Dominate Her Quotes

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Usually adult males who are unable to make emotional connections with the women they choose to be intimate with are frozen in time, unable to allow themselves to love for fear that the loved one will abandon them. If the first woman they passionately loved, the mother, was not true to her bond of love, then how can they trust that their partner will be true to love. Often in their adult relationships these men act out again and again to test their partner's love. While the rejected adolescent boy imagines that he can no longer receive his mother's love because he is not worthy, as a grown man he may act out in ways that are unworthy and yet demand of the woman in his life that she offer him unconditional love. This testing does not heal the wound of the past, it merely reenacts it, for ultimately the woman will become weary of being tested and end the relationship, thus reenacting the abandonment. This drama confirms for many men that they cannot put their trust in love. They decide that it is better to put their faith in being powerful, in being dominant.
bell hooks
Tell me, Tool, what dominates your thoughts?' The Imass shrugged before replying. 'I think of futility, Adjunct.' 'Do all Imass think about futility?' 'No. Few think at all.' 'Why is that?' The Imass leaned his head to one side and regarded her. 'Because Adjunct, it is futile.
Steven Erikson (Gardens of the Moon (Malazan Book of the Fallen, #1))
When a woman loves you she's not satisfied until she possesses your soul. Because she's weak, she has a rage for domination, and nothing less will satisfy her.
W. Somerset Maugham (The Moon and Sixpence)
He wanted a stiff drink to get through the evening, for he knew they’d be wailing, and her family coming unglued.
Carolyn M. Bowen (Legacy of Shadows: An International Crime Thriller (The Family Legacy Series))
There’s always been something inside her that men have wanted to dominate, and their desire for domination can look so much like attraction, even love.
Sally Rooney (Normal People)
Lucien had been prepared to take me against my will. Fae males were territorial, dominant, arrogant—but the ones in the Spring Court … something had festered in their training. Because I knew—deep in my bones—that Cassian might push and test my limits, but the moment I said no, he’d back off. And I knew that if … that if I had been wasting away and Rhys had done nothing to stop it, Cassian or Azriel would have pulled me out. They would have taken me somewhere—wherever I needed to be—and dealt with Rhys later. But Rhys … Rhys would never have not seen what was happening to me; would never have been so misguided and arrogant and self-absorbed. He’d known what Ianthe was from the moment he met her. And he’d understood what it was like to be a prisoner, and helpless, and to struggle—every day—with the horrors of both.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Her antiquity in preceding and surviving succeeding tellurian generations: her nocturnal predominance: her satellitic dependence: her luminary reflection: her constancy under all her phases, rising and setting by her appointed times, waxing and waning: the forced invariability of her aspect: her indeterminate response to inaffirmative interrogation: her potency over effluent and refluent waters: her power to enamour, to mortify, to invest with beauty, to render insane, to incite to and aid delinquency: the tranquil inscrutability of her visage: the terribility of her isolated dominant resplendent propinquity: her omens of tempest and of calm: the stimulation of her light, her motion and her presence: the admonition of her craters, her arid seas, her silence: her splendour, when visible: her attraction, when invisible.
James Joyce (Ulysses)
The two princes stared at each other, one gold and one silver, one her twin and one her soul-bonded. There was nothing friendly in the stares, nothing human - two Fae males locked in some unspoken dominance battle.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
What's the matter with her? [Jasper] asked Griffin. Griffin shook his head. 'Nothing. She's just two personas struggling for dominance in one body.' [Jasper] ... Poor little thing.
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
Tempting as the prospect is," Nathaniel said, "we are not attempting world domination. It sounds fun in theory, but in reality it's a logistical nightmare. All those assassinations and so forth." At her blank look, he explained, "Silas used to tell me bedtime stories.
Margaret Rogerson (Sorcery of Thorns (Sorcery of Thorns, #1))
An angry man was dominant. An angry woman, on the other hand, must have lost her grip on sanity.
Evie Woods (The Lost Bookshop)
She was still under the spell of her infatuation. She had tried to forget him, realizing the inutility of remembering. But the thought of him was like an obsession, ever pressing itself upon her. It was not that she dwelt upon details of their acquaintance, or recalled in any special or peculiar way his personality; it was his being, his existence, which dominated her thought, fading sometimes as if it would melt into the mist of the forgotten, reviving again with an intensity which filled her with an incomprehensible longing.
Kate Chopin (The Awakening)
He was an animal. A graceful, hard, male animal who did nothing overtly to dominate her yet dominated her completely, in the exact way she wanted that to happen at this moment.
Robert James Waller (The Bridges of Madison County)
This was wrong. Tony didn’t want to have feelings. The sex was great. It was okay to want her, dominate her, and control her. It was not okay to want to be with her, please her, and love her. Yet every one of his senses desired Claire.
Aleatha Romig (Consequences (Consequences, #1))
If you've treated your girlfriend without respect, taken advantage of her, or cheated on her, your actions have taught her that she has no value. Needless to say, this is a serious, serious injury. If you don't try to make it right, she might start to believe the lie you've told her and spend the rest of her life thinking she deserves poor treatment.
Josh Shipp (The Teen's Guide to World Domination: Advice on Life, Liberty, and the Pursuit of Awesomeness)
Woman’s role in creation should be parallel to her role in life. I don’t mean the good earth. I mean the bad earth too, the demon, the instincts, the storms of nature. Tragedies, conflicts, mysteries are personal. Man fabricated a detachment which became fatal. Woman must not fabricate. She must descend into the real womb and expose its secrets and its labyrinths. She must describe it as the city of Fez, with its Arabian Nights gentleness, tranquility and mystery. She must describe the voracious moods, the desires, the worlds contained in each cell of it. For the womb has dreams. It is not as simple as the good earth. I believe at times that man created art out of fear of exploring woman. I believe woman stuttered about herself out of fear of what she had to say. She covered herself with taboos and veils. Man invented a woman to suit his needs. He disposed of her by identifying her with nature and then paraded his contemptuous domination of nature. But woman is not nature only. She is the mermaid with her fish-tail dipped in the unconscious.
Anaïs Nin
A woman will never fall in love with a man who doesn’t dominate her, however slightly.
Waguih Ghali
Father Jakob mentioned to her that military men took it personally when women at home were assaulted. They were away fighting for their country and they believed the men left behind had an obligation to take care of and protect the women on the homefront. Maeve knew from experience women mostly had to take care of themselves.
A.G. Russo (Bangtails, Grifters, and a Liar's Kiss (O'Shaughnessy Investigations Inc. 2))
Imaginatively she is of the highest importance; practically she is completely insignificant. She pervades poetry from cover to cover; she is all but absent from history. She dominates the lives of kings and conquerors in fiction; in fact she was the slave of any boy whose parents forced a ring upon her finger. Some of the most inspired words, some of the most profound thoughts in literature fall from her lips; in real life she could hardly read, could scarcely spell, and was the property of her husband.
Virginia Woolf (A Room of One’s Own)
Emperor, right." she retacked the curtain "That's weird to say, after eighteen years of listening to celebrity gossip feeds go on and on about 'Earth's favorite prince'". She claimed one of the lumpy sofa cushions, curling her legs beneath her. "I had a picture of him taped to my wall when I was fifteen. Grand-mere cut it off a cereal box." Wolf scowled. "Of course, half the girls in the world probably have had that same picture from that same cereal box." Wolf scrunched his shoulders against his neck, and Scarlet grinned, teasing. "Oh, no. You're not going to have to fight him for pack dominance now are you? Come here." She beckoned him with a wave of her hand and he was at her side in half a second, the glower softening as he pulled her against his chest.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
I can easily imagine belonging to one man for my entire life, but he would have to be a whole man, a man who would dominate me, who would subjugate me by his inate strength. And every man—I know this very well—as soon as he falls in love becomes weak, pliable, ridiculous. He puts himself into the woman's hands, kneels down before her. The only man whom I could love permanently would be he before whom I should have to kneel.
Leopold von Sacher-Masoch (Venus in Furs)
Sadism dominates the culture. It runs like an electric current through reality television and trash-talk programs, is at the core of pornography, and fuels the compliant, corporate collective. Corporatism is about crushing the capacity for moral choice and diminishing the individual to force him or her into an ostensibly harmonious collective. This hypermasculinity has its logical fruition in Abu Ghraib, the wars in Iraq and Afghanistan, and our lack of compassion for our homeless, our poor, the mentally ill, the unemployed, and the sick. ... We accept the system handed to us and seek to find a comfortable place within it. We retreat into the narrow, confined ghettos created for us and shut our eyes to the deadly superstructure of the corporate state.
Chris Hedges (Empire of Illusion: The End of Literacy and the Triumph of Spectacle)
You are the one with the cut eyebrow and busted up face, you need the ice more than I do, princess." Dominic's brothers snorted. "I like her," Ryder said. "I like her more and more each time she insults him," Damien chuckled. "Fuck you both," Dominic grinned as he continued to move towards me.
L.A. Casey (Dominic (Slater Brothers, #1))
He experienced a strange reaction to the sight, a nearly overwhelming urge to go over to her, shove her back on the bed, and take her without preliminaries. To dominate her, and force her to admit his ownership.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
Adrian had always found it amusing that a guy could be drilling Stacia up her ass while she considered herself to be a virgin. Her intent had been to present herself as such when she found "Mr. Right.
Jess C. Scott (Master & Servant)
Conn was a wickedly passionate, fiercely dominant man who loved her too much to ever really hurt her.
Joely Sue Burkhart (Take Me (The Connaghers, #2.5))
IN MY VIEW…IT IS BETTER TO BE IMPETUOUS THAN CAUTIOUS, BECAUSE FORTUNE IS A WOMAN, AND IF YOU WISH TO DOMINATE HER YOU MUST BEAT HER AND BATTER HER. IT IS CLEAR THAT SHE WILL LET HERSELF BE WON BY MEN WHO ARE IMPETUOUS RATHER THAN BY THOSE WHO STEP CAUTIOUSLY. —Niccolò Machiabelli
50 Cent (The 50th Law)
He towered over her, dwarfing her with his height and the bulk of his body which was clothed in the way of a mortal gentleman. He felt and heard that voice tremble inside her, replaced the rational voice she allowed to go unchecked. 'He could break me, hurt me, dominate me'. "Not break. Not hurt." he murmured as he raised a hand to her cheek and smoothed his fingers down its softness, "But dominate you? Yes. Master you? yes. Make you yield to what you want, make you surrender to who you truly are? Yes.
Charlotte Featherstone (Lust (The Sins and The Virtues, #1))
She's belonged to me her whole life, but I only got my hands on her five months ago.
Ella Dominguez (The Art of Domination (The Art of D/s, #2))
No woman has the right to marry a man if she has to bend herself out of shape for him. She might wish to, but she could never be to him with all her passionate endeavor what the other woman could be to him without trying. Character will dominate over all and will come out at last.
Olive Schreiner
Happiness, wealth, true love. Just like everybody else." "That's all?" "What else is there that matters?" He shrugged a shoulder. "Destruction, vengeance, power, world domination." Her smile stretched but it didn't reach her eyes. "Those are fun too.
Michelle Rowen (Dark Kiss (Nightwatchers, #1))
She’s wild, unpredictable and dangerous as hell. Not just to my sanity, but to my health. She’s the kind of girl you know you’ll want forever with and forever will still not be enough. But she’s not the type of girl to give forever to you willingly. I’m pretty sure you’d have to drag it out of her kicking and screaming.” - Dominic Delaney -Damaged
Nina D'Angelo (Damaged (Outlaws, #1))
I wasn't into all that power and domination crap, but with her, man, I could play lord and master all day long if she was into it.
Jay Crownover (Better When He's Bad (Welcome to the Point, #1))
Denise's first thought on seeing her blood stain Spade's lips was "oh shit". Then the fire that leapt into his gaze and the way he dominated her mouth in his next kiss made her decide that self-preservation was overrated.
Jeaniene Frost (First Drop of Crimson (Night Huntress World, #1))
I recall an August afternoon in Chicago in 1973 when I took my daughter, then seven, to see what Georgia O’Keeffe had done with where she had been. One of the vast O’Keeffe ‘Sky Above Clouds’ canvases floated over the back stairs in the Chicago Art Institute that day, dominating what seemed to be several stories of empty light, and my daughter looked at it once, ran to the landing, and kept on looking. "Who drew it," she whispered after a while. I told her. "I need to talk to her," she said finally.
Joan Didion (The White Album)
But Gideon was experiencing one powerful emotion: being sick of everyone's shit. She unsheathed her sword. She slid her gauntlet over her hand, and tightened the wrist straps with her teeth. And she looked over her shoulder at Harrowhark, who was apparently breaking out of a blue funk to experience her own dominant emotion of "oh no, not again." Gideon silently willed her necromancer to put her knucklebones where her mouth was and, for the first time in her life - for the first real time - do what Gideon needed her to do. And Harrowhark rose to the occasion like an evening star.
Tamsyn Muir (Gideon the Ninth (The Locked Tomb, #1))
The various forms of education or ‘normalization’ imposed upon an individual consist in making him or her change points of subjectification, always moving towards a higher, nobler one in closer conformity with the supposed ideal. Then from the point of subjectification issues a subject of enunciation, as a function of a mental reality determined by that point. Then from the subject of enunciation issues a subject of the statement, in other words, a subject bound to statements in conformity with a dominant reality
Gilles Deleuze (A Thousand Plateaus: Capitalism and Schizophrenia)
In a world where women are commodities, a woman who refuses to sell herself will have the thing she refuses to sell taken away from her by force
Angela Carter
A little insecurity in a submissive wasn’t a bad thing, but her doubts shouldn’t be whether the Dominant cared.
Cherise Sinclair (My Liege of Dark Haven (Mountain Masters & Dark Haven, #3))
She loved the fact he was older than her and more experienced, he had so much to teach her and she couldn’t wait to learn.
Kassandra Cross (Carrie's First Time (Carrie #1))
He leaned over and stroked her mound as he growled into her ear, “Dominate me.
Red Phoenix (Brie Embraces the Heart of Submission: After Graduation (Brie #2))
Whenever anyone has called me a bitch, I have taken it as a compliment. To me, a bitch is assertive, unapologetic, demanding, intimidating, intelligent, fiercely protective, in control — all very positive attributes. But it’s not supposed to be a compliment, because there’s that stupid double standard: When men are aggressive and dominant, they are admired, but when a woman possesses those same qualities, she is dismissed and called a bitch. These days, I strive to be a bitch, because not being one sucks. Not being a bitch means not having your voice heard. Not being a bitch means you agree with all the bullshit. Not being a bitch means you don’t appreciate all the other bitches who have come before you. Not being a bitch means since Eve ate that apple, we will forever have to pay for her bitchiness with complacence, obedience, acceptance, closed eyes, and open legs.
Margaret Cho
Formerly, many men dominated women within marriage. Now, despite a much wider acceptance of women as workers, men dominate women anonymously outside the marriage. Patriarchy has not disappeared; it has changed form. In the old form, women were forced to obey an overbearing husband in the privacy of an unjust marriage. In the new form, the working single mother is economically abandoned by her former husband and ignored by a patriarchal society at large.
Arlie Russell Hochschild (The Second Shift: Working Families and the Revolution at Home)
She's a great cook." "Yeah," Carmine said. "Probably the Italian in her." [...] Dominic laughed. "Must be. You know damn well she has Carmine's full-blooded Italian in her all the time." Carmine's muscles went rigid, and Vincent started coughing as he choked on his drink. Celia snorted, trying to hold back her amusement, but Dominic didn't bother containing himself.
J.M. Darhower (Sempre (Sempre, #1))
Everything ok here ?" Ryan grunted urging her with a hand on her lower back. "He thinks you should mind your own business,"Makenna told the Beta,translating the grunt. Dominic cocked his head."You understand his grunts?" She lifted her chin."I thought it was crystal clear." Dominic turned to Ryan."Marry her." Ryan grunted again before heading for the door. "What did he say?"Dominic asked her. "Fuck off,"she translated.
Suzanne Wright (Savage Urges (The Phoenix Pack, #5))
While her knight doesn’t necessarily have to be fighting on the same side as the Warrior Princess Submissive, he does need to be a fighter, and he had better be damn good at it.
