“
If toast always lands butter-side down, and cats always land on their feet, what happens if you strap toast on the back of a cat and drop it?
”
”
Steven Wright
“
It turned out that Cardan didn't have a heart of stone after all. As he removed his shirt and sank to his knees, as he fisted his hands and tried not to cry out when the strap fell, he burned with hatred. Hatred for Dain; for his father; for all his siblings who didn't take him on and the one who did; for his mother, who spat at his feet as she was led away; for stupid, disgusting mortals; for all of Elfhame and everyone in it. Hate that was so bright and hot that it was the first thing that truly warmed him. Hate that felt so good that he welcomed being consumed by it. Not a heart of stone, but a heart of fire.
”
”
Holly Black (How the King of Elfhame Learned to Hate Stories (The Folk of the Air, #3.5))
“
Strap a piece of toast -buttered side up- to the back of a cat. Throw the cat out of the window.
Will the cat land on its feet or will Murphy's law apply?
”
”
Alan Fletcher (The Art of Looking Sideways)
“
Jack Sparrow: How did you get here?
Will Turner: Sea turtles, mate. A pair of them strapped to my feet.
Jack Sparrow: Not so easy, is it?
”
”
Captain Jack Sparrow
“
Every inch her feet dragged through the sand was a lifetime; every inch was a heartbeat. Blood soaked her pants. She likely wouldn’t be able to heal her wounds within all that iron. Not until Maeve decided to heal them herself. But Maeve wouldn’t let her die. Not with the Wyrdkeys in the balance. Not yet. Time—she was grateful Elena had given her that stolen time. Grateful she had met them all, that she had seen some small part of the world, had heard such lovely music, had danced and laughed and known true friendship. Grateful that she had found Rowan. She was grateful. So Aelin Galathynius dried her tears. And did not fight when Maeve strapped that beautiful iron mask over her face.
”
”
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
“
What a face this girl possessed!—could I not gaze at it every day I would need to recreate it through painting, sculpture, or fatherhood until a second such face is born. Her face, at once innocent and feral, soft and wild! Her mouth voluptuous. Eyes deep as oceans, her eyes as wide as planets. I likened her to the slender Psyché and judged that the perfection of her face ennobled everything unclean around her: the dusty hems of her bunched-up skirt, the worn straps of her nightshirt; the blackened soles of her tiny bare feet, the coal-stained balcony bricks upon which she sat, and that dusty wrought-ironwork that framed her perch. All this and the pungent air!—almost foul, with so many odors. Ô, that and the spicy night! …Pungency, spice, filth and night, dust and light; all things dark did blossom in sight; flower and bloom, the night has its pearl too—the moon! And once a month it will make the face of this tender girl bloom.
”
”
Roman Payne
“
I likened her to the slender PSYCHÉ and judged that the perfection of her face ennobled everything unclean around her: The dusty hems of her bunched-up skirt, the worn straps of her nightshirt; the blackened soles of her bare feet [...] All this and the pungent air! Ô this night, sweet pungent night! "HÉBÉ" may come but a season. But this girl's season would know a hot spring
and an Indian summer.
”
”
Roman Payne
“
Nero drove them out at full throttle, under heavy pursuit. The transport went careening down the street, sending pedestrians and other vehicles in all directions.
"Nero!" Darling shouted. "Some of us aren't suicidal back here."
"Then strap your ass down. Or lose it." Nero jerked to the right.
This time, Darling landed on Hauk.
Hauk put him back on his feet. "Nuh-uh. You have to buy me dinner before you crawl on top of me, baby. No one gets a free ride on the Hauk train.
”
”
Sherrilyn Kenyon (Born of Fury (The League: Nemesis Rising, #6))
“
My feet ached in my Cinderella shoes. I shifted my weight and wiggled my toes beneath the cutting Lucite straps. My Prince Charming had finally showed up, I thought wretchedly, and he was too damn late.
”
”
Lisa Kleypas (Sugar Daddy (Travises, #1))
“
Why should I have been surprised?
Hunters walk the forest
without a sound.
The hunter, strapped to his rifle,
the fox on his feet of silk,
the serpent on his empire of muscles—
all move in a stillness,
hungry, careful, intent.
Just as the cancer
entered the forest of my body,
without a sound.
”
”
Mary Oliver (Blue Horses)
“
I've never had a boy in here," Martin said in a serious voice. "I've never touched another man, as a matter of fact. . . .except for my father. That was my duty."
Blomkvist's temples were pounding. He could not put his weight on his feet without being strangled. He tried to use his fingers to get a grip on the concrete wall behind him, but there was nothing to hold onto.
"It's time," Martin Vanger said.
He put a hand on the strap and pulled down. Blomkvist instantly felt the noose cut into his neck.
"I've always wondered how a man tastes."
He increased the pressure on the noose and leaned forward to kiss Blomkvist on the lips at the same time that a cold voice cut through the room.
"Hey you fucking creep, in this shithole I've got a monopoly on that one.
”
”
Stieg Larsson (The Girl With the Dragon Tattoo (Millennium #1))
“
General Lee was dressed in a full uniform which was entirely new, and was wearing a sword of considerable value, very likely the sword which had been presented by the State of Virginia; at all events, it was an entirely different sword from the one that would ordinarily be worn in the field. In my rough traveling suit, the uniform of a private with the straps of a lieutenant-general, I must have contrasted very strangely with a man so handsomely dressed, six feet high and of faultless form. But this was not a matter that I thought of until afterwards.
”
”
Ulysses S. Grant (Personal Memoirs of U.S. Grant: All Volumes)
“
Stand here, he thought, and count the lighted windows of a city. You cannot do it. But behind each yellow rectangle that climbs, one over another, to the sky - under each bulb - down to there, see that spark over the river which is not a star? - there are people whom you will never see and who are your masters. At the supper tables, in the drawing rooms, in their beds and in their cellars, in their studies and in their bathrooms. Speeding in the subways under your feet. Crawling up in elevators through vertical cracks around you. Jolting past you in every bus. Your masters, Gail Wynand. There is a net - longer than the cables that coil through the walls of this city, larger than the mesh of pipes that carry water, gas and refuse - there is another hidden net around you; it is strapped to you, and the wires lead to every hand in the city. They jerked the wires and you moved. You were a ruler of men. You held a leash. A leash is only a rope with a noose at both ends.
”
”
Ayn Rand (The Fountainhead)
“
The guide invited the crowd to imagine that they were looking across a desert at a mountain range on a day that was twinkling bright and clear. They could look at a peak or a bird or cloud, at a stone right in front of them, or even down into a canyon behind them. But among them was this poor Earthling, and his head was encased in a steel sphere which he could never take off. There was only one eyehole through which he could look, and welded to that eyehole were six feet of pipe.
"This was only the beginning of Billy's miseries in the metaphor. He was also strapped to a steel lattice which was bolted to a flatcar on rails, and there was no way he could turn his head or touch the pipe. The far end of the pipe rested on a bi-pod which was also bolted to the flatcar. All Billy could see was the little dot at the end of the pipe. He didn't know he was on a flatcar, didn't even know there was anything peculiar about his situation.
"The flatcar sometimes crept, sometimes went extremely fast, often stopped--went uphill, downhill, around curves, along straightaways. Whatever poor Billy saw through the pipe, he had no choice but to say to himself, 'That's life.
”
”
Kurt Vonnegut Jr. (Slaughterhouse-Five)
“
The Reason for Skylarks
It was nearly morning when the giant
Reached the tree of children.
Their faces shone like white apples
On the cold dark branches
And their dresses and little coats
Made sodden gestures in the wind.
He did not laugh or weep or stamp
His heavy feet. He set to work at once
Lifting them tenderly down
Into a straw basket which was fixed
By a golden strap to his shoulder.
Only one did he drop - a soft pretty child
Whose hair was the color of watered milk.
She fell into the long grass
And he could not find her
Though he searched until his fingers
Bled and the full light came.
He shook his fist at the sky and called
God a bitter name.
But no answer was made and the giant
Got down on his knees before the tree
And putting his hands about the trunk
Shook
Until all the children had fallen
Into the grass. Then he pranced and stamped
Them to jelly. And still he felt no peace.
He took his half-full basket and set it afire,
Holding it by the handle until
Everything had been burned. He saw now
Two men on steaming horses approaching
From the direction of the world
And taking a little silver flute
Out of his pocket he played tune
After tune until they came up to him.
”
”
Kenneth Patchen
“
Those boots were almost all he owned in this world. They were his home. An anecdote: One time a recruit was watching him bone and wax those golden boots, and he held one up to the recruit and said, 'If you look in there deeply enough, you'll see Adam and Eve.'
