (Room)
It’s like Mark Twain once said to his wife, Olivia: “How many times do I have to say it—over the top!” He wasn’t talking about women being overly dramatic. He was in fact referring to the proper placement of toilet paper. And I agree to a certain extent. Women can be very dramatic at times. * Quote and anecdote taken from Dora J. Arod’s biography titled: “Mark Twain’s Mustache—the World’s Greatest Facial Hair. Or Certainly Top Three, and No Lower Than Number Four.
Jarod Kintz (At even one penny, this book would be overpriced. In fact, free is too expensive, because you'd still waste time by reading it.)
We haven’t got to the Sunflowers yet, said Michael. No, we haven’t, she said. You’re right. OK, so Vincent hoped to set up an artists’ studio down there in the South because he was keen to have friends and like-minded people around him. I think he was probably lonely, said Michael. What with the ear thing and the darkness. I think he was, too, said Dora. 1888 was the year, and he was waiting for another artist to join him, a man called Paul Gauguin. People say that, in all probability, he painted the Sunflowers as decoration for Gaugain’S room. Did lots of versions of them too, not just this. It’s a lovely thought, though, isn’t it? Some people say it’s not true but I like to think it is. Painting flowers as a sign of friendship and welcome. Men and boys should be capable of beautiful things. Never forget that, you two, she said, and she disappeared into the kitchen.
Sarah Winman (Tin Man)
To understand her," I say, "you have to understand what she was trying to do. Dora was ... a verb.
Anna Funder (All That I Am)
No realm was too petty: The Ministry of Posts ruled that henceforth when trying to spell a word over the telephone a caller could no longer say “D as in David,” because “David” was a Jewish name. The caller had to use “Dora.” “Samuel” became “Siegfried.” And so forth. “There has been nothing in social history more implacable, more heartless and more devastating than the present policy in Germany against the Jews,” Consul General Messersmith told Undersecretary Phillips in a long letter dated September 29, 1933. He wrote, “It is definitely the aim of the Government, no matter what it may say to the outside or in Germany, to eliminate the Jews from German life.
Erik Larson (In the Garden of Beasts: Love, Terror, and an American Family in Hitler's Berlin)
What was zat, Miss Penelope?” she asked. “You are on zee phone with Dora zee Explorer and Boots zee Monkey? You say Boots needs new boots? Very well, dah-ling! Pencil him in before my six o’clock appointment with SpongeBob!
Rachel Renée Russell (Tales from a Not-So-Happy Heartbreaker)
Uncle Mort glanced at Pandora, then back at the Juniors. "Okay, kids. Brace yourselves. And try not to yell too much." Elysia's hand tensed on Lex's arm. "I hate it when he says that," she whispered. Uncle Mort gave them a sympathetic smile. "Remember that old chestnut about the wickedest Grim of all time?" He pounded on the roof. Grotton's head popped down through the ceiling, a snaky grin stretching from ear to ear. The screams were so loud, Dora nearly drove into a tree
Gina Damico (Rogue (Croak, #3))
I feel as if it were not for me to record, even though this manuscript is intended for no eyes but mine, how hard I worked at that tremendous short-hand, and all improvement appertaining to it, in my sense of responsibility to Dora and her aunts. I will only add, to what I have already written of my perseverance at this time of my life, and of a patient and continuous energy which then began to be matured within me, and which I know to be the strong part of my character, if it have any strength at all, that there, on looking back, I find the source of my success. I have been very fortunate in worldly matters; many men have worked much harder, and not succeeded half so well; but I never could have done what I have done, without the habits of punctuality, order, and diligence, without the determination to concentrate myself on one object at a time, no matter how quickly its successor should come upon its heels, which I then formed. Heaven knows I write this, in no spirit of self-laudation. The man who reviews his own life, as I do mine, in going on here, from page to page, had need to have been a good man indeed, if he would be spared the sharp consciousness of many talents neglected, many opportunities wasted, many erratic and perverted feelings constantly at war within his breast, and defeating him. I do not hold one natural gift, I dare say, that I have not abused. My meaning simply is, that whatever I have tried to do in life, I have tried with all my heart to do well; that whatever I have devoted myself to, I have devoted myself to completely; that in great aims and in small, I have always been thoroughly in earnest. I have never believed it possible that any natural or improved ability can claim immunity from the companionship of the steady, plain, hard-working qualities, and hope to gain its end. There is no such thing as such fulfilment on this earth. Some happy talent, and some fortunate opportunity, may form the two sides of the ladder on which some men mount, but the rounds of that ladder must be made of stuff to stand wear and tear; and there is no substitute for thorough-going, ardent, and sincere earnestness. Never to put one hand to anything, on which I could throw my whole self; and never to affect depreciation of my work, whatever it was; I find, now, to have been my golden rules.
