β
I'm in love with you," he said quietly.
"Augustus," I said.
"I am," he said. He was staring at me, and I could see the corners of his eyes crinkling. "I'm in love with you, and I'm not in the business of denying myself the simple pleasure of saying true things. I'm in love with you, and I know that love is just a shout into the void, and that oblivion is inevitable, and that we're all doomed and that there will come a day when all our labor has been returned to dust, and I know the sun will swallow the only earth we'll ever have, and I am in love with you.
β
β
John Green (The Fault in Our Stars)
β
Three Rings for the Elven-kings under the sky,
Seven for the Dwarf-lords in their halls of stone,
Nine for Mortal Men, doomed to die,
One for the Dark Lord on his dark throne
In the Land of Mordor where the Shadows lie.
One Ring to rule them all, One Ring to find them,
One Ring to bring them all and in the darkness bind them.
In the Land of Mordor where the Shadows lie.
β
β
J.R.R. Tolkien
β
I have absolutely no pleasure in the stimulants in which I sometimes so madly indulge. It has not been in the pursuit of pleasure that I have periled life and reputation and reason. It has been the desperate attempt to escape from torturing memories, from a sense of insupportable loneliness and a dread of some strange impending doom.
β
β
Edgar Allan Poe
β
I'm in love with you, and I know that love is just a shout into the void, and that oblivion is inevitable, and that we're all doomed and that there will come a day when all our labor has been returned to dust, and I know the sun will swallow the only earth we'll ever have, and I am in love with you.
β
β
John Green (The Fault in Our Stars)
β
Those who don't know history are doomed to repeat it.
β
β
Edmund Burke
β
If you knew what was going to happen, if you knew everything that was going to happen nextβif you knew in advance the consequences of your own actionsβyou'd be doomed. You'd be ruined as God. You'd be a stone. You'd never eat or drink or laugh or get out of bed in the morning. You'd never love anyone, ever again. You'd never dare to.
β
β
Margaret Atwood (The Blind Assassin)
β
A nation that continues year after year to spend more money on military defense than on programs of social uplift is approaching spiritual doom.
β
β
Martin Luther King Jr.
β
I'm going, she said. I love you but you're
crazy, you're doomed.
β
β
Charles Bukowski (Love Is a Dog from Hell)
β
Iβm in love with you, and I know that love is just a shout into the void, and that oblivion is inevitable, and that weβre all doomed and that there will come a day when all our labor has been returned to dust, and I know the sun will swallow the only earth weβll ever have, and I am in love with you.
β
β
John Green (The Fault in Our Stars)
β
The future is uncertain but the end is always near.
β
β
Jim Morrison
β
Let me not to the marriage of true minds
Admit impediments. Love is not love
Which alters when it alteration finds,
Or bends with the remover to remove.
O no, it is an ever-fixed mark
That looks on tempests and is never shaken;
It is the star to every wand'ring barque,
Whose worth's unknown, although his height be taken.
Love's not Time's fool, though rosy lips and cheeks
Within his bending sickle's compass come;
Love alters not with his brief hours and weeks,
But bears it out even to the edge of doom.
If this be error and upon me proved,
I never writ, nor no man ever loved.
β
β
William Shakespeare (Great Sonnets (Dover Thrift Editions))
β
Over the centuries, mankind has tried many ways of combating the forces of evil... prayer, fasting, good works and so on. Up until Doom, no one seemed to have thought about the double-barrel shotgun. Eat leaden death, demon...
β
β
Terry Pratchett
β
If our sex life were determined by our first youthful experiments, most of the world would be doomed to celibacy. In no area of human experience are human beings more convinced that something better can be had only if they persevere.
β
β
P.D. James (The Children of Men)
β
I knew that if I allowed fear to overtake me, my journey was doomed. Fear, to a great extent, is born of a story we tell ourselves, and so I chose to tell myself a different story from the one women are told. I decided I was safe. I was strong. I was brave. Nothing could vanquish me.
β
β
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
β
I know that pain is the most important thing in the universes. Greater than survival, greater than love, greater even than the beauty it brings about. For without pain, there can be no pleasure. Without sadness, there can be no happiness. Without misery there can be no beauty. And without these, life is endless, hopeless, doomed and damned.
Adult. You have become adult.
β
β
Harlan Ellison (Paingod and Other Delusions)
β
If people bring so much courage to this world the world has to kill them to break them, so of course it kills them. The world breaks every one and afterward many are strong at the broken places. But those that will not break it kills. It kills the very good and the very gentle and the very brave impartially. If you are none of these you can be sure it will kill you too but there will be no special hurry.
β
β
Ernest Hemingway (A Farewell to Arms)
β
Those who forget the past are doomed to repeat it
β
β
Sara Shepard (Wanted (Pretty Little Liars, #8))
β
Those unable to catalog the past are doomed to repeat it.