Billy Pilgrim had not heard this anecdote. But, lying on the black ice there, Billy stared into the patina of the corporal's boots, saw Adam and Eve in the golden depths. They were naked. They were so innocent, so vulnerable, so eager to behave decently. Billy Pilgrim loved them.
Next to the golden boots were a pair of feet which were swaddled in rags. They were crisscrossed by canvas straps, were shod with hinged wooden clogs. Billy looked up at the face that went with the clogs. It was the face of a blond angel of fifteen-year-old boy.
The boy was as beautiful as Eve.
Billy was helped to his feet by the lovely boy, by the heavenly androgyne.
”
”
Kurt Vonnegut Jr. (Slaughterhouse-Five)
“
Straining to hear, I can make out something acoustic. Coming from...the backyard?
I glance down from my bedroom window and feel my jaw fall open. Matt Finch is standing below my window, guitar strapped across his chest. I pull my window up, and I expect the song from that old movie - the one about a guy with a trench coat and the big radio and his heart on his sleeve.
But it's not that. It's not anything I recognise, and I strain to make out the lyrics: Stop being ridiculous, stop being ridiculous, Reagan.
What an asshole.
The mesh screen and two floors between us don't seem like enough to protect him from my anger.
"Nice apology," I call down to him.
"I've apologised thirteen times," he yells back, "and so far you haven't called me back."
I open my mouth to say it doesn't matter, but he's already redirecting the song.
"Now I'm gonna stand here until you forgive me," he sings loudly, "or at least until you hear me out, la-la, oh-la-la. I drove seven hours overnight, and I won't leave until you come out here."
(...) "This is private property!" My throat feel coarse from how loudly I'm yelling. "And that doesn't even rhyme!"
The guitar chord continues as he sings, "Then call the cops, call the cops, call the cops..."
I storm downstairs, my feet pounding against the staircase. When I turn the corner, my dad looks almost amused from his seat in the recliner. Noticing my expression, he stares back at his newspaper, as if I won't notice him.
(...) "Dad. How did Matt know which window was mine?"
"Well..." he peeks over the sports section. "I reckon I told him."
"You talked to him?" My voice is no longer a voice. It's a shriek. "God, Dad!"
He juts out his chin, defensive. "How was I supposed to know you had some sort of drama with him? He shows up, lookin' to serenade my daughter. Thought it seemed innocent enough. Sweet, even. Old-fashioned."
"It's not any of those things! I hate him!
”
”
Emery Lord (Open Road Summer)
“
When a cat is dropped, it always lands on its feet, and when toast is dropped, it always lands with the buttered side facing down. I propose to strap buttered toast to the back of a cat; the two will hover, spinning, inches above the ground. With a giant buttered-cat array, a high-speed monorail could easily link New York with Chicago
”
”
John Frazee
“
I’m going to strap boulders around my feet and drown myself before I cause any more damage!
”
”
Chris Colfer (A Tale of Magic... (A Tale of Magic, #1))
“
He listened to a fire fighter tell of a woman he had found strapped into her seat, screaming. When he cut the seat belt, she fell apart. She was being held together by the seat belt. She died at his feet.
”
”
Laurence Gonzales (Flight 232: A Story of Disaster and Survival)
“
I’m not.” He reaches into his jacket and comes up with a small knife. “Don’t move.” I hold still. I hold my very breath as he slips the blade between my skin and the first strap. It’s surprisingly warm, likely from being so close to his body. The strap gives easily beneath the sharp edge. And then another, and another, and another, until I’m standing before him completely naked. He snaps the blade closed and takes a step back, sweeping his gaze over me from my head to my feet and back again. “Better.
”
”
Katee Robert (Neon Gods (Dark Olympus, #1))
“
That night, Zalmai wakes up coughing. Before Laila can move, Tariq swings his legs over the side of the bed. He straps on his prosthesis and walks over to Zalmai, lifts him up into his arms. From the bed, Laila watches Tariq's shape moving back and forth in the darkness. She sees the outline of Zalmai's head on his shoulder, the knot of his hands at Tariq's neck, his small feet bouncing by Tariq's hip.
When Tariq comes back to bed, neither of them says anything. Laila reaches over and touches his face. Tariq's cheeks are wet.
”
”
Khaled Hosseini (A Thousand Splendid Suns)
“
McCoy, drained and hollow-eyed, couldn't take his eyes off the life vest belonging to the boy who'd slipped away from the group during the night. The empty vest spooked McCoy. All its straps were still tightly tied-it looked like some trick that Houdini might've played. Then McCoy peered into the water and got another shock: the boy was floating below him, spread-eagled, about fifteen feet below the surface. He lay motionless until a current caught him; then it was as if he were flying in the depths. Jesus, McCoy thought, Mother of God. He started saying the rosary over and over. McCoy had never been overly religious; his mom was the spiritual one in the family. But now he began the process of what he'd later call his purification; he'd started asking God to forgive him of his sins. He was resolved to live but he was getting ready to die.
”
”
Doug Stanton (In Harm's Way: The Sinking of the USS Indianapolis and the Extraordinary Story of Its Survivors)
“
The experiment changed Sally’s life. In the following days she realised she has been through a ‘near-spiritual experience…what defined the experience was not feeling smarter or learning faster: the thing that made the earth drop out from under my feet was that for the first time in my life, everything in my head finally shut up…My brain without self-doubt was a revelation. There was suddenly this incredible silence in my head…I hope you can sympathise with me when I tell you that the thing I wanted most acutely for the weeks following my experience was to go back and strap on those electrodes. I also started to have a lot of questions. Who was I apart from the angry bitter gnomes that populate my mind and drive me to failure because I’m too scared to try? And where did those voices come from?’7 Some of those voices repeat society’s prejudices, some echo our personal history, and some articulate our genetic legacy. All of them together, says Sally, create an invisible story that shapes our conscious decisions in ways we seldom grasp. What would happen if we could rewrite our inner monologues, or even silence them completely on occasion? 8
”
”
Yuval Noah Harari (Homo Deus: A Brief History of Tomorrow)
“
Finally, I will never forget stopping near a lovely young girl still strapped to her seat, breathing slightly. Her blouse was white, her slacks were blue. At the end of the trousers were two snow-white ankle bones where her feet used to be. I had never seen the whiteness of bones that are freshly exposed like that.
”
”
Laurence Gonzales (Flight 232: A Story of Disaster and Survival)
“
Taking Off Emily Dickinson’s Clothes"
First, her tippet made of tulle,
easily lifted off her shoulders and laid
on the back of a wooden chair.
And her bonnet,
the bow undone with a light forward pull.
Then the long white dress, a more
complicated matter with mother-of-pearl
buttons down the back,
so tiny and numerous that it takes forever
before my hands can part the fabric,
like a swimmer’s dividing water,
and slip inside.
You will want to know
that she was standing
by an open window in an upstairs bedroom,
motionless, a little wide-eyed,
looking out at the orchard below,
the white dress puddled at her feet
on the wide-board, hardwood floor.
The complexity of women’s undergarments
in nineteenth-century America
is not to be waved off,
and I proceeded like a polar explorer
through clips, clasps, and moorings,
catches, straps, and whalebone stays,
sailing toward the iceberg of her nakedness.
Later, I wrote in a notebook
it was like riding a swan into the night,
but, of course, I cannot tell you everything—
the way she closed her eyes to the orchard,
how her hair tumbled free of its pins,
how there were sudden dashes
whenever we spoke.
What I can tell you is
it was terribly quiet in Amherst
that Sabbath afternoon,
nothing but a carriage passing the house,
a fly buzzing in a windowpane.
So I could plainly hear her inhale
when I undid the very top
hook-and-eye fastener of her corset
and I could hear her sigh when finally it was unloosed,
the way some readers sigh when they realize
that Hope has feathers,
that Reason is a plank,
that Life is a loaded gun
that looks right at you with a yellow eye.
”
”
Billy Collins (Taking Off Emily Dickinson's Clothes: Selected Poems)
“
would strap you, hands and feet, to a machine, turn a wheel to make you talk. Or even not to, just to watch you experience it. Or because there was someone visiting the court who had never gotten a chance to see the machine in action. Another one of those things that makes you think, well, okay, the end of the human race, what are you gonna do?
