Don't Work For Applause Quotes

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Work for a cause David, not for applause. Remember to live your life to express, not to impress, don’t strive to make your presence noticed, just make your absence felt. - Lichtenstein
Grace Lichtenstein (Inside Real Estate: The Complete Guide to Buying and Selling Your Home, Co-Op or Condominium)
I don't expect congratulations for successful beginning, what I want is the applaud at successful ending.
Amit Kalantri
Work hard for a cause, not for applause. Live life to express, not to impress. Don’t strive to make your presence noticed, just make your absence felt.
Sally Willard Burbank (Patients I Will Never Forget)
You'll never see a U-Haul behind a hearse,' Denzel Washington often said as we worked together on 'Fences.' 'I don't care how much money you have or what level of notoriety you've achieved, you can't take any of it with you.' There is a cap on earthly success, a ceiling on the amount of joy that possessions and awards can bring before disillusionment sets in. Our appearance, our prosperity, the applause: all of it is so fleeting. But a life of true significance has unlimited impact. It is measured in how well we've loved those around us, how much we've given away, how many seeds we've sown along our path. During her ninety-six years, Ms. [Cicely] Tyson has discovered the potent elixir: she has lived a life of that is bigger than she is, an existence grounded in purpose and flourishing in service to others. That is her defining masterpiece. That is her enduring gift to us all. [Viola Davis, Foreword]
Cicely Tyson (Just as I Am)
Fabian didn't flinch under Vlad's harsh analysis. "You have no idea what it's like, existing between worlds," he said, floating closer instead of backing away. "We are neither the living or the undead. It takes years to cope with the fact that even though over ninety-nine percent of everyone who dies crosses over to the next place, you are left behind. Years to accept that everything you worked for in your life is gone, and the shell of memory is all that remains. Years to recover from hopelessly trying to communicate with loved ones, only to fail time and again because no one except the crazed, psychics, the undead, or other ghosts can see you. Years to accept---even if you don't understand why---that vampires and ghouls will treat you worse that they do vermin, even though they are no human than you are." Fabian advanced again, until his finger disappeared into Vlad's chest. "I'd dare the strongest of your race or any other to say that they've conquered the same hardships my people have overcome. So think again before you question a ghost's worth, or judge those younger ones who are still in the process of becoming tougher than anyone tied to flesh will ever be." Stunned silence filled the air once Fabian was finished. I wanted to break out in apologies and applause all at the same time, but I was still recovering from my shock at how my mild-mannered, Casperesque friend had just unloaded a truck full of I-dare-yous onto one of the scariest vampires in existence. Damned if I would ever underestimate a ghost's chutzpah again, or question their fortitude. Being noncorporeal clearly didn't equate to lacking a pair of balls.
Jeaniene Frost (This Side of the Grave (Night Huntress, #5))
What are you doing tonight?" "I don't know, what are you doing?" Burlesque! Loew's Paradise! Miserable and lonely! Miserable and lonely and stupid! What am I, crazy or something?! I got something good! What am I hanging around with you guys for?!
Paddy Chayefsky (The Collected Works of Paddy Chayefsky: The Television Plays (Applause Books))
the irony of which was not lost on the audience. The Capitol had tried to take everything from Lucy Gray, and it had utterly failed. When the applause died out, she gave Maude Ivory a nod. The girl ran behind the blanket and appeared carrying a basket woven with cheerful ribbons. “Thank you kindly,” said Lucy Gray. “Now, you all know how this works. We don’t charge for tickets, because sometimes hungry people need music the most. But we get hungry, too. So if you’d like to contribute, Maude Ivory will be around with the basket. We thank you in advance.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
