“
May I see you again?" he asked. There was an endearing nervousness in his voice.
I smiled. "Sure."
"Tomorrow?" he asked.
"Patience, grasshopper," I counseled. "You don't want to seem overeager.
"Right, that's why I said tomorrow," he said. "I want to see you again tonight. But I'm willing to wait all night and much of tomorrow." I rolled my eyes. "I'm serious," he said.
"You don't even know me," I said. I grabbed the book from the center console. "How about I call you when I finish this?"
"But you don't even have my phone number," he said.
"I strongly suspect you wrote it in this book."
He broke out into that goofy smile. "And you say we don't know each other.
”
”
John Green (The Fault in Our Stars)
“
I am an atheist, out and out. It took me a long time to say it. I've been an atheist for years and years, but somehow I felt it was intellectually unrespectable to say one was an atheist, because it assumed knowledge that one didn't have. Somehow, it was better to say one was a humanist or an agnostic. I finally decided that I'm a creature of emotion as well as of reason. Emotionally, I am an atheist. I don't have the evidence to prove that God doesn't exist, but I so strongly suspect he doesn't that I don't want to waste my time.
”
”
Isaac Asimov
“
Talk to me about the truth of religion and I'll listen gladly. Talk to me about the duty of religion and I'll listen submissively. But don't come talking to me about the consolations of religion or I shall suspect that you don't understand.
”
”
C.S. Lewis (A Grief Observed)
“
You who never arrived
in my arms, Beloved, who were lost
from the start,
I don't even know what songs
would please you. I have given up trying
to recognize you in the surging wave of
the next moment. All the immense
images in me -- the far-off, deeply-felt landscape,
cities, towers, and bridges, and un-
suspected turns in the path,
and those powerful lands that were once
pulsing with the life of the gods--
all rise within me to mean
you, who forever elude me.
You, Beloved, who are all
the gardens I have ever gazed at,
longing. An open window
in a country house-- , and you almost
stepped out, pensive, to meet me. Streets that I chanced
upon,--
you had just walked down them and vanished.
And sometimes, in a shop, the mirrors
were still dizzy with your presence and, startled, gave back
my too-sudden image. Who knows? Perhaps the same
bird echoed through both of us
yesterday, separate, in the evening...
”
”
Rainer Maria Rilke
“
Are you smelling me?” After yesterday I suspected that my body was giving him all kinds of information I didn't want him to have.
“Don't tempt me,” he murmured.
”
”
Deborah Harkness (A Discovery of Witches (All Souls, #1))
“
Please, don't hate me because I am beautiful.
”
”
Michael Buckley (The Unusual Suspects (The Sisters Grimm, #2))
“
My new employer made me get a drug test, so I ripped off my shirt, flexed my muscles, and said, “You suspect me of taking steroids, don’t you?
”
”
Jarod Kintz (This Book is Not for Sale)
“
You accused me of murder. Do you make a habit of bringing schoolgirls into an interview room with murder suspects?'
He waved his hand. 'Oh, I was only joking about that. I don't really think you murdered someone. Unless you did, in which case I reserve the right to say I knew it all along.
”
”
Derek Landy (Death Bringer (Skulduggery Pleasant, #6))
“
I don't believe anyone ever suspects how completely unsure I am of my work and myself and what tortures of self-doubting the doubt of others has always given me.
”
”
Tennessee Williams
“
Snow, get behind me!" Charming shouted as he leaped to his feet. "I'll handle this brute."
"Billy", the teacher cried. "This is the twenty-first century, Women don't need the white knight routine anymore. I can fight my own battles.
”
”
Michael Buckley (The Unusual Suspects (The Sisters Grimm, #2))
“
I mean to say, really, I am near to developing a neurosis - is there anyone around who doesn't want to study or kill me?"
Floote raised a tentative hand.
"Ah, yes, thank you, Floote."
"There is also Mrs Tunstell, madam," he offered hopefully, is if Ivy were some kind of consolation prize.
"I notice you don't mention my fair-weather husband."
"I suspect, at this moment, madam, he probably wants to kill you."
Alexia couldn't help smiling. "Good point.
”
”
Gail Carriger (Blameless (Parasol Protectorate, #3))
“
...You know, lots of
female cyborgs are left infertile because of the invasive
procedures, but from the looks of it, I don’t suspect you will
have any problems.”
Cinder sat on one of the exam tables, chin settled atop
both palms. “Lucky me.”
The doctor wagged a finger at her. “You should be
grateful your surgeons took such care.”
“I’m sure I’ll feel much more grateful when I find a guy
who thinks complex wiring in a girl is a turn-on.
”
”
Marissa Meyer (Cinder (The Lunar Chronicles, #1))
“
I’ll admit, Jasnah, that I empathize with your skepticism, but I don’t agree with it. I just think you've been looking for God in the wrong places.”
“I suppose that you’re going to tell me where you think I should look.”
“You’ll find God in the same place you’re going to find salvation from this mess,” Wit said. “Inside the hearts of men.”
“Curiously,” Jasnah said, “I believe I can actually agree with that, though I suspect for different reasons than you imply.
”
”
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
“
I suspect I said nothing because I was doing what I have done most of my life, which is to cover for the mistakes of others when they don't know they have embarrassed themselves. I do this, I think, because it could be me a great deal of the time.
”
”
Elizabeth Strout (My Name Is Lucy Barton (Amgash, #1))
“
I don't like people who like me because I'm a Negro; neither do I like people who find in the same accident grounds for contempt. I love America more than any other country in the world, and, exactly for this reason, I insist on the right to criticize her perpetually. I think all theories are suspect, that the finest principles may have to be modified, or may even be pulverized by the demands of life, and that one must find, therefore, one's own moral center and move through the world hoping that this center will guide one aright. I consider that I have many responsibilities, but none greater than this: to last, as Hemingway says, and get my work done.
I want to be an honest man and a good writer.
”
”
James Baldwin (Notes of a Native Son)
“
Taking pity on me, Carissa kept her voice low. “You were calling out for Daemon.”I dropped my face in my hands and moaned. “Oh, God.”
Lesa giggled. “It was kind of cute.”
A minute before the tardy bell rang, I felt an all-too-familiar warmth on my neck and glanced up. Daemon swaggered into class. Textbook-less as usual. He had a notebook, but I don’t think he ever wrote anything in it. I was beginning to suspect our math teacher was an alien, because how else would Daemon get away with not doing a damn thing in class? He passed by without so much as a look.
I twisted around in my chair. “I need to talk to you.”
He slid into his desk chair. “Okay.”
“In private,” I whispered.
His expression didn’t change as he leaned back in his chair. “Meet me in the library at lunch. No one really goes in there. You know, with all those books and stuff.
”
”
Jennifer L. Armentrout (Onyx (Lux, #2))
“
If you have ever met someone who rarely reads, then you will understand the blank look Moti gave me. For nonreaders, life is simply what they touch and see, not what they feel when they open the pages of a play and are transported to the Forest of Arden or Illyria. Where the world is full of a thousand colors for those who love books, I suspect it is simply black and gray to everyone else. A tree is a tree to them; it is never a magical doorway to another world populated with beings that don’t exist here.
”
”
Michelle Moran (Rebel Queen)
“
I had not said anything about what had happened the day before—about being scared down to my very bones when I thought they had left me. I don't know what came over me. Ever since my mother left us that April day, I suspected that everyone was going to leave, one by one.
”
”
Sharon Creech (Walk Two Moons)
“
I suspect almost every day that I’m living for nothing, I get depressed and I feel self-destructive and a lot of the time I don’t like myself. What’s more, the proximity of other humans often fills me with overwhelming anxiety, but I also feel that this precarious sentience is all we’ve got and, simplistic as it may seem, it’s a person’s duty to the potentials of his own soul to make the best of it. We’re all stuck on this often miserable earth where life is essentially tragic, but there are glints of beauty and bedrock joy that come shining through from time to precious time to remind anybody who cares to see that there is something higher and larger than ourselves. And I am not talking about your putrefying gods, I am talking about a sense of wonder about life itself and the feeling that there is some redemptive factor you must at least search for until you drop dead of natural causes.
”
”
Lester Bangs (Psychotic Reactions and Carburetor Dung)
“
Talk to me about the truth of religion and I'll listen gladly. Talk to me about the duty of religion and I'll listen submissively. But don't come talking to me about the consolations of religion or I shall suspect that you don't understand.
Unless, of course, you can literally believe all that stuff about family reunions 'on the further shore,' pictured in entirely earthly terms. But that is all unscriptural, all out of bad hymns and lithographs. There's not a word of it in the Bible. And it rings false. We know it couldn't be like that. Reality never repeats. The exact same thing is never taken away and given back. How well the Spiritualists bait their hook! 'Things on this side are not so different after all.' There are cigars in Heaven. For that is what we should all like. The happy past restored.
”
”
C.S. Lewis (A Grief Observed)
“
Do you know what it was like kissing Holly and looking up to see you?"
"What?"
"You said to begin anywhere."
But I hadn't expected that as a beginning, middle or end. I felt my cheeks getting warm. "I guess it was pretty embarrassing for both of us," I said, and walked ahead of him so he wouldn't see my face. "I know, I just kept staring at you."
"What were you thinking?"
"I don't remember."
"Don't you start using that line," he chided.
"Then don't ask me, Nick." Did he suspect how I felt.
He caught me and turned me around to face him. I focused on his shirt.
"Okay," he said quietly, "I'll tell you what I was thinking. I couldn't believe that I, who was never going to get hooked, had fallen in love with a girl who didn't want to date, and she was watching me kiss somebody else."
I glanced up.
"Your turn, brave girl. What were you thinking?"
"That Holly looked beautiful in your arms and that you didn't pull away from her the way you had pulled away from me when I kissed you."
He drew me to him. "I'm not pulling away again," he said holding me close.
”
”
Elizabeth Chandler (Dark Secrets 1 (Dark Secrets, #1-2))
“
I saw a meme the other day with a picture of Marilyn Manson and Robin Williams. It said about the former, this isn’t the face of depression, and about the latter, this is. This really struck a chord and it’s been on my mind since then. As someone who has continuously dipped in and out of chronic depression and anxiety for close to three decades now, and I’ve never previously spoken about the subject, I finally thought it was time I did.
These days it’s trendy for people to think they’re cool and understanding about mental illness, posting memes and such to indicate so. But the reality is far different to that. It seems most people think if they publicly display such understanding then perhaps a friend will come to them, open up, and calmly discuss their problems. This will not happen. For someone in that seemingly hopeless void of depression and anxiety the last thing they are likely to do is acknowledge it, let alone talk about it. Even if broached by a friend they will probably deny there is a problem and feel even more distanced from the rest of the world.
So nobody can do anything to help, right? No. If right now you suspect one of your friends is suffering like this then you’re probably right. If right now you think that none of your friends are suffering like this then you’re probably wrong. By all means make your public affirmations of understanding, but at least take on board that an attempt to connect on this subject by someone you care about could well be cryptic and indirect.
When we hear of celebrities who suffered and finally took their own lives the message tends to be that so many close friends had no idea. This is woeful, but it’s also great, right? Because by not knowing there was a problem there is no burden of responsibility on anyone else. This is another huge misconception, that by acknowledging an indirect attempt to connect on such a complex issue that somehow you are accepting responsibility to fix it. This is not the case. You don’t have to find a solution. Maybe just listen. Many times over the years I’ve seen people recoil when they suspect that perhaps that is the direct a conversation is about to turn, and they desperately scramble for anything that can immediately change the subject. By acknowledging you’ve heard and understood doesn’t mean you are picking up their burden and carrying it for them.
Anyway, I’ve said my piece. And please don’t think this is me reaching out for help. If this was my current mindset the last thing I’d ever do is write something like this, let alone share it.
”
”
R.D. Ronald
“
I quizzed him a lot on this point and i suspect the truth was that it was like a lot of things at that age: you don't have any clear reason, you just do it. You do it because you think it might get a laugh, or because you want to see if it'll cause a stir. And when you're asked to explain afterwards, it doesn't seem to make any sense.
”
”
Kazuo Ishiguro (Never Let Me Go)
“
But the truth is it’s hard for me to know what I really think about any of the stuff I’ve written. It’s always tempting to sit back and make finger-steeples and invent impressive sounding theoretical justifications for what one does, but in my case most of it’d be horseshit. As time passes I get less and less nuts about anything I’ve published, and it gets harder to know for sure when its antagonistic elements are in there because they serve a useful purpose and when their just covert manifestations of this "look-at-me-please-love-me-I-hate you" syndrome I still sometimes catch myself falling into. Anyway, but what I think I meant by "antagonize" or "aggravate" has to do with the stuff in the TV essay about the younger writer trying to struggle against the cultural hegemony of TV. One thing TV does is help us deny that we’re lonely. With televised images, we can have the facsimile of a relationship without the work of a real relationship. It’s an anesthesia of "form." The interesting thing is why we’re so desperate for this anesthetic against loneliness. You don’t have to think very hard to realize that our dread of both relationships and loneliness, both of which are like sub-dreads of our dread of being trapped inside a self (a psychic self, not just a physical self), has to do with angst about death, the recognition that I’m going to die, and die very much alone, and the rest of the world is going to go merrily on without me. I’m not sure I could give you a steeple-fingered theoretical justification, but I strongly suspect a big part of real art fiction’s job is to aggravate this sense of entrapment and loneliness and death in people, to move people to countenance it, since any possible human redemption requires us first to face what’s dreadful, what we want to deny.
”
”
David Foster Wallace
“
Hazel Grace,” he said, my name new and better in his voice. “It has been a real pleasure to make your acquaintance.”
“Ditto, Mr. Waters,” I said. I felt shy looking at him. I could not match the intensity of his waterblue eyes.
