Doors Shut Quotes

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How many slams in an old screen door? Depends how loud you shut it. How many slices in a bread? Depends how thin you cut it. How much good inside a day? Depends how good you live 'em. How much love inside a friend? Depends how much you give 'em.
Shel Silverstein
I'm like you,' he said. 'I remember everything.' I stopped for a second. If you remember everything, I wanted to say, and if you are really like me, then before you leave tomorrow, or when you’re just ready to shut the door of the taxi and have already said goodbye to everyone else and there’s not a thing left to say in this life, then, just this once, turn to me, even in jest, or as an afterthought, which would have meant everything to me when we were together, and, as you did back then, look me in the face, hold my gaze, and call me by your name
André Aciman (Call Me by Your Name)
I love you, Katy. Always have. Always will," he said, voice thick and hoarse with panic. "I will come back for you. I will-" The emergency doors sealed shut with a soft thud. "I love you," I said, but Daemon...Daemon was gone.
Jennifer L. Armentrout (Opal (Lux, #3))
It is always important to know when something has reached its end. Closing circles, shutting doors, finishing chapters, it doesn't matter what we call it; what matters is to leave in the past those moments in life that are over.
Paulo Coelho (The Zahir)
There's an old saying about the truth setting you free. Don't buy it. Sometimes the truth slams the cell door shut and throws a thousand bolts.
Rick Yancey (The 5th Wave (The 5th Wave, #1))
No live organism can continue for long to exist sanely under conditions of absolute reality; even larks and katydids are supposed, by some, to dream. Hill House, not sane, stood by itself against its hills, holding darkness within; it had stood so for eighty years and might stand for eighty more. Within, walls continued upright, bricks met neatly, floors were firm, and doors were sensibly shut; silence lay steadily against the wood and stone of Hill House, and whatever walked there, walked alone.
Shirley Jackson (The Haunting of Hill House)
So okay― there you are in your room with the shade down and the door shut and the plug pulled out of the base of the telephone. You've blown up your TV and committed yourself to a thousand words a day, come hell or high water. Now comes the big question: What are you going to write about? And the equally big answer: Anything you damn well want.
Stephen King (On Writing: A Memoir of the Craft)
It is better to be alone, she figures, than to be with someone who can't see who you are. It is better to lead than to follow. It is better to speak up than stay silent. It is better to open doors than to shut them on people. She will not be simple and sweet. She will not be what people tell her to be. That Bunny Rabbit is dead.
E. Lockhart (The Disreputable History of Frankie Landau-Banks)
I’m going in,” Gansey said as Ronan sat down on the step beside Adam. As Gansey shut the door behind him, he heard Adam say, “I don’t want to talk,” and Ronan reply, “The fuck would I talk about?
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
Oh, I can never get enough," he said. "Which, incidentally, is what your sister said to me when - " The carriage door flew open. A hand shot out, grabbed Will by the back of the shirt, and hauled him inside. The door banged shut after him, and Thomas, sitting bolt upright, seized reins of the horses. A moment later the carriage had lurched forth into the night, leaving Gabriel staring, infuriated, after it.
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
Anna prods St. Clair's shoulder. "Come on. Weren't you gonna show me that thing?" "What thing?" She stares at him. He stares back. She cocks her head toward Cricket and me. "Ah, yes." St. Clair stands. "That thing." They rush out. The door shuts, and St. Clair shouts, "Lola, Cricket wants to show you his thing, too-oo!
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
Humility is perfect quietness of heart. It is to expect nothing, to wonder at nothing that is done to me, to feel nothing done against me. It is to be at rest when nobody praises me, and when I am blamed or despised. It is to have a blessed home in the Lord, where I can go in and shut the door, and kneel to my Father in secret, and am at peace as in a deep sea of calmness, when all around and above is trouble.
Andrew Murray
When a woman is assaulted, one of the first questions people ask is, Did you say no? This question assumes that the answer was always yes, and that it is her job to revoke the agreement. To defuse the bomb she was given. But why are they allowed to touch us until we physically fight them off? Why is the door open until we have to slam it shut?
Chanel Miller (Know My Name: A Memoir)
Amusement touched the corner of his lips. "Animals love me." "Oh, I'm sure they do," Scarlet said, beaming with fake encouragement. She shut the door before muttering, "What farm animals don't love a wolf?
Marissa Meyer (Scarlet (The Lunar Chronicles, #2))
But you still haven't said you love me." "That's not true." "You haven't." "I say it all the time, I just say it very, very quietly. I tell you when you're in another room, or right after we hang up the phone. I tell you when you've got headphones on. I say it after you shut the door behind you. I say it in my head every time you look at me.
Sarah Hogle (You Deserve Each Other)
THE SERUM WEARS off five hours later, when the sun is just beginning to set. Tobias shut me in my room for the rest of the day, checking on me every hour. This time when he comes in, I am sitting on the bed, glaring at the wall. “Thank God,” he says, pressing his forehead to the door. “I was beginning to think it would never wear off and I would have to leave you here to … smell flowers, or whatever you wanted to do while you were on that stuff.
Veronica Roth (Insurgent (Divergent, #2))
I took a deep breath, and shut the bedroom door behind me. Even though we'd put each other through hell, we'd found heaven. Maybe that was more than a couple of sinners deserved, but I wasn't going to complain.
Jamie McGuire (Walking Disaster (Beautiful, #2))
Within, walls continued upright, bricks met neatly, floors were firm, and doors were sensibly shut; silence lay steadily against the wood and stone of Hill House, and whatever walked there, walked alone.
Shirley Jackson (The Haunting of Hill House)
When Rydstrom shut the door, Cade stared at it for long moments. At length, he turned for the steps. "Fuckall," he said on a stunned breath. "Does this mean I'm no longer the bad brother...?
Kresley Cole
I sighed and put Slayer between the front seats. "Stay here. Guard the car." Saiman shut the door. "Is the sword sentient?" "No. But I like to pretend it is.
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
The minute the door was opened, she wished she had made some excuse not to see them.  Victor was sitting by the bed, and the tender expression on his face as he looked down at his wife and latest child, made something violent and jealous jump in Penelope's heart.  She could have murdered Ethan for shutting the door loudly behind them, interrupting their intimacy.
Barbara Sontheimer (Victor's Blessing)
At the same time, though, I was beginning to wonder if this was just how it was supposed to be for me, like perhaps I wasn't capable of having that many people in my life at any one time. My mom turned up, Nate walked away, one door opening as another clicked shut.
Sarah Dessen (Lock and Key)
Just answer me this. Is she worth it?" Ash's face went blank and cold, like a door slamming shut. "Would this be considered payment for finding sweetfinger?" he replied in a voice dead of emotion. The dwarf snorted. "Yeah, sure, whatever. But I want a serious answer, Prince." Ash was still for a moment. "Yes," he murmured, his voice so low I barely caught it. "She's worth it." "You know Mab will tear you apart for this." "I know.
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
They [Percy and Annabeth] held the Doors shut as the elevator shuddered and the music played, while somewhere below them, a Titan and a giant sacrificed their lives for their escape.
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
The major problem of life is learning how to handle the costly interruptions. The door that slams shut, the plan that got sidetracked, the marriage that failed. Or that lovely poem that didn't get written because someone knocked on the door.
Martin Luther King Jr.