”
”
Ben H. Winters (Countdown City (Last Policeman, #2))
“
All at once Sherman was aware of a figure approaching him on the sidewalk, in the wet black shadows of the town houses and the trees. Even from fifty feet away, in the darkness, he could tell. It was that deep worry that lives in the base of the skull of every resident of Park Avenue south of Ninety-sixth Street—a black youth, tall, rangy, wearing white sneakers. Now he was forty feet away, thirty-five. Sherman stared at him. Well, let him come! I’m not budging! It’s my territory! I’m not giving way for any street punks! The black youth suddenly made a ninety-degree turn and cut straight across the street to the sidewalk on the other side. The feeble yellow of a sodium-vapor streetlight reflected for an instant on his face as he checked Sherman out. He had crossed over! What a stroke of luck! Not once did it dawn on Sherman McCoy that what the boy had seen was a thirty-eight-year-old white man, soaking wet, dressed in some sort of military-looking raincoat full of straps and buckles, holding a violently lurching animal in his arms, staring, bug-eyed, and talking to himself.
”
”
Tom Wolfe (The Bonfire of the Vanities)
“
Graham and the undertaker's assistants strapped the body to a wide board with a rope that crossed under his right shoulder and again over his groin, then they tilted the man until he was nearly vertical and let the camera lens accept the scene for a minute. The man's eyes were shut, the skin around them was slightly green, and the sockets themselves seemed so cavernous that photographic copies were later repainted with two blue eyes looking serenely at some vista in the middle distance. Likewise missing in the keepsake photographs was the mean contusion over his left eyebrow that wound convince some reporters that it was the gunshot's exit wound and others that it showed the incidence of Bob Ford's smashing the stricken man with a timber. The body's cheeks and chest and belly were somewhat inflated with preservatives, necessitating the removal of the man's thirty-two-inch brown leather belt, and making his weight seem closer to one hundred eighty-five pounds than the one hundred sixty it was. His height was misjudged by four inches, being recorded as six feet or more by those who wrote about him.
”
”
Ron Hansen (The Assassination of Jesse James by the Coward Robert Ford)
“
The Irish were poor, but not enslaved. He had come here to hack away at the ropes that held American slavery in place. Sometimes it withered him just to keep his mind steady. He was aware that the essence of proper intelligence was the embrace of contradiction. And the recognition of complexity was to be balanced against the need for simplicity. He was still a slave. Fugitive. If he returned to Boston he could be kidnapped at any time, taken south, strapped to a tree, whipped. His owners. They would make a spectacle of his fame. They had tried to silence him for many years already. No longer. He had been given a chance to speak out against what had held him in chains. And he would continue to do so until the links lay in pieces at his feet.
”
”
Colum McCann (TransAtlantic)
“
She ran and didn't slow until she came to a hallway that terminated in a multipaned window of thick, old-fashioned glass. Her breath rasped in her throat, but the dizziness and nausea eased enough that she stood steadier on her feet. She heard again the gentle ringing of metal sliding against metal. Musty air rose up with the same smell of leather and dust, an acrid undertone beneath. She whipped her head toward the end of the hall. At first she didn't see anything. The light shifted and swirled, and the swordsman materialized from the shadows. Gold and red emblazoned his tunic in a chevron against a cobalt background. The sword was back in its scabbard, strapped across his back. He was tall, with broad shoulders and dark hair, and he looked like Sebastian. Timed to the wind stirring the ivy outside, he vanished through the wall.
”
”
Carolyn Jewel (The Spare)
“
a padded, black leather spanking bench. About two and a half feet high, two feet wide and three feet in length, it was designed so a sub could drape their upper body comfortably over the bench, ass and cunt on full display. Bondage straps were spaced at intervals along both the bench and the leg rests on either side, allowing for complete immobilization. An added feature he especially liked was the padded armrests at the front of the bench, wrist cuffs at the ready.
”
”
Claire Thompson (Masters Club Box Set (Masters Club Series))
“
PART TWO Unexpressed emotions will never die. They are buried alive, and will come forth later, in uglier ways. —SIGMUND FREUD CHAPTER ONE Alicia Berenson’s Diary JULY 16 I never thought I’d be longing for rain. We’re into our fourth week of the heat wave, and it feels like an endurance test. Each day seems hotter than the last. It doesn’t feel like England. More like a foreign country—Greece or somewhere. I’m writing this on Hampstead Heath. The whole park is strewn with red-faced, semi-naked bodies, like a beach or a battlefield, on blankets or benches or spread out on the grass. I’m sitting under a tree, in the shade. It’s six o’clock, and it has started to cool down. The sun is low and red in a golden sky—the park looks different in this light—darker shadows, brighter colors. The grass looks like it’s on fire, flickering flames under my feet. I took off my shoes on my way here and walked barefoot. It reminded me of when I was little and I’d play outside. It reminded me of another summer, hot like this one—the summer Mum died—playing outside with Paul, cycling on our bikes through golden fields dotted with wild daisies, exploring abandoned houses and haunted orchards. In my memory that summer lasts forever. I remember Mum and those colorful tops she’d wear, with the yellow stringy straps, so flimsy and delicate—just like her. She was so thin, like a little bird. She would put on the radio and pick me up and dance me around to pop songs on the radio. I remember how she smelled of shampoo and cigarettes and Nivea hand cream, always with an undertone of vodka. How old was she then?
”
”
Alex Michaelides (The Silent Patient)
“
They strap toast onto a cat’s back and toss it in the air.” And he waited. I knew there had to be a gag, and if I didn’t guess what it was, he would win the exchange I had begun by essaying a pun. Well, it served me right. “But how do dat make de ship go, Mr. Interlocutor,” I asked ritually, conceding defeat. “They butter the toast, you see.” Light belatedly dawned. “Ah. Of course. The toast must fall butter side down—” “—but the cat must land on its feet.” He spread his hands: QED. “Hence the array spins forever, generating power.
”
”
Robert A. Heinlein (Variable Star: A Novel (Tor Science Fiction))
“
Better you experience the humiliation of being beaten by a creature who ought to be your inferior. And every time you think of how disgusting mortals are- with their pocked skin and their decaying teeth and their fragile, little minds- I want you to think of this moment, when you were lower than ever that. And I want you to remember how you willingly submitted, because if you don't, you will have to leave Hollow Hall and my mercy.
'Now, little brother, you must choose a future.'
It turned out that Cardan didn't have a heart of stone after all. As he removed his shirt and sank to his knees, as he fisted his hands and tried not to cry out when the strap fell, he burned with hatred. Hatred for Dain; for his father; for all the siblings who didn't take him in and the one who did; for his mother, who spat at his feet as she was led away; for stupid, disgusting mortals; for all of Elfhame and everyone in it. Hate that was so bright and hot that it was the first thing that truly warmed him. Hate that felt so good that he welcomed being consumed by it.
Not a heart of stone, but a heart of fire.
”
”
Holly Black (How the King of Elfhame Learned to Hate Stories (The Folk of the Air, #3.5))
“
Oh dear, thought Demelza, how strange it all is! Me, sitting here, a mother, like a middle-aged dowager, moving in the best circles, behaving with prim propriety, hands folded on reticule, feet politely together, smiling graciously when spoken to, inclining the head this way and that, the perfect lady; when I've still got two scars on my back from my father's leather strap, and I learned to swear and curse and spit before I was seven, and I crawled with lice and ate what food I could find lying in the gutter, and had six dirty undernourished brothers all younger than me to look after.
”
”
Winston Graham (The Stranger from the Sea (Poldark, #8))
“
Grover yelped. “Percy? Are you . . . um . . .” Crazy. Insane. Off my rocker. Probably. But I watched as Luke grasped the hilt. I stood before him—defenseless. He unlatched the side straps of his armor, exposing a small bit of his skin just under his left arm, a place that would be very hard to hit. With difficulty, he stabbed himself. It wasn’t a deep cut, but Luke howled. His eyes glowed like lava. The throne room shook, throwing me off my feet. An aura of energy surrounded Luke, growing brighter and brighter. I shut my eyes and felt a force like a nuclear explosion blister my skin and crack my lips.
”
”
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
“
Aunt Lotty had gone, and Laura and Mary were tired and cross. They were at the woodpile, gathering a pan of chips to kindle the fire in the morning. They always hated to pick up chips, but every day they had to do it. Tonight they hated it more than ever.
Laura grabbed the biggest chip, and Mary said:
“I don’t care. Aunt Lotty likes my hair best, anyway. Golden hair is lots prettier than brown.”
Laura’s throat swelled tight, and she could not speak. She knew golden hair was prettier than brown. She couldn’t speak, so she reached out quickly and slapped Mary’s face.
Then she heard Pa say, “Come here, Laura.”
She went slowly, dragging her feet. Pa was sitting just inside the door. He had seen her slap Mary.
“You remember,” Pa said, “I told you girls you must never strike each other.”
Laura began, “But Mary said--”
“That makes no difference,” said Pa. “It is what I say that you must mind.”