Michael Makai (The Warrior Princess Submissive)
[On Female Attraction to Men in Uniform] That male military persona feeds a subconscious, passive-aggressive female desire to dominate the warrior as he is perceived an iconic example of masculinity (particularly amongst traditionally warlike cultures). The damsel in distress theme always struck me as embodying this: the hapless, innocently beautiful woman unwittingly enraptures the heroic male so completely that he would risk all to submit to her at his own peril, and quite in spite of it.
Tiffany Madison
She instinctively knows that each pretender she eliminates brings her one step closer to the One, and in fact, it is not unusual to hear her use this exact terminology: The One. You can almost hear the Capitalization as she says it.
Michael Makai (The Warrior Princess Submissive)
He should have no further trouble from her, he thought in satisfaction. Surely by now she knew his dominance over her. She would submit as easily in all matters as she had in this one. He frowned then. She had submitted, hadn´t she?
Lora Leigh
It was strange how he’d made a 180-degree change. Not sure what to make of that curly, bigheaded, bozo yet, she thought, other than fruitcake nuts! “Blah, I’m not sure about your other big brother,” Savanna said, wiggling her nose upward. “I’d rather not chat about him. Do you come to the museum often?” she asked, quickly changing the topic. “I love unusual old history,” she divulged.
Sharon Carter (Love Auction II: Love Designs)
Everything about him enveloped her, made her crave exactly this. His possession. In her mind something relaxed; the balance shifted. She welcomed every way he could touch her, the heat from his body, the atoms of his breath. Everything.
Cari Silverwood (Iron Dominance (Steamwork Chronicles, #1))
The cowardly belief that a person must stay in one place is too reminiscent of the unquestioning resignation of animals, beasts of burden stupefied by servitude and yet always willing to accept the slipping on of the harness. There are limits to every domain, and laws to govern every organized power. But the vagrant owns the whole vast earth that ends only at the non-existent horizon, and her empire is an intangible one, for her domination and enjoyment of it are things of the spirit.
Isabelle Eberhardt
There’s always been something inside her that men have wanted to dominate, and their desire for domination can look so much like attraction, even love. In school the boys had tried to break her with cruelty and disregard, and in college men had tried to do it with sex and popularity, all with the same aim of subjugating some force in her personality. It depressed her to think people were so predictable. Whether she was respected or despised, it didn’t make much difference in the end. Would every stage of her life continue to reveal itself as the same thing, again and again, the same remorseless contest for dominance?
Sally Rooney (Normal People)
Indeed, many movies about artificial intelligence are so divorced from scientific reality that one suspects they are just allegories of completely different concerns. Thus the 2015 movie Ex Machina seems to be about an AI expert who falls in love with a female robot only to be duped and manipulated by her. But in reality, this is not a movie about the human fear of intelligent robots. It is a movie about the male fear of intelligent women, and in particular the fear that female liberation might lead to female domination. Whenever you see a movie about an AI in which the AI is female and the scientist is male, it’s probably a movie about feminism rather than cybernetics. For why on earth would an AI have a sexual or a gender identity? Sex is a characteristic of organic multicellular beings. What can it possibly mean for a non-organic cybernetic being?
Yuval Noah Harari (21 Lessons for the 21st Century)
She is my girlfriend, I can do whatever I want to her. In fact, I’m going to take her home and fuck her from here to eternity, how about that?
Ani San (Breathe)
it’s not only about sex with Annika. It’s about her. It’s about the way she submits to my dominance, the way she’s a masochist to my sadism.
Rina Kent (God of Pain (Legacy of Gods, #2))
We were put on this magical planet, not to dominate and consume her, but to care for her and love her. To harrow gently. To harvest gratefully. To build reasonably.
David Paul Kirkpatrick (the dog)
Even when she was on her knees- filled with my darkness- she was still shining bright. My Siren’s song, my exposed nerve. She lured me in and made me feel. And then she left me to perish.
A. Zavarelli (Stutter (Bleeding Hearts #2))
Fear flickered in her eyes for a beat but she continued to stare up at me, right into my eyes, trying to be brave. I liked it. I liked it a lot. Yeah, I’m a sick fucker. And the only thing scarier than a sick fucker is a sick fucker with power.
D.D. Prince (The Dominator (The Dominator, #1))
Love does not involve emotions, then?" he asked her with a smile. "It is not ruled by them," she told him. "Love is liking and companionship and respect and trust. Love does not dominate or try to possess. Love thrives only in a commitment to pure, mutual freedom. That is why marriage is so tricky. There are the marriage ceremony and the marriage vows and the necessity for fidelity -all of them suggestive of restraints, even imprisonment. Men talk of life sentences and leg shackles in connection with marriage, do they not? But marriage out to be just the opposite -two people agreeing to set each other free,
Mary Balogh (Slightly Tempted (Bedwyn Saga, #4))
Butterflies in her stomach. Because she understood his words from last night now, knew that he’d been on his very, very best behavior. Tonight . . . tonight she’d be tangling with the dominant, wild heart of him.
Nalini Singh (Kiss of Snow (Psy-Changeling, #10))
Telepaths have ethics?" Dominic's eyes narrowed, tone and posture united to convey disbelief. "My mother and I do," said Sarah, letting her head settle against the back of the chair. "We mostly got them from Babylon 5, but they still work.
Seanan McGuire (Discount Armageddon (InCryptid, #1))
His dominance enlivened her. His veiled desire ignited her blood. His magnetism, albeit a grumpier version, simply captivated her.
V. Theia (Filthy Love (Renegade Souls MC Romance Saga #4))
He dominated her, but she tamed him
Rexanne Becnel (The Mistress of Rosecliffe (Rosecliffe #3))
Decebel grabbed her hand and turned towards the door, dragging a growling Jen behind him. "Oh smart ass of mine, I will. I told you once that one day your mouth would write a check that your ass couldn't cash. Today is that day." Decebel's eyes were glowing again Sally noticed. "Uh no, you actually said cute ass. Get it right if you're going to quote yourself, you barbarian covered in hair and fleas. Bossy, domineering, overbearing, ridiculously over protective…" Jen paused in between insulting her mate and hollered back at Sally, "Sally, our conversation about the FAHDEH is not over." Sally laughed when she heard a smacking sound and imagined Decebel had swatted Jen's butt. Then she heard Jen yell, "I don't care how hot you are, you're still a flea infested butt head!" "FAHDEH, FAHDEH, FAHDEH,
Quinn Loftis
As soon as a Western man comes into contact with the East -- he's already confused. The West has sort of an international rape mentality towards the East. ...Basically, 'Her mouth says no, but her eyes say yes.' The West thinks of itself as masculine -- big guns, big industry, big money -- so the East is feminine -- weak, delicate, poor...but good at art, and full of inscrutable wisdom -- the feminine mystique. Her mouth says no, but her eyes say yes. The West believes the East, deep down, wants to be dominated -- because a woman can't think for herself. ...You expect Oriental countries to submit to your guns, and you expect Oriental women to be submissive to your men.
David Henry Hwang (M. Butterfly)
She breathes in as I breathe out and her lungs fill with the air that was inside of me. I love her completely and I love giving her life as she gives me life. I breathe in her quintessence and it’s cathartic.
Ella Dominguez (The Art of Domination (The Art of D/s, #2))
We cannot roam the earth. We cannot dominate mankind any longer, nor make them bend to our will.” The demon lifted her hand to her mouth and ran the end of one finger over the tip of one of her teeth. The skin split open, and silver blood welled up on her fingertip. She lowered the finger to Ruxandra’s lips. “Open your mouth.” Ruxandra wanted to protest, to beg for God’s forgiveness and the creature’s mercy, to run screaming from the cave, but she couldn’t find words or strength in her limbs. She could do nothing but cry as the fallen angel parted her lips. “I send you out instead, my child, “ the fallen angel said, “to sow chaos and fear, to make humans kneel in terror and to ravage the world where I cannot.” “Stop!” Vlad’s voice was shrill. “I command you to stop! Now!” The fallen angel pushed open Ruxandra’s mouth and slipped the finger inside. “Soon you will be freer than you have ever dreamed.” The drop of blood dripped from her finger onto Ruxandra’s tongue.
John Patrick Kennedy (Princess Dracula (Princess Dracula #1))
But too often men react to women in positions of power with misogyny, often in sexualized terms. I have heard men in such situations talk about how "I'd like to fuck that bitch and teach her a lesson," for example. That kind of reaction demonstrates that no matter what the class position of a man and woman, men can use the weapon of sexualized violence to attempt to assert their dominance.
Robert Jensen
The past is more alive to her than the present, she realizes, and the thought is suffocating.
Dominic Smith (The Last Painting of Sara de Vos)
She bit delicately down on a breadstick, holding it between her teeth.. "Mind if I have a Bite" Shock snapped her eyes wide open and froze her breath..dark eyes dominating her field of vision, a whiff of some kind of calogne in her nostrils, two long fingers tilting her chin up. Damon leaned in, and neatly and precisely, bit off the other end of the bread stick.
L.J. Smith (The Awakening / The Struggle (The Vampire Diaries, #1-2))
I didn’t want to be in love with you. I didn’t want to believe in love at all. It’s never happened to me before. And to be perfectly frank, I’m still not entirely happy about the whole thing. I think—it’s going to be exhausting. You’re domineering and devious and I’ve noticed that whenever we’re not kissing, I wish we were.” Her voice had grown nearly plaintive; she stopped and cleared her throat. “It’s a damnable situation. I don’t know what to do about it.” He eyed her from the chair. “I’m pigheaded, too. Pray don’t forget that.” “Certainly not. It was the next thing I was going to mention.” “My sweet, your notion of love is unique, to say the least. I wonder that you haven’t written me sonnets already. Something like ‘Ode to the Blackguard.
Shana Abe (Queen of Dragons (Drakon, #3))
Arobynn continued to pin her with that lover’s gaze. “Nothing is without a price.” He brushed a kiss against her cheekbone, his lips soft and warm. She fought the shudder that trembled through her, and made herself lean into him as he brought his mouth against her ear and whispered, “Tell me what I must do to atone; tell me to crawl over hot coals, to sleep on a bed of nails, to carve up my flesh. Say the word, and it is done. But let me care for you as I once did, before … before that madness poisoned my heart. Punish me, torture me, wreck me, but let me help you. Do this small thing for me—and let me lay the world at your feet.” Her throat went dry, and she pulled back far enough to look into that handsome, aristocratic face, the eyes shining with a grief and a predatory intent she could almost taste. If Arobynn knew about her history with Chaol, and had summoned the captain here … Had it been for information, to test her, or some grotesque way to assure himself of his dominance? “There is nothing—” “No—not yet,” he said, stepping away. “Don’t say it yet. Sleep on it. Though, before you do—perhaps pay a visit to the southeastern section of the tunnels tonight. You might find the person you’re looking for.” She kept her face still—bored even—as she tucked away the information. Arobynn moved toward the crowded room, where his three assassins were alert and ready, and then looked back at her. “If you are allowed to change so greatly in two years, may I not be permitted to have changed as well?
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
Alex von Tunzelmann’s clever start to her book Indian Summer made my point most tellingly: ‘In the beginning, there were two nations. One was a vast, mighty and magnificent empire, brilliantly organized and culturally unified, which dominated a massive swath of the earth. The other was an undeveloped, semifeudal realm, riven by religious factionalism and barely able to feed its illiterate, diseased and stinking masses. The first nation was India. The second was England.
Shashi Tharoor (An Era of Darkness: The British Empire in India)
In the most common fantasy of ideal love, [...], a woman can only unleash her desire in the hands of a man whom she imagines to be more powerful, who does not depend upon her for his strength. [...] The boundedness and limits within which one can surrender, and in which one can experience abandonment and creativity, are sought in the ideal lover. (p. 120)
Jessica Benjamin (The Bonds of Love: Psychoanalysis, Feminism, and the Problem of Domination)
Yeah, equal pay for equal work and our bodies ourselves and Gloria Steinem and all that jazz...but in that dusty dark little corner of every woman's heart where we keep our maps of Tierra del Fuego lives the hunger to fetch a powerful man his slippers on her hands and knees.
Tiffany Reisz (The Gift (The Original Sinners, #0.15))
Don’t fall in love with me,” She whispered harshly, a sob catching in her throat. “I know you probably think I’m egotistical saying this, but I need your promise that you won’t do that. If you want to stay friends – or whatever the hell we’re heading towards, you have to promise me you won’t love me – not now, not ever.” - Stephanie Carovella, Damaged.
Nina D'Angelo (Damaged (Outlaws, #1))
She had tried to forget him, realizing the inutility of remembering. But the thought of him was like an obsession, ever pressing itself upon her. It was not that she dwelt upon details of their acquaintance, or recalled in any special or peculiar way his personality; it was his being, his existence, which dominated her thought, fading sometimes as if it would melt into the mist of the forgotten, reviving again with an intensity which filled her with an incomprehensible longing.
Kate Chopin (The Awakening)
Never wait for your muse. Train him/her to show up to work when you do by pushing on. It's a dominant submission thing.
Darynda Jones (First Grave on the Right (Charley Davidson, #1))
She's never asked for a drawing before. I'm horrible at giving them away. 'For the sun, stars, oceans, and all the trees, I'll consider it,' I say, knowing she'll never agree. She knows how badly I want the sun and trees. We've been dividing up the world since we were five. I'm kicking butt at the moment - universe domination is within my grasp for the first time. 'Are you kidding?' she says, standing up straight. It annoys me how tall she's getting. It's like she's being stretched at night. 'That leaves me just the flowers, Noah.' Fine, I think. She'll never do it. It's settled, but it isn't. She reaches over and props up the pad, gazing at the portrait like she's expecting the English guy to speak to her. 'Okay,' she says. 'Trees, stars, oceans. Fine.' 'And the sun, Jude.' 'Oh, all right," she says, totally surprising me. 'I'll give you the sun.
Jandy Nelson (I'll Give You the Sun)
History is natural selection. Mutant versions of the past struggle for dominance; new species of fact arise,and old, saurian truths go to the wall, blindfolded and smoking last cigarettes. Only the mutations of the strong survive. The weak, the anonymous, the defeated leave few marks: field-patterns, axe-heads, folk-tales, broken pitchers, burial mounds, the fading memory of their youthful beauty. History loves only those who dominate her: it is a relationship of mutual enslavement.
Salman Rushdie (Shame)
As Simone de Beauvoir had told us, women are not supposed to eclipse men in a world in which success and power are marked out for them. It is not easy to take up the historic privilege of dominance over women... if he is economically dependent on her talents. At the same time, she receives the fatal message that she must conceal her talents and abilities in order to be loved by him.
Deborah Levy (The Cost of Living: A Working Autobiography)
Why not?" she said, "and take note of what I am about to say to you. Never feel secure with the woman you love, for there are more dangers in woman's nature than you imagine. Women are neither as good as their admirers and defenders maintain, nor as bad as their enemies make them out to be. Woman's character is characterlessness. The best woman will momentarily go down into the mire, and the worst unexpectedly rises to deeds of greatness and goodness and puts to shame those that despise her. No woman is so good or so bad, but that at any moment she is capable of the most diabolical as well as of the most divine, of the filthiest as well as of the purest, thoughts, emotions, and actions. In spite of all the advances of civilization, woman has remained as she came out of the hand of nature. She has the nature of a savage, who is faithful or faithless, magnanimous or cruel, according to the impulse that dominates at the moment. Throughout history it has always been a serious deep culture which has produced moral character. Man even when he is selfish or evil always follows principles, woman never follows anything but impulses. Don't ever forget that, and never feel secure with the woman you love.
Leopold von Sacher-Masoch (Venus In Furs)
She made the beast rear its ugly head. Stirred fantasies in my mind I would have never otherwise entertained. Owning her wasn’t enough. Controlling her didn’t douse the inferno blazing inside me.
A. Zavarelli (Stutter (Bleeding Hearts #2))
If a mother has an unhealthy need to dominate her children-which she demonstrates by bullying, terrifying, neglecting, suffocating, indulging, humiliating, overprotecting or abusing them- those children must come to the recognition that such treatment is wrong in order to begin the long process of recovery and ultimate understanding.