β
β
Lemony Snicket (The End (A Series of Unfortunate Events, #13))
β
I will love you as the iceberg loves the ship, and the passengers love the lifeboat and the lifeboat loves the teeth of the sperm whale, and the sperm whale loves the flavor of naval uniforms.
β
β
Lemony Snicket (The Beatrice Letters)
β
Mmm....she's doomed! You're doomed!! They're all doomed! Notice I didn't specify what kind of doom, so no matter what happens, I predicted it. How very WISE of me.
β
β
Christopher Paolini (Eragon (The Inheritance Cycle, #1))
β
Some peopleβand I am one of themβhate happy ends. We feel cheated. Harm is the norm. Doom should not jam. The avalanche stopping in its tracks a few feet above the cowering village behaves not only unnaturally but unethically.
β
β
Vladimir Nabokov (Pnin)
β
Always forgive, but never forget, else you will be a prisoner of your own hatred, and doomed to repeat your mistakes forever.
β
β
Wil Zeus (Sun Beyond the Clouds)
β
Kids who don't eavesdrop on adult conversations are doomed to a childhood of ignorance.
β
β
Kelley Armstrong (Men of the Otherworld (Otherworld Stories, #1))
β
You know the saying: he who doesn't understand history is doomed to repeat it. And when it's repeated, the stakes are doubled.
β
β
Pittacus Lore (I Am Number Four (Lorien Legacies, #1))
β
No evil dooms us hopelessly except the evil we love, and desire to continue in, and make no effort to escape from.
β
β
George Eliot (Daniel Deronda)
β
Love is not love which alters it when alteration finds, or bends with the remover to remove: O no! It is an ever fixed mark that looks on tempests and is never shaken; it is the star to every wandering bark whose worth's unknown, although his height be taken. Love's not Time's fool, though rosy lips and cheeks within his bending sickle's compass come: Love alters not with his brief hours and weeks, but bears it out, even to the edge of doom.
β
β
William Shakespeare (Shakespeare's Sonnets)
β
The first lesson a revolutionary must learn is that he is a doomed man.
β
β
Huey P. Newton
β
When tea becomes ritual, it takes its place at the heart of our ability to see greatness in small things. Where is beauty to be found? In great things that, like everything else, are doomed to die, or in small things that aspire to nothing, yet know how to set a jewel of infinity in a single moment?
β
β
Muriel Barbery (The Elegance of the Hedgehog)
β
Far over the misty mountains cold
To dungeons deep and caverns old
We must away ere break of day
To seek the pale enchanted gold.
The dwarves of yore made mighty spells,
While hammers fell like ringing bells
In places deep, where dark things sleep,
In hollow halls beneath the fells.
For ancient king and elvish lord
There many a gleaming golden hoard
They shaped and wrought, and light they caught
To hide in gems on hilt of sword.
On silver necklaces they strung
The flowering stars, on crowns they hung
The dragon-fire, in twisted wire
They meshed the light of moon and sun.
Far over the misty mountains cold
To dungeons deep and caverns old
We must away, ere break of day,
To claim our long-forgotten gold.
Goblets they carved there for themselves
And harps of gold; where no man delves
There lay they long, and many a song
Was sung unheard by men or elves.
The pines were roaring on the height,
The wind was moaning in the night.
The fire was red, it flaming spread;
The trees like torches blazed with light.
The bells were ringing in the dale
And men looked up with faces pale;
The dragon's ire more fierce than fire
Laid low their towers and houses frail.
The mountain smoked beneath the moon;
The dwarves, they heard the tramp of doom.
They fled their hall to dying fall
Beneath his feet, beneath the moon.
Far over the misty mountains grim
To dungeons deep and caverns dim
We must away, ere break of day,
To win our harps and gold from him!
β
β
J.R.R. Tolkien (The Hobbit (The Lord of the Rings, #0))
β
California deserves whatever it gets. Californians invented the concept of life-style. This alone warrants their doom.
β
β
Don DeLillo (White Noise)
β
an action comitted in anger is an action doomed to failure.
β
β
Genghis Khan
β
I'll be your mess, you be mine
That was the deal that we had signed
I bought a hazmat suit to clean up your waste
Gas masks, gloves, to keep us safe
But now I'm alone in an empty room
Staring down immaculate doom
"Messy
β
β
Gayle Forman (Where She Went (If I Stay, #2))
β
I raised you so high that every other man on earth is now doomed to live in your shadow.
β
β
Ranata Suzuki
β
Do you know how sometimes - when you are riding your bike and you start skidding across sand, or when you miss a step and start tumbling down the stairs - you have those long, long seconds to know that you are going to be hurt, and badly?
β
β
Jodi Picoult (My Sisterβs Keeper)
β
Like most others, I was a seeker, a mover, a malcontent, and at times a stupid hell-raiser. I was never idle long enough to do much thinking, but I felt somehow that some of us were making real progress, that we had taken an honest road, and that the best of us would inevitably make it over the top. At the same time, I shared a dark suspicion that the life we were leading was a lost cause, that we were all actors, kidding ourselves along on a senseless odyssey. It was the tension between these two poles - a restless idealism on one hand and a sense of impending doom on the other - that kept me going.
