“
The Soul selects her own Society—
Then—shuts the Door—
To her divine Majority—
Present no more—
Unmoved—she notes the Chariots—pausing—
At her low Gate—
Unmoved—an Emperor be kneeling
Upon her Mat—
I've known her—from an ample nation—
Choose One—
Then—close the Valves of her attention—
Like Stone—
”
”
Emily Dickinson (Selected Poems)
“
Doormatitis: door-mat-i-tis noun; low self-worth. A learned behavior where the infected person allows others to walk all over them, blame them, treat them terribly, always giving the boundary crossers the benefit of the doubt. They make excuses for them, They will give in to guilt and intimidation and give the boundary crossers what they want again and again.
”
”
P.A. Speers (Type 1 Sociopath - When Difficult People Are More Than Just Difficult People)
“
I do not wear a welcome mat on my chest just so people can walk all over it fumbling with the keys to the locks they keep building for the doors I keep opening hoping someone will see the rainforest growing in my living room.
”
”
Andrea Gibson
“
The psychic witch lives in a state of enchantment, seeing all things as magickal and understanding that the universe is composed of endless possibilities and potential. The psychic witch sees a door where others see a wall.
”
”
Mat Auryn (Psychic Witch: A Metaphysical Guide to Meditation, Magick & Manifestation (Mat Auryn's Psychic Witch, 1))
“
Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunch-backed makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed form kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries' vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers, heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters' sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etiolated lacquerers; mottle-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men's wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of Last Chrysanthemum, where a puddle from last night's rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.
”
”
David Mitchell (The Thousand Autumns of Jacob de Zoet)
“
Sorry about Bender," Lula said, letting the Trans Am idle at the curb. "Maybe we could tell Vinnie he died. We could say we were all set to bring Bender in, and he died. Bang. Dead as a doorknob."
"Better yet, why don't we just go back and kill him," I said. I opened the door to leave, caught my toe in the floor mat, and fell out of the car, face first. I rolled onto my back and stared up at the stars. "I'm fine," I said to Lula. "Maybe I'll sleep here tonight.
”
”
Janet Evanovich (Hard Eight (Stephanie Plum, #8))
“
Who can tell?
Your living is an organized hell.
The mansion of your mind just an oversized cell.
The pressure, everything is done to a measure.
In the sea of competition sunk like a treasure.
Like a feather falling slow spiraling to the floor.
Strung up like a broken violin to your course.
Opportunity is knocking at your door,
But you never left a welcome mat (It doesn't matter anymore.).
Or anyhow, but you're too late to turn back.
Fate pushing you into the wall like a thumbtack.
Ain't no comebacks in this game of life.
Roll the dice again,
Roll it once, never twice.
Keep on going, and taste the stars.
Keep on growing, and raise the bar.
You're living life for the As down to the Zs,
After one drop you got a fountain to seize.
Wanna break from the world, but the world wanna break you,
The weight makes your backbone curl up and make you.
”
”
Tablo
“
A lady once offered me a mat, but as I had no room to spare within the house, nor time to spare within or without to shake it, I declined it, preferring to wipe my feet on the sod before my door. It is best to avoid the beginnings of evil.
”
”
Henry David Thoreau
“
I think we’d had enough of this folly. Who ever heard of a door-mat TELLING anyone anything? They simply don’t do it. They are not that sort at all. Door-mats know their place.
”
”
Kenneth Grahame (The Wind in the Willows)
“
This sensible, sensible girl. A girl who knew how to protect herself. Never a daredevil, never stunting without a safety mat, without spotters. A girl for whom instability was the ultimate enemy. Who’d never known divorce or slamming doors or slamming fists. A girl whose home was a peaceful sanctum, even the basement padded. A life that had to be made safe because of the risks she put her body through. She was the most dangerous thing in her own life. Her body, the only dangerous thing.
”
”
Megan Abbott (You Will Know Me)
“
The moment I formulated this thought, everything aroud me seemed to droop heavily toward the earth. Outside in the garden, the eaves of the roof dripped rain like beads of weighted glass. Even the mats themselves seemed to press down upon the floor. I remember thinking that I was dacing to express not the pain of a young woman who has lost her supernatural lover, but the pain I myself would feel when my life was finally robbed of the one thing I cared most deeply about. I found myself thinking,too,of satsu; I danced the bitterness of our eternal separation.By the end I felt almost overcome with grief; but I certainly wasn't prepared for what I saw when I turned to look at the Chairman.He was sitting at the near corner of the table so that, as it happened, no one but me could see him. I thought he wore an expression of astonishment at first, because his eyes were so wide. But just as his mouth sometimes twitched when he tried not to smile, now I could see it twitching under the strain of a different emotion. I couldn't be sure, but I had to impression his eyes were heavy with tears. He looked toward the door, pretending to scratch the side of his nose so he cold wipe a finger in the corner of his eye; and he smoothed his eyebrows as if the were the source of his trouble. I was so shocked to see the Chairman in pain I felt almost disoriented for a moment.
”
”
Arthur Golden (Memoirs of a Geisha)
“
Some pasts exist as a fog that rolls in and out of the present, formed not by air that condenses into mist but memories that condense into tiny doors that open to forgotten moments. Maybe you glance at a stranger on a crowded street who reminds you of a childhood friend or hear a song that was popular the first summer you fell in love, and in the space of that single beat of time you are flung backward to a who or when long past. And yet it is only for that one beat. Those tiny doors never remain open for long for most of us. They ensure our former times are kept as relics, and the dust upon them is wiped clean only occasionally
”
”
Billy Coffey (The Devil Walks in Mattingly)
“
In the past I had often tried to escape the grown-up world of sorrow through my imagination- dreaming that a handsome young lieutenant would ride to my rescue or that a great empresario would discover my musical talents and whisk me away. I had envisioned knights in shining armor and happily ever after scenes to escape from rules or boredom or pain; including a vision of my mother walking through our front door whole and well again. Now I knew that a lifetime of escape led to a life like Aunt Bertie's. My imagination was a gift, but I had to live in the real world. My eyes had been opened this summer to poverty and crime and abuse and I needed to use my imagination not to escape, but to help people like Irina and Katya, to make my own contribution as the women in the women's pavilion had done. I couldn't do it in the same way Jane Adams and my grandmother and Aunt Mat were, but I would find my own way and my own time.
”
”
Lynn Austin (A Proper Pursuit)
“
Chip the glasses and crack the plates! Blunt the knives and bend the forks! That’s what Bilbo Baggins hates– Smash the bottles and burn the corks! Cut the cloth and tread on the fat! Pour the milk on the pantry floor! Leave the bones on the bedroom mat! Splash the wine on every door! Dump the crocks in a boiling bowl; Pound them up with a thumping pole; And when you’ve finished, if any are whole, Send them down the hall to roll! That’s what Bilbo Baggins hates! So, carefully! carefully with the plates!
”
”
J.R.R. Tolkien (The Hobbit)
“
I went to the lobby and asked Stan what he knew about the person who lived in 6A.
He said 'Never seen anyone go in or come out. Just a lot of deliveries and a lot of trash.'
'Cool'.
He leaned down and whispered 'Haunted'.
I whispered back 'I don't believe in the paranormal'.
He said 'Ghosts don't care if you believe in them'.
I walked back up the steps, this time past our floor and to the sixth. There was a mat in front of the door which said 'welcome' in twelve different languages. That didn't seem like something a ghost would put in front of his apartment."
― Jonathan Safran Foer, Extremely Loud and Incredibly Close
”
”
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
“
But I'd done what I could to warm the place up. I'd started with a welcome mat. It had a happy face on it and was bright and colorful. It didn't say "Welcome." It said "!!!WELCOME!!!"
I knew he wouldn't like it. I considered it more of an amusing test to see how open he was to change. He'd let me move in with him, but how flexible was he really willing to be?
It disappeared the day after I placed it by the front door. It was just--poof!--gone. When I imagined the shocked look on his face when he would have first seen it, a spot of wacky and whimsical color in his otherwise monochromatic world, I started to laugh hysterically.
”
”
Michelle Rowen (Blood Bath & Beyond (Immortality Bites #6; Immortality Bites Mystery #1))
“
When Mats came in the evenings, they would drink tea in the kitchen while reading their books and talking about them. If Katri came in, they were quiet and waited for her to leave. The back door would close, and Katri would have gone.
“Does your sister read our books?” Anna wanted to know.
“No. She reads literature.
”
”
Tove Jansson (The True Deceiver)
“
Once I am sure there's nothing going on
I step inside, letting the door thud shut.
Another church: matting, seats, and stone,
And little books; sprawlings of flowers, cut
For Sunday, brownish now; some brass and stuff
Up at the holy end; the small neat organ;
And a tense, musty, unignorable silence,
Brewed God knows how long. Hatless, I take off
My cycle-clips in awkward reverence.
Move forward, run my hand around the font.
From where I stand, the roof looks almost new -
Cleaned, or restored? Someone would know: I don't.
Mounting the lectern, I peruse a few
Hectoring large-scale verses, and pronounce
'Here endeth' much more loudly than I'd meant.
The echoes snigger briefly. Back at the door
I sign the book, donate an Irish sixpence,
Reflect the place was not worth stopping for.
Yet stop I did: in fact I often do,
And always end much at a loss like this,
Wondering what to look for; wondering, too,
When churches will fall completely out of use
What we shall turn them into, if we shall keep
A few cathedrals chronically on show,
Their parchment, plate and pyx in locked cases,
And let the rest rent-free to rain and sheep.
Shall we avoid them as unlucky places?
Or, after dark, will dubious women come
To make their children touch a particular stone;
Pick simples for a cancer; or on some
Advised night see walking a dead one?
Power of some sort will go on
In games, in riddles, seemingly at random;
But superstition, like belief, must die,
And what remains when disbelief has gone?
Grass, weedy pavement, brambles, buttress, sky,
A shape less recognisable each week,
A purpose more obscure. I wonder who
Will be the last, the very last, to seek
This place for what it was; one of the crew
That tap and jot and know what rood-lofts were?
Some ruin-bibber, randy for antique,
Or Christmas-addict, counting on a whiff
Of gown-and-bands and organ-pipes and myrrh?
Or will he be my representative,
Bored, uninformed, knowing the ghostly silt
Dispersed, yet tending to this cross of ground
Through suburb scrub because it held unspilt
So long and equably what since is found
Only in separation - marriage, and birth,
And death, and thoughts of these - for which was built
This special shell? For, though I've no idea
What this accoutred frowsty barn is worth,
It pleases me to stand in silence here;
A serious house on serious earth it is,
In whose blent air all our compulsions meet,
Are recognized, and robed as destinies.
And that much never can be obsolete,
Since someone will forever be surprising
A hunger in himself to be more serious,
And gravitating with it to this ground,
Which, he once heard, was proper to grow wise in,
If only that so many dead lie round.
”
”
Philip Larkin
“
Varian cringed as Merewyn faced him. If he looked half as bad as he suspected, he wouldn’thave blamed her had she run for the door. “You don’t have to do this.”
She stepped into his arms. “Yes, Varian, I do.” She brushed the matted hair back from his face. “I don’t care what you look like. It’s you I love, not your looks. Your humor, your kindness, even that little snuffle snore you make when you sleep.”
“I don’t snore.”