Victoria Secunda (When You and Your Mother Can't Be Friends: Resolving the Most Complicated Relationship of Your Life)
Cathy, don't look so defeated. She was only trying to put us down again. Maybe nothing did work out right for her, but that doesn't mean we are doomed. Let's go forth tomorrow with no great expectations of finding perfection. Then, expecting only a small share of happiness, we won't be disappointed." If a little hill of happiness would satisfy Chris, good for him. But after all these years of striving, hoping, dreaming, longing-I wanted a mountain high! A hill wasn't enough. From this day forward, I vowed to myself, I was in control of my life. Not fate, not God, not even Chris was ever again going to tell me what to do, or dominate me in any way. From this day forward, I was my own person, to take what I would, when I would, and I would answer only to myself. I'd been kept prisoner, held captive by greed. I'd been betrayed, deceived, tied to, used, poisoned ... but all that was over now.
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
Dina, I’m bored,” Caldenia announced. Too bad. I guaranteed her safety, not entertainment. “What about your game?” Her Grace gave me a shrug. “I’ve beaten it five times on the Deity setting. I’ve reduced Paris to ashes because Napoleon annoyed me. I’ve eradicated Gandhi. I’ve crushed George Washington. Empress Wu had potential, so I eliminated her before we even cleared Bronze Age. The Egyptians are my pawns. I dominate the planet. Oddly, I find myself mildly fascinated by Genghis Khan. A shrewd and savage warrior, possessing a certain magnetism. I left him with a single city, and I periodically make ridiculous demands that I know he can’t meet so I can watch him squirm.
Ilona Andrews (Sweep in Peace (Innkeeper Chronicles, #2))
Moments later Griffin had Finley in the carriage, and Jasper sat on the seat across from them. “What’s the matter with her?” he asked Griffin. Griffin shook his head. “Nothing. She’s just two personas struggling for dominance in one body.” The cowboy’s eyebrows shot up, but his expression was sympathetic. “Poor little thing.
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
With all due respect.” Victoria panted against the growing sexual hunger battling her temper for dominance. “Eat shit and die, sir.
Morgan Hawke (Victorious Star (Interstellar Service & Discipline, #1))
so many issues and problems in a male dominated world derive from the aggressive, secretive and often insensitive masculine ego.
Andrew Morton (Diana: Her True Story in Her Own Words)
His mouth descended on hers in a fierce kiss. He seized, he captured. He dominated. And she loved every second of it.
Donna Grant (Darkest Flame: Part 4 (Dark Kings))
In spite of our proud domination of nature, we are still her victims, for we have not even learned to control our nature.
C.G. Jung
Grace is the outer reflection of a woman’s inner soul. It’s the single and unique beauty of her submission. It’s her gift to give to the man she loves.
Riley Murphy (Provoked (Make Me, #1))
Their eyes met at the same instant moment, Therese glancing up from a box she was opening, and the woman just turning her head so she looked directly at Therese. She was tall and fair, her long figure graceful in the loose fur coat that she held open with a hand on her waist, her eyes were grey, colorless, yet dominant as light or fire, and, caught by them, Therese could not look away. She heard the customer in front of her repeat a question, and Therese stood there, mute. The woman was looking at Therese, too, with a preoccupied expression, as if half her mind were on whatever is was she meant to buy here, and though there were a number of salesgirls between them, There felt sure the woman would come to her, Then, Then Therese saw her walk slowly towards the counter, heard her heart stumble to catch up with the moment it had let pass, and felt her face grow hot as the woman came nearer and nearer.
Patricia Highsmith (The Price of Salt)
What special affinities appeared to him to exist between the moon and woman? Her antiquity in preceding and surviving successive tellurian generations: her nocturnal predominance: her satellitic dependence: her luminary reflection: her constancy under all her phases, rising, and setting by her appointed times, waxing and waning: the forced invariability of her aspect: her indeterminate response to inaffirmative interrogation: her potency over effluent and refluent waters: her power to enamour, to mortify, to invest with beauty, to render insane, to incite to and aid delinquency: the tranquil inscrutability of her visage: the terribility of her isolated dominant implacable resplendent propinquity: her omens of tempest and of calm: the stimulation of her light, her motion and her presence: the admonition of her craters, her arid seas, her silence: her splendour, when visible: her attraction, when invisible.
James Joyce (Ulysses)
Yes, you’re right. I want to be a proper submissive for you. I’ve been thinking a lot about this lately, as well. I want to learn from you, Dylan. I want to be the Master of my Universe, too.” Her response floors me.
Ella Dominguez (The Art of Domination (The Art of D/s, #2))
I guess she truly is a switch. Shy on the outside and submissive most of the time but with a feisty controlling side to her. I love that she’s unpredictable like that. It makes life interesting.
Ella Dominguez (The Art of Domination (The Art of D/s, #2))
Pity the poor novice Dominant who attempts to “break” or “discipline” a Warrior Princess Submissive without her explicit consent. The best case result in that scenario is likely to involve a great deal of frustration and humiliation for him. The worst-case outcome is a little too gruesome to contemplate.
Michael Makai (The Warrior Princess Submissive)
Seven hundred years ago, Tersa had told [Daemon] the living myth was coming. Seven hundred years of waiting, watching, searching, hoping. Seven hundred heartbreaking, exhausting years. He refused to give up, refused to wonder if she’d been mistaken, refused because his heart yearned too much for that strange, wonderful, terrifying creature called Witch. In his soul, he knew her. In his dreams, he saw her. He never envisioned a face. It always blurred if he tried to focus on it. But he could see her dressed in a robe made of dark, transparent spidersilk, a robe that slid from her shoulders as she moved, a robe that opened and closed as she walked, revealing bare, night-cool skin. And there would be a scent in the room that was her, a scent he would wake to, burying his face in her pillow after she was up and attending her own concerns. It wasn’t lust—the body’s fire paled in comparison to the embrace of mind to mind—although physical pleasure was part of it. He wanted to touch her, feel the texture of her skin, taste the warmth of her. He wanted to caress her until they both burned. He wanted to weave his life into hers until there was no telling where one began and the other ended. He wanted to put his arms around her, strong and protecting, and find himself protected; possess her and be possessed; dominate her and be dominated. He wanted that Other, that shadow across his life, who made him ache with every breath while he stumbled among these feeble women who meant nothing to him and never could. Simply, he believed that he had been born to be her lover.
Anne Bishop (Daughter of the Blood (The Black Jewels, #1))
The quintessential emblem of religion — and the clearest manifestation of the perversity that lies at its core — is the sacrifice of a child by a parent. Almost all religious faiths incorporate the myth of such a sacrifice, and some have actually made it real. Lucretius had in mind the sacrifice of Iphigenia by her father Agamemnon, but he may also have been aware of the Jewish story of Abraham and Isaac and other comparable Near Eastern stories for which the Romans of his times had a growing taste. Writing around 50 BCE he could not, of course, have anticipated the great sacrifice myth that would come to dominate the Western world, but he would not have been surprised by it or by the endlessly reiterated, prominently displayed images of the bloody, murdered son.
Stephen Greenblatt (The Swerve: How the World Became Modern)
For men like him, to fuck or rape a whore is not an achievement. Putting his filth into a hole that has already served hundreds before him does not engender the slightest masculine pride. Isn’t that right, my sang-e saboor? You should know. Men like him are afraid of whores. And do you know why? I’ll tell you, my sang-e saboor: when you fuck a whore, you don’t dominate her body. It’s a matter of exchange. You give her money, and she gives you pleasure. And I can tell you that often she’s the dominant one. It’s she who is fucking you.” The woman calms down. Her voice serene, she continues, “So, raping a whore is not rape. But raping a young girl’s virginity, a woman’s honor! Now that’s your creed!
Atiq Rahimi (The Patience Stone)
He grabbed two handfuls of her ass like he had the right to. She supposed after giving her an orgasm he kinda did. His kiss was dominant yet not forceful, strong but gentle. She felt cared for in his great hands.
V. Theia (Tracking Luxe (Renegade Souls MC Romance Saga #3))
His heart pounded faster. He’d been a patient man. Going above and beyond while she struggled to accept every aspect of her submission. It was a beautiful war where her body was the battlefield that gave way to her mind. A mind she’d set to be with him when she could be anything she wanted to be and yet, she’d chosen to be the woman who knelt at his side. Grady Bergeron, my hero in Watch Me.
Riley Murphy (Watch Me)
She was the only antidote for the bleakness that lived inside of me. My goddess. My deity. I wasn’t a believer in any religion, but I’d make an exception in this case. I’d get down on my knees and worship at her alter every day if it brought her back to me.
A. Zavarelli (Stutter (Bleeding Hearts #2))
Power is a fickle mistress, easy to seduce, but even easier to lose. That's how it works. One moment she is your closest confidant, whispering the secrets of the universe into your ear; the next, she is your vilest oppressor—and once her ears close to your plights you are well and truly screwed.
Nenia Campbell (Bleeds My Desire (Blood Bonds, #1))
I know what you think…like most girls do…that you have to work hard at a career, get ahead, be just as ambitious as a man.” She raises an eyebrow to this, but stays quiet. “I don’t want a girl who wants to be a man’s equal. I want a girl who understands her place.
Willow Madison
A spark of fiery hunger shot through her as he took over, completely dominating the kiss, his tongue invading her mouth. His hand slid back and cupped her head in that way she loved. Craved.
Katie Reus (Bound to Danger (Deadly Ops, #2))
Sadism dominates the culture. It runs like an electric current through reality television and trash-talk programs, is at the core of pornography, and fuels the compliant, corporate collective. Corporatism is about crushing the capacity for moral choice and diminishing the individual to force him or her into an ostensibly harmonious collective.
Chris Hedges
If she had cried and sobbed and seemed frightened, Miss Minchin might almost have had more patience with her. She was a woman who liked to domineer and feel her power, and as she looked at Sara's pale little steadfast face and heard her proud little voice, she felt quite as if her mind was being set at naught.
Frances Hodgson Burnett (A Little Princess)
I’m such a negative person, and always have been. Was I born that way? I don’t know. I am constantly disgusted by reality, horrified and afraid. I cling desperately to the few things that give me some solace, that make me feel good. I hate most of humanity. Though I might be very fond of particular individuals, humanity in general fills me with contempt and despair. I hate most of what passes for civilization. I hate the modern world. For one thing there are just too Goddamn many people. I hate the hordes, the crowds in their vast cities, with all their hateful vehicles, their noise and their constant meaningless comings and goings. I hate cars. I hate modern architecture. Every building built after 1955 should be torn down! I despise modern music. Words cannot express how much it gets on my nerves – the false, pretentious, smug assertiveness of it. I hate business, having to deal with money. Money is one of the most hateful inventions of the human race. I hate the commodity culture, in which everything is bought and sold. No stone is left unturned. I hate the mass media, and how passively people suck up to it. I hate having to get up in the morning and face another day of this insanity. I hate having to eat, shit, maintain the body – I hate my body. The thought of my internal functions, the organs, digestion, the brain, the nervous system, horrify me. Nature is horrible. It’s not cute and loveable. It’s kill or be killed. It’s very dangerous out there. The natural world is filled with scary, murderous creatures and forces. I hate the whole way that nature functions. Sex is especially hateful and horrifying, the male penetrating the female, his dick goes into her hole, she’s impregnated, another being grows inside her, and then she must go through a painful ordeal as the new being pushes out of her, only to repeat the whole process in time. Reproduction – what could be more existentially repulsive? How I hate the courting ritual. I was always repelled by my own sex drive, which in my youth never left me alone. I was constantly driven by frustrated desires to do bizarre and unacceptable things with and to women. My soul was in constant conflict about it. I never was able to resolve it. Old age is the only relief. I hate the way the human psyche works, the way we are traumatized and stupidly imprinted in early childhood and have to spend the rest of our lives trying to overcome these infantile mental fixations. And we never ever fully succeed in this endeavor. I hate organized religions. I hate governments. It’s all a lot of power games played out by ambition-driven people, and foisted on the weak, the poor, and on children. Most humans are bullies. Adults pick on children. Older children pick on younger children. Men bully women. The rich bully the poor. People love to dominate. I hate the way humans worship power – one of the most disgusting of all human traits. I hate the human tendency towards revenge and vindictiveness. I hate the way humans are constantly trying to trick and deceive one another, to swindle, to cheat, and take unfair advantage of the innocent, the naïve and the ignorant. I hate the vacuous, false, banal conversation that goes on among people. Sometimes I feel suffocated; I want to flee from it. For me, to be human is, for the most part, to hate what I am. When I suddenly realize that I am one of them, I want to scream in horror.
Robert Crumb
People who shout at women in the street don’t do it because they think there’s a chance the woman will drop her shopping, willy-nilly, and leap into their arms! It isn’t a compliment – and to call it that disparages the vast majority of lovely men who are perfectly able to pay a real compliment. It is an exertion of power, dominance and control. And it’s utterly horrifying that we’ve become so used to it that it’s considered the norm. ▶
Laura Bates (Everyday Sexism)
A child who is being abused on an ongoing basis needs to be able to function despite the trauma that dominates his or her daily life. That becomes the job of at least one ANP [apparently normal part of the personality], whom the child creates to be unaware of the abuse and also of the multiplicity, and to “pass as normal” in the real world. The ANP is just an alter specialized for handling the adult world—in other words, the “front person” for the system.
Alison Miller (Healing the Unimaginable: Treating Ritual Abuse and Mind Control)
Come closer to me,” he commanded. She began to get to her feet, giving him the opportunity to force her down again. “No. I want you to crawl over here on your hands and knees.” Jace watched the power of his words place invisible constraints on Camille’s body. She fell down to her knees and crawled on the floor like an animal. In that moment, he was her master; in that moment, everything seemed natural and right in the world. He was the yin to her yang, pulling both of them into perfect equilibrium.
Edith Warner (Don't Forget Your Lines)
Life, of course, never gets anyone's entire attention. Death always remains interesting, pulls us, draws us. As sleep is necessary to our physiology, so depression seems necessary to our psychic economy. In some secret way, Thanatos nourishes Eros as well as opposes it. The two principles work in covert concert; though in most of us Eros dominates, in none of us is Thanatos completely subdued. However-and this is the paradox of suicide-to take one's life is to behave in a more active, assertive, "erotic" way than to helplessly watch as one's life is taken away from one by inevitable mortality. Suicide thus engages with both the death-hating and the death-loving parts of us: on some level, perhaps, we may envy the suicide even as we pity him. It has frequently been asked whether the poetry of Plath would have so aroused the attention of the world if Plath had not killed herself. I would agree with those who say no. The death-ridden poems move us and electrify us because of our knowledge of what happened. Alvarez has observed that the late poems read as if they were written posthumously, but they do so only because a death actually took place. "When I am talking about the weather / I know what I am talking about," Kurt Schwitters writes in a Dada poem (which I have quoted in its entirety). When Plath is talking about the death wish, she knows what she is talking about. In 1966, Anne Sexton, who committed suicide eleven years after Plath, wrote a poem entitled "Wanting to Die," in which these startlingly informative lines appear: But suicides have a special language. Like carpenters they want to know which tools. They never ask why build. When, in the opening of "Lady Lazarus," Plath triumphantly exclaims, "I have done it again," and, later in the poem, writes, Dying Is an art, like everything else. I do it exceptionally well. I do it so it feels like hell. I do it so it feels real. I guess you could say I've a call, we can only share her elation. We know we are in the presence of a master builder.
Janet Malcolm (The Silent Woman: Sylvia Plath and Ted Hughes)
Dominance and submission is an intimate binding. Those who submit must trust that those who dominate will never take more than they can give.” A sardonic smile twisted Ram’s lips. “Those who dominate must give those who submit everything they need but never more than they can endure.” “By your definition, the dominus has the harder role,” she whispered. “Perhaps. What is more difficult? To trust another so completely? Or to honor the responsibility to never betray such a trust once given?” “I guess that would depend on how much the dominus cared for his slaaf.” Ram shrugged. “I suppose it would.” Steffania saw a bleak pain in his eyes quickly masked. “Enough talking,” he said gruffly.