β
β
Hunter S. Thompson (The Rum Diary)
β
The gods envy us. They envy us because weβre mortal, because any moment may be our last. Everything is more beautiful because weβre doomed. You will never be lovelier than you are now. We will never be here again.
β
β
Brad Pitt
β
He's trying not to laugh. I tell him I would have doomed mankind for him, and he's trying not to laugh.
β
β
Karen Marie Moning (Shadowfever (Fever, #5))
β
If we bear all this suffering and if there are still Jews left, when it is over, then Jews, instead of being doomed, will be held up as an example.
β
β
Anne Frank
β
God, Elisabeth, I've been doomed since the moment I watched you smack a fiend off my carriage with a crowbar. How could you not tell? Silas has been rolling his eyes at me for weeks.
β
β
Margaret Rogerson (Sorcery of Thorns (Sorcery of Thorns, #1))
β
Which of my feelings are real? Which of the me's is me? The wild, impulsive, chaotic, energetic, and crazy one? Or the shy, withdrawn, desperate, suicidal, doomed, and tired one? Probably a bit of both, hopefully much that is neither.
β
β
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
β
It is in vain to say human beings ought to be satisfied with tranquillity: they must have action; and they will make it if they cannot find it. Millions are condemned to a stiller doom than mine, and millions are in silent revolt against their lot. Nobody knows how many rebellions besides political rebellions ferment in the masses of life which people earth. Women are supposed to be very calm generally: but women feel just as men feel; they need exercise for their faculties, and a field for their efforts, as much as their brothers do; they suffer from too rigid a restraint, to absolute a stagnation, precisely as men would suffer; and it is narrow-minded in their more privileged fellow-creatures to say that they ought to confine themselves to making puddings and knitting stockings, to playing on the piano and embroidering bags. It is thoughtless to condemn them, or laugh at them, if they seek to do more or learn more than custom has pronounced necessary for their sex.
β
β
Charlotte BrontΓ« (Jane Eyre)
β
You may be disappointed if you fail, but you are doomed if you donβt try.
β
β
Beverly Sills
β
Those who cannot remember the past are condemned to repeat it." (George Santayana)
I've got news for Mr. Santayana: we're doomed to repeat the past no matter what. That's what it is to be alive.
β
β
Kurt Vonnegut Jr.
β
Aura of doom?" Keefe asked, a smirk curling his lips. "Sounds like my kind of party.
β
β
Shannon Messenger (Everblaze (Keeper of the Lost Cities, #3))
β
We have doomed the wolf not for what it is, but for what we deliberately and mistakenly perceive it to be βthe mythologized epitome of a savage ruthless killer β which is, in reality, no more than a reflected image of ourself.
β
β
Farley Mowat (Never Cry Wolf: The Amazing True Story of Life Among Arctic Wolves)
β
We live together, we act on, and react to, one another; but always and in all circumstances we are by ourselves. The martyrs go hand in hand into the arena; they are crucified alone. Embraced, the lovers desperately try to fuse their insulated ecstasies into a single self-transcendence; in vain. By its very nature every embodied spirit is doomed to suffer and enjoy in solitude. Sensations, feelings, insights, fanciesβall these are private and, except through symbols and at second hand, incommunicable. We can pool information about experiences, but never the experiences themselves. From family to nation, every human group is a society of island universes.
β
β
Aldous Huxley (The Doors of Perception)
β
To this day, I can never shake the connection between this boy, Peeta Mellark, and the bread that gave me hope, and the dandelion that reminded me that I was not doomed.
β
β
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
β
Backward we traveled to reclaim the day
Before we fell, like Icarus, undone;
All we find are altars in decay
And profane words scrawled black across the sun.
--From the poem "Doom of the Exiles", written 16 April 1954
β
β
Sylvia Plath (The Collected Poems)
β
Angels are violent creatures.β
βSo I noticed. I used to think they were all sweet and kind.β
βWhy would you think that? Even in your Bible, weβre harbingers of doom, willing and able to destroy entire cities. Just because we sometimes warned one or two of you beforehand doesnβt make us altruistic.
β
β
Susan Ee (Angelfall (Penryn & the End of Days, #1))
β
I'll tell you a secret.
Something they don't teach you in your temple.
The Gods envy us.
They envy us because we're mortal, because any moment might be our last. Everything is more beautiful because we're doomed.
You will never be lovelier than you are now.
We will never be here again.
β
β
David Benioff
β
With every day, and from both sides of my intelligence, the moral and the intellectual, I thus drew steadily nearer to the truth, by whose partial discovery I have been doomed to such a dreadful shipwreck: that man is not truly one, but truly two.
