Don't Be Cleared Be Blurred Quotes

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Emma rose to her feet, facing the faerie across the fleeing crowd. Gleaming from his weathered, barklike face, his eyes were yellow as a cat's. "Shadowhunter," he hissed. Emma reached back over her shoulder and closed her hand around the hilt of her sword, Cortana. The blade made a golden blur in the air as she drew it and pointed the tip at the fey. "No," she said. "I'm a candygram. This is my costume." The faerie looked puzzled. Emma sighed. "It's so hard to be sassy to the Fair Folk. You people never get jokes." "We are well known for our jests, japes, and ballads," the faerie said, clearly offended. "Some of our ballads last for weeks." "I don't have that kind of time," Emma said. "I'm a Shadowhunter. Quip fast, die young." She wiggled Cortana's tip impatiently. "Now turn out your pockets." "I have done nothing to break the Cold Peace," said the fey. "Technically true, but we do frown on stealing from mundanes," Emma said. "Turn out your pockets or I'll rip off one of your horns and shove it where the sun doesn't shine." The fey looked puzzled. "Where does the sun not shine? Is this a riddle?" Emma gave a martyred sigh and raised Cortana. "Turn them out, or I'll start peeling your bark off. My boyfriend and I just broke up, and I'm not in the best mood." The faerie began slowly to empty his pockets onto the ground, glaring at her all the while. "So you're single," he said. "I never would have guessed.
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
Clay, did you ever love me?" I'm studying a billboard and say that I didn't hear what she said. "I asked if you ever loved me?" On the terrace the sun bursts into my eyes and for one blinding moment I see myself clearly. I remember the first time we made love, in the house in Palm Springs, her body tan and wet, lying against cool, white sheets. "Don't do this, Blair," I tell her. "Just tell me." I don't say anything. "Is it such a hard question to answer?" I look at her straight on. "Yes or no?" "Why?" "Damnit, Clay," she sighs. "Yeah, sure, I guess." "Don't lie to me." "What in the fuck do you want to hear?" "Just tell me," she says, her voice rising. "No," I almost shout. "I never did." I almost start to laugh. She draws in a breath and says, "Thank you. That's all I wanted to know." She sips her wine. "Did you ever love me?" I ask her back, though by now I can't even care. She pauses. "I thought about it and yeah, I did once. I mean I really did. Everything was all right for a while. You were kind." She looks down and then goes on. "But it was like you weren't there. Oh shit, this isn't going to make any sense." She stops. I look at her, waiting for her to go on, looking up at the billboard. Disappear Here. "I don't know if any other person I've been with has been really there, either ... but at least they tried." I finger the menu; put the cigarette out. "You never did. Other people made an effort and you just ... It was just beyond you." She takes another sip of her wine. "You were never there. I felt sorry for you for a little while, but then I found it hard to. You're a beautiful boy, Clay, but that's about it." I watch the cars pass by on Sunset. "It's hard to feel sorry for someone who doesn't care." "Yeah?" I ask. "What do you care about? What makes you happy?" "Nothing. Nothing makes me happy. I like nothing," I tell her. "Did you ever care about me, Clay?" I don't say anything, look back at the menu. "Did you ever care about me?" she asks again. "I don't want to care. If I care about things, it'll just be worse, it'll just be another thing to worry about. It's less painful if I don't care." "I cared about you for a little while." I don't say anything. She takes off her sunglasses and finally says, "I'll see you later, Clay." She gets up. "Where are you going?" I suddenly don't want to leave Blair here. I almost want to take her back with me. "Have to meet someone for lunch." "But what about us?" "What about us?" She stands there for a moment, waiting. I keep staring at the billboard until it begins to blur and when my vision becomes clearer I watch as Blair's car glides out of the parking lot and becomes lost in the haze of traffic on Sunset. The waiter comes over and asks, "Is everything okay, sir?" I look up and put my sunglasses on and try to smile. "Yeah.
Bret Easton Ellis (Less Than Zero)
I thought how little we know about the feelings of old people. Children we understand, their fears and hopes and make-believe. I was a child yesterday. I had not forgotten. But Maxim’s grandmother, sitting there in her shawl with her poor blind eyes, what did she feel, what was she thinking? Did she know that Beatrice was yawning and glancing at her watch? Did she guess that we had come to visit her because we felt it right, it was a duty, so that when she got home afterwards Beatrice would be able to say, “Well, that clears my conscience for three months”? Did she ever think about Manderley? Did she remember sitting at the dining room table, where I sat? Did she too have tea under the chestnut tree? Or was it all forgotten and laid aside, and was there nothing left behind that calm, pale face of hers but little aches and little strange discomforts, a blurred thankfulness when the sun shone, a tremor when the wind blew cold? I wished that I could lay my hands upon her face and take the years away. I wished I could see her young, as she was once, with color in her cheeks and chestnut hair, alert and active as Beatrice by her side, talking as she did about hunting, hounds, and horses. Not sitting there with her eyes closed while the nurse thumped the pillows behind her head. “We’ve got a treat today, you know,” said the nurse, “watercress sandwiches for tea. We love watercress, don’t we?
Daphne du Maurier (Rebecca)
Love. Loathing. Same passion, different names,” he told her. “And how easily and swiftly the line can be blurred, don’t you think?” “No,” she seethed. “I don’t think it will ever be anything but crystal clear to me that I hate you.” Leaning down slowly, until his lips were right next to her ear, he said, “Prove it.
Kaylie Smith (Enchantra (Wicked Games, #2))
Why are you holding a knife?” he asked, mimicking her tone. Shock blurred her vision. The ease had gone out of his posture. Suddenly she knew he was a man poised to spring if he needed to. And this was what he’d been leading up to all along. She cleared her throat. “Oh . . . this?” “Yes,” he said softly. “That.” She remained silent. She idly tested the tip of the knife with her fingertip. Very sharp. Perfectly deadly. “Let me guess. It’s not what I think.” Think, Tommy, think. “I’m carrying a knife,” she said slowly, “because . . . I don’t own a pistol.
Julie Anne Long (It Happened One Midnight (Pennyroyal Green, #8))
The feelings return so clearly when I write that I don’t doubt the faithfulness of my memories, my fabrications. I try to capture that present, that now, but it blurs with every word drawn, every time I use this insufficient language.
Agustina Bazterrica (The Unworthy)
I like things to be clearly defined. Trouble brews when the lines are blurred. When people don't know where they stand.