Appendix 1 Seven Points and Fifty-Nine Slogans for Generating Compassion and Resilience POINT ONE Resolve to Begin 1. Train in the preliminaries. POINT TWO Train in Empathy and Compassion: Absolute Compassion 2. See everything as a dream. 3. Examine the nature of awareness. 4. Don’t get stuck on peace. 5. Rest in the openness of mind. 6. In Postmeditation be a child of illusion. POINT TWO Train in Empathy and Compassion: Relative Compassion 7. Practice sending and receiving alternately on the breath. 8. Begin sending and receiving practice with yourself. 9. Turn things around (Three objects, three poisons, three virtues). 10. Always train with the slogans. POINT THREE Transform Bad Circumstances into the Path 11. Turn all mishaps into the path. 12. Drive all blames into one. 13. Be grateful to everyone. 14. See confusion as Buddha and practice emptiness. 15. Do good, avoid evil, appreciate your lunacy, pray for help. 16. Whatever you meet is the path. POINT FOUR Make Practice Your Whole Life 17. Cultivate a serious attitude (Practice the five strengths). 18. Practice for death as well as for life. POINT FIVE Assess and Extend 19. There’s only one point. 20. Trust your own eyes. 21. Maintain joy (and don’t lose your sense of humor). 22. Practice when you’re distracted. POINT SIX The Discipline of Relationship 23. Come back to basics. 24. Don’t be a phony. 25. Don’t talk about faults. 26. Don’t figure others out. 27. Work with your biggest problems first. 28. Abandon hope. 29. Don’t poison yourself. 30. Don’t be so predictable. 31. Don’t malign others. 32. Don’t wait in ambush. 33. Don’t make everything so painful. 34. Don’t unload on everyone. 35. Don’t go so fast. 36. Don’t be tricky. 37. Don’t make gods into demons. 38. Don’t rejoice at others’ pain. POINT SEVEN Living with Ease in a Crazy World 39. Keep a single intention. 40. Correct all wrongs with one intention. 41. Begin at the beginning, end at the end. 42. Be patient either way. 43. Observe, even if it costs you everything. 44. Train in three difficulties. 45. Take on the three causes. 46. Don’t lose track. 47. Keep the three inseparable. 48. Train wholeheartedly, openly, and constantly. 49. Stay close to your resentment. 50. Don’t be swayed by circumstances. 51. This time get it right! 52. Don’t misinterpret. 53. Don’t vacillate. 54. Be wholehearted. 55. Examine and analyze. 56. Don’t wallow. 57. Don’t be jealous. 58. Don’t be frivolous. 59. Don’t expect applause.
Norman Fischer (Training in Compassion: Zen Teachings on the Practice of Lojong)
Our feelings belong to one world, our ability to name things and our thoughts belong to another; we can establish a concordance between the two, but not bridge the gap. And it was something like this gap, this fault, that I had to cross when, the first time I went to see La Berma act, and after straining to catch her every word, I had found some difficulty in connecting my ideas of “nobility of interpretation” and “originality” and had broken into applause only after a moment’s blankness, and as if my applause did not spring from my actual impression but was somehow linked to my preconceived ideas and to the pleasure I felt in saying to myself, “At last I am listening to La Berma.” And the difference that exists between a person or a work of art of strongly individual character and the idea of beauty exists just as much between what it makes us feel and the idea of love or admiration. Listening to La Berma had given me no pleasure (any more than seeing Gilberte). I had said to myself, “So I don’t admire her.” Yet all the while I was thinking only about deepening my understanding of her acting, I was preoccupied with that alone, and I was trying to open my mind as wide as possible to grasp everything that was involved in her acting; I now understood that this was exactly what admiration was.
Marcel Proust (The Guermantes Way (In Search of Lost Time, #3))
To prove to an indignant questioner on the spur of the moment that the work I do was useful seemed a thankless task and I gave it up. I turned to him with a smile and finished, 'To tell you the truth we don't do it because it is useful but because it's amusing.' The answer was thought of and given in a moment: it came from deep down in my mind, and the results were as admirable from my point of view as unexpected. My audience was clearly on my side. Prolonged and hearty applause greeted my confession. My questioner retired shaking his head over my wickedness and the newspapers next day, with obvious approval, came out with headlines 'Scientist Does It Because It's Amusing!' And if that is not the best reason why a scientist should do his work, I want to know what is. Would it be any good to ask a mother what practical use her baby is? That, as I say, was the first evening I ever spent in the United States and from that moment I felt at home. I realised that all talk about science purely for its practical and wealth-producing results is as idle in this country as in England. Practical results will follow right enough. No real knowledge is sterile. The most useless investigation may prove to have the most startling practical importance: Wireless telegraphy might not yet have come if Clerk Maxwell had been drawn away from his obviously 'useless' equations to do something of more practical importance. Large branches of chemistry would have remained obscure had Willard Gibbs not spent his time at mathematical calculations which only about two men of his generation could understand. With this trust in the ultimate usefulness of all real knowledge a man may proceed to devote himself to a study of first causes without apology, and without hope of immediate return.