Then he took down a strap from the wall, and he whipped Laura with the strap.
Laura sat on a chair in the corner and sobbed. When she stopped sobbing, she sulked. The only thing in the whole world to be glad about was that Mary had to fill the chip pan all by herself.
At last, when it was getting dark, Pa said again, “Come here, Laura.” His voice was kind, and when Laura came he took her on his knee and hugged her close. She sat in the crook of his arm, her head against his shoulder and his long brown whiskers partly covering her eyes, and everything was all right again.
She told Pa all about it, and she asked him, “You don’t like golden hair better than brown, do you?”
Pa’s blue eyes shone down at her, and he said, “Well, Laura, my hair is brown.”
She had not thought of that. Pa’s hair was brown, and his whiskers were brown, and she thought brown was a lovely color. But she was glad that Mary had had to gather all the chips.
”
”
Laura Ingalls Wilder (Little House in the Big Woods (Little House, #1))
“
Screams of horror reverberated off the walls. Adrenaline took over as Mina lunged for Brody, missing his body entirely but grabbing the shoulder strap of his black Jansport backpack. She had done it without thinking, even though she wasn’t very strong, and now she gritted her teeth as she slammed into the railing, which caused her to cry out in pain. There was a moment of suspended animation when she thought she had him and they were safe, but then her feet slowly lost contact with the floor. Screaming, she started moving upward and over, her feet dangling uselessly. She was going to go over the railing with him.
”
”
Chanda Hahn (UnEnchanted (An Unfortunate Fairy Tale, #1))
“
Leaving my empty goblet, I slide from the soft pile at his order. I can already feel the desire bursting from between my thighs as I fall to all fours and begin my crawl to where he has seated himself.
“We will begin as before—you will be spanked over my knee—but this time there will be little pleasure in it for you, my captive. I intend to hurt you—to mark that pretty little behind—and make you unable to sit properly for some time.”
I am back by his feet as he concludes and warily, I raise my eyes as he finishes the sentence. I know I am not hiding the terror in my face and yet still I am compelled to carry on—submitting myself to him in this way for our mutual need. He catches my hair in his left hand and pulls it into a rough ponytail, again drawing my head back.
“When my hand is aching from tanning your backside, I will bind you to the bedpost and continue to thrash you with my strap. Do you understand?”
He eyes me wildly and for a moment I am too afraid to even respond. I have to swallow hard again to find my voice.
“Please, my Lofðungr,” I say shakily. “I do not know if I can bear such a punishment?”
He never takes his eyes from me as he answers. “You can and you will, my sweeting,” he says. “You will submit to me in this way as a sign of your true desire to be mine.”
I close my eyes at his words, understanding for the first time his real intention. He means not just to punish me, but to mark and possess me in some meaningful way. To make me his again in the way that our coupling had done before. As I open my eyes again and see him standing over me, there are tears but also a new acceptance.
I nod my head as best I can whilst he is still holding my hair in his fist. “I will bear it,” I say, my voice breaking.
He leans in toward me, his face just an inch from mine, those blue pools burning into me. “You will bear it,” he replies, his hot breath against my face, “and I will love you for it.
”
”
Felicity Brandon (The Viking's Conquest)
“
When I finally leave the market, the streets are dark, and I pass a few blocks where not a single electric light appears – only dark open storefronts and coms (fast-food eateries), broom closet-sized restaurants serving fish, meat, and rice for under a dollar, flickering candles barely revealing the silhouettes of seated figures. The tide of cyclists, motorbikes, and scooters has increased to an uninterrupted flow, a river that, given the slightest opportunity, diverts through automobile traffic, stopping it cold, spreads into tributaries that spill out over sidewalks, across lots, through filling stations. They pour through narrow openings in front of cars: young men, their girlfriends hanging on the back; families of four: mom, dad, baby, and grandma, all on a fragile, wobbly, underpowered motorbike; three people, the day’s shopping piled on a rear fender; women carrying bouquets of flapping chickens, gathered by their feet while youngest son drives and baby rests on the handlebars; motorbikes carrying furniture, spare tires, wooden crates, lumber, cinder blocks, boxes of shoes. Nothing is too large to pile onto or strap to a bike. Lone men in ragged clothes stand or sit by the roadsides, selling petrol from small soda bottles, servicing punctures with little patch kits and old bicycle pumps.
”
”
Anthony Bourdain (A Cook's Tour: Global Adventures in Extreme Cuisines)
“
Daddy sleeked back his hair and the doorbell rang.
'Answer the door, Rose,' said Indigo.
'I will,' said David kindly, and began getting to his feet, and Saffy and Caddy and Indigo and Michael all grabbed him, exclaiming 'No, you won't!'
So I answered the door.
How can that be?
How can it be that this person is here?
Is it a trick?
Is it Christmas magic?
That guitar strap looks exactly like the one I bought.
'TOM!!!' I screamed, and dragged him in through the door.
Tom said 'Happy Christmas, Permanent Rose! I can't believe you didn't guess!'
I said 'But what time is it in New York?'
'What does it matter what time it is in New York?' asked Tom. 'I'm not in New York. I'm here.
”
”
Hilary McKay (Forever Rose (Casson Family, #5))
“
If I hadn’t taken you that night in Aurvanger, that Riki would have killed you.”
I stood to face him. “I know.”
“If I hadn’t put the arrow into your shoulder, someone else would have put one in your heart. If I hadn’t taken you as a dýr, you’d be in one of those other burned villages on the mountain.”
“I know,” I said again.
“I would do it again,” he said. “All of it.”
But still, those things singed. Another moment and Fiske’s sword would have been the end of me. And that night, I would have killed him without thinking twice. Now, the thought made me feel like I was trapped under the ice beneath us, sinking into the dark.
I looked at him. “Why did you come with me?”
He let go of the strap on his chest and shifted on his feet.
“Why are you here?”
And when his eyes finally met mine, they were open. They let me in.
”
”
Adrienne Young (Sky in the Deep (Sky and Sea, #1))
“
his head was encased in a steel sphere which he could never take off. There was only one eyehole through which he could look, and welded to that eyehole were six feet of pipe. This was only the beginning of Billy’s miseries in the metaphor. He was also strapped to a steel lattice which was bolted to a flatcar on rails, and there was no way he could turn his head or touch the pipe. The far end of the pipe rested on a bi-pod which was also bolted to the flatcar. All Billy could see was the little dot at the end of the pipe. He didn’t know he was on a flatcar, didn’t even know there was anything peculiar about his situation. The flatcar sometimes crept, sometimes went extremely fast, often stopped—went uphill, downhill, around curves, along straightaways. Whatever poor Billy saw through the pipe, he had no choice but to say to himself, “That’s life.
”
”
Kurt Vonnegut Jr. (Slaughterhouse-Five)
“
He was dressed in black broadcloth, a tall man, towering over the officers who stood near him, bulky in the shoulders but tapering to a small waist and absurdly small feet in varnished boots. His severe black suit, with fine ruffled shirt and trousers smartly strapped beneath high insteps, was oddly at variance with his physique and face, for he was foppishly groomed, the clothes of a dandy on a body that was powerful and latently dangerous in its lazy grace. His hair was jet black, and his black mustache was small and closely clipped, almost foreign looking compared with the dashing, swooping mustaches of the cavalrymen near by. He looked, and was, a man of lusty and unashamed appetites. He had an air of utter assurance, of displeasing insolence about him, and there was a twinkle of malice in his bold eyes as he stared at Scarlett, until finally, feeling his gaze, she looked toward him.
”
”
Margaret Mitchell (Gone with the Wind)
“
He stroked me on the head, and I nuzzled into him like a cat. I saw his chest heave, his lungs filling with his accomplishment, our accomplishment. I had never been so attracted to him, or any man, before.
Then he took me by the face and kissed me harder than I've ever been kissed. He kissed me over and over, his lips only loosely aiming for mine. He pulled my lips with the strong pucker of his mouth, then let them snap back. All I could do was give in. That's all I wanted to do.
We made our way to the couch, lips locked. He laid me back so my feet were off the ground and my head hung over the armrest. He massaged my neck hard, digging his fingers alongside my spine. His breathing took on a husky bite, an animal roughness that gave me goose bumps. His hands followed my curves, focusing on my hips and butt. I kicked my leg around and sat on his lap. It wasn't very comfortable, but it'd have to do.
"You are irresistible," he purred, and toyed with the straps of my dress.