Santa Montefiore (The French Gardener)
By the middle of the afternoon it had rained so much that the drains were overflowing, clogged up with leaves and newspapers. The water built up until it was sliding across the road in great sheets, rippled by the wind and parted like a football crowd by passing cars. I was shocked by the sheer volume of water that came pouring out of the darkness of the sky. Watching the weight of it crashing into the ground made me feel like a very young child, unable to understand what was really happening. Like trying to understand radio waves, or imagining computers communicating along glass cables. I leant my face against the window as the rain piled upon it, streaming down in waves, blurring my vision, making the shops opposite waver and disappear. There was a time when I might have found this exhilarating, even miraculous, but not that day. That day it made me nervous and tense, unable to concentrate on anything while the noise of it clattered against the windows and the roof. I kept opening the door to look for clear skies, and slamming it shut again. And then around teatime, from nowhere, I smashed all the dirty plates and mugs into the washing-up bowl. Something swept through me, swept out of and over me, something unstoppable, like water surging from a broken tap and flooding across the kitchen floor. I don't quite understand why I felt that way, why I reacted like that. I wanted to be saying it's just something that happens. But I was there, that day, slamming the kitchen door over and over again until the handle came loose. Smacking my hand against the worktop, kicking the cupboard doors, throwing the plates into the sink. Going fuckfuckfuck through my clenched teeth. I wanted someone to see me, I wanted someone to come rushing in, to take hold of me and say hey hey what are you doing, hey come on, what's wrong. But there was no one there, and no one came.
Jon McGregor (If Nobody Speaks Of Remarkable Things)
The world is a dangerous place (...) There will always be blurred boundaries. There are plenty of good bad guys and bad good guys. Life's not clear and it's seldom fair (...) I don't want our child growing up under the illusion that it is. Shit happens.
Peter James (Dead Like You (Roy Grace, #6))
Because street harassment is perhaps the clearest manifestation of the spectrum of sexism, sexual harassment and sexual assault that exists within our society. Yes, it starts out small; but allowing those ‘minor’ transgressions gives licence to the more serious ones, and eventually to all-out abuse. We’ve heard the same words and phrases crossing over and echoing and repeating, from women who are shouted at in the street to women who are assaulted and women who are victims of domestic violence in their own homes. The language is the same. And if we say it’s acceptable for men to assume power and ownership over women they don’t know verbally in public, then, like it or not, we’re also saying something much wider about gender relations – something that carries over into our personal relationships and our sexual exchanges. Because this is a line that doesn’t need to be blurred. It should be clear and simple. Take it from the women whose experiences started out with just a little ‘harmless’ street harassment – a sexual ‘compliment’ or a wolf whistle, or a ‘Hey baby’ – but then turned nasty, became full-blown attacks. Ask them what the problem is with a harmless bit of fun.
Laura Bates (Everyday Sexism)
Enough of the lessons,” Mauvin said, clearly irritated at being the illustration of a fencing mistake. “Let’s show him a real demonstration.” “Looking for a rematch?” Hadrian asked. “Curious if it was luck.” Hadrian smiled and muttered, “Pickerings.” He took off his shirt and, wiping his face and hands, threw it on the grass and raised his sword to ready position. Mauvin lunged and immediately the two began to fight. The swords sang as they cut the air so fast their movements blurred. Hadrian and Mauvin danced around on the balls of their feet, shuffling in the dirt so briskly that a small cloud rose to knee height. “By Mar!” the old farmer exclaimed. Then abruptly they stopped, both panting from the exertion. Mauvin glared at Hadrian with a look that was both amazed and irritated. “You’re playing with me.” “I thought that was the point. You don’t really want me to kill you?” “Well no, but—well, like he said—by Mar! I’ve never seen anyone fight like you do; you’re amazing.” “I thought you both were pretty amazing,” Theron remarked. “I’ve never seen anything like that.
Michael J. Sullivan (Theft of Swords (The Riyria Revelations, #1-2))
Don't Be Afraid by Author C.A. Harms Here's a #SneakPeek! “I’m just scared.” “Of what?” Willow moved around the counter and stepped up to my side. “Forgetting him.” My vision blurred with tears. “Sometimes I wake up and I can still see him so clearly. I can imagine the way his eyes wrinkled when he grinned. Or I can hear his laughter when I’d go on one of my rambles and he was unable to hold it back.” My heart ached with each confession. “When I walk into a room, I swear I can sometimes still smell him, like he’s there waiting for me. I’ve even looked around like I’d actually find him watching television or pouring a cup of coffee.
C.A. Harms
My head cleared the water, and a strong arm wrapped around my middle as my lungs automatically sucked in air. I started coughing immediately, water sputtering out of my mouth. I blinked against my blurred vision as commotion erupted around me. “Help me, man,” a voice said. It was desperate and raw. Romeo. “I got her,” said another familiar voice, Braeden. He slid his arms beneath my arms and towed me up out of the water. My legs buckled, and instead of letting me fall, he scooped me up and held me against him. I dropped my head against his shoulder and wrinkled my nose. He didn’t feel right. The sound of splashing water drifted over, and I flinched against the sound. “I got her,” Romeo said, and I was shifted against a chest I knew very well. I was home. I whimpered because he felt so good, and his arms tightened around me. “Don’t let anyone in the house,” Romeo said, and I heard Braeden agree.
Cambria Hebert (#Hater (Hashtag, #2))
I'm going to get lecture-y for a second and add that I think the entire idea of tops and bottems, especially when coming from straight people who fetishize gay people, is an attempt to place some sort of hetero world over gay people. "Oh your're a bottom, so you're the woman." Gay guys who are strictly tops or bottoms tend to embrace this idea, too. Being a top only means you're "manly" or whatever because not being manly is considered bad by like adults and TV and stuff. Gay guys can buy into that crap just as easy as straight people. Whenever you see masc for masc on Grindr or whatever, what you're seeing is someone saying," I don't want people to think I'm like a woman, and I don;t want people to think that you're like a woman because people will think less of us." Sure people have preference but these ideas of masculine and feminine are kind of meaningless. I wear make-up. I think I'm pretty manly! We're all told this crap all the time, but you can reject it. Instead you're enforcing the idea that there is masculine and there is feminine, and that masculine is, for some unexplained reason, better. Finally, and this should probably be clear after the last bit, but you cant tell a top or a bottom or what a person's preferences are just by looking at him! Big, harry, muscled men love taking it up the ass. Trust me, I know. And slim, make-up wearing types, we love to f@$%. And in my case, get f@$%ed, too. Like I said, versatility is the best. So, in summary, it's wrong to assume all gay guys are having anal sex all the time. And it's ridiculous and offensive and stereotyping and hurtful to think that those who are penetrated are girly and those who penetrate are manly, something you've been doing. ... You're email is more like a mean joke you tell your friends, and I think that is because secretly you hate the way you're always being told what a girl should be like. And when you see a gay guy blurring the gender lines a little, like me, you're jealous of him. You want to put him in his place. You want to say, "he's not a man." Because if you can't blur those gender lines without being told you're gross or wrong, then you want to make sure that anyone who does cross those gender lines gets punished the way you would. But you shouldn't be punishing gay guys. You should be braking down the barriers that keep you from being who YOU want to be!