β
β
Robert Louis Stevenson (L'estrany cas del Dr. Jekyll i Mr. Hyde)
β
We are doomed to choose and every choice may entail irreparable loss.
β
β
Isaiah Berlin
β
They trained me for this. It's their own fault. They helped make their own doom.
β
β
Victoria Aveyard (Red Queen (Red Queen, #1))
β
They desecrate Rioraβs sacred temple! She will be enraged.β
βOh, gods, look at the marble. We are all beyond doomed.β
βSomebody put a plant in front of it!
β
β
Kresley Cole (No Rest for the Wicked (Immortals After Dark, #2))
β
For long the two enemies looked at one another, Hook shuddering slightly, and Peter with the strange smile upon his face.
"So, Pan," said Hook at last, "this is all your doing."
"Ay, James Hook," came the stern answer, "it is all my doing."
"Proud and insolent youth," said Hook, "prepare to meet thy doom."
"Dark and sinister man," Peter answered, "have at thee.
β
β
J.M. Barrie (Peter Pan)
β
They are Man's and they cling to me, appealing from their fathers. This boy is Ignorance and this girl is Want. Beware them both, and all of their degree, but most of all beware this boy for on his brow I see that written which is Doom, unless the writing be erased.
β
β
Charles Dickens (A Christmas Carol)
β
Christmas crept into Pine Cove like a creeping Christmas thing: dragging garland, ribbon, and sleigh bells, oozing eggnog, reeking of pine, and threatening festive doom like a cold sore under the mistletoe.
β
β
Christopher Moore (The Stupidest Angel: A Heartwarming Tale of Christmas Terror (Pine Cove, #3))
β
You wake from dreams of doom and--for a moment--you know: beyond all the noise and the gestures, the only real thing, love's calm unwavering flame in the half-light of an early dawn.
β
β
Dag HammarskjΓΆld (Markings)
β
He who doesn't understand history is doomed to repeat it.
β
β
Pittacus Lore (I Am Number Four (Lorien Legacies, #1))
β
Una Salus Victis Nullam Sperare Salutem - (Latin - written 19 BC)
The only hope for the doomed, is no hope at all...
β
β
Virgil (The Aeneid)
β
How foolish to believe we are more powerful than the sea or the sky.
β
β
Ruta Sepetys (Salt to the Sea)
β
Krishna was once asked what was the most miraculous thing in all creation, and he replied, "That a man should wake each morning and believe deep in his heart that he will live forever, even though he knows that he is doomed.
β
β
Christopher Pike (Phantom (The Last Vampire, #4))
β
Well, some worlds are built on a fault line of pain, held up by nightmares. Donβt lament when those worlds fall. Rage that they were built doomed in the first place.
β
β
N.K. Jemisin (The Stone Sky (The Broken Earth, #3))
β
you're doomed at being you.
β
β
Chuck Palahniuk (Diary)
β
I don't know what I was expecting a vampire's room to look like. Maybe lots of black, a bunch of books by Camus... oh, and a sensitive portrait of the only human the vamp ever loved, who had no doubt died of something beautiful and tragic, thus dooming the vamp to an eternity of moping and sighing dramatically.
What can I say? I read a lot of books.
β
β
Rachel Hawkins (Hex Hall (Hex Hall, #1))
β
I am doomed to remember a boy with a wrecked voice. Not because of his voice, or because he was the smallest person I ever knew, or even because he was the instrument of my mother's death, but because he is the reason I believe in God. I am a Christian because of Owen Meany.
β
β
John Irving (A Prayer for Owen Meany)
β
A change of environment is the traditional fallacy upon which doomed loves, and lungs, rely.
β
β
Vladimir Nabokov (Lolita)
β
You see, there are no pretty pink flowers in the woods at night.
β
β
J.K. Franko (Eye for Eye (Talion #1))
β
You and I are bound. We will be each otherβs salvation, or each otherβs doom.
β
β
P.C. Cast (Tempted (House of Night, #6))
β
How could I have been so ignorant? she thinks. So stupid, so unseeing, so given over to carelessness. But without such ignorance, such carelessness, how could we live? If you knew what was going to happen, if you knew everything that was going to happen nextβif you knew in advance the consequences of your own actionsβyou'd be doomed. You'd be as ruined as God. You'd be a stone. You'd never eat or drink or laugh or get out of bed in the morning. You'd never love anyone, ever again. You'd never dare to.
β
β
Margaret Atwood (The Blind Assassin)
β
Being born a woman is my awful tragedy. From the moment I was conceived I was doomed to sprout breasts and ovaries rather than penis and scrotum; to have my whole circle of action, thought and feeling rigidly circumscribed by my inescapable feminity. Yes, my consuming desire to mingle with road crews, sailors and soldiers, bar room regulars--to be a part of a scene, anonymous, listening, recording--all is spoiled by the fact that I am a girl, a female always in danger of assault and battery. My consuming interest in men and their lives is often misconstrued as a desire to seduce them, or as an invitation to intimacy. Yet, God, I want to talk to everybody I can as deeply as I can. I want to be able to sleep in an open field, to travel west, to walk freely at night...