She laughed. “Yes, you do.” And with that she pulled his lips to hers.
”
”
Kinley MacGregor (Knight of Darkness (Lords of Avalon, #2))
“
Ah, grief, I should not treat you
like a homeless dog
who comes in the back door
for a crust, for a meatless bone.
I should trust you.
I should coax you
into the house and give you
your own corner,
a worn mat to lie on,
your own water dish.
You think I don't know you've been living
under my porch.
You long for a real place to be readied
before winter comes. You need
the right to warn off intruders,
to consider my house your own
and me your person
and yourself
my own dog.
”
”
Denise Levertov (Life In the Forest)
“
I've learned that home is not a place, it's a feeling. I can make the flat look as pretty as I can, put as many flower boxes on the window sill as I want, put a welcome mat outside the front door, hang a Home Sweet Home sign over the fireplace, and take to wearing aprons and baking cookies, but the truth is that I know I don't want to stay here forever.
”
”
Cecelia Ahern (Love, Rosie)
“
Beckett smiled at his past and future customers with both his dimples. No need to feel alarmed, his smile told them. The devil always had the biggest welcome mat at his door.
”
”
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
“
Who ever heard of a door-mat TELLING anyone anything? They simply don't do it. They are not that sort at all. Door-mats know their place.
”
”
Kenneth Grahame (The Wind in the Willows)
“
What did the mat say to the door? You must be really aDOORable to open up to everyone who knock at you. And I welcome everyone and what do I get? People stepping all over me
”
”
Ana Claudia Antunes (One Hundred One World Accounts in One Hundred One Word Count)
“
At the back door Amanda wiped her Crocs on a thin scrap of mat, which Erika thought ironic, as it was the kind of house where you wiped your feet on the way out.
”
”
Robert Bryndza (Dark Water (Detective Erika Foster, #3))
“
MAT25.10 And while they went to buy, the bridegroom came; and they that were ready went in with him to the marriage: and the door was shut.
”
”
Anonymous (Holy Bible: King James Version)
“
That's right," said Door. Her cheek lightly grazed and her dirty reddish hair was tangled; tangled but not matted. And her eyes...Richard realized that he could not tell what color her eyes were. They were not blue, or green, or brown, or gray; they reminded him of fire opals: there were burning greens and blues, and even reds and yellows that vanished and glinted as she moved.
”
”
Neil Gaiman (Neverwhere (London Below, #1))
“
Open the windows and the doors, she shouted, cook some meat and fish, buy the largest turtles around, let strangers come in and spread their mats in the corners and urinate in the rose bushes and sit down to eat as many times as they want, and belch and rant and muddy everything with their boots, and let them do whatever they want to us, because that's the only way to drive off ruin.
”
”
Gabriel García Márquez (One hundred years of solitude)
“
By now, Freeman knew his opponent. You'd be dangerous in an alley, thought Free man, but you hung yourself up with judo. Karate, or jujitsu, maybe, to slow me down with the chops and kicks. But there is just no way you can throw me in judo, white boy. He wondered whether to fight, or to continue on the defense. He looked at Calhoun, squatting Japanese-style on the other side of the mat, the hatred and contempt naked on his face. No, he thought, even if I blow my scene, I got to kick this ofay's ass. When you grab me again, whitey, you are going to have two handfuls of 168 pounds of pure black hell.
”
”
Sam Greenlee (The Spook Who Sat by the Door)
“
Rishte Aak Dhaage Se Baadhe Hote Hai Jiskee Door Kisi Ak Ke Hath Me Hotti Hai
Aak khechata Hai Or Doosra Use Thaame Rehta Hai
Jab tak Wo Thaame Rehta Hai
Rishta Bana Rehta Hai Bhaale Hi Us Rishate Me khuch Rahe Yaa Na Rahe
Ager Essa Khuch Apki Life Me Hai Too
Us Dhaage Ko Itna Mat Kheech Dena Ki Thamne Wada Hi Toot Jaaye
Or Aap Tanhaa Rah Jaaye Kyu Ki Fir Wo Saathi Bapas Nhi Aayega
Kisi Ko Giraana Per Itna Nhi Ki Wo Girna Hee Bhool Jaaye.
”
”
Ashutosh Chaudhary
“
The dog continued to bark at night, sometimes far away, sometimes close to the house. Towards morning, he would howl. It could be quiet for hours, but there were those who lay in bed waiting for the next howl, and they would say, "Did you hear that? It's like having a wolf in the woods. An unhappy woman has an unhappy dog. It ought to be shot."
Katri did not talk about the dog, but she put out food and water in the yard. Sometimes at night Mats would wait by the kitchen window with the light off and the door open. He saw the dog only once, just as it was growing light, and he went very slowly out on the steps and tried to coax it in. But it ran off into the woods, so he gave up.
”
”
Tove Jansson (The True Deceiver)
“
We'll then," Enjd said. "What's the problem?"
"This," Mindy said. She opened her hand and held up a tiny green plastic toy solider thrusting a bayonet.
"I don't understand," Enid said.
"This morning, when I opened my door to get the newspaper, I found a whole troop of them arranged on the mat."
"And you think Paul Rice did it," Enid said skeptically.
"I don't think he did it. I know he did it," Mindy said. "He told me if I didn't approve his air conditioners, it was war...
”
”
Candace Bushnell (One Fifth Avenue)
“
When it grew cold enough to shut the doors, and have fire at night, first thing after supper all of us helped clear the table, then we took our slates and books and learned our lessons for the next day, and then father lined us against the wall, all in a row from Laddie down, and he pronounced words—easy ones that divided into syllables nicely, for me, harder for May, and so up until I might sit down. For Laddie, May and Leon he used the geography, the Bible, Roland's history, the Christian Advocate, and the Agriculturist. My, but he had them so they could spell! After that, as memory tests, all of us recited our reading lesson for the next day, especially the poetry pieces. I knew most of them, from hearing the big folks repeat them so often and practise the proper way to read them. I could do "Rienzi's Address to the Romans," "Casablanca," "Gray's Elegy," or "Mark Antony's Speech," but best of all, I liked "Lines to a Water-fowl." When he was tired, if it were not bedtime yet, all of us, boys too, sewed rags for carpet and rugs. Laddie braided corn husks for the kitchen and outside door mats, and they were pretty, and "very useful too," like the dog that got his head patted in McGuffey's Second.
”
”
Gene Stratton-Porter (Laddie: A True Blue Story)
“
I began yoga
to move my body
but I didn’t know
that was only the hook.
On the mat,
I have used my body not only
to discover new shapes and poses,
but I have found that
in the poses
I have discovered me.
It is my eyes that now see new shapes—
perspective clear and shifted.
And my soul
that has risen up and called to me.
The truth of who I am
is unfolding.
I have stepped through
the back door of my heart,
to the place that meets my soul.
I rest in my
true nature.
—yoga changes everything
”
”
Ashley Asti
“
When a man is happy enough to win the affections of a sweet girl, who can soothe his cares with crochet, and respond to all his most cherished ideas with beaded urn-rugs and chair-covers in German wool, he has, at least, a guarantee of domestic comfort, whatever trials may await him out of doors. What a resource it is under fatigue and irritation to have your drawing-room well supplied with small mats, which would always be ready if you ever wanted to set anything on them ! And what styptic for a bleeding heart can equal copious squares of crochet, which are useful for slipping down the moment you touch them ? How our fathers managed without crochet is the wonder; but I believe some small and feeble substitute existed in their time under the name of 'tatting'.
”
”
George Eliot
“
Do me a favor,” I say to Xaden, unfastening the conduit’s leather strap at my hip and hooking it over my wrist so the orb fits comfortably in my palm. Then I take three steps forward onto the mat and open the door to Tairn’s power with a hell of a smirk. “Don’t let me hurt you.
”
”
Rebecca Yarros (Onyx Storm (The Empyrean, #3))
“
Better go ahead and dance your jig round that if you’ve got to, and get it over, and then perhaps we can go on and not waste any more time over rubbish-heaps. Can we EAT a doormat? or sleep under a door-mat? Or sit on a door-mat and sledge home over the snow on it, you exasperating rodent?
”
”
Kenneth Grahame (The Wind in the Willows)
“
JASON WOULD’VE DIED FIVE TIMES on the way to the front door if not for Leo. First it was the motion-activated trapdoor on the sidewalk, then the lasers on the steps, then the nerve gas dispenser on the porch railing, the pressure-sensitive poison spikes in the welcome mat, and of course the exploding doorbell.
”
”
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
“
I drummed my fingers on the steering wheel as I looked around the empty lot. I wavered on getting out when a giant lightning bolt painted a jagged streak across the rainy lavender-gray sky. Minutes passed and still he didn’t come out of the Three Hundreds’ building.
Damn it. Before I could talk myself out of it, I jumped out of the car, cursing at myself for not carrying an umbrella for about the billionth time and for not having waterproof shoes, and ran through the parking lot, straight through the double doors. As I stomped my feet on the mat, I looked around the lobby for the big guy. A woman behind the front desk raised her eyebrows at me curiously. “Can I help you with something?” she asked.
“Have you seen Aiden?”
“Aiden?”
Were there really that many Aidens? “Graves.”
“Can I ask what you need him for?”
I bit the inside of my cheek and smiled at the woman who didn’t know me and, therefore, didn’t have an idea that I knew Aiden. “I’m here to pick him up.”
It was obvious she didn’t know what to make of me. I didn’t exactly look like pro-football player girlfriend material in that moment, much less anything else. I’d opted not to put on any makeup since I hadn’t planned on leaving the house. Or real pants. Or even a shirt with the sleeves intact. I had cut-off shorts and a baggy T-shirt with sleeves that I’d taken scissors to. Plus the rain outside hadn’t done my hair any justice. It looked like a cloud of teal.
Then there was the whole we-don’t-look-anything-alike thing going on, so there was no way we could pass as siblings. Just as I opened my mouth, the doors that connected the front area with the rest of the training facility swung open. The man I was looking for came out with his bag over his shoulder, imposing, massive, and sweaty. Definitely surly too, which really only meant he looked the way he always did.
I couldn’t help but crack a little smile at his grumpiness. “Ready?”
He did his form of a nod, a tip of his chin.
I could feel the receptionist’s eyes on us as he approached, but I was too busy taking in Grumpy Pants to bother looking at anyone else. Those brown eyes shifted to me for a second, and that time, I smirked uncontrollably.
He glared down at me. “What are you smiling at?”
I shrugged my shoulders and shook my head, trying to give him an innocent look. “Oh, nothing, sunshine.”
He mouthed ‘sunshine’ as his gaze strayed to the ceiling.
We ran out of the building side by side toward my car. Throwing the doors open, I pretty much jumped inside and shivered, turning the car and the heater on. Aiden slid in a lot more gracefully than I had, wet but not nearly as soaked.
He eyed me as he buckled in, and I slanted him a look. “What?”
With a shake of his head, he unzipped his duffel, which was sitting on his lap, and pulled out that infamous off-black hoodie he always wore. Then he held it out.
All I could do was stare at it for a second. His beloved, no-name brand, extra-extra-large hoodie. He was offering it to me.
When I first started working for Aiden, I remembered him specifically giving me instructions on how he wanted it washed and dried. On gentle and hung to dry. He loved that thing. He could own a thousand just like it, but he didn’t. He had one black hoodie that he wore all the time and a blue one he occasionally donned.
