Tudor Love Quotes

We've searched our database for all the quotes and captions related to Tudor Love. Here they are! All 100 of them:

He promised her that he would give her everything, everything she wanted, as men in love always do. And she trusted him despite herself, as women in love always do.
Philippa Gregory (The White Queen (The Plantagenet and Tudor Novels, #2))
I can't sleep, I can't eat, I can't do anything but think about him. At night I dream of him, all day I wait to see him, and when I do see him my heart turns over and I think I will faint with desire.
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
In definitiv, cu cat vei ridica un zid mai inalt in jurul tau cu atat va fi mai bun cel care-l va sari.
Tudor Chirilă (Exerciţii de echilibru)
I would know you anywhere for my true love. Whoever I was and whoever you were, I would know you at once for my true love.
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
When a woman thinks her husband is a fool, her marriage is over. They may part in one year or ten; they may live together until death. But if she thinks he is a fool, she will not love him again.
Philippa Gregory (The Other Queen (The Plantagenet and Tudor Novels, #15))
Why do women want to dress like men when they’re fortunate enough to be women? Why lose femininity, which is one of our greatest charms? We get more accomplished by being charming than we would be flaunting around in pants and smoking. I’m very fond of men. I think they are wonderful creatures. I love them dearly. But I don’t want to look like one. When women gave up their long skirts, they made a grave error…
Tasha Tudor
If there is love enough,then nothing-not nature, not even death itself- can come between two who love each other.
Philippa Gregory (The White Queen (The Plantagenet and Tudor Novels, #2))
Before anything else I was a woman who was capable of passion and who had a great need and a great desire for love.
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
I grieve and dare not show my discontent, I love and yet am forced to seem to hate, I do, yet dare not say I ever meant, I seem stark mute but inwardly do prate. I am and not, I freeze and yet am burned, Since from myself another self I turned. My care is like my shadow in the sun, Follows me flying, flies when I pursue it, Stands and lies by me, doth what I have done.
Elizabeth I (Her Life in Letters)
I am, at this moment, what I have always been to him: an object of beauty. He has never loved me as a woman.
Philippa Gregory (The Lady of the Rivers (The Plantagenet and Tudor Novels, #1))
She was like a mother to me...and I betrayed as a daughter will betray her mother and yet, never stop loving her.
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
When a man wants a mystery, it is generally better to leave him mystified. Nobody loves a clever woman.
Philippa Gregory (The Lady of the Rivers (The Plantagenet and Tudor Novels, #1))
Real friends are there no matter what. Real friends are people you love and hate in equal measure but who are as much a part of you as yourself.
C.J. Tudor (The Chalk Man)
I wanted the heat and the sweat and the passion of a man that I could love and trust. And I wanted to give myself to him: not for advantage, but for desire.
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
I woke at dawn every morning to his touch, the delight of his warmth and the heady smell of his skin. I had never before lain with a man who had loved me completely, for myself, and it was a dizzy experience. I had never lain with a man whose touch I adored without any need to hide my adoration, or exaggerate it, or adjust it at all. I simply loved him as if he were my one and only lover, and he loved me too with the same simplicty of appetite and disire which made me wonder what I thought I had been doing all those years when I had been dealing in the false coin of vanity and lust. I had not known then that all along there had been this other currency of pure gold.
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels))
But Anne, do you love him?" I asked curiously. The curve of her hood hid all but the corner of her smile. "I am a fool to own it, but I am in a fever for his touch.
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
It is luck to love someone who is free to love you in return.
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
What a test of love it is, when the beloved is less than perfect.
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
For he loved her and he understood that a woman cannot always live as a man. He understood that she cannot always think as he thought, walk as he walked, breathe the air that he took in. She would always be a different being from him, listening to a different music, hearing a different sound, familiar with a different element.
Philippa Gregory (The White Queen (The Plantagenet and Tudor Novels, #2))
I want to take you for pleasure, and hold you in my arms for desire. I want you to know that it is your kiss that I want, not another heir to the throne. You can know that I love you, quite for yourself, when I come to your bed, and not as the York’s broodmare.” I tilt back my head and look at him under my eyelashes. “You think to bed me for love and not for children? Isn’t that sin?” His arm comes around my waist and his palm cups my breast. “I shall make sure that it feels richly sinful.
Philippa Gregory (The White Queen (The Plantagenet and Tudor Novels, #2))
They were chanting a lot of stuff about love but they seemed full of hate.
C.J. Tudor (The Chalk Man)
It is not love that matters, Mistress Boy, it is what you choose to do with it. What’d you choose to do with yours?