“May I see you again?” he asked. There was an endearing nervousness in his voice.
I smiled. “Sure.”
“Tomorrow?” he asked.
“Patience, grasshopper,” I counseled. “You don’t want to seem overeager.”
“Right, that’s why I said tomorrow,” he said. “I want to see you again tonight. But I’m willing to wait all night and much of tomorrow.” I rolled my eyes. “I’m serious,” he said.
“You don’t even know me,” I said. I grabbed the book from the center console. “How about I call you when I finish this?”
“But you don’t even have my phone number,” he said.
“I strongly suspect you wrote it in the book.”
He broke out into that goofy smile. “And you say we don’t know each other.
”
”
John Green
“
It is only half an hour’–’It is only an afternoon’–’It is only an evening,’ people say to me over and over again; but they don’t know that it is impossible to command one’s self sometimes to any stipulated and set disposal of five minutes–or that the mere consciousness of an engagement will sometime worry a whole day… Who ever is devoted to an art must be content to deliver himself wholly up to it, and to find his recompense in it. I am grieved if you suspect me of not wanting to see you, but I can’t help it; I must go in my way whether or no.
”
”
Charles Dickens
“
Despite all that education and experience can do, I retain a certain level of unsophistication that I cannot eradicate and that my friends find amusing. In fact, I think I sometimes detect conspiratorial plottings among my friends to protect me against my own lack of sophistication. I don't mind. I suspect that I am never quite as unsophisticated as they think I am, but I don't mind.
”
”
Isaac Asimov (In Memory Yet Green: The Autobiography, 1920-1954)
“
I've been so bothered with my property, that I'm tired of it, and don't mean to save up any more, but give it away as I go along, and then nobody will envy me, or want to steal it, and I shan't be suspecting folks and worrying about my old cash.
”
”
Louisa May Alcott (Little Men (Little Women, #2))
“
Bad music is a form of murder to the true art of music in general.Bad music forced on a child is abuse because it invariably forms that child´s taste in music. Bad music has raped an industry that was held up strongly by great expression for decades but now finds itself floundering, giving in to the lowest common denominator of music just to keep its panties around its waist. Bad music tortures the eardrums and kills little bits of your senses through prolonged exposure. Bad music steals money from shallow pockets, steals airtime from more deserving bands and songwriters, and steals the spotlight from undiscovered geniuses who have all but given up on a dream because of the mediocrity of popular radio. Bad music is a lie, and yet it is foisted on the public in an attempt to turn melodies and songs into hamburgers and fries. Bad music is truly a sin because you don´t have to be exceptional to make it in the music industry anymore. You just have to be good enough to stick around and be tolerated. I understand that bad music is a matter of opinion. I know that. But I am fairly confident that more people agree with me than you suspect.
Bad music is just fucking bad.
”
”
Corey Taylor (Seven Deadly Sins: Settling the Argument Between Born Bad and Damaged Good)
“
I’ve made some things for you, Constant Reader; you see them laid out before you in the moonlight. But before you look at the little handcrafted treasures I have for sale, let’s talk about them for a bit, shall we? It won’t take long. Here, sit down beside me. And do come a little closer. I don’t bite. Except... we’ve known each other for a very long time, and I suspect you know that’s not entirely true. Is it?
”
”
Stephen King (The Bazaar of Bad Dreams)
“
So the boy…the boy must die?” asked Snape quite calmly.
“And Voldemort himself must do it, Severus. That is essential.”
Another long silence. Then Snape said, “I thought…all these years…that we were protecting him for her. For Lily.”
“We have protected him because it has been essential to teach him, to raise him, to let him try his strength,” said Dumbledore, his eyes still tight shut. “Meanwhile, the connection between them grows ever stronger, a parasitic growth: Sometimes I have thought he suspects it himself. If I know him, he will have arranged matters so that when he does set out to meet his death, it will truly mean the end of Voldemort.”
Dumbledore opened his eyes. Snape looked horrified.
“You have kept him alive so that he can die at the right moment?”
“Don’t be shocked, Severus. How many men and women have you watched die?”
“Lately, only those whom I could not save,” said Snape. He stood up. “You have used me.”
“Meaning?”
“I have spied for you and lied for you, put myself in mortal danger for you. Everything was supposed to be to keep Lily Potter’s son safe. Now you tell me you have been raising him like a pig for slaughter--”
“But this is touching, Severus,” said Dumbledore seriously. “Have you grown to care for the boy, after all?”
“For him?” shouted Snape. “Expecto Patronum!”
From the tip of his wand burst the silver doe: She landed on the office floor, bounded once across the office, and soared out of the window. Dumbledore watched her fly away, and as her silvery glow faded he turned back to Snape, and his eyes were full of tears.
“After all this time?”
“Always,” said Snape.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
I wish I could ask God to give
me another personality, one that doesn't antagonize everyone. But that's impossible. I'm stuck with the character I was born with, and yet I'm sure I'm not a bad person. I do my best to please everyone, more than they'd ever suspect in a million years. When I'm upstairs, I try to laugh it off because I don't want them to see my troubles.
”
”
Anne Frank (The Diary of a Young Girl)
“
A memory: Isola as a toddler, sugarlump teeth, skin still smelling of milk. Hair that curled without use of an iron and sweet dresses that didn’t matter were dirtied. When she was old enough, she demanded the usual suspects at bedtime: The Little Mermaid, Hansel and Gretel, Beauty and the Beast.
Even then, Mother’s contempt for non-Pardieu fairytales was obvious.
‘Hmph,’ she snorted derisively, folding up her knees to perch on Isola’s bed. ‘Listen to me, Isola. The original Beauty’s just an encouragement to young women to accept arranged marriages. What it’s really saying to impressionable girls is, “Don’t worry if your new husband is decades older than you, or ugly, or horrid. If you’re sweet and obedient enough, you might just discover he’s a prince in disguise!’’
Mother’s Most Lasting Advice
‘Never be that girl, Isola. Never pick the beast or the wolf on the off-chance he won’t devour you.
”
”
Allyse Near (Fairytales for Wilde Girls)
“
The doctor said a ball hit me. But I don’t remember batting.” “You were in the dugout. Henry made a bad throw.” “Henry did? Really? Are you sure?” “Yes.” “Well, it’s always the ones you least suspect.” Owen let his eyes fall shut. “I don’t remember anything at all. Was I reading?” Affenlight nodded. “I warned you. It’s a dangerous pastime.
”
”
Chad Harbach (The Art of Fielding)
“
You look different." His words, normally crisp,are now sluggish.
"So do you," I say.And he does-he looks more relaxed,younger. "What are you doing?"
"Flirting with death," he replies with a laugh. "Drinking near the chasm. Probably not a good idea."
"No,it isn't" I'm not sure I like Four this way.There's something unsettling about it.
"Didn't know you had a tattoo," he says, looking at my collarbone.
He sips the bottle. His breath smells thick and sharp.Like the factionless man's breath.
"Right.The crows," he says. He glances over his shoulder at his friends, who are carrying on without him, unlike mine. He adds, "I'd ask you hang out with us, but you're not supposed to see me this way."
I am tempted to ask him why he wants to hang out with him,but I suspect the answer has something to do with the bottle in his hand.
"What way?" I ask. "Drunk?
"Yeah...well,no." His voice softens. "Real,I guess."
"I'll pretend I didn't."
"Nice of you." He puts his lips next to my ear and says, "You look good, Tris."
His words surprise me,and my heart leaps. I wish it didn't,because judging by the way his eyes slide over mine, he has no idea what he's saying. I laugh. "Do me a favor and stay away from the chasm,okay?"
"Of course." He winks at me.
I can't help it.I smile.Will clears his throat,but I don't want to turn away from Four,even when he walks back to his friends.
Then Al rushes at me like a rolling boulder and throws me over his shoulder. I shriek,my face hot.
"Come on,little girl," he says, "I'm taking you to dinner."
I rest my elbows on Al's back and wave at Four as he carries me away.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
Well … when we were in our first year, Harry — young, carefree, and innocent —” Harry snorted. He doubted whether Fred and George had ever been innocent. “— well, more innocent than we are now — we got into a spot of bother with Filch.” “We let off a Dungbomb in the corridor and it upset him for some reason —” “So he hauled us off to his office and started threatening us with the usual —” “— detention —” “— disembowelment —” “— and we couldn’t help noticing a drawer in one of his filing cabinets marked Confiscated and Highly Dangerous.” “Don’t tell me —” said Harry, starting to grin. “Well, what would you’ve done?” said Fred. “George caused a diversion by dropping another Dungbomb, I whipped the drawer open, and grabbed — this.” “It’s not as bad as it sounds, you know,” said George. “We don’t reckon Filch ever found out how to work it. He probably suspected what it was, though, or he wouldn’t have confiscated it.” “And you know how to work it?” “Oh yes,” said Fred, smirking. “This little beauty’s taught us more than all the teachers in this school.” “You’re winding me up,” said Harry, looking at the ragged old bit of parchment. “Oh, are we?” said George. He took out his wand, touched the parchment lightly, and said, “I solemnly swear that I am up to no good.
”
”
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
“
I was diagnosed a thirteen. Paranoid got tacked on about a year later, after I verbally attacked a librarian for trying to hand me propaganda pamphlets for an underground communist force operating out of the basement of the public library. (She'd always been a very suspect type of librarian--I refuse to believe donning rubber gloves to handle books is a normal and accepted practice, and I don't care what anyone says.)
”
”
Francesca Zappia (Made You Up)
“
We haven’t spoken in ages, and I don’t know that we’re friends, though I’m sure we will always be. He’s always read me extremely well, and I have a feeling that he suspects that if I never write it’s not because I don’t care but because a part of me still does and always will, just as I know he still cares, which is why he too never writes. And knowing this is good enough for me.
”
”
André Aciman (Find Me (Call Me By Your Name, #2))
“
The boy is right,” Torin said, even though he and Cal were probably close to the same age (well, plus or minus five hundred years, I guess). “And the sooner, the better. We’re in stasis now, but something is coming. I sense a-“
“Great disturbance in the Force?” I interrupted before I could stop myself.
Torin frowned. “I suspect you’re mocking me, but I don’t understand the reference.
”
”
Rachel Hawkins (Spell Bound (Hex Hall, #3))
“
Tris!” Four calls out. Will and I exchange a look, half surprise and half apprehension. Four pulls away from the railing and walks
up to me. Ahead of us, Al and Christina stop running, and Christina slides to the ground. I don’t blame them for staring. There are four of us, and Four is only talking to me.
“You look different.” His words, normally crisp, are now sluggish.
“So do you,” I say. And he does—he looks more relaxed, younger. “What are you doing?”
“Flirting with death,” he replies with a laugh. “Drinking near the chasm. Probably not a good idea.”
“No, it isn’t.” I’m not sure I like Four this way. There’s something unsettling about it.
“Didn’t know you had a tattoo,” he says, looking at my collarbone.
He sips the bottle. His breath smells thick and sharp. Like the factionless man’s breath.
“Right. The crows,” he says. He glances over his shoulder at his friends, who are carrying on without him, unlike mine. He adds,
“I’d ask you to hang out with us, but you’re not supposed to see me this way.”
I am tempted to ask him why he wants me to hang out with him, but I suspect the answer has something to do with the bottle in
his hand.
“What way?” I ask. “Drunk?”
“Yeah...well, no.” His voice softens. “Real, I guess.”
“I’ll pretend I didn’t.”
“Nice of you.” He puts his lips next to my ear and says, “You look good, Tris.”
His words surprise me, and my heart leaps. I wish it didn’t, because judging by the way his eyes slide over mine, he has no idea
what he’s saying. I laugh. “Do me a favor and stay away from the chasm, okay?”
“Of course.” He winks at me.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
I don't usually let people look at this."
"Why not?" Jace looked tousled, as if he'd been asleep himself. "You're a pretty good artist. Sometimes an excellent."
"Well, because - it's like a diary. Except I don't think in words, I think in pictures, so it's all drawings. But it's still private." She wondered if she sounded as crazy as she suspected.
Jace looked wounded. "A diary with no drawings of me in it? Where are the torrid fantasies? The romance novel covers? The -
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
My Angel,
My greatest hope is that you never have to read this. Vee knows to give you this letter only if my feather is burned and I’m chained in hell or if Blakely develops a devilcraft prototype strong enough to kill me. When war between our races ignites, I don’t know what will become of our future. When I think about you and our plans. I feel a desperate aching. Never have I wanted things to turn out right as as I do now.
Before I leave this world, I need to make certain you know that all my love belongs to you. You are the same to me now as you were before you swore the Changeover Vow. You are mine. Always. I love the strength, courage, and gentleness of your soul. I love your body too. How could someone so sexy and perfect be mine? With you I have purpose-someone to love, cherish and protect.
There are secrets in my past that weigh on your mind. You've trusted me enough not to ask about them, and it's your faith that has made me a better man. I don’t want to leave you with anything hidden between us. I told you I was banished from heaven for falling in love with a human girl. The I way I explained it, I risked everything to be with her. I said those words because they simplified my motivations.
But they weren't the truth. The truth is I had become disenchanted with the archangels’s shifting goals and wanted to push back against them and their rules. That girl was an excuse to let go of an old way of living and accept a new journey that would eventually lead me to you. I believe in destiny, Angel. I believe every choice I've made has brought me closer to you. I looked for you for a very long time. I may have fallen from heaven but I fell for you.
I will do whatever it takes to make sure you win this war. Nephilim will come out on top. You’ll fulfill your vow to the Black Hand and be safe. This is my priority even if the cost is my life. I suspect this will make you angry. It may be hard to forgive me. I promised that we would be together at the end of this and you may resent me for the breaking that vow. I want you to know I did everything to keep my word. As I write this I am going over ever possibility that will see us through this. I hope I find a way. But if this choice I have to make comes down to your or me, I choose you.