Archibald Hill
His son wanted to be a firefighter, but didn't get the job. Mr. Neck is convinced that this is some kind of reverse discrimination. He says we should close our borders so that real Americans can get the jobs they deserve. The job test said that I would be a good fire fighter. I wonder if I could take a job away from Mr. Neck's son. Mr. Neck writes on the board again: "DEBATE: America should have closed her borders in 1900." That strikes a nerve. Several nerves. I can see kids counting backward on their fingers, trying to figure out when their grandparents or great-grandparents were born, when they came to America, if they would have made the Neck Cut. When they figure out they would have been stuck in a country that hated them, or a place with no schools, or a place with no future, their hands shoot up. They beg to differ with Mr. Neck's learned opinion. ... The arguments jump back and forth across the room. A few suck-ups quickly figure out which side Mr. Neck is squatting on, so they fight to throw out the 'foreigners.' Anyone whose family immigrated in the last century has a story to tell about how hard their relatives have worked, the contributions they make to the country, the taxes they pay. A member of the Archery Club tries to say that we are all foreigners and we should give the country back to the Native Americans, but she's buried under disagreement. Mr. Neck enjoys the noise, until one kid challenges him directly. Brave Kid: "Maybe your son didn't get that job because he's not good enough. Or he's lazy. Or the other guy was better than him, no matter what his skin color. I think the white people who have been here for two hundred years are the ones pulling down the country. They don't know how to work - they've had it too easy." The pro-immigration forces erupt in applause and hooting. Mr. Neck: "You watch your mouth, mister. You are talking about my son. I don't want to hear any more from you. That's enough debate - get your books out.
Laurie Halse Anderson (Speak)
Inflation is not caused by increasing the fiduciary circulation. It begins on the day when the purchaser is obliged to pay, for the same goods, a higher sum than that asked the day before. At that point, one must intervene. Even to Schacht, I had to begin by explaining this elementary truth: that the essential cause of the stability of our currency was to be sought for in our concentration camps. The currency remains stable when the speculators are put under lock and key. I also had to make Schacht understand that excess profits must be removed from economic circulation. I do not entertain the illusion that I can pay for everything out of my available funds. Simply, I've read a lot, and I've known how to profit by the experience of events in the past. Frederick the Great, already, had gradually withdrawn his devaluated thalers from circulation, and had thus re established the value of his currency. All these things are simple and natural. The only thing is, one mustn't let the Jew stick his nose in. The basis of Jewish commercial policy is to make matters incomprehensible for a normal brain. People go into ecstasies of confidence before the science of the great economists. Anyone who doesn't understand is taxed with ignorance! At bottom, the only object of all these notions is to throw everything into confusion. The very simple ideas that happen to be mine have nowadays penetrated into the flesh and blood of millions. Only the professors don't understand that the value of money depends on the goods behind that money. One day I received some workers in the great hall at Obersalzberg, to give them an informal lecture on money. The good chaps understood me very well, and rewarded me with a storm of applause. To give people money is solely a problem of making paper. The whole question is to know whether the workers are producing goods to match the paper that's made. If work does not increase, so that production remains at the same level, the extra money they get won't enable them to buy more things than they bought before with less money. Obviously, that theory couldn't have provided the material for a learned dissertation. For a distinguished economist, the thing is, no matter what you're talking about, to pour out ideas in complicated meanderings and to use terms of Sibylline incomprehensibility.