“For me?” I asked like an idiot.
He shook it, rolling his eyes. “Yes for you. Put it on before you get sick. I would rather not have to take care of you if you get pneumonia.”
Yeah, I was going to ignore his put-out tone and focus on the ‘rather not’ as I took it from him and slipped it on without another word. His hoodie was like holding a gold medal in my hands. Like being given something cherished, a family relic. Aiden’s precious.
”
”
Mariana Zapata (The Wall of Winnipeg and Me)
“
The Soul selects her own Society -
Then - shuts the Door -
To her divine Majority -
Present no more -
Unmoved - she notes the Chariots - pausing -
At her low Gate -
Unmoved - an Emperor be kneeling
Upon her Mat -
I've known her - from an ample nation -
Choose One -
Then - close the Valves of her attention -
Like Stone -
”
”
Emily Dickinson (The Complete Poems of Emily Dickinson)
“
West was the only officer on the quarterdeck, and it so happened that the party of hands making dolphins and paunch-mats on the forecastle were all Shelmerstonians. West was gaping rather vacantly over the taffrail when he saw an extraordinarily handsome woman ride along the quay, followed by a groom. She dismounted at the height of the ship, gave the groom her reins, and darted straight across the brow and so below.
'Hey there,' he cried, hurrying after her, 'this is Dr Maturin's cabin. Who are you, ma'am?'
'I am his wife, sir,' she said, 'and I beg you will desire the carpenter to sling a cot for me here.' She pointed, and then bending and peering out of the scuttle she cried 'Here they are. Pray let people stand by to help him aboard: he will be lying on a door.' She urged West out of the cabin and on deck, and there he and the amazed foremast hands saw a blue and gold coach and four, escorted by a troop of cavalry in mauve coats with silver facings, driving slowly along the quay with their captain and a Swedish officer on the box, their surgeon and his mate leaning out of the windows, and all of them, now joined by the lady on deck, singing Ah tutti contenti saremo cosí, ah tutti contenti saremo, saremo cosí with surprisingly melodious full-throated happiness.
”
”
Patrick O'Brian (The Letter of Marque (Aubrey & Maturin, #12))
“
Get married and have halfbreed babies, manuscripts, home¬spun blankets and mother’s milk on your happy ragged mat floor like this one. Get yourself a hut house not too far from town, live cheap, go ball in the bars once in a while, write and rumble in the hills and learn how to saw boards and talk to grandmas you damn fool, carry loads of wood for them, clap your hands at shrines, get supernatural favors, take flower-arrangement lessons and grow chrysanthemums by the door, and get married for krissakes, get a friendly smart sensitive human-being gal who don’t give a shit for martinis every night and all that dumb white machinery in the kitchen.
”
”
Jack Kerouac (The Dharma Bums)
“
I would observe, by the way, that it costs me nothing for curtains, for I have no gazers to shut out but the sun and moon, and I am willing that they should look in. The moon will not sour milk nor taint meat of mine, nor will the sun injure my furniture or fade my carpet; and if he is sometimes too warm a friend, I find it still better economy to retreat behind some curtain which nature has provided, than to add a single item to the details of housekeeping. A lady once offered me a mat, but as I had no room to spare within the house, nor time to spare within or without to shake it, I declined it, preferring to wipe my feet on the sod before my door. It is best to avoid the beginnings of evil.
”
”
Henry David Thoreau (Walden)
“
Daniel was just about to swing inside the home team's locker room when the door opened beneath his hand. He flattened himself up against the boards in time to see Detective Bartholemew leading Jason Underhill out.
The kid was still wearing his hockey gear, in his stocking feet, carrying his skates in one hand. His face was flushed and his eyes were trained on the rubber mats on the floor.
”
”
Jodi Picoult (The Tenth Circle)
“
I startle when I catch someone staring at me from only a few inches away and then realize it’s my own face reflecting back in the glass. Wild eyes, hollow cheeks, my hair in a tangled mat. Rabid. Feral. Mad. No wonder everyone is keeping a safe distance from me. The next thing I know we’ve landed back on the roof of the Training Center and they’re taking Peeta but leaving me behind the door. I start hurling
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
There is a sign above the door in the shape of a door key, on it the words KEYS CUT. There’ll be a high smell of creosote, oil, paraffin, lawn treatment stuff. There’ll be brushheads with handles, brushheads without handles, handles by themselves, for sale. What else? Rakes, spades, forks, a garden roller, a wall of stepladders, a tin bath full of bags of compost. Calor gas bottles, saucepans, frying pans, mopheads, charcoal, folding stools made of wood, a plastic bucket of plungers, stacked packs of sandpaper, sacks of sand in a wheelbarrow, metal doormats, axes, hammers, a camping stove or two, hessian carpet mats, stuff for curtains, stuff for curtain rails, stuff for screwing curtain rails to walls and pelmets, pliers, screwdrivers, bulbs, lamps, pails, pegs, laundry baskets. Saws, of all sizes. EVERYTHING FOR THE HOME.
”
”
Ali Smith (Winter (Seasonal, #2))
“
Her face went blank as she realized what she’d interrupted. “I’ll, uh, go upstairs and watch a show,” she said, not sounding like herself at all.
I scooted out from under Adam. “And Jesse saves the day,” I said lightly. “Thank you, that was getting out of hand.”
She paused, looking—surprised.
I wondered uncharitably how many times she’d walked in on her mother in similar situations and what her mother’s response had been. I never had liked Jesse’s mother and was happy to believe all sorts of evil about her. I let anger at the games her mother might have played surround me. When you’ve lived with werewolves, you learn tricks to hide what you’re feeling from them—anger, for instance, covers up panic pretty well—and, out from under Adam’s sensuous hands, I was panicking plenty.
Adam snorted. “That’s one way to put it.” To my relief, he’d stayed where we’d been, sinking facedown onto the mat.
“Even with my willpower, his lure was too great,” I said melodramatically, complete with wrist to forehead. If I made a joke of it, he’d never realize how truthful I was being.
A slow smile spread across her face and she quit looking like she was ready to bolt back into the house. “Dad’s kind of a stud, all right.”
“Jesse,” warned Adam, his voice muffled only a little by the mat. She giggled.
“I have to agree,” I said in overly serious tones. “Maybe as high as a seven or eight, even.”
“Mercedes,” Adam thundered, surging to his feet.
I winked at Jesse, held my gi top over my left shoulder with one finger, and strolled casually out the back door of the garage. I didn’t mean to, but when I turned to shut the door, I looked back and saw Adam’s face. His expression gave me cold chills.
He wasn’t angry or hurt. He looked thoughtful, as if someone had just given him the answer to a question that had been bothering him. He knew.
”
”
Patricia Briggs (Blood Bound (Mercy Thompson, #2))
“
A man who had to be Detective Roland Dimonte answered the door. He was dressed in jeans, paisley green shirt, black leather vest. He also had on the ugliest pair of snakeskin boots—snow-white with flecks of purple—Myron had ever seen. His hair was greasy. Several strands were matted to his forehead like to flypaper. A toothpick—an actual toothpick—was jutting out of his mouth. His eyes were set deep in a pudgy face, like someone had stuck two brown pebbles in at the last minute. Myron
”
”
Harlan Coben (Drop Shot (Myron Bolitar, #2))
“
A door slammed open in the half-crumbled house closest to them and a man came out of it running straight for them, screaming at the top of his lungs. His words were indecipherable, and his eyes were full of madness, his hair ratty and matted; sores covered his face, as if he’d been trying to claw through his own skin. And he was completely naked. Mark stumbled a couple of steps backward, stunned by the man’s appearance and scared out of his mind. He was searching for something to do or say.
”
”
James Dashner (The Kill Order (Maze Runner, #4))
“
When I got home at night, and delivered this message for Joe, my sister “went on the Rampage,” in a more alarming degree than at any previous period. She asked me and Joe whether we supposed she was door-mats under our feet, and how we dared to use her so, and what company we graciously thought she was fit for? When she had exhausted a torrent of such inquiries, she threw a candlestick at Joe, burst into a loud sobbing, got out the dustpan—which was always a very bad sign—put on her coarse apron, and began cleaning up to a terrible extent. Not satisfied with a dry cleaning, she took to a pail and scrubbing-brush, and cleaned us out of house and home, so that we stood shivering in the back-yard. It was ten o’clock at night before we ventured to creep in again, and then she asked Joe why he hadn’t married a Negress Slave at once? Joe offered no answer, poor fellow, but stood feeling his whisker and looking dejectedly at me, as if he thought it really might have been a better speculation.
”
”
Charles Dickens (Great Expectations)
“
DOG, n. A kind of additional or subsidiary Deity designed to catch the overflow and surplus of the world's worship. This Divine Being in some of his smaller and silkier incarnations takes, in the affection of Woman, the place to which there is no human male aspirant. The Dog is a survival—an anachronism. He toils not, neither does he spin, yet Solomon in all his glory never lay upon a door-mat all day long, sun-soaked and fly-fed and fat, while his master worked for the means wherewith to purchase the idle wag of the Solomonic tail, seasoned with a look of tolerant recognition.
”
”
Ambrose Bierce (The Devil's Dictionary)
“
Het huwelijk
Toen hij bespeurde hoe de nevel van den tijd in d'oogen van zijn vrouw de vonken uit kwam dooven, haar wangen had verweerd, haar voorhoofd had doorkloven toen wendde hij zich af en vrat zich op van spijt.
Hij vloekte en ging te keer en trok zich bij den baard en mat haar met den blik, maar kon niet meer begeeren, hij zag de grootsche zonde in duivelsplicht verkeeren en hoe zij tot hem opkeek als een stervend paard.
Maar sterven deed zij niet, al zoog zijn helse mond het merg uit haar gebeente, dat haar tòch bleef dragen. Zij dorst niet spreken meer, niet vragen of niet klagen, en rilde waar zij stond, maar leefde en bleef gezond.
Hij dacht: ik sla haar dood en steek het huis in brand. Ik moet de schimmel van mijn stramme voeten wasschen en rennen door het vuur en door het water plassen tot bij een ander lief in eenig ander land.
Maar doodslaan deed hij niet, want tusschen droom en daad staan wetten in den weg en praktische bezwaren, en ook weemoedigheid, die niemand kan verklaren, en die des avonds komt, wanneer men slapen gaat.
Zoo gingen jaren heen. De kindren werden groot en zagen dat de man dien zij hun vader heetten, bewegingsloos en zwijgend bij het vuur gezeten, een godvergeten en vervaarlijke' aanblik bood.
”
”
Willem Elsschot
“
He left his shoes on the mat, mounted the stair unshod. Caroline stole after, with noiseless step. There was a gallery, and there was a passage; at the end of that passage Martin paused before a door and tapped. He had to tap twice—thrice. A voice, known to one listener, at last said, "Come in."
The boy entered briskly.
"Mr. Moore, a lady called to inquire after you. None of the women were about. It is washing-day, and the maids are over the crown of the head in soap-suds in the back kitchen, so I asked her to step up."
"Up here, sir?"
"Up here, sir; but if you object, she shall go down again."
"Is this a place or am I a person to bring a lady to, you absurd lad?"
"No; so I'll take her off."
"Martin, you will stay here. Who is she?"
"Your grandmother from that château on the Scheldt Miss Moore talks about."