Lev A.C. Rosen (Jack of Hearts (and Other Parts))
Evie.” She glanced at Sebastian. Whatever she saw in his face caused her to walk around the bed to him. “Yes,” she said with a concerned frown. “Dearest, this is going to help you—” “No.” It would kill him. It was difficult enough already to fight the fever and the pain. If he was further weakened by a long bloodletting he wouldn’t be able to hold on any longer. Frantically Sebastian tugged at his tautly stretched arm, but the binding held fast and the chair didn’t even wobble. Bloody hell. He stared up at his wife wretchedly, battling a wave of light-headedness. “No,” he rasped. “Don’t…let him…” “Darling,” Evie whispered, bending over to kiss his shaking mouth. Her eyes were suddenly shiny with unshed tears. “This may be your best chance—your only chance—” “I’ll die. Evie…” Rising fear caused blackness to streak across his vision, but he forced his eyes to stay open. Her face became a blur. “I’ll die,” he whispered again. “Lady St. Vincent,” came Dr. Hammond’s steady, kind voice, “your husband’s anxiety is quite understandable. However, his judgment is impaired by illness. At this time, you are the one who is best able to make decisions for his benefit. I would not recommend this procedure if I did not believe in its efficacy. You must allow me to proceed. I doubt Lord St. Vincent will even remember this conversation.” Sebastian closed his eyes and let out a groan of despair. If only Hammond were some obvious lunatic with a maniacal laugh…someone Evie would instinctively mistrust. But Hammond was a respectable man, with all the conviction of someone who believed he was doing the right thing. The executioner, it seemed, could come in many guises. Evie was his only hope, his only champion. Sebastian would never have believed it would come to this…his life depending on the decision of an unworldly young woman who would probably allow herself to be persuaded by the Hammond’s authority. There was no one else for Sebastian to appeal to. He felt her gentle fingers at the side of his fevered face, and he stared up at her pleadingly, unable to form a word. Oh God, Evie, don’t let him— “All right,” Evie said softly, staring at him. Sebastian’s heart stopped as he thought she was speaking to the doctor…giving permission to bleed him. But she moved to the chair and deftly untied Sebastian’s wrist, and began to massage the reddened skin with her fingertips. She stammered a little as she spoke. “Dr. H-Hammond…Lord St. Vincent does not w-want the procedure. I must defer to his wishes.” To Sebastian’s eternal humiliation, his breath caught in a shallow sob of relief. “My lady,” Hammond countered with grave anxiety, “I beg you to reconsider. Your deference to the wishes of a man who is out of his head with fever may prove to be the death of him. Let me help him. You must trust my judgment, as I have infinitely more experience in such matters.” Evie sat carefully on the side of the bed and rested Sebastian’s hand in her lap. “I do respect your j-j—” She stopped and shook her head impatiently at the sound of her own stammer. “My husband has the right to make the decision for himself.” Sebastian curled his fingers into the folds of her skirts. The stammer was a clear sign of her inner anxiety, but she would not yield. She would stand by him. He sighed unsteadily and relaxed, feeling as if his tarnished soul had been delivered into her keeping.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
I'm glad you brought it up. I wasn't sure how to approach you about it, but this makes it easier for both of us, don't you think? And if you keep cooperating, I'm sure I can get you leniency." I gulp. "Leniency?" "Yes, Emma. Of course you realize I could arrest you right now. You understand that, right?" Ohmysweetgoodness, he came all this way to press assault charges against me! Is he going to sue me, sue my family? I'm eighteen now. I could legally be sued. The heat on my cheeks is part kill-me-now embarrassment and part where's-a-knife-when-you-need-one rage. "But it was an accident!" I hiss. "An accident? You've got to be kidding me." He pinches the bridge of his nose. "No, I am not kidding. Why would I ram into you on purpose? I don't even know you! And anyways, how do I know you didn't run into me, huh?" The idea is preposterous, but it leaves room for reasonable doubt. I can see by his expression he didn't think of that. "What?" He is struggling to follow, but what did I expect? He can't even find his class in a school with only three halls. That he found me clear across the country seems more miraculous than a push-up bra. "I said, you'll have to prove that I ran into you on purpose. That I meant to cause you harm. And besides, I checked with you at the time-" "Emma." "-and you said you didn't have injuries-" "Emma." "-but the only witness I have on my side is dead-" "EM-MA." "Did you hear me, Galen?" I turn around and yell at the remaining spectators in the hall as the bell rings. "CHLOE IS DEAD!" Sprinting is not a good idea for me in the first place. Sprinting with tears blurring my vision, even worse. But sprinting with tears blurring my vision and while wearing flip-flops is a lack of respect for human life, starting with my own. So then, I am not surprised when the door to the cafeteria opens into my face. I am a little surprised when everything goes black.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
When he reached the doorman, he stopped. “Did you see Miss Christian come in a few minutes ago?” The doorman nodded. “Yes, sir. She got here just before you arrived.” Relief staggered him. He bolted for the elevator. A few moments later, he strode into the apartment. “Kelly? Kelly, honey, where are you?” Not waiting for an answer, he hurried into the bedroom to see her sitting on the edge of the bed, her face pale and drawn in pain. When she heard him, she looked up and he winced at the dullness in her eyes. She’d been crying. “I thought I could do it,” she said in a raw voice, before he could beg her forgiveness. “I thought I could just go on and forget and that I could accept others thinking the worst of me as long as you and I were okay again. I did myself a huge disservice.” “Kelly…” Something in her look silenced him and he stood several feet away, a feeling of helplessness gripping him as he watched her try to compose herself. “I sat there tonight while your friends and your mother looked at me in disgust, while they looked at you with a mixture of pity and disbelief in their eyes. All because you took me back. The tramp who betrayed you in the worst possible manner. And I thought to myself I don’t deserve this. I’ve never deserved it. I deserve better.” She raised her eyes to his and he flinched at the horrible pain he saw reflected there. Then she laughed. A raw, terrible sound that grated across his ears. “And earlier tonight you forgave me. You stood there and told me it no longer mattered what happened in the past because you forgave me and you wanted to move forward.” She curled her fingers into tight balls and rage flared in her eyes. She stood and stared him down even as tears ran in endless streams down her cheeks. “Well, I don’t forgive you. Nor can I forget that you betrayed me in the worst way a man can betray the woman he’s supposed to love and be sworn to protect.” He took a step back, reeling from the fury in her voice. His eyes narrowed. “You don’t forgive me?” “I told you the truth that day,” she said hoarsely, her voice cracking under the weight of her tears. “I begged you to believe me. I got down on my knees and begged you. And what did you do? You wrote me a damn check and told me to get out.” He took another step back, his hand going to his hair. Something was wrong, terribly wrong. So much of that day was a blur. He remembered her on her knees, her tear-stained face, how she put her hand on his leg and whispered, “Please don’t do this.” It made him sick. He never wanted to go back to the way he felt that day, but somehow this was worse because there was something terribly wrong in her eyes and in her voice. “Your brother assaulted me. He forced himself on me. I didn’t invite his attentions. I wore the bruises from his attack for two weeks. Two weeks. I was so stunned by what he’d done that all I could think about was getting to you. I knew you’d fix it. You’d protect me. You’d take care of me. I knew you’d make it right. All I could think about was running to you. And, oh God, I did and you looked right through me.” The sick knot in his stomach grew and his chest tightened so much he couldn’t breathe. “You wouldn’t listen,” she said tearfully. “You wouldn’t listen to anything I had to say. You’d already made your mind up.” He swallowed and closed the distance between them, worried that she’d fall if he didn’t make her sit. But she shook him off and turned her back, her shoulders heaving as her quiet sobs fell over the room. “I’m listening now, Kelly,” he forced out. “Tell me what happened. I’ll believe you. I swear.” But he knew. He already knew. So much of that day was replaying over and over in his head and suddenly he was able to see so clearly what he’d refused to see before. And it was killing him. His brother had lied to him after all. Not just lied but he’d carefully orchestrated the truth and twisted it so cleverly that Ryan had been completely deceived.