Adolf Hitler (Hitler's Table Talk, 1941-1944)
a. From one of the other parents: “Don’t try to manipulate us with those phony crocodile tears!” My response (hopefully): “So you don’t trust my sincerity?” b. From a big burly man: “Oh God, give it up!” My response: “Sounds like you are disgusted with the show of emotion and would prefer we all discuss this practically and logically?” c. From a psychologist in the group: “You are just a little out of control, aren’t you?” My response: “Are you concerned about straying from the agenda for the meeting? The psychologist’s response to the above: “Yes, you are monopolizing the meeting.” My response: “So you would like others to get equal time to speak? Yes, I am willing to give up the floor now.” (Or, “I would like to make two more points if that’s okay with the group.”) Ways to Feed Your Attention Hog Honoring and owning your Attention Hog is a learned habit and skill. It must become a conscious and willful act in order to counter the cultural training we have received to pretend we do not want the attention. You will also be honoring others’ needs to have their attention and appreciation received fully and gracefully. 1. When you are talking with someone and there is a radio or TV playing in the background, ask that it be turned off and not just down. 2. Ask groups to hear you play a new song you have learned. 3. Ask groups to listen to you read or recite poetry or prose. 4. Ask to be on TV or radio. 5. Submit articles for publication in magazines, newspapers or ezines. 6. When speaking to a group, and people are talking in the background, say “My attention hog would like everyone’s attention please.” 7. When you are not getting the eye contact you would like from someone, ask for it. 8. If you want someone to call you more often, tell them specifically how often you would like to be called. 9. If you are not getting the recognition you want at work, ask your boss to write down a number of things that he sees you contributing to the business. 10. When receiving the applause of a group, take it in. Stand there looking at them until the entire wave of appreciation has passed. Chapter FILLING THE HOLE IN THE SOUL I used to think that the need for approval was a misunderstood
Kelly Bryson (Don't Be Nice, Be Real)
Of the tendency, Angus said, of things to get better Dogs and the optimistic are usually convinced; Others, perhaps, are more cautious: When I was your age I remember Thinking that most of life’s problems Would be over by the next day; I still think that, I suppose, And am often pleasantly surprised To discover that it is occasionally true; Thinking something, you see, Can make it happen, or so we believe, Though how that works, I doubt If I shall ever find out. From your perspective, where you are Is probably the only place It is possible to be; some time soon You will discover that we can, if lucky, Decide who we shall become. A word of warning here: Of all the tempting roles You will be offered, being yourself Is unquestionably the safest, Will bring the most applause Will make you feel best; Greasepaint, dear Bertie, is greasy: Leave it to the actors; The most comfortable face to wear, You’ll find, is your own. So what do I wish for you? Freedom? I imagine You know all about that Even if so far you’ve had To contemplate it from a distance. I could think of other things; I might wish, for example, That you should be whatever You fervently want to be: a sailor, A fireman, an explorer? You may live, you know, To seventy-seven and beyond: What, I wonder, will Scotland Be like seven decades from now? I’ll never know, but what I wish Is that some of it will be left for you, Some of the things we’ve loved. Happy birthday, then, Bertie: Be strong, be thoughtful; Don’t be afraid to cry, when necessary: In operas, as in life, it is the strong Who are always the first to weep. Be kind, which you already are, Even to those who deserve it least; Kindness, you see, Bertie, is a sort of love, That is something I have learned, And you’ll learn too if you listen To the teacher we all should trust: The human heart, my dear, the human heart, Where kindness makes its home.
Alexander McCall Smith (Bertie's Guide to Life and Mothers)
006 [6.1] “Be especially careful when you are trying to be good so that you don’t make a performance out of it. It might be good theater, but the God who made you won’t be applauding. [6.2-4] “When you do something for someone else, don’t call attention to yourself. You’ve seen them in action, I’m sure—‘playactors’ I call them—treating prayer meeting and street corner alike as a stage, acting compassionate as long as someone is watching, playing to the crowds. They get applause, true, but that’s all they get. When you help someone out, don’t think about how it looks. Just do it—quietly and unobtrusively. That is the way your God, who conceived you in love, working behind the scenes, helps you out.
Eugene H. Peterson (The Message Remix 2.0: The Bible In contemporary Language)
Maybe you ought to go, Charlie. CHARLIE No, they asked me. I told them I didn't want to go. HELEN It might do you good to have a night out. I know you're upset about the baby... CHARLIE I'm not upset... HELEN Come on, Charlie, I know how you feel. Listen, you don't have to pretend you're excited about having a baby. We weren't figuring on a kid right now, and it's a shock. Listen, I wasn't exactly overjoyed when I began to suspect I was pregnant.
Paddy Chayefsky (The Collected Works of Paddy Chayefsky: The Television Plays (Applause Books))
I don't know. Sometimes, I look at Helen. And she's a nice girl and all that. She's pretty. But I feel I'm missing something. I look at Helen, I say: "I must have felt something special to marry this girl.
Paddy Chayefsky (The Collected Works of Paddy Chayefsky: The Television Plays (Applause Books))
Yeah. That's what happened. We sat around, nobody talked. I don't understand marriage, Charlie. What are you supposed to do with your wife? I mean, most of the time. CHARLIE (Thinking) Most of the time, Arnold, you don't even see each other. You're away working. You come home, and you eat. Then one of you washes the dishes. Then, if you're not tired, you can go to the movies or visit somebody. Or you watch Tee Vee.
Paddy Chayefsky (The Collected Works of Paddy Chayefsky: The Television Plays (Applause Books))
Tell her everything you're scared about. Everybody's scared, Arnold. Everybody's got things in them they're ashamed of. That's what a wife's for. To make you feel you don't have to be ashamed of yourself. Then she tells you what makes her feel miserable.... Then, that's your job. It's your job to make her feel she's not as bad as everybody makes her think she is.
Paddy Chayefsky (The Collected Works of Paddy Chayefsky: The Television Plays (Applause Books))
I'm a little, short, fat fellow, and girls don't go for me, that's all. I'm not like you. I mean, you joke around, and they laugh at you, and you get along fine. I just stand around like a bug. What's the sense of kidding myself? Everybody's always telling me to get married. Get married. Get married. Don't you think I wanna get married? I wanna get married. They drive me crazy. Now, I don't wanna wreck your Saturday night for you, Angie. You wanna go somewhere, you go ahead. I don't wanna go.
Paddy Chayefsky (The Collected Works of Paddy Chayefsky: The Television Plays (Applause Books))
What kinda family she come from? There was something about her I don't like. It seems funny, the first time you meet her she comes to your empty house alone. These college girls, they all one step from the streets. (MARTY turns, gowning, to his mother) MARTY What are you talkin' about? She's a nice girl. THE MOTHER I don't like her. MARTY You don't like her? You only met her for two minutes.
Paddy Chayefsky (The Collected Works of Paddy Chayefsky: The Television Plays (Applause Books))
You don't like her. My mother don't like her. She's a dog, and I'm a fat, ugly little man. All I know is I had a good time last night. I'm gonna have a good time tonight. If we have enough good times together, I'm going down on my knees and beg that girl to marry me. It we make a party again this New Year's, I gotta date for the party. You don't like her, that's too bad. (He moves into the booth, sits, turns again to ANGIE, smiles.) When you gonna get married, Angie? You're thirty-four years old. All your kid brothers are married. You oughtta be ashamed of yourself.
Paddy Chayefsky (The Collected Works of Paddy Chayefsky: The Television Plays (Applause Books))
VIRGINIA (Practically on the verge of tears) I just can't stand it no more! Every minute of the day! Do this! Do that! I don't have ten minutes alone with my husband! We can't even have a fight! We don't have no privacy! Everybody's miserable in our house! THOMAS All right, Ginnie, don't get so excited. THE MOTHER She's right. She's right.
Paddy Chayefsky (The Collected Works of Paddy Chayefsky: The Television Plays (Applause Books))
My brothers, my brother-in-laws, they're always telling me what a goodhearted guy I am. Well, you don't get goodhearted by accident. You get kicked around long enough you get to be a real professor of pain. I know exactly how you feel. And I also want you to know I'm having a very good time with you now and really enjoying myself. So you see, you're not such a dog as you think
Paddy Chayefsky (The Collected Works of Paddy Chayefsky: The Television Plays (Applause Books))
People don't understand how much spiritual darkness makes depression worse. The mental illness is bad enough by itself, but when you're spiritually malnourished, the only thing you have left to rely on are your physical senses. If I can't feel anything spiritually, I'll try anything to feel with my five senses. I want to taste something that will blow my mind, touch whatever is going to make me feel good, see whatever causes my mind to fantasize the most - and the cycle continues. I just wanted to feel alive. That's the real reason so many people spend money on things they don't need, ride the roller coaster of casual sex, or party every weekend until they can't think straight. They just want to feel alive. I learned the hard way that you can't sin your way out of suffering. In the end you just create more suffering from your sin. You can't wake yourself up from a depressive funk with obsessive addiction. It won't work. Trust me, I've tried it. Winning at work won't be enough. The applause of others won't fulfill you. It will haunt you in your private moments.