β
β
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
β
If he could learn to love another, and earn her love in return by the time the last petal fell, then the spell would be broken. If not, he would be doomed to remain a beast for all time. As the years passed, he fell into despair and lost all hope. For who could ever learn to love a beast? -Beauty & the Beast
β
β
Walt Disney Company
β
Nostalgia is a necessary thing, I believe, and a way for all of us to find peace in that which we have accomplished, or even failed to accomplish. At the same time, if nostalgia precipitates actions to return to that fabled, rosy-painted time, particularly in one who believes his life to be a failure, then it is an empty thing, doomed to produce nothing but frustration and an even greater sense of failure.
β
β
R.A. Salvatore (Streams of Silver (Forgotten Realms: Icewind Dale, #2; Legend of Drizzt, #5))
β
Well, Vin says that there's something behind all this, right? Some evil force of doom or whatever? Well, if I were said force of doom, then I certainly wouldn't have used my powers to turn the land black. It just lacks flair. Red. Now, that would be an interesting color. Think of the possibilities--if the ash were red, the rivers would run like blood. Black is so monotonous that you can forget about it, but red--you'd always be thinking, 'Why, look at that. That hill is red. That evil force of doom trying to destroy me certainly has style.
β
β
Brandon Sanderson (The Hero of Ages (Mistborn, #3))
β
People think that talking is a sign of thinking. It isn't, for the most part' on the contrary, it's a mechanical dodge of the body to relieve oneself of the strain of thinking, just as exercising the muscles helps the body to become temporarily unconscious of its weight, its pain, its weariness, and the foreknowledge of its doom.
β
β
Aleister Crowley (Diary of a Drug Fiend)
β
April is the cruelest month, T.S. Eliot wrote, by which I think he meant (among other things) that springtime makes people crazy. We expect too much, the world burgeons with promises it can't keep, all passion is really a setup, and we're doomed to get our hearts broken yet again. I agree, and would further add: Who cares? Every spring I go out there anyway, around the bend, unconditionally. ... Come the end of the dark days, I am more than joyful. I'm nuts.
β
β
Barbara Kingsolver (Animal, Vegetable, Miracle: A Year of Food Life)
β
I wish we could go to the movies."
I stared at him. "We're in a creepy dungeon. There's a chance I might die in the next few hours. You are going to die in the next few hours. And if you had one wish, it would be to catch a movie?
β
β
Rachel Hawkins (Demonglass (Hex Hall, #2))
β
Never surrender your hopes and dreams to the fateful limitations others have placed on their own lives. The vision of your true destiny does not reside within the blinkered outlook of the naysayers and the doom prophets. Judge not by their words, but accept advice based on the evidence of actual results. Do not be surprised should you find a complete absence of anything mystical or miraculous in the manifested reality of those who are so eager to advise you. Friends and family who suffer the lack of abundance, joy, love, fulfillment and prosperity in their own lives really have no business imposing their self-limiting beliefs on your reality experience.
β
β
Anthon St. Maarten
β
I decline to accept the end of man. It is easy enough to say that man is immortal simply because he will endure: that when the last dingdong of doom has clanged and faded from the last worthless rock hanging tideless in the last red and dying evening, that even then there will still be one more sound: that of his puny inexhaustible voice, still talking. I refuse to accept this. I believe that man will not merely endure: he will prevail. He is immortal, not because he alone among creatures has an inexhaustible voice, but because he has a soul, a spirit capable of compassion and sacrifice and endurance. The poet's, the writer's, duty is to write about these things. It is his privilege to help man endure by lifting his heart, by reminding him of the courage and honor and hope and pride and compassion and pity and sacrifice which have been the glory of his past. The poet's voice need not merely be the record of man, it can be one of the props, the pillars to help him endure and prevail.
β
β
William Faulkner (Nobel Prize in Literature Acceptance Speech, 1949)
β
and god help you if you are an ugly girl course too pretty is also your doom cause everyone harbors a secret hatred for the prettiest girl in the room and god help you if you are a pheonix and you dare to rise up from the ash a thousand eyes will smolder with jealousy while you are just flying back
β
β
Ani DiFranco
β
So Plato talked about these beings that used to exist that had four legs and four arms and two heads. They were totally self-contained and ecstatic and powerful. Too powerful, so Zeus cut them all in half and scattered all the halves around the world so that humans were doomed to forever look for their other half, the one who shared their very soul. Only the luckiest humans find their split-apart, you see.
β
β
Jandy Nelson (I'll Give You the Sun)
β
A writer never forgets the first time he accepted a few coins or a word of praise in exchange for a story. He will never forget the sweet poison of vanity in his blood and the belief that, if he succeeds in not letting anyone discover his lack of talent, the dream of literature will provide him with a roof over his head, a hot meal at the end of the day, and what he covets the most: his name printed on a miserable piece of paper that surely will outlive him. A writer is condemned to remember that moment, because from then on he is doomed and his soul has a price.