I always have.
All my love,
Patch
”
”
Becca Fitzpatrick (Finale (Hush, Hush, #4))
“
I hope these essays have been comforting to someone reading it if for no other reason than to watch me openly admit I have no idea what I’m doing. I suspect most people feel that way, even if they don’t fess up.
”
”
Sara Bareilles (Sounds Like Me: My Life (So Far) in Song)
“
Here, sit down beside me. And do come a little closer. I don’t bite. Except . . . we’ve known each other for a very long time, and I suspect you know that’s not entirely true. Is it?
”
”
Stephen King (The Bazaar of Bad Dreams)
“
And why wouldn't I show him how like butter I was? Because I was afraid of what might happen then? Or was I afraid he would have laughed at me, told everyone, or ignored the whole thing on the pretext I was too young to know what I was doing? Or was it because if he so much as suspected - and anyone who suspected would of necessity be on the same wavelength - he might be tempted to act on it? Did I want him to act? Or would I prefer a lifetime of longing provided we both kept this little Ping-Pong game going: not knowing, not-not knowing, not-not-not knowing? Just be quiet, say nothing, and if you can't say 'yes,' don't say 'no,' say 'later.' Is this why people say 'maybe' when they mean 'yes,' but hope you'll think it's a 'no' when all they really mean is, Please, just ask me once more, and once more after that?
”
”
André Aciman (Call Me by Your Name)
“
So I take it you and Gansey get along, then?” Maura’s expression was annoyingly knowing.
“Mom.”
“Orla told me about his muscle car,” Maura continued. Her voice was still angry and artificially bright. The fact that Blue was well aware that she’d earned it made the sting of it even worse. “You aren’t planning on kissing him, are you?”
“Mom, that will never happen,” Blue assured her. “You did meet him, didn’t you?”
“I wasn’t sure if driving an old, loud Camaro was the male equivalent of shredding your T-shirts and gluing cardboard trees to your bedroom walls.”
“Trust me,” Blue said. “Gansey and I are nothing like each other. And they aren’t cardboard. They’re repurposed canvas.”
“The environment breathes a sigh of relief.” Maura attempted another sip of her drink; wrinkling her nose, she shot a glare at Persephone. Persephone looked martyred. After a pause, Maura noted, in a slightly softer voice, “I’m not entirely happy about you’re getting in a car without air bags.”
“Our car doesn’t have air bags,” Blue pointed out.
Maura picked a long strand of Persephone’s hair from the rim of her glass. “Yes, but you always take your bike.”
Blue stood up. She suspected that the green fuzz of the sofa was now adhered to the back of her leggings. “Can I go now? Am I in trouble?”
“You are in trouble. I told you to stay away from him and you didn’t,” Maura said. “I just haven’t decided what to do about it yet. My feelings are hurt. I’ve consulted with several people who tell me that I’m within my rights to feel hurt. Do teenagers still get grounded? Did that only happen in the eighties?”
“I’ll be very angry if you ground me,” Blue said, still wobbly from her mother’s unfamiliar displeasure. “I’ll probably rebel and climb out my window with a bedsheet rope.”
Her mother rubbed a hand over her face. Her anger had completely burned itself out. “You’re well into it, aren’t you? That didn’t take long.”
“If you don’t tell me not to see them, I don’t have to disobey you,” Blue suggested.
“This is what you get, Maura, for using your DNA to make a baby,” Calla said.
Maura sighed. “Blue, I know you’re not an idiot. It’s just, sometimes smart people do dumb things.”
Calla growled, “Don’t be one of them.”
“Persephone?” asked Maura.
In her small voice, Persephone said, “I have nothing left to add.” After a moment of consideration, she added, however, “If you are going to punch someone, don’t put your thumb inside your fist. It would be a shame to break it.”
“Okay,” Blue said hurriedly. “I’m out.”
“You could at least say sorry,” Maura said. “Pretend like I have some power over you.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
And a variety of more colorful names. Hypothetically.” The privateer cast him an assessing glance. “Just how did you know I wasn’t who I claimed to be, Mister Brekker?”
Kaz shrugged. “You speak Kerch like a native—a rich native. You don’t talk like someone who came up with sailors and street thugs.”
The privateer turned slightly, giving Kaz his full attention. His ease was gone, and now he looked like a man who might command armies. “Mister Brekker,” he said. “Kaz, if I may? I am in a vulnerable position. I am a king ruling a country with an empty treasury, facing enemies on all sides. There are also forces within my country that might seize any absence as an opportunity to make their own bid for power.”
“So you’re saying you’d make an excellent hostage.”
“I suspect that the ransom for me would be considerably less than the price Kuwei has on his head. Really, it’s a bit of a blow to my self-esteem.”
“You don’t seem to be suffering,” said Kaz.
“Sturmhond was a creation of my youth, and his reputation still serves me well. I cannot bid on Kuwei Yul-Bo as the king of Ravka. I hope your plan will play out the way you think it will. But if it doesn’t, the loss of such a prize would be seen as a humiliating blunder diplomatically and strategically. I enter that auction as Sturmhond or as no one at all. If that is a problem—”
Kaz settled his hands on his cane. “As long as you don’t try to con me, you can enter as the Fairy Queen of Istamere.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
Don’t worry,” he said letting me go and adding a brownie and chocolate milk to my tray. “All they see is me fucking with you. They’d never suspect—” “That you were serious?” He grinned to himself and dumped a bag of pretzels and some French fries on my tray. “No, that you like me.
”
”
Penelope Douglas (Nightfall (Devil's Night, #4))
“
A: Absorbed in our discussion of immortality, we had let night fall without lighting the lamp, and we couldn't see each other's faces. With an offhandedness or gentleness more convincing than passion would have been, Macedonio Fernandez' voice said once more that the soul is immortal. He assured me that the death of the body is altogether insignificant, and that dying has to be the most unimportant thing that can happen to a man. I was playing with Macedonio's pocketknife, opening and closing it. A nearby accordion was infinitely dispatching La Comparsita, that dismaying trifle that so many people like because it's been misrepresented to them as being old... I suggested to Macedonio that we kill ourselves, so we might have our discussion without all that racket.
Z: (mockingly) But I suspect that at the last moment you reconsidered.
A: (now deep in mysticism) Quite frankly, I don't remember whether we committed suicide that night or not.
”
”
Jorge Luis Borges (Collected Fictions)
“
I don’t think I’m an exceptionally bad reader. I suspect that many people, maybe even most, are like me. We read and read and read,
and we forget and forget and forget. So why do we bother? Michel de Montaigne expressed the dilemma of extensive reading in the
sixteenth century: “I leaf through books, I do not study them,” he wrote. “What I retain of them is something I no longer recognize as anyone else’s.
It is only the material from which my judgment has profited, and the thoughts and ideas with which it has become imbued;
the author, the place, the words, and other circumstances, I immediately forget.” He goes on to explain how “to compensate a
little for the treachery and weakness of my memory,” he adopted the habit of writing in the back of every book a short critical
judgment, so as to have at least some general idea of what the tome was about and what he thought of it.
”
”
Joshua Foer (Moonwalking with Einstein: The Art and Science of Remembering Everything)
“
I got mad at everything about him. That he’d pulled away, that he’d made me embarrassed, that he didn’t feel the way I wanted him to feel. Or, maybe it was that I suspected he did feel that way and he wasn’t admitting it…But as irrational as it was, I was livid. I was furious. There was rage in my chest.
We are talking about probably the first man in my life who really saw me, who ever really understood me, who had so much in common with me… and he still didn’t love me.
When you find that rare person who really knows who you are and they still don’t love you…
I was burning.
”
”
Taylor Jenkins Reid
“
Merritt, I’m thinking about having an affair with West Ravenel. I know it’s wrong . . . but how wrong?” “Don’t ask me,” Merritt would probably say, her eyes laughing. “As a moral relativist, I’m thoroughly unqualified to judge your decisions.” “A fine help you are,” Phoebe would retort. “I want someone to give me permission.” “No one can do that but you, dear.” “What if it turns out to be a mistake?” “Then I suspect you’ll have had a delightful time making it.
”
”
Lisa Kleypas (Devil's Daughter (The Ravenels #5))
“
I struggle to stomach sincerity, or to express any authentic emotion, because everything feels insincere when you suspect that deep down, in the chasm of yourself, the most sentient part of you is a little ill-intentioned monster. I feel like a husk, like I am being gradually taken over, and that all my feelings and thoughts are tampered with. I am nervous when I interact with people like Edna. I don't want to expose her to Plankton. I think there have been times in the past where he took me over completely.
”
”
Emily R. Austin (Interesting Facts about Space)
“
I believe I can read a little in the souls of those around me; maybe it is not so. Oh, when I have a good day I feel as if I can peer deep into other people’s souls, although I don’t have a particularly good head on my shoulders. We sit in a room, some men and women and I, and I seem to see what is going on in the hearts of these people and what they think of me. I put something into every flashing glance of their eyes; occasionally the blood rushes to their cheeks so they turn red, at other times they pretend to be looking another way while still watching me out of the corner of their eyes. There I sit observing all this, and nobody suspects that I see through every soul. For several years I have thought I could read the souls of everybody. Maybe it is not so. . . .
”
”
Knut Hamsun (Pan)
“
That’s because they’re stupid. I don’t need a pointless representation of your family staring at me while I’m sitting at a stoplight behind you. And I can’t help but wonder how truly imperfect your family is if you feel the need to perpetuate it on your window for the world to see. I always suspect they’re hiding dysfunction behind the façade. Hypocrites.
”
”
Kim Holden (Bright Side (Bright Side, #1))
“
That is a horrid temptation to put before a man who is forbidden to make vigorous movements,” he said.
“Is it really?” she said. “No wonder Miles did not approve. He looked daggers at me.”
“Maybe his face froze that way,” Rupert said. “He was looking daggers at me a few hours ago. Do you think he suspects?”
“I think he knows ,” she said.
“I’m glad I don’t have a sister,” he said. “I should have to get over my aversion to killing people.”
-Rupert and Daphne
”
”
Loretta Chase (Mr. Impossible (Carsington Brothers, #2))
“
My father who got cages instead of compassion.
My father whose whole story no one of us will ever know.
What did it do to him, all those years locked away, all that time in chains, all those days upon days without human touch except touch meant to harm - hand behind your back, N****r. Get on the fucking wall, N****r! Lift your sac, N****r. Don't look at me like that or I will f*****g kill your Black ass.
It would be easy to speculate about the impact of years of cocaine use on my father's heart, but I suspect that it will tell us less than if we could measure the cumulative effects of hatred, racism and indignity. What is the impact of years of strip searches, of being bent over, the years before that when you were a child and knew that no dream you had for yourself was taken seriously by anyone, that you were not someone who would be fully invested in by a nation that treated you as expendable?
”
”
Patrisse Khan-Cullors (When They Call You a Terrorist: A Black Lives Matter Memoir)
“
In her last weeks, she had moments of lucidity, and I cherished them when I was around to talk to her. One of these conversations happened when it was just me and her in the hospital room.
‘I suspect you will never have a husband,’ she said, looking at me intently from her bed.
‘Would you be upset if that happened?’ I asked.
‘Your mother would be,’ she said, then lowered her voice. ‘But I think you would be wise not to.’ This surprised me as I had always thought that she and my grandfather had been very happy together.
‘Why do you say that?’ I asked.
Her hand, spotted in soft-brown splodges, the rails of her bones protruding, flapped gently at me to take it.
I cupped it in both of mine.
‘You have a home that is yours,’ she said. ‘And your own money. Don’t you?’
‘I have a bit of money, yes.’
‘And you have your education. And you have your career.’ I nodded. ‘Then you have everything,’ she said.
”
”
Dolly Alderton (Good Material)
“
I am thirty-five years old, and it seems to me that I have arrived at the age of grief. Others arrive there sooner. Almost no one arrives much later. I don’t think it is years themselves, or the disintegration of the body. Most of our bodies are better taken care of and better-looking than ever. What it is, is what we know, now that in spite of ourselves we have stopped to think about it. It is not only that we know that love ends, children are stolen, parents die feeling that their lives have been meaningless. It is not only that, by this time, a lot of acquaintances and friends have died and all the others are getting ready to sooner or later. It is more that the barriers between the circumstances of oneself and of the rest of the world have broken down, after all—after all that schooling, all that care. Lord, if it be thy will, let this cup pass from me. But when you are thirty-three, or thirty-five, the cup must come around, cannot pass from you, and it is the same cup of pain that every mortal drinks from. Dana cried over Mrs. Hilton. My eyes filled during the nightly news. Obviously we were grieving for ourselves, but we were also thinking that if they were feeling what we were feeling, how could they stand it? We were grieving for them, too. I understand that later you come to an age of hope, or at least resignation. I suspect it takes a long time to get there.
”
”
Jane Smiley (The Age of Grief)
“
I still suspect that most people start out with some kind of ability to tell a story but that it gets lost along the way. Of course, the ability to create life with words is essentially a gift. If you have it in the first place, you can develop it; if you don't have it, you might as well forget it.
But I have found that people who don't have it are frequently the ones hell-bent on writing stories. I'm sure anyway that they are the ones who write the books and the magazine articles on how-to-write-short-stories. I have a friend who is taking a correspondence course in this subject, and she has passed a few of the chapter headings on to me—such as, "The Story Formula for Writers," "How to Create Characters," "Let's Plot!" This form of corruption is costing her twenty-seven dollars.
”
”
Flannery O'Connor (Mystery and Manners: Occasional Prose (FSG Classics))
“
Fess up, Diana. You’re not worried about saying the wrong thing if you see Matthew Clairmont at a cocktail party. This is how you behave when you’re working on a research problem. What is it about him that’s hooked your imagination?”