Lecrae Moore (I Am Restored: How I Lost My Religion but Found My Faith)
Don’t fuck with an old lady, you shitty kid,” I yelled. “I have a lifetime of asshole tricks up my sleeve. They’re all right behind my Kleenex and my emergency Advil.” Mind you, I was doing all this in no bra, sweatpants, and leather slippers with shearling lining. “Sara,” I asked, “when we all get together for dinner in a restaurant, do you think other people see a group of old people having dinner instead of—us?” “Yeah,” she said after she thought for a moment. “Yeah, I think they see old people.” And that’s a trip, because when I look at Sara, I still see Sara. I see Sara as she was at twenty-seven. She hasn’t changed to me. Most of my friends haven’t changed, in my opinion. Jim lost his hair, but so what? Lots of guys shave their heads. Sandra has a couple of gray hairs in her long, jet-black hair. And yet, some of our friend group has died. From heart attacks. Pancreatitis. Liver failure. Drug overdoses. Suicides. Cancer. Aneurysms. We were stunned by each of those deaths. Honestly, drug overdoses and suicides are almost easier to take than pancreatitis and heart attacks, because those diseases rarely happen to kids our age. And then one day, your body stops working. It can be sudden, like throwing out your back while shaving your legs, and it just never goes back to normal. You live the rest of your days with a “bad back.” Then there’s the opposite; there’s the creep. In your thirties, a nerve pings in your hand, like someone has plucked a rubber band inside it. It’s startling and odd. In another five years, your hands start to tingle a little bit when you’re typing, and you buy a pair of hand braces to wear at night. In the next five years, you can’t open a jar, and in the five years after that, they suddenly fall asleep and you have to elicit a hearty round of applause to no one to wake them back up and make them functional again. And no one prepared me for that. I noticed that my nana’s fingers were oddly formed, racked with arthritis, but she never explained that they hadn’t always been like that. She never told me that once, a long time ago, she had hands just like mine, until she felt that first ping. And that’s the weird thing. As a young person, you assume all old people were just always that way—unfortunate. They came like that. And, as an old person, you think that young people surely understand that yesterday, you were just like them.
Laurie Notaro (Excuse Me While I Disappear: Tales of Midlife Mayhem)
Fae of the match,” she said and I flinched in surprise as her voice rang out over the whole stadium. “Goes to Geraldine Grus.” I could finally let my smile free as I looked around to see Geraldine leaping out of her spot in the line up, her eyes glimmering with emotion. “Oh sweet onion balls!” she gasped as she rushed towards us. “Congratulations!” I said enthusiastically as I placed the medal over her head. She crushed me in an embrace, lifting me clean off of my feet as she celebrated. Darcy wrapped her arms around us too and we laughed as Geraldine descended into happy tears. “And congratulations to the winners of the match: Starlight Academy!” Nova added loudly when we didn’t seem likely to break free of Geraldine any time soon. The crowd from Starlight went crazy, their applause deafening as the team jumped up and down in ecstatic celebration. A low growl caught my attention and I glanced to my right where Darius stood almost close enough to touch. His jaw was locked tight, his spine rigid and his eyes burning with rage. I looked away from him quickly, though I couldn’t help but feel glad that this was upsetting him. Poor little Darius lost his favourite game. Imagine how bad you’d feel if someone tried to drown you though? Not that I’m bitter at all... Nova passed Darcy a bunch of flowers and gave me a medal on a green ribbon as the Starlight Airstriker stepped up to claim them. The guy pulled both of us into an exuberant hug as he claimed his prizes and I couldn’t help but feel a bit pleased for the team as we worked our way through the line, handing over flowers and medals to each of them as they approached. I imagined beating a team filled with the Celestial Heirs was something that none of them would ever forget. I could feel heat radiating off of Darius beside me as he fought to maintain his composure while the line worked its way past us but I didn’t look his way again. The last Starlight player to approach us was the Captain, Quentin. He smiled widely as he accepted the flowers from Darcy, tossing her a wink. As I placed the medal around his neck he pulled me into a tight hug, his hand skimming my ass less than accidentally. I pushed him off with a laugh, his excitement infectious in a way that made me think he was a Siren but it didn’t feel invasive like the way it always did with Max. Maybe because he wasn’t trying to force any emotions onto me, just sharing his own. “Why don’t you two girls come back and party with us at Starlight tonight?” he offered and I didn’t miss his suggestive tone. “Why don’t you fuck off while you’ve still got some teeth left?” Darius said before we could respond. I frowned at him but his gaze was locked on Quentin. To my surprise, Quentin laughed tauntingly. “And to think, we were worried about facing off against the Celestial Heirs,” he said, aiming his comments at me and Darcy. “Turns out they really aren’t that impressive after all. It would be a shame if Solaria ended up in their loser hands. Maybe the two of you should reconsider the idea of taking up your crown?” I laughed at his brazen behaviour, wondering how much more it would take for Darius to snap. “Yeah,” I replied jokingly. “Maybe we should take our crowns back after all.” Darcy laughed too, flicking her long hair. “Oh yeah,” she agreed. “I think a crown would suit me actually.” Quentin yelled out in surprise as a shot of heated energy slammed into him like a freight train and he was catapulted halfway across the pitch before falling into a heap on the ground. Before I could react in any way, I found a severely pissed off Dragon Shifter snarling in my face. My breath caught in my lungs and I blinked up at him as he growled at me. Seth moved in on Darcy beside me, his face set with the same enraged scowl while the other two drew close behind them. “Do you want to say that again?” Darius asked, his voice low, the threat in it sending a tremor right through my core. (tory)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
They Just Don’t Do That Anymore He used to wake me, oh so often. He’d had a bad dream, or a cough, or something felt funny inside. I would grumble, or be patient, depending on the night and how tired I was. Back to his room and tuck him in. Rinse and repeat, through many moons. But he doesn’t do that anymore. He used to be our pickiest eater. Though we’d always fed all three the same, he turned up his nose more frequently. I would grumble about this, or be patient, depending on the day and all that had happened up until that point. Trying not to make it worse, we encouraged him to taste new flavors. We also honored his preferences and didn’t force it. Now he gobbles down chili, curry, many of his former not-favorites. He doesn’t do that anymore. They used to argue every day: shout, bite, whine, hit. Clamoring for position and power, each in his or her own way. I would grumble about this, or be patient, depending on the state of my heart and energy level. These days plenty of disagreements occur, but so do apologies, ones I don’t always have to oversee or manage. They don’t do that anymore. The tantrums, oh dear Lord, the tantrums. “Don’t give in and they’ll soon learn that tantrums don’t work.” Ha. I never gave in, but that didn’t stop these daily events that pushed me to my limit and beyond. For years. I would grumble about this, or be patient, depending on how many times we’d been down this road in the past twenty-four hours. At times I found myself sitting through the screaming, my own tears of helplessness running like rivers. Too drained to even wipe them away. Convinced I must be doing everything wrong. But they don’t do that anymore. Some mamas are reading this after multiple times up in the night. Or you’ve stumbled across these words soon after yet another shouting match. Or maybe the dinner you poured weary energy into met with a resounding lack of applause. I don’t want to minimize the stage you’re in. Don’t want to tell you, “Enjoy these days, they go by so fast.” I’m not here to patronize you. Instead let me pour a little encouragement your way: Go ahead and grumble, or be patient. You don’t have to handle all the issues perfectly. Go ahead and cry, and wonder if it’s even worth it. Go ahead and pray, for strength to make it through the next five minutes. Because one day, often when you least expect it, often when you’ve come to peace with the imperfections and decided to be happy anyway, you’ll wake up, look around in amazement and realize: They just don’t do that anymore.
Jamie C. Martin (Introverted Mom: Your Guide to More Calm, Less Guilt, and Quiet Joy)
Work hard for a cause, not for applause. Live life to express, not to impress. Don’t strive to make your presence noticed, just make your absence felt.” ~ AUTHOR UNKNOWN
Sally Willard Burbank (Patients I Will Never Forget)
You won’t get applause if you don’t work for a cause!
RJ Yolande Mendes
suffering, without ambiguity. Everything smoothed out and ironed, and with a lot of starch in the collar. Why don’t I ever fit? And now that I write this, I think maybe this is why I have had trouble getting into the stride of this letter. For several months now, since the NavPress celebration party, I have spent more time with “evangelicals” than I am used to, and the effects are beginning to accumulate. I am used to a wider range of emotion and more forthrightness in matters of doubt and despair. It feels as if the people who are saying Amen to what I have been doing are doing it more as a celebrity thing than out of their own lives—the applause seems a little canned. I’m feeling a little better already, just noticing all this. And here is a reflection that has been growing in the process. The main work of the church in our culture, I am beginning to feel, has to do with “ways and means.” When everybody knows the gospel and is happy to be saved (and that is just the extreme instance of what is pretty common in so many church circles), the thing that stands out negatively is the inappropriateness of their ways and means: All their admiration is for the
Eric E. Peterson (Letters to a Young Pastor: Timothy Conversations between Father and Son)