"Martin," said the softest whisper at the door, "don't be foolish."
508"Is she there?" inquired Moore hastily. He had caught an imperfect sound.
"She is there, fit to faint. She is standing on the mat, shocked at your want of filial affection."
"Martin, you are an evil cross between an imp and a page. What is she like?"
"More like me than you; for she is young and beautiful."
"You are to show her forward. Do you hear?"
"Come, Miss Caroline."
"Miss Caroline!" repeated Moore.
”
”
Charlotte Brontë (Shirley)
“
I asked her to tell me what the best moment of her life had been
Did she?
Yes, she told me about a trip the two of you had taken to Europe together right after you graduated from high school.
Pascal in Paris, it had been a dream of hers to visit Pascal’s grave. On that trip she finally did. I’d never seen her so excited.
That wasn’t it.
It wasn’t?
No, it was in a hostel in Venice. The two of you had been travelling for a couple of weeks and all of your clothes were filthy. You didn’t mind the dirty clothes very much. Lila said you were able to roll with the punches and for you, everything about the trip, even the dirty laundry, was a great adventure. But Lila liked things a certain way, and she hated being dirty. That day she had gone off in search of a laundry mat but hadn’t been able to find one. You were sleeping in a room with a dozen bunks, women and men together. In the middle of the night Lila woke up and realized you weren’t in your bed. She thought you must have gone to the bathroom, but after a couple minutes when you hadn’t returned she became worried. She climbed down from her bunk and went to the bathroom to find you, you weren’t there. She wondered up and down the hallway softly calling your name. A few of the rooms were private and had the doors closed. As she became increasingly worried she began putting her ear to those doors listening for you. Then she heard banging down below. Alarmed she went down the dark stairwell to the basement. She saw you before you saw her. You were working in the dim light of a single blub standing over an old hand operated washing machine. She asked what you were doing, what does it look like you said smiling. What Lila remembered from that night was that you actually looked happy to be standing there in the cold basement in the middle of the night washing clothes by hand. And she knew you wouldn’t have minded wearing dirty clothes for another week or two, you were doing it for her.
She said that.
Yes when I asked her what the best moment of her life had been she had told me that story.
But it was nothing.
To her it was.
”
”
Michelle Richmond (No One You Know)
“
Megan Meade’s Guide to the McGowan Boys
Entry One
Observation #1: When they’re beautiful, they know they’re beautiful.
Like the second-to-oldest one, Evan. He’s a senior. He is perfection personified. And he knows it. You can tell because he just sort of smiles knowingly when you gape at him. Not that I’ve been gaping at him. Not at all. Anyway, too soon yet to tell if it negatively affects his behavior. (Like Mike Blukowsi and his Astrodome-sized ego problem.)
Observation #2: They like skin.
Especially skin they think they’re not necessarily supposed to be seeing. Like the space between your belly tee and your waistband.
Observation #3: They have no problem bringing up events that would mortify me into shamed silence if the roles were reversed.
Like Evan totally brought up the wiffleball bat incident, when if that had happened to me, I’d be wishing on every one of my birthday cakes for everyone to forget it.
Observation #4: They gossip.
Can you believe it? I overheard Finn and Doug in the backyard talking about some girl named Dawn who blew off some guy named Simon for some other guy named Rick for like TWENTY MINUTES! They sounded like those old mole-hair ladies at Sal’s Milkshakes. ‘Member the ones who lectured us for a whole hour that day about how young women shouldn’t wear shorts? Wait, okay, I got sidetracked.
Observation #5: The older ones are so cute with the younger ones.
They were playing ultimate Frisbee when I first got here and Evan totally let Caleb and Ian tackle him. It was soooooo cute. **sigh.**
Observation #6: They’re cliquey.
I mean, eye-rolling, secret-handshake, don’t-talk-to-us-unless-you’ve-got-an-X-and-a-Y cliquey. Very schooled in the art of the freeze-out.
Observation #7: They have no sense of personal space.
I need a lock on my door. STAT.
Observation #8: Boys are icky.
Do not even get me started on the state of the bathroom. I’m thinking of calling in a haz-mat team. Seriously.
Observation #9: They have really freaky things going on down there.
Yeah, I don’t think I’m ready to elaborate on that one yet.
Observation #10: They know how to make enemies.
Big time.
”
”
Kate Brian (Megan Meade's Guide to the McGowan Boys)
“
The night darkened. Our day's works had been done. We thought that the last guest had arrived for the night and the doors in the village were all shut. Only some said the king was to come. We laughed and said `No, it cannot be!'
It seemed there were knocks at the door and we said it was nothing but the wind. We put out the lamps and lay down to sleep. Only some said, `It is the messenger!' We laughed and said `No, it must be the wind!'
There came a sound in the dead of the night. We sleepily thought it was the distant thunder. The earth shook, the walls rocked, and it troubled us in our sleep. Only some said it was the sound of wheels. We said in a drowsy murmur, `No, it must be the rumbling of clouds!'
The night was still dark when the drum sounded. The voice came `Wake up! delay not!' We pressed our hands on our hearts and shuddered with fear. Some said, `Lo, there is the king's flag!' We stood up on our feet and cried `There is no time for delay!'
The king has come---but where are lights, where are wreaths? Where is the throne to seat him? Oh, shame! Oh utter shame! Where is the hall, the decorations? Someone has said, `Vain is this cry! Greet him with empty hands, lead him into thy rooms all bare!'
Open the doors, let the conch-shells be sounded! in the depth of the night has come the king of our dark, dreary house. The thunder roars in the sky. The darkness shudders with lightning. Bring out thy tattered piece of mat and spread it in the courtyard. With the storm has come of a sudden our king of the fearful night.
”
”
Rabindranath Tagore (Gitanjali)
“
The hatch, removed from the top of the works, now afforded a wide hearth in front of them. Standing on this were the Tartarean shapes of the pagan harpooneers, always the whale-ship's stokers. With huge pronged poles they pitched hissing masses of blubber into the scalding pots, or stirred up the fires beneath, till the snaky flames darted, curling, out of the doors to catch them by the feet. The smoke rolled away in sullen heaps. To every pitch of the ship there was a pitch of the boiling oil, which seemed all eagerness to leap into their faces. Opposite the mouth of the works, on the further side of the wide wooden hearth, was the windlass. This served for a sea-sofa. Here lounged the watch, when not otherwise employed, looking into the red heat of the fire, till their eyes felt scorched in their heads. Their tawny features, now all begrimed with smoke and sweat, their matted beards, and the contrasting barbaric brilliancy of their teeth, all these were strangely revealed in the capricious emblazonings of the works. As they narrated to each other their unholy adventures, their tales of terror told in words of mirth; as their uncivilized laughter forked upwards out of them, like the flames from the furnace; as to and fro, in their front, the harpooneers wildly gesticulated with their huge pronged forks and dippers; as the wind howled on, and the sea leaped, and the ship groaned and dived, and yet steadfastly shot her red hell further and further into the blackness of the sea and the night, and scornfully champed the white bone in her mouth, and viciously spat round her on all sides; then the rushing Pequod, freighted with savages, and laden with fire, and burning a corpse, and plunging into that blackness of darkness, seemed the material counterpart of her monomaniac commander's soul.
”
”
Herman Melville (Moby Dick: or, the White Whale)
“
Friday, March 28th. 1884
...
I am afraid grandmamma Potter will be disappointed, and I very much wished to go, but it is the last chance of seeing the old house. Not that I look forward to that as an unmixed pleasure.
I have a very pleasant recollection of it, which I fear may be changed. I have now seen longer passages and higher halls. The rooms will look cold and empty, the passage I used to patter along so kindly on the way to bed will no longer seem dark and mysterious, and, above all, the kind voice which cheered the house is silent forever.
It is six or seven years since I have been there, but I remember it like yesterday. The pattern of the door-mat, the pictures on the old music-box, the sound of the rocking-horse as it swung, the engravings on the stair, the smell of the Indian corn, and the feeling of plunging one's hands into the bin, the hooting of the turkeys and the quick flutter of the fantail's wings. I would not have it changed.
”
”
Beatrix Potter (The Journal of Beatrix Potter from 1881-1897)
“
I wasn’t sure what to do. I knew that the main house was about a quarter mile up the drive. I could leave my car here and walk it. See what’s what. But what would be the point? I hadn’t been up here in six years. The retreat probably sold the land, and the new owner probably craved privacy. That might explain all this. Still it didn’t feel right. What would be the harm, I thought, in going up and knocking on the door of the main house? Then again, the thick chain and no trespassing signs were not exactly welcome mats. I was still trying to decide what to do when a Kraftboro police cruiser pulled up next to me. Two officers got out. One was short and stocky with bloated gym muscles. The other was tall and thin with slicked-back hair and the small mustache of a guy in a silent movie. Both wore aviator sunglasses, so you couldn’t see their eyes. Short and Stocky hitched up his pants a bit and said, “Can I help you?” They both gave me hard stares. Or at least I think they were hard stares. I mean, I couldn’t see their eyes. “I
”
”
Harlan Coben (Six Years)
“
It was a bright cold day in April, and the clocks were striking thirteen. Winston Smith, his chin nuzzled into his breast in an effort to escape the vile wind, slipped quickly through the glass doors of Victory Mansions, though not quickly enough to prevent a swirl of gritty dust from entering along with him.
The hallway smelt of boiled cabbage and old rag mats. At one end of it a coloured poster, too large for indoor display, had been tacked to the wall. It depicted simply an enormous face, more than a metre wide: the face of a man of about forty-five, with a heavy black moustache and ruggedly handsome features. Winston made for the stairs. It was no use trying the lift. Even at the best of times it was seldom working, and at present the electric current was cut off during daylight hours. It was part of the economy drive in preparation for Hate Week. The flat was seven flights up, and Winston, who was thirty-nine and had a varicose ulcer above his right ankle, went slowly, resting several times on the way. On each landing, opposite the lift-shaft, the poster with the enormous face gazed from the wall. It was one of those pictures which are so contrived that the eyes follow you about when you move. BIG BROTHER IS WATCHING YOU, the caption beneath it ran.
”
”
George Orwell
“
Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike-topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunchbacked makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed from kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries’ vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers; heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters’ sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etoliated lacquerers; mottled-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men’s wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of the Last Chrysanthemum, where a puddle from last night’s rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.
”
”
David Mitchell (The Thousand Autumns of Jacob de Zoet)
“
Her eyes opened at this sight against her will and she looked around the room almost in fear. But it was dark and shadowy, shaded by the bamboo screen at the door, the damp rush mats at the windows, the old heavy curtains and the spotted, peeling walls, and in their shade she saw how she loved him, loved Raja and Tara and all of them who had lived in this house with her. There could be no love more deep and full and wide than this one, she knew. No other love had started so far back in time and had had so much time in which to grow and spread. They were really all parts of her, inseparable, so many aspects of her as she was of them, so that the anger or the disappointment she felt in them was only the anger and disappointment she felt at herself. Whatever hurt they felt, she felt. Whatever diminished them, diminished her. What attacked them, attacked her. Nor was there anyone else on earth whom she was willing to forgive more readily or completely, or defend more instinctively and instantly. She could hardly believe, at that moment, that she would Iive on after they did or they would continue after she had ended. If such an unimaginable phenomenon could take place, then surely they would remain flawed, damaged for life. The wholeness of the pattern, its perfection, would be gone.