Philippa Gregory (The Queen's Fool (The Plantagenet and Tudor Novels, #12))
Either you have me or not at all. Either you love me or not at all. Either I am all yours or I am nobody’s. I will have no half-measures with you.
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
I had meant my promise to George. I had said that I was, before anything else, a Boleyn and a Howard through and through; but now, sitting in th shadowy room, looking out over the gray slates of the city, and up at the dark clouds leaning on the roof of Westminster Palace, I suddenly realized that George was wrong, and that my family was wrong, and that I had been wrong-- for all my life. I was not a Howard before anything else. Before anything else I was a woman who was capable of passion and who had a great need and a great desire for love, I didn't want the rewards for which Anne had surrendered her youth. I didn' want the arid glamour of George's life, I wanted the heat and the sweat and the passion of a man that I could love and trust. And I wanted to give myself to him: not for advantage, but for desire.
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels))
In a world where women were bought and sold as horses I had found a man I loved; and married for love. I would never suggest that this was a mistake.
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels #9))
God does not make the way smooth for those He loves. He sends hardships to try them. Those that God loves the best are those who suffer the worst.
Philippa Gregory (The Constant Princess (The Plantagenet and Tudor Novels, #6))
If you are a reader, you are already halfway to being a writer,” she says. “For you have a love of words and pleasure from seeing them on a page. And if you are a writer, then you will find that you are driven to write. It is a gift that demands to be shared. You cannot be a silent singer.
Philippa Gregory (The Taming of the Queen (The Plantagenet and Tudor Novels #11))
Love isn’t a choice. It’s a compulsion.
C.J. Tudor (The Chalk Man)
People say there’s nothing stronger than love. They’re right. That’s why the worst atrocities are always committed in its name.
C.J. Tudor (The Chalk Man)
However, even as a kid, I could sense the anger - the venom - of those protesters. Something about their eyes, the spittle that exploded from their mouths, the way they brandished their banners like weapons. They were chanting a lot of stuff about love but they seemed full of hate.
C.J. Tudor (The Chalk Man)
You don't need to struggle, your baby is coming. Help him come to us, open your body and let him come into the world. You give birth, you don't force birth or besiege it. It's not a battle, it's an act of love. You give birth to your childd and you can do it gently.
Philippa Gregory (The White Princess (The Plantagenet and Tudor Novels, #5))
The tears in my eyes are now running down my cheeks at the thought that I have been his wife and his bedfellow, his companion and his duchess, and even now, though he is near to death, still he does not love me. He has never loved me. He never will love me.
Philippa Gregory (The Lady of the Rivers (The Plantagenet and Tudor Novels, #1))
My advice to you, as you go to your husband, is never to trust him and never love him more than he loves you.
Philippa Gregory (The Queen's Fool (The Plantagenet and Tudor Novels, #12))
Her name was a silent song on his lips. Her love was like a circle in the water, radiating ever outward, inevitably encompassing even the remotest of hearts.
Susan Wiggs (At the King's Command (Tudor Rose, #1))
I turn around from the window and for the first time I see him... It is Richard, smiling at my surprise. I run to him, without thinking what I am doing. I run to the first friendly face that I have seen since Christmas, and in a moment I am in his arms and he is holding me tightly and kissing my face, my closed eyes, my smiling mouth, kissing me till I am breathless and have to pull away from him.
Philippa Gregory (The Kingmaker's Daughter (The Plantagenet and Tudor Novels, #4; Cousins War, #4))
There was a magic: and the name of it was love.
Philippa Gregory (The White Queen (The Plantagenet and Tudor Novels, #2))
A woman who loved him would have to learn obedience, and I was not yet ready to be an obedient wife.
Philippa Gregory (The White Princess (The Plantagenet and Tudor Novels, #5))
Ah, my dear, you are a good wife. You are my beauty. You are my only love.
Philippa Gregory (The White Queen (The Plantagenet and Tudor Novels, #2))
I want to take you for pleasure, and hold you in my arms for desire. I want you to know that it is your kiss that I want, not another heir to the throne. You can know that I love you, quite for yourself, when I come to your bed,
Philippa Gregory (The White Queen (The Plantagenet and Tudor Novels, #2))
I feel as if I can think only when I see the words flowing from the nib of my quill, that my thoughts make sense only when they are black ink on cream paper. I love the sensation of a thought in my head and the vision of the word on the page.