By the way, I know about the kiss." Then the door clicks shut behind him.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
The ‘unknown’ leaves the door open. Ignorance has the door shut. ("High noon.")
Erik Pevernagie
Sebastian sighed an exaggerated sigh and swung the door shut. Clary stared at Jace. "What the f-" "Language, Fray." Jace's eyes danced. "Relax.
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
After I shut the door behind me, I heard Darryl say "of course eating him would work too.
Patricia Briggs (Blood Bound (Mercy Thompson, #2))
A witch, a vampire, and a pixy walk into a bar, I thought as I led the way into the Squirrel’s End. It was early, and the sun had yet to set when the door swung shut behind Jenks, sealing us in the warm air smelling faintly of smoke. Immediately Nick yanked it open to come in behind us. And there’s the punch line.
Kim Harrison (A Fistful of Charms (The Hollows, #4))
The front door shut, leaving Alec sitting in the half-lit garden, alone. He closed his eyes for a moment, the image of a face hovering behind his lids. Not Jace's face, for a change. The eyes set in the face were green, slit-pupiled. Cat eyes.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
The world is like a ride in an amusement park, and when you choose to go on it you think it's real because that's how powerful our minds are. The ride goes up and down, around and around, it has thrills and chills, and it's very brightly colored, and it's very loud, and it's fun for a while. Many people have been on the ride a long time, and they begin to wonder, "Hey, is this real, or is this just a ride?" And other people have remembered, and they come back to us and say, "Hey, don't worry; don't be afraid, ever, because this is just a ride." And we … kill those people. "Shut him up! I've got a lot invested in this ride, shut him up! Look at my furrows of worry, look at my big bank account, and my family. This has to be real." It's just a ride. But we always kill the good guys who try and tell us that, you ever notice that? And let the demons run amok … But it doesn't matter, because it's just a ride. And we can change it any time we want. It's only a choice. No effort, no work, no job, no savings of money. Just a simple choice, right now, between fear and love. The eyes of fear want you to put bigger locks on your doors, buy guns, close yourself off. The eyes of love instead see all of us as one. Here's what we can do to change the world, right now, to a better ride. Take all that money we spend on weapons and defenses each year and instead spend it feeding and clothing and educating the poor of the world, which it would pay for many times over, not one human being excluded, and we could explore space, together, both inner and outer, forever, in peace.
Bill Hicks
As soon as we are alone,...inner chaos opens up in us. This chaos can be so disturbing and so confusing that we can hardly wait to get busy again. Entering a private room and shutting the door, therefore, does not mean that we immediatel;y shut ou all our iner doubts, anxieities, fears, bad memories, unresolved conflicts, angry feelings and impulsive desires. On the contrary, when we have removed our outer distraction, we often find that our inner distraction manifest themselves to us in full force. We often use the outer distractions to shield ourselves from the interior noises. This makes the discipline of solitude all the more important.
Henri J.M. Nouwen (Making All Things New and Other Classics)
Fear was when you wandered into a cellar and worried that the door would close shut. Despair was when the door closed and locked behind you.
Matt Haig (The Midnight Library)
As a rule, I don't enjoy being tossed into closets and having the door shut on my face, but I knew he was protecting me.
Amanda Hocking (Torn (Trylle, #2))
A wicked grin crinkled one corner of his mouth as he secured another sticky note on the door before shutting it in my face. I blinked, then read the note. Use the key.
Darynda Jones (Fifth Grave Past the Light (Charley Davidson, #5))
One expects decent people to stand up for the good of all. Decent people shut their doors and hide behind them as decent people do. Massacres could never happen if it weren't for decent people.
Jennifer Donnelly (Revolution)
I shut the bathroom door and caught sight of my face in the mirror. I had no idea how quickly it was to change, to fade. If I had, I would have stared at my reflection, memorizing it. It was the last time I would look into a real mirror for more than a decade.
Ruta Sepetys (Between Shades of Gray)
That's how it is with relationships, it's a part of life, and all the great love songs and poems and films have been written by people who were standing where I was that morning as Simon shut the door. Doesn't make it any easier though.
Jane Green (Straight Talking)
With that, he pushed his way out...and as the door eased shut, she realized I love you could indeed be said without actually uttering the phrase. Actions did mean more than words.
J.R. Ward (Lover Unleashed (Black Dagger Brotherhood, #9))
Give me hunger, pain and want, Shut me out with shame and failure From your doors of gold and fame, Give me your shabbiest, weariest hunger! But leave me a little love.
Carl Sandburg (Chicago Poems)
When you're touched by magic, nothing's ever quite the same again. What really makes me sad is all those people who never have the chance to know that touch. They're too busy, or they just don't hold with make-believe, so they shut the door without really knowing it was there to be opened in the first place.
Charles de Lint (What the Mouse Found and Other Stories)
The moment had passed, the door between the lives we could have led and the lives we led had shut in our faces.
Nicole Krauss (The History of Love)
I would do anything for you. Anything." With that, he pushed his way out...and as the door eased shut, she realized that I love you could indeed be said without actually uttering the phrase. Actions did mean more than words.
J.R. Ward (Lover Unleashed (Black Dagger Brotherhood, #9))
Nothing can be given or taken away; nothing has been added or subtracted; nothing increased or diminished. We stand on the same shore before the same mighty ocean. The ocean of love. There it is - in perpetuum. As much in a broken blossom, the sound of a waterfall, the swoop of a carrion bird as in the thunderous artillery of the prophet. We move with eyes shut and ears stopped; we smash walls where doors are waiting to open to the touch; we grope for ladders, forgetting that we have wings; we pray as if God were deaf and blind, as if He were in a space. No wonder the angels in our midst are unrecognizable. One day it will be pleasant to remember these things.
Henry Miller
Suppose, for instance, that men were only represented in literature as the lovers of women, and were never the friends of men, soldiers, thinkers, dreamers; how few parts in the plays of Shakespeare could be allotted to them; how literature would suffer! We might perhaps have most of Othello; and a good deal of Antony; but no Caesar, no Brutus, no Hamlet, no Lear, no Jaques--literature would be incredibly impoverished, as indeed literature is impoverished beyond our counting by the doors that have been shut upon women.
Virginia Woolf (A Room of One’s Own)
As I shut the door and started to walk away, I heard him say, "Hey. Sydney." "Yeah?" "You had on a shirt with mushrooms on it, and your hair was pulled back. Silver earrings. Pepperoni slice. No lollipop." I just looked at him, confused. Layla was walking toward us now. "The first time you came into Seaside," he said. "You weren't invisible, not to me. Just so you know.
Sarah Dessen (Saint Anything)
I wait for the fist of devestation, the collapse of a year's worth of hopes, the roar of sadness. And I do feel it. The pain of losing him. Or the idea of him. But along with that pain is something else, something quiet at first, so I have to strain for it. but when I do, I hear the sound of a door quietly clicking shut. And then the most amazing thing happens: The night is calm, but I feel a rush of wind, as if a thousand other doors have just simultaneously flung open. I give one last glance towards Willem. Then I turn to Wolfgang. "Finished," I say. But I suspect the opposite is true. That really, I'm just beginning.