She lay absolutely still, almost ceasing to breathe, afraid to diminish by even a breath the wholeness of that love.
”
”
Anita Desai (Clear Light of Day)
“
Marlboro Man’s call woke me up the next morning. It was almost eleven.
“Hey,” he said. “What’s up?”
I hopped out of bed, blinking and stumbling around my room. “Who me? Oh, nothing.” I felt like I’d been drugged.
“Were you asleep?” he said.
“Who, me?” I said again, trying to snap out of my stupor. I was stalling, trying my darnedest to get my bearings.
“Yes. You,” he said, chuckling. “I can’t believe you were asleep!”
“I wasn’t asleep! I was…I just…” I was a loser. A pathetic, late-sleeping loser.
“You’re a real go-getter in the mornings, aren’t you?” I loved it when he played along with me.
I rubbed my eyes and pinched my own cheek, trying to wake up. “Yep. Kinda,” I answered. Then, changing the subject: “So…what are you up to today?”
“Oh, I had to run to the city early this morning,” he said.
“Really?” I interrupted. The city was over two hours from his house. “You got an early start!” I would never understand these early mornings. When does anyone ever sleep out there?
Marlboro Man continued, undaunted. “Oh, and by the way…I’m pulling into your driveway right now.”
Huh?
I ran to my bathroom mirror and looked at myself. I shuddered at the sight: puffy eyes, matted hair, pillow mark on my left cheek. Loose, faded pajamas. Bag lady material. Sleeping till eleven had not been good for my appearance. “No. No you’re not,” I begged.
“Yep. I am,” he answered.
“No you’re not,” I repeated.
“Yes. I am,” he said.
I slammed my bathroom door and hit the lock. Please, Lord, please, I prayed, grabbing my toothbrush. Please let him be joking.
I brushed my teeth like a crazed lunatic as I examined myself in the mirror. Why couldn’t I look the women in commercials who wake up in a bed with ironed sheets and a dewy complexion with their hair perfectly tousled? I wasn’t fit for human eyes, let alone the piercing eyes of the sexy, magnetic Marlboro Man, who by now was walking up the stairs to my bedroom. I could hear the clomping of his boots.
The boots were in my bedroom by now, and so was the gravelly voice attached to them. “Hey,” I heard him say. I patted an ice-cold washcloth on my face and said ten Hail Marys, incredulous that I would yet again find myself trapped in the prison of a bathroom with Marlboro Man, my cowboy love, on the other side of the door. What in the world was he doing there? Didn’t he have some cows to wrangle? Some fence to fix? It was broad daylight; didn’t he have a ranch to run? I needed to speak to him about his work ethic.
“Oh, hello,” I responded through the door, ransacking the hamper in my bathroom for something, anything better than the sacrilege that adorned my body. Didn’t I have any respect for myself?
I heard Marlboro Man laugh quietly. “What’re you doing in there?” I found my favorite pair of faded, soft jeans.
“Hiding,” I replied, stepping into them and buttoning the waist.
“Well, c’mere,” he said softly.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
A strange structure untangled itself out of the background like a hallucination, not part of the natural landscape. It was a funny-shaped, almost spherical, green podlike thing woven from living branches of trees and vines. A trellis of vines hung down over the opening that served as a door.
Wendy was so delighted tears sprang to her eyes.
It was her Imaginary House!
They all had them. Michael wanted his to be like a ship with views of the sea. John had wanted to live like a nomad on the steppes. And Wendy... Wendy had wanted something that was part of the natural world itself.
She tentatively stepped forward, almost swooning at the heavy scent of the door flowers. Languorously lighting on them were a few scissorflies, silver and almost perfectly translucent in the glittery sunlight. Their sharp wings made little snickety noises as they fluttered off.
Her shadow made a few half-hearted attempts to drag back, pointing to the jungle. But Wendy ignored her, stepping into the hut.
She was immediately knocked over by a mad, barking thing that leapt at her from the darkness of the shelter.
"Luna!" Wendy cried in joy.
The wolf pup, which she had rescued in one of her earliest stories, stood triumphantly on her chest, drooling very visceral, very stinky dog spit onto her face.
"Oh, Luna! You're real!" Wendy hugged the gray-and-white pup as tightly as she could, and it didn't let out a single protest yelp.
Although...
"You're a bit bigger than I imagined," Wendy said thoughtfully, sitting up. "I thought you were a puppy."
Indeed, the wolf was approaching formidable size, although she was obviously not yet quite full-grown and still had large puppy paws. She was at least four stone and her coat was thick and fluffy. Yet she pranced back and forth like a child, not circling with the sly lope Wendy imagined adult wolves used.
You're not a stupid little lapdog, are you?" Wendy whispered, nuzzling her face into the wolf's fur. Luna chuffed happily and gave her a big wet sloppy lick across the cheek. "Let's see what's inside the house!"
As the cool interior embraced her, she felt a strange shudder of relief and... welcome was the only way she could describe it. She was home.
The interior was small and cozy; plaited sweet-smelling rush mats softened the floor. The rounded walls made shelves difficult, so macramé ropes hung from the ceiling, cradling halved logs or flat stones that displayed pretty pebbles, several beautiful eggs, and what looked like a teacup made from a coconut. A lantern assembled from translucent pearly shells sat atop a real cherry writing desk, intricately carved and entirely out of place with the rest of the interior.
Wendy picked up one of the pretty pebbles in wonder, turning it this way and that before putting it into her pocket.
"This is... me..." she breathed. She had never been there before, but it felt so secure and so right that it couldn't have been anything but her home. Her real home. Here there was no slight tension on her back as she waited for footsteps to intrude, for reality to wake her from her dreams; there was nothing here to remind her of previous days, sad or happy ones. There were no windows looking out at the gray world of London. There was just peace, and the scent of the mats, and the quiet droning of insects and waves outside.
"Never Land is a... mishmash of us. Of me," she said slowly. "It's what we imagine and dream of- including the dreams we can't quite remember.
”
”
Liz Braswell (Straight On Till Morning)
“
The hatch, removed from the top of the works, now afforded a wide hearth in front of them. Standing on this were the Tartarean shapes of the pagan harpooneers, always the whale-ship’s stokers. With huge pronged poles they pitched hissing masses of blubber into the scalding pots, or stirred up the fires beneath, till the snaky flames darted, curling, out of the doors to catch them by the feet. The smoke rolled away in sullen heaps. To every pitch of the ship there was a pitch of the boiling oil, which seemed all eagerness to leap into their faces. Opposite the mouth of the works, on the further side of the wide wooden hearth, was the windlass. This served for a sea-sofa. Here lounged the watch, when not otherwise employed, looking into the red heat of the fire, till their eyes felt scorched in their heads. Their tawny features, now all begrimed with smoke and sweat, their matted beards, and the contrasting barbaric brilliancy of their teeth, all these were strangely revealed in the capricious emblazonings of the works. As they narrated to each other their unholy adventures, their tales of terror told in words of mirth; as their uncivilized laughter forked upwards out of them, like the flames from the furnace; as to and fro, in their front, the harpooneers wildly gesticulated with their huge pronged forks and dippers; as the wind howled on, and the sea leaped, and the ship groaned and dived, and yet steadfastly shot her red hell further and further into the blackness of the sea and the night, and scornfully champed the white bone in her mouth, and viciously spat round her on all sides; then the rushing Pequod, freighted with savages, and laden with fire, and burning a corpse, and plunging into that blackness of darkness, seemed the material counterpart of her monomaniac commander’s soul.
”
”
Herman Melville
“
And then we spoke of the weather, which had been awfully hot. After that, unable to think of anything more to say, we fell into a silence that was troubled and unwelcome. Trying to end it, I said finally, “Well, we’ve had a time,” speaking of the weather. And Mat said, “Yes, we’ve had a time,” speaking of the war. We spoke in very general terms, then, of the war and other trials of life in this world. Mat said, “Everything that will shake has got to be shook.” “That’s Scripture,” I said, and he nodded. Thinking to try to comfort him, I said, “Well, along with all else, there’s goodness and beauty too. I guess that’s the mercy of the world.” Mat said, “The mercy of the world is you don’t know what’s going to happen.” And then after a pause, speaking on in the same dry, level voice as before, he told me why he had been up walking about so late. He had had a dream. In the dream he had seen Virgil as he had been when he was about five years old: a pretty little boy who hadn’t yet thought of anything he would rather do than follow Mat around at work. He looked as real, as much himself, as if the dream were not a dream. But in the dream Mat knew everything that was to come. He told me this in a voice as steady and even as if it were only another day’s news, and then he said, “All I could do was hug him and cry.” And then I could no longer sit in that tall chair. I had to come down. I came down and went over and sat beside Mat. If he had cried, I would have. We both could have, but we didn’t. We sat together for a long time and said not a word. After a while, though the grief did not go away from us, it grew quiet. What had seemed a storm wailing through the entire darkness seemed to come in at last and lie down. Mat got up then and went to the door. “Well. Thanks,” he said, not looking at me even then, and went away.
”
”
Wendell Berry (Jayber Crow)
“
And she knew her defiance in escaping his grasp, even temporarily, had shown Jasu the depth of her strength. In the months afterward, though he behaved awkwardly, he had allowed her the time and space she needed. It was the first genuine show of respect he had made toward her in their four years of marriage. Jasu’s parents made no such concession, their latent disappointment growing into relentless criticism of her for failing to bear a son.Kavita walks outside and spreads her mat on the rough stone steps, where she sits facing the rising sun in the east
She lights the small ghee-soaked diya and thin stick of incense, and then closes her eyes in prayer. The wisp of fragrant smoke slowly circles its way up into the air and around her. She breathes deeply and thinks, as always, of the baby girls she has lost. She rings the small silver bell and chants softly. She sees their faces and their small bodies, she hears their cries and feels their tiny fingers wrap around hers. And always, she hears the sound of Usha’s desperate cry echoing behind the closed doors of the orphanage. She allows herself to get lost in the depths of her grief. After she has chanted and sung and wept for some time, she tries to envision the babies at peace, wherever they are. She pictures Usha as a little girl, her hair wound in two braids, each tied with a white ribbon. The image of the girl in her mind is perfectly clear: smiling, running, and playing with children, eating her meals and sleeping alongside the others in the orphanage.Every morning, Kavita sits in the same place outside her home with her eyes closed until the stormy feelings peak and then, very gradually, subside. She waits until she can breathe evenly again. By the time she opens her eyes, her face is wet and the incense has burned down to a small pile of soft ash. The sun is a glowing orange ball on the horizon, and the villagers are beginning to stir around her. She always ends her puja by touching her lips to the one remaining silver bangle on her wrist, reconciling herself to the only thing she has left of her daughters. These daily rituals have brought her comfort and, over time, some healing. She can carry herself through the rest of the day with these peaceful images of Usha in her mind. Each day becomes more bearable. As days turn to weeks, and weeks to months, Kavita feels her bitterness toward Jasu soften. After several months, she allows him to touch her and then, to reach for her at night.
”
”
Shilpi Somaya Gowda (Secret Daughter)
“
I stared through the front door at Barrons Books and Baubles, uncertain what surprised me more: that the front seating cozy was intact or that Barrons was sitting there, boots propped on a table, surrounded by piles of books, hand-drawn maps tacked to the walls.