Patricia A. Knight (Hers to Cherish (Verdantia, #3))
Man is the one who desires, woman the one who is desired. This is woman's entire but decisive advantage. Through his passion nature has given man into woman's hands, and the woman who does not know how to make him her subject, her slave, her toy, and how to betray him with a smile in the end is not wise.
Leopold von Sacher-Masoch (Venus in Furs)
She’s a telepath?” demanded Dominic. “And he catches up with the conversation.” I patted his knee. “Yes, she’s a telepath. Sarah reads minds. Don’t worry, she’s not reading yours.” “It would be rude,” said Sarah. Putting her phone down, she began arranging herself carefully in the chair. “Telepathic ethics say you should never read a sentient creature’s mind without permission, provocation, or legitimate reason to fear for your life.” “Telepaths have ethics?” Dominic’s eyes narrowed, tone and posture united to convey his disbelief. “My mother and I do,” said Sarah, letting her head settle against the back of the chair. “We mostly got them from Babylon 5, but they still work.
Seanan McGuire (Discount Armageddon (InCryptid, #1))
I was lost.  I was found. I, James Cavendish, unrepentant dominant, sexual deviant, and prolific slut for more years than I cared to count, was in love. I'd taken her virgin body, but just as surely, she'd taken my virgin heart.
R.K. Lilley (Mr. Beautiful (Up in the Air, #4))
A very queer, composite being thus emerges. Imaginatively she is of the highest importance; practically she is completely insignificant. She pervades poetry from cover to cover; she is all but absent from history. She dominates the lives of kings and conquerors in fiction; in fact she was the slave of any boy whose parents forced a ring upon her finger. Some of the most inspired words, some of the most profound thoughts in literature fall from her lips; in real life she could hardly read, could scarcely spell, and was the property of her husband.
Virginia Woolf (A Room of One's Own)
She's a she-wolf. Her nature demands she's dominated, even if she tries to fight it. She'll listen to an amount of force – positive force, not negative force. But leave the run wide open with no boundaries and she won't listen to you at all. All she'll listen to is the call of freedom, even if it leads her straight into a trap. Stop thinking like a human. She's a wolf.
Dianna Hardy (Blood Shadow (Blood Never Lies, #1))
Chretien speaking to Dominic: 'Magda is no ordinary young woman. There is a blood price on her head way beyond that upon any Cathar, indeed way beyond mine. I advise you most strongly to think with your head, not your loins.' 'I am thinking,' Dominic said softly, 'with my heart.
Elizabeth Chadwick (Daughters of the Grail)
Those who claim that any woman can reprogram her consciousness if only she is sufficiently determined hold a shallow view of the nature of patriarchal oppression. Anything done can be undone, it is implied; nothing has been permanently damaged, nothing irretrievably lost. But this is tragically false. One of the evils of a system of oppression is that it may damage people in ways that cannot always be undone. Patriarchy invades the intimate recesses of personality where it may maim and cripple the spirit forever.
Sandra Lee Bartky (Femininity and Domination: Studies in the Phenomenology of Oppression (Thinking Gender))
It’s the woman who decides when it’s time to have sex in a relationship. It’s our influence that controls whether the act happens or not. Even in a true dominant-submissive relationship, when a woman is submissive to her male partner, she still holds the power even as she’s being paddled. She has a safe word, and that gives her all the control. She has the power and influence even from the physically submissive position.
Vi Keeland (Bossman)
He had always thought the Holy Grail would be finding a girl who submitted gladly and whole- heartedly to his leadership. Now he saw how much more powerful it was when the surrender was a bit reluctant, when she had to overcome her own strong will before yielding to his. He didn’t want an off-the-shelf submissive after all. He wanted a girl with a mind of her own, whose heart and will had to be tamed, who would submit to him and him alone.
Sweden Reese (The Southern Gentleman: Protective Instinct (Dominant Heroes Collection #1))
I like the idea of you on an island..." "Oh...why's that?" She's squinting up at me, her eyes brighter than the sea in the setting sun. "I could keep you all to myself. You'd be trapped, only able to come and go as I please...I'd be your Caesar..." She laughs and reaches her hand out to me, "Don't you already have that power...without need of a sea?
Willow Madison (True Choices (True, #3))
The Warrior Princess Submissive herself may be uncertain of her own submissive nature, so it is entirely understandable that the Dominant seeking to woo her might be somewhat tentative, himself. If the Dominant has even the tiniest iota of doubt about his own dominance or his D/s relationship skills, he is doomed. He will be eaten alive, and not in a good way.
Michael Makai (The Warrior Princess Submissive)
In antiquity , for instance, one of the dominant images of the translators was that of a builder: his (usually it was him, not her) task was to carefully demolish a building, a structure (the source text), carry the bricks somewhere else (into the target culture), and construct a new building - with the same bricks.
Andrew Chesterman (Can Theory Help Translators? (Translation Theories Explored))
The future homemaker trains for her role within the home, but the boy prepares for his by being given more independence outside the home, by his taking a “paper route” or a summer job. A provider will profit by independence, dominance, aggressiveness, competitiveness.8
Betty Friedan (The Feminine Mystique)
Kate pointed at a cling-film-wrapped salad that was marked: Do Not Microwave. ‘She’s not sure you know not to heat a salad?’ Dominic rolled his eyes. ‘I did once and Patty’s never forgotten. That I was stoned out of my mind at the time apparently wasn’t excuse enough for her.
C.C. Gibbs (All He Needs (All or Nothing, #2))
On the other side of the room, Bast cursed her luck. Damn. She couldn’t wait now. It took time to set up a switch like this. She would have to take the second option. A pity, the Rowanberg woman was the right size physically, and the facial adjustment would not be difficult, nor the hair, and she was one of the targets on her list. Option Two was slightly taller, but she would have to do.
Patrick G. Cox (First into the Fray (Harry Heron #1.5))
most cherished desires of present-day Westerners are shaped by romantic, nationalist, capitalist and humanist myths that have been around for centuries. Friends giving advice often tell each other, ‘Follow your heart.’ But the heart is a double agent that usually takes its instructions from the dominant myths of the day, and the very recommendation to ‘follow your heart’ was implanted in our minds by a combination of nineteenth-century Romantic myths and twentieth-century consumerist myths. The Coca-Cola Company, for example, has marketed Diet Coke around the world under the slogan ‘Diet Coke. Do what feels good.’ Even what people take to be their most personal desires are usually programmed by the imagined order. Let’s consider, for example, the popular desire to take a holiday abroad. There is nothing natural or obvious about this. A chimpanzee alpha male would never think of using his power in order to go on holiday into the territory of a neighbouring chimpanzee band. The elite of ancient Egypt spent their fortunes building pyramids and having their corpses mummified, but none of them thought of going shopping in Babylon or taking a skiing holiday in Phoenicia. People today spend a great deal of money on holidays abroad because they are true believers in the myths of romantic consumerism. Romanticism tells us that in order to make the most of our human potential we must have as many different experiences as we can. We must open ourselves to a wide spectrum of emotions; we must sample various kinds of relationships; we must try different cuisines; we must learn to appreciate different styles of music. One of the best ways to do all that is to break free from our daily routine, leave behind our familiar setting, and go travelling in distant lands, where we can ‘experience’ the culture, the smells, the tastes and the norms of other people. We hear again and again the romantic myths about ‘how a new experience opened my eyes and changed my life’. Consumerism tells us that in order to be happy we must consume as many products and services as possible. If we feel that something is missing or not quite right, then we probably need to buy a product (a car, new clothes, organic food) or a service (housekeeping, relationship therapy, yoga classes). Every television commercial is another little legend about how consuming some product or service will make life better. 18. The Great Pyramid of Giza. The kind of thing rich people in ancient Egypt did with their money. Romanticism, which encourages variety, meshes perfectly with consumerism. Their marriage has given birth to the infinite ‘market of experiences’, on which the modern tourism industry is founded. The tourism industry does not sell flight tickets and hotel bedrooms. It sells experiences. Paris is not a city, nor India a country – they are both experiences, the consumption of which is supposed to widen our horizons, fulfil our human potential, and make us happier. Consequently, when the relationship between a millionaire and his wife is going through a rocky patch, he takes her on an expensive trip to Paris. The trip is not a reflection of some independent desire, but rather of an ardent belief in the myths of romantic consumerism. A wealthy man in ancient Egypt would never have dreamed of solving a relationship crisis by taking his wife on holiday to Babylon. Instead, he might have built for her the sumptuous tomb she had always wanted. Like the elite of ancient Egypt, most people in most cultures dedicate their lives to building pyramids. Only the names, shapes and sizes of these pyramids change from one culture to the other. They may take the form, for example, of a suburban cottage with a swimming pool and an evergreen lawn, or a gleaming penthouse with an enviable view. Few question the myths that cause us to desire the pyramid in the first place.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
There was nothing more powerful. Not one thing better to boost a Dom’s ego than being a sub’s everything. He’d asked her for everything, but this wasn’t the same thing at all. In this case he was the need in a literal sense and damn, it was empowering. Scintillating. Dangerous because now that he’d got his first taste of it, he wanted more.
Riley Murphy (Requested Surrender (Trust in Me, #4))
Katherine is the master of anger; she dominates anger. She takes anger in her hands and twists its neck, ripping its head off. She throws anger against the wall and stomps it to death. Her voice rises, it changes, it conjures up ghosts and cusses in a spitting Irish brogue. Then, when she's tapped out empty, she picked anger up between her a thumb and a forefinger and carries it outside and drops it in the trash. On her way back, she scoops up forgiveness like a bouquet, sniffs it deep and arranges it in a vase. She sets forgiveness down, shining in the middle of everything.
Colleen J Clayton (What Happens Next)
Hearing you say his name makes me want to bite you.” To mark her, remind her that she didn’t belong to Dominic, she belonged to him. “I think you’d like that.” Blushing and stifling her smile, she snapped, “Fuck you.” “What, you mean right now? In front of all these people? I guess I could.
Suzanne Wright (Carnal Secrets (The Phoenix Pack, #3))
Woman's fear of the female Self, of the experience of the numinous archetypal Feminine, becomes comprehensible when we get a glimpse - or even only a hint – of the profound otherness of female selfhood as contrasted to male selfhood. Precisely that element which, in his fear of the Feminine, the male experiences as the hole, abyss, void, and nothingness turns into something positive for the woman without, however, losing these same characteristics. Here the archetypal Feminine is experienced not as illusion and as maya but rather as unfathomable reality and as life in which above and below, spiritual and physical, are not pitted against each other; reality as eternity is creative and, at the same time, is grounded in primeval nothingness. Hence as daughter the woman experiences herself as belonging to the female spiritual figure Sophia, the highest wisdom, while at the same time she is actualizing her connection with the musty, sultry, bloody depths of swamp-mother Earth. However, in this sort of Self-discovery woman necessarily comes to see herself as different from what presents itself to men -as, for example, spirit and father, but often also as the patriarchal godhead and his ethics. The basic phenomenon - that the human being is born of woman and reared by her during the crucial developmental phases - is expressed in woman as a sense of connectedness with all living things, a sense not yet sufficiently realized, and one that men, and especially the patriarchal male, absolutely lack to the extent women have it. To experience herself as so fundamentally different from the dominant patriarchal values understandably fills the woman with fear until she arrives at that point in her own development where, through experience and love that binds the opposites, she can clearly see the totality of humanity as a unity of masculine and feminine aspects of the Self.
Erich Neumann (The Fear of the Feminine and Other Essays on Feminine Psychology)
...I know how she must have felt. Pressure to be in charge of the world. So much responsibility. The whole world on her...to let go and just give herself to you, to give up to you..." "I'm glad you understand...few women do." "Oh, they do. They're just afraid to admit it... in the dusty dark little corner of every woman's heart... lives the hunger to fetch a powerful man his slippers on her hands and knees.
Tiffany Reisz (Seven Day Loan (The Original Sinners, #0.15))
As Edna walked along the street she was thinking of Robert. She was still under the spell of her infatuation. She had tried to forget him, realizing the inutility of remembering. But the thought of him was like an obsession, ever pressing itself upon her. It was not that she dwelt upon details of their acquaintance, or recalled in any special or peculiar way his personality; it was his being, his existence, which dominated her thought, fading sometimes as if it would melt into the mist of the forgotten, reviving again with an intensity which filled her with an incomprehensible longing.
Kate Chopin (The Awakening)
No,” I hear myself say. “You’re not supposed to be here.” She’s sitting on my bed. She’s leaning back on her elbows, legs outstretched in front of her, crossed at the ankles. And while some part of me understands I must be dreaming, there’s another, overwhelmingly dominant part of me that refuses to accept this. Part of me wants to believe she’s really here, inches away from me, wearing this short, tight black dress that keeps slipping up her thighs. But everything about her looks different, oddly vibrant; the colors are all wrong. Her lips are a richer, deeper shade of pink; her eyes seem wider, darker. She’s wearing shoes I know she’d never wear. And strangest of all: she’s smiling at me. “Hi,” she whispers. It’s just one word, but my heart is already racing. I’m inching away from her, stumbling back and nearly slamming my skull against the headboard, when I realize my shoulder is no longer wounded. I look down at myself. My arms are both fully functional. I’m wearing nothing but a white T-shirt and my underwear. She shifts positions in an instant, propping herself up on her knees before crawling over to me. She climbs onto my lap. She’s now straddling my waist. I’m suddenly breathing too fast. Her lips are at my ear. Her words are so soft. “Kiss me,” she says. “Juliette—” “I came all the way here.” She’s still smiling at me. It’s a rare smile, the kind she’s never honored me with. But somehow, right now, she’s mine. She’s mine and she’s perfect and she wants me, and I’m not going to fight it. I don’t want to. Her hands are tugging at my shirt, pulling it up over my head. Tossing it to the floor. She leans forward and kisses my neck, just once, so slowly. My eyes fall closed. There aren’t enough words in this world to describe what I’m feeling. I feel her hands move down my chest, my stomach; her fingers run along the edge of my underwear. Her hair falls forward, grazing my skin, and I have to clench my fists to keep from pinning her to my bed. Every nerve ending in my body is awake. I’ve never felt so alive or so desperate in my life, and I’m sure if she could hear what I’m thinking right now, she’d run out the door and never come back. Because I want her. Now. Here. Everywhere. I want nothing between us. I want her clothes off and the lights on and I want to study her. I want to unzip her out of this dress and take my time with every inch of her. I can’t help my need to just stare; to know her and her features: the slope of her nose, the curve of her lips, the line of her jaw. I want to run my fingertips across the soft skin of her neck and trace it all the way down. I want to feel the weight of her pressed against me, wrapped around me. I can’t remember a reason why this can’t be right or real. I can’t focus on anything but the fact that she’s sitting on my lap, touching my chest, staring into my eyes like she might really love me. I wonder if I’ve actually died. But just as I lean in, she leans back, grinning before reaching behind her, never once breaking eye contact with me. “Don’t worry,” she whispers. “It’s almost over now.” Her words seem so strange, so familiar. “What do you mean?” “Just a little longer and I’ll leave.” “No.” I’m blinking fast, reaching for her. “No, don’t go—where are you going—” “You’ll be all right,” she says. “I promise.” “No—” But now she’s holding a gun. And pointing it at my heart.
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))
Most abusive men put on a charming face for their communities, creating a sharp split between their public image and their private treatment of women and children. He may be: Enraged at home but calm and smiling outside Selfish and self-centered with you but generous and supportive with others Domineering at home but willing to negotiate and compromise outside Highly negative about females while on his own turf but a vocal supporter of equality when anyone else is listening Assaultive toward his partner or children but nonviolent and nonthreatening with everyone else Entitled at home but critical of other men who disrespect or assault women The pain of this contrast can eat away at a woman. In the morning her partner cuts her to the quick by calling her a “brainless fat cow,” but a few hours later she sees him laughing with the people next door and helping them fix their car. Later the neighbor says to her, “Your partner is so nice. You’re lucky to be with him—a lot of men wouldn’t do what he does.” She responds with a mumbled “Yeah,” feeling confused and tongue-tied. Back at home, she asks herself over and over again, “Why me?