Gayle Forman (Just One Day (Just One Day, #1))
When the heart is hard and parched up, come upon me with a shower of mercy. When grace is lost from life, come with a burst of song. When tumultuous work raises its din on all sides shutting me out from beyond, come to me, my lord of silence, with thy peace and rest. When my beggarly heart sits crouched, shut up in a corner, break open the door, my king, and come with the ceremony of a king. When desire blinds the mind with delusion and dust, O thou holy one, thou wakeful, come with thy light and thy thunder.
Rabindranath Tagore
His breath caught, harsh enough that she looked over her shoulder. But his eyes weren't on her face. Or the water. They were on her bare back. Curled as she was against her knees, he could see the whole expanse of ruined flesh, each scar from the lashing. "Who did that to you?" It would have been easy to lie, but she was so tired, and he had saved her useless hide. So she said, "A lot of people. I spent some time in the Salt Mines of Endovier." He was so still that she wondered if he'd stopped breathing. "How long?" he asked after a moment. She braced herself for the pity, but his face was so carefully blank-no, not blank. Calm with lethal rage. "A year. I was there a year before... it's a long story." She was too exhausted, her throat too raw, to say the rest of it. She noticed then his arms were bandaged, and more bandages across his broad chest peeked up from beneath his shirt. She'd burned him again. And yet he had held her- had run all the way here and not let go once. "You were a slave." She gave him a slow nod. He opened his mouth, but shut it and swallowed, that lethal rage winking out. As if he remembered who he was talking to and that it was the least punishment she deserved. He turned on his heel and shut the door behind him. She wished he'd slammed it-wished he'd shattered it. But he closed it with barely more than a click and did not return.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
The truth was I'd given up waiting long ago. The moment had passed, the door between the lives we could have led and the lives we led had shut in our faces. Or better to say, in my face. Grammar of my life: as a rule of thumb, wherever there appears a plural, correct for singular. Should I ever let slip a royal We put me out of my misery with a swift blow to the head.
Nicole Krauss (The History of Love)
Howl backed into the door to shut it and leaned there in a tragic attitude. "Look at you all!" he said. "Ruin stares me in the face. I slave all day for you. And not one of you, even Calcifer, can spare time to say hello!" Calcifer said, "I never do say hello." "Is something wrong?" asked Sophie. "That's better," Howl said. "Some of you are pretending to notice me at last. Yes, something is wrong.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
He's not in a very good mood," said Luke, pausing in front of a closed door. "I shut him up in Freaky Pete's office after he nearly killed half my pack with his bare hands. He wouldn't talk to me, so"—Luke shrugged—"I thought of you." He looked from Clary's baffled face to Simon's. "What?" "I can't believe he came here," Clary said. "I can't believe you know someone named Freaky Pete," said Simon. "I know a lot of people," said Luke. "Not that Freaky Pete is strictly people, but I'm hardly one to talk.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
(As Ash left the house, the back door slammed shut, catching the tail end of his long black coat. Ash jerked to a stop and cursed. Nick howled with laughter at the sight of Acheron trapped.) Don’t it take the bad-ass right out of you? (Nick) (Ash arched a brow. The door opened by itself, freeing his coat, then it slammed shut again. Nick sobered instantly.) And that puts it right back in you. (Nick)
Sherrilyn Kenyon (Night Embrace (Dark-Hunter, #2))
A loud boom exploded the air, making Thomas jump. It was followed by a horrible crunching, grinding sound. He stumbled backward, fell to the ground. He wouldn't have believed it if he hadn't seen it for himself. The enormous stone wall to the right of them seemed to defy every known law of physics as it slid along the ground, throwing sparks and dust as it moved, rock against rock. The crunching sound rattled his bones. He looked around at the other openings. On all four sides of the Glade, the right walls were moving toward the left, closing the gap of the Doors. Then one final boom rumbled across the Glade as all four Doors sealed shut for the night.
James Dashner (The Maze Runner (The Maze Runner, #1))
Shh." I squeeze his hand. His palm feels clammy. "We have to keep it down, okay? We don't want my dad coming in." He grits his teeth against more shivers. "Always knew I'd end up in your bed . . . and hear you say those words one day." He manages a smirk. Jeb snarls. "Unbelievable. Even when he's at death's door he's a tool." He arranges a pillow beneath Morpheus's neck. "Why don't you keep your mouth shut while we help you." Morpheus laughs weakly, his skin flashing with blue light. "What say Alyssa"--his breath rattles--"give my mouth something else to do?
A.G. Howard (Unhinged (Splintered, #2))
It is always important to know when something has reached its end. Closing circles, shutting doors, finishing chapters, it doesn’t matter what we call it; what matters is to leave in the past those moments in life that are over. Slowly, I began to realize that I could not go back and force things to be as they once were: those two years, which up until then had seemed an endless inferno, were now beginning to show me their true meaning.
Paulo Coelho (The Zahir)
What is a woman's power then?" she asked. "I don't think we know." "When has a woman power because she's a woman? With her children, I suppose. For a while..." "In her house, maybe." She looked around the kitchen. "But the doors are shut," she said, "the doors are locked." "Because you're valuable." "Oh yes. We're precious. So long as we're powerless.
Ursula K. Le Guin (Tehanu (Earthsea Cycle, #4))
I grabbed Liam's arm as he passed me on his way to the tunnel door, kissing his cheek. "See you later tonight." He stepped down into the tunnel, shouldering a backpack Cole had left for him there. When I turned to say good-bye to the other Stewart, he'd stooped, turned his cheek toward me, and was waiting. I flicked it with my finger, making him laugh again. "You're impossible," I informed him. "It's all part of my charm," he said, shifting the heavy bag on his shoulder. "Take care of things, Boss." "Take care of him." I said, pointedly. He gave one last mock salute before shutting the door to the tunnel. I waited until the sound of his and the others' steps faded completely before locking the door after him.
Alexandra Bracken (In the Afterlight (The Darkest Minds, #3))
Except fang. I glared at him. "Go on, try to stop me, I dare you." It was like the old days when we used to wrestle, each trying to get the better of the other. I was ready to take him down, my hands curled into fist. "I was just going to say be careful," Fang told me. He stepped closer and brushed some hair out of my eyes. "And I've got your back." He motioned with his head toward the torpedo chamber. Oh my God. It hit me like a tsunami then, how perfect he was for me, how no one else would ever, could ever, be so perfect for me, how he was everything I could possibly hope for, as a friend, boyfriend, maybe even more. He was it for me. There would be no more looking. I really, really loved him, with a whole new kind of love I'd never felt before, something that made every other kind of love I'd ever felt feel washed out and wimpy in comparison. I loved him with every cell in my body, every thought in my head, every feather in my wings, every breathe in my lungs. and air sacs. Too bad I was going out to face almost certain death. Right there in front of everyone, I threw my arms around his neck and smashed my mouth against his. He was startled for a second, then his strong arms wrapped around me so tightly I could hardly breathe. "ZOMG," I heard Nudge whisper, but still fang and I kissed slanting our heads this way and that to get closer. I could have stood there and kissed him happily for the next millennium, but Angel, or what was left of her was still out there in the could dark ocean. Reluctantly, I ended the kiss, took a step back. Fang's obsidian eyes were glittering brightly and his stoic face had a look of wonder on it."Gotta go," I said quietly. A half smile quirked his mouth. "Yeah. Hurry back." I nodded and he stepped out of the air lock chamber, keeping his eyes fixed on me, memorizing me as he hit the switch that sealed the chamber. The doors hissed shut with a kind of finality, and I realized that my heart was beating so hard it felt like it was going to start snapping ribs. I was scared. I was crazily, deeply, incredibly, joyously, terrifyingly in love. I was on a death mission. Before my head simply exploded from so much emotion, I hit the large button that pressurized the air lock enough for the doors to open to the ocean outside. I really, really hoped that I would prove somewhat uncrushable, like Angel did. The door cracked open below me and I saw the first dark glint of frigid water.