Philippa Gregory (The Taming of the Queen (The Plantagenet and Tudor Novels #11))
And – I think you know, don’t you? – that I love you, Anne.’ I feel as if I have been living in a loveless world for too long. The last tender face I saw was my father’s when he sailed for England. ‘You do? Truly?’ ‘I do.’ He rises to his feet and pulls me up to stand beside him. My chin comes to his shoulder, we are both dainty, long-limbed, coltish: well-matched. I turn my face into his jacket. ‘Will you marry me?’ he whispers. ‘Yes,’ I say.
Philippa Gregory (The Kingmaker's Daughter (The Plantagenet and Tudor Novels, #4; Cousins War, #4))
when you love a man who is less than you dreamed, you have to make allowances for the difference between a real man and a dream. Sometimes you have to forgive him. Perhaps you even have to forgive him often. But forgiveness often comes with love.
Philippa Gregory (The White Princess (The Plantagenet and Tudor Novels, #5))
But I want to be loved. I have always been loved. I want my husband to love me with a passion, like in a troubadour tale, like a knight.
Philippa Gregory (The Lady of the Rivers (The Plantagenet and Tudor Novels, #1))
There is no one who loves peace more than a soldier
Philippa Gregory (The White Queen (The Plantagenet and Tudor Novels, #2))
Seduce me. Write letters to me. And poems, I love poems. Ravish me with your words. Seduce me.
Anne Boleyn (The Love Letters of Henry VIII to Anne Boleyn with Notes)
The Old Testament is crap. It’s full of misogyny, torture and inconsistencies. Jesus preached about love. All love.
C.J. Tudor (The Burning Girls)
I cannot know what the future will bring us,” he says in a rapid undertone. “I cannot know where you will be given in marriage, nor what life might hold for me. But I can’t let you go without telling you—without telling you at least once—that I love you.
Philippa Gregory (The Lady of the Rivers (The Plantagenet and Tudor Novels, #1))
Real friends are something different. Real friends are there, no matter what. Real friends are people who love and hate in equal measure, but who are as much a part of you as yourself
C.J. Tudor
I think it is unkind of me to stand there with my hands by my sides and a frown on my face. But I let him go without a blown kiss, without a blessing, without a command to come back safely. I let him go without a word or a gesture of love, for he is going out to fight for my enemy and so he is my enemy now.
Philippa Gregory (The Red Queen (The Plantagenet and Tudor Novels, #3))
Wise man. Kids from the moment they’re born, they fill your heart with love…and terror. Especially little girls. You want to protect them from everything. And they you can’t, you feel like you’ve failed as a father. You’ve saved yourself a lot of pain by not having children.
C.J. Tudor (The Chalk Man)
But she had done a lot of things over the last three years that she had never thought herself capable of. None of us know, until pushed, what our limits truly are. How far we would go for those we love.
C.J. Tudor (The Other People)
Before God, I love you and cherish you more than anything in the world. Of course I want to marry you. I love you heart and soul.
Philippa Gregory (The Lady of the Rivers (The Plantagenet and Tudor Novels, #1))
I die a Queen, but I would rather die the wife of Culpepper
Katherine "Kitty" Howard
In the realms of legend and lore, as well as in real life, the triumph of true love is never a sure thing.
Kate Emerson (The King's Damsel (Secrets of the Tudor Court, #5))
You are my heart. Even if you are a broken heart
Philippa Gregory (The Kingmaker's Daughter (The Plantagenet and Tudor Novels, #4; Cousins War, #4))
I will make my own future, not predict it. I don’t need a charm to tell me what I hope will happen. I throw the gold charm which is like a wedding ring up in the air and catch it before it falls. This is my choice. I don’t need magic to reveal my desire. The enchantment is already done: I am in love; I am sworn to a man of earth; I am not going to give this man up. All I have to do is consider how we can stay together.
Philippa Gregory (The Lady of the Rivers (The Plantagenet and Tudor Novels, #1))
Daniel, I did not knowwhat I wanted when I was agirl. And then I was a fool in every sense of the word. And now that I am a woman grown, I know that I love you and I want this son of yours, and our children who will come. I have seen a woman break her heart for love: my Queen Mary. I have seen another break her soul to avoid it: my Princess Elizabeth. I don't want to be Mary or Elizabeth, I want to be me: Hannah Verde Carpenter." "And we shall live somewhere that we can follow our belifs without danger," he insisted. "Yes," I said, "in the England that Elizabeth will make.
Philippa Gregory (The Queen's Fool (The Plantagenet and Tudor Novels, #12))
when i first saw him i thought he was as beautiful as a knight from the romances, like a troubadour, like a poet. I thought i could be like a lady in a tower and he could sing beneath my window and persuade me to love him. But although he has the looks of a poet he doesn't have the wit. I can never get more than two words out of him, and i begin to feel that i demean myself in trying to please him.