Lundy Bancroft (Why Does He Do That? Inside the Minds of Angry and Controlling Men)
If Mike convinces a woman to date him because he is dominant, the resulting relationship will be entirely different than if he had inspired this same woman to date him by convincing her that, through dating him, she could improve herself (though such dynamics might be ameliorated through therapy). One of the core reasons why people either end up in one bad relationship after another—or come to believe that all members of a certain gender have very constrained behavior patterns—is that they do not understand how different lures function (in male communities, this often manifests in the saying “AWALT,” which stands for “all women are like that”). These people do not realize that the lure they are using is creating those relationship dynamics and/or constrained behavior patterns. Talking with individuals who say guys or girls always act like X or Y feels like talking to a fisherman who insists that all fish have whiskers. When you point out that all the lures in his tackle box are designed specifically to only catch catfish, he just turns and gives you a quizzical look saying, “what's your point?
Simone Collins (The Pragmatist's Guide to Relationships)
Another step is that daughters can learn to monitor their own feelings and instincts by saying, "I feel uncomfortable (angry, dominated, usurped, inadequate, guilty, furious) with my mother more often than I do not. I have to pay attention to that, because it shows in how I treat my friends (lover, spouse, kids, colleagues). There is validity here. I don't have to blame or excuse my mother-I just have to see her so I can see myself.
Victoria Secunda (When You and Your Mother Can't Be Friends: Resolving the Most Complicated Relationship of Your Life)
She started to plead.” I looked at Leticia. “That was the real power,” I said soflty. “That was what turned me on, and catapulted me into the world of BDSM. I loved the way Claire pleaded and begged for her release. It wasn’t about physical domination for me. It still isn’t. It’s about that emotional transfer of power: the command and control. That’s what turns me on, Leticia. That’s what I find so addictive about being a Master. I love the power, given to me by the submissive. It’s symbolic of their trust. Claire showed me how intoxicating that feeling could be.
Jason Luke (Interview with a Master (Interview with a Master, #1))
These two voices represent opposing paths for the feminist movement. On the one hand, Sandberg and her ilk see feminism as a handmaiden of capitalism. They want a world where the task of managing exploitation in the workplace and oppression in the social whole is shared equally by ruling-class men and women. This is a remarkable vision of equal opportunity domination: one that asks ordinary people, in the name of feminism, to be grateful that it is a woman, not a man, who busts their union, orders a drone to kill their parent, or locks their child in a cage at the border. In sharp contrast to Sandberg’s liberal feminism, the organizers of the huelga feminista insist on ending capitalism: the system that generates the boss, produces national borders, and manufactures the drones that guard them.
Nancy Fraser (Feminism for the 99 %)
What's the use of a lague of nations if it's to be dominated by Great Britain and her colonies?" said Mr. Rasmussen sourly. "But don't you think any kind of a league's better than nothing?" said Eveline. "It's not the name you give things, it's who's getting theirs underneath that counts," said Robbins. "That's a very cynical remark," said the California woman. "This isn't any time to be cynical." "This is a time," said Robbins, "when if we weren't cynical we'd shoot ourselves.
John Dos Passos (1919 (U.S.A., #2))
She has no interest in the composition from ten or twenty feet—that will come later. What she wants is topography, the impasto, the furrows where sable hairs were dragged into tiny painted crests to catch the light. Or the stray line of charcoal or chalk, glimpsed beneath a glaze that’s three hundred years old. She’s been known to take a safety pin and test the porosity of the paint and then bring the point to her tongue. Since old-world grounds contain gesso, glue, and something edible—honey, milk, cheese—the Golden Age has a distinctively sweet or curdled taste. She is always careful to avoid the leads and the cobalts. What
Dominic Smith (The Last Painting of Sara de Vos)
Life with someone else, in other words, doesn't show me nearly as much about his or her shortcomings as it does about my own.... That's how relationships sanctify me. They show me where holiness is for me. That's how relationships develop me. They show me where growth is for me. If I'm the passive-victim type, then assertiveness may have something to do with coming to wholeness. If I'm the domineering character in every group, then a willingness to listen and to be led may be my call to life. Alone, I am what I am, but in community I have the chance to become everything I can be.
Joan D. Chittister
The books were old and well worn, the cover of one of them had nearly broken through in its middle, and it was held together with a few threads. "Everything is so dirty here," said K., shaking his head, and before he could pick the books up the woman wiped some of the dust off with her apron. K. took hold of the book that lay on top and threw it open, an indecent picture appeared. A man and a woman sat naked on a sofa, the base intent of whoever drew it was easy to see but he had been so grossly lacking in skill that all that anyone could really make out were the man and the woman who dominated the picture with their bodies, sitting in overly upright postures that created a false perspective and made it difficult for them to approach each other. K. didn't thumb through that book any more, but just threw open the next one at its title page, it was a novel with the title, What Grete Suffered from her Husband, Hans. "So this is the sort of law book they study here," said K., "this is the sort of person sitting in judgement over me.
Franz Kafka (The Trial)
I walk through the gate and into the courtyard.  Laney, bellissima Laney, is standing in a wooden vat in one of my dress shirts, unbuttoned and opened, so that her breasts and her black lace panties were partially exposed. Stunning. I stand and take her in, trying to calm the race my heart is running. “Are you going to stand there or are you going to join me?” She smiles.
M.J. Fields (Dominic: The Prince (Ties of Steel #2))
The world has done that already -- possessed the Congo and pillaged her and dominated her and robbed her of agency and occupation. Love is something else, something rising and contagious and surprising. It isn't aware of itself. It isn't keeping track. It isn't something you sign for. It's endless and generous and enveloping. It's in the drums, in the voices, in the bodies of the wounded made suddenly whole, by the music, by each other, dancing.
V (formerly Eve Ensler) (In the Body of the World)
Overtly relating this to a guy entirely defeats his credibility as a genuinely dominant male. The guy she wants to fuck is dominant because that’s ‘the way he is’ instead of who she had to tell him to be. Observing the process will change it. This is the root function of every shit test ever devised by a woman. If masculinity has to be explained to a man, he’s not the man for her.
Rollo Tomassi (The Rational Male)
I won’t share you, Dylan. I mean that. If you think for one second now that we’re married, you can try and pull some kind of shit over on me, you’d better think again. I can take whatever you can dish out when it comes to pain, embarrassment and humiliation, and whatever else you have going on in that wicked mind of yours, but I’ll be damned if I’ll share you with another woman. Or man.” What the fuck? I almost laugh at her, but she’s so serious she would probably slap the shit out of me. “Calm the hell down. I’m not trying to pull anything over on you, okay? And seriously, a man?” “Well, I don’t know. Maybe one of your secrets is that you like getting pegged in the ass or something.” This time I laugh out loud at her and she narrows her eyes at me. "Don’t ask me to peg you either, because it’s never going to happen.” I laugh even louder. Good God this woman is funny. “I promise you that I don’t want to be pegged, Isa.
Ella Dominguez (The Art of Domination (The Art of D/s, #2))
I barely duck out of the way of an empty coffee mug flying dangerously close to my head. It crashes and breaks loudly near the marble fireplace and Isa stomps into our bedroom. What the living fuck? Of course, the pussy-whipped jackass that I am, I follow her like a puppy dog, five steps behind her pouting ass. I make it to the bedroom in time to have the door promptly slammed in my face.
Ella Dominguez (The Art of Domination (The Art of D/s, #2))
There were usually not nearly as many sick people inside the hospital as Yossarian saw outside the hospital, and there were generally fewer people inside the hospital who were seriously sick. There was a much lower death rate inside the hospital than outside the hospital, and a much healthier death rate. Few people died unnecessarily. People knew a lot more about dying inside the hospital and made a much neater job of it. They couldn’t dominate Death inside the hospital, but they certainly made her behave. They had taught her manners. They couldn’t keep Death out, but while she was there she had to act like a lady. People gave up the ghost with delicacy and taste inside the hospital. There was none of that crude, ugly ostentation about dying that was so common outside of the hospital. They did not blow-up in mid-air like Kraft or the dead man in Yossarian’s tent, or freeze to death in the blazing summertime the way Snowden had frozen to death after spilling his secret to Yossarian in the back of the plane. “I’m cold,” Snowden had whimpered. “I’m cold.” “There, there,” Yossarian had tried to comfort him. “There, there.” They didn’t take it on the lam weirdly inside a cloud the way Clevinger had done. They didn’t explode into blood and clotted matter. They didn’t drown or get struck by lightning, mangled by machinery or crushed in landslides. They didn’t get shot to death in hold-ups, strangled to death in rapes, stabbed to death in saloons, blugeoned to death with axes by parents or children, or die summarily by some other act of God. Nobody choked to death. People bled to death like gentlemen in an operating room or expired without comment in an oxygen tent. There was none of that tricky now-you-see-me-now-you-don’t business so much in vogue outside the hospital, none of that now-I-am-and-now-I-ain’t. There were no famines or floods. Children didn’t suffocate in cradles or iceboxes or fall under trucks. No one was beaten to death. People didn’t stick their heads into ovens with the gas on, jump in front of subway trains or come plummeting like dead weights out of hotel windows with a whoosh!, accelerating at the rate of thirty-two feet per second to land with a hideous plop! on the sidewalk and die disgustingly there in public like an alpaca sack full of hairy strawberry ice cream, bleeding, pink toes awry.
Joseph Heller (Catch-22)
Come on, Avery." Fresh tears stained her cheeks. Her voice shook. "Wake up, damn it!" She sobbed, rocking forward and back, her arms wrapping tightly around his big body. "Don't you want to shout at me for disobeying you, you overbearing, domineering male?" She squeezed her eyes shut and bit hard on her lip. He couldn't die. He was too stubborn, too alive, too vigorous. And she couldn't lose him. She loved him too much. "I… am a… gentleman," she heard him gasp. "I never shout at women.
Connie Brockway (My Dearest Enemy)
In other news, Aang dominates on “Are You Smarter Than the Fire Nation”. Bella Swan becomes engaged to her boyfriend of one year, Edward Cullen, and unceremoniously sends Jacob Black to the “friend zone”. Pop star Candy Cane trades her controversial career for being a housewife (which was a move that is very unpopular with many of her young fans), and Jacquel Rassenworth is still the Internet’s biggest fame-nut (cue APPLAUSE).
Jacquel Chrissy May (The Summer of Our Discontent (The Green Hill Manor Mystery, #1))
What are the funniest famous last words you've ever heard?" Lost, Ryan just stared at her. Why did her brain constantly spit out nonsensical questions? "Fine be boring." She turned to Jaime, who was sprawled on the neighboring blanked, and repeated the question. "Lightning never hits the same spot twice," said Jaime. Everyone laughted. "You know any"" she asked her mate. "Pull the pin out and count to what?" said Dante. Dominic plopped himself on the ground next to Zac. "I got one: Hold my beer while I do this." Taryn raised her hand. "Hey, what does this button do?" "This doesn't taste right," said Marcus. Bracken, a Mercury Pack enforcer spoke. "It's just a flesh wound." Ally offered, "No dummy, that's a dolphin fin." "What's that red dot on your forehead?" said McKenna. Amused in spite of himself - it was after all, a completely pointless conversation - Ryan kissed her temple.
Suzanne Wright (Savage Urges (The Phoenix Pack, #5))
Romero never made any contortions, always it was straight and pure and natural in line. The others twisted themselves like cork-screws, their elbows raised, and leaned against the flanks of the bull after his horns had passed, to give a faked look of danger. Afterward, all that was faked turned bad and gave an unpleasant feeling. Romero’s bull-fighting gave real emotion, because he kept the absolute purity of line in his movements and always quietly and calmly let the horns pass him close each time. He did not have to emphasize their closeness. Brett saw how something that was beautiful done close to the bull was ridiculous if it were done a little way off. I told her how since the death of Joselito all the bull-fighters had been developing a technic that simulated this appearance of danger in order to give a fake emotional feeling, while the bull-fighter was really safe. Romero had the old thing, the holding of his purity of line through the maximum of exposure, while he dominated the bull by making him realize he was unattainable, while he prepared him for the killing.
Ernest Hemingway (The Sun Also Rises)
Beginning to feel that her brother was being rather too harsh on Lillian Bowman, Livia frowned. “She’s a very pretty girl, Marcus.” “A pretty facade isn’t enough to make up for the flaws in her character.” “Which are?” Marcus made a faint scoffing sound, as if Miss Bowman’s faults were too obvious to require enumeration. “She’s manipulative.” “So are you, dear,” Livia murmured. He ignored that. “She’s domineering.” “As are you.” “She’s arrogant.” “Also you,” Livia said brightly. Marcus glowered at her. “I thought we were discussing Miss Bowman’s faults, not mine.” “But you seem to have so much in common,” Livia protested, rather too innocently.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
Emotional abuse poisons a relationship and infuses it it with hostility, contempt, and hatred. No matter how much a couple once loved each other, once emotional abuse becomes a consistent aspect of the relationship, that love is overshadowed by fear, anger, guilt, and shame. Whether it is one or both partners who are being emotionally abusive, the relationship becomes increasingly more toxic as time goes by. In this polluted environment it is difficult for love not only to grow but to survive. At the very least, emotional abuse causes both the abuser and the victim to lose sight of any redeeming qualitites his or her partner once had. The more a partner is allowed to degrade, criticize, or dominate her partner, the less she will respect her partner. And the more a partner is emotionally abused, the more he will slowly build up an intense hatred towards his abuser. The disrespect and hatred each partner begins to feel leads to more and more emotional abuse and to each partner justifying inappropriate, even destructive, behavior. Over time, anger can build up on the part of both abuser and victim, and emotional abuse can turn to physical violence.
Beverly Engel M.F.C.C.
A home where a woman is abused is a small-scale model of much larger oppressive systems that work in remarkably similar ways. Many of the excuses an abusive man uses for verbally tearing his partner to shreds are the same ones that a power-mad boss uses for humiliating his or her employees. The abusive man’s ability to convince himself that his domination of you is for your own good is paralleled by the dictator who says, “People in this country are too primitive for democracy.” The divide-and-conquer strategies used by abusers are reminiscent of a corporate head who tries to break the labor union by giving certain groups of workers favored treatment. The making of an abuser is thus not necessarily restricted to the specific values his society teaches him about men’s relationships with women; without realizing it he may also apply attitudes and tactics from other forms of oppression that he has been exposed to as a boy or as a young adult and that he has learned to justify or even admire.
Lundy Bancroft (Why Does He Do That? Inside the Minds of Angry and Controlling Men)
She was no helpless female – never had been. She was death clothed in a body of female allure and fiercely proud of it. But in sex, she needed the surrender. She craved a man strong enough to take the control out of her hands. I hunger to be dominated, for someone who doesn’t see me as a ball-busting female. She would yield everything to a man masterful enough to command her obedience. But she had never found one strong enough – or discreet enough. It wouldn’t do for the Blue Daggers to know their commander wanted domination during sex. Most of all, she had never found anyone she could trust with her desires who didn’t try to crush her – body and soul. Disappointment had followed disappointment until she had quit looking. To find strength paired with sensitivity, or dominance tempered with love? It didn’t seem to exist.
Patricia A. Knight
A true Master is not a man, or in some cases a woman, that likes to fuck hard or control. People like that are asses. It's also illegal and called abuse. A proper Dom is a person that, no matter what will be there for you. Not just sexually, but emotionally and physically. He's not a sub's abuser, but her ultimate comforter. Likewise, with a sub, she has an inner need to please her Master. No matter where they are or what they are doing, the simple tone of his voice makes her body alert and willing to obey his every wish.
Tiffany Danielle (Candy Cane)
In this martial world dominated by men, women had little place. The Church's teachings might underpin feudal morality, yet when it came to the practicalities of life, a ruthless pragmatism often came into play. Kings and noblemen married for political advantage, and women rarely had any say in how they or their wealth were to be disposed in marriage. Kings would sell off heiresses and rich widows to the highest bidder, for political or territorial advantage, and those who resisted were heavily fined. Young girls of good birth were strictly reared, often in convents, and married off at fourteen or even earlier to suit their parents' or overlord's purposes. The betrothal of infants was not uncommon, despite the church's disapproval. It was a father's duty to bestow his daughters in marriage; if he was dead, his overlord or the King himself would act for him. Personal choice was rarely and issue. Upon marriage, a girl's property and rights became invested in her husband, to whom she owed absolute obedience. Every husband had the right to enforce this duty in whichever way he thought fit--as Eleanor was to find out to her cost. Wife-beating was common, although the Church did at this time attempt to restrict the length of the rod that a husband might use.