I couldn’t count how many nights I’d sat in exactly the same place and position, digging through books for answers, occasionally staring out the windows at the Dublin night, and waiting for him to appear. I liked to think he was waiting for me to show.
I leaned closer, staring in through the glass.
He’d refurnished the bookstore. How long had I been gone?
There was my magazine rack, my cashier’s counter, a new old-fashioned cash register, a small flat-screen TV/DVD player that was actually from this decade, and a sound dock for my iPod. There was a new sleek black iPod Nano in the dock. He’d done more than refurnish the place. He might as well have put a mat out that said WELCOME HOME, MAC.
A bell tinkled as I stepped inside.
His head whipped around and he half-stood, books sliding to the floor.
The last time I’d seen him, he was dead. I stood in the doorway, forgetting to breathe, watching him unfold from the couch in a ripple of animal grace. He crammed the four-story room full, dwarfed it with his presence. For a moment neither of us spoke.
Leave it to Barrons—the world melts down and he’s still dressed like a wealthy business tycoon. His suit was exquisite, his shirt crisp, tie intricately patterned and tastefully muted. Silver glinted at his wrist, that familiar wide cuff decorated with ancient Celtic designs he and Ryodan both wore.
Even with all my problems, my knees still went weak. I was suddenly back in that basement. My hands were tied to the bed. He was between my legs but wouldn’t give me what I wanted. He used his mouth, then rubbed himself against my clitoris and barely pushed inside me before pulling out, then his mouth, then him, over and over, watching my eyes the whole time, staring down at me.
What am I, Mac? he’d say.
My world, I’d purr, and mean it. And I was afraid that, even now that I wasn’t Pri-ya, I’d be just as out of control in bed with him as I was then. I’d melt, I’d purr, I’d hand him my heart. And I would have no excuse, nothing to blame it on. And if he got up and walked away from me and never came back to my bed, I would never recover. I’d keeping waiting for a man like him, and there were no other men like him. I’d have to die old and alone, with the greatest sex of my life a painful memory.
So, you’re alive, his dark eyes said. Pisses me off, the wondering. Do something about that.
Like what? Can’t all be like you, Barrons.
His eyes suddenly rushed with shadows and I couldn’t make out a single word. Impatience, anger, something ancient and ruthless. Cold eyes regarded me with calculation, as if weighing things against each other, meditating—a word Daddy used to point out was the larger part of premeditation. He’d say, Baby, once you start thinking about it, you’re working your way toward it. Was there something Barrons was working his way toward doing?
I shivered.
”
”
Karen Marie Moning (Shadowfever (Fever, #5))
“
As he sat up, he heard soft dripping sounds from the bathroom, little plips like water slipping over the edges of the tub and into the floor. The hairs on the back of his neck rose as he realized where he‟d last heard that sound. His muscles tight with strain from his earlier exertions, he stood and walked warily toward the half open bathroom door and the tub beyond it. Slipping quietly past the door, he saw that the curtain was drawn, and again the shadowed figure lay behind it. One long, slim, leg dangled from the end of the tub, beads of water gliding down its length and off the polished toes. At the other end he saw a mass of auburn curls, matted deep red near the porcelain of the tub. It was the dream and the vision again, more real now, too strong to deny. Shaking, he moved toward the curtain, gagging on the sickly smell of rust and roses, feeling the thin nylon glide between thumb and palm as he pulled it back to reveal his darkest nightmare and deepest regret. He could see the crimson water now, blood bubbles gliding over its surface and clinging to the legs dangling over the tub‟s edge. When he‟d pulled the curtain completely away from the tub and around to its opposite side, he saw her face. Her eyes were closed and he saw that her lids were bruised and purple against the translucent paleness of her face, drained completely dead white under the makeup she‟d brushed on before she‟d died. Staggering by the sight of her, he knelt by the tub and extended one shaking hand to touch her cheek. It all seemed as if he‟d walked into a horror film and once again he needed to prove to his mind that this wasn‟t real. His hand shook as he lifted it nearer to her flesh, waiting for the corpse, the supposedly dead and buried to move. He touched his quivering fingers to her face, feeling its claylike reality. The sensation caused an immediate shudder of revulsion and he fought not to vomit. Even as the moment came, the sight of her moving in the water startled him and he jumped away from the tub. It wasn‟t an obvious movement at first, only soft breaths moving in and out of her nostrils, but then her chest rose and fell with it and he quaked, feeling unstable where he knelt on the floor.
Her eyes opened next and he felt the blood fall out of his face, wanting to scream but too afraid he would cause her to take some action, to reach out and touch him, proving well and forever that he was indeed insane. Scream and you might as well slit your own throat. He swallowed the scream like a rock and stared as her eyes moved slowly in their sockets, locking on him. Slowly, as if she‟d lost control of her muscles, she rose from the tub and looked down at him, smiling. Blood water slid down her bare body, over her neck, down her back and the smooth ridges of her breasts, to slip slowly down her thighs and down over her calves. A puddle spread on the floor, and as it extended toward him he struggled to his feet, skittering away from it. As he watched it spread, he shivered, weak as he started to cry frantic, horrified tears. Breaking down, he looked back up at her face and slipped to the floor once more, his knees incapable of sustaining his own weight. The smile grew wider as she strode to his shivering form, thrown on his side and struggling to rise. The blood water seeped into his clothes, making him sick, a drop of it trickling along the lobe of his ear and into it. And then she leaned down, holding those dim, stained curls of auburn out of her face and tucking them behind her ear. Her lips parted, blue beneath the strong crimson red of her lipstick, and she spoke into his ear with the chill breath of the dead. His eyes grew wide and horrified as she spoke, the hair on his neck rising, sending a maddening shiver of fear through him. “I‟ve returned, Raven.” She whispered “And I want what is mine.” The last thing he saw before his mind, finally, thankfully, shut down was her face in front of his. They were pursed for a kiss.
”
”
Amanda M. Lyons
“
They gathered in such large numbers that there was no room left, not even outside the door, and he preached the word to them. Some men came, bringing to him a paralyzed man, carried by four of them. Since they could not get him to Jesus because of the crowd, they made an opening in the roof above Jesus by digging through it and then lowered the mat the man was lying on. (Mark 2:2–4 NIV)
”
”
Scotty Smith (Everyday Prayers: 365 Days to a Gospel-Centered Faith)
“
Oliver knocked on the door, trying to keep his fear in check. Dominic didn't answer. Oliver looked around the porch for a hidden key, frantically searching under the welcome mat, but to no avail.
”
”
Yawatta Hosby (Something's Amiss)
“
As I leave, you’re sitting on the mat. You’re sitting with your whole body tensed as though in preparation for a blow. You look so mournful and helpless as I leave. You raise your head and watch as the kitchen door closes.
”
”
Sara Baume (Spill Simmer Falter Wither)
“
Near the edge of the parking lot, I watched Uncle Kahana pour sprunch into a tiny wooden bowl half hidden under a taro plant. He opened one of the bags of cookies and set them on the small lauhala mat next to the bowl. As he put the lid back on his drink, I quietly stepped back and slammed the storage room door closed.
”
”
Lehua Parker (One Boy, No Water (Niuhi Shark Saga, #1))
“
Bear Hugs—Everyone needs twelve hugs a day. Pouring—Let the child pour sand, beans, or water from one container to another. Opening Doors—Is this hard? Then your child needs practice! Take the time to let her do it all by herself. Back-to-Back Standing Up—Position two children on the floor, back to back. Ask them to “dig their feet into the floor” and to stand up together by pressing against each other’s back. Bulldozer—One child sits in a large cardboard box or on a folded gym mat, and another child pushes the load across the floor, using his head, shoulders, back, or feet to make it move. Arm Wrestling—If you are stronger than your child, please let him win once in a while.
”
”
Carol Stock Kranowitz (The Out-of-Sync Child: Recognizing and Coping with Sensory Processing Disorder)
“
Office and Classroom Tools—Have the child cut with scissors; use a stapler and hole puncher; draw with crayons and chalk; paint with brushes, feathers, sticks, and eyedroppers; squeeze glue onto paper in letters or designs, sprinkle sparkles on the glue, and shake off the excess; and wrap boxes with brown paper, tape, and string. MOTOR PLANNING Jumping from a Table—Place a gym mat beside a low table and encourage the child to jump. After each landing, stick tape on the mat to mark the spot. Encourage the child to jump farther each time. Walking Like Animals—Encourage the child to lumber like a bear, on all fours; a crab, from side to side on all fours; a turtle, creeping; a snake, crawling; an inchworm, by stretching flat and pulling her knees toward her chest; an ostrich, while grasping her ankles; a duck, squatting; a frog, squatting and jumping; a kangaroo or bunny, jumping; a lame dog, with an “injured” leg; a gorilla, bending her knees; a horse, galloping. Playground Games—Remember Simon Says, Ring-Around-the-Rosy, The Hokey-Pokey, London Bridge, Shoo Fly, and Mother, May I? Insy-Outsy—Teach the child to get in and out of clothes, the front door, and the car. With a little help, the child may become able to perform these tasks independently, even if it takes a long time!
”
”
Carol Stock Kranowitz (The Out-of-Sync Child: Recognizing and Coping with Sensory Processing Disorder)
“
The prison restaurant, just outside the barbed wire, is a big local draw, both for the built-in gimmick of being staffed by prisoners, as part of their culinary training, and for the quality of the food. Today there’s a popular local TV show filming here, interviewing officers stationed by the ladies’ room and hungry patrons devouring noodles. At the table, doily place mats, quilted pink menus, and matching pink chopstick holders mark each seat. Waitresses in pink dresses, sporting those same affectless looks I’d faced all day, take our order and place spicy papaya salad and pad thai before us. Next door the gift shop sells prisoner-made goods and also doubles as a massage parlor. Rifling through pillows, place mats, and purses embroidered with little Thai girls at the playground, trying to determine if making purchases would constitute supporting the prison system or, instead, the efforts to reform it, I spy one more framed royal photo. There’s the king’s nephew, pants rolled up, enjoying a foot massage from an incarcerated trainee.
”
”
Baz Dreisinger (Incarceration Nations: A Journey to Justice in Prisons Around the World)
“
Once we walk through that door, however, we’re met with a paradox: the forms disappear. On the other side, there are no statues of buddhas, no incense bowls, no sound of gongs or chanting, no tatami mats or brocades, no meditation cushions, and no meditators. Why? These forms and activities are simply the means to enter the open dimension of our own mind. The wisdom they point to has no tangible form of its own.