Philippa Gregory (The Constant Princess (The Plantagenet and Tudor Novels, #6))
Why do women want to dress like men when they’re fortunate enough to be women? Why lose our femininity, which is one of our greatest charms? We get much more accomplished by being charming than we would by flaunting around in pants and smoking. I’m very fond of men. I think they’re wonderful creatures. I love them dearly. But I don’t want to look like one. When women gave up their long skirts, they made a grave error. Things half seen are so much more mysterious and delightful. Remember the term “a neatly turned ankle”? Think of the thrill that gentleman used to get if they caught even a glimpse of one. Now women go around in their union suits. And what a multitude of sins you could cover up with a long skirt if you had piano legs.
Tasha Tudor
Jane would be the next queen and her children, when she had them, would be the next princes or princesses. Or she might wait, as the other queens had waited, every month, desperate to know that she had conceived, knowing each month that it did not happen that Henry's love wore a little thinner, that his patience grew a little shorter. Or Anne's curse of death in childbed, and death to her son, might come true. I did not envy Jane Seymour. I had seen two queens married to King Henry and neither of them had much joy of it.
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
I think nobody in the whole world knows what it is to be in love, to be so beloved.
Philippa Gregory (The Lady of the Rivers (The Plantagenet and Tudor Novels, #1))
I sit on the bed and kick off my shoes, and he kneels before me and takes the riding boots, holding one open for my bare foot. I hesitate; it is such an intimate gesture between a young woman and a man. His smiling upward glance tells me that he understands my hesitation but is ignoring it. I point my toe and he holds the boot, I slide my foot in and he pulls the boot over my calf. He takes the soft leather ties and fastens the boot, at my ankle, then at my calf, and then just below my knee. He looks up at me, his hand gently on my toe. I can feel the warmth of his hand through the soft leather. I imagine my toes curling in pleasure at his touch. ‘Anne, will you marry me?’ he asks simply, as he kneels before me.
Philippa Gregory (The Kingmaker's Daughter (The Plantagenet and Tudor Novels, #4; Cousins War, #4))
There are many sorts of love,” she counsels me. “And when you love a man who is less than you dreamed, you have to make allowances for the difference between a real man and a dream.
Philippa Gregory (The White Princess (The Plantagenet and Tudor Novels, #5))
I cannot know what the future will bring us," he says in a rapid undertone. "I cannot know where you will be given in marriage, nor what life might hold for me. But I can't let you go without telling you--without telling you at least once--that I love you." I snatch a breath at the words. "Woodville--" "I can offer you nothing; I am next to nothing, and you are the greatest lady in France. But I wanted you to know, I love you and I want you, and I have done since the day I first saw you." "I should--" "I have to tell you, you have to know. I have loved you honorably as a knight should do his lady, and I have loved you passionately as a man might a woman; and now, before I leave you, I want to tell you that I love you, I love you--" He breaks off and looks at me desperately. "I had to tell you," he repeats.
Philippa Gregory (The Lady of the Rivers (The Plantagenet and Tudor Novels, #1))
The castle will seem very quiet and strange without you here. The stone stairs and the chapel will miss your footstep, the gateway will will miss your laughter, and the wall will miss your shadow.
Philippa Gregory (The Red Queen (The Plantagenet and Tudor Novels, #3))
Nothing would be the same for any woman in this country again. From this time onward no wife, however obedient, however loving, would be safe. For everyone would know that if a wife such as Queen Katherine of England could be put aside for no reason, then any wife could be put aside.
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels #9))
She (Emily Dickinson) loved simplicity, and perhaps withdrrew into seclusion because it was the simplest way of doing what she wanted to do; express her ideas and thoughts in poetry which no one whom she knew would understand. This was as natural to her as breathing, but the pretense of the people around her seemed unnatural.
Tasha Tudor (The New England Butt'ry Shelf Cookbook: Receipts for Very Special Occasions)
Say yes,’ he whispers. ‘Marry me.’ I hesitate. I open my eyes. ‘You will get my fortune,’ I remark. ‘When I marry you, everything I have becomes yours. Just as George has everything that belongs to Isabel.’ ‘That’s why you can trust me to win it for you,’ he says simply. ‘When your interests and mine are the same, you can be certain that I will care for you as for myself. You will be my own. You will find that I care for my own.’ ‘You will be true to me?’ ‘Loyalty is my motto. When I give my word, you can trust me.