Charles Dickens (David Copperfield)
The best description of this book is found within the title. The full title of this book is: "This is the story my great-grandfather told my father, who then told my grandfather, who then told me about how The Mythical Mr. Boo, Charles Manseur Fizzlebush Grissham III, better known as Mr. Fizzlebush, and Orafoura are all in fact me and Dora J. Arod, who sometimes shares my pen, paper, thoughts, mind, body, and soul, because Dora J. Arod is my pseudonym, as he/it incorporates both my first and middle name, and is also a palindrome that can be read forwards or backwards no matter if you are an upright man in the eyes of God or you are upside down in a tank of water wearing purple goggles and grape jelly discussing how best to spread your time between your work, your wife, and the toasted bread being eaten by the man you are talking to who goes by the name of Dendrite McDowell, who is only wearing a towel on his head and has an hourglass obscuring his “time machine”--or the thing that he says can keep him young forever by producing young versions of himself the way I avert disaster in that I ramble and bumble like a bee until I pollinate my way through flowery situations that might otherwise have ended up being more than less than, but not equal to two short parallel lines stacked on top of each other that mathematicians use to balance equations like a tightrope walker running on a wire stretched between two white stretched limos parked on a long cloud that looks like Salt Lake City minus the sodium and Mormons, but with a dash of pepper and Protestants, who may or may not be spiritual descendents of Mr. Maynot, who didn’t come over to America in the Mayflower, but only because he was “Too lazy to get off the sofa,” and therefore impacted this continent centuries before the first television was ever thrown out of a speeding vehicle at a man who looked exactly like my great-grandfather, who happens to look exactly like the clone science has yet to allow me to create
Jarod Kintz (This is the story my great-grandfather told my father, who then told my grandfather, who then told me about how The Mythical Mr. Boo, Charles Manseur Fizzlebush Grissham III, better known as Mr. Fizzlebush, and Orafoura are all in fact me...)
André Breton on Jacqueline Lamba: "I had seen her enter here several times before. And I can certainly say that, here, on the twenty-ninth of May, 1934, this woman was scandalously beautiful. She was writing; she had also been writing the day before, and even then I was taken by the idea that she was writing to me, surprised even to find myself awaiting her letter
Louise Baring (Dora Maar: Paris in the Time of Man Ray, Jean Cocteau, and Picasso)
LANKES: ….This is how I figure it. When this war is over — one way or another, it will be over some day — well, then, when the war is over, the pillboxes will still be here. These things were made to last. And then my time will come. The centuries […] start coming and going, one after another like nothing at all. But the pillboxes stay put just like the Pyramids stay put. And one fine day one of those archaeologist fellows comes along. And he says to himself: what an artistic void there was between the First and Seventh World Wars! Dull drab concrete; here and there, over a pillbox entrance, you find some clumsy amateurish in squiggles in the old-home style. And that’s all. Then he discovers Dora Five, Six, Seven; he sees my Structural Oblique Formations, and he says to himself, Say, take a look at that, Very, very interesting, magic, menacing, and yet shot through with spirituality. In these works a genius, perhaps the only genius of the twentieth century, has expressed himself clearly, resolutely, and for all time. I wonder, says our archaeologist to himself, I wonder if it’s got a name? A signature to tell us who the master was? Well, sir, if you look closely, sir, and hold your head on a slant, you’ll see between those Oblique Formations… BEBRA: My glasses. Help me, Lankes. LANKES: All right, here’s what it says: Herbert Lankes, anno nineteen hundred and forty-four. Title: BARBARIC, MYSTICAL, BORED. BEBRA: You have given our century its name.