James Patterson (Maximum Ride Five-Book Set)
I mean it. I can't go alone. And I really can't go with Levana." "Well, there are about 200,000 single girls in this city who would fall over themselves to have the privilege." A hush passed between them... "Cinder." She couldn't help it. She looked at him... "200,000 single girls," he said. "Why not you?" Cyborg. Lunar. Mechanic. She was the last thing he wanted. She opened her lips, and the elevator stopped. "I'm sorry. But trust me---you don't want to go with me." The doors opened and the tension released her. She rushed out of the elevator, head down, trying to look at the small group of people waiting for the elevator. "Come to the ball with me." She froze. Everyone in the hallway froze. Cinder turned back. Kai was still standing in elevator B one hand propping open the door. Her nerves frazzled, and all the emotions of the past hour were converging into a single sickening feeling---exasperation. The hall was filled with doctors, nurses, androids, officials, technicians, and they all fell into an awkward hush and stared at the prince and the girl in the baggy cargo pants he was flirting with. Flirting. Squaring her shoulders, she retreated back into the elevator and pushed him inside, not even caring that it was her metal hand. "Hold the elevator," he said to the android as the doors shut behind him. He smiled. "That got your attention.
Marissa Meyer
How are you, Rory?' [the Doctor] asked. I [Rory]... answered him. 'It's been odd being you.' 'Isn't it?' The Doctor's smile didn't quite reach his eyes. 'How do you cope?' 'Ah...' The Doctor picked away at a scrap of loose paint on the door. 'Well, I just get as close as I can to a happy ending, then I shut the door behind me and move on.' I nodded. We shut the door behind us and moved on.
James Goss (Doctor Who: Dead of Winter)
Soon he was online every night until one or two a.m. Often he would wake up at three of four a.m. and go back online. He would shut down the computer screen when I walked in. In the past, he used to take the laptop to bed with him and we would both be on our laptops, hips touching. He stopped doing that, slipping off to his office instead and closing the door even when A was asleep. He started closing doors behind him. I was steeped in denial, but my body knew.
Suzanne Finnamore (Split: A Memoir of Divorce)
I tilted my chin up a fraction. "You can't f-force me to stay here." I'd only agreed to come this far because I didn't want to stand out in the downpour, for one, and I had high hopes of finding a phone, for two. "That sounded more like a question than a statement," said Patch. "Then ans-s-swer it." His rogue smile crept out. "It's hard to concentrate on answers with you looking like that." I glanced down at Patch's black shirt, wet and clinging to my body. I brushed past him and shut the bathroom door between us.
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
Closing The Cycle One always has to know when a stage comes to an end. If we insist on staying longer than the necessary time, we lose the happiness and the meaning of the other stages we have to go through. Closing cycles, shutting doors, ending chapters - whatever name we give it, what matters is to leave in the past the moments of life that have finished. Did you lose your job? Has a loving relationship come to an end? Did you leave your parents' house? Gone to live abroad? Has a long-lasting friendship ended all of a sudden? You can spend a long time wondering why this has happened. You can tell yourself you won't take another step until you find out why certain things that were so important and so solid in your life have turned into dust, just like that. But such an attitude will be awfully stressing for everyone involved: your parents, your husband or wife, your friends, your children, your sister, everyone will be finishing chapters, turning over new leaves, getting on with life, and they will all feel bad seeing you at a standstill. None of us can be in the present and the past at the same time, not even when we try to understand the things that happen to us. What has passed will not return: we cannot for ever be children, late adolescents, sons that feel guilt or rancor towards our parents, lovers who day and night relive an affair with someone who has gone away and has not the least intention of coming back. Things pass, and the best we can do is to let them really go away. That is why it is so important (however painful it may be!) to destroy souvenirs, move, give lots of things away to orphanages, sell or donate the books you have at home. Everything in this visible world is a manifestation of the invisible world, of what is going on in our hearts - and getting rid of certain memories also means making some room for other memories to take their place. Let things go. Release them. Detach yourself from them. Nobody plays this life with marked cards, so sometimes we win and sometimes we lose. Do not expect anything in return, do not expect your efforts to be appreciated, your genius to be discovered, your love to be understood. Stop turning on your emotional television to watch the same program over and over again, the one that shows how much you suffered from a certain loss: that is only poisoning you, nothing else. Nothing is more dangerous than not accepting love relationships that are broken off, work that is promised but there is no starting date, decisions that are always put off waiting for the "ideal moment." Before a new chapter is begun, the old one has to be finished: tell yourself that what has passed will never come back. Remember that there was a time when you could live without that thing or that person - nothing is irreplaceable, a habit is not a need. This may sound so obvious, it may even be difficult, but it is very important. Closing cycles. Not because of pride, incapacity or arrogance, but simply because that no longer fits your life. Shut the door, change the record, clean the house, shake off the dust. Stop being who you were, and change into who you are.
Paulo Coelho
What, you didn’t pack your lunch?” Ty asked sarcastically as he shifted around in the seat and wedged himself against the door. He kicked a foot up and propped it on the console between the two front seats. “Sure, in my SpongeBob SquarePants lunch box. I have the thermos, too,” Morrison shot right back. Zane kept his mouth shut, eyes moving between the two men, and occasionally back to the driver, who was casually paying attention. Ty stared at the kid and narrowed his eyes further. “Spongewhat?” he asked flatly. Zane didn’t even try to hold back the chuckle when Morrison looked at Ty like he’d lost his mind. “Spongewha … you’re yanking my chain, aren’t you?” Morrison said. “Henny, he’s yanking my chain.” “Yeah, well, that’s what you getting for waving it in his face,” the driver answered reasonably. “What the hell is a SpongeBob?” Ty asked Zane quietly in the backseat.
Madeleine Urban (Cut & Run (Cut & Run, #1))
I trudged back to my bedroom and pushed the door open, intending to wash my face or brush my teeth or make some stab at smoothing my hair, because I thought it might make me feel a little less trampled. Eric was sitting on my bed, his face buried in his hands. He looked up at me as I entered, and he looked shocked. Well, no wonder, what with the very thorough takeover and traumatic changing of the guard. Sitting here on your bed, smelling your scent,” he said in a voice so low I had to strain to hear it. Sookie . . . I remember everything.” Oh, hell,” I said, and went in the bathroom and shut the door. I brushed my hair and my teeth and scrubbed my face, but I had to come out. I was being as cowardly as Quinn if I didn’t face the vampire. Eric started talking the minute I emerged. “I can’t believe I—” Yeah, yeah, I know, loved a mere human, made all those promises, was as sweet as pie and wanted to stay with me forever,” I muttered. Surely there was a shortcut we could take through this scene. I can’t believe I felt something so strongly and was so happy for the first time in hundreds of years,” Eric said with some dignity. “Give me some credit for that, too.