Philippa Gregory (The Kingmaker's Daughter (The Plantagenet and Tudor Novels, #4; Cousins War, #4))
It is luck to love someone who is free to love you in return. But I don’t. I just desire him, desire him and desire him; and I wait for it to burn out. Everything I have ever gained has always turned to ashes after a little while. Why should this be any different?
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
Go with the knowledge that I will think of you every time I lift your boy from his bed, every time I kneel for my prayers, every time I order my horse, every hour of every day.
Philippa Gregory (The Red Queen (The Plantagenet and Tudor Novels, #3))
They are a couple in love, and anyone but a fool would see it is simply that, nothing more- and certainly nothing less.
Philippa Gregory (The Red Queen (The Plantagenet and Tudor Novels, #3))
I suppose he was right. Love isn’t a choice. It’s a compulsion. I know that now. But perhaps, sometimes, you should choose. Or, at least, choose not to fall in love.
C.J. Tudor (The Chalk Man)
I remember how much I used to love saying her name like it belonged to the both of us, not just her.
Emily Tudor (The Road Not Taken (Hart Sisters #1))
I don’t ask for more than a smile and to be in your prayers. I love from afar.
Philippa Gregory (The Red Queen (The Plantagenet and Tudor Novels, #3))
He who gives back at first repulse and without striking the second blow, despairs success, has never been, is not, and never will be, a hero in love, war or business. - Frederick Tudor
Gavin Weightman (The Frozen Water Trade)
Fruit fly scientists, God bless ‘em, are the big exceptions. Morgan’s team always picked sensibly descriptive names for mutant genes, like ‘speck,’ ‘beaded,’ ‘rudimentary,’ ‘white,’ and ‘abnormal.’ And this tradition continues today, as the names of most fruit fly genes eschew jargon and even shade whimsical… The ‘turnip’ gene makes flies stupid. ‘Tudor’ leaves males (as with Henry VIII) childless. ‘Cleopatra’ can kill flies when it interacts with another gene, ‘asp.’ ‘Cheap date’ leaves flies exceptionally tipsy after a sip of alcohol… And thankfully, this whimsy with names has inspired the occasional zinger in other areas of genetics… The backronym for the “POK erythroid myeloid ontogenic” gene in mice—‘pokemon’—nearly provoked a lawsuit, since the ‘pokemon’ gene (now known, sigh, as ‘zbtb7’) contributes to the spread of cancer, and the lawyers for the Pokemon media empire didn’t want their cute little pocket monsters confused with tumors.
Sam Kean (The Violinist's Thumb: And Other Lost Tales of Love, War, and Genius, as Written by Our Genetic Code)
Modern writers usually don't know what it was like to live in the past, but Rushworth-Brown has done this with great skill in this accomplished, atmospheric and thoughtful novel.” — US National Times
Paul Rushworth-Brown
The two women look at each other and in both faces there is a glimpse of the girls that they were. A little smile warms Margaret’s face and Jacquetta’s eyes are filled with love. It is as if the years are no more than the mists of Barnet or the snows at Towton: they are gone, it is hard to believe they were ever there. Margaret puts out her hand, not to touch her friend but to make a gesture, a secret shared gesture, and, as we watch, Jacquetta mirrors the movement. Eyes fixed on each other they both raise their index finger and trace a circle in the air – that’s all they do. Then they smile to each other as if life itself is a joke, a jest that means nothing and a wise woman can laugh at it; then, without a word, Margaret passes silently into the darkness of the tower. "What was that?" Isabel exclaims. "It was the sign for the wheel of fortune," I whisper. ‘The wheel of fortune which put Margaret of Anjou on the throne of England, heiress to the kingdoms of Europe, and then threw her down to this. Jacquetta warned her of this long ago – they knew. The two of them knew long ago that fortune throws you up to greatness and down to disaster and all you can do is endure.
Philippa Gregory (The Kingmaker's Daughter (The Plantagenet and Tudor Novels, #4))
Well hear this,' she hissed in my ear. 'Hear this Mary. I am playing my own game and I don't want you interrupting. Nobody will know anything until I am ready to tell them, and then they will know everything too late.' 'You're going to make him love you?' Abruptly she released me and I gripped my elbow and arm where the bones ached. 'I'm going to make him marry me.' she said flatly. 'And if you so much as breathe a word to anyone, then I will kill you.
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
in the water is a woman of such beauty that her skin is paler than the white marble and her hair is darker than the night skies. He falls in love with her at once, and she with him, and he takes her to the castle and makes her his wife.