Günter Grass (The Tin Drum)
A Cyclops on a unicycle juggling three giant eyeballs couldn’t compare to the balanced vision my writing presents. In fact, noted linguist and translation expert Dora J. Arod had these flattering words to say about my writing: “I wouldn’t read Jarod’s writing—not even if he paid me to read it. And he does pay me to read his writing, but that doesn’t mean I do.” Of course the quote continued on, but that was the only part that was praising.
Jarod Kintz (This is the best book I've ever written, and it still sucks (This isn't really my best book))
My Dear Mrs Winter. (I had half a mind when I dipped my pen in the ink, to address you by your old natural Christian name.) The snow lies so deep on the Northern Railway, and the Posts have been so interrupted in consequence, that your charming note arrived here only this morning... I get the heartache again when I read your commission, written in the hand which I find now to be not in the least changed, and yet it is a great pleasure to be entrusted with it, and to have that share in your gentler remembrances which I cannot find it still my privilege to have, without a stirring of the old fancies. ... I am very very sorry you mistrusted me in not writing before your little girl was born; but I hope now you know me better you will teach her, one day, to tell her children, in times to come when they have some interest in wondering about it, that I loved her mother with the most extraordinary earnestness when I was a boy. I have always believed since, and always shall to the last, that there never was such a faithful and devoted poor fellow as I was. Whatever of fancy, romance, energy, passion, aspiration and determination belong to me, I never have separated and never shall separate from the hard hearted little woman - you - whom it is nothing to say I would have died for, with the greatest alacrity! I never can think, and I never seem to observe, that other young people are in such desperate earnest, or set so much, so long, upon one absorbing hope. It is a matter of perfect certainty to me that I began to fight my way out of poverty and obscurity, with one perpetual idea of you. This is so fixed in my knowledge that to the hour when I opened your letter last Friday night, I have never heard anybody addressed by your name or spoken of by your name, without a start. The sound of it has always filled me with a kind of pity and respect for the deep truth that I had, in my silly hobbledehoyhood, to bestow upon one creature who represented the whole world to me. I have never been so good a man since, as I was when you made me wretchedly happy. I shall never be half so good a fellow any more. This is all so strange now, both to think of, and to say, after every change that has come about; but I think, when you ask me to write to you, you are not unprepared for what it is so natural to me to recall, and will not be displeased to read it. I fancy, - though you may not have thought in the old time how manfully I loved you - that you may have seen in one of my books a faithful reflection of the passion I had for you, and may have thought that it was something to have been loved so well, and may have seen in little bits of "Dora" touches of your old self sometimes, and a grace here and there that may be revived in your little girls, years hence, for the bewilderment of some other young lover - though he will never be as terribly in earnest as I and David Copperfield were. People used to say to me how pretty all that was, and how fanciful it was, and how elevated it was above the little foolish loves of very young men and women. But they little thought what reason I had to know it was true and nothing more nor less. These are things that I have locked up in my own breast, and that I never thought to bring out any more. But when I find myself writing to you again "all to your self", how can I forbear to let as much light in upon them as will shew you that they are there still! If the most innocent, the most ardent, and the most disinterested days of my life had you for their Sun - as indeed they had - and if I know that the Dream I lived in did me good, refined my heart, and made me patient and persevering, and if the Dream were all of you - as God knows it was - how can I receive a confidence from you, and return it, and make a feint of blotting all this out! ...