Sometimes Chris seemed to suspect I was different. But there was no way to tell him the truth.
“I have a weakness for smart men.”
He sighed. “Okay, don’t tell me. You’re a terrible liar, you know. But be careful. If he breaks your heart, I’ll have to kick his ass, and this is a busy semester for me.
”
”
Deborah Harkness (A Discovery of Witches (All Souls, #1))
“
I think of a person I haven't seen or thought of for years, and ten minutes later I see her crossing the street. I turn on the radio to hear a voice reading the biblical story of Jael, which is the story that I have spent the morning writing about. A car passes me on the road, and its license plate consists of my wife's and my initials side by side. When you tell people stories like that, their usual reaction is to laugh. One wonders why.
I believe that people laugh at coincidence as a way of relegating it to the realm of the absurd and of therefore not having to take seriously the possibility that there is a lot more going on in our lives than we either know or care to know. Who can say what it is that's going on? But I suspect that part of it, anyway, is that every once and so often we hear a whisper from the wings that goes something like this: "You've turned up in the right place at the right time. You're doing fine. Don't ever think that you've been forgotten.
”
”
Frederick Buechner (Wishful Thinking)
“
It’s that time of the month again…
As we head into those dog days of July, Mike would like to thank those who helped him get the toys he needs to enjoy his summer.
Thanks to you, he bought a new bass boat, which we don’t need; a condo in Florida, where we don’t spend any time; and a $2,000 set of golf clubs…which he had been using as an alibi to cover the fact that he has been remorselessly banging his secretary, Beebee, for the last six months.
Tragically, I didn’t suspect a thing. Right up until the moment Cherry Glick inadvertently delivered a lovely floral arrangement to our house, apparently intended to celebrate the anniversary of the first time Beebee provided Mike with her special brand of administrative support. Sadly, even after this damning evidence-and seeing Mike ram his tongue down Beebee’s throat-I didn’t quite grasp the depth of his deception. It took reading the contents of his secret e-mail account before I was convinced. I learned that cheap motel rooms have been christened. Office equipment has been sullied. And you should think twice before calling Mike’s work number during his lunch hour, because there’s a good chance that Beebee will be under his desk “assisting” him.
I must confess that I was disappointed by Mike’s over-wrought prose, but I now understand why he insisted that I write this newsletter every month. I would say this is a case of those who can write, do; and those who can’t do Taxes.
And since seeing is believing, I could have included a Hustler-ready pictorial layout of the photos of Mike’s work wife. However, I believe distributing these photos would be a felony. The camera work isn’t half-bad, though. It’s good to see that Mike has some skill in the bedroom, even if it’s just photography.
And what does Beebee have to say for herself? Not Much. In fact, attempts to interview her for this issue were met with spaced-out indifference. I’ve had a hard time not blaming the conniving, store-bought-cleavage-baring Oompa Loompa-skinned adulteress for her part in the destruction of my marriage. But considering what she’s getting, Beebee has my sympathies.
I blame Mike. I blame Mike for not honoring the vows he made to me. I blame Mike for not being strong enough to pass up the temptation of readily available extramarital sex. And I blame Mike for not being enough of a man to tell me he was having an affair, instead letting me find out via a misdirected floral delivery.
I hope you have enjoyed this new digital version of the Terwilliger and Associates Newsletter. Next month’s newsletter will not be written by me as I will be divorcing Mike’s cheating ass. As soon as I press send on this e-mail, I’m hiring Sammy “the Shark” Shackleton. I don’t know why they call him “the Shark” but I did hear about a case where Sammy got a woman her soon-to-be ex-husband’s house, his car, his boat and his manhood in a mayonnaise jar.
And one last thing, believe me when I say I will not be letting Mike off with “irreconcilable differences” in divorce court. Mike Terwilliger will own up to being the faithless, loveless, spineless, useless, dickless wonder he is.
”
”
Molly Harper (And One Last Thing ...)
“
Now you're going East with Sal," Galatea said, "and what do you think you're going to accomplish by that? Camille has to stay home and mind the baby now you're gone--how can she keep her job? and she never wants to see you again and I don't blame her. If you see Ed along the road you tell him to come back to me or I'll kill him."
Just as flat as that. It was the saddest night. I felt as if I was with strange brothers and sisters in a pitiful dream. Then a complete silence fell over everybody; where once Dean would have talked his way out, he now fell silent himself, but standing in front of everybody, ragged and broken and idiotic, right under the lightbulbs, his bony mad face covered with sweat and throbbing veins, saying, "Yes, yes, yes," as though tremendous revelations were pouring into him all the time now, and I am convinced they were, and the others suspected as much and were frightened. He was BEAT--the root, the soul of Beatific.
”
”
Jack Kerouac (On the Road)
“
...if I have a daughter I will tell her she can do anything, and I will mean it, because I have no other intention of informing her otherwise. As my mother did with me, and my mother's mother before her, I shall simply hide the truth from her. I will tell her that despite what others may whisper, there is no difference between her and any boy. I will tell her to work her hardest and try her best. And that if one day she looks around and finds that, despite her very best efforts, lesser men have superseded her, then she probably could have done better. These words may not be true, nor will they be fair, but I would hope that they ensure she never becomes a victim of her own femininity. I hope she will be empowered to pick herself up, study harder, work longer, and exceed her own expectations. I don't want my daughter to break any glass ceilings. I'd rather she never even contemplated their existence. Because glass ceilings, closed doors, and boys clubs are notions, they're ideas, and they're not tangible. You can't see, touch, or feel them. They can only exercise power over us if we choose to believe in them. So why lay down your own gauntlet? The cliche rings true, if you reach for the moon, you might just land on the stars. Throw a glass ceiling into the works, and it can only get in the way. And I suspect that deep down, every woman who ever truly excelled thought exactly this way. I doubt they ever gave much thought to the fact that they are women. I think they just really wanted to rock out. And they did; louder, harder, and better than anyone else around them. And at some point down the line, enough people took note.
”
”
Amy Mowafi (Fe-mail 2)
“
And cried for mamma, at every turn'-I added, 'and trembled if a country lad heaved his fist against you, and sat at home all day for a shower of rain.-Oh, Heathcliff, you are showing a poor spirit! Come to the glass, and I'll let you see what you should wish. Do you mark those two lines between your eyes, and those thick brows, that instead of rising arched, sink in the middle, and that couple of black fiends, so deeply buried, who never open their windows boldly, but lurk glinting under them, like devil's spies? Wish and learn to smooth away the surly wrinkles, to raise your lids frankly, and change the fiends to confident, innocent angels, suspecting and doubting nothing, and always seeing friends where they are not sure of foes-Don't get the expression of a vicious cur that appears to know the kicks it gets are its desert, and yet, hates all the world, as well as the kicker, for what it suffers.'
'In other words, I must wish for Edgar Linton's great blue eyes, and even forehead,' he replied. 'I do - and that won't help me to them.'
'A good heart will help you to a bonny face, my lad,' I continued, 'if you were a regular black; and a bad one will turn the bonniest into something worse than ugly. And now that we've done washing, and combing, and sulking - tell me whether you don't think yourself rather handsome? I'll tell you, I do. You're fit for a prince in disguise. Who knows, but your father was Emperor of China, and your mother an Indian queen, each of them able to buy up, with one week's income, Wuthering Heights and Thrushcross Grange together? And you were kidnapped by wicked sailors, and brought to England. Were I in your place, I would frame high notions of my birth; and the thoughts of what I was should give me courage and dignity to support the oppressions of a little farmer!
”
”
Emily Brontë (Wuthering Heights)
“
How did you find out?” he asked.
I dropped the coat I’d been holding. “How do you think? She told me. She couldn’t wait to tell me.”
He sighed and sat on the arm of my couch and stared into space.
“That’s it? You have nothing else to say?” I asked.
“I’m sorry. God, I’m really sorry. I didn’t mean for you to find out like this.”
“Were you ever going to tell me?”
“Yeah...of course.”
His voice was so sweet and so gentle that it momentarily defused the anger that wanted to explode out of me. I stared at him, looking hard into those amber brown eyes. “She said...she said you didn’t drink, but you did, right? That’s what happened?” I sounded like I was Kendall’s age and suspected I wore the pleading expression Yasmine had given Jerome.
Seth’s face stayed expressionless. “No, Thetis. I wasn’t drunk. I didn’t drink at all.”
I sank down into the arm chair opposite him. “Then…then…what happened?”
It took a while for him to get the story out. I could see the two warring halves within him: the one that wanted to be open and the one that hated to tell me things I wouldn’t like. “I was so upset after what happened with us. I was actually on the verge of calling that guy…what’s his name? Niphon. I couldn’t stand it—I wanted to fix things between us. But just before I did, I ran into Maddie. I was so…I don’t know. Just confused. Distraught. She asked me to get food, and before I knew it, I’d accepted.” He raked a hand through his hair, neutral expression turning confused and frustrated. “And being with her…she was just so nice. Sweet. Easy to talk to. And after leaving things off physically with you, I’d been kind of…um…”
“Aroused? Horny? Lust-filled?”
He grimaced. “Something like that. But, I don’t know. There was more to it than just that.”
The tape in my mind rewound. “Did you say you were going to call Niphon?”
“Yeah. We’d talked at poker…and then he called me once. Said if I ever wanted…he could make me a deal. I thought it was crazy at the time, but after I left you that night…I don’t know. It just made me wonder if maybe it was worth it to live the life I wanted and make it so you wouldn’t have to worry so much.”
“Maddie coming along was a blessing then,” I muttered. Christ. Seth had seriously considered selling his soul. I really needed to deal with Niphon. He hadn’t listened to me when I’d told him to leave Seth alone. I wanted to rip the imp’s throat out, but my revenge would have to wait. I took a deep breath.
“Well,” I told Seth. “That’s that. I can’t say I like it…but, well…it’s over.”
He tilted his head curiously. “What do you mean?”
“This. This Maddie thing. You finally had a fling. We’ve always agreed you could, right? I mean, it’s not fair for me to be the only one who gets some. Now we can move on.”
A long silence fell. Aubrey jumped up beside me and rubbed her head against my arm. I ran a hand over her soft fur while I waited for Seth’s response.
“Georgina,” he said at last. “You know…I’ve told you…well. I don’t really have flings.”
My hand froze on Aubrey’s back. “What are you saying?”
“I…don’t have flings.”
“Are you saying you want to start something with her?”
He looked miserable. “I don’t know.
”
”
Richelle Mead (Succubus Dreams (Georgina Kincaid, #3))
“
It seems to me that we often, almost sulkily, reject the good that God offers us because, at that moment, we expected some other good. Do you know what I mean? On every level of our life - in our religious experience, in our gastronomic, erotic, aesthetic, and social experience - we are always harking back to some occasion which seemed to us to reach perfection, setting that up as a norm, and depreciating all other occasions by comparison. But these other occasions, I now suspect, are often full of their own new blessing, if only we would lay ourselves open to it. God shows us a new facet of the glory, and we refuse to look at it because we're still looking for the old one. And of course we don't get that. You can't, at the twentieth reading, get again the experience of reading Lycidas for the first time. But what you do get can be in its own way as good.
”
”
C.S. Lewis (Letters to Malcolm: Chiefly on Prayer)
“
Sherman, you’re not like other Indians.” “Sherman, you’re a credit to your race.” “Sherman, you barely seem Indian.” “Sherman, I don’t think of you as being Indian. I think of you as being a person.” “Sherman, you’re not just a Native writer. You’re a writer.” “Sherman, I don’t see color. I see the person inside.” All of these statements mean the same thing: “Sherman, in order to fit you and your indigenous identity into my worldview, I have to think of you as being like me—as being white like me.” I suspect that some of
”
”
Sherman Alexie (You Don't Have to Say You Love Me)
“
Just about everyone I've ever interviewed has told me that by doing something or other--recovering from cancer, climbing a mountain, playing the part of a serial killer in a movie--they have learned something about themselves. And I always nod and smile thoughtfully, when really I want to pin them down: What did you learn from the cancer, actually? That you don't like being sick? That you don't want to die? That wigs make your scalp itch? Come on, be specific. I suspect it's something they tell themselves in order to turn the experience into something that might appear valuable, rather than a complete and utter waste of time.
In the last few months, I have been to prison, lost every last molecule of self-respect, become estranged from my children, and thought very seriously about killing myself. I mean, that little lot has got to be the psychological equivalent of cancer, right? And it's certainly a bigger deal than acting in a bloody film. So how come I've learned absolutley bugger all? What was I supposed to learn? I've found out that prison and poverty aren't really me. But, you know, I could have had a wild stab in the dark about both of those things beforehand. Call me literal-minded, but I suspect people might learn more about themselves if they didn't get cancer. They'd have more time, and a lot more energy.
”
”
Nick Hornby (A Long Way Down)
“
I remembered Robyn telling me the story of Shadrach, Meshach, and Abednego, and how they'd survived: when the King chucked them in the furnace and an angel or someone went in with them. The furnace blazed all around them but they didn't burn.
And it did calm me. I don't know if it was Robyn or an angel or even God himself was in the boot, but I was starting to suspect that whenever I wanted God, he was there. Only not necessarily in the form I wanted, or doing what I wanted...In the pitch of the black boot I clung to the image of a fiery furnace, and it wasn't the furnace or Hell either.
”
”
John Marsden (The Night Is for Hunting (Tomorrow, #6))
“
Let me be the first to say
that I know the name for everything
and if I don’t I’ll make them up:
dukkha, naufragio, talinhaga.
Just like the young
whose hearts give no shame,
I love the excesses of beauty,
there is never enough sunlight
in the world I will live in,
never enough room for love.
I fear none of us will last long enough
to prove what I’ve always suspected,
that the sky is a membrane
in an angel’s skull,
trees talk to each other at night,
ice is water in a state of silence,
the embryo listens to everything we say.
I am afraid for the child skipping rope
on the corner of my street,
the girl on the train with flowers in her hair,
the man whose memory is entirely
in Spanish. I am more afraid of losing consciousness
when I go to sleep, or that in my sleep
I will grow old and forget how desire
once drove me mad with wakefulness.
Just like the perfect seasons
they will die
and I will die
and you will die also;
no one knows who will go first,
and this is the source
of all my grief.
”
”
Eric Gamalinda
“
I resolutely refuse to believe that the state of Edward's health had anything to do with this, and I don't say this only because I was once later accused of attacking him 'on his deathbed.' He was entirely lucid to the end, and the positions he took were easily recognizable by me as extensions or outgrowths of views he had expressed (and also declined to express) in the past. Alas, it is true that he was closer to the end than anybody knew when the thirtieth anniversary reissue of his Orientalism was published, but his long-precarious condition would hardly argue for giving him a lenient review, let alone denying him one altogether, which would have been the only alternatives. In the introduction he wrote for the new edition, he generally declined the opportunity to answer his scholarly critics, and instead gave the recent American arrival in Baghdad as a grand example of 'Orientalism' in action. The looting and destruction of the exhibits in the Iraq National Museum had, he wrote, been a deliberate piece of United States vandalism, perpetrated in order to shear the Iraqi people of their cultural patrimony and demonstrate to them their new servitude. Even at a time when anything at all could be said and believed so long as it was sufficiently and hysterically anti-Bush, this could be described as exceptionally mendacious. So when the Atlantic invited me to review Edward's revised edition, I decided I'd suspect myself more if I declined than if I agreed, and I wrote what I felt I had to.
Not long afterward, an Iraqi comrade sent me without comment an article Edward had contributed to a magazine in London that was published by a princeling of the Saudi royal family. In it, Edward quoted some sentences about the Iraq war that he off-handedly described as 'racist.' The sentences in question had been written by me. I felt myself assailed by a reaction that was at once hot-eyed and frigidly cold. He had cited the words without naming their author, and this I briefly thought could be construed as a friendly hesitance. Or as cowardice... I can never quite act the stern role of Mr. Darcy with any conviction, but privately I sometimes resolve that that's 'it' as it were. I didn't say anything to Edward but then, I never said anything to him again, either. I believe that one or two charges simply must retain their face value and not become debauched or devalued. 'Racist' is one such. It is an accusation that must either be made good upon, or fully retracted. I would not have as a friend somebody whom I suspected of that prejudice, and I decided to presume that Edward was honest and serious enough to feel the same way. I feel misery stealing over me again as I set this down: I wrote the best tribute I could manage when he died not long afterward (and there was no strain in that, as I was relieved to find), but I didn't go to, and wasn't invited to, his funeral.
”
”
Christopher Hitchens (Hitch 22: A Memoir)
“
About my interests: I don’t know if I have any, unless the morbid desire to own a sixteen-millimeter camera and make experimental movies can be so classified. Otherwise, I love to eat and drink – it’s my melancholy conviction that I’ve scarcely ever had enough to eat (this is because it’s impossible to eat enough if you’re worried about the next meal) – and I love to argue with people who do not disagree with me too profoundly, and I love to laugh. I do not like bohemia, or bohemians, I do not like people whose principal aim is pleasure, and I do not like people who are earnest about anything. I don’t like people who like me because I’m a Negro; neither do I like people who find in the same accident grounds for contempt. I love America more than any other country in the world, and, exactly for this reason, I insist on the right to criticize her perpetually. I think all theories are suspect, that the finest principles may have to be modified, or may even be pulverized by the demands of life, and that one must find, therefore, one’s own moral center and move through the world hoping that this center will guide one aright. I consider that I have many responsibilities, but none greater than this: to last, as Hemingway says, and get my work done.
”
”
James Baldwin
“
Will there be enough to go around, or must we compete for our kills?"
"Unfortunately, I suspect there will be plenty, but that really depends on how many of you are willing to come." And that's when I lost track of who was speaking. They called out from everywhere, having apparently forgotten I was even there.
"All of us!"
"We will all go..."
"It's only far..."
"Someone must stay with the children..."
"Someone must stay to hunt..."
"Then we'll draw quills. Feathers into the pile! The twenty drawn will go and fight!"
"Wait!" I had to shout to be heard. "Don't you want the details?"
Kai frowned, one of the few birds paying me any attention. "No. We want the fight, and the feast."
"No! I said there will be no feasting! It's a war, not a f***ing dinner banquet!" I threw up my hands in exasperation.
Mentioning war to a Flight of thunderbirds was evidently like dangling candy in front of a class full of children! Ruthless, deadly children...
”
”
Rachel Vincent (Alpha (Shifters, #6))
“
So, now that we are of one purpose, we ought have no more secrets between us. You say Joffrey had Lord Eddard killed, Varys dismissed Ser Barristan, and Littlefinger gifted us with Lord Slynt. Who murdered Jon Arryn?” Cersei yanked her hand back. “How should I know?” “The grieving widow in the Eyrie seems to think it was me. Where did she come by that notion, I wonder?” “I’m sure I don’t know. That fool Eddard Stark accused me of the same thing. He hinted that Lord Arryn suspected or … well, believed …” “That you were fucking our sweet Jaime?” She slapped him. “Did you think I was as blind as Father?” Tyrion rubbed his cheek. “Who you lie with is no matter to me … although it doesn’t seem quite just that you should open your legs for one brother and not the other.” She slapped him. “Be gentle, Cersei, I’m only jesting with you. If truth be told, I’d sooner have a nice whore. I never understood what Jaime saw in you, apart from his own reflection.” She slapped him. His cheeks were red and burning, yet he smiled. “If you keep doing that, I may get angry.” That stayed her hand.
”
”
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
“
God Will, I wish you'd stop telling me what to do. What if I like watching television? What if I don't want to do much else other than read a book?" My voice had become shrill. "What if I'm tired when I get home? What if I don't need to fill my days with activity?"
"Bur one day you might wish you had", he said quietly.
"Do you know what I would do if I were you?"
I put down my peeler. "I suspect you're going to tell me."
"Yes. And I'm completely unembarrassed about telling you. I'd be doing night school. I'd be training as a seamstress or a fashion designer or whatever it is that taps into what you really love." He gestured at my minidress, a Sixties-inspired Pucci-type dress, made with the fabric that had once been a pair of Grandad's curtains.
The first time Dad had seen it he had pointed at me and yelled, "Hey, Lou, pull yourself together!" It had taken him a full five minutes to stop laughing.
"I'd be finding out what I could do that didn't cost much - keep-fit classes, swimming, volunteering, whatever. I'd be teaching myself music or going for long walks with somebody else's dog, or -"
"Okay, okay, I get the message," I said, irritably. "But I'm not you, Will."
"Luckily for you.
”
”
Jojo Moyes (Me Before You (Me Before You, #1))
“
I'm not saying that French books are talented, and intelligent, and noble. They don't satisfy me either. But they're less boring than the Russian ones, and not seldom one finds in them the main element of creative work––a sense of personal freedom, which Russian authors don't have. I can't remember a single new book in which the author doesn't do his best, from the very first page, to entangle himself in all possible conventions and private deals with his conscience. One is afraid to speak of the naked body, another is bound hand and foot by psychological analysis, a third must have "a warm attitude towards humanity," a fourth purposely wallows for whole pages in descriptions of nature, lest he be suspected of tendentiousness... One insists on being a bourgeois in his work, another an aristocrat, etc. Contrivance, caution, keeping one's own counsel, but no freedom nor courage to write as one wishes, and therefore no creativity.
- A Boring Story
”
”
Anton Chekhov (Selected Stories of Anton Chekhov)
“
So you have no remorse for your actions? No guilt for what you’ve done?” Drax’s mouth lolls half open; he wrinkles up his nose and sniffs. “Did you think I was going to murder you down in the cabin?” he asks. “Split open your skull like I did Brownlee. Is that what you were thinking?” “What else were you intending?” “Oh, I don’t intend too much. I’m a doer, not a thinker, me. I follow my inclination.” “You have no conscience then?” “One thing happens, then another comes after it. Why is the first thing more important than the second? Why is the second more important than the third? Tell me that.” “Because each action is separate and distinct; some are good and some are evil.” Drax sniffs again and scratches himself. “Them’s just words. If they hang me, they will hang me ’cause they can, and ’cause they wish to do it. They will be following their own inclination as I follow mine.” “You recognize no authority at all then, no right or wrong beyond yourself?” Drax shrugs and bares his upper teeth in something like a grin. “Men like you ask such questions to satisfy themselves,” he says. “To make them feel cleverer or cleaner than the rest. But they int.” “You truly believe we are all like you? How is that possible? Am I a murderer like you are? Is that what you accuse me of?” “I seen enough killing to suspect I int the only one to do it. I’m a man like any other, give or take.” Sumner shakes his head. “No,” he says. “That I won’t accept.” “You please yourself, as I please myself. You accept what suits you and you reject what don’t. The law is just a name they give to what a certain kind of men prefer.” Sumner
”
”
Ian McGuire (The North Water)
“
Get some sleep," Magda advised as she bustled by on her way to bring Rycca yet another meal she likely would not eat.
"Find out why she isn't eating," he shot back. For good measure, he added, "And tell her she damn well better."
Magda rolled her eyes but knew better than to say anything more.
Dragging the whetstone out in front of the stable, Dragon settled down to sharpen his sword. It was a proper enough activity, one he engaged in frequently. No one ought to think anything of it.The Moorish blade truly was remarkable, enough so to give him a few minutes' surcease from his constant worry over Rycca.
The day warmed. He noted that Rycca had on a fresh gown and was trying once again to eat. Magda was going her job. From the nearby paddock,Grani and Sleipnir nickered.They refused to quiet until he got up, went over, and fed the fools apples.
"She'll be all right," he told them under his breath. "I probably won't be but I don't expect you to concern yourselves with that."
They bobbed their heads in what, he suspected,was agreement.
”
”
Josie Litton (Come Back to Me (Viking & Saxon, #3))
“
Good evening, Lady Maccon.” The vampire tipped his top hat with one hand, holding the door with the other. He occupied the entrance in an ominous, looming manner. “Ah, how do you do, Lord Ambrose?” “Tolerably well, tolerably well. It is a lovely night, don’t you find? And how is your”—he glanced at her engorged belly—“health?” “Exceedingly abundant,” Alexia replied with a self-effacing shrug, “although, I suspect, unlikely to remain so.” “Have you been eating figs?” Alexia was startled by this odd question. “Figs?” “Terribly beneficial in preventing biliousness in newborns, I understand.” Alexia had been in receipt of a good deal of unwanted pregnancy advice over the last several months, so she ignored this and got on to the business at hand. “If you don’t feel that it is forward of me to ask, are you here to kill me, Lord Ambrose?” She inched away from the carriage door, reaching for Ethel. The gun lay behind her on the coach seat. She had not had time to put it back into its reticule with the pineapple cut siding. The reticule was a perfect match to her gray plaid carriage dress with green lace trim. Lady Alexia Maccon was a woman who liked to see a thing done properly or not at all. The vampire tilted his head to one side in acknowledgment. “Sadly, yes. I do apologize for the inconvenience.” “Oh, really, must you? I’d much rather you didn’t.” “That’s what they all say.
”
”
Gail Carriger (Heartless (Parasol Protectorate, #4))
“
Wylan—and the obliging Kuwei—will get the weevil working,” Kaz continued. “Once we have Inej, we can move on Van Eck’s silos.”
Nina rolled her eyes. “Good thing this is all about getting our money and not about saving Inej. Definitely not about that.”
“If you don’t care about money, Nina dear, call it by its other names.”
“Kruge? Scrub? Kaz’s one true love?”
“Freedom, security, retribution.”
“You can’t put a price on those things.”
“No? I bet Jesper can. It’s the price of the lien on his father’s farm.” The sharpshooter looked at the toes of his boots. “What about you, Wylan? Can you put a price on the chance to walk away from Ketterdam and live your own life? And Nina, I suspect you and your Fjerdan may want something more to subsist on than patriotism and longing glances. Inej might have a number in mind too. It’s the price of a future, and it’s Van Eck’s turn to pay.”
Matthias was not fooled. Kaz always spoke logic, but that didn’t mean he always told truth. “The Wraith’s life is worth more than that,” said Matthias. “To all of us.”
“We get Inej. We get our money. It’s as simple as that.”
“Simple as that,” said Nina. “Did you know I’m next in line for the Fjerdan throne? They call me Princess Ilse of Engelsberg.”
“There is no princess of Engelsberg,” said Matthias. “It’s a fishing town.”
Nina shrugged. “If we’re going to lie to ourselves, we might as well be grand about it.”
Kaz ignored her, spreading a map of the city over the table, and Matthias heard Wylan murmur to Jesper, “Why won’t he just say he wants her back?”
“You’ve met Kaz, right?”
“But she’s one of us.”
Jesper’s brows rose again. “One of us? Does that mean she knows the secret handshake? Does that mean you’re ready to get a tattoo?” He ran a finger up Wylan’s forearm, and Wylan flushed a vibrant pink. Matthias couldn’t help but sympathize with the boy. He knew what it was to be out of your depth, and he sometimes suspected they could forgo all of Kaz’s planning and simply let Jesper and Nina flirt the entirety of Ketterdam into submission.
Wylan pulled his sleeve down self-consciously. “Inej is part of the crew.”
“Just don’t push it.”
“Why not?”
“Because the practical thing would be for Kaz to auction Kuwei to the highest bidder and forget about Inej entirely.”
“He wouldn’t—” Wylan broke off abruptly, doubt creeping over his features.
None of them really knew what Kaz would or wouldn’t do. Sometimes Matthias wondered if even Kaz was sure.
“Okay, Kaz,” said Nina, slipping off her shoes and wiggling her toes. “Since this is about the almighty plan, how about you stop meditating over that map and tell us just what we’re in for.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
I squeezed through a horde of gum-snapping girls I recognized as seniors from my school.
“He did not say that!”
“Yes, he did! And you wouldn’t believe what she said!”
Please, someone tell me I wouldn’t be that annoying if I had girlfriends.
“Sure, you will be.”
I whipped around and nearly got a faceful of cotton candy. I moved the purple sugar cloud to the side and glared at my mother. She wore a white, short-sleeved blouse and a patchwork skirt.
“You have to stop listening in on my thoughts without my permission, Mom. It’s not cool.”
She shoved a piece of cotton candy in my mouth to shut me up. “I didn’t do it on purpose, Clarity. I was strolling along listening in to the crowd.”
“Pick up anything interesting?”
“Actually, I did. That detective’s son can’t stop checking out your legs. He loves this little pink dress you’ve got on. So much so that he’s actually mad at himself for it.” She shook her head.
I blushed. “Did you happen to pick up anything important?”
“Like a man walking along thinking, ‘I killed Victoria Happel’?”
“Exactly.”
“No such luck. But dear, people don’t wander around thinking about their biggest secrets all the time. The killer could be standing right next to me and all I might pick up from him is how he wants to buy some barbequed chicken.”
“Have you seen Billy Rawlinson or Frankie Creedon?” I asked.
Distaste turned her mouth down. “No. Why are you looking for those scoundrels?”
“Billy might be a witness in the case. Or a suspect.”
“I’ll keep my eyes out and my mind open.”
“Thanks,” I said. “Enjoy invading everyone’s privacy.
”
”
Kim Harrington (Clarity (Clarity, #1))
“
I was in love with Feyre,' Rhys said quietly, 'long before she ever returned the feeling.'
Lucien crossed his arms. 'How fortunate that you got what you wanted in the end.'
I closed my eyes for a heartbeat.
Cassian and Azriel stilled, waiting for the order.
'I will only say this once,' warned the High Lord of the Night Court. Even Lucien flinched. 'I suspected Feyre was my mate before I ever knew she was involved with Tamlin. And when I learned of it... If it made her happy, I was willing to step back.'
'You came to our house and stole her away on her wedding day.'
'I was going to call the wedding off,' I cut in, taking a step toward Lucien. 'You knew it.'
Rhysand went on before Lucien could snap a reply. 'I was willing to lose my mate to another male. I was willing to let them marry, if it brought her joy. But what I was not willing to do was let her suffer. To let her fade away into a shadow. And the moment that piece of shit blew apart his study, the moment he locked her in that house...' His wings ripped from him, and Lucien started.
Rhys bared his teeth. My limbs turned light, trembling at the dark power curling in the corners of the room. Not fear- never fear of him. But at the shattered control as Rhys snarled at Lucien. 'My mate may one day find it in herself to forgive him. Forgive you. But I will never forget how it felt to sense her terror in those moments.' My cheeks heated, especially as Cassian and Azriel stalked closer, those hazel eyes now filled with a mix of sympathy and wrath.
I had never talked about it to them- what had gone on that day Tamlin had destroyed his study, or the day he'd sealed me inside the manor. I'd never asked Rhys if he'd informed them. From the fury rippling from Cassian, the cold rage seeping from Azriel... I didn't think so.
Lucien, to his credit, didn't back away a step. From Rhys, or me, or the Illyrians.
The Clever Fox Stares Down Winged Death. The painting flashed in my mind.
'So, again, I will say this only once,' Rhys went on, his expression smoothing into lethal calm, dragging me from the colours and light and shadows gathering in my mind. 'Feyre did not dishonour or betray Tamlin. I revealed the mating bond months later- and she gave me hell for it, don't worry. But now that you've found your mate in a similar situation, perhaps you will try to understand how it felt. And if you can't be bothered, then I hope you're wise enough to keep your mouth shut, because the next time you look at my mate with that disdain and disgust, I won't bother to explain it again, and I will rip out your fucking throat.'
Rhys said is so mildly that the threat took a second to register. To settle in me like a stone plunked into a pool.
Lucien only shifted on his feet. Wary. Considering. I counted the heartbeats, debating how much I'd interfere if he said something truly stupid, when he at last murmured, 'There is a longer story to be told, it seems.
”
”
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
“
I suppose the real reason Ginny Weasley's like this is because she opened her heart and spilled all her secrets to an invisible stranger."
"What are you talking about?" said Harry.
"The diary," said Riddle. "My diary. Little Ginny's been writing in it for months and months, telling me all her pitiful worries and woes- how her brothers tease her, how she had come to school with secondhand robes and books, how"- Riddle's eyes glinted- "how she didn't think famous, good, great Harry Potter would ever like her..."
All the time he spoke, Riddle's eyes never left Harry's face. There was an almost hungry look in them.
"It's very boring, having to listen to the silly little troubles of an eleven-year-old girl," he went on. "But I was patient. I wrote back. I was sympathetic, I was kind. Ginny simply loved me. No one's ever understood me like you, Tom... I'm so glad I've got this diary to confide in.... It's like having a friend I can carry around in my pocket...."
Riddle laughed, a high, cold laugh that didn't suit him. It made the hairs stand up on the back of Harry's neck.
"If I say it myself, Harry, I've always been able to charm the people I needed. So Ginny poured out her soul to me, and her soul happened to be exactly what I wanted.... I grew stronger and stronger on a diet of her deepest fears, her darkest secrets. I grew powerful, more powerful than little Miss Weasley. Powerful enough to start feeding Miss Weasley a few of my secrets, to start pouring a little of my soul into her..."
"What d'you mean?" said Harry, whose mouth had gone dry.
"Haven't you guessed yet, Harry Potter?" said Riddle softly. "Ginny Weasley opened the Chamber of Secrets. She strangled the school roosters and daubed threatening messages on the walls. She set the Serpent of Slytherin on four Mudbloods, and the Squib's cat."
"No," Harry whispered.
"Yes," said Riddle, calmly. "Of course, she didn't know what she was doing at first. It was very amusing. I wish you could have seen her new diary entries... far more interesting, they became... Dear Tom," he recited, watching Harry's horrified face, "I think I'm losing my memory. There are rooster feathers all over my robes and I don't know how they got there. Dear Tom, I can't remember what I did on the night of Halloween, but a cat was attacked and I've got paint all down my front. Dear Tom, Percy keeps telling me I'm pale and I'm not myself. I think he suspects me.... There was another attack today and I don't know where I was. Tom, what am I going to do? I think I'm going mad.... I think I'm the one attacking everyone, Tom!
”
”
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
“
Close your eyes and stare into the dark. My father's advice when I couldn't sleep as a little girl. He wouldn't want me to do that now but I've set my mind to the task regardless. I'm staring beyond my closed eyelids. Though I lie still on the ground, I feel perched at the highest point I could possibly be; clutching at a star in the night sky with my legs dangling above cold black nothingness. I take one last look at my fingers wrapped around the light and let go. Down I go, falling, then floating, and, falling again, I wait for the land of my life. I know now, as I knew as that little girl fighting sleep, that behind her gauzed screen of shut-eye, lies colour. It taunts me, dares me to open my eyes and lose sleep. Flashes of red and amber, yellow and white speckle my darkness. I refuse to open them. I rebel and I squeeze my eyelids together tighter to block out the grains of light, mere distractions that keep us awake but a sign that there's life beyond.
But there's no life in me. None that I can feel, from where I lie at the bottom of the staircase. My heart beats quicker now, the lone fighter left standing in the ring, a red boxing glove pumping victoriously into the air, refusing to give up. It's the only part of me that cares, the only part that ever cared. It fights to pump the blood around to heal, to replace what I'm losing. But it's all leaving my body as quickly as it's sent; forming a deep black ocean of its own around me where I've fallen.
Rushing, rushing, rushing. We are always rushing. Never have enough time here, always trying to make our way there. Need to have left here five minutes ago, need to be there now. The phone rings again and I acknowledge the irony. I could have taken my time and answered it now.
Now, not then.
I could have taken all the time in the world on each of those steps. But we're always rushing. All, but my heart. That slows now. I don't mind so much. I place my hand on my belly. If my child is gone, and I suspect this is so, I'll join it there. There.....where? Wherever. It; a heartless word. He or she so young; who it was to become, still a question. But there, I will mother it.
There, not here. I'll tell it; I'm sorry, sweetheart, I'm sorry I ruined your chances - our chances of a life together.But close your eyes and stare into the darkness now, like Mummy is doing, and we'll find our way together.
There's a noise in the room and I feel a presence. 'Oh God, Joyce, oh God. Can you hear me, love? Oh God. Oh God, please no, Hold on love, I'm here. Dad is here.'
I don't want to hold on and I feel like telling him so. I hear myself groan, an animal-like whimper and it shocks me, scares me. I have a plan, I want to tell him. I want to go, only then can I be with my baby. Then, not now.
He's stopped me from falling but I haven't landed yet. Instead he helps me balance on nothing, hover while I'm forced to make the decision. I want to keep falling but he's calling the ambulance and he's gripping my hand with such ferocity it's as though I'm all he has. He's brushing the hair from my forehead and weeping loudly. I've never heard him weep. Not even when Mum died. He clings to my hand with all of his strength I never knew his old body had and I remember that I am all he has and that he, once again just like before, is my whole world. The blood continues to rush through me. Rushing, rushing, rushing. We are always rushing. Maybe I'm rushing again. Maybe it's not my time to go. I feel the rough skin of old hands squeezing mine, and their intensity and their familiarity force me to open my eyes. Lights fills them and I glimpse his face, a look I never want to see again. He clings to his baby. I know I lost mind; I can't let him lose his. In making my decision I already begin to grieve. I've landed now, the land of my life. And still my heart pumps on.
Even when broken it still works.
”
”
Cecelia Ahern (Thanks for the Memories)
“
I step on the stage and find the lights blazing against me and yet in the same distance pulling me forward. I am like something left over after a storm. Slight, a waif. It is like I am underwater in a pool of brightness. Slowly slowly I walk down towards the men. (...) I guess they don't know what they are seeing. I guess it is true they are seeing a lovely woman. Soft-breasted woman (...) I might be one of the footlights, with a burning wick for a heart. I don't utter a blessed word. (...) John Cole all spit and polish approaches from the far side of the stage and we hear the men draw in their breath like a sea tide drawing back on the shingle of a beach. He approaches and approaches. They know I'm a man because they have read it on the bill. But I'm suspecting that every one of them would like to touch me and now John Cole is their ambassador of kisses. Slowly slowly he edges nearer. He reaches out a hand, so openly and plainly that I believe I am going to expire. The held-in breath of the audience is not let out again. Half a minute passes. It is unlikely any of them could of holded their breath like this underwater. They have found new lungs. Down down we go under them waters of desire. Every last man, young and old, wants John Cole to touch my face, hold my narrow shoulders, put his mouth against my lips. Handsome John Cole, my beau. Our love in plain sight. Then the lungs of the audience giving out, and a rasping rush of sound. We have reached the very borderland of our act, the strange frontier. (…) We part like dancers, we briefly go down to our patrons, we briefly bow, and then we have turned and are gone. As if for ever. They have seen something they don’t understand and partly do, in the same breath. We have done something we don’t understand neither and partly do.
”
”
Sebastian Barry (Days Without End (Days Without End, #1))
“
Do you not think you could share this with Dragon?"
"Dragon,who was reluctant enough for this marriage and who now finds himself with a wife he can never hide anything from. Who will always know whether he is telling the truth or not. You think he would welcome such a wife?"
Cymbra thought for a moment. "Well...I don't know...Perhaps if you rubbed his feet."
Rycca stared at her in shock, saw the look of pure deviltry in Cymbra's eyes, and burst out laughing at the same moment as her new sister-in-law-and friend-did the same.They laughed and laughed, not quieting until Lion stirred, gazed at them reproachfully, and opened his mouth to unleash a bellow that reverberated off the nearby hills and sent the sea birds scattering to safety.
"Oh,my heavens," Rycca said when it was finally quiet enough to say anything at all.
Cymbra sighed.She rose, picked up her son, and tried to settle his head back against her shoulder. "It has been ever such.He almost brought the rafters down in the chapel at Hawksforte where he was christened."
"It is most impressive," Rycca said as she, too,stood. "I suppose that accounts for his name."
"It's actually Hakon,to honor Wolf and Dragon's father,but he is called Lion and I suspect he always will be."
Just as he would be satisfied only to be set down. On his own two feet, he toddled off determinedly toward the top of the hill, leaving the bemused women to follow.
”
”
Josie Litton (Come Back to Me (Viking & Saxon, #3))
“
But, it didn’t matter that my mother suspected and knew that I was a writer. It was expected of me to take care of my share of the responsibility of making our way in the world as a family. In those days, also, it was unheard of, by us certainly, that to get any help, even from members of our own family, let alone from the government, which would have been disgraceful. Thank God that that kind of folly in thinking is obsolete. There is a temptation to feel, ‘Well, we all made it; why can’t these other poor people make it?’ And, of course, nothing is more than stupid than that attitude. I must confess that I find that attitude among many countrymen of my own who do find themselves taking undue pride in their own sense of ability — of being equal to any situation, and of seeing it through and improving it, and so on. And then, putting that against other people who don’t have that, and thereby implying that the other people are lazy. Not taking into account the whole different structure and identity and a people who have survived for centuries under very harsh conditions and members of a very great culture, and I am talking about the Indians, to begin with, in the Valley — the San Joaquin Valley, in Fresno, in Tulare, and the mountains, and there are many tribes of them, of different kinds, and I am talking about, also, the Mestizos, the mixtures of Mexican, Spaniards with Indians, making the Mexican. And I am talking about any minority which is considered by anybody as being innately of itself indolent. This kind of narrow thinking is a temptation to all sorts of people, and one has to be sympathetic with the people who are wrong, too, you see. It is not enough just to be sympathetic with the people who are belittled; it is necessary to be sympathetic with the people who belittle them. So, in worrying about the persecuted, one is obliged also to worry about the persecutors. I consider that a basic measure of growth.
”
”
William Saroyan
“
It all suddenly made me nervous, and a little, tiny, baby bit worried. Pulling one of the stools at the island back, I plopped into it and simply stared at that discolored, harsh face in unease. “I just want to know whether I need to steal a bat or make a phone call.”
His mouth had been open and poised to argue with me… until he heard the last thing I said. “What?”
“I need to know—”
“What do you need to steal a bat for?”
“Well, no one I know owns one, and I can’t go buy one at the store and have it caught on videotape.”
“Videotape?”
Did he know nothing?
“Aiden, come on, if you beat the shit out of someone with a bat, they’re going to look for suspects. Once they have suspects, they’ll look through their things or their purchases. They’ll see I bought one recently and know it was premeditated. Why are you looking at me like that?”
His mauve-colored eyelids went heavy over the bright whites of his eyes, and the expression on his face was filled such a vast range of emotions, one after another after another, that I wasn’t sure which one I was supposed to hold on to. He switched the icepack to the other side of his bruised jaw and shook his head. “The amount you know about committing crimes is terrifying, Van.” His mouth twitched under the rainbow of whatever he was thinking. “It scares the hell out of me, and I don’t get scared easily.”
I snorted, pretty pleased with myself. “Calm down. I went through this phase when I was into watching a lot of crime TV shows. I’ve never even stolen a pen in my life.”
Aiden’s careful expression didn’t go anywhere.
“I’m not trying to kill anyone… unless we had to,” I joked weakly.
His nostrils flared so slightly I almost missed it. But what I didn’t miss was the way the corners of his mouth tipped up into a tiny smile.
I smiled at him as innocently as possible. “So do you want to tell me who’s going to get the fists of fury?” I hoped I sounded as harmless as I intended, even though I felt the exact opposite as every second passed.
“Fists of fury?”
“Yep.” I held up my hands just a little so he could see them. He had no idea the number of fights I’d gotten into with my sisters over the years. I didn’t always win—I rarely won if I was going to be honest—but I never gave up.
The sigh that came out of him was so long and drawn out, I kind of prepped myself for the half-assed answer that was going to come out of his mouth.
“It’s nothing.” There it was
”
”
Mariana Zapata (The Wall of Winnipeg and Me)
“
A moment later, as he pulls away from the curb, I’m assuming the ride to school will be awkward with my sister in the back. It’s confirmed when she asks, “So what’s the deal with you and my sister?”
He laughs shortly and rubs the back of his neck like something is there, tickling, tapping.
“Tamra.” Clutching the dashboard, I turn and glare at her. “There is no deal.”
She snorts. “Well, we wouldn’t be sitting here if that was the case now, would we?”
I open my mouth to demand she end the interrogation when Will’s voice stops me.
“I like your sister. A lot.”
I look at him dumbly.
He looks at me, lowers his voice to say, “I like you.”
I know that, I guess, but heat still crawls over my face. I swing forward in my seat, cross my arms over my chest and stare straight ahead. Can’t stop shivering. Can’t speak. My throat hurts too much.
“Jacinda,” he says.
“I think you’ve shocked her,” Tamra offers, then sighs. “Look, if you like her, you have to make it legit. I don’t want everyone at school whispering about her like she’s some toy you get your kicks with in a stairwell.”
Now I really can’t speak. My blood burns. I already have one mother doing her best to control my life. I don’t need my sister stepping in as mother number two.
I know,” he says. “That’s what I’m trying to do now—if she’ll let me.”
I feel his gaze on the side of my face. Anxious. Waiting. I look at him. A breath shudders from me at the intensity in his eyes.
He’s serious. But then he would have to be. If he’s willing to break free of his self-imposed solitude for me, especially when he suspects there’s more to me than I’m telling him . . . he means what he’s saying.
His thumb beats a staccato rhythm on the steering wheel as he drives. “I want to be with you, Jacinda.” He shakes his head. “I’m dong fighting it.”
“Jeez,” Tamra mutters.
And I know what she means. It seems too much. The declaration extreme. Fast. After all, we’re only sixteen . . .
I start, jerk a little.
I think he’s sixteen.
”
”
Sophie Jordan (Firelight (Firelight, #1))
“
On this way, they reached the roof. Christine tripped over it as lightly as a swallow. Their eyes swept the empty space between the three domes and the triangular pediment. She breathed freely over Paris, the whole valley of which was seen at work below. She called Raoul to come quite close to her and they walked side by side along the zinc streets, in the leaden avenues; they looked at their twin shapes in the huge tanks, full of stagnant water, where, in the hot weather, the little boys of the ballet, a score or so, learn to swim and dive.
The shadow had followed behind them clinging to their steps; and the two children little suspected its presence when they at last sat down, trustingly, under the mighty protection of Apollo, who, with a great bronze gesture, lifted his huge lyre to the heart of a crimson sky.
It was a gorgeous spring evening. Clouds, which had just received their gossamer robe of gold and purple from the setting sun, drifted slowly by; and Christine said to Raoul:
“Soon we shall go farther and faster than the clouds, to the end of the world, and then you will leave me, Raoul. But, if, when the moment comes for you to take me away, I refuse to go with you—well you must carry me off by force!”
“Are you afraid that you will change your mind, Christine?”
“I don’t know,” she said, shaking her head in an odd fashion. “He is a demon!” And she shivered and nestled in his arms with a moan. “I am afraid now of going back to live with him … in the ground!”
“What compels you to go back, Christine?”
“If I do not go back to him, terrible misfortunes may happen! … But I can’t do it, I can’t do it! … I know one ought to be sorry for people who live underground … But he is too horrible! And yet the time is at hand; I have only a day left; and, if I do not go, he will come and fetch me with his voice. And he will drag me with him, underground, and go on his knees before me, with his death’s head. And he will tell me that he loves me! And he will cry! Oh, those tears, Raoul, those tears in the two black eye-sockets of the death’s head! I can not see those tears flow again!”
She wrung her hands in anguish, while Raoul pressed her to his heart.
“No, no, you shall never again hear him tell you that he loves you! You shall not see his tears! Let us fly, Christine, let us fly at once!”
And he tried to drag her away, then and there. But she stopped him.
“No, no,” she said, shaking her head sadly. “Not now! … It would be too cruel … let him hear me sing to-morrow evening … and then we will go away. You must come and fetch me in my dressing-room at midnight exactly. He will then be waiting for me in the dining-room by the lake … we shall be free and you shall take me away … You must promise me that, Raoul, even if I refuse; for I feel that, if I go back this time, I shall perhaps never return.”
And she gave a sigh to which it seemed to her that another sigh, behind her, replied.
“Didn’t you hear?”
Her teeth chattered.
“No,” said Raoul, “I heard nothing.”
- Chapter 12: Apollo’s Lyre
”
”
Gaston Leroux (The Phantom of the Opera)
“
Common phrases narcissists use and what they actually mean:
1. I love you.
Translation: I love owning you. I love controlling you. I love using you. It feels so good to love-bomb you, to sweet-talk you, to pull you in and to discard you whenever I please. When I flatter you, I can have anything I want. You trust me. You open up so easily, even after you’ve already been mistreated. Once you’re hooked and invested, I’ll pull the rug beneath your feet just to watch you fall.
2. I am sorry you feel that way.
Translation: Sorry, not sorry. Let’s get this argument over with already so I can continue my abusive behavior in peace. I am not sorry that I did what I did, I am sorry I got caught. I am sorry you’re calling me out. I am sorry that I am being held accountable. I am sorry you have the emotions that you do. To me, they’re not valid because I am entitled to have everything I want – regardless of how you feel about it.
3. You’re oversensitive/overreacting.
Translation: You’re having a perfectly normal reaction to an immense amount of bullshit, but all I see is that you’re catching on. Let me gaslight you some more so you second-guess yourself. Emotionally invalidating you is the key to keeping you compliant. So long as you don’t trust yourself, you’ll work that much harder to rationalize, minimize and deny my abuse.
4. You’re crazy.
Translation: I am a master of creating chaos to provoke you. I love it when you react. That way, I can point the finger and say you’re the crazy one. After all, no one would listen to what you say about me if they thought you were just bitter or unstable.
5. No one would believe you.
Translation: I’ve isolated you to the point where you feel you have no support. I’ve smeared your name to others ahead of time so people already suspect the lies I’ve told about you. There are still others who might believe you, though, and I can’t risk being caught. Making you feel alienated and alone is the best way for me to protect my image. It’s the best way to convince you to remain silent and never speak the truth about who I really am.
”
”
Shahida Arabi
“
Hey, baby,” Chelsea said in a voice that bordered on baby talk as Mike bent down to give her a quick kiss. “Miss me?”
Violet almost rolled her eyes.
“I thought about you all period,” he answered, his voice husky. “Did you get the note I left in your backpack?”
Violet couldn’t hold back any longer; she rolled her eyes. Neither of them noticed.
“I did. You’re so sweet.” The cooing verged on sickening. “Did anyone say anything about your mustache?”
Mike winced, as if he suddenly remembered the patchy hair on his upper lip. “A coupla’ people,” he reluctantly responded, and Violet suspected that he’d taken his hair share of ribbing over it.
Chelsea ignored the obvious distress in his voice. “Vi and I gotta run or we’ll be late.” She stretched up to kiss him and then rubbed her thumb across the hairs above his lip as if she were petting them. “See you after class.”
Chelsea tugged at Violet, who was still staring at his unsightly mustache. It was like seeing a car accident…hard to look away.
“So do you? Like it, I mean?” Violet asked as she was being dragged down the hallway.
“The mustache?” Chelsea grimaced. “God, no. It’s hideous on him.”
“Then, why?”
“I told you, to see if he’d actually do it. Don’t worry. I’m gonna make him shave it this weekend.”
Violet wasn’t sure whether to congratulate her friend on her training abilities or reprimand her for being so cruel. In the end, she didn’t do either, mostly because she knew it wouldn’t make any difference.
Chelsea was Chelsea. Trying to convince her that what she’d done was wrong would be like banging your head against a brick wall. It would be painful to you but accomplish nothing.
”
”
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
“
Stop! Stop!”
Sophie shrieked with laughter as she ran down the stone steps that led to the garden behind Bridgerton House. After three children and seven years of marriage, Benedict could still make her smile, still make her laugh . . . and he still chased her around the house any chance he could get.
“Where are the children?” she gasped, once he’d caught her at the base of the steps.
“Francesca is watching them.”
“And your mother?”
He grinned. “I daresay Francesca is watching her, too.”
“Anyone could stumble upon us out here,” she said, looking this way and that.
His smile turned wicked. “Maybe,” he said, catching hold of her green-velvet skirt and reeling her in, “we should adjourn to the private terrace.”
The words were oh-so-familiar, and it was only a second before she was transported back nine years to the masquerade ball.
“The private terrace, you say?” she asked, amusement dancing in her eyes. “And how, pray tell, would you know of a private terrace?”
His lips brushed against hers. “I have my ways,” he murmured.
“And I,” she returned, smiling slyly, “have my secrets.”
He drew back. “Oh? And will you share?”
“We five,” she said with a nod, “are about to be six.”
He looked at her face, then looked at her belly. “Are you sure?”
“As sure as I was last time.”
He took her hand and raised it to lips. “This one will be a girl.”
“That’s what you said last time.”
“I know, but—”
“And the time before.”
“All the more reason for the odds to favor me this time.”
She shook her head. “I’m glad you’re not a gambler.”
He smiled at that. “Let’s not tell anyone yet.”
“I think a few people already suspect,” Sophie admitted.
“I want to see how long it takes that Whistledown woman to figure it out,” Benedict said.
“Are you serious?”
“The blasted woman knew about Charles, and she knew about Alexander, and she knew about William.”
Sophie smiled as she let him pull her into the shadows. “Do you realize that I have been mentioned in Whistledown two hundred and thirty-two times?”
That stopped him cold. “You’ve been counting?”
“Two hundred and thirty-three if you include the time after the masquerade.”
“I can’t believe you’ve been counting.”
She gave him a nonchalant shrug. “It’s exciting to be mentioned.”
Benedict thought it was a bloody nuisance to be mentioned, but he wasn’t about to spoil her delight, so instead he just said, “At least she always writes nice things about you. If she didn’t, I might have to hunt her down and run her out of the country.”
Sophie couldn’t help but smile. “Oh, please. I hardly think you could discover her identity when no one else in the ton has managed it.”
He raised one arrogant brow. “That doesn’t sound like wifely devotion and confidence to me.”
She pretended to examine her glove. “You needn’t expend the energy. She’s obviously very good at what she does.”
“Well, she won’t know about Violet,” Benedict vowed. “At least not until it’s obvious to the world.”
“Violet?” Sophie asked softly.
“It’s time my mother had a grandchild named after her, don’t you think?”
Sophie leaned against him, letting her cheek rest against the crisp linen of his shirt. “I think Violet is a lovely name,” she murmured, nestling deeper into the shelter of his arms. “I just hope it’s a girl. Because if it’s a boy, he’s never going to forgive us . . .
”
”
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
“
An irregular birthmark stood out on the crest of her hip, like a splash of wine on snow.
He touched a finger to it, and she stirred.
“Don’t look at that,” she mumbled, rubbing sleep from her eyes. “I know it’s horrid.”
“Horrid?” Despite the pained expression on her face, he had to laugh. “Sweetheart, I can honestly say that there is nothing about you that’s horrid in the least.”
“My painting master would not agree.”
The bitter taste of envy filled his mouth. “Do you know, that Frenchman of yours had better hope I never meet with him.
“Oh, no,” she said quickly. “Not Gervais. Never Gervais. My painting master was an old, balding prig called Mr. Turklethwaite.”
Gray’s bafflement must have been obvious.
She went on, “There was never any Gervais. I mean, you know that I’d never taken a man to my bed, but you must understand…I’ve never allowed another man into my heart, either.” She kissed his brow, then his lips. “I love you, only you.”
God. How brave she was. Tossing those words about as though they were feathers. Could she possibly suspect how they landed in his chest like cannonballs, detonating deep in his heart?
Struggling for equanimity, he asked casually, “So when did this other painting master have occasion to see your birthmark?”
She laughed. “He didn’t. But I painted something like it once, on a portrait of Venus. I told him I thought it lent her an air of reality. Oh, how he scolded me. A lady who paints, he said-“ She gave Gray a teasing look. “He would not apply the term “artist” to a female, you see.”
“I see.”
“A lady who paints, he said, should approach the art as she would any other genteel accomplishment. Her purpose is to please; her goal is to create an example of refinement. A true lady would not paint an imperfection, he said, any more than she would strike a false note in a sonata. Beauty is not real, and reality is not beautiful.”
Gray shook his head. “Remarkable. I believe I despise your real painting master even more than I hated the fictional one. I wouldn’t have thought it possible.
”
”
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
“
Chapter 28 Genghis Cat
Gracing Whatever Shithole This Is, Washington, USA You can all relax now, because I am here. What did you think? I’d run for safety at the whim of a fucking parrot with under-eye bags like pinched scrotums? Did you suspect I—a ninja with feather-wand fastness and laser-pointer focus—had the spine of a banana slug? Then you are a shit-toned oink with the senses of a sniveling salamander. Then you don’t know Genghis Cat. I look around and can see that we are surrounded by The Bird Beasts, those crepe-faced, hair ball–brained fuck goblins. I intensely dislike these lumpy whatthefuckareyous who straddle between the Mediocre Servant and animal worlds, trying to be one thing and really not being, like imitation crabmeat in a sushi log that is really just fucking whitefish and WE ALL KNOW IT. “Would you like a little of the crabmeat, Genghis?” my Mediocre Servants seemed to ask with their blobfish lips and stupid faces. “THAT’S FUCKING WHITEFISH, YOU REGURGITATED MOLES!” I’d yowl, and then I’d steal the sushi log and run off and growl very much so they couldn’t have it back, and later I would pee on their night pillows for good measure. I cannot imagine their lives before me. We mustn’t think of those bleak dark ages. But the Beasts are dangerous. I have watched them morph and chew into a house. I have seen them with spider legs and second stomachs and camouflage skins. I have seen them tear the legs off a horse and steal flight from those with feathers. Orange and I have lost family to their fuckish appetites. But they are still fakish faking beasts and I’m fucking Genghis Cat. They are imitation crab and Genghis is filet mignon Fancy Feast, bitch. Probably I should come clean here and tell you that I’m immortal. I always suspected it but can confirm it now that I have surpassed the allocated nine lives. I’m somewhere around life 884, give or take seventy-eight. Some mousers have called me a god, but I insist on modesty. I also don’t deny it. I might be a god. It seems to fit. It feels right. A stealthy, striped god with an exotically spotted tummy—it seems certain, doesn’t it to you? I’m 186 percent sure at this point. Orange insists we stay away from the Beasts all the time, but I only let Orange think he’s in charge. Orange is incredibly sensitive, despite being the size of a Winnebago. He hand-raised each of my kittens and has terrible nightmares, and I have to knead my paws on him to calm him down. Orange and I have a deal. I will kill anything that comes to harm Orange and Orange will continue to be the reason I purr.
”
”
Kira Jane Buxton (Feral Creatures (Hollow Kingdom #2))
“
So what's the deal with you and my sister?"
He laughs shortly and rubs the back of his neck like something is there, tickling, tapping.
"Tamra." Clutching the dashboard, I turn and glare at her. "There is no deal."
She snorts. "Well, we wouldn't be sitting here if that was the case now, would we?"
I open my mouth to demand she end the interrogation when Will's voice stops me.
"I like your sister. A lot."
I look at him dumbly.
He looks at me, lowers his voice to say, "I like you."
I know that, I guess, but heat crawls over my face. I swing forward in my seat, cross my arms over my chest and stare straight ahead. Can't stop shivering. Can't speak. My throat hurts too much.
"Jacinda," he says.
"I think you've shocked her," Tamra offers, then sighs. "Look, if you like her, you have to make it legit. I don't want everyone at school whispering about her like she's some toy you get your kicks with in a stairwell."
Now I really can't speak. My blood burns. I already have one mother doing her best to control my life. I don't need my sister stepping in as mother number two.
"I know," he says. "That's what I'm trying to do now-if she'll let me."
I feel his gaze on the side of my face. Anxious. Waiting. I look at him. A breath shudders from me at the intensity in his eyes.
He's serious. But then he would have to be. If he's willing to break free of his self-imposed solitude for me, especially when he suspects there's more to me than I'm telling him...he means what he's saying.
His thumbs beat a staccato rhythm on the steering wheel as he drives. "I want to be with you, Jacinda." He shakes his head. "I'm done fighting it."
"Jeez," Tamra mutters.
And I know what she means. It seems too much. The declaration extreme. Fast. After all, we're only sixteen...
I start, jerk a little.
I think he's sixteen. I don't even know. I don't know anything about him other than his secret. That sort of eclipses everything else. But he has to be more. More than the secret. More than a hunter. More than a boy who doesn't want to be a force of destruction. More than the boy who saved my life. The boy I've built a fantasy around. I don't know the real him. Xander mentioned Will being sick, and I don't even know what happened to him.
But then I don't feel bad about that for long. Because he doesn't know the real me either. And yet he still wants to be with me. Maybe it's perfect because I want to be with him, too. And not just because I need to get close to him and use him for information. Although there is that. Something I would like to forget but can't let myself. Forgetting is resigning myself to a life here. Forever. As a ghost. A small voice whispers through me, a tempting thought...
Not if you have Will.
”
”
Sophie Jordan (Firelight (Firelight, #1))
“
It takes some getting used to,' Mr. Forkle said. 'But what you're seeing is a visual representation of each other's moods.'
'So that means if I do this...' Keefe tickled Sophie's neck.
'GAH--everything just went supersonic!' Fitz said.
Sophie snatched Keefe's wrist as he reached to tickle her again. 'Don't. You. Dare.'
'Whoa, now everything's red and ripply,' Fitz said. 'Is that because she's angry?'
'Precisely, Mr. Vacker. Every time her emotions shift, the patterns and colors will change. And with practice, you'll learn to interpret what you see.'
'Okay, but...can't they just say, "Hey, I'm feeling this?"' Keefe asked.
'People aren't always honest about their feelings--even with themselves,' Mr. Forkle told him. 'Plus, many telepathic missions involve stealth and secrecy. So for this exercise I'm going to need both of you to forget everything around you. Let the world drop away, leaving only you two.'
Keefe sighed. 'Just tell them to stare into each other's eyes and they'll be good.'
'None of that, Mr. Sencen. From this moment on, you have one job and one job only: to judge their translations of the various emotions I'll be triggering.'
'Triggering how?' Sophie asked.
'You'll see soon enough. And you'll go first, Miss Foster. For this to work, Mr. Vacker, it's crucial that you not react externally. No yelling or thrashing or screaming or--'
'Uhhh, what are you going to do to me?' Fitz asked.
'Nothing you won't survive. Consider it an exercise in self-control. And try not to listen to his thoughts, Miss Foster. Study only the changes in his emotional center and make your deduction. We begin now.'
Sophie closed her eyes and focus on the colors weaving around Fitz's mind. She was about to ask if she was missing something when the pattern exploded into a swirl of pale blue tendrils. The color felt to bright to be sad, but also too wild to be peaceful.
'Tension?' she guessed.
'Kinda close,' Keefe told her.
The laughter in his voice made her wonder what had happened to poor Fitz.
She tried to think of other emotions as his mind turned electric blue.
'Shock?' she guessed.
'That counts,' Keefe said. 'Though the best answer would've been "surprise."'
'Is that an emotion?' she asked.
'Indeed it is,' Mr. Forkle said. 'One of the most common emotions you'll experience as you navigate someone's mind--hence why I chose it as our starting point.'
'Can I talk now?' Fitz asked. 'Because that was seriously disgusting!'
Sophie opened her eyes and tried not to laugh when she saw red fruit smashed all over Fitz's face. He wiped his cheeks on his sleeves, but that only smeared the pulp.
'I think I'm going to like this assignment,' Keefe said. 'What else can we fling at Fitz?'
'Nothing for the moment,' Mr. Forkle told him. 'It's his turn to interpret. Everyone close your eyes. And remember, no cues of any kind, Miss Foster.'
Sophie counted the seconds, bracing for the worst--and when nothing chaned, she opened her eyes and found Mr. Forkle with his finger over his lips in a 'shhh' sign.
'Um...confusion,' Fitz guessed.
'That works,' Keefe said. 'It started as anticipation, but then it shifted.'
'Very good,' Mr. Forkle said. 'And well done, Mr. Sencen. I wasn't sure you'd recognize confusion. It's one of the more challenging emotions for Empaths.'
'Maybe on other people,' Keefe said. 'But on Foster it's easy. Why are her emotions so much stronger?'
'Honestly, I'm not sure,' Mr. Forkle admitted. 'I suspect it stems from the combination of her inflicting ability and her human upbringing. But it was one of the surprises of her development. Much like her teleporting. Okay, Miss Foster, it's your turn to guess again.'
She closed her eyes and watched as the lines of color in Fitz's mind blossomed to a snowflake of purple.
'Pride?' she guessed.
Keefe laughed. 'Wow, add more fail points to Sophitz.'
'Quiet,' Mr. Forkle told him.
”
”
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
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told me more about what happened the other night?” she asked, deciding to air her worst fears. “Am I under suspicion or something?” “Everyone is.” “Especially ex-wives who are publicly humiliated on the day of the murder, right?” Something in Montoya’s expression changed. Hardened. “I’ll be back,” he promised, “and I’ll bring another detective with me, then we’ll interview you and you can ask all the questions you like.” “And you’ll answer them?” He offered a hint of a smile. “That I can’t promise. Just that I won’t lie to you.” “I wouldn’t expect you to, Detective.” He gave a quick nod. “In the meantime if you suddenly remember, or think of anything, give me a call.” “I will,” she promised, irritated, watching as he hurried down the two steps of the porch to his car. He was younger than she was by a couple of years, she guessed, though she couldn’t be certain, and there was something about him that exuded a natural brooding sexuality, as if he knew he was attractive to women, almost expected it to be so. Great. Just what she needed, a sexy-as-hell cop who probably had her pinned to the top of his murder suspect list. She whistled for the dog and Hershey bounded inside, dragging some mud and leaves with her. “Sit!” Abby commanded and the Lab dropped her rear end onto the floor just inside the door. Abby opened the door to the closet and found a towel hanging on a peg she kept for just such occasions, then, while Hershey whined in protest, she cleaned all four of her damp paws. “You’re gonna be a problem, aren’t you?” she teased, then dropped the towel over the dog’s head. Hershey shook herself, tossed off the towel, then bit at it, snagging one end in her mouth and pulling backward in a quick game of tug of war. Abby laughed as she played with the dog, the first real joy she’d felt since hearing the news about her ex-husband. The phone rang and she left the dog growling and shaking the tattered piece of terry cloth. “Hello?” she said, still chuckling at Hershey’s antics as she lifted the phone to her ear. “Abby Chastain?” “Yes.” “Beth Ann Wright with the New Orleans Sentinel.” Abby’s heart plummeted. The press. Just what she needed. “You were Luke Gierman’s wife, right?” “What’s this about?” Abby asked warily as Hershey padded into the kitchen and looked expectantly at the back door leading to her studio. “In a second,” she mouthed to the Lab. Hershey slowly wagged her tail. “Oh, I’m sorry,” Beth Ann said, sounding sincerely rueful. “I should have explained. The paper’s running a series of articles on Luke, as he was a local celebrity, and I’d like to interview you for the piece. I was thinking we could meet tomorrow morning?” “Luke and I were divorced.” “Yes, I know, but I would like to give some insight to the man behind the mike, you know. He had a certain public persona, but I’m sure my readers would like to know more about him, his history, his hopes, his dreams, you know, the human-interest angle.” “It’s kind of late for that,” Abby said, not bothering to keep the ice out of her voice. “But you knew him intimately. I thought you could come up with some anecdotes, let people see the real Luke Gierman.” “I don’t think so.” “I realize you and he had some unresolved issues.” “Pardon me?” “I caught his program the other day.” Abby tensed, her fingers holding the phone in a death grip. “So this is probably harder for you than most, but I still would like to ask you some questions.” “Maybe another time,” she hedged and Beth Ann didn’t miss a beat. “Anytime you’d like. You’re a native Louisianan, aren’t you?” Abby’s neck muscles tightened. “Born and raised, but you met Luke in Seattle when he was working for a radio station . . . what’s the call sign, I know I’ve got it somewhere.” “KCTY.” It was a matter of public record. “Oh, that’s right. Country in the City. But you grew up here and went to local schools, right? Your
”
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Lisa Jackson (Lisa Jackson's Bentz & Montoya Bundle: Shiver, Absolute Fear, Lost Souls, Hot Blooded, Cold Blooded, Malice & Devious (A Bentz/Montoya Novel))