Maya Banks (Wanted by Her Lost Love (Pregnancy & Passion, #2))
Put shortly, these are the two views, then. One, that man is intrinsically good, spoilt by circumstance; and the other that he is intrinsically limited, but disciplined by order and tradition to something fairly decent. To the one party man's nature is like a well, to the other like a bucket. The view which regards man as a well, a reservoir full of possibilities, I call the romantic; the one which regards him as a very finite and fixed creature, I call the classical. One may note here that the Church has always taken the classical view since the defeat of the Pelagian heresy and the adoption of the sane classical dogma of original sin. It would be a mistake to identify the classical view with that of materialism. On the contrary it is absolutely identical with the normal religious attitude. I should put it in this way: That part of the fixed nature of man is the belief in the Deity. This should be as fixed and true for every man as belief in the existence of matter and in the objective world. It is parallel to appetite, the instinct of sex, and all the other fixed qualities. Now at certain times, by the use of either force or rhetoric, these instincts have been suppressed - in Florence under Savonarola, in Geneva under Calvin, and here under the Roundheads. The inevitable result of such a process is that the repressed instinct bursts out in some abnormal direction. So with religion. By the perverted rhetoric of Rationalism, your natural instincts are suppressed and you are converted into an agnostic. Just as in the case of the other instincts, Nature has her revenge. The instincts that find their right and proper outlet in religion must come out in some other way. You don't believe in a God, so you begin to believe that man is a god. You don't believe in Heaven, so you begin to believe in a heaven on earth. In other words, you get romanticism. The concepts that are right and proper in their own sphere are spread over, and so mess up, falsify and blur the clear outlines of human experience. It is like pouring a pot of treacle over the dinner table. Romanticism then, and this is the best definition I can give of it, is spilt religion.
T.E. Hulme
(from chapter 19, "Willi Ossa") "...when I did [become a pastor], I knew that it was a vocation, not a job. I told my friends in the Company [of Pastors] the story of Willi...We were honing our observational skills in discerning the difference between vocation and job. As we were seeing pastors left and right abandoning their vocations and taking jobs, we were determined to keep the distinction clear for ourselves. A job is an assignment to do work that can be quantified and evaluated. It is pretty easy to decide whether a job has been completed or not. It is pretty easy to tell whether a job is done well or badly. But a vocation is not a job in that sense. I can be hired to do a job, paid a fair wage if I do it, dismissed if I don't. But I can't be hired to be a pastor, for my primary responsibility is not to the people I serve tu to the God I serve. As it turns out, the people I serve would often prefer an idol who would do what they want done rather than do what God, revealed in Jesus, wants them to do. In our present culture, the sharp distinction between a job and a vocation is considerably blurred. How do I, as a pastor, prevent myself from thinking of my work as a job that I get paid for, a job that is assigned to me by my denomination, a job that I am expected to do to the satisfaction of my congregation? How do I stay attentive to and listening to the call that got me started in this way of life - not a call to make the church attractive and useful in the American scene, not a call to help people feel good about themselves and have a good life, not a call to use my considerable gifts and fulfill myself, but a call like Abraham's 'to set out for a place...not knowing where he was going', a call to deny myself and take up my cross and follow Jesus, a call like Jonah's to go at once to Nineveh, 'a city he detested', a call like Paul's to 'get up and enter the city and you will be told what to do'? How do I keep the immediacy and authority of God's call in my ears when in entire culture, both secular and ecclesial, is giving me a job description? How do I keep the calling, the vocation, of pastor from being drowned out by job descriptions, gussied up in glossy challenges and visions and strategies, clamoring incessantly for my attention?
Eugene H. Peterson (The Pastor: A Memoir)
You!’ the first guard yelled. ‘Hands on your head, don’t move.’ Wing slowly put his hands on his head, showing no hint of emotion. ‘What the hell?’ the other guard said. ‘He’s just a kid.’ He pulled a pair of handcuffs from his belt and slowly moved behind Wing and grasped one of his wrists. In one fluid motion, Wing grabbed the guard’s own wrist with his free hand and twisted hard. There was a sickening crunch, the guard howling in pain as Wing stepped backwards, too close for the man to bring his gun to bear. He pulled the guard’s wounded arm further over his own shoulder, dragging the man closer, and jerked his head backwards, his skull connecting with the man’s nose with a crunch. Wing rotated around the guard, pressing the wounded arm up into the small of the man’s back and ducking behind him, giving the other guard no clean shot without hitting his associate. He pushed hard, sending the stunned guard staggering towards his partner, and delivered a sharp kick to the base of his spine. The wounded guard’s momentum sent him careering into the other man, yowling with pain and confusion. Wing took two short steps and in a blur of movement pulled the handcuffs from the wounded man’s belt and snapped them closed around both his broken wrist and the wrist of the unwounded guard’s gun hand. Wing pressed his fingers into the pressure point behind the wounded guard’s ear and he collapsed, instantly unconscious, pulling the other guard down with him and pinning his gun to the ground. The conscious guard snatched for the gun with his free hand, but Wing dropped on to him, his knee pressing into his throat hard enough to choke him but without crushing his windpipe. Wing delivered a sharp knuckle jab to the guard’s shoulder and his free arm was instantly disabled too. Wing could hear the sound of at least half a dozen more guards racing up the stairs from below. He knew there would be more than he could handle. He reached down and took a smoke grenade from the webbing on the pinned guard’s chest and pulled the pin with his teeth, tossing it through the doorway into the stairwell. There were cries of confusion from just below as the confined space filled with impenetrable clouds of white smoke. Wing pulled a flashbang stun grenade from the other side of the pinned guard’s webbing and waited a couple of seconds before tossing it into the stairwell too. He closed his eyes, the flash of the grenade clear even through his eyelids. ‘Who the hell are you?’ the guard pinned beneath Wing gasped. ‘Just a kid,’ Wing said with a slight smile and punched him unconscious.