Philippa Gregory (The Lady of the Rivers (The Plantagenet and Tudor Novels, #1))
But this world is changing. Perhaps by the time you are old enough to marry the world will hear a woman's voice. Perhaps she will not have to swear to obey in her wedding vows. Perhaps one day a woman will be allowed to both love and think.
Philippa Gregory (The Taming of the Queen (The Plantagenet and Tudor Novels, #11))
Tell Anne..." I broke off. There was too much to send in one message. There were long years of rivalry and then a forced unity and always and ever, underpinning our love for each other, our sense that the other must be bested. How could I send her one word which would acknowledge all of that, and yet tell her that I loved her still, that I was glad I had been her sister, even though I knew she had brought herself to this point and taken George here too? That, though I would never forgive her for what she had done to us all, at the same time, I totally and wholly understood? "Tell her what?" Catherine hovered, waiting to be released. "Tell her that I think of her," I said simply. "All the time. Every day. The same as always.
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
In the darkness of the forest he saw her, and whispered her name, Melusina, and at that summoning she rose out of the water and he saw that she was a woman of cool and complete beauty to the waist, and below that she was scaled, like a fish. She promised him that she would come to him and be his wife, she promised him that she would make him as happy as a mortal woman can, she promised him that she would curb her wild side, her tidal nature, that she would be an ordinary wife to him, a wife that he could be proud of; if he in return would let her have a time when she could be herself again, when she could return to her element of water, when she could wash away the drudgery of a woman’s lot and be, for just a little while, a water goddess once more. She knew that being a mortal woman is hard on the heart, hard on the feet. She knew that she would need to be alone in the water, under the water, the ripples reflected on her scaly tail now and then. He promised her that he would give her everything, everything she wanted, as men in love always do. And she trusted him despite herself, as women in love always do.
Philippa Gregory (The White Queen (The Plantagenet and Tudor Novels, #2))
He could not name precisely the special quality she possessed. A glow. An exuberance. An aggressive and determined joy that gave her the courage to push past his defenses, to confront him with unflinching courage, to look into his heart and to see something there worth fighting for.
Susan Wiggs (At the King's Command (Tudor Rose, #1))
I was not nervous. For the first time ever I felt as if I had taken my life into my own hands and I could command my own destiny. For once I was obedient neither to uncle nor father nor king, but following my own desires. And I knew that my desire led me, inexorably, to the man I loved. I
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels #9))
But Anne was asking herself why being queen mattered so much, when the chance for true love was hers for the seizing. And always she came back to the argument that the crown was hers for the seizing too. She had never seen marriage alone as an especially fulfilling estate for women. She had always wanted more in life – and more than she had ever dreamed of would soon, God willing, be in her grasp. There was so much that she could accomplish as queen.
Alison Weir (Anne Boleyn: A King's Obsession (Six Tudor Queens, #2))
He greeted Anne with a roar of joy, swept her up and kissed her. You would think he had never been Sir Loyal Heart to his Queen Katherine. You would think it had been his worst enemy who had died and not a woman who had loved him faithfully for twenty-seven years and died with a blessing for him on her lips.
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels #9))
I could not love this man, knowing that he would not listen to me, knowing that I was not allowed even to show him my sadness. He was the father of my children and yet he would have no interest in them until they were old enough for him to use as counters in the game of inheritance. He had been my lover for years and yet it had been my task to make sure that he never knew me.
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels #9))
But seeing those words that were first written, and scratched out, and rewritten again in print and bound into a book, I know that I love the process of writing and publishing. To take a thought and work on it, to render it into the clearest form possible, and then to send it out into the world—this is work so precious and so joyful that I am not surprised that men have kept it to themselves.
Philippa Gregory (The Taming of the Queen (The Plantagenet and Tudor Novels #11))
This is George, my beloved George. D'you think I want to go to my grave knowing that at the moment of his trial he looked around and saw no one lift a finger for him? If it is the death of me, I shall go to him." "Go then," he said. "Kiss our baby good-bye before you go, and Henry. I shall tell Catherine that you left your blessing for her. And kiss me farewell. For if you go into that courtroom you will never come out alive.
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
Even their contemporaries felt that the relationship of Elizabeth and Robert transcended the details on practicality. There had to be some explanation for their lifelong fidelity, and those contemporaries put it down to 'synaptia', a hidden conspiracy of the stars, whose power to rule human lives no-one doubted: 'a sympathy of spirits between them, occasioned perhaps by some secret constellation', in the words of the historian William Camden, writing at the beginning of the seventeenth century. Theirs was a relationship already rooted in history and mythology. And that moment when Elizabeth heard she had come to the throne encapsulated much about their story. If our well-loved picture of Elizabeth's accession is something of a fantasy - if the reality is on the whole more interesting - you might say the same about our traditional picture of her relationship with Robert Dudley.