Charles Dickens
He heard the back door open and close. Carol, of course. Smelled her before he could see her. He’d never asked them when the affair began but always presumed it ran along invisible tracks parallel to his parents’ marriage. Mum had the painting and he had Carol. Truce. /It’s hard being born here, breathing this air. It becomes part of you, whether you want it to or not. Those lights become dawn and dusk. Mum used to say that. Did she? We were friends once. I never knew that. In the early days, we were. But the she seemed to withdraw. Rarely went out with your dad anymore. Maybe it was being a new mum. I reckon you were enough for her. Lucky Dora, we used to say. Ellis put his arm around her shoulder./ It was hard for us, wasn’t it? Getting to know each other? We know each other now, said Ellis. Yeah. And you know you’re too good for him. I know, said Carol, and they laughed. Do you think he’s alright? said Ellis, looking back to the house. Course he is. He’s just used to being a bastard. He’s one of them men who discovered later on that he’s got a heart.
Sarah Winman (Tin Man)
Dora and John come round after breakfast. They are our next door neighbours and we see them practically every day, especially in the summer holidays when we are all bored and hot. Dora is thirteen, just like Alice and Moz. Dora and Alice are best friends forever. It can get a bit much sometimes. But that's OK, because this summer I am mainly hanging out with Moz and John. Moz is my big brother and he's pretty cool. He is enjoying lazing around at home and in the garden, getting a tan. I think this is because he likes to take his t-shirt off all the time to show the girls his cool bod! He has got a lot taller suddenly this year and looks strong and athletic. But I think he's still a bit of a kid inside, wanting to hang out with me and John rather than try and talk to all the cool girls and not knowing what to say. The down-side is that as he's the eldest, he's always bossing us around. He ALWAYS thinks he knows best. John is eleven, like me. He's OK most of the time, but he can be very annoying too.
Abigail Hornsea (Books for kids: Summer of Spies)
Dora and John come round after breakfast. They are our next door neighbours and we see them practically every day, especially in the summer holidays when we are all bored and hot. Dora is thirteen, just like Alice and Moz. Dora and Alice are best friends forever. It can get a bit much sometimes. But that's OK, because this summer I am mainly hanging out with Moz and John. Moz is my big brother and he's pretty cool. He is enjoying lazing around at home and in the garden, getting a tan. I think this is because he likes to take his t-shirt off all the time to show the girls his cool bod! He has got a lot taller suddenly this year and looks strong and athletic. But I think he's still a bit of a kid inside, wanting to hang out with me and John rather than try and talk to all the cool girls and not knowing what to say. The down-side is that as he's the eldest, he's always bossing us around. He ALWAYS thinks he knows best. John is eleven, like me. He's OK most of the time, but he can be very annoying too. He
Abigail Hornsea (Books for kids: Summer of Spies)
Beneath the previously mentioned disappointments on both sides and the disputes I have mentioned there lurked a deep-seated bitterness and disillusionment over the images of one another that we had fashioned for ourselves. Occasionally such feelings were expressed under the veil of an exchange of letters that the infant Stefan and I would leave out for each other. Stefan’s letters were in Dora’s handwriting, but they were written with Walter’s knowledge and possibly even with his participation. On June 20—six weeks after my arrival!—Stefan wrote me with reference to a letter of mine that, as far as I recall, never existed: Dear Uncle Gerhardt [sic]: Herewith I am sending you a better photo of me which has arrived in the meantime. Thank you very much for your letter; various things may be said about it, and that is why I am writing you, for if I visit you, you will again tell me so many things that I won’t be able to get a word in edgeways. Well then, first I must tell you that you ought to know I no longer remember. For if I could remember, I certainly would not be here, where it is so unpleasant and you are creating such a bad atmosphere; no, I long since would have returned where I came from. That’s why I can’t read the end of your letter. My mother read the rest to me. Incidentally, I have very strange parents; but more about that later. When I was in town yesterday, something occurred to me: When I grow up, I’m going to be your pupil. Better start thinking now. Best of all, start keeping a little book in which you note everything down. Now I will tell you something about my parents. I won’t say anything about my mother, because she is, after all, my mother. But I have all sorts of things to tell you about my father. You are wrong in what you write, dear Uncle Gerhardt. I believe you really know very little about my Papa. There are very few people who know anything about him. Once, when I was still in heaven, you wrote him a letter that made all of us think that you did know him. But perhaps you don’t after all. I think a man like that is born only once in a great while, and then you just have to be kind to him and he will do everything else by himself. You, dear Uncle Gerhardt, still think that one has to do a great deal. Perhaps I shall also think that way when I am a grown man, but now I think more like my Mama, that is, not at all or very little; and so all this to-do and the great excitement over everything seems much less important to me than which way the wind is blowing. But I don’t want to be smart-alecky, for you know everything much better. That’s the whole trouble. Many regards from Stefan
Gershom Scholem (Walter Benjamin: The Story of a Friendship)
I don’t know why she broke up with me. I was always there when she needed me. Well, aside for about 3/4ths of a year that one time when she told me she was pregnant. 