”
”
Dzogchen Ponlop (Rebel Buddha: On the Road to Freedom)
“
Underscoring southerners’ sense that it was hypocritical for their region to be targeted for its racial misdeeds, residents in Belleville, Illinois, went on a rampage a day after the Dadeville editorial appeared. A black schoolteacher named David Wyatt and the town's white school superintendent had argued over the renewal of Wyatt's teaching certificate. An altercation ensued. The superintendent was shot, but not seriously harmed. Wyatt was arrested and taken to jail. By nightfall, at least two thousand whites were gathered in the town—including many women and children encouraged to attend the spectacle. A phalanx of two hundred men attacked the steel doors at the rear of the jail with sledgehammers, pounding it with thousands of hammer blows. The city's police did not voluntarily hand the prisoner over to the crowd, but also gave no meaningful resistance. Wyatt, an educated and imposing man—standing six feet three inches tall—waited in his cell on the second floor of the jail, enveloped in the cacophony of the hammers pounding out his death beat. After half an hour, the doors splintered open. Wyatt was seized from his cell and his head immediately smashed. Dragged into the street, the mob surged around him, kicking and stomping his body until it was matted in blood and dirt. A rope was secured to his neck and tossed to two men who had climbed a telegraph pole. Hoisted just a few feet off the ground, Wyatt's body whipped back and forth as members of the crowd gouged, stabbed, and sliced his torso, legs, and arms with knives. Others in the mob gathered pickets from nearby fences and roadside signs to build a crude pyre beneath his dangling corpse. Still more went for gasoline and benzene. Soon Wyatt's body was engulfed in flame. By the time the earliest churchgoers left their homes on Sunday, June 7, the grotesque form of Wyatt's carbonized remains lay amid
”
”
Douglas A. Blackmon (Slavery by Another Name: The Re-Enslavement of Black Americans from the Civil War to World War II)
“
Part 1: Readiness and Reminders Choose a place where you’ll feel comfortable and are unlikely to be disturbed. Get your props ready, shut the door, dim the lights, and turn off the phone or whatever else might be distracting. Relaxation Pose (Shavasana) Stretch yourself out on a thick blanket or mat on the floor. Either close your eyes or keep them slightly open… To help you relax your hips and legs, try letting your heels be about two feet apart. It’s fine to make your own adjustments so that your legs and hips feel comfortable and at ease… Allow your feet and toes to rest out to the sides, and let go… Now, bring your attention to your hips… Notice how the weight of your hips is resting on the ground… If it feels uneven, lift them up slightly, then settle back down until it feels even and balanced on both sides. Shift your attention to your shoulders. Feel the placement of your shoulders, exactly where they are… You’re invited to move your shoulders down from your ears and tuck your shoulder blades under for more support. Have your arms out to each side with your palms up. Settle the very back of your head on the floor or thin cushion and tuck your chin so that it’s slightly lower than your forehead. Adjust your hair if it’s in the way. Make sure that your head and neck are nicely aligned with your spine. Feel free to adjust your clothing and props, making sure that every part of your body feels as steady and comfortable as possible. Remind yourself to let the yoga nidra process happen naturally by being openly aware. It’s common to tune out while feeling deeply quiet and at ease while vaguely aware of what’s happening outside. Return your attention to the guiding instructions if you get distracted unnecessarily. Go ahead and add your own personal reminders for keeping on track and having a more meaningful time. Say it positively and in the present tense. Please take a big breath in through your nose and sigh it out through your mouth… Feel free to breathe in and sigh out a few more times.
”
”
Julie T. Lusk (Yoga Nidra for Complete Relaxation and Stress Relief)
“
need say was I need some time off. But she couldn’t do it. “The St. James house at half-past seven,” she repeated. “Got it, sir.” He rang off. Barbara hung up. She tried to plumb the depths of her feelings, to put a name to what was slowly washing through her veins. She wanted to call it shame. She knew it was liberation. She went to tell her father that they would need to reschedule his doctor’s appointment for another day. Kevin Whateley had not gone to the Royal Plantagenet, which was the pub next door to his cottage. Rather, he had walked along the embankment, past the triangular green where he and Matthew had once learned to operate their pair of remote-control planes, and had instead entered an older pub that stood on a spit of land reaching like a curled finger into the Thames. He’d chosen the Blue Dove deliberately. In the Royal Plantagenet—despite its proximity to his house—he might have forgotten for five minutes or so. But the Blue Dove would not allow him to do so. He sat at a table that overlooked the water. In spite of the night’s falling temperature, someone was out, night fishing from a boat, and lights bobbed periodically with the river’s movement. Kevin watched this, allowing his memory to fill with the image of Matthew running along that same dock, falling, damaging a knee, righting himself but not crying at all, even when the blood began to seep from the cut, even when the stitches were later put in. He was a brave little bloke, always had been. Kevin forced his eyes from the dock and fastened them on the mahogany table. Beer mats covered it, advertising Watney’s, Guinness, and Smith’s. Carefully, Kevin stacked them, restacked them, spread them out like cards, restacked them again. He felt how shallow his breathing was and knew that he needed to take in more air. But to breathe deeply was to lose his grip for an instant. He wouldn’t do that. For if he lost control, he didn’t know how he would get it back. So he did without air. He waited. He didn’t know if the man he sought would come into the pub this late on a Sunday night, mere minutes before closing. In fact, he didn’t even know if the man came here at all any longer. But years ago he’d been a regular customer, when Patsy worked long hours behind the bar, before she’d got her job in a South Kensington hotel. For Matthew’s sake, she had said when she’d taken on the
”
”
Elizabeth George (Well-Schooled in Murder (Inspector Lynley, #3))
“
Before a single human being set foot on this planet, God had already flung the door wide open, issued an official invitation, and put the welcome mat out.
”
”
Carolyn Custis James (Half the Church: Recapturing God's Global Vision for Women)
“
What I’m trying to say, Ruben, is that meeting this horrible man and his horrible wife, it made me realize something. It made me realize I don’t believe in anything anymore and not just that, but I don’t care. I have no beliefs and I’m OK with it; I’m more than OK, I’m glad . . . I’m glad I’m getting older without convictions . . .” “What’s Judy always saying, and her friends? ‘It’s copacetic’?” “It’s copacetic.” She retook my arm and we walked on, a pair of sweethearts in the snow. Our block was totally socked in. Hedgerows of snow. The pearly humps of cars. We shuffled up the steps to our door, where the snow was soft and powdery and, even at the topmost step, under the overhang, calf-high. I think of it as a blessing: may you never lock your door . . . may you never have to lock your door . . . I opened the door and—resisting the impulse to sweep her up like a bride—held it open for Edith. She stepped inside. She crunched onto the mat and bent down to untie her laces but stopped and turned and clung to me. I looked over her shoulder, through the lens fog, and saw our new television cabinet tipped over face-first, its screen shattered, and the youngest Netanyahu boy curled fetal atop a mound of gingerbread house scraps and glass.
”
”
Joshua Cohen (The Netanyahus: An Account of a Minor and Ultimately Even Negligible Episode in the History of a Very Famous Family)
“
For the uninitiated, oryoki is a baffling combo of a meal and a shell game. It goes something like this: You start the game with three nested bowls, a pair of chopsticks, a little wooden paddle with a cotton tip, and a cloth or straw place mat—all of which are wrapped like a gift in a generous napkin, whose ends are knotted so the tails stick up and the whole package can be quickly undone. If you are not expert, it is not so easy to undo the knot, spread the cloth, and organize your bowls before the servers start zipping around with the first of three vats—say, vegetable gruel, some sweet potatoes or scrambled eggs, and maybe a salad. The servers arrive at your place long before your bowls are properly aligned. (Also, your chopsticks were supposed to be laid out like compass needles; they point in one direction before you eat and end up in the opposite direction and balanced on one of the bowls when the wooden clapper signals the end of this ordeal.) You can waste a lot of time surveying your neighbors' arrangements, and, thus, barely get a bite to eat. There are also some secret hand signals you have to master to indicate to the servers whether you want the soup, and how much, and if you don't give the proper Stop! sign, you are supplied with way too much gruel or sweet potatoes, and then the lickety-split meal is ending and someone is stand- ing before you with a giant kettle of boiling water, which is aimed at your biggest bowl (which should be empty by now, but you took way too much gruel; learn the hand signals). Here's where the little paddle comes into play; you use it like a big Q-tip to swish and swab the hot water in each bowl in succession—your oryoki will not be otherwise cleaned for a week—and then you drink the dregs, and stack and wrap the bowls up as fast as you can.
”
”
Michael Downing (Shoes Outside the Door: Desire, Devotion, and Excess at San Francisco Zen Center)
“
I had to be willing to learn everything anew. To be able to stay with him for any length of time, you had to be very observant and very circumspect. You couldn’t make a sound when you walked on the floor, you couldn’t leave footprints on the floor, you couldn’t make noise when you swallowed water or opened the windows or doors. There had to be a science to everything you did—hanging out robes, taking them in, folding them up, setting out sitting mats, arranging bedding, everything. Otherwise he’d drive you out, even in the middle of the Rains Retreat. Even then, you’d just have to take it and try to use your powers of observation.
”
”
Ajaan Lee (The Autobiography of Phra Ajaan Lee)
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Even Miss Blackburn was heartily sick of the road by the time the muddied carriage at last drew up outside Lady Bridlington’s house in Park Street. She was sufficiently well acquainted with the metropolis to feel no interest in the various sounds and sights which had made Arabella forget her boredom and her fidgets from the moment that the carriage reached Islington. These, to a young lady who had never seen a larger town than York in her life, were at once enthralling and bewildering. The traffic made her feel giddy, and the noise of post-bells, of wheels on the cobbled streets, and the shrill cries of itinerant vendors of coals, brick-dust, door-mats, and rat-traps quite deafened her.
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Georgette Heyer (Arabella)
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I don’t know,’ Jack whispered, before kneeling beside a young woman, her blonde locks matted with dried blood. He could see that she had been shot in the side of her head, the back of her skull blown open by the bullet. ‘Their hands are tied,’ Jack said, as he looked down and saw that the woman’s arms had been bound behind her back with a length of rope. ‘They’ve been executed,’ Reg said, his face white as he looked at the bodies that had been laid out neatly on the floor. ‘A whole bloody family lined up and...’ He shook his head. A cry echoed from the street and Jack turned to where a window overlooked the road. He looked outside and saw a soldier stood in a doorway, the man waving his arm as he called out to where Fred was stood beside a shop. ‘What’s going on?’ the sergeant asked. ‘You’d best come and have a look,’ the man replied. Jack glanced down the street, his eyes staring at the deserted houses that lined the road. He felt a cold chill creep up his spine as he looked at the empty windows from which no lights shone. ‘Wait here,’ Jack said, before making his way out onto the road. He turned as a door swung open, his hand reaching for his rifle, before relaxing as Little stepped out onto the pavement, the corporal’s face a mask of wild anger. ‘The fucking pigs,’ he cursed, before kicking the wall in frustration. ‘Wait until I get my hands on ‘em.’ Jack glanced into the house that Little had searched, his throat catching as he saw the body of a woman on the floor. Beside her a baby lay on the hearth, the child motionless as it lay wrapped in a blanket. ‘The fucking animals,’ Little hissed, as he looked at the deserted houses. ‘Who could do such a thing?’ Ivor asked, his cheeks ashen as he stepped from the house. Jack shook his head, his eyes staring along the road as the men searched the buildings; the cry of alarm echoing along the street. ‘A whole bloody village.’ Jack turned and saw Fred pacing along the road, the battle hardened sergeant shaking his head in confusion as he looked at the houses as if unable to understand what he had seen. ‘What are we going to do?’ Jack asked. ‘Do?’ Little asked, his face possessed with rage. ‘I’m going to kill every fucking one of the evil bastards I can get my hands on.’ The men murmured in agreement, their eyes dark with anger. Jack stood in the street and watched as the first light of a new day shone above the rooftops, the sun casting a gentle warmth over the dead village as the men prepared to move once more.