β
β
Carlos Ruiz ZafΓ³n (The Angel's Game (The Cemetery of Forgotten Books, #2))
β
We canβt jump off bridges anymore because our iPhones will get ruined. We canβt take skinny dips in the ocean because thereβs no service on the beach and adventures arenβt real unless theyβre on Instagram. Technology has doomed the spontaneity of adventure and weβre helping destroy it every time we Google, check-in, and hashtag.
β
β
Jeremy Glass
β
I thought the earth remembered me,
she took me back so tenderly,
arranging her dark skirts, her pockets
full of lichens and seeds.
I slept as never before, a stone on the river bed,
nothing between me and the white fire of the stars
but my thoughts, and they floated light as moths
among the branches of the perfect trees.
All night I heard the small kingdoms
breathing around me, the insects,
and the birds who do their work in the darkness.
All night I rose and fell, as if in water,
grappling with a luminous doom. By morning
I had vanished at least a dozen times
into something better.
β
β
Mary Oliver
β
Ed, it was everything, those nights on the phone, everything we said until late became later and then later and very late and finally to go to bed with my ear warm and worn and red from holding the phone close close close so as not to miss a word of what it was, because who cared how tired I was in the humdrum slave drive of our days without each other. Iβd ruin any day, all my days, for those long nights with you, and I did. But thatβs why right there it was doomed. We couldnβt only have the magic nights buzzing through the wires. We had to have the days, too, the bright impatient days spoiling everything with their unavoidable schedules, their mandatory times that donβt overlap, their loyal friends who donβt get along, the unforgiven travesties torn from the wall no matter what promises are uttered past midnight, and that's why we broke up.
β
β
Daniel Handler (Why We Broke Up)
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Mene mene tekel upsharin,' Jace said with a faint smile. 'You don't recognize it? It's from the Bible, vampire. The old one. That's your book, isn't it?'
Just because I'm Jewish doesn't mean I've memorized the Old Testament.'
It's the Writing on the Wall. "God hath numbered thy kingdom, and brought it to an end; thou art weighed in the balance and found wanting." It's a portent of doom--it means the end of an empire.
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Cassandra Clare (City of Glass (The Mortal Instruments, #3))
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His tunic was unbuttoned at the top, and he ran a hand through his blue-black hair before he wordlessly slumped against the wall across from me and slid to the floor.
"What do you want?" I demanded.
"A moment of peace and quiet," he snapped, rubbing his temples.
I paused. "From what?"
He massaged his pale skin, making the corners of his eyes go up and down, out and in. He sighed. "From this mess."
I sat up farther on my pallet of the hay. I'd never seen him so candid.
"That damned bitch is running me ragged," he went on, and dropped his hands from his temples to lean his head against the wall. "You hate me. Imagine how you'd feel if I made you serve in my bedroom. I'm High Lord of the Night Court - not her harlot."
So the slurs were true. And I could imagine very easily how much I would hate him - what it would do to me - to be enslaved to someone like that. "Why are you telling me this?"
The swagger and nastiness were gone. "Because I'm tired and lonely, and you're the only person I can talk to without putting myself at risk." He let out a low laugh. "How absurd: a High Lord of Prythian and a - "
"You can leave if you're just going to insult me."
"But I'm so good at it". He flashed one of his grins. I glared at him, but he sighted. "One wrong move tomorrow, Freyre, and we're all doomed.
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Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
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INTO MY OWN
One of my wishes is that those dark trees,
So old and firm they scarcely show the breeze,
Were not, as βtwere, the merest mask of gloom,
But stretched away unto the edge of doom.
I should not be withheld but that some day
Into their vastness I should steal away,
Fearless of ever finding open land,
Or highway where the slow wheel pours the sand.
I do not see why I should eβer turn back,
Or those should not set forth upon my track
To overtake me, who should miss me here
And long to know if still I held them dear.
They would not find me changed from him they knewβ
Only more sure of all I thought was true.
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Robert Frost (A Boy's Will)
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I shared a vagrant optimism that some of us were making real progress, that we had taken an honest road, and that the best of us would inevitably make it over the top. At the same time, I felt that the life we were leading was a lost cause, that we were all actor, kidding ourselves on a senseless odyssey. It was the tension between those two poles - a restless idealism on one hand and a sense of impending doom on the other - that kept me going.
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Hunter S. Thompson (The Rum Diary)
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Why did I not die? More miserable than man ever was before, why did I not sink into forgetfulness and rest? Death snatches away many blooming children, the only hopes of their doting parents: how many brides and youthful lovers have been one day in the bloom of health and hope, and the next a prey for worms and the decay of the tomb! Of what materials was I made, that I could thus resist so many shocks, which, like the turning of the wheel, continually renewed the torture?