Alison Weir (Eleanor of Aquitaine: A Life (World Leaders Past & Present))
To illustrate what a personality preference is, I like to compare it to hand dominance. As we all know, a right-handed person will prefer to use her right hand for the majority of tasks, especially those requiring fine motor skills, such as writing. This of course doesn't mean that she never uses her left hand, but only that it tends to play more of a supportive, rather than a dominant or leading role. The same is true for our personality preferences. While we may at times use our non-dominant preferences, in most situations we prefer to lead with our dominant ones. Not only does this feel more comfortable and natural, but typically produces better results.
A.J. Drenth
Was she acting entirely consciously? No: women are always sincere, even in the midst of their most shocking duplicities, because it is always some natural emotion which dominates them. Perhaps, having given this young man such a hold on her, by having openly demonstrated her affection for him, Delphine was merely responding to a sense of personal dignity, which led her either to revoke any concessions she might have made or, at least, to enjoy suspending them. Even at the very moment when passion seizes her, it is perfectly natural for a Parisian woman to delay her final fall, as a way of testing the heart of the man into whose hands she is about to deliver herself and her future!
Honoré de Balzac (Père Goriot)
(Dominic after winning King & Queen contest at Prom along with Tess) “You like me, you really like me!” he said in a mock high-pitched voice, channeling his inner Sally Fields. “First of all, I have to thank my first grade teacher, what was her name? Mrs. Johnson? Nichols? Jameson? Prescott? Yeah, that was it. Man, I had such a crush on her. Even at five, I had awesome taste in women—just look at Tess. Isn’t she banging? Anyway, I need to thank Mrs. Pentecostal, because she told me I’d never win anything, and that hurt, man. But I guess I showed her. So take that, Mrs. Presley!
J.M. Darhower (Sempre (Sempre, #1))
Care and concern imply another aspect of love; that of responsibility. Today responsibility is often meant to denote duty, something imposed upon one from the outside. But responsibility, in its true sense, is an entirely voluntary act; it is my response to the needs, expressed or unexpressed, of another human being. To be “responsible” means to be able and ready to “respond.” Jonah did not feel responsible to the inhabitants of Nineveh. He, like Cain, could ask: “Am I my brother’s keeper?” The loving person responds. The life of his brother is not his brother’s business alone, but his own. He feels responsible for his fellow men, as he feels responsible for himself. This responsibility, in the case of the mother and her infant, refers mainly to the care for physical needs. In the love between adults it refers mainly to the psychic needs of the other person. Responsibility could easily deteriorate into domination and possessiveness, were it not for a third component of love, respect. Respect is not fear and awe; it denotes, in accordance with the root of the word (respicere = to look at), the ability to see a person as he is, to be aware of his unique individuality. Respect means the concern that the other person should grow and unfold as he is. Respect, thus, implies the absence of exploitation. I want the loved person to grow and unfold for his own sake, and in his own ways, and not for the purpose of serving me. If I love the other person, I feel one with him or her, but with him as he is, not as I need him to be as an object for my use. It is clear that respect is possible only if I have achieved independence; if I can stand and walk without needing crutches, without having to dominate and exploit anyone else. Respect exists only on the basis of freedom: “l’amour est l’enfant de la liberté” as an old French song says; love is the child of freedom, never that of domination.
Erich Fromm (The Art of Loving)
Do I get a kiss before my massage?” “Since you asked so nice.” His lips were smiling when they touched hers, and she’d never guessed until this moment what it was to kiss a man you could laugh with. They smiled through the entire kiss, as he sipped at her, before slicking his tongue over her lips. She danced her own tongue playfully over his, flirting but never delivering. He nipped at her in sensual punishment before taking her mouth with a dominance that was as natural to him as breathing. And through it all, he kept her pinned to the door, his heavier body a delicious source of pressure.
Nalini Singh (Blaze of Memory (Psy-Changeling, #7))
There is a fine line between friendship and parenting, and when that line is crossed, the result is often disastrous. A parent who strives to make a true friend of his or her child may well sacrifice authority, and though that parent may be comfortable with surrendering the dominant position, the unintentional result will be to steal from that child the necessary guidance and, more importantly, the sense of security the parent is supposed to impart. On the opposite side, a friend who takes a role as parent forgets the most important ingredient of friendship: respect. For respect is the guiding principle of friendship, the lighthouse beacon that directs the course of any true friendship. And respect demands trust.
R.A. Salvatore (The Silent Blade (Paths of Darkness, #1; The Legend of Drizzt, #11))
Existentialist literature provides a more satisfactory account of the persistence of feminine narcissism. Simone de Beauvoir makes use of the existentialist conception of 'situation' in order to account for the persistence of narcissism in the feminine personality. A woman's situation, i.e., those meanings derived from the total context in which she comes to maturity, disposes her to apprehend her body not as the instrument of her transcendence, but as 'an object destined for another.' Knowing that she is to be subjected to the cold appraisal of the male connoisseur and that her life prospects may depend on how she is seen, a woman learns to appraise herself first. The sexual objectification of women produces a duality in feminine consciousness. The gaze of the Other is internalized so that I myself become at once seer and seen, appraiser and the thing appraised.
Sandra Lee Bartky (Femininity and Domination: Studies in the Phenomenology of Oppression (Thinking Gender))
Take them off," I order and without hesitation she removes them and drops them on the floor. She lifts her cami so I can see her, then rubs her hand over her tummy and over the top of her mound while she watches me. When I look into her eyes she's licking her lips. "Do you like what you see?" she asks playfully. "You know I do." "Good. When you apologize, you can have some." Oh, hell no. "Let me remind you, as your husband and your Master, I don't need your permission. I'll have some with or without an apology, but because I love you and because it was a shitty thing for me to accuse you of, I'll apologize anyway. So for what's worth - I'm sorry for accusing you of hitting on Sawyer. I love you. Now open your legs like a good wife and let me fuck you.
Ella Dominguez (The Art of Domination (The Art of D/s, #2))
It is she who has a hold on him. Doesn't she see how much he needs her? She has nothing to be afraid of, her conscience is clear. It is he who should be ashamed, and terrified of her giving him away. But that is just what she will never do. To do this she does not have the necessary ruthlessness--Komarovsky's chief asset in dealing with subordinates and weaklings. This is precisely the difference between them. And it is this that makes the whole of life so terrifying. Does it crush you by thunder and lightning? No, by oblique glances and whispered calumny. It is all treachery and ambiguity. Any single thread is as fragile as a cobweb, but just try to pull yourself out of the net, you only become more entangled. And the strong are dominated by the weak and ignoble.
Boris Pasternak (Doctor Zhivago)
Much of what we do arises from automatic programming that bypasses conscious awareness and may even run contrary to our intentions, as Dr. Schwartz points out: The passive side of mental life, which is generated solely and completely by brain mechanisms, dominates the tone and tenor of our day-to-day, even our second-to-second experience. During the quotidian business of daily life, the brain does indeed operate very much as a machine does. Decisions that we may believe to be freely made can arise from unconscious emotional drives or subliminal beliefs. They can be dictated by events of which we have no recollection. The stronger a person’s automatic brain mechanisms and the weaker the parts of the brain that can impose conscious control, the less true freedom that person will be able to exercise in her life. In OCD, and in many other conditions, no matter how intelligent and well-meaning the individual, the malfunctioning brain circuitry may override rational judgment and intention. Almost any human being when overwhelmed by stress or powerful emotions, will act or react not from intention but from mechanisms that are set off deep in the brain, rather than being generated in the conscious and volitional segments of the cortex. When acting from a driven or triggered state, we are not free.
Gabor Maté (In the Realm of Hungry Ghosts: Close Encounters with Addiction)
He said nothing. Juliana peeped at him again. “You’re very anxious to get her in your power again, Vidal. But I don’t quite know why you should be, for you meant to marry her only because you had ruined her, and so were obliged to, didn’t you?” She thought that he was not going to answer, but suddenly he raised his eyes from the contemplation of the dregs of his wine. “Because I am obliged to?” he said. “I mean to marry Mary Challoner because I’m devilish sure I can’t live without her.” Juliana clapped her hands with a crow of delight. “Oh, it is famous!” she exclaimed. “I never dreamed you had fallen in love with my staid Mary! I thought you were chasing her through France just because you so hate to be crossed! But when you flew into a rage with me for saying she was too dull to be afraid of you, of course, I guessed at once! My dearest Dominic, I was never more glad of anything in my life, and it is of all things the most romantic possible! Do, do let us overtake them at once! Only conceive of their astonishment when they see us!
Georgette Heyer (Devil's Cub (Alastair-Audley, #2))
There is nothing temporary about us.” “I know that. I know that, now.” “You’re sure?” I ask again. “I am sure about many things that I wasn’t sure of before. I’m sure, it’s alright to be happy all the time. I’m sure that I want to make you happy, all the time. I’m sure that no matter what happens, if we have one or five--” “Six.” I smile as I take her face in my hands. “I’m sure if the sky falls down and the Earth splits in two, you will find a way to force me through it. Dominic, you’re happiness is just as important to me.” “We’ve decided it.” “We have.” “We’re going to have a child.” “Yes.” “And get married.” “Whenever you want to.” “And six kids.” “We’ll see.” She laughs but doesn’t say no. As I hug her tight, I thank our angels in the heavens for guiding us to one another.
M.J. Fields (Dominic: The Prince (Ties of Steel #2))
I think of how, even as a feminist lesbian, I have so wanted to ignore my own homophobia, my own hatred of myself for being queer. I have not wanted to admit that my deepest personal sense of myself has not quite "caught up" with my "woman-identified" politics. I have been afraid to criticize lesbian writers who choose to "skip over" these issues in the name of feminism. In 1979, we talk of "old gay" and "butch and femme" roles as if they were ancient history. We toss them aside as merely patriarchal notions. And yet, the truth of the matter is that I have sometimes taken society's fear and hatred of lesbians to bed with me. I have sometimes hated my lover for loving me. I have sometimes felt "not woman enough" for her. I have sometimes felt "not man enough." For a lesbian trying to survive in a heterosexist society, there is no easy way around these emotions. Similarly, in a white-dominated world, there is little getting around racism and our own internalization of it. It's always there, embodied in someone we least expect to rub up against.
Cherríe L. Moraga (This Bridge Called My Back: Writings by Radical Women of Color)
Amy Martin (ladysky) and Daniel Baciagalupo had a month to spend on Charlotte Turner's island in Georgian Bay; it was their wilderness way of getting to know each other before their life together in Toronto began. We don't always have a choice how we get to know one another. Sometimes, people fall into our lives cleanly--as if out of the sky, or as if there were a direct flight from Heaven to Earth--the same sudden way we lose people, who once seemed they would always be part of our lives. Little Joe was gone, but not a day passed in Daniel Baciagalupo's life when Joe wasn't loved or remembered. The cook had been murdered in his bed, but Dominic Baciagalupo had had the last laugh on the cowboy. Ketchum's left hand would lvie forever in Twisted River, and Six-Pack had known what to do with the rest of her old friend
John Irving (Last Night in Twisted River)
Because I tried all those voice options, of course. Haven’t you?” She looked at him expectantly, as if scrolling through all the language and voice options in the GPS was a total must. “Frankly? It didn’t occur to me. I stuck with the first one.” She rolled her eyes. “There’s one in Klingon. I used to have it on when I drove my geekier friends to the yearly Star Trek conventions in Vegas. They’d translate for me.” He wasn’t sure which part of her statement was more disturbing to him: the friends that spoke Klingon, or the yearly visits to Star Trek conventions. Or that she had geekier friends. Finally he opted for one. “You have friends that speak Klingon?” She shook her head. “No. Not fluently, no. It helped a lot that from LA to Vegas is for the most part a straight line. You really don’t want to get lost in the Mojave Desert with a handful of bickering Klingons and Vulcans who can achieve global domination with a laptop but can’t figure out how to change a tire on the car.
Elle Aycart (Heavy Issues (Bowen Boys, #2))
in 1851, an aged black woman, who had been born a slave in New York, tall, thin, wearing a gray dress and white turban, listened to some male ministers who had been dominating the discussion. This was Sojourner Truth. She rose to her feet and joined the indignation of her race to the indignation of her sex: That man over there says that woman needs to be helped into carriages and lifted over ditches. . . . Nobody ever helps me into carriages, or over mud-puddles or gives me any best place. And a’nt I a woman? Look at my arm! I have ploughed, and planted, and gathered into barns, and no man could head me! And a’nt I a woman? I would work as much and eat as much as a man, when I could get it, and bear the lash as well. And a’nt I a woman? I have borne thirteen children and seen em most all sold off to slavery, and when I cried out with my mother’s grief, none but Jesus heard me! And a’nt I a woman? Thus were women beginning to resist, in the 1830s and 1840s and 1850s, the attempt to keep them in their “woman’s sphere.” They were taking part in all sorts of movements, for prisoners, for the insane, for black slaves, and also for all women.
Howard Zinn (A People's History of the United States: 1492 to Present)
Endless love and voluptuous appetite pervaded this stifling nave in which settled the ardent sap of the tropics. Renée was wrapped in the powerful bridals of the earth that gave birth to these dark growths, these colossal stamina; and the acrid birth-throes of this hotbed, of this forest growth, of this mass of vegetation aglow with the entrails that nourished it, surrounded her with disturbing odours. At her feet was the steaming tank, its tepid water thickened by the sap from the floating roots, enveloping her shoulders with a mantle of heavy vapours, forming a mist that warmed her skin like the touch of a hand moist with desire. Overhead she could smell the palm trees, whose tall leaves shook down their aroma. And more than the stifling heat, more than the brilliant light, more than the great dazzling flowers, like faces laughing or grimacing between the leaves, it was the odours that overwhelmed her. An indescribable perfume, potent, exciting, composed of a thousand different perfumes, hung about her; human exudation, the breath of women, the scent of hair; and breezes sweet and swooningly faint were blended with breezes coarse and pestilential, laden with poison. But amid this strange music of odours, the dominant melody that constantly returned, stifling the sweetness of the vanilla and the orchids' pungency, was the penetrating, sensual smell of flesh, the smell of lovemaking escaping in the early morning from the bedroom of newlyweds.
Émile Zola (La Curée (Les Rougon-Macquart, #2))
They, they, they. That was the problem with people like Joyce. They talked about the richness of their multicultural heritage and it sounded real good, until you noticed that they avoided black people. It wasn't a matter of conscious choice, necessarily, just a matter of gravitational pull, the way integration always worked, a one-way street. The minority assimilated into the dominant culture, not the other way around. Only white culture could be neutral and objective. Only white culture could be nonracial, willing to adopt the occasional exotic into its ranks. Only white culture had individuals. And we, the half-breeds and the college-degreed, take a survey of the situation and think to ourselves, Why should we get lumped in with the losers if we don't want to? We become only so grateful to lose ourselves in the crowd, America's happy, faceless marketplace; and we're never so outraged as when a cabbie drives past us or the woman in the elevator clutches her purse, not so much because we're bothered by the fact that such indignities are what less fortunate coloreds have to put up with every single day of their lives-- although that's what we tell ourselves-- but because we're wearing a Brooks Brothers suit and speak impeccable English and yet have somehow been mistaken for an ordinary nigger. Don't know who I am? I'm an individual!
Barack Obama
Why isn't every woman a feminist? Feminism tells a tale of female injury, but the average woman in heterosexual intimacy knows that men are injured too, as indeed they are. She may be willing to grant, this average woman, that men in general have more power than women in general. This undoubted fact is merely a fact; it is abstract, while the man of flesh and blood who stands before her is concrete: His hurts are real, his fears palpable. And like those heroic doctors on the late show who work tirelessly through the epidemic even though they may be fainting from fatigue, the woman in intimacy may set her own needs to one side in order better to attend to his. She does this not because she is "chauvinized" or has "false consciousness," but because this is what the work requires. Indeed, she may even excuse the man's abuse of her, having glimpsed the great reservoir of pain and rage from which it issues. Here is a further gloss on the ethical disempowerment attendant upon women's caregiving: in such a situation, a woman may be tempted to collude in her own ill-treatment.
Sandra Lee Bartky (Femininity and Domination: Studies in the Phenomenology of Oppression (Thinking Gender))
The survivor movements were also challenging the notion of a dysfunctional family as the cause and culture of abuse, rather than being one of the many places where abuse nested. This notion, which in the 1990s and early 1980s was the dominant understanding of professionals characterised the sex abuser as a pathetic person who had been denied sex and warmth by his wife, who in turn denied warmth to her daughters. Out of this dysfunctional triad grew the far-too-cosy incest dyad. Simply diagnosed, relying on the signs: alcoholic father, cold distant mother, provocative daughter. Simply resolved, because everyone would want to stop, to return to the functioning family where mum and dad had sex and daughter concentrated on her exams. Professionals really believed for a while that sex offenders would want to stop what they were doing. They thought if abuse were decriminalised, abusers would seek help. The survivors knew different. P5
Beatrix Campbell (Stolen Voices: The People and Politics Behind the Campaign to Discredit Childhood Testimony)
One reason she had been as successful an assassin had always been her attention to detail, but the weeks of using the cream to maintain her disguise as the hapless dock technician, were taking their toll. Details slipped her mind occasionally, and concentrating was sometimes hard. She’d used the time she had available to study her target, learn his mannerisms and speech pattern, food and clothing preferences. Most of this possible with the right programs and access to the dock AI system. Those hours ‘at work’ in the Fabrication Unit had been well spent, and supplemented by frequenting places where she could observe him. The lack of her usual team of ‘daemons’ had created a number of difficulties, and though she wondered how Security had managed to take them down so quickly, she didn’t waste time worrying over it. Now she knew who he associated with, and his sexuality—all of it vital if she was to escape detection in such a high profile role.
Patrick G. Cox (First into the Fray (Harry Heron #1.5))
I had started on the marriage and motherhood beat by accident with a post on my personal, read only by friends, blog called ‘Fifty Shades of Men’. I had written it after buying Fifty Shades of Grey to spice up what Dave and I half-jokingly called our grown up time, and had written a meditation on how the sex wasn’t the sexiest part of the book. “Dear publishers, I will tell you why every woman with a ring on her finger and a car seat in her SUV is devouring this book like the candy she won’t let herself eat.” I had written. “It’s not the fantasy of an impossibly handsome guy who can give you an orgasm just by stroking your nipples. It is instead the fantasy of a guy who can give you everything. Hapless, clueless, barely able to remain upright without assistance, Ana Steele is that unlikeliest of creatures, a college student who doesn’t have an email address, a computer, or a clue. Turns out she doesn’t need any of those things. Here is the dominant Christian Grey and he’ll give her that computer plus an iPad, a beamer, a job, and an identity, sexual and otherwise. No more worrying about what to wear. Christian buys her clothes. No more stress about how to be in the bedroom. Christian makes those decisions. For women who do too much—which includes, dear publishers, pretty much all the women who have enough disposable income to buy your books—this is the ultimate fantasy: not a man who will make you come, but a man who will make agency unnecessary, a man who will choose your adventure for you.
Jennifer Weiner (All Fall Down)
She went to bed mentally exhausted but woke after only a few hours of disrupted sleep…because she could smell Judd’s scent in her quarters. Getting out of bed still half-asleep, she saw it was four a.m. She walked out wearing the satin slip she used as her nightgown, her feet bare. “Judd?” For a second, she couldn’t locate him. Then her night vision kicked in and she found him seated in an armchair close to the coffee table. He was watching her, his entire body motionless. It didn’t strike her that she should be afraid or even wary. Yawning, she walked over and sat on his lap, curling her body into the armchair. His arms came around her without hesitation, one hand curving around her shoulders, the other sliding to close over the bare skin of her upper thigh. The sensual contact brought her to full wakefulness. Wrapping her arms around his neck, she nuzzled at his throat. “Are you okay?” His hand shifted to slide between her thighs, surprising a shocked feminine sound out of her. “Judd? Baby?” Something was wrong. With a changeling male, she would’ve let her body soothe him, used touch to connect. But Judd was Psy…and hers. At that moment, she knew the answer to the question that had tormented her all day—she would hold him, accept him, no matter what. That was what mates did. She didn’t care if there was no bond—no one was going to tell her she wasn’t meant to be with this man. “What do you want?” she asked, but he remained silent. Deciding to let instinct guide her, she softened for him. His other hand tangled in her hair, tilting her head back in a sharp move. She went rather than resist. A woman who loved a dominant male had to know when to bend…and when to bite.
Nalini Singh (Caressed by Ice (Psy-Changeling, #3))
About the time that I reentered the Bruce family, an event occurred of disastrous import to the colored people. The slave Hamlin, the first fugitive that came under the new law, was given up by the blood-hounds of the north to the bloodhounds of the south. It was the beginning of a reign of terror to the colored population. The great city rushed on its whirl of excitement, taking no note of the "short and simple annals of the Poor." But while fashionables were listening to the thrilling voice of Jenny Lind in Metropolitan Hall, the thrilling voices of poor hunted colored people went up, in an agony of supplication, to the Lord, from Zion's church. Many families, who had lived in the city for twenty years, fled from it now. Many a poor washerwoman, who, by hard labor, had made herself a comfortable home, was obliged to sacrifice her furniture, bid a hurried farewell to friends, and seek her fortune among strangers in Canada. Many a wife discovered a secret she had never known before—that her husband was a fugitive, and must leave her to insure his own safety. Worse still, many a husband discovered that his wife had fled from slavery years ago, and as "the child follows the condition of its mother," the children of his love were liable to be seized and carried into slavery. Every where, in those humble homes, there was consternation and anguish. But what cared the legislators of the "dominant race" for the blood they were crushing out of trampled hearts?
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
One thing should be clear, but apparently it is not: if this were indeed our nature, we would be living in paradise. If pain, humiliation, and physical injury made us happy, we would be ecstatic. If being sold on street corners were a good time, women would jam street corners the way men jam football matches. If forced sex were what we craved, even we would be satisfied already. If being dominated by men made us happy, we would smile all the time. Women resist male domination because we do not like it. Political women resist male domination through overt, rude, unmistakable rebellion. They are called unnatural, because they do not have a nature that delights in being debased. Apolitical women resist male domination through a host of bitter subversions, ranging from the famous headache to the clinical depression epidemic among women to suicide to prescription-drug tranquilization to taking it out on the children; sometimes a battered wife kills her husband. Apolitical women are also called unnatural, the charge hurled at them as nasty or sullen or embittered individuals, since that is how they fight back. They too are not made happy by being hurt or dominated. In fact, a natural woman is hard to find. We are domesticated, tamed, made compliant on the surface, through male force, not through nature. We sometimes do what men say we are, either because we believe them or because we hope to placate them. We sometimes try to become what men say we should be, because men have power over our lives.
Andrea Dworkin (Life and Death: Unapologetic Writings on the Continuing War Against Women)
What do you know about me, Isabeau?" He leaned forward, and I forced myself to stay still instead of shying away. He was so close that I could smell the subtle notes of his cologne: musk and wood with a hint of leather. What did he want me to say? That everyone said he was an ogre? Or that they all wanted to sleep with him anyway? "I..." "Go on. You won't hurt my feelings." He was still smiling, slight dimples visible in both cheeks. The sight was destracting, to say the least. "I know that you're the youngest CEO and partner in the company's history, and I know that you earned the spot by working your way up after graduate school instead of using your inheritance as a crutch." "Everyone knows that. What do you know about me? The real stuff. None of this press release bullshit." I looked down at my hands, anything not to have to look up at his face so close to me. "Um. People say... they say that you're scary. And that your assistants don't last long." He laughed, a deep, warm sound that seemed to fill up the office. I glanced up to see him smirking at me. I relaxed my grip on the desk a little. Maybe I wasn't being fired after all. "What else do they say?" Oh, God. He can't possibly want me to tell him everything. Does he? The look on his face confirmed that he did. It was clear by the way he looked at me that I wasn't leaving this office until I gave him exactly what he wanted. "They say. Um... They say that you're very, uh, good looking... and impossible to please." "Oh they do, do they?" He sat back, and tented his fingers beneath his chin. "Well, do you agree with them? Do you think I'm scary, handsome and woefully unsatisfied?" My mouth dropped open, and I quickly closed it with a snap. "Yes. I mean, no! I mean, I don't know..." He stood, then, and leaned in close, towering over me. "You were right the first time." Anxiety coursed through me, but I have to admit, being this close to him, smelling his scent and feeling the heat radiating off his body, it made me wonder what it would be like to be in his arms. To be his. To be owned by him... His face was almost touching mine when he whispered to me. "I am unsatisfied, Isabeau. I want you to be my new assistant. Will you do that for me? Will you be at my beck and call?" My breath left me as his words sunk in. When I finally regained it, I felt like I was trembling from head to toe. His beck and call. "Wh-what about your old assistant?" Mr. Drake leaned back again and took my chin in his hand, forcing my eyes to his. "What about her? I want you." His touch on my skin was electric. Are we still talking about business? "Yes, Mr. Drake." His thumb stroked my cheek for the briefest of moments, and then he released me, breathless, and wondering what I'd just agreed to.
Delilah Fawkes (At His Service (The Billionaire's Beck and Call, #1))
We know of ESB's potential for mind control largely through the work of Jose Delgado. One signal provoked a cat to lick its fur, then continue compulsively licking the floor and bars of its cage. A signal designed to stimulate a portion of a monkey's thalamus, a major midbrain center for integrating muscle movements, triggered a complex action: The monkey walked to one side of the cage, then the other, then climbed to the rear ceiling, then back down. The animal performed this same activity as many times as it was stimulated with the signal, up to sixty times an hour, but not blindly— the creature still was able to avoid obstacles and threats from the dominant male while carrying out the electrical imperative. Another type of signal has made monkeys turn their heads, or smile, no matter what else they were doing, up to twenty thousand times in two weeks. As Delgado concluded, "The animals looked like electronic toys." 
Even instincts and emotions can be changed: In one test a mother giving continuous care to her baby suddenly pushed the infant away whenever the signal was given. Approach-avoidance conditioning can be achieved for any action simply by stimulating the pleasure and pain centers in an animal's or person's limbic system. 
Eventual monitoring of evoked potentials from the EEG, combined with radio-frequency and microwave broadcasts designed to produce specific thoughts or moods, such as compliance and complacency, promises a method of mind control that poses immense danger to all societies —tyranny without terror.
Robert O. Becker (The Body Electric: Electromagnetism and the Foundation of Life)
I didn’t sneer!” said Juliana hastily. “I’d no notion you behaved so dreadfully badly to her. You said you forced her aboard your yacht, but I never supposed that you really frightened her enough to make her fire at you. You need not be in a rage with me for saying so, Dominic, but when I saw Mary at your house she was so placid I made sure you’d not treated her so very brutally after all. Had you?” “Yes,” said Vidal bluntly. He looked at Juliana. “You think it was vastly romantic for Mary to be carried off by me, don’t you? You think you would enjoy it, and you cannot conceive how she should be afraid, can you? Then think, my girl! Think a little! You are in my power at this moment, I may remind you. What if I make you feel it? What if I say to start with that you shall eat your dinner, and force it down your throat?” Juliana shrank back from him involuntarily. “Don’t, Vidal! Don’t come near me!” she said, frightened by the expression in his face. He laughed. “Not so romantic, is it, Ju? And to force you to eat your dinner would be a small thing compared with some other things I might force you to do. Sit down, I’m not going to touch you.” She obeyed, eyeing him nervously. “I—I wish I hadn’t come with you!” she said. “So did Mary, with more reason. But Mary would have died sooner than let me see that she was afraid. And Mary, my love, is not my cousin.
Georgette Heyer (Devil's Cub (Alastair-Audley, #2))
Gregori brought Savannah's hand to the warmth of his mouth,his breath heating the pulse beating in her wrist. The night is especially beautiful, mon petit amour.Your hero saved the girl, walks among humans, and converses with a fool.That alone should bring a smile to your face.Do not weep for what we cannot change.We will make certain that this human with us comes to no harm. Are you my hero,then? There were tears in her voice, in her mind, like an iridescent prism. She needed him, his comfort,his support under her terrible weight of guilt and love and loss. Always,for all eternity, he answered instantly,without hesitation, his eyes hot mercury. He tipped her chin up so that she met the brilliance of his silver gaze.Always, mon amour.His molten gaze trapped her blue one and held her enthralled. Your heart grows lighter.The burden of your sorrow becomes my own. He held her gaze captive for a few moments to ensure that she was free of the heaviness crushing her. Savannah blinked and moved a little away from him, wondering what she had been thinking of.What had they been talking about? "Gary." Gregori drawled the name slowly and sat back in his chair,totally relaxed. He looked like a sprawling tiger,dangerous and untamed. "Tell us about yourself." "I work a lot.I'm not married. I'm really not much of a people person. I'm basically a nerd." Gregori shifted, a subtle movement of muscles suggesting great power. "I am not familiar with this term." "Yeah,well,you wouldn't be," Gary said. "It means I have lots of brains and no brawn.I don't do the athlete thing. I'm into computers and chess and things requiring intellect. Women find me skinny,wimpy,and boring. Not something they would you." There was no bitterness in his voice,just a quiet acceptance of himself,his life. Gregori's white teeth flashed. "There is only one woman who matters to me, Gary, and she finds me difficult to live with.I cannot imagine why,can you?" "Maybe because you're jealous, possessive, concerned with every single detail of her life?" Gary plainly took the question literally, offering up his observations without judgement. "You're probably domineering,too. I can see that. Yeah.It might be tough." Savannah burst out laughing, the sound musical, rivaling the street musicians. People within hearing turned their heads and held their breath, hoping for more. "Very astute, Gary.Very, very astute. I bet you have an anormous IQ." Gregori stirred again, the movement a ripple of power,of danger. He was suddenly leaning into Gary. "You think you are intelligent? Baiting the wild animal is not too smart.
Christine Feehan (Dark Magic (Dark, #4))
To be loved by a pure young girl, to be the first to reveal to her the strange mystery of love, is indeed a great happiness, but it is the simplest thing in the world. To take captive a heart which has had no experience of attack, is to enter an unfortified and ungarrisoned city. Education, family feeling, the sense of duty, the family, are strong sentinels, but there are no sentinels so vigilant as not to be deceived by a girl of sixteen to whom nature, by the voice of the man she loves, gives the first counsels of love, all the more ardent because they seem so pure. The more a girl believes in goodness, the more easily will she give way, if not to her lover, at least to love, for being without mistrust she is without force, and to win her love is a triumph that can be gained by any young man of five-and-twenty. See how young girls are watched and guarded! The walls of convents are not high enough, mothers have no locks strong enough, religion has no duties constant enough, to shut these charming birds in their cages, cages not even strewn with flowers. Then how surely must they desire the world which is hidden from them, how surely must they find it tempting, how surely must they listen to the first voice which comes to tell its secrets through their bars, and bless the hand which is the first to raise a corner of the mysterious veil! But to be really loved by a courtesan: that is a victory of infinitely greater difficulty. With them the body has worn out the soul, the senses have burned up the heart, dissipation has blunted the feelings. They have long known the words that we say to them, the means we use; they have sold the love that they inspire. They love by profession, and not by instinct. They are guarded better by their calculations than a virgin by her mother and her convent; and they have invented the word caprice for that unbartered love which they allow themselves from time to time, for a rest, for an excuse, for a consolation, like usurers, who cheat a thousand, and think they have bought their own redemption by once lending a sovereign to a poor devil who is dying of hunger without asking for interest or a receipt. Then, when God allows love to a courtesan, that love, which at first seems like a pardon, becomes for her almost without penitence. When a creature who has all her past to reproach herself with is taken all at once by a profound, sincere, irresistible love, of which she had never felt herself capable; when she has confessed her love, how absolutely the man whom she loves dominates her! How strong he feels with his cruel right to say: You do no more for love than you have done for money. They know not what proof to give. A child, says the fable, having often amused himself by crying "Help! a wolf!" in order to disturb the labourers in the field, was one day devoured by a Wolf, because those whom he had so often deceived no longer believed in his cries for help. It is the same with these unhappy women when they love seriously. They have lied so often that no one will believe them, and in the midst of their remorse they are devoured by their love.
Alexandre Dumas (La dame aux camélias)
Funnel The family story tells, and it was told true, of my great-grandfather who begat eight genius children and bought twelve almost-new grand pianos. He left a considerable estate when he died. The children honored their separate arts; two became moderately famous, three married and fattened their delicate share of wealth and brilliance. The sixth one was a concert pianist. She had a notable career and wore cropped hair and walked like a man, or so I heard when prying a childhood car into the hushed talk of the straight Maine clan. One died a pinafore child, she stays her five years forever. And here is one that wrote- I sort his odd books and wonder his once alive words and scratch out my short marginal notes and finger my accounts. back from that great-grandfather I have come to tidy a country graveyard for his sake, to chat with the custodian under a yearly sun and touch a ghost sound where it lies awake. I like best to think of that Bunyan man slapping his thighs and trading the yankee sale for one dozen grand pianos. it fit his plan of culture to do it big. On this same scale he built seven arking houses and they still stand. One, five stories up, straight up like a square box, still dominates its coastal edge of land. It is rented cheap in the summer musted air to sneaker-footed families who pad through its rooms and sometimes finger the yellow keys of an old piano that wheezes bells of mildew. Like a shoe factory amid the spruce trees it squats; flat roof and rows of windows spying through the mist. Where those eight children danced their starfished summers, the thirty-six pines sighing, that bearded man walked giant steps and chanced his gifts in numbers. Back from that great-grandfather I have come to puzzle a bending gravestone for his sake, to question this diminishing and feed a minimum of children their careful slice of suburban cake.
Anne Sexton
Aware she’d likely never tasted such a thing before, she took a cautious sip. Nothing came up. “The straw’s defective.” Dev shot her a quick grin. It altered his face, turning him strikingly beautiful. But that wasn’t the odd part. The odd part was that seeing him smile made her heart change its rhythm. She lifted her hand a fraction, compelled to trace the curve of his lips, the crease in his cheek. Would he let her, she thought, this man who moved with the liquid grace of a soldier . . . or a beast of prey? “Did I say milk shake?” he said, withheld laughter in his voice. “I meant ice cream smoothie—with enough fresh fruit blended into it to turn it solid.” Glancing at her when she didn’t move, he raised an eyebrow. She felt a wave of heat across her face, and the sensation was so strange, it broke through her fascination. Looking down, she took off the lid after removing the straw and stared at the swirls of pink and white that dominated the delicious-smelling concoction. Intrigued, she poked at it with the tip of her straw. “I can see pieces of strawberry, and what’s that?” She looked more closely at the pink-coated black seeds. “Passion fruit?” “Try it and see.” Handing her his water bottle, he started the car and got them on their way. “How would I know?” She put his water in the holder next to the unopened bottle. “And I need a spoon for this.” Reaching into a pocket, he pulled out a plastic-wrapped piece of cutlery. “Here.” “You did that on purpose,” she accused. “Did you want to see how hard I’d try to suck the mixture up?” Another smile, this one a bare shadow. “Would I do that?” It startled her to realize he was teasing her. Devraj Santos, she thought, wasn’t supposed to have a sense of humor. That was something she just knew. And, it was wrong. That meant the shadow-man didn’t know everything, that he wasn’t omnipotent. A cascade of bubbles sparkled through her veins, bright and effervescent. “I think you’re capable of almost anything.” Dipping in the spoon, she brought the decadent mixture to her lips. Oh! The crisp sting of ice, the cream rich and sweet, the fruit a tart burst of sensation. It was impossible not to take a second bite. And a third.
Nalini Singh (Blaze of Memory (Psy-Changeling, #7))
The Party's all-around intrusion into people's lives was the very point of the process known as 'thought reform." Mao wanted not only external discipline, but the total subjection of all thoughts, large or small. Every week a meeting for 'thought examination' was held for those 'in the revolution." Everyone had both to criticize themselves for incorrect thoughts and be subjected to the criticism of others.The meetings tended to be dominated by self-righteous and petty-minded people, who used them to vent their envy and frustration; people of peasant origin used them to attack those from 'bourgeois' backgrounds. The idea was that people should be reformed to be more like peasants, because the Communist revolution was in essence a peasant revolution. This process appealed to the guilt feelings of the educated; they had been living better than the peasants, and self-criticism tapped into this.Meetings were an important means of Communist control. They left people no free time, and eliminated the private sphere. The pettiness which dominated them was justified on the grounds that prying into personal details was a way of ensuring thorough soul-cleansing. In fact, pettiness was a fundamental characteristic of a revolution in which intrusiveness and ignorance were celebrated, and envy was incorporated into the system of control. My mother's cell grilled her week after week, month after month, forcing her to produce endless self-criticisms.She had to consent to this agonizing process. Life for a revolutionary was meaningless if they were rejected by the Party. It was like excommunication for a Catholic. Besides, it was standard procedure. My father had gone through it and had accepted it as part of 'joining the revolution." In fact, he was still going through it. The Party had never hidden the fact that it was a painful process. He told my mother her anguish was normal.At the end of all this, my mother's two comrades voted against full Party membership for her. She fell into a deep depression. She had been devoted to the revolution, and could not accept the idea that it did not want her; it was particularly galling to think she might not get in for completely petty and irrelevant reasons, decided by two people whose way of thinking seemed light years away from what she had conceived the Party's ideology to be. She was being kept out of a progressive organization by backward people, and yet the revolution seemed to be telling her that it was she who was in the wrong. At the back of her mind was another, more practical point which she did not even spell out to herself: it was vital to get into the Party, because if she failed she would be stigmatized and ostracized.
Jung Chang (Wild Swans: Three Daughters of China)
She could smell the wrongness in the air and it made her wolf nervous. It felt like something was watching them, as if the wrongness had an intelligence— and it didn't help to remember that at least one of the people they were hunting could hide from their senses. Anna fought the urge to turn around, to take Charles's hand or slide under his arm and let his presence drive away the wrongness. Once, she would have, but now she had the uneasy feeling that he might back away as he almost had when she sat on his lap in the boat, before Brother Wolf had taken over. Maybe he was just tired of her. She had been telling everyone that there was something wrong with him...but Bran knew his son and thought the problem was her. Bran was smart and perceptive; she ought to have considered that he was right. Charles was old. He'd seen and experienced so much—next to him she was just a child. His wolf had chosen her without consulting Charles at all. Maybe he'd have preferred someone who knew more. Someone beautiful and clever who... "Anna?" said Charles. "What's wrong? Are you crying?" He moved in front of her and stopped, forcing her to stop walking, too. She opened her mouth and his fingers touched her wet cheeks. "Anna," he said, his body going still. "Call on your wolf." "You should have someone stronger," she told him miserably. "Someone who could help you when you need it, instead of getting sent home because I can't endure what you have to do. If I weren't Omega, if I were dominant like Sage, I could have helped you." "There is no one stronger," Charles told her. "It's the taint from the black magic. Call your wolf." "You don't want me anymore," she whispered. And once the words were out she knew they were true. He would say the things that he thought she wanted to hear because he was a kind man. But they would be lies. The truth was in the way he closed down the bond between them so she wouldn't hear things that would hurt her. Charles was a dominant wolf and dominant wolves were driven to protect those weaker than themselves. And he saw her as so much weaker. "I love you," he told her. "Now, call your wolf." She ignored his order—he knew better than to give her orders. He said he loved her; it sounded like the truth. But he was old and clever and Anna knew that, when push came to shove, he could lie and make anyone believe it. Knew it because he lied to her now—and it sounded like the truth. "I'm sorry," she told him. "I'll go away—" And suddenly her back was against a tree and his face was a hairsbreadth from hers. His long hot body was pressed against her from her knees to her chest—he'd have to bend to do that. He was a lot taller than her, though she wasn't short. Anna shuddered as the warmth of his body started to penetrate the cold that had swallowed hers. Charles waited like a hunter, waited for her to wiggle and see that she was truly trapped. Waited while she caught her breathe. Waited until she looked into his eyes. Then he snarled at her. "You are not leaving me." It was an order, and she didn't have to follow anyone's orders. That was part of being Omega instead of a regular werewolf—who might have had a snowball's chance in hell of being a proper mate. "You need someone stronger," Anna told him again. "So you wouldn't have to hide when you're hurt. So you could trust your mate to take care of herself and help, damn it, instead of having to protect me from whatever you are hiding." She hated crying. Tears were weaknesses that could be exploited and they never solves a damn thing. Sobs gathered in her chest like a rushing tide and she needed to get away from him before she broke. Instead of fighting his grip, she tried to slide out of it. "I need to go," she said to his chest. "I need—" His mouth closed over hers, hot and hungry, warming her mouth as his body warmed her body. "Me," Charles said, his voice dark and gravelly as if it had traveled up from the bottom of the earth,...
Patricia Briggs (Fair Game (Alpha & Omega, #3))
When a boy grows up in a “dysfunctional” family (perhaps there is no other kind of family), his interior warriors will be killed off early. Warriors, mythologically, lift their swords to defend the king. The King in a child stands for and stands up for the child’s mood. But when we are children our mood gets easily overrun and swept over in the messed-up family by the more powerful, more dominant, more terrifying mood of the parent. We can say that when the warriors inside cannot protect our mood from being disintegrated, or defend our body from invasion, the warriors collapse, go into trance, or die. The inner warriors I speak of do not cross the boundary aggressively; they exist to defend the boundary. The Fianna, that famous band of warriors who defended Ireland’s borders, would be a model. The Fianna stayed out all spring and summer watching the boundaries, and during the winter came in. But a typical child has no such protection. If a grown-up moves to hit a child, or stuff food into the child’s mouth, there is no defense—it happens. If the grown-up decides to shout, and penetrate the child’s auditory boundaries by sheer violence, it happens. Most parents invade the child’s territory whenever they wish, and the child, trying to maintain his mood by crying, is simply carried away, mood included. Each child lives deep inside his or her own psychic house, or soul castle, and the child deserves the right of sovereignty inside that house. Whenever a parent ignores the child’s sovereignty, and invades, the child feels not only anger, but shame. The child concludes that if it has no sovereignty, it must be worthless. Shame is the name we give to the sense that we are unworthy and inadequate as human beings. Gershen Kauffman describes that feeling brilliantly in his book, Shame, and Merle Fossum and Marilyn Mason in their book, Facing Shame, extend Kauffman’s work into the area of family shame systems and how they work. When our parents do not respect our territory at all, their disrespect seems overwhelming proof of our inadequacy. A slap across the face pierces deeply, for the face is the actual boundary of our soul, and we have been penetrated. If a grown-up decides to cross our sexual boundaries and touch us, there is nothing that we as children can do about it. Our warriors die. The child, so full of expectation of blessing whenever he or she is around an adult, stiffens with shock, and falls into the timeless fossilized confusion of shame. What is worse, one sexual invasion, or one beating, usually leads to another, and the warriors, if revived, die again. When a boy grows up in an alcoholic family, his warriors get swept into the river by a vast wave of water, and they struggle there, carried downriver. The child, boy or girl, unprotected, gets isolated, and has more in common with snow geese than with people.
Robert Bly (Iron John: A Book about Men)
Authority does not have to be a person or institution which says: you have to do this, or you are not allowed to do that. While this kind of authority may be called external authority, authority can appear as internal authority, under the name of duty, conscience, or super-ego. As a matter of fact, the development of modern thinking from Protestantism to Kant's philosophy, can be characterized as the substitution of internalized authority for an external one. With the political victories of the rising middle class, external authority lost prestige and man's own conscience assumed the place which external authority once had held. This change appeared to many as the victory of freedom. To submit to orders from the outside (at least in spiritual matters) appeared to be unworthy of a free man; but the conquest of his natural inclinations, and the establishment of the domination of one part of the individual, his nature, by another, his reason, will or conscience, seemed to be the very essence of freedom. Analysis shows that conscience rules with a harshness as great as external authorities, and furthermore that frequently the contents of the orders issued by man's conscience are ultimately not governed by demands of the individual self but by social demands which have assumed the dignity of ethical norms. The rulership of conscience can be even harsher than that of external authorities, since the individual feels its orders to be his own; how can he rebel against himself? In recent decades "conscience" has lost much of its significance. It seems as though neither external nor internal authorities play any prominent role in the individual's life. Everybody is completely "free", if only he does not interfere with other people's legitimate claims. But what we find is rather that instead of disappearing, authority has made itself invisible. Instead of overt authority, "anonymous" authority reigns.It is disguised as common sense, science, psychic health, normality, public opinion. It does not demand anything except the self-evident. It seems to use no pressure but only mild persuasion. Whether a mother says to her daughter, "I know you will not like to go out with that boy", or an advertisement suggests, "Smoke this brand of cigarettes--you will like their coolness", it is the same atmosphere of subtle suggestion which actually pervades our whole social life. Anonymous authority is more effective than overt authority, since one never suspects that there is any order which one is expected to follow. In external authority it is clear that there is an order and who gives it; one can fight against the authority, and in this fight personal independence and moral courage can develop.But whereas in internalized authority the command, though an internal one, remains visible, in anonymous authority both command and commander have become invisible.It is like being fired at by an invisible enemy. There is nobody and nothing to fight back against.
Erich Fromm (Escape from Freedom)
Hey Pete. So why the leave from social media? You are an activist, right? It seems like this decision is counterproductive to your message and work." A: The short answer is I’m tired of the endless narcissism inherent to the medium. In the commercial society we have, coupled with the consequential sense of insecurity people feel, as they impulsively “package themselves” for public consumption, the expression most dominant in all of this - is vanity. And I find that disheartening, annoying and dangerous. It is a form of cultural violence in many respects. However, please note the difference - that I work to promote just that – a message/idea – not myself… and I honestly loath people who today just promote themselves for the sake of themselves. A sea of humans who have been conditioned into viewing who they are – as how they are seen online. Think about that for a moment. Social identity theory run amok. People have been conditioned to think “they are” how “others see them”. We live in an increasing fictional reality where people are now not only people – they are digital symbols. And those symbols become more important as a matter of “marketing” than people’s true personality. Now, one could argue that social perception has always had a communicative symbolism, even before the computer age. But nooooooothing like today. Social media has become a social prison and a strong means of social control, in fact. Beyond that, as most know, social media is literally designed like a drug. And it acts like it as people get more and more addicted to being seen and addicted to molding the way they want the world to view them – no matter how false the image (If there is any word that defines peoples’ behavior here – it is pretention). Dopamine fires upon recognition and, coupled with cell phone culture, we now have a sea of people in zombie like trances looking at their phones (literally) thousands of times a day, merging their direct, true interpersonal social reality with a virtual “social media” one. No one can read anymore... they just swipe a stream of 200 character headlines/posts/tweets. understanding the world as an aggregate of those fragmented sentences. Massive loss of comprehension happening, replaced by usually agreeable, "in-bubble" views - hence an actual loss of variety. So again, this isn’t to say non-commercial focused social media doesn’t have positive purposes, such as with activism at times. But, on the whole, it merely amplifies a general value system disorder of a “LOOK AT ME! LOOK AT HOW GREAT I AM!” – rooted in systemic insecurity. People lying to themselves, drawing meaningless satisfaction from superficial responses from a sea of avatars. And it’s no surprise. Market economics demands people self promote shamelessly, coupled with the arbitrary constructs of beauty and success that have also resulted. People see status in certain things and, directly or pathologically, use those things for their own narcissistic advantage. Think of those endless status pics of people rock climbing, or hanging out on a stunning beach or showing off their new trophy girl-friend, etc. It goes on and on and worse the general public generally likes it, seeking to imitate those images/symbols to amplify their own false status. Hence the endless feedback loop of superficiality. And people wonder why youth suicides have risen… a young woman looking at a model of perfection set by her peers, without proper knowledge of the medium, can be made to feel inferior far more dramatically than the typical body image problems associated to traditional advertising. That is just one example of the cultural violence inherent. The entire industry of social media is BASED on narcissistic status promotion and narrow self-interest. That is the emotion/intent that creates the billions and billions in revenue these platforms experience, as they in turn sell off people’s personal data to advertisers and governments. You are the product, of course.
Peter Joseph