Donald Davidson Quotes

A wine, please.” “Ma’am, this is McDonald’s.” “Okay, a McWine, please.” —MCDONALD’S DRIVE-THROUGH, 2 A.M.

A wine, please.” “Ma’am, this is McDonald’s.” “Okay, a McWine, please.

There are three basic problems: how a mind can know the world of nature, how it is possible for one mind to know another, and how it is possible to know the contents of our own minds without resort to observation or evidence. It is a mistake, I shall urge, to suppose that these questions can be collapsed into two, or taken into isolation.

The aim of interpretation is not agreement but understanding

Terminological infelicities have a way of breeding conceptual confusion.

Tina was kneeling before me, holding Donald's head by the hair and very plainly trying to hand it to me. "Majesty, I beg your forgiveness for the indignity you suffered and offer you the head of our enemy as—" "Put that thing down," I said impatiently. "I can't talk to you when you're shaking his head like a damned maraca.

Að undrast suma hluti er nauðsynlegt og nægjanlegt skilyrði hugsunar almennt.

As the philosopher Donald Davidson points out, giving someone’s motivation for doing something is itself a type of causal explanation—it explains what happened as an action and names that action by referring to the agent’s reason for it.

BIBLIOGRAPHY Often the question of which books were used for research in the Merry series is asked. So, here is a list (in no particular order). While not comprehensive, it contains the major sources. An Encyclopedia of Faeries by Katharine Briggs Faeries by Brian Froud and Alan Lee Dictionary of Celtic Myth and Legend by Miranda J. Green Celtic Goddesses by Miranda J. Green Dictionary of Celtic Mythology by Peter Berresford Ellis Goddesses in World Mythology by Martha Ann and Dorothy Myers Imel A Witches’ Bible by Janet and Stewart Farrar The Fairy Faith in Celtic Countries by W. Y. Evans-Wentz Pagan Celtic Britain by Anne Ross The Ancient British Goddesses by Kathy Jones Fairy Tradition in Britain by Lewis Spense One Hundred Old Roses for the American Garden by Clair G. Martin Taylor’s Guide to Roses Pendragon by Steve Blake and Scott Lloyd Kings and Queens from Collins Gem Butterflies of Europe: A Princeton Guide by Tom Tolman and Richard Lewington Butterflies and Moths of Missouri by J. Richard and Joan E. Heitzman Dorling Kindersly Handbook: Butterflies and Moths by David Carter The Natural World of Bugs and Insects by Ken and Rod Preston Mafham Big Cats: Kingdom of Might by Tom Brakefield Just Cats by Karen Anderson Wild Cats of the World by Art Wolfe and Barbara Sleeper Beauty and the Beast translated by Jack Zipes The Complete Fairy Tales of the Brothers Grimm translated by Jack Zipes Grimms’ Tales for Young and Old by Ralph Manheim Complete Guide to Cats by the ASPCA Field Guide to Insects and Spiders from the National Audubon Society Mammals of Europe by David W. MacDonald Wicca: A Guide for the Solitary Practitioner by Scott Cunningham Northern Mysteries and Magick by Freya Aswym Cabbages and Kings by Jonathan Roberts Gaelic: A Complete Guide for Beginners The Norse Myths by Kevin Crossley Holland The Penguin Companion to Food by Alan Davidson

... In this essay, however, I once more try the positive assumption, that the question is a good one, that there is a fairly definite subclass of events which are actions. The costs of the assumption are the usual ones: oversimplification, the setting aside of large classes of exceptions, the neglect of distinctions hinted by grammar and common sense, recourse to disguised linguistic legislation. With luck we learn something from such methods. There may, after all, be important and general truths in this area, and if there are how else will we discover them?

Metaphor is the dreamwork of language and, like all dreamwork, its interpretation reflects as much on the interpreter as on the originator. The interpretation of dreams requires collaboration between a dreamer and a waker, even if they be the same person; and the act of interpretation is itself a work of the imagination. So too understanding a metaphor is as much a creative endeavour as making a metaphor, and as little guided by rules.