This was the second time in my life that I’ve felt like I’ve found “The one.” But the first one doesn’t count, because neither could I at the time. I was two, and I thought I’d spend the rest of my life with my teddy bear, FDR. 
Things were going so splendidly before we split. Just last week we were sitting on a bench in the park on a sunny afternoon, when she put her hand on mine, turned to look at me, and said, “We should have brought some bread.” 
And now it all makes sense. Bread for the birds. At the time I thought she was asking me to marry her, so like a fool my eyes teared up and I simply said, “Yes.” I guess it is like my grand pappy said when he told my pappy, “I’d be a fool to think you didn’t raise a fool.” Well, he was right. He was a fool. Like father like son. Good thing he wasn’t my father. It’s like that saying found in the correspondences between Jarod Ora Kintz and Dora J. Arod: I’m looking at him to look at me, but he is me, so what am I, a mirror?
Jarod Kintz (This Book is Not for Sale)
My Grandmother says that love is like a bout of diarrhea, it needs neither an invitation nor privacy.
Dora Okeyo (Love like bouts of diarrhea)
Josie said. “We almost gave up several times,” Dora admitted, shaking her head.  “But maybe the quilt did keep us from going home earlier than we had planned.” “I like the name Rolling Stones,” Josie commented. “Hey, that’s kind of like us. We didn’t use wagons, but we managed to tour part of the country.” “You’re right. I believe we should just keep the quilt.” “Won’t it remind us of all the anxious moments?” “Maybe, but we showed courage and persevered,” Dora said, soundly.  “Hey, where’s the bonus they promised us?” “Well, I don’t know.” Dora searched the box and held up a blue envelope. “Let’s see.” Josie whipped it out of her hand. She broke the seal and took out two airplane tickets. “Airplane tickets?” Dora asked in disbelief. “What do we do with tickets?” “Here’s a note between the tickets.” Josie opened it.  “It says the tickets are for a quilt show in Philadelphia. Milton wants us to attend.  He says he will meet us there and answer more questions for us.” “But we’re afraid to fly,” Dora protested. “Could we send the tickets back?” Josie suggested. “I don’t think so. Milton will be out his money.” “When is it?” Dora took the tickets and examined them. “In September. Only a month away.” Josie tapped her chin in thought. “If we decided to do more touring, we could extend our trip from there to the New England States.” “We could see the autumn leaves,” Dora said, excitement rising in her voice. “Anthony wanted us to visit him in Iowa,” Josie reminded Dora. “How are we going to work all this in?” “I have no idea. Why does traveling have to be so complicated and so full of surprises?”   ______   MDora looped a bright red scarf around her neck while glancing out her bedroom  window. The wind swirled bits of trash down the sidewalk of their Hedge City, Nebraska, home. She sighed, wishing she could stay at home today and read.  Buzzie looked up at her and meowed, expressing the same sentiments. She reached down and patted her softly.  But she didn’t have that luxury today. She had agreed to substitute teach for the current English teacher who would be out for at least a week.  Josie called from the kitchen. “Want more coffee?” “Yes, please.  Fill my mug.  I’ll drink it on my way to school.” She reached into the closet and pulled out a beige sweater. A glance in the mirror confirmed the bright red scarf did wonders for the nondescript sweater’s color. Josie joined her at the door dressed in russet slacks and matching jacket and handed Dora her mug.  “A little blustery today.” “For sure.” Dora eyed Josie, wishing she had the sense of style Josie displayed. The sisters would walk together and then would split to their separate ways, Josie to fill in at the