Sarah Gristwood (Elizabeth & Leicester: Power, Passion, Politics)
As he catches my eye he beams at me, his dark face bright with affection. Anyone can see it who cares to look at him, he is hopelessly indiscreet. He puts his hand to his heart as if swearing fidelity to me. I look to left and right, thank God no-one is looking, they are all getting on their horses and George the duke is shouting for the guard. Recklessly, Richard stands there, his hand on his heart, looking at me as if he wants the world to know that he loves me. He loves me. I shake my head as if reproving him, and I look down at my hands on the reins. I look up again and he is still fixing his gaze on me, his hand still on his heart. I know I should look away, I know I should pretend to feel nothing but disdain – this is how the ladies in the troubadour poems behave. But I am a girl, and I am lonely and alone, and this is a handsome young man who has asked how he may serve me and now stands before me with his hand on his heart and his eyes laughing at me. One of the guard stumbled while mounting his horse and his horse shied, knocking the nearby horseman. Everyone is looking that way, and the king puts his arm around his wife. I snatch off my glove and, in one swift gesture, I throw it towards Richard. He catches it out of the air and tucks it in the breast of his jacket. Nobody has seen it. Nobody knows. The guardsman steadies his horse, mounts it, nods his apology to his captain, and the royal family turn and wave to us. Richard looks at me, buttoning the front of his jacket, and smiles at me warmly, assuredly. He has my glove, my favour.
Philippa Gregory (The Kingmaker's Daughter (The Plantagenet and Tudor Novels, #4; Cousins War, #4))
Our house was an old Tudor mansion. My father was very particular in keeping the smallest peculiarities of his home unaltered. Thus the many peaks and gables, the numerous turrets, and the mullioned windows with their quaint lozenge panes set in lead, remained very nearly as they had been three centuries back. Over and above the quaint melancholy of our dwelling, with the deep woods of its park and the sullen waters of the mere, our neighborhood was thinly peopled and primitive, and the people round us were ignorant, and tenacious of ancient ideas and traditions. Thus it was a superstitious atmosphere that we children were reared in, and we heard, from our infancy, countless tales of horror, some mere fables doubtless, others legends of dark deeds of the olden time, exaggerated by credulity and the love of the marvelous. ("Horror: A True Tale")
John Berwick Harwood (Reign of Terror Volume 2: Great Victorian Horror Stories)
Although I am cursed by dreams, I still cannot stop myself sleeping. I drop into darkness every night and dream that Richard has come to me, laughing. He tells me that the battle went his way and we are to be married. He holds my hands as I protest that they came and told me that Henry had won, and he kisses me and calls me a fool, a little darling fool. I wake believing it to be true, and feel a sudden sick realization when I look at the walls of the second-best bedroom, and Cecily sharing my bed, and remember that my love lies dead and cold in an unmarked grave, while his country sweats in the heat.
Philippa Gregory (The White Princess (The Plantagenet and Tudor Novels, #5))
I think it was FR David who sang 'words don't come easy to me'. He clearly wasn't one of my kind. Words are my weapon. I love words. I am a thesaurus able to conjure up so many different ways of saying the same thing. I am able to create the most evocative of pictures as the falsehoods tumble from my lips. The torrent of empty platitudes, hollow promises and banal observations comes thick and fast. I am a triumph of presentation over substance. Unfortunately for you, because of your nature and what you have endured before I came along, my words are honey-covered and you are unable to resist their allure.
H.G. Tudor (Confessions of a Narcissist)
I do not grieve for him as a wife, as Anne Devereux has grieved for her husband William Herbert. She promised him she would never remarry, she swore she would go to her grave hoping to meet him in heaven. I suppose they were in some sort of love, thought married by contract. I suppose they found some sort of passion in their marriage. It is rare but not impossible. I do hope that they have no given my son ideas about loving his wife; a man who is to be king can marry only for advantage. A woman of sense would marry only for the improvement of her family. Only a lustful fool dreams every night of a marriage of love.