Mark Walden (Escape Velocity (H.I.V.E., #3))
flicker?" He points to the screen and pauses the vid. "That's when they switched the footage." I stare at the screen. "How do I know you're not the ones lying?" "You saw it yourself on the street," Meyer says. I glance up from the pad and lock eyes with Meyer. "What else are they lying about?" Jayson chuckles. "Well… that's going to take longer than we have." "Here's one," Meyer says. "Remember that last viral outbreak that killed a bunch of Level Ones?" "3005B?" My heart races. That's the virus that ultimately killed Ben thirteen years ago. "That's it. The one they use in all the broadcasts to remind citizens how important it is to get your MedVac updates? It wasn't an accident." We were always told a virus swept through Level One because they hadn't gotten their updated VacTech yet. Hundreds of people died in the day it took to get everyone up to date. "My brother died because of that." Everything I've found out over the last week suddenly grips me with fear. This can't be real. My breath shortens, and suddenly my head starts slowly spinning. Everything goes blurry. Then black. ~~~ "It's all right, kid," a distant voice, which must be Jayson's, echoes in the back of my mind. The room swirls around me. Their faces blur in and out of focus. "Meyer, get her." Blinking a couple of times, I try to sit up. I guess I fell. Meyer's warm hands rest on the back of my neck, my head in his lap. "Don't stand. You could pass out again," he says. He helps me sit up. "Are you okay?" "No, I'm not okay," I mumble. "This is too much." I feel like I should be crying, but I'm not. The reality is that the anger I feel is so much greater than any sadness. Neither Meyer nor Jayson speak, and let me mull over what I've just heard. "Why did they do that?" I eventually ask. "Two reasons, kid," Jayson says. "To cull the Level Ones, and to scare Elore into taking the VacTech. If viral outbreaks are still a threat, no one questions it, and continues believing inside the perimeter is the safest place for them." "I'm sorry about your brother," Meyer says as he stands, offering me his hand. His words are genuine, filled with the emotions of someone who has also experienced loss. "I hate to end this," Jayson interrupts, "but it's time to go." Meyer eyes Jayson, and then me. "I understand if you're not ready, but you need to choose soon. Within the next few days." I take his hand and pull myself to my feet. Words catch somewhere between my heart and throat. The old me wants to tell them to get lost and to never bother me again. It's so risky. Then again, I can't stand by while Manning and Direction kill people to keep us in the dark. Joining is the right thing to do. Feelings I've never experienced before well inside my chest, and I long to shout, When do we start? Instead, I stuff them down and stare at the ground. Subtle pressure squeezes my hand, bringing me back to the present. I never let go of Meyer's hand. How long have we been like that? He releases my hand as he mutters and steps back. The heat from his touch still flickers on my skin. You didn't have to go. I clear my throat and turn toward Meyer. Our eyes lock. "I've already decided," I tell him. "I'll do it. For Ben. Direction caused his death, and there's no way I'm standing by and letting them do this to more people." I barely recognize my own voice as I ask, "What do I do?" A slap hits my back and I choke. Jayson. "Atta girl. Meyer and I knew you had it in you." "Jayson, you have to give Avlyn some time." Meyer steps toward me and holds his handheld in the air toward Jayson. "I'll bring her up to speed." "Sure thing." Jayson throws his hands in the air and walks to the other side of the room. "Sorry," Meyer murmurs. "Jayson is pretty… overwhelming. At least until you know him. Even then…" "Oh, it's fine." A white lie. "He's a nice guy. Now, why don't you tell me the instructions
Jenetta Penner (Configured (Configured, #1))
The sun at that altitude is an enormous ball of light so powerful that it can burn the inside of your mouth and the inside of your nose. If you take off those protective glasses, within ten minutes your retinas will be seared to total blindness. Hence, I expected that, once the sun was fully out, even behind my jet-black lenses my pupils would clamp down to pinpoints and everything would be infinitely focused. I was certain I was right. It had to work. In the predawn darkness, however, I was too blind to climb. So I stepped out of line and let everyone pass, going from fourth out of thirty-some climbers to absolutely dead last. It wasn’t unpleasant, really, watching everybody traipse past me. I basically stood there chatting and acting like a Wal-Mart greeter until the sun began to illuminate the summit face. As I expected, my vision did begin to clear, and I was able to dig in the front knives on my boots, move across, and head on up to the summit ridge. Then I compounded my problem by reaching to wipe my face with an ice-crusted glove. A crystal painfully lacerated my right cornea, leaving that eye completely blurred. That meant I had no depth perception, and that’s not good in that environment. My left eye was a little blurry but basically okay. But I knew that I could not climb above this point, a living-room size promontory called the Balcony, about fifteen hundred feet below the summit, unless my vision improved. Still believing it would, I said to Rob, “You guys go ahead and boogie on up the hill. At a point that I can see, I’ll just wander up after you.” It was about 7:30 A.M. “Beck,” he answered in that unmistakable Kiwi accent, “I don’t like that idea. You’ve got thirty minutes. If you can see in thirty minutes, climb on. If you cannot see in thirty minutes, I don’t want you climbing.” “Okay.” I hesitated. “I’ll accept that.” This was not a willing and happy answer; I had come too far to quit so close to the summit. But I also recognized the common sense in what Hall said.
Beck Weathers (Left for Dead: My Journey Home from Everest)
Sometimes when you look at people, you don't see them clearly, you see them blurred, erased! Life is so short that these faint images of people soon become the truth. If we look at the speed of time and say that they have already disappeared, we would be telling the truth!
Mehmet Murat ildan
BECOMING AWARE OF THE AURA Tell someone else to stand in front of a plain white or softly colored wall about 30 cm away. Stand at least 2–3 meters (6–10ft) apart, and aim at the wall above your head or shoulders. (Don't look at the person; otherwise, it won't work.) You can see a line about 1–2 cm (½ in) long around the body that looks lighter than the rest. A thin line that looks like it's been traced with a pencil will clearly define it. This is an aura shield, a person's energy field. Try to soften your focus a little if you have trouble detecting the aura. Perhaps a little close your pupils. Or try the room's lighter or darker corner. An alternative method is to stretch and look at the fingertips on a white or softly colored backdrop. A slightly blurred but lighter line can be observed, this time around them about 2–3 mm (a fraction of an inch). Fascinating though it is, it's not necessary to study Reiki to see the aura. When we put our hands in a Reiki treatment around a person, we will still be mindful of the aura. Yet starting it's a fun way. We appear to see the final component of the aura in the test, which is one of seven. The further a substance away from the body is, the waves are stronger and weaker. The outermost layer stretches from the front and back of the body to 1–2 meters (approximately 6ft) and from the edges to about half a meter (1½ft). (Imagine how many people are on a crowded underground train in your aura!) But the atmosphere is also evolving–and increasing with personal development. The rule seems to follow: small ego= large aura. The physical body and the aura The auric particles envelop the physical body in dense rings, but they also interpenetrate one another, with the best being the innermost (hence the simplest to see) and the outermost. This ensures the seventh layer's vibrational frequency covers the whole body–and passes through it completely. And finally, what happens in the aura can manifest in the physical body. To sum up, we definitely have more than what greets us in the mirror. We are a rather large energy ball that vibrates at different levels and holds a lot of information and potential.