Charlaine Harris (From Dead to Worse (Sookie Stackhouse, #8))
If you were to draw a map of the two of them, of where they started out and where they would both end up, the lines would be shooting away from each other like magnets spun around on their poles. And it occurred to Owen that there was something deeply flawed about this, that there should be circles or angels or turns, anything that might make it possible for the two lines to meet again. Instead, they were both headed in the exact opposite directions. The map was as good as a door swinging shut. And the geography of the thing- the geography of them- was completely and hopelessly wrong.
Jennifer E. Smith (The Geography of You and Me)
Stomp stomp. Whirr. Pleased to be of service. Shut up. Thank you. Stomp stomp stomp stomp stomp. Whirr. Thank you for making a simple door very happy. Hope your diodes rot. Thank you. Have a nice day. Stomp stomp stomp stomp. Whirr. It is my pleasure to open for you... Zark off. ...and my satisfaction to close again with the knowledge of a job well done. I said zark off. Thank you for listening to this message.
Douglas Adams
With your desire defined, quietly go within and shut the door behind you. Lose yourself in your desire; feel yourself to be one with it; remain in this fixation until you have absorbed the life and name by claiming and feeling yourself to be and to have that which you desired. When you emerge from the hour of prayer you must do so conscious of being and possessing that which you heretofore desired.
Neville Goddard (Your Faith is Your Fortune)
Each person is at each moment capable of remembering all that has ever happened to him and of perceiving everything that is happening everywhere in the universe. The function of the brain and nervous system is to protect us from being overwhelmed and confused by this mass of largely useless and irrelevant knowledge, by shutting out most of what we should otherwise perceive or remember at any moment, and leaving only that very small and special selection which is likely to be practically useful.
Aldous Huxley (The Doors of Perception)
I stopped for a second. If you remember everything, I wanted to say, and if you are really like me, then before you leave tomorrow, or when you're just ready to shut the door of the taxi and have already said goodbye to everyone else and there's not a thing left to say in this life, then, just this once, turn to me, even in just, or as an afterthought, which would have meant everything to me when we were together, and, as you did back then, look me in the face, hold my gaze, and call me by your name.
André Aciman (Call Me by Your Name)
When Death Comes When death comes like the hungry bear in autumn; when death comes and takes all the bright coins from his purse to buy me, and snaps the purse shut; when death comes like the measle-pox when death comes like an iceberg between the shoulder blades, I want to step through the door full of curiosity, wondering: what is it going to be like, that cottage of darkness? And therefore I look upon everything as a brotherhood and a sisterhood, and I look upon time as no more than an idea, and I consider eternity as another possibility, and I think of each life as a flower, as common as a field daisy, and as singular, and each name a comfortable music in the mouth, tending, as all music does, toward silence, and each body a lion of courage, and something precious to the earth. When it's over, I want to say all my life I was a bride married to amazement. I was the bridegroom, taking the world into my arms. When it's over, I don't want to wonder if I have made of my life something particular, and real. I don't want to find myself sighing and frightened, or full of argument. I don't want to end up simply having visited this world
Mary Oliver (New and Selected Poems, Volume One)
The only reason I have lived so long is that I let go of my past. Shut the door on grief on regret on remorse. If I let them in, just one self-indulgent crack, whap, the door will fling open gales of pain ripping through my heart blinding my eyes with shame breaking cups and bottles knocking down jars shattering windows stumbling bloody on spilled sugar and broken glass terrified gagging until with a final shudder and sob I shut the heavy door. Pick up the pieces one more time.
Lucia Berlin (A Manual for Cleaning Women: Selected Stories)
Valkyrie walked to the back door, which hadn't been closed properly, shut it and locked it. There was now a baby in the house, after all. She couldn't take the chance that a wild animal might wander in and make off with Alice, like those dingoes in Australia. She was probably being unfair to both dingoes and Australia, but she couldn't risk it. Locked doors kept the dingoes out, and that's all there was to it, even if she didn't know what a dingo actually was. She took out her phone, searched the Internet, found a picture of a baby dingo and now she really wanted a baby dingo for a pet.
Derek Landy (Death Bringer (Skulduggery Pleasant, #6))
The Garden of Love I went to the Garden of Love, And saw what I never had seen: A Chapel was built in the midst, Where I used to play on the green. And the gates of this Chapel were shut, And 'Thou shalt not' writ over the door; So I turn'd to the Garden of Love, That so many sweet flowers bore. And I saw it was filled with graves, And tomb-stones where flowers should be: And Priests in black gowns, were walking their rounds, And binding with briars, my joys & desires.
William Blake (Songs of Innocence and of Experience)
In fact that is why the lives of most women are so vaguely unsatisfactory. They are always doing secondary and menial things (that do not require all their gifts and ability) for others and never anything for themselves. Society and husbands praise them for it (when they get too miserable or have nervous breakdowns) though always a little perplexedly and half-heartedly and just to be consoling. The poor wives are reminded that that is just why wives are so splendid -- because they are so unselfish and self-sacrificing and that is the wonderful thing about them! But inwardly women know that something is wrong. They sense that if you are always doing something for others, like a servant or nurse, and never anything for yourself, you cannot do others any good. You make them physically more comfortable. But you cannot affect them spiritually in any way at all. For to teach, encourage, cheer up, console, amuse, stimulate or advise a husband or children or friends, you have to be something yourself. [...]"If you would shut your door against the children for an hour a day and say; 'Mother is working on her five-act tragedy in blank verse!' you would be surprised how they would respect you. They would probably all become playwrights.
Brenda Ueland
We write to expose the unexposed. Most human beings are dedicated to keeping that one door shut. But the writer's job is to see what's behind it, to see the bleak unspeakable stuff, and to turn the unspeakable into words - not just into any words but if we can, into rhythm and blues. You can't do this without discovering your own true voice, and you can't find your true voice and peer behind the door and report honestly and clearly to us if your parents are reading over your shoulder.
Anne Lamott
You want to hear the rules?" My heart jackhammered as I nodded. That same hand slid around my hip, up under my shirt, and felt warm and perfect against my lower back. I closed my eyes as his lips just barely brushed mine. His touch made me feel brave. It pushed the uncertainty back until it couldn't reach me. "The first one is you can't think too hard about it. The second is you say when you want to stop. The third is you do whatever feels good to you. The fourth is-" "-you stop talking," I said, blindly reaching back to pull the door shut, "and kiss me?
Alexandra Bracken (In the Afterlight (The Darkest Minds, #3))
I care not how humble your bookshelf may be, or how lonely the room which it adorns. Close the door of that room behind you, shut off with it all the cares of the outer world, plunge back into the soothing company of the great dead, and then you are through the magic portal into that fair land whither worry and vexation can follow you no more. You have left all that is vulgar and all that is sordid behind you. There stand your noble, silent comrades, waiting in their ranks. Pass your eye down their files. Choose your man. And then you have but to hold up your hand to him and away you go together into dreamland
Arthur Conan Doyle (Through the Magic Door)
Training?'Clary echoed."But we trained yesterday." "Some of us have to train everyday,Clary."Jace didnt sound angry,but there was a harshness to his tone,and Clary flushed."Ill see you later,"he added without looking at her,and practically flung himself toward the door. As it shut behind him,Clary reached up and angerily yanked the pins out of her hair.It cascaded in tangles down around her shoulders. "Clary,"Luke said gently.He stood up."What are you doing?" "My hair."She yanked the last pin,hard.Her eyes were shining,and simon could tell she was forcibly wiling herself not to cry."I dont want to wear it like this.It looks stupid." 'No,it dosent'Luke said
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
When it’s time to leave, we put on our shoes, kiss Daddy good-bye, and tumble out the front door. Waiting for us on the street in front of his car is Peter with a bouquet of cellophane-wrapped pink carnations. “Happy birthday, kid,” he says. Kitty’s eyes bulge. “Are those for me?” He laughs. “Who else would they be for? Hurry and get in the car.” Kitty turns to me, her eyes bright, her smile as wide as her face. I’m smiling too. “Are you coming too, Lara Jean?” I shake my head. “No, there’s only room for two.” “You’re my only girl today, kid,” Peter says, and Kitty runs to him and snatches the flowers out of his hand. Gallantly, he opens the door for her. He shuts it and turns and winks at me. “Don’t be jealous, Covey.” I’ve never liked him more than in this moment.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
I am illegitimate," she said distinctly, as if he were a foreigner trying to learn English. "You are a viscount. You can't marry a bastard." "What about the Duke of Clarence? He had ten bastard children by that actress...what was her name..." "Mrs. Jordan." "Yes, that one, Their children were all illegitimate, but some of them married peers." "You're not the Duke of Clarence." "That's right. I'm not a blueblood any more than you are. I inherited the title purely by happenstance" "That doesn't matter. If your married me, it would be scandalous and inappropriate, and doors would be closed to you." "Good God, woman, I let two of my sisters marry Gypsies. Those doors have already been closed, bolted, and nailed shut.
Lisa Kleypas (Married by Morning (The Hathaways, #4))
Watching him lumber back toward the apartment building, I got so mad I did something I can't explain. As Gabe reached the doorway, I made the hand gesture I'd seen Grover make on the bus, a sort of warding-off-evil gesture, a clawed hand over my heart, then a shoving movement toward Gabe. The screen door slammed shut so hard it whacked him in the butt and sent him flying up the stair case as if he'd been shot from a cannon. Maybe it was just the wind, or some freak accident with the hinges, but I didn't stay long enough to find out. I got in the Camaro and told my mom to step on it.
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
I slammed the back door shut and gave Caspian a look. He put both hands up in the air, "What? I didn't do anything." "No. But you wanted to. And besides, we don't really know yet what can you do." "Well, I know I can't make people disappear," he muttered darkly "or else he would have been gone a half an hour ago" I was shocked at how serious he sounded, and then I looked into his eyes, "You're jealous!" "He wanted to kiss you!" Now I was dumbfounded, "How do you know that?" "Because," he said, running a hand through his hair and pushing it back "It's what I'd want to do
Jessica Verday (The Haunted (The Hollow, #2))
The eye turned to the fire gave back no light and he closed it with his thumb and sat by her and put his hand upon her bloodied forehead and closed his own eyes that he could see her running in the mountains, running in the starlight where the grass was wet and the sun's coming as yet had not undone the rich matrix of creatures passed in the night before her. Deer and hare and dove and groundvole all richly empaneled on the air for her delight, all nations of the possible world ordained by God of which she was one among and not separate from. Where she ran the cries of the coyotes clapped shut as if a door had closed upon them and all was fear and marvel. He took up her stiff head out of the leaves and held it or he reached to hold what cannot be held, what already ran among the mountains at once terrible and of great beauty, like flowers that feed on flesh. What blood and bone are made of but can themselves not make on any altar nor by any wound of war. What we may well believe has power to cut and shape and hollow out the dark form of the world surely if wind can, if rain can. But which cannot be held never be held and is no flower but is swift and a huntress and the wind itself is in terror of it and the world cannot lose it.
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
The senior wizards of Unseen University stood and looked at the door. There was no doubt that whoever had shut it wanted it to stay shut. Dozens of nails secured it to the door frame. Planks had been nailed right across. And finally it had, up until this morning, been hidden by a bookcase that had been put in front of it. 'And there's the sign, Ridcully,' said the Dean. 'You have read it, I assume. You know? The sign which says "Do not, under any circumstances, open this door"?' 'Of course I've read it,' said Ridcully. 'Why d'yer think I want it opened?' 'Er ... why?' said the Lecturer in Recent Runes. 'To see why they wanted it shut, of course.' This exchange contains almost all you need to know about human civilization. At least, those bits of it that are now under the sea, fenced off or still smoking.
Terry Pratchett (Hogfather (Discworld, #20; Death, #4))
Nothing can fill you up,” she stated. “Nope,” he agreed again. “You won’t let it.” “Barrel’s got a hole in the bottom, buddy, everything leaks out no matter how much you pour in.” She was silent a moment then she whispered, “Right.” She turned to the door and his hand gripped his bourbon so hard he had to focus everything on loosening his grip or the glass would shatter. Before she opened it, she turned back. “You don’t know, Cal, you have no idea. You’ve shut yourself up for so long in this fucking house with your tragic memories, you have no idea what’s about to walk out your door. Kate, Keira and me, we could have plugged that hole. We could have filled you so full, you’d be bursting. We would have loved that chance. We’d have given it everything we had, no matter the time that slid by, graduations, weddings, grandbabies, you’d have been a part of us and we’d have given everything we had to keep you so full, you’d be bursting.” Cal didn’t reply. “Joe,” she whispered, “you let me walk out this door, you’ll lose your chance.” Cal didn’t move. Vi waited. Cal stayed seated.
Kristen Ashley (At Peace (The 'Burg, #2))
Come, I'll take you to San Giacomo before you change your mind,' I finally said. 'There is still time before lunch. Remember the way?' 'I remember the way.' 'You remember the way,' I echoed. He looked at me and smiled. It cheered me. Perhaps because I knew he was taunting me. Twenty years was yesterday, and yesterday was just earlier this morning, and morning seemed light-years away. 'I'm like you,' he said. 'I remember everything.' I stopped for a second. If you remember everything, I wanted to say, and if you are really like me, then before you leave tomorrow, or when you're just ready to shut the door of the taxi and have already said goodbye to everyone else and there's not a thing left to say in this life, then, just this once, turn to me, even in jest, or as an afterthought, which would have meant everything to me when we were together, and, as you did back then, look me in the face, hold my gaze, and call me by your name.
André Aciman (Call Me by Your Name)
This was it. And it was right. Perfect without the dinner, movies, and flowers, because how could you really plan something like this? You couldn't Daemon sat back- A fist pounded on the door, and Andrew's voice intruded. "Daemon, are you awake?" We stared at each other in disbelief. "If I ignore him," he whispered, "do you think he'll go away?" My hands dropped to my sides. "Maybe" The pounding came again. "Daemon, I really need you downstairs. Dawson is ready to go back to Mount Weather. Nothing Dee or I are saying to him is making a bit of difference. He's like a suicidal Energizer bunny." Daemon squeezed his eyes shut. "Son of a bitch..." "It's okay." I started to sit up. "He needs you." He let out a ragged sigh. "Stay here and get some rest. I'll talk-or beat some sense into him." He kissed me briefly and then gently pushed me back down. "I'll be back." Settling in, I smiled. "Try not to kill him." "No promises." He stood, pulled on his pajama bottoms, and headed for the door. Stopping short, he looked over his shoulder,his intense gaze melting my bones. "Dammit." A few seconds after he stepped out into the hallway and closed the door behind him, there was a fleshly smack and then Andrew yelling. "Ouch. What in the hell was that for?" "Your timing sucks on an epic level," Daemon shot back.
Jennifer L. Armentrout (Opal (Lux, #3))
We now know I can do it, but I feel like hell," I went on. "I'm so cold, my teeth would chatter if they still could. And I'm hungry enough that both of you are starting to looking really, really good." Vlad's lips curled. "Is this the part where I'm supposed to remind you that this is just the leftover power talking and you don't really want to cheat on Hones?" "Not that kind of hungry!" I gasped, eyes bulging that Vlad thought I'd just casually thrown out that I wanted him and Mencheres to double-team me. "I meant hungry like drinking you guys' blood. Not hungry for... you know." Without thought, my gaze flew to the areas in question before skipping away once I realized what I was doing. Then my cheeks actually tingled with mortification as Vlad let out a long, hearty laugh. Mencheres, more courteous, pretended to suddenly find something fascinating in the door frame, but I saw his lips twitch. "My dear Reaper," Vlad said, still laughing. "Did you just check out our--" "No!" I interrupted at once, almost lunging toward the staircase. "I'm tired and still dazed from the Remnants and... fuck it, I'm taking a shower. I mean, not a cold shower, because I don't need that"--Oh Jesus, I was only making this worse--"because I am cold already, and I need to get hot. I mean, warmer. Oh, just shut up!
Jeaniene Frost (This Side of the Grave (Night Huntress, #5))
Late in the afternoon, thunder growling, that same old green pickup rolled in and he saw Jack get out of the truck, beat up Resistol tilted back. A hot jolt scalded Ennis and he was out on the landing pulling the door closed behind him. Jack took the stairs two and two. They seized each other by the shoulders, hugged mightily, squeezing the breath out of each other, saying, son of a bitch, son of a bitch, then, and easily as the right key turns the lock tumblers, their mouths came together, and hard, Jack’s big teeth bringing blood, his hat falling to the floor, stubble rasping, wet saliva welling, and the door opening and Alma looking out for a few seconds at Ennis’s straining shoulders and shutting the door again and still they clinched, pressing chest and groin and thigh and leg together, treading on each other’s toes until they pulled apart to breathe and Ennis, not big on endearments, said what he said to his horses and his daughters, little darlin.
Annie Proulx (Brokeback Mountain)
When I entered and shut the door, the Darkling gave me a small bow. “How are you, Alina?” “I’m fine,” I managed. “She’s fine!” hooted Baghra. “She’s fine! She cannot light a hallway, but she’s fine.” I winced and wished I could disappear into my boots. To my surprise, the Darkling said, “Leave her be.” Baghra’s eyes narrowed. “You’d like that, wouldn’t you?” The Darkling sighed and ran his hands through his dark hair in exasperation. When he looked at me, there was a rueful smile on his lips, and his hair was going every which way. “Baghra has her own way of doing things,” he said. “Don’t patronize me, boy!” Her voice cracked out like a whip. To my amazement, I saw the Darkling stand up straighter and then scowl as if he’d caught himself. “Don’t chide me, old woman,” he said in a low, dangerous voice.
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
Where's your car? Miles asks, glancing at him as he slams his door shut and slings his backpack over his shoulder. "And whats up with your hand?" "I got rid of it," Damen says, gaze fixed on mine. Then glancing at Miles and seeing his expression he adds, "The car, not the hand." "Did you trade it in?" I ask, but only because Miles is listening. [...] He shakes his head and walks me to the gate, smiling as he says, "No, I just dropped off on the side of the road, key in the ignition, engine running." "Excuse me?!" Miles yelps. "You mean to tell me that you left your shiny, black, BMW M6 Coupe—by the side of the road?" Damen nods. But thats a hundred-thousand-dollar car!" Miles gasps as his face turns bright red. "A hundreds and ten." Damen laughs. "Don't forget, it was fully customized and loaded with options." Miles stares at him, eyes practically bugging out of his head, unable to comprehend how anyone could do such a thing—why anyone would do such a thing. "Um, okay, so let me get this straight—you just woke up and decided—Hey, what the hell? I think I'll just dump my ridiculously expensive luxury car by the side of the road—WHERE JUST ANYONE CAN TAKE IT?" Damen shrugs. "Pretty much." "Because in case you haven't noticed," Miles says, practically hyperventilating now. "Some of us are a little car deprived. Some of us were born with parents so cruel and unusual they're forced to rely on the kindness of friends for the rest of their lives!" "Sorry." Damen shrugs. "Guess I hadn't thought about that. Though if it makes you feel any better, it was all for a very good cause.
Alyson Noel (Shadowland (The Immortals, #3))
INELUCTABLE MODALITY OF THE VISIBLE: AT LEAST THAT IF NO MORE, thought through my eyes. Signatures of all things I am here to read, seaspawn and seawrack, the nearing tide, that rusty boot. Snotgreen, bluesilver, rust: coloured signs. Limits of the diaphane. But he adds: in bodies. Then he was aware of them bodies before of them coloured. How? By knocking his sconce against them, sure. Go easy. Bald he was and a millionaire, maestro di color che sanno. Limit of the diaphane in. Why in? Diaphane, adiaphane. If you can put your five fingers through it, it is a gate, if not a door. Shut your eyes and see. Stephen closed his eyes to hear his boots crush crackling wrack and shells. You are walking through it howsomever. I am, a stride at a time. A very short space of time through very short times of space. Five, six: the nacheinander. Exactly: and that is the ineluctable modality of the audible. Open your eyes. No. Jesus! If I fell over a cliff that beetles o'er his base, fell through the nebeneinander ineluctably. I am getting on nicely in the dark. My ash sword hangs at my side. Tap with it: they do. My two feet in his boots are at the end of his legs, nebeneinander. Sounds solid: made by the mallet of Los Demiurgos. Am I walking into eternity along Sandymount strand? Crush, crack, crick, crick. Wild sea money. Dominie Deasy kens them a'. Won't you come to Sandymount, Madeline the mare? Rhythm begins, you see. I hear. A catalectic tetrameter of iambs marching. No, agallop: deline the mare. Open your eyes now. I will. One moment. Has all vanished since? If I open and am for ever in the black adiaphane. Basta! I will see if I can see. See now. There all the time without you: and ever shall be, world without end.
James Joyce (Ulysses)
Forgetfulness is not just a vis inertiae, as superficial people believe, but is rather an active ability to suppress, positive in the strongest sense of the word, to which we owe the fact that what we simply live through, experience, take in, no more enters our consciousness during digestion (one could call it spiritual ingestion) than does the thousand-fold process which takes place with our physical consumption of food, our so-called ingestion. To shut the doors and windows of consciousness for a while; not to be bothered by the noise and battle which our underworld of serviceable organs work with and against each other;a little peace, a little tabula rasa of consciousness to make room for something new, above all for the nobler functions and functionaries, for ruling, predicting, predetermining (our organism runs along oligarchic lines, you see) - that, as I said, is the benefit of active forgetfulness, like a doorkeeper or guardian of mental order, rest and etiquette: from which can immediately see how there could be no happiness, cheerfulness, hope, pride, immediacy, without forgetfulness.
Friedrich Nietzsche (On the Genealogy of Morals / Ecce Homo)
She didn’t know how long they stood on that roof, tangled up in each other, mouths and hands roving until she moaned and dragged him through the greenhouse, down the stairs, and into the carriage waiting outside. And then there was the ride home, where he did things to her neck and ear that made her forget her own name. They managed to straighten themselves out as they reached the castle gates, and kept a respectable distance as they walked back to her room, though every inch of her felt so alive and burning that it was a miracle she made it back to her door without pulling him into a closet.But then they were inside her rooms, and then at her bedroom door, and he paused as she took his hand to lead him in. “Are you sure?” She lifted a hand to his face, exploring every curve and freckle that had become so impossibly precious to her. She had waited once before—waited with Sam, and then it had been too late. But now, there was no doubt, no shred of fear or uncertainty, as if every moment between her and Chaol had been a step in a dance that had led to this threshold. “I’ve never been so sure of anything in my life,” she told him. His eyes blazed with hunger that matched her own, and she kissed him again, tugging him into her bedroom. He let her pull him, not breaking the kiss as he kicked the door shut behind them.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
Now he felt temper snapping at the nerves. “If you can’t be comfortable in the house while I’m not here, you can barricade yourself in this apartment. You can damn well barricade yourself in it while I am here. It’s up to you.” “Yes, it is.” She took a deep breath and turned to him. “You did this for me.” Annoyed, he inclined his head. “There doesn’t seem to be much I wouldn’t do for you.” “I think that’s starting to sink in.” No one had ever given her anything quite so perfect. No one, she realized, understood her quite so well. “That makes me a lucky woman, doesn’t it?” He opened his mouth, bit back something particularly nasty. “The hell with it,” he decided. “I have to go.” “Roarke, one thing.” She walked to him, well aware he was all but snarling with temper. “I haven’t kissed you good-bye,” she murmured and did so with a thoroughness that rocked him back on his heels. “Thank you.” Before he could speak, she kissed him again. “For always knowing what matters to me.” “You’re welcome.” Possessively, he ran a hand over her tousled hair. “Miss me.” “I already am.” “Don’t take any unnecessary chances.” His hands gripped in her hair hard, briefly. “There’s no use asking you not to take the necessary ones.” “Then don’t.” Her heart stuttered when he kissed her hand. “Safe trip,” she told him when he stepped into the elevator. She was new at it, so waited until the doors were almost shut. “I love you.” The last thing she saw was the flash of his grin.
J.D. Robb (Glory in Death (In Death, #2))
Sorry I overheard that, but I'm glad he's staying," Luke's sister said. "Not just because he'll be near me but because it gives him a chance to get over you." Jocelyn sounded defensive. "Amatis-" "It's been a long time, Jocelyn," Amatis said. "If you don't love him, you ought to let him go." Jocelyn was silent. Clary wished she could see her mother's expression- did she looked sad? Angry? Resigned? Amatis gave a little gasp. "Unless- you do love him?" "Amatis, I can't-" "You do! you do!" There was a sharp sound, as if Amatis had clapped her hands together. "I knew you did! I always knew it!" "It doesn't matter." Jocelyn sounded tired. "It wouldn't be fair to Luke." "I don't want to hear it." There was a rustling noise, and Jocelyn made a sound of protest. Clary wondered if Amatis had actually grabbed hold of her mother. "If you love him, you go right now and tell him. Right now, before he goes to the Council." "But they want him to be their Council member! And he wants to-" "All Lucian wants," said Amatis firmly, "is you. You and Clary. That's all he ever wanted. Now go." Before Clary had a chance to move, Jocelyn dashed out into the hallway. She headed toward the door- and saw Clary, flattened against the wall. Halting, she opened her mouth in surprise. "Clary!" She sounded as if she were trying to make her voice bright and cheerful, and failed miserably. "I didn't realize you were here." Clary stepped away from the wall, grabbed hold of the doorknob, and threw the door wide open. Bright sunlight poured into the hall. Jocelyn stood blinking in the harsh illumination, her eyes on her daughter. "If you don't go after Luke," Clary said, enunciating very clearly, "I, personally, will kill you." For a moment Jocelyn looked astonished. Then she smiled. "Well," she said, "if you put it like that." A moment later she was out of the house, hurrying down the canal path toward the Accords Hall. Clary shut the door behind her and leaned against it. Amatis, emerging from the living room, darted past her to lean on the window sill, glancing aniously out through the pane. "Do you think she'll catch him before he gets to the Hall?" "My mom's spent her whole life chasing me around," Clary said. "She moves fast.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
Before the Law stands a doorkeeper on guard. To this doorkeeper there comes a man from the country who begs for admittance to the Law. But the doorkeeper says that he cannot admit the man at the moment. The man, on reflection, asks if he will be allowed, then, to enter later. 'It is possible,' answers the doorkeeper, 'but not at this moment.' Since the door leading into the Law stands open as usual and the doorkeeper steps to one side, the man bends down to peer through the entrance. When the doorkeeper sees that, he laughs and says: 'If you are so strongly tempted, try to get in without my permission. But note that I am powerful. And I am only the lowest doorkeeper. From hall to hall keepers stand at every door, one more powerful than the other. Even the third of these has an aspect that even I cannot bear to look at.' These are difficulties which the man from the country has not expected to meet, the Law, he thinks, should be accessible to every man and at all times, but when he looks more closely at the doorkeeper in his furred robe, with his huge pointed nose and long, thin, Tartar beard, he decides that he had better wait until he gets permission to enter. The doorkeeper gives him a stool and lets him sit down at the side of the door. There he sits waiting for days and years. He makes many attempts to be allowed in and wearies the doorkeeper with his importunity. The doorkeeper often engages him in brief conversation, asking him about his home and about other matters, but the questions are put quite impersonally, as great men put questions, and always conclude with the statement that the man cannot be allowed to enter yet. The man, who has equipped himself with many things for his journey, parts with all he has, however valuable, in the hope of bribing the doorkeeper. The doorkeeper accepts it all, saying, however, as he takes each gift: 'I take this only to keep you from feeling that you have left something undone.' During all these long years the man watches the doorkeeper almost incessantly. He forgets about the other doorkeepers, and this one seems to him the only barrier between himself and the Law. In the first years he curses his evil fate aloud; later, as he grows old, he only mutters to himself. He grows childish, and since in his prolonged watch he has learned to know even the fleas in the doorkeeper's fur collar, he begs the very fleas to help him and to persuade the doorkeeper to change his mind. Finally his eyes grow dim and he does not know whether the world is really darkening around him or whether his eyes are only deceiving him. But in the darkness he can now perceive a radiance that streams immortally from the door of the Law. Now his life is drawing to a close. Before he dies, all that he has experienced during the whole time of his sojourn condenses in his mind into one question, which he has never yet put to the doorkeeper. He beckons the doorkeeper, since he can no longer raise his stiffening body. The doorkeeper has to bend far down to hear him, for the difference in size between them has increased very much to the man's disadvantage. 'What do you want to know now?' asks the doorkeeper, 'you are insatiable.' 'Everyone strives to attain the Law,' answers the man, 'how does it come about, then, that in all these years no one has come seeking admittance but me?' The doorkeeper perceives that the man is at the end of his strength and that his hearing is failing, so he bellows in his ear: 'No one but you could gain admittance through this door, since this door was intended only for you. I am now going to shut it.
Franz Kafka (The Trial)