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Stuart Minor (Hitler's Winter (The Second World War Series Book 16))
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We know that when one door closes, another opens; but let's be honest—not all doors are automatic. Some need a good shove, a twist of the knob, or maybe even a strategic kick. Opportunity isn’t always waiting with a welcome mat; sometimes, you've got to channel your inner locksmith and make it happen. So, when a door closes, don’t just stand there waiting for the next one to swing wide. Get in gear and open it yourself because the best doors often require a bit of effort to budge.
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Life is Positive
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So, there on the front step, he decided to go with total hysteria. He started breathing hard, pumping up some tears, got a good whimpering sob going, then opened the door with a dieseling back sniffle. He fell onto the welcome mat and let loose with a full fire-truck-siren wail.
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Christopher Moore (The Stupidest Angel (Pine Cove, #3))
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When he had accompanied his father on drumming errands he noticed how high caste men and women treated them as inferior. They had to enter from the back door and wait near the kitchen or at a side veranda and sit on low benches or reed mats. They were never offered a decent seat. At meals times they were never invited to eat at the main table with the family or other guests. Instead, they had to eat the food served to them on the reed mat. This they ate in silence while the patrons sat at a lavishly laid table and enjoyed their food amidst chat and cheer.
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Swarnakanthi Rajapakse (The Master's Daughter)
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A Pineapple Chart is a systematic way to put a “welcome mat” out for all classrooms, a central message board that lets other teachers know that you’re doing something worth watching today, and if they’d like to come by, your door is open.
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Mark Barnes (Hacking Education: 10 Quick Fixes for Every School (Hack Learning Series))
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Interested in the guy’s name?” “Nah. Drop him in front of a door and we could call him Mat,” I said.
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Patrick Thomas (Fairy With A Gun: The Collected Terrorbelle: Terrorbelle Book 1)
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Did you not mean to say that?” Curtis soft voice was just loud enough for him to make out what he’d said. Green closed his door, and walked down to the end of the hall where Curtis stood in his doorway. He rubbed tiredly at his eyes, wincing when he brushed across the bruise underneath his left eye. His hair was matted to one side of his head and his new robe hung off one of his shoulders. “I said it. I meant it.” Green pulled Curtis’ robe up on him and held him by his shoulders. “I may have said it in the midst of an argument but it doesn’t mean it was a mistake. I’m sorry if it upset you. I know you probably don’t want to overanalyze our relationship right now, but I’ve always felt closer to you than the other guys do. I don’t know why. It’s just there.” Curtis gave him a shy smile and it almost stopped his heart. “I know. I think I felt you and Ruxs were more like dads and the other guys are like really cool older brothers.” Green smiled back at him. He was glad he hadn’t offended or upset Curtis by blurting that out when he did. “So.
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A.E. Via (Here Comes Trouble (Nothing Special #3))
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February 23 The Determination to Serve The son of Man came not to be ministered unto, but to minister. Matthew 20:28 Paul’s idea of service is the same as our Lord’s: “I am among you as He that serveth”; “ourselves your servants for Jesus’ sake.” We have the idea that a man called to the ministry is called to be a different kind of being from other men. According to Jesus Christ, he is called to be the “door-mat” of other men; their spiritual leader, but never their superior. “I know how to be abased,” says Paul. This is Paul’s idea of service—“I will spend myself to the last ebb for you; you may give me praise or give me blame, it will make no difference. So long as there is a human being who does not know Jesus Christ, I am his debtor to serve him until he does.” The mainspring of Paul’s service is not love for men, but love for Jesus Christ. If we are devoted to the cause of humanity, we shall soon be crushed and broken-hearted, for we shall often meet with more ingratitude from men than we would from a dog; but if our motive is love to God, no ingratitude can hinder us from serving our fellow men. Paul’s realisation of how Jesus Christ had dealt with him is the secret of his determination to serve others. “I was before a blasphemer, and a persecutor, and injurious”—no matter how men may treat me, they will never treat me with the spite and hatred with which I treated Jesus Christ. When we realise that Jesus Christ has served us to the end of our meanness, our selfishness, and sin, nothing that we meet with from others can exhaust our determination to serve men for His sake.
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Oswald Chambers (My Utmost for His Highest)
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When they could not find a way to do this because of the crowd, they went up on the roof and lowered him on his mat through the tiles into the middle of the crowd, right in front of Jesus. When Jesus saw their faith, he said, “Friend, your sins are forgiven.” —LUKE 5:19–20 OUR WORLD IS full of people in need. This man’s friends cared enough about him and his needs to bring him to the one person they knew of who could help their friend. They cared so much about him they would not be deterred when they couldn’t get in the door; they figured out a way to get to Jesus. There are a lot of people who are just like this paralytic—and we need to be a friend who will grab a corner of a mat and get them to Jesus, whatever the cost. Jesus is still the great physician and is still in the healing business, both physically and spiritually! Prayer Lord, help me to be a friend who is willing to do what it takes to bring people to You and to care for the people in need all around me. Help me have a faith that makes a difference. In Jesus’ name, amen.
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Alan Robertson (The Duck Commander Devotional)
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Her whole body tenses, heaves, tries to scream, and her eyes burn with tears of frustration and terror.
In the moonlit shadows of her bedroom, she hears a cat begin to purr.
Kara runs, shaking, out into the short corridor.
The cats are black and white, ginger and gray, fat and starved. They sit on tables, on chairs, on tatami mats. One sits so still beside a lamp that it looks carved from wood. She wants her father, wants to go into his room and wake him, but three of them sit, barring his door.
As one, they follow her with their eyes as Kara weaves through the living room.
As one, they hiss.
As one, they begin to follow, stalking her.
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Thomas Randall (Dreams of the Dead (The Waking, #1))
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After finding Corpp’s devoid of Juniors later that evening, it didn’t take Lex and Driggs long to guess that their crew had decided to hole up in the Crypt’s common room for the night. Together they headed down Dead End and made their way through a darkened, narrow tunnel, eventually emerging into a small green courtyard surrounded by a block of rooms. As they approached the largest one, a heated argument between Sofi and Ayjay wafted through the window.
“I’ve got ten hotels on the Conservatory. Seriously, you owe me, like, eighty gatrillion dollars.”
“Not until I get my triple-letter score for passing Go.”
“No way! You couldn’t remove the Charley Horse, remember?”
“So? I still found the Lead Pipe in Park Place!”
“Which you had to mortgage after Queen Frostine totally sank your battleship!”
Lex attempted to follow this conversation as she walked through the door, but she failed somewhere around the time Elysia almost toppled over on the Twister mat. “Jump in,” Elysia said from the floor, wobbling way too close to the jellyfish tank. “There are a couple of tokens left in the box.”
Driggs sat down on one of the many battered couches and dug through the box, removing a wrench, a top hat, a rook, a green gingerbread man, and a decapitated Rock’Em Sock’Em Robot. Lex looked at the game board on the table, a mangled conglomeration of Monopoly, Clue, Candy Land, Scrabble, and chess.
“What the crap?” she asked the room.
“Don’t touch the Candlestick or you’ll automatically lose,” Elysia warned from the mat, flicking the spinner with her free hand
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Gina Damico (Croak (Croak, #1))
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Opening the door, he saw the bloody head of Presley staring up at him from the welcome mat. In the midnight sky, the full moon looked like a giant vanilla wafer in a sea of black licorice shining down on him. When he smelled the reek of rancid meat on the wind, he knew he wasn’t alone.
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Billy Wells (In Your Face Horror- Volume 1)
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February 24 The Delight of Sacrifice I will very gladly spend and be spent for you. 2 Corinthians 12:15 When the Spirit of God has shed abroad the love of God in our hearts, we begin deliberately to identify ourselves with Jesus Christ’s interests in other people, and Jesus Christ is interested in every kind of man there is. We have no right in Christian work to be guided by our affinities; this is one of the biggest tests of our relationship to Jesus Christ. The delight of sacrifice is that I lay down my life for my Friend, not fling it away, but deliberately lay my life out for Him and His interests in other people, not for a cause. Paul spent himself for one purpose only—that he might win men to Jesus Christ. Paul attracted to Jesus all the time, never to himself. “I am made all things to all men, that I might by all means save some.” When a man says he must develop a holy life alone with God, he is of no more use to his fellow men: he puts himself on a pedestal, away from the common run of men. Paul became a sacramental personality; wherever he went, Jesus Christ helped Himself to his life. Many of us are after our own ends, and Jesus Christ cannot help Himself to our lives. If we are abandoned to Jesus, we have no ends of our own to serve. Paul said he knew how to be a “door-mat” without resenting it, because the mainspring of his life was devotion to Jesus. We are apt to be devoted not to Jesus Christ but to the things which emancipate us spiritually. That was not Paul’s motive: “I could wish that myself were accursed from Christ for my brethren”—wild, extravagant—is it? When a man is in love it is not an exaggeration to talk in that way, and Paul is in love with Jesus Christ.
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Oswald Chambers (My Utmost for His Highest)
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February 5 Are You Ready to Be Offered? Yea, and if I be offered upon the sacrifice and service of your faith, I joy, and rejoice with you all. Philippians 2:17 Are you willing to be offered for the work of the faithful—to pour out your life blood as a libation on the sacrifice of the faith of others? Or do you say—“I am not going to be offered up just yet, I do not want God to choose my work. I want to choose the scenery of my own sacrifice; I want to have the right kind of people watching me and saying, ‘Well done.’” It is one thing to go on the lonely way with dignified heroism, but quite another thing if the line mapped out for you by God means being a door-mat under other people’s feet. Suppose God wants to teach you to say, “I know how to be abased”—are you ready to be offered up like that? Are you ready to be not so much as a drop in a bucket—to be so hopelessly insignificant that you are never thought of again in connection with the life you served? Are you willing to spend and be spent; not seeking to be ministered unto, but to minister? Some saints cannot do menial work and remain saints because it is beneath their dignity.
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Oswald Chambers (My Utmost for His Highest)
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Felke realized that prescribing herbal teas, homeopathic remedies, diet and water applications was not sufficient. Inspired by the examples of Rikli and Just, he envisioned a therapeutic setting close to nature where patients could escape their accustomed environments and enjoy the benefits of light, air, sun and healthful food. Surprisingly, the residents of the small rural town of Repelen immediately warmed to their new pastor's idea. A delegation undertook the arduous and costly journey to the Hartz mountains to inspect Just's Jungborn. This visit resulted in the formation of the Repelen Jungborn Society, Ltd., with eighty-one associates, mostly members of a local homeopathic lay society. With a capital of 50,000 goldmark, quite a high sum, the group purchased sixty acres of land, which included a forested area and a dead channel of the Rhine abounding in fish. Two large light and air parks, one for women and the other for men, were created and surrounded with high wooden fences. Naked patients took light, air, water and loam baths and engaged in gymnastics twice a day. Felke himself often directed the male patients. Inside the two parks approximately 50 air huts with two or four rooms each were erected. To guarantee maximum access to fresh air they had no doors or windows, only curtains for privacy. An open wooden hall in the center of the park was used for walking during the day, for gymnastics during bad weather and for sleeping on straw mats at night. In the beginning the spa offered friction sitz baths in flat zinc tubs as the only cold water application. Felke also took up Just's earth-and-sand bath, but it was not until he introduced the loam bath in 1912 that he gained fame as the "loam pastor.
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Anonymous