Jan Cerney Book 1 Winslow Quilting Mysteries (Heist Along the Rails: Book 1 Winslow Quilting Mysteries (The Winslow Quilting Mysteries))
In May 1929 a concerned Dora Benjamin wrote to Gershom (Gerhard) Scholem: Walter is in a very bad way, dear Gerhard, I can’t tell you more than that because it is crushing my heart. He is entirely under Asja’s influence and doing things that the pen resists writing, and which prevent me from exchanging even a word with him. He now exists only as a head and genitals, and as you know, or can imagine, in such cases the head is quickly overcome. It was always a great danger, and who can say what will happen. . . . Walter has sued me for my debt, as the first divorce proceedings failed to resolve this question—he wants neither to return the money borrowed from his inheritance (120,000 marks; my mother is seriously ill) nor to pay anything for Stefan. . . . I gave him all the books, and the next day he also demanded the collection of children’s books. In the winter he lived with me for months without paying. . . . After we gave each other every freedom for eight years . . . he is suing me; now the German laws he despised are suddenly good enough for him.
Wolfram Eilenberger (Time of the Magicians: Wittgenstein, Benjamin, Cassirer, Heidegger, and the Decade That Reinvented Philosophy)
But say you'll let me stop, and see you write." "Why, what a sight for such bright eyes at midnight!" I replied. "Are they bright, though?" returned Dora, laughing. "I'm so glad they're bright." "Little Vanity!" said I. But it was not vanity; it was only harmless delight in my admiration. I knew that very well, before she told me so. "If you think them pretty, say I may always stop, and see you write!" said Dora. "Do you think them pretty?" "Very pretty." "Then let me always stop and see you write." "I am afraid that won't improve their brightness, Dora." "Yes, it will! Because, you clever boy, you'll not forget me then, while you are full of silent fancies.
Charles Dickens (David Copperfield)
Don't talk to me about fate, I wanted to say to Dora. Fate is just another word for saying we're all powerless. Me. Mama. Papa. Maggie. All of us. Love something long enough and true enough and fate will tear it right out of your hands if it chooses, and there's nothing you can do about it.
Susan Meissner (As Bright as Heaven)
That was the reason your brother requested a Msingi when he and I were around your age.” At the sound of that magic word, Shuri’s ears perk up. And seeing who’s in front of her reignites her excitement. Cautiously. “Is this your way of telling me that you are going to be my Msingi, Nakia?” Shuri’s favorite Dora bows. “At your service, Your Majesty,” she says. “Now, when do we depart?
Nic Stone (Symbiosis (Shuri: A Black Panther Novel #3))
My accomplice clearly had unresolved issues with March, because he was encouraging him to satisfy his own mother. (Just so you know, I practice Spanish watching Dora the Explorer and playing GTA, so I know how to say backpack, whore, and weed. I hope you’re impressed.)
Camilla Monk (Spotless (Spotless, #1))
Serving officers dare not criticize diversity for fear it will kill their careers. Only after he retired did Army Green Beret Major Andy Messing say that Special Forces units should be homogeneous because this promotes cohesion. He said differences of race or religion add to the tensions of a grinding training regimen and perilous combat missions. A recent book-length study of cohesion in Civil War units found that soldiers were less likely to desert if they were fighting alongside men who resembled them in ethnicity, religion, and occupation, and who came from the same part of the country. Authors Dora Costa and Matthew Kahn concluded that men were most likely to risk their lives for men who were most like themselves. They also found that Union veterans’ health was worse in old age if they had seen a lot of combat but were surprised to discover that this effect disappeared for soldiers who had fought in very homogeneous units. Fighting alongside close comrades immunized them against battle trauma.
Jared Taylor (White Identity: Racial Consciousness in the 21st Century)
Talk about EVIL! MacKenzie makes the Wicked Witch of the West look like Dora the Explorer. I’m just saying . . .!
Rachel Renée Russell (Tales from a Not-So-Popular Party Girl (Dork Diaries, #2))
And,' Dora adds, 'if he chooses not to tell the whole truth then we don't have to lie to your mum. I wasn't looking forward to that.' I nod in agreement. There's no way I could tell even a half truth to Mum and I doubt Moz or Alice could either. She has a way of getting the truth out of us anyway. 'Why don't we go and listen at the window? I need to know what he's saying.
Abigail Hornsea (Books for kids: Summer of Spies)
I’m not leaving this cabin again until you’ve laid your egg.” Kellan snuggled up to Vic. “Our egg, remember?” “Mmm. Our baby.” Vic buried his nose in Kellan’s hair. “This is all so surreal, but I couldn’t be more thrilled.” They held each other in silence, the only sound being the rustle of the branches in the light wind and the crackle of the well-seasoned wood in the fireplace. Part of what Vic had said sunk in. “Hey, Vic?” “Yeah?” “You can’t stay here round the clock with it being so busy at the inn and everything. It’s Christmas week. I’ve heard you say plenty of times that it gets crazy between now and New Year’s Day.” Vic tightened his hold. “I don’t care.” Kellan rolled his eyes. “But it’s not fair to everyone else. It’s bad enough that I’m not there helping as it is.” He glanced up at Vic. “And what about food?” They took most of their meals at the restaurant since it was so convenient. Vic stuck out his lower lip. “I’ll make Dora deliver them to the cabin.” Kellan sighed. “Vic, you’re not being reasonable.” He huffed. “Reasonable? Who cares about reasonable? My mate is about to lay an egg at any minute!” Kellan let out a laugh, then grabbed his abdomen. It didn’t hurt, but it sure as hell felt weird. Too much pressure. Vic gasped, grabbing Kellan’s upper arms then holding him back, his gaze roaming Kellan’s body. “Is it time? Should you go lie down in the nest?” This is going to be fun
M.M. Wilde (A Swan for Christmas (Vale Valley, Season 1, #4))
You are very quiet,” Elias said, after they had taken a few rotations around the floor. His gaze did not waver from her face. Dora thought he might be searching for something in her expression. “I do not know what to say,” she admitted. “I think I am deeply touched. But if I am supposed to react in some particular way, I should warn you that I do not know it. My condition confounds me.” Dora found herself looking at his chin now instead of into his eyes. “I am a doll sometimes, and not a human being at all.” Elias pressed gently at her back, leading them aside from the other dancers. He paused there for a moment, and Dora felt his gaze hot on her face. “Surely you cannot think that of yourself,” he murmured. “Or has someone else said it to you, perhaps?” Dora stayed silent. She did not want to admit that she had accidentally plucked the words from that pile of misery at the bottom of her mind. It would be too much like admitting that Auntie Frances had won some battle over her. Elias leaned down towards her, probably closer than was proper. “It may be true that you only have half a soul, Dora,” he whispered, with a surprising abundance of empathy in his voice. “But that does not make you half a person.”
Olivia Atwater (Half a Soul (Regency Faerie Tales, #1))
The thing about Oxford is, you spend all this time fretting that you don’t belong, but when you are apart from it, you feel as if you’ve left something precious behind,” says Dora.
Joanna Miller (The Eights)