”
”
Jessica Tom (Food Whore)
“
That’s not fair,” Sophie grumbled through a yawn. “Yeah, wow,” Keefe said, rubbing his eyes as he stumbled to his feet. “If I don’t go now, I’m going to be drooling on your desk—unless you need me to stay.” Sophie couldn’t tell if he was asking her or her physicians. Either way, she told him, “Go home, Keefe. You’ve been stuck here long enough.” He shook his head, studying her with sleepy eyes. “I’m never stuck with you, Foster. Someday I’m going to make you see that.” “Sounds like I’d better get Hunkyhair home,” Ro said, striding out of Sophie’s closet in a silky pink gown that somehow looked both right and wrong with her armor strapped on top of it. “I was bored,” Ro added when she noticed the way everyone was staring, like that explained her new fashion choices. “I’ll bring the dress back tomorrow.” “Keep it,” Sophie told her. “You… look really good.” Ro glanced down, sliding her hands across the shimmering skirt, then rolled her eyes and muttered something about sparkles going to her head.
”
”
Shannon Messenger (Legacy (Keeper of the Lost Cities, #8))
“
Imagine a form of baseball in which the pitcher, after each delivery, collects the ball from the catcher and walks slowly with it out to centre field; and that there, after a minute's pause to collect himself, he turns and runs full tilt towards the pitcher's mound before hurling the ball at the ankles of a man who stands before him wearing a riding hat, heavy gloves of the sort used to handle radioactive isotopes, and a mattress strapped to each leg. Imagine moreover that if this batsman fails to hit the ball in a way that heartens him sufficiently to try to waddle sixty feet with mattresses strapped to his legs he is under no formal compulsion to run; he may stand there all day, and as a rule, does. If by some miracle he is coaxed into making a misstroke that leads to his being put out, all the fielders throw up their arms in triumph and have a hug. Then tea is called and everyone retires happily to a distant pavilion to fortify for the next siege. Now imagine all this going on for so long that by the time the match concludes autumn has crept in and all your library books are overdue. There you have cricket.
”
”
Bill Bryson
“
I looked at him. “Why did you come with me?”
He let go of the strap on his chest and shifted on his feet.
“Why are you here?”
And when his eyes finally met mine, they were open. They let me in.
I took a step back.
My mouth opened to say something, but the words wouldn’t come. They were stuck in the back of my throat, wrapped tightly around my windpipe. I was suddenly aware of the icy, opaque depths beneath us again, waiting for the smallest crack to pull us down into it. Waiting to feed on us. My heart pulsed in my veins as the fear pressed down on me, making me feel heavier. It was terrifying - that feeling - like there was something tying me to him. Because if one of us fell into the darkness, the other would too.
I stepped around him, walking faster toward the other side. Toward solid ground and safety. The lake grumbled beneath my weight. Growling. Hungry. I closed my eyes, trying not to see it. That depth within me, sealed down under the surface. I kept my eyes ahead, leaving Fiske standing in between the middle of the two night skies, the stars and the moon encircling him. The only hot, living thing on the ice. The only thing I could feel.
”
”
Adrienne Young (Sky in the Deep (Sky and Sea, #1))
“
Are you sure you don't remember? Your mind seems to be working just fine to me."
"You know what? Just forget it. Whatever it was, I forgive you. Give me my backpack so I can go back to the office. We're about to get busted anyway, just standing here."
"If you really do forgive me, then you wouldn't still be going to the office." He tightens his hold on the strap of my backpack.
"Ohmysweetgoodness, Galen, why are we even having this conversation? You don't even know me. What do you care if I change my schedule?" I know I'm being rude. The guy offered to carry my things and walk me to class. And depending on which version of the story I believe, he either asked me out on Monday already, or he did it indirectly a few seconds ago. None of it makes any sense. Why me? Without any effort, I can think of at least ten girls who beat me out in looks, personality, and darker foundation. And Galen could pull any of them.
"What, you don't have a question for my question?" I ask after a few seconds.
"It just seems silly for you to change your schedule over a disagreement about when the Titanic-"
I throw my hands up at him. "Don't you see how weird this is for me?"
"I'm trying to, Emma. I really am. But I think you've had a tough couple of weeks, and it's taking a toll on you. You said every time you're around me something bad happens. But you can't really know for sure that's true, unless you spend more time with me. You should at least acknowledge that."
Something is wrong with me. Those cafeteria doors must have really worked me over. Otherwise, I wouldn't be pushing Galen away like this. Not with him pleading, not with the way he's leaning toward me, not with the way he smells. "See? You're taking it personally, when there's really nothing personal about it," I whisper.
"It's personal to me, Emma. It's true, I don't know you well. But there are some things I do know about you. And I'd like to know more."
A glass full of ice water wouldn't cool my cheeks. "The only thing you know about me is that I'm life threatening in flip-flops."
That I won't meet his eyes obviously bothers him, because he lifts my chin with the crook of his finger. "That's not all I know," he says. "I know your biggest secret."
This time, unlike at the beach, I don't swat his hand away. The electric current in my feet prove that we're really standing so close to each other that our toes touch. "I don't have any secrets," I say, mesmerized."
He nods. "I finally figured that out. That you don't actually know about your secret."
"You're not making any sense." Or I just can't concentrate because I accidentally looked up at his lips. Maybe he did talk me into swimming...
The door to the front office swings open, and Galen grabs my arm and ushers me around the corner. He continues to drag me down the hall, toward world history.
"That's it?" I say, exasperated. "You're just going to leave it at that?"
He stops us in front of the door. "That depends on you," he says. "Come with me to the beach after school, and I'll tell you."
He reaches for the knob, but I grab his hand. "Tell me what? I already told you that I don't have any secrets. And I don't swim."
He grins and opens the door. "There's plenty to do at the beach besides swim." Then he pulls me by the hand so close I think he's going to kiss me. Instead, he whispers in my ear, "I'll tell you where your eye color comes from." As I gasp, he puts a gentle hand on the small of my back and propels me into the classroom. Then he ditches me.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
Though Eros and Psyche sat vast and magnificent in the front lawn, a prologue to the grand house itself, there was something wonderful- a mysterious and melancholic aspect- about the smaller fountain, hidden within its sunny clearing at the bottom of the south garden.
The circular pool of stacked stone stood two feet high and twenty feet across at its widest point. It was lined with tiny glass tiles, azure blue like the necklace of sapphires Lord Ashbury had brought back for Lady Violet after serving in the Far East. From the center emerged a huge craggy block of russet marble, the height of two men, thick at the base but tapering to a peak. Midway up, creamy marble against the brown, the life-size figure of Icarus had been carved in a position of recline. His wings, pale marble etched to give the impression of feathers, were strapped to his outspread arms and fell behind, weeping over the rock. Rising from the pool to tend the fallen figure were three mermaids, long hair looped and coiled about angelic faces: one held a small harp, one wore a coronet of woven ivy leaves, and one reached beneath Icarus’s torso, white hands on creamy skin, to pull him from the deep.
”
”
Kate Morton (The House at Riverton)
“
He was walking down a narrow street in Beirut, Lebanon, the air thick with the smell of Arabic coffee and grilled chicken. It was midday, and he was sweating badly beneath his flannel shirt. The so-called South Lebanon conflict, the Israeli occupation, which had begun in 1982 and would last until 2000, was in its fifth year.
The small white Fiat came screeching around the corner with four masked men inside. His cover was that of an aid worker from Chicago and he wasn’t strapped. But now he wished he had a weapon, if only to have the option of ending it before they took him. He knew what that would mean. The torture first, followed by the years of solitary. Then his corpse would be lifted from the trunk of a car and thrown into a drainage ditch. By the time it was found, the insects would’ve had a feast and his mother would have nightmares, because the authorities would not allow her to see his face when they flew his body home.
He didn’t run, because the only place to run was back the way he’d come, and a second vehicle had already stopped halfway through a three-point turn, all but blocking off the street.
They exited the Fiat fast. He was fit and trained, but he knew they’d only make it worse for him in the close confines of the car if he fought them. There was a time for that and a time for raising your hands, he’d learned. He took an instep hard in the groin, and a cosh over the back of his head as he doubled over. He blacked out then.
The makeshift cell Hezbollah had kept him in in Lebanon was a bare concrete room, three metres square, without windows or artificial light. The door was wooden, reinforced with iron strips. When they first dragged him there, he lay in the filth that other men had made. They left him naked, his wrists and ankles chained. He was gagged with rag and tape. They had broken his nose and split his lips.