Adrian Satyam (Energy Healing: 6 in 1: Medicine for Body, Mind and Spirit. An extraordinary guide to Chakra and Quantum Healing, Kundalini and Third Eye Awakening, Reiki and Meditation and Mindfulness.)
Then Mack is beside me, gently turning me over. I stare up, still dazed and bewildered and shocked beyond all measure. “Oh fuck, angel. What did you do? What did you do?” “I…” My voice sounds weird. Kind of stretched and wobbly. “I saved you. Didn’t I?” Mack makes a strange sobbing sound and lowers his face briefly to my chest. “You did.” Then he’s pulling away my jacket and my shirt, searching for the wound. I can feel it burning on my side, and being exposed to the open air from Mack’s fumbling doesn’t make it any better. “Shit, it really hurts. I guess it’s bleeding. Are my guts hanging out?” He chokes on what might have been a huff of anxious amusement. “No. They’re definitely not. You’re bleeding but not as bad as I thought it would be. Maybe it didn’t get you too bad.” “Oh.” I’m focusing on taking deep breaths, trying to will the pain away so I can think more clearly. I’m hot and cold at the exact same time, and both my head and my chest are pounding violently. “Okay. So I’m not going to die?” “No!” He makes some weird, jerky motions, and it takes longer than it should for me to figure out he’s pulled off his T-shirt. He wads it up to hold it against the place that’s hurting on my side. “You’re not gonna die. I won’t let you.” “Do you think you can stop it?” I’m genuinely curious since he sounded so certain. “Yes. I don’t think you got shot too bad, but even if it’s bad, I’m gonna fix it. You’re not gonna die now. Not when I just got you for real. I’m not gonna let it happen. Not while I’m alive.” While he’s muttering out the hoarse words, he’s working on me, checking my side again and then moving my hand so I’m holding his bundled shirt to the wound myself. “Hold this right here. I’ll be right back.” “You’re leaving me?” I ask the words in a groggy blur since I have no clear idea what’s happening. “Course not. Just need somethin’ to wrap you up.” I don’t know what this means. I consider telling him I don’t need to be wrapped up because I’m as hot as I am cold even though I’ve started to shiver. But I don’t get the words out, and it doesn’t end up mattering because he returns with another one of his shirts. This one he wraps like a sash tightly around my middle, so snugly it holds his wadded T-shirt in place. “There’s first aid stuff at the cabin. I need to get you there so I can fix you up better. You think you can get up?” He sounds so upset and stressed I wouldn’t dream of telling him no. “I can do it.” My words are more confident than is warranted by my condition. I do make an attempt, but it’s mostly Mack lifting my full weight on his own and then carrying me over to the quad. He considers various options for positions, but there’s no safe way for us both to ride this thing except in the normal arrangement with me behind him. So he helps me get on and then climbs on in front of me, pulling my arms around him.
Claire Kent (Beacon (Kindled #8))
Deerfield, Massachusetts February 29, 1704 Temperature 0 degrees Joanna Kellogg, one of Joseph’s sisters, was stumbling. For Joanna, the world was blurred. Her eyes didn’t focus the way other people’s did. Leaves on trees were green blots against a blue sky. She couldn’t recognize people until they were within a dozen paces. When an Indian brave took Joanna’s hand, she had not seen her mother die and did not know this was the killer. She was only ten, but her pack was nearly as large as the ones grown men carried. Joanna did not complain or call out. She just walked more and more slowly. Ruth Catlin lost her temper. She flung the pack she had been given into the snow. She grabbed Joanna by the shoulders and ripped off Joanna’s pack, flinging that into the snow too. She hurled an iron frying pan across the snow and then a whole leg of lamb. Indian and captive alike were mesmerized. “You savages!” Ruth screamed. “Don’t you even think about hurting Joanna. She’s too little! You are vicious and mean! I hate you!” She dragged Joanna forward as if the two of them meant to reach Canada first, by God. “Go ahead and kill me!” she yelled, holding out her hair to be scalped. “I dare you!” She made a fist around her own hair, yanked it tight and waved the bristles in Indian faces. Nobody tomahawked Ruth. She stomped past Indian after Indian, calling them names. Ruth stormed right up to the front of the line, where the lead Indians were trampling out the path. She could go no farther. The Indians politely stepped back and gestured north, making it clear that Ruth was welcome to lead the way. Ruth kicked wildly at one of the braves, but he stepped back and Ruth’s burst of energy vanished. She wanted to lie down on her own soft bed, bury her face in her pillow and weep for the family that had died around her. Even more, she wanted to kill an Indian. Or ten of them. But she had no weapon and as for softness, even the snow was not soft today. Well, at least she would not give those Indians the satisfaction of seeing her cry. Glaring, dragging poor Joanna, she marched on.