Philippa Gregory (The Red Queen (The Plantagenet and Tudor Novels, #3))
I can’t sleep,” he says so quietly that only I can hear. “I can’t sleep. I can’t sleep. I can’t sleep.” “Nor I.” “You neither?” “No.” “Truly?” “Yes.” He sighs a deep sigh, as if he is relieved. “Is this love then?” “I suppose so.” “I can’t eat.” “No.” “I can’t think of anything but you. I can’t go on another moment like this; I can’t ride out into battle like this. I am as foolish as a boy. I am mad for you, like a boy. I cannot be without you; I will not be without you. Whatever it costs me.” I can feel my color rising like heat in my cheeks, and for the first time in days I can feel myself smile. “I can’t think of anything but you,” I whisper. “Nothing. I thought I was sick.” The ring like a crown is heavy in my pocket, my headdress is pulling at my hair; but I stand without awareness, seeing nothing but him, feeling nothing but his warm breath on my cheek and scenting the smell of his horse, the leather of his saddle, and the smell of him: spices, rosewater, sweat. “I am mad for you,” he says. I feel my smile turn up my lips as I look into his face at last. “And I for you,” I say quietly. “Truly.” “Well then, marry me.” “What?” “Marry me. There is nothing else for it.” I give a nervous little laugh. “You are joking with me.” “I mean it. I think I will die if I don’t have you. Will you marry me?” “Yes,” I breathe. “Tomorrow morning, I will ride in early. Marry me tomorrow morning at your little chapel. I will bring my chaplain, you bring witnesses. Choose someone you can trust. It will have to be a secret for a while. Do you want to?” “Yes.” For the first time he smiles, a warm beam that spreads across his fair broad face. “Good God, I could take you in my arms right now,” he says. “Tomorrow,” I whisper. “At nine in the morning,” he says.
Philippa Gregory (The White Queen (The Plantagenet and Tudor Novels, #2))
Now I understand Isabel's slavish loyalty to George. Now I understand the passionate bond between the king and the queen. Now I even understand the queen's mother Jacquetta dying of heartbreak at the loss of the man she married for love. I learn that to love a man whose interests are mine, whose passion is given freely and openly to me, and whose battle-hardened young lithe body lies beside me every night as his only joy, is to utterly change my life. I was married before; but I was never shaken and touched and puzzled and adored before. I was a wife but I was no lover. With Richard, I become wife and lover, counselor and friend, partner in all things, comrade in arms, fellow traveler. With Richard, I become a woman, not a girl, I become a wife.
Philippa Gregory (The Kingmaker's Daughter (The Plantagenet and Tudor Novels, #4; Cousins War, #4))
....One dark night, my Tudor Ford climbed the hill's skull; I watched for love-cars. Lights turned down, they lay together, hull to hull, where the graveyard shelves on the town. . . . My mind's not right. A car radio bleats, "Love, O careless Love. . . ." I hear my ill-spirit sob in each blood cell, as if my hand were at its throat. . . . I myself am hell; nobody's here-- only skunks, that search in the moonlight for a bite to eat. They march on their soles up Main Street: white stripes, moonstruck eyes' red fire under the chalk-dry and spar spire of the Trinitarian Church. I stand on top of our back steps and breathe the rich air-- a mother skunk with her column of kittens swills the garbage pail. She jabs her wedge-head in a cup of sour cream, drops her ostrich tail, and will not scare.
Robert Lowell
My dearest Lydia I do not wish to disturb your thoughts with sad tidings, and yet to do otherwise than write to you at this time with an honest heart would give cause for you to reproach me in years to come, years when you will live and breathe the warm air while I rest beneath the turf, and the very thought of such reproach grieves my heavy heart as it prepares to beat its last. For I am fading, and henceforth you will not hear word of this frail shell whom once you graced with friendship, except, perhaps, through another's report or distant memory. Whether our encounter in this life has brought me more joy than pain is a question that once I asked myself, but now see as a thing of no concern. My love for you is not to be judged by degrees of pleasure. It is not of the world of matter to be placed on the scale or weighed in the balance. Our flesh, the deeds we commit and things we created may be subject to the measure, but not a love like this. Joy and pain are but the distant resonance, while my love for you is the present song; they are but patterns of dust caught on the edge of the morning light, while my love is the blazing sun that illuminates them. My love abides, my love existed before we met, and my love will continue as the centuries roll by when we and our story are shades forgotten. But my love must perforce now return to its cave, to its sleeping state, whence it emerged that morning long ago by the water's edge, when our eyes met and the spirit took wing. And so farewell in this life, most beautiful of beings, song of my soul, my sunlight, my love. Do not judge me by the deeds of my body, which is frail, finite and blemished. Remember me instead as the soul of all that you cherish, for that I truly aspire to be, and I shall live and shine with you perpetually, in an everlasting embrace. Your devoted friend Godwin Tudor
Roland Vernon