Each day they fed him on half-rancid scraps like he’d seen people toss to skinny dogs. He drank only tepid water. Occasionally, he heard the muted sound of children laughing, and smelt a faint waft of jasmine. And then he could not say for certain how long he had been there; a month, maybe two. But his muscles had wasted and he ached in every joint. After they had said their morning prayers, they liked to hang him upside down and beat the soles of his feet with sand-filled lengths of rubber hose. His chest was burned with foul-smelling cigarettes. When he was stubborn, they lay him bound in a narrow structure shaped like a grow tunnel in a dusty courtyard. The fierce sun blazed upon the corrugated iron for hours, and he would pass out with the heat. When he woke up, he had blisters on his skin, and was riddled with sand fly and red ant bites.
The duo were good at what they did. He guessed the one with the grey beard had honed his skills on Jewish conscripts over many years, the younger one on his own hapless people, perhaps. They looked to him like father and son. They took him to the edge of consciousness before easing off and bringing him back with buckets of fetid water. Then they rubbed jagged salt into the fresh wounds to make him moan with pain. They asked the same question over and over until it sounded like a perverse mantra.
“Who is The Mandarin? His name? Who is The Mandarin?”
He took to trying to remember what he looked like, the architecture of his own face beneath the scruffy beard that now covered it, and found himself flinching at the slightest sound. They had peeled back his defences with a shrewdness and deliberation that had both surprised and terrified him.
By the time they freed him, he was a different man.
”
”
Gary Haynes (State of Honour)
“
I turn from the window and see Ringer across the aisle, staring at me. She holds up two fingers. I nod. Two minutes to the drop. I pull the headband down to position the lens of the eyepiece over my left eye and adjust the strap. Ringer is pointing at Teacup, who’s in the chair next to me. Her eyepiece keeps slipping. I tighten the strap; she gives me a thumbs-up, and something sour rises in my throat. Seven years old. Dear Jesus. I lean over and shout in her ear, “You stay right next to me, understand?” Teacup smiles, shakes her head, points at Ringer. I’m staying with her! I laugh. Teacup’s no dummy. Over the river now, the Black Hawk skimming only a few feet above the water. Ringer is checking her weapon for the thousandth time. Beside her, Flintstone is tapping his foot nervously, staring forward, looking at nothing. There’s Dumbo inventorying his med kit, and Oompa bending his head in an attempt to keep us from seeing him stuff one last candy bar into his mouth. Finally, Poundcake with his head down, hands folded in his lap. Reznik named him Poundcake because he said he was soft and sweet. He doesn’t strike me as either, especially on the firing range. Ringer’s a better marksman overall, but I’ve seen Poundcake take out six targets in six seconds.
”
”
Rick Yancey (The 5th Wave (The 5th Wave, #1))
“
This is weird for me, too, you know. It’s like, ever since I got that letter…” He hesitates. “Forget it.”
“Just say it,” I say.
“Ever since I got that letter, things have been messed up between us. It’s not fair. You got to say everything you wanted to say, and I’m the one who has to rearrange the way I think about you; I have to make sense of it in my head. You totally blindsided me, and then you just shut me out. You start dating Kavinsky, you stop being my friend.” He exhales. “Ever since I got your letter…I haven’t been able to stop thinking about you.”
Whatever I was expecting him to say, it wasn’t that. It definitely wasn’t that. “Josh…”
“I know you don’t want to hear it, but just let me say what I need to say, okay?”
I nod.
“I hate that you’re with Kavinsky. I hate it. He’s not good enough for you. I’m sorry to say it, but he’s just not. In my opinion, no guy will ever be good enough for you. Least of all me.” Josh ducks his head, and then suddenly he looks up at me and says, “There was this one time, I guess it was a couple of summers ago. We were walking home from somebody’s house--I think it was Mike’s.”
It was hot, around dusk. I was mad because Mike’s older brother Jimmy had said he’d give us a ride home, and then he went somewhere and didn’t come back, so we had to walk. I was wearing espadrilles and my feet were hurting something terrible. Josh kept telling me to keep up with him.
Quietly he says, “It was just me and you. You had on that tan suede shirt you used to wear, with the straps, and it showed your belly button.”
“My Pocahontas-meets-seventies-Cher-style shirt.” Oh, how I loved that shirt.
“I almost kissed you that day. I thought about it. It was this weird impulse I had. I just wanted to see what it would be like.”
My heart stops. “And then?”
“And then I don’t know. I guess I forgot about it.”
I let out a sigh. “I’m sorry you got that letter. You were never supposed to see that. It wasn’t meant for you to ever read. It was just for me.”
“Maybe it was fate. Maybe this was all supposed to happen just like this, because…because it was always gonna be you and me.”
I say the first thing that comes to mind. “No, it wasn’t.” And I realize it’s true.
This is the moment I realize I don’t love him, that I haven’t for a while. That maybe I never did. Because he’s right there for the taking: I could kiss him again; I could make him mine. But I don’t want him. I want someone else. It feels strange to have spent so much time wishing for something, for someone, and then one day, suddenly, to just stop.
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
I promised to show you a secret cafeteria, didn’t I? Perfect way to end your Foxfire slumber party!” It felt a little wrong to go hunting for desserts while Fitz and Biana were trying to figure out how to live with their murdering brother. But . . . butterblasts did sound pretty good. “Hang on—what are you wearing?” Keefe asked as she threw back her covers, revealing the sparkly slogans on her tunic. “Is that a Bangs Boy reference? Because you know I haven’t let him into the Foster Fan Club, right?” Sophie rolled her eyes. “It’s an inside joke—and Linh made this for me.” “Yeah, well, it still breaks the fan club rules. As penance, I’m getting you a tunic that says, Empaths Give Me All the Feels, and I expect to see you wear it twice as often as Bangs Boy’s.” Ro snorted. “Subtle.” “Ridiculous,” Sophie corrected. “I try,” Keefe told them as Sophie took his hand and let him pull her slowly to her feet. “You good?” he asked when she wobbled from the head rush. No. But she wasn’t going to admit that, so she told him, “I’m up.” “You are. It’s pretty amazing.” “Isn’t it?” Elwin asked as he emerged from his office and helped Sophie strap her arm into a sling. “Bring me back some butterblasts, okay?” “Done!” Keefe told him, bending his elbow to offer Sophie his arm, and after one brief second, she let him lead her toward the door. “TO THE SECRET CAFETERIA!
”
”
Shannon Messenger (Flashback (Keeper of the Lost Cities, #7))
“
They found Tharion on the couch with Ithan, the tv blasting the latest sports stats. Tharion munched on a piece of pizza, long legs sprawled out in front of him, bare feet on the coffee table.
Ruhn might have stepped inside to grab a piece of that pizza had Bryce not gone still.
A Fae sort of stillness, sizing up a threat. His instinct went to high alert, bellowing at him to defend, to attack, to slaughter any threat to his family. Ruhn suppressed it, held back by the shadows begging to be unleashed, to hide Bryce from sight.
Ithan called over to them, “Pizza’s on the counter if you want some.”
Bryce remained silent as fear washed over her scent. Ruhn’s fingers grazed the cool metal of the gun strapped to his thigh.
“Your cat’s a sweetheart, by the way,” Ithan went on, not taking his focus from the TV as he stroked the white cat curled on his lap. Bryce slowly shut the door behind her. “He scared the shit out of me when he leapt onto the counter a few minutes ago, the bastard.” The wolf ran his fingers through the luxurious coat, earning a deep purr in response.
The cat had stunning blue eyes. They seemed keenly aware as they fixed on Bryce.
Ruhn’s shadows gathered at his shoulders, snakes waiting to strike. He subtly drew his gun.
Behind her, a familiar ripple of ether-laced power kissed over her skin. A small reassurance as Bryce croaked, “That’s not a cat.”
Hunt arrived at the apartment just in time to hear Bryce’s words through the shut front door. He was inside in a moment, lightning gathered at his fingers.
“Oh, calm yourself,” the Prince of the Chasm said, leaping into the coffee table.
”
”
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
“
It will relax her, make her pliable. Women love having their feet rubbed.”
“Most women beg me to rub somewhere other than their feet.”
“They like their toes nibbled,” Aiden said. “And suckled.”
“Rub feet, suckle toes. Got it.”
“Do it slowly, the strokes steady. Then move up her legs. Use her muscles as a guide. Not hard strokes— you want to soothe, not press.”
“How long before I can massage her pussy?”
“Gods, level threes are impatient. The trick is to go slowly. By the time you’ve reached her ass, she’s sighing with pleasure, but you don’t stop there. You do her entire back and arms while she’s longing for you to get to her pussy. Make her wait.”
“Now that I can get into. Holding back, making her beg.”
He saw Nella again, squirming on the sheets, her red hair tangled on the pillow, her hips lifting toward him. Please, Rio, she’d say.
Not yet, baby, he’d respond. I want you good and wet before I get there.