Caroline B. Cooney (The Ransom of Mercy Carter)
Albert, friend to royalty,” Beatrix said later at the Rutledge Hotel, laughing as she sat on the floor of their suite and examined the new collar. “I hope you don’t get above yourself, and put on airs.” “Not around your family, he won’t,” Christopher said, stripping off his coat and waistcoat, and removing his cravat. He lowered himself to the settee, relishing the coolness of the room. Albert went to drink from his bowl of water, lapping noisily. Beatrix went to Christopher, stretched full length atop him, and braced her arms on his chest. “I was so proud of you today,” she said, smiling down at him. “And perhaps a tiny bit smug that with all the women swooning and sighing over you, I’m the one you went home with.” Arching a brow, Christopher asked, “Only a tiny bit smug?” “Oh, very well. Enormously smug.” She began to play with his hair. “Now that all this medal business is done with, I have something to discuss with you.” Closing his eyes, Christopher enjoyed the sensation of her fingers stroking his scalp. “What is it?” “What would you say to adding a new member to the family?” This was not an unusual question. Since they had established a household at Riverton, Beatrix had increased the size of her menagerie, and was constantly occupied with animal-related charities and concerns. She had also compiled a report for the newly established natural history society in London. For some reason it had not been at all difficult to convince the group of elderly entomologists, ornithologists, and other naturalists to include a pretty young woman in their midst. Especially when it became clear that Beatrix could talk for hours about migration patterns, plant cycles, and other matters relating to animal habitats and behavior. There was even discussion of Beatrix’s joining a board to form a new natural history museum, to provide a lady’s perspective on various aspects of the project. Keeping his eyes closed, Christopher smiled lazily. “Fur, feathers, or scales?” he asked in response to her earlier question. “None of those.” “God. Something exotic. Very well, where will this creature come from? Will we have to go to Australia to collect it? Iceland? Brazil?” A tremor of laughter went through her. “It’s already here, actually. But you won’t be able to view it for, say…eight more months.” Christopher’s eyes flew open. Beatrix was smiling down at him, looking shy and eager and more than a little pleased with herself. “Beatrix.” He turned carefully so that she was underneath him. His hand came to cradle the side of her face. “You’re sure?” She nodded. Overwhelmed, Christopher covered her mouth with his, kissing her fiercely. “My love…precious girl…” “It’s what you wanted, then?” she asked between kisses, already knowing the answer. Christopher looked down at her through a bright sheen of joy that made everything blurred and radiant. “More than I ever dreamed. And certainly more than I deserve.” Beatrix’s arms slid around his neck. “I’ll show you what you deserve,” she informed him, and pulled his head down to hers again.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
I can see perfectly and clearly. And my glasses are still on the nightstand. I bolt upright and look around my room. Everything – every poster, every tool, every spare part, every spool of wire – I can see it all crisp and clear. I saw every strand of Mom’s hair in perfect precision. Her tired eyes. The steam rising from her mug. It should’ve all been a blurred mess of colored blobs. I should’ve had to drag my glasses on before any of my surroundings made sense. I grab my glasses and slide them on. Everything shifts out of focus. I take them off and my world sharpens. I scowl down at my frames like they’ve betrayed me somehow. Then I fumble for my cell phone and dial Porter’s number. “Alex?” “You have to do something,” I say, panicked. “I woke up and now I’m Peter freaking Parker.” “Peter who?” “I can see. Like 20/20. I don’t need my glasses anymore.” “Oh. Well, that must be a residual from Shooter Delaney. She was a sharp shooter, you know.” “Is that all you have to say?” “What do you want me to say?” “I want you to tell me how to reverse it.” There’s a pause on the other end of the phone. “You want… your bad vision back?” “Yes.” “…Why?” “Because my other option is explaining to my parents how I have perfect vision all of a sudden. I’m pretty sure they won’t buy the whole ‘bitten by a radioactive spider’ thing.
M.G. Buehrlen (The 57 Lives of Alex Wayfare (Alex Wayfare, #1))
At length, one evening towards the end of March, the mental clearness of Orange somewhat revived, and he felt himself compelled to get up and put on his clothes. The nurse, thinking that the patient was resting quietly, and fearing the shine of the lamp might distress him, had turned it low and gone away for a little: so it was without interruption, although reeling from giddiness, and scorched with fever, that Rupert groped about till he found some garments, and his evening suit. Clad in these, and throwing a cloak over his shoulders, he went downstairs. Those whom he met, that recognized him, looked at him wonderingly and with a vague dread; but he appeared to have his understanding as well as they, and so he passed through the hall without being stopped; and going into the bar, he called for brandy. The bar-tender, to whom he was known, exclaimed in astonishment; but he got no reply from Orange, who, pouring himself out a large quantity of the fiery liquor found it colder than the coldest iced water in his burning frame. When he had taken the brandy, he went into the street. It was a bleak seasonable night, and a bitter frost-rain was falling: but Orange went through it, as if the bitter weather was a not unwelcome coolness, although he shuddered in an ague-fit. As he stood on the corner of Twenty-third Street, his cloak thrown open, the sleet sowing down on his shirt, and the slush which covered his ankles soaking through his thin shoes, a member of his club came by and spoke to him. "Why, good God! Orange, you don't mean to say you're out on a night like this! You must be much better--eh?" he broke off, for Orange had given him a grey look, with eyes in which there was no speculation; and the man hurried away scared and rather aghast. "These poet chaps are always queer fishes," he muttered uneasily, as he turned into the Fifth Avenue Hotel. Of the events of terror and horror which happened on that awful night, when a human soul was paying the price of an astonishing violation of the order of the universe, no man shall ever tell. Blurred, hideous, and enormous visions of dives, of hells where the worst scum of the town consorted, of a man who spat on him, of a woman who struck him across the face with her umbrella, calling him the foulest of names--visions such as these, and more hateful than these, presented themselves to Orange, when he found himself, at three o'clock in the morning, standing under a lamp-post in that strange district of New York called "The Village." ("The Bargain Of Rupert Orange")
Vincent O'Sullivan (The Supernatural Omnibus- Being A Collection of Stories)
As you’ve heard in Ms. Ward’s testimony, she is declining guardianship of these children. As per the stipulations in your sister’s will, you are to be offered the legal guardianship of the Ward children. Mr. Walker, do you accept the role of guardian for these children and all the responsibilities that accompany that role?” “No, Your Honor, I don’t.” Meridith’s eyes darted to Jake. He was staring straight at her. She’d misheard. The judge cleared his throat. “Mr. Walker, perhaps you misunderstood the question. Do you wish to be guardian of the children?” “No, Your Honor, I don’t,” Jake said clearly. She didn’t understand. What was he doing? The children— “Mr. Walker—” “Not unless . . .” Jake lowered his voice. “Not unless Meridith Ward agrees to stay.” His gaze beat a path to her heart. “In fact, not unless Ms. Ward agrees to marry me. Only then will I agree to share guardianship of the kids.” What? Meridith’s mind couldn’t assimilate the facts. But the love shining from Jake’s eyes said more than his words. Her eyes burned. “As it turns out,” Jake continued slowly, staring right into Meridith’s eyes, “I’m wildly, madly, and passionately in love with Ms. Ward, and I want us to be a real family.” “Me too!” Benny said loudly. “Me three,” Max called. “Ditto.” Noelle. Even Noelle. Had they known? She turned and looked at the children. Noelle’s eyes were teary. Benny and Max stared back, hope and worry lining their faces. She turned back to Jake, got caught in his eyes. He blurred in front of her. Her lip trembled, and she bit it still. The judge cleared his throat. “I see. This is most unusual. Well, I think a recess might be in order. Would you like to take a moment, Ms. Ward?” He loved her. Jake loved her and wanted to— Could she find the courage to love, to walk in uncertainty? To risk being hurt? She knew her foundation was stable. Everything else she had to take one day at a time, right? “Ms. Ward?” “Uh . . . yes. A recess, please.” The judge and bailiff exited, and Jake stood. She watched all six feet of him close the gap between them. Somewhere behind her, the children were as quiet as fireflies. Meridith stood, her legs trembling beneath her. And then Jake was there, standing in front of her, his solemn brown eyes shining. “I’m so sorry, Meri. I was a jerk. I’m sorry I hurt you, sorry for everything.” He took her chin in his hand. “And I do love you,” he whispered. “I want you to be my wife. Not for the kids, but because I want you with me every day for the rest of my life.” It was enough. More than enough. She swallowed hard. “I want that too. So much.” Jake
Denise Hunter (Driftwood Lane (Nantucket, #4))
When we say “new business designs,” we are referring to new kinds of products and services, business models, and industry models, as well as new ways of creating value for customers. “Blurring the digital and physical” means ending the traditionally clear boundary between the tangible world we live in and the virtual informational world, or “cyberspace,” typically thought of as existing inside computers. Perhaps we shouldn’t use “digital” in the definition because it’s a bit circular, but the word feels comfortable to people in a way that cyber and virtual don’t. Perhaps
Mark Raskino (Digital to the Core: Remastering Leadership for Your Industry, Your Enterprise, and Yourself)
Just because something’s a spectrum, and there will be gray areas, doesn’t mean we should use the same language for everything. We need to preserve some words—and a clear understanding of what they mean—for the people who are seriously psychologically unwell, even if the edges around that group are blurred. If we don’t, everyone ends up suffering more.