But I was doomed to live;
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Mary Wollstonecraft Shelley (Frankenstein)
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If you have ever, sir, been through a breakup of a romantic relationship that involved great love, you will perhaps understand what I experienced. There is in such situations usually a moment of passion during which the unthinkable is said; this is followed by a sense of euphoria at finally being liberated; the world seems fresh as if seen for the first time then comes the inevitable period of doubt, the desperate and doomed backpedaling of regret; and only later, once emotions have receded, is one able to view with equanimity the journey through which one has passed.
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Mohsin Hamid (The Reluctant Fundamentalist)
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When we fully understand the brevity of life, its fleeting joys and unavoidable pains; when we accept the facts that all men and women are approaching an inevitable doom: the consciousness of it should make us more kindly and considerate of each other. This feeling should make men and women use their best efforts to help their fellow travelers on the road, to make the path brighter and easier as we journey on. It should bring a closer kinship, a better understanding, and a deeper sympathy for the wayfarers who must live a common life and die a common death.
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Clarence Darrow (The Essential Words and Writings of Clarence Darrow (Modern Library Classics))
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I once heard a sober alcoholic say that drinking never made him happy, but it made him feel like he was going to be happy in about fifteen minutes. That was exactly it, and I couldnβt understand why the happiness never came, couldnβt see the flaw in my thinking, couldnβt see that alcohol kept me trapped in a world of illusion, procrastination, paralysis. I lived always in the future, never in the present. Next time, next time! Next time I drank it would be different, next time it would make me feel good again. And all my efforts were doomed, because already drinking hadnβt made me feel good in years.
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Heather King (Parched: A Memoir)
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I became aware that our love was doomed; love had turned into a love affair with a beginning and an end. I could name the very moment when it had begun, and one day I knew I should be able to name the final hour. When she left the house I couldn't settle to work. I would reconstruct what we had said to each other; I would fan myself into anger or remorse. And all the time I knew I was forcing the pace. I was pushing, pushing the only thing I loved out of my life. As long as I could make believe that love lasted I was happy; I think I was even good to live with, and so love did last. But if love had to die, I wanted it to die quickly. It was as though our love were a small creature caught in a trap and bleeding to death; I had to shut my eyes and wring its neck.
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Graham Greene (The End of the Affair)
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How can I live without thee, how forego
Thy sweet converse, and love so dearly joined,
To live again in these wild woods forlorn?
Should God create another Eve, and I
Another rib afford, yet loss of thee
Would never from my heart; no, no, I feel
The link of nature draw me: flesh of flesh,
Bone of my bone thou art, and from thy state
Mine never shall be parted, bliss or woe.
However, I with thee have fixed my lot,
Certain to undergo like doom; if death
Consort with thee, death is to me as life;
So forcible within my heart I feel
The bond of nature draw me to my own,
My own in thee, for what thou art is mine;
Our state cannot be severed, we are one,
One flesh; to lose thee were to lose myself.
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John Milton (Paradise Lost)
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I wake sometimes in the dark terrified by my life's precariousness, its thready breath. Beside me, my husband's pulse beats at his throat; in their beds, my children's skin shows every faintest scratch. A breeze would blow them over, and the world is filled with more than breezes: diseases and disasters, monsters and pain in a thousand variations. I do not forget either my father and his kind hanging over us, bright and sharp as swords, aimed at our tearing flesh. If they do not fall on us in spite and malice, then they will fall by accident or whim. My breath fights in my throat. How can I live on beneath such a burden of doom? I rise then and go to my herbs. I create something, I transform something. My witchcraft is as strong as ever, stronger. This too is good fortune. How many have such power and leisure and defense as I do? Telemachus comes from our bed to find me. He sits with me in the greensmelling darkness, holding my hand. Our faces are both lined now, marked with our years. Circe, he says, it will be all right. It is not the saying of an oracle or a prophet. They are words you might speak to a child. I have heard him say them to our daughters, when he rocked them back to sleep from a nightmare, when he dressed their small cuts, soothed whatever stung. His skin is familiar as my own beneath my fingers. I listen to his breath, warm upon the night air, and somehow I am comforted. He does not mean it does not hurt. He does not mean we are not frightened. Only that: we are here. This is what it means to swim in the tide, to walk the earth and feel it touch your feet. This is what it means to be alive.
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Madeline Miller (Circe)
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If we really saw war, what war does to young minds and bodies, it would be impossible to embrace the myth of war. If we had to stand over the mangled corpses of schoolchildren killed in Afghanistan and listen to the wails of their parents, we would not be able to repeat clichΓ©s we use to justify war. This is why war is carefully sanitized. This is why we are given war's perverse and dark thrill but are spared from seeing war's consequences. The mythic visions of war keep it heroic and entertainingβ¦
The wounded, the crippled, and the dead are, in this great charade, swiftly carted offstage. They are war's refuse. We do not see them. We do not hear them. They are doomed, like wandering spirits, to float around the edges of our consciousness, ignored, even reviled. The message they tell is too painful for us to hear. We prefer to celebrate ourselves and our nation by imbibing the myths of glory, honor, patriotism, and heroism, words that in combat become empty and meaningless.
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Chris Hedges (Death of the Liberal Class)
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Sometimes, when people have a low opinion of their own worthβor, perhaps, when they refuse responsibility for their livesβthey choose a new acquaintance, of precisely the type who proved troublesome in the past. Such people donβt believe that they deserve any betterβso they donβt go looking for it. Or, perhaps, they donβt want the trouble of better. Freud called this a βrepetition compulsion.β He thought of it as an unconscious drive to repeat the horrors of the pastβsometimes, perhaps, to formulate those horrors more precisely, sometimes to attempt more active mastery and sometimes, perhaps, because no alternatives beckon. People create their worlds with the tools they have directly at hand. Faulty tools produce faulty results. Repeated use of the same faulty tools produces the same faulty results. It is in this manner that those who fail to learn from the past doom themselves to repeat it. Itβs partly fate. Itβs partly inability. Itβs partly β¦ unwillingness to learn? Refusal to learn? Motivated refusal to learn?
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Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
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We live together, we act on, and react to, one another; but always and in all circumstances we are by ourselves. The martyrs go hand in hand into the arena; they are crucified alone. Embraced, the lovers desperately try to fuse their insulated ecstasies into a single self-transcendence; in vain. By its very nature every embodied spirit is doomed to suffer and enjoy in solitude. Sensations, feelings, insights, fancies - all these are private and, except through symbols and at second hand, incommunicable. We can pool information about experiences, but never the experiences themselves. From family to nation, every human group is a society of island universes. Most island universes are sufficiently like one another to Permit of inferential understanding or even of mutual empathy or "feeling into." Thus, remembering our own bereavements and humiliations, we can condole with others in analogous circumstances, can put ourselves (always, of course, in a slightly Pickwickian sense) in their places. But in certain cases communication between universes is incomplete or even nonexistent. The mind is its own place, and the Places inhabited by the insane and the exceptionally gifted are so different from the places where ordinary men and women live, that there is little or no common ground of memory to serve as a basis for understanding or fellow feeling. Words are uttered, but fail to enlighten. The things and events to which the symbols refer belong to mutually exclusive realms of experience.
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Aldous Huxley (The Doors of Perception & Heaven and Hell)
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The leaves were long, the grass was green,
The hemlock-umbels tall and fair,
And in the glade a light was seen
Of stars in shadow shimmering.
Tinuviel was dancing there
To music of a pipe unseen,
And light of stars was in her hair,
And in her raiment glimmering.
There Beren came from mountains cold,
And lost he wandered under leaves,
And where the Elven-river rolled.
He walked along and sorrowing.
He peered between the hemlock-leaves
And saw in wonder flowers of gold
Upon her mantle and her sleeves,
And her hair like shadow following.
Enchantment healed his weary feet
That over hills were doomed to roam;
And forth he hastened, strong and fleet,
And grasped at moonbeams glistening.
Through woven woods in Elvenhome
She lightly fled on dancing feet,
And left him lonely still to roam
In the silent forest listening.
He heard there oft the flying sound
Of feet as light as linden-leaves,
Or music welling underground,
In hidden hollows quavering.
Now withered lay the hemlock-sheaves,
And one by one with sighing sound
Whispering fell the beechen leaves
In the wintry woodland wavering.
He sought her ever, wandering far
Where leaves of years were thickly strewn,
By light of moon and ray of star
In frosty heavens shivering.
Her mantle glinted in the moon,
As on a hill-top high and far
She danced, and at her feet was strewn
A mist of silver quivering.
When winter passed, she came again,
And her song released the sudden spring,
Like rising lark, and falling rain,
And melting water bubbling.
He saw the elven-flowers spring
About her feet, and healed again
He longed by her to dance and sing
Upon the grass untroubling.
Again she fled, but swift he came.
Tinuviel! Tinuviel!
He called her by her elvish name;
And there she halted listening.
One moment stood she, and a spell
His voice laid on her: Beren came,
And doom fell on Tinuviel
That in his arms lay glistening.
As Beren looked into her eyes
Within the shadows of her hair,
The trembling starlight of the skies
He saw there mirrored shimmering.
Tinuviel the elven-fair,
Immortal maiden elven-wise,
About him cast her shadowy hair
And arms like silver glimmering.
Long was the way that fate them bore,
O'er stony mountains cold and grey,
Through halls of iron and darkling door,
And woods of nightshade morrowless.
The Sundering Seas between them lay,
And yet at last they met once more,
And long ago they passed away
In the forest singing sorrowless.
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J.R.R. Tolkien (The Lord of the Rings (Middle Earth, #2-4))