She’d whimper with disappointment, then he’d lift his strap and smack her sweet little backside.
Rio sighed and made the image dissolve. “Massage. Slowly. I’m not sure my programming will let me.”
“Like this.” Aiden moved his ale glass and pressed his hand to the table, thumb and last two fingers on the surface, the other two fingers held loosely. “Glide across her skin, pressing a little. Long strokes, following the curve of her leg.” He moved his hand across the table, slowly and sensually, his own eyes becoming bluer, as though he pictured a beautiful woman under his hand.
Rio copied his movements, trying to shape his hand the same way, trying press a little, but not too much.
It felt awkward. He gave up. “I gotta say, massaging this table does nothing for me.
”
”
Allyson James (Rio (Tales of the Shareem, #2))
“
Above the list of children she read: Mister Jackson Henry Clark married Miss Julienne Maria Jacques, June 12, 1933. Not until that moment had she known her parents’ proper names. She sat there for a few minutes with the Bible open on the table. Her family before her. Time ensures children never know their parents young. Kya would never see the handsome Jake swagger into an Asheville soda fountain in early 1930, where he spotted Maria Jacques, a beauty with black curls and red lips, visiting from New Orleans. Over a milkshake he told her his family owned a plantation and that after high school he’d study to be a lawyer and live in a columned mansion. But when the Depression deepened, the bank auctioned the land out from under the Clarks’ feet, and his father took Jake from school. They moved down the road to a small pine cabin that once, not so long ago really, had been occupied by slaves. Jake worked the tobacco fields, stacking leaves with black men and women, babies strapped on their backs with colorful shawls. One night two years later, without saying good-bye, Jake left before dawn, taking with him as many fine clothes and family treasures—including his great-grandfather’s gold pocket watch and his grandmother’s diamond ring—as he could carry. He hitchhiked to New Orleans and found Maria living with her family in an elegant home near the waterfront. They were descendants of a French merchant, owners of a shoe factory. Jake pawned the heirlooms and entertained her in fine restaurants hung with red velvet curtains, telling her that he would buy her that columned mansion. As he knelt under a magnolia tree, she agreed to marry him, and they wed in 1933 in a small church ceremony, her family standing silent.
”
”
Delia Owens (Where the Crawdads Sing)
“
They'll be coming for you, Mr. Jones. They'll be coming any moment now. I hate to say this, but I must. It is my duty to warn you what will happen to you, an enemy spy. You'll be tortured, Mr. Jones—not simply everyday tortures like pulling out your teeth and toe-nails, but unspeakable tortures I can't mention with Miss Ellison here—and then you'll finish in the gas chambers. If you're still alive.'
Mary clutched his arm. 'Would they—would they really do that?'
'Good God, no!' Smith stared at her in genuine surprise.
'What on earth would they want to do that for?' He raised his voice again: 'You'll die in a screaming agony, Mr. Jones, an agony beyond your wildest nightmares. And you'll take a long time dying. Hours. Maybe days. And screaming. Screaming all the time.'
'What in God's name am I to do?' The desperate voice from above was no longer quavering, it vibrated like a broken bed-spring. 'What can I do?'
'You can slide down that rope,' Smith said brutally. 'Fifteen feet. Fifteen little feet, Mr. Jones. My God, you could do that in a pole vault.'
'I can't.' The voice was a wail. 'I simply can't.'
'Yes, you can,' Smith urged. 'Grab the rope now, close your eyes, out over the sill and down. Keep your eyes closed. We can catch you.'
'I can't! I can't!'
'Oh God!' Smith said despairingly. 'Oh, my God! It's too late now.'
'It's too—what in heaven's name do you mean?'
'The lights are going on along the passage, Smith said, his voice low and tense. 'And that window. And the next. They're coming for you, Mr. Jones, they're coming now. Oh God, when they strip you off and strap you down on the torture table—'
Two seconds later Carnaby-Jones was over the sill and sliding down the nylon rope. His eyes were screwed tightly shut. Mary said, admiringly: You really are the most fearful liar ever.'
'Schaffer keeps telling me the same thing,' Smith admitted. 'You can't all be wrong.
”
”
Alistair MacLean (Where Eagles Dare)
“
THE BASIC LYING-DOWN POSTURE Begin by lying on your back on the floor or ground—a comfortable surface (firm, but not too hard)—with your knees up, your feet flat on the floor, and a yoga strap tied just above the knees. The strap should be tied tight enough so the knees are just touching or almost touching. We’re creating a triangle between the knees, the feet, and the floor, so that you can relax your thighs, lower back, and pelvic area. Your feet should be comfortably spread apart so that you feel stable and can fully relax. You may also want something supporting your head, such as a folded towel, a sweater, or a small pillow, to raise it slightly. Cross your hands at or over your lower belly with the left hand under the right hand, little fingers down toward the pubic bone, thumbs up toward the navel. This gathers your energy and awareness toward the core of the body. Feel the earth under you and let your body sink down as if into the earth. The more you can allow yourself to feel supported by the earth, the more fully you will be able to relax. Check the comfort of your position. You want to be really relaxed, so your body’s not being strained in any particular way. You should be holding yourself so you can completely relax the muscles in the lower back and the inner thighs and so there’s no effort of holding at all. You’re really relaxed: the triangle of your knees, two feet, and the floor should be very restful for you. Then, put your awareness in your body, and just let yourself continue to relax. Soon after you begin doing these practices, you’ll notice that any time you lie down in this way, in the same position with the intention to do body work, the body responds very quickly. This is the one time in our life when our body actually becomes the focus of attention. We’re not using the body for something else. We’re simply making a relationship with it as it is. It’s the only occasion when we ever do this, including in our sleep. The body begins to respond, to relax, to develop a sense of well-being, even in just taking this position. So just take a few minutes, and let your body completely relax. As you’re just lying there, you’ll notice that your body begins to let go. A muscle here, a muscle there, a tendon here, a joint there: it begins to release the tension in various places. It’s a very living situation. You might think, “Why am I here? There’s not much happening.” That’s not true at all. As long as you’re attentive and you put your awareness into your body, there’s a very dynamic, very lively process of relaxation that the body goes through. But you have to be present. You have to be in your body. You have to be intentionally and deliberately feeling your body for this to work.
”
”
Reginald A. Ray (Touching Enlightenment: Finding Realization in the Body)
“
Bailey,” I say, my voice carrying easily across the marble floor. “Wait.”
She turns back and rolls her eyes, clearly annoyed to see me coming her way. She quickly wipes at her cheeks then holds up her hand to wave me off. “I’m off the clock. I don’t want to talk to you right now. If you want to chew me out for what happened back there, you’ll have to do it on Monday. I’m going home.”
“How?”
Her pretty brown eyes, full of tears, narrow up at me in confusion. “How what?”
“How are you getting home? Did you park on the street or something?”
Her brows relax as she realizes I’m not about to scold her. “Oh.” She turns to the window. “I’m going to catch the bus.” The bus? “The stop is just down the street a little bit.”
“Don’t you have a car?”
She steels her spine. “No. I don’t.”
I’ll have to look into what we’re paying her—surely she should have no problem affording a car to get her to and from work.
“Okay, well then what about an Uber or something?”
Her tone doesn’t lighten as she replies, “I usually take the bus. It’s fine.”
I look for an umbrella and frown when I see her hands are empty. “You’re going to get drenched and it’s freezing out there.”
She laughs and starts to step back. “It’s not your concern. Don’t worry about me.”
Yes, well unfortunately, I do worry about her. For the last three weeks, all I’ve done is worry about her.
Cooper is to blame. He fuels my annoyance on a daily basis, updating me about their texts and bragging to me about how their relationship is developing. Relationship—I find that laughable. They haven’t gone on a date. They haven’t even spoken on the phone. If the metric for a “relationship” lies solely in the number of text messages exchanged then as of this week, I’m in a relationship with my tailor, my UberEats delivery guy, and my housekeeper. I’ve got my hands fucking full.
“Well I’m not going to let you wait out at the bus stop in this weather. C’mon, I’ll drive you.”
Her soft feminine laugh echoes around the lobby.
“Thank you, but I’d rather walk.”
What she really means is, Thank you, but I’d rather die.
“It’s really not a request. You’re no good to me if you have to call in sick on Monday because you caught pneumonia.”
Her gaze sheens with a new layer of hatred. “You of all people know you don’t catch pneumonia just from being cold and wet.”
She tries to step around me, but I catch her backpack and tug it off her shoulder. I can’t put it on because she has the shoulder straps set to fit a toddler, so I hold it in my hand and start walking. She can either follow me or not. I tell myself I don’t care either way.