Lucy Foulkes (Losing Our Minds: The Challenge of Defining Mental Illness)
I believe I’ve made it abundantly clear I don’t see you as a kid at all, least of all mine.
Sam Mariano (Resisting Mr. Granville (Blurred Lines series))
What I need,” Mulan said quietly, “is someone who will stand by my side. Someone who will support me in my role.” She looked at him, willing her heart into her eyes. “Someone who loves me, and whom I love in return.” As Shang gazed back at her, everything around them became blurred, muffled. Finally, she spoke the terrifying, hopeful words. “I want you to marry me, Shang.” In that moment, Mulan could hear nothing but her heart beating in her ears. For what seemed like an eternity, silence hung between them. Shang let out a shaky breath. His expression wasn’t a clear yes, and Mulan’s soul froze. “Mulan,” he said. “Heavens know I want nothing more, but I worry I’ll be holding you back.” Relief flooded through her at his words. She took his hands. “Shang, we’ve led China to victory now, not once but twice. You don't hold me back. Your love makes me stronger.
Livia Blackburne (Feather and Flame (The Queen's Council, #2))
While I wait to heal, I often find solace in solitude. I don't fully understand why, but I know I must be alone. I withdraw from the world, and in that quiet space, I focus solely on my recovery. This solitude forces me to confront my raw emotions, with no distractions to dull their intensity. It is within these moments of despair that my most brilliant ideas emerge. I allow myself to feel deeply, to the point where I can no longer feel. To overcome heartache, it's essential to exhaust every emotion—cry until the tears run dry, feel until you're tired of feeling, talk about the person until even your own voice bores you. When you are drained, empty, and devoid of emotion, you are almost across the bridge to healing. It is only then that true detachment begins. Each time my heart has been broken, I've learned how to heal myself. Heartbreak no longer holds power over me. I've realized that the only way to get over it is to go through it. The longer I deny my feelings to protect myself, the more pain I endure. But if I accept the situation and fully experience my emotions, the pain fades more quickly. At most, they may occupy my thoughts for a few days; if I loved them deeply, maybe two or three weeks. I simply withdraw from society and return when I am better, when I am healed. During my healing process, I commit to self-improvement. I channel my energy into refining the parts of myself that led to unnecessary pain. I acknowledge my mistakes, see where I went wrong, and take responsibility for my role in my suffering. And as long as he makes no effort, I am gone. The quickest way for any man to lose me is to stop trying and to make his intentions clear. While he may think I am suffering, I am actually healing. I am recalibrating, renewing, and rehabilitating. I am resurrecting, realigning, adjusting, refocusing, and resetting. I am fine-tuning. In the midst of this, I give him nothing—no attention, no thoughts, no feelings. Exes thrive on your negative emotions, so silence must be so profound that it echoes. No attention, no access. They may resort to stalking through fake profiles, but let them exert the effort. Block all other avenues of communication. I am reshaping, reorienting, tweaking, reassessing, reconfiguring, restructuring. In my absence, I am transforming. Ducked. I am for all ill purposes and intentions, my most productive and fruitful self when I am hurt or alone. This leads my naysayers, detractors and enemies to learn that for the most part, excluding death, I am by most standards, indestructible. I will build empires with the stones one throws at me. I will create fertilizers with the trash and feaces hurled at me. I will rise like pheonix from the ashes. I am antifragile, I can withstand trials, tribulations, chaos and uncertainty and grow in the face of adversity. I am the epitome of the resilience paradox, trial bloom, adversity alchemy, refiners fire and the pheonix effect. I am fortitude - me. Ducked. What’s even more magical, is what comes out on the other side of this process. It’s a peace, you do not want anyone to destroy. A clarity, you won’t risk blurring. A renewed you, a different version of you, stronger, fierce, centered and certain. A rebirth, refinement. You never saw it coming. Neither will they. Copyright ©️ 2024 Crystal Evans
Crystal Evans (100 Dating Tips for Jamaican Women)
A long time ago, I tried. More than once. She didn’t want to hear it. For a while, she wouldn’t even talk to Lily, which just about broke your grandmother’s heart. Slowly, they got back in touch over the phone. The occasional photograph. I never wanted to upset that delicate balance.” She watched him pull a bandana from his pocket. Sometimes Macon was so afraid of doing the wrong thing that it stopped him from doing the right thing. “At first I thought we’d patch it up. You were born and the years went by. Chicken came along. And then your dad’s cancer. It was so fast. And you lost him, Cat—you, and Chicken, and Amanda all lost him.” Macon wiped his eyes. “When I think about how close I got to never knowing you and Chicken—when I think about all the years I missed that I can never get back . . .” Cat’s eyes filled and the planks of the pier blurred. She willed herself not to blink. Macon cleared his throat, folding the bandana into a square. “I’ve spent years being sad and that’s enough. Now it’s time to make it right.” It wasn’t right yet, not to Cat. “You were wrong, you know. Having me was a good thing.” Macon looked surprised. “Well, of course, Cat. I know that. You can tell I know that now, right? Don’t hate the
Gillian McDunn (Caterpillar Summer)
There's a pleasure in knowing the names of things. It's not about a need to categorise the world, sectioning it into little boxes. And clearly you don't have to know the names of rocks - or trees or plants or birds - in order to enjoy a landscape. But if you do have this information, something changes about the way you exist in that space. A named landscape thickens. It's to do with history and context but also, I think, with the quality of attention. To assign something its name, you need to take the time to pick out identifying features. You look for longer. And the more you know, the more things stop being a backdrop - blurred, indistinguishable, hurried over - and become somehow more present in the view, more insistently themselves, the way a familiar face stands out in a crowd.
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