“Dr. Russell—” she says behind me, her feet lightly tap-tap-tapping on the marble as she hurries to keep up.
“You’re clocked out, aren’t you? Call me Matt.”
“Doctor,” she says pointedly. “Please give me my backpack before I call security.”
I laugh because really, she’s hilarious. No one has ever threatened to call security on me before.
“It’s Matt, and if you’re going to call security, make sure you ask for Tommy. He’s younger and stands a decent chance of catching me before I hightail it out of here with your pink JanSport backpack. What do you have in here anyway?”
It weighs nothing.
“My lunchbox. A water bottle. Some empty Tupperware.”
Tupperware.
I glance behind me to check on her. She’s fast-walking as she trails behind me. Am I really that much taller than her?
“Did you bring more banana bread?”
She nods and nearly breaks out in a jog. “Patricia didn’t get any last time and I felt bad.”
“I didn’t get any last time either,” I point out.
She snorts. “Yeah well, I don’t feel bad about that.”
I face forward again so she can’t see my smile.
”
”
R.S. Grey (Hotshot Doc)
“
Mark came home late one frozen Sunday carrying a bag of small, silver fish. They were smelts, locally known as icefish. He’d brought them at the store in the next town south, across from which a little village had sprung up on the ice of the lake, a collection of shacks with holes drilled in and around them. I’d seen the men going from the shore to the shacks on snowmobiles, six-packs of beer strapped on behind them like a half dozen miniature passengers. “Sit and rest,” Mark said. “I’m cooking.” He sautéed minced onion in our homemade butter, added a little handful of crushed, dried sage, and when the onion was translucent, he sprinkled n flour to make a roux, which he loosened with beer, in honor of the fishermen. He added cubed carrot, celery root, potato, and some stock, and then the fish, cut into pieces, and when they were all cooked through he poured in a whole morning milking’s worth of Delia’s yellow cream. Icefish chowder, rich and warm, eaten while sitting in Mark’s lap, my feet so close to the woodstove that steam came off my damp socks.
”
”
Kristin Kimball (The Dirty Life: On Farming, Food, and Love)
“
On the ergometer beside me the team’s best male rower, Aubrey Olsen, sat down on the sliding seat, dropped his feet into the heel cups of the Concept 2 ergometer, and strapped them securely to the footboards. He smiled at me, confident but wary that he was going to have to go hard against me (I didn’t have an intimidating build for an offensive lineman, but I did for a rower).
”
”
Jeremiah F. Brown (The 4 Year Olympian: From First Stroke to Olympic Medallist)
“
A few years ago, I led an expedition to return to Mount Everest, the mountain I had climbed aged 23, a mountain where I had risked everything and survived - just. I had always held a secret dream to return and attempt to fly over the mountain in a small one-man paramotor - like a paraglider, only with a backpack engine strapped to your body.
At the time, the highest altitude that one had been flown was around 17,000 feet (5,180 metres). But being an enthusiast (and an optimist!), I reckoned we shouldn’t just aim to break the record by a few feet, I thought we should go as high as it was possible to go, and in my mind that meant flying over the height of Mount Everest. This in turn meant we needed to build a machine capable of flying to over 29,000 feet (8,840 metres).
Most of the people we spoke to about this thought a) we were crazy, and b) it was technically impossible. What those naysayers hadn’t factored in was the power of yes, and specifically the ability to build a team capable of such a mission. This meant harnessing the brilliance of my good friend Gilo Cardozo, a paramotor engineer, a born enthusiast, and a man who loves to break the rules - and to say yes.
Gilo was - and is - an absolute genius aviation engineer who spends all his time in his factory, designing and testing crazy bits of machinery.
When people told us that our oxygen would freeze up in minus 70°, or that at extreme altitudes we would need such a heavy engine to power the machine that it would be impossible to take off, or that even if we managed to do it, we would break our legs landing at such speed, Gilo’s response was: ‘Oh, it’ll be great. Leave it with me.’
No matter what the obstacle, no matter what the ‘problem’, Gilo always said, ‘We can do this.’ And after months in his workshop, he did eventually build the machine that took us above the height of Everest. He beat the naysayers, he built the impossible and by the Grace of God we pulled it off - oh, and in the process we raised over $2.5 million for children’s charities around the world.
You see, dreams can come true if you stick to them and think big.
So say yes - you never know where it will lead. And there are few limits to how high you just might soar.
”
”
Bear Grylls (A Survival Guide for Life: How to Achieve Your Goals, Thrive in Adversity, and Grow in Character)
“
Hastily, Clary retreated to the small bathroom, which was painted bright blue. She wriggled the dress on over her head—it was tight, with tiny spaghetti straps. Trying not to inhale too deeply, she returned to the bedroom, where Isabelle was sitting on the bed, sliding a set of jeweled toe rings onto her sandaled feet. “You’re so lucky to have such a flat chest,” Isabelle said. “I could never wear that without a bra.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
Hey, you,” a voice calls out. I turn to look, and find Bob Caster perched on a gleaming motorcycle with wide, shiny handlebars. I point to myself and ask, “Who? Me?” “Yes, you,” he says. He squints at me like he’s trying to look inside me. I cross my arms under my breasts to block his piercing gaze, and his eyes drop down to my boobs. He licks his lips ever so slowly, and then his eyes travel back up. Heat creeps up my cheeks, but I refuse to fidget on my feet. I stare straight at him. “You want to take a ride with me?” he asks. He revs the bike. I point a finger. “On that?” He grins that sideways grin again. “Well, I wasn’t offering my personal services.” He glances down at his button fly, and then he laughs. He runs a hand lovingly down the shiny chrome handlebar, his touch reverent and respectful. “Of course on this.” I point to the center of my chest and then at the bike. “You want to take me for a ride on that?” He stares at me. I finally let that feet fidget thing happen and want to kick myself. “Is it safe?” He shakes a cigarette out of a pack and takes his time lighting it. He inhales deeply and holds it for a moment. Then he blows it out and says, “I won’t let you get hurt.” I look at my car and then at him. He revs the engine again. “Where are we going?” “For a ride,” he says with a shrug. “When will we be back?” I step closer to him and his eyes light up a little. And I like it. “When we get done.” Be still my heart. He flicks his cigarette into the grass. “Are you coming or what?” “Okay,” I say. He looks surprised. “Yeah?” “Yes.” He takes the helmet off his head and holds it out to me. I pull my ponytail free and tug the helmet on. He reaches out to buckle the strap for me, his fingers gentle. “How old are you?” he asks, his voice strong but quiet. “Nineteen.” “Good.” He grins. He motions for me to climb on behind him and I do, my thighs spread around his hips. He lifts my feet and shows me where to put them. “Why is that good?” I ask close to his ear. He looks back over his shoulder. “Because I don’t want to go back to jail.” He doesn’t wait. He hits the gas and I shriek as we take off through the parking lot and onto the open road. He reaches back with one hand and puts my hand on his waist, and I automatically follow with the other. I hold on tightly to the man who just told me he doesn’t want to go back to jail, and I wonder what the heck I just got myself into.
”
”
Tammy Falkner (Yes You (The Reed Brothers #9.5))
“
An hour later we were pulling into the hospital parking lot. Sparkly and shiny from my hair and makeup job, I had to stop and bend over six times between the car and the front door of the hospital. I literally couldn’t take a step until each contraction ended. Within an hour after checking in, I was writhing on a hospital bed in all-encompassing pain and wishing once again that I’d gone ahead and moved to Chicago. It had become my default response when things got rough in my life: morning sickness? I should have moved to Chicago. Cow manure in my yard? Chicago would have been a better choice. Contractions less than a minute apart? Windy City, come and get me.
Finally, I reached my breaking point. It’s an indescribable feeling, the throes of hard labor--that mind-numbing total body cramp whose origin you can’t even begin to wrap your head around. After trying to be strong and tough in front of Marlboro Man, I finally gave up and gripped the bedsheet and clenched my teeth. I groaned and moaned and pushed the nurse button and whimpered to Marlboro Man, “I can’t do this anymore.” When the nurse came into the room moments later, I begged her to put me out of my misery. My salvation arrived five minutes later in the form of an eight-inch needle, and when the medicine hit I nearly began to cry. The relief was indescribably sweet.
I was so blissfully pain-free, I fell asleep. And when I woke up confused and disoriented an hour later, a nurse named Heidi was telling me it was time to push. Almost immediately, Dr. Oliver entered the room, fully scrubbed and wearing a mask.
“Are you ready, Mama?” Marlboro Man asked, standing near my shoulders as the nurse draped my legs and adjusted the fetal monitor, which was strapped around my middle. I felt like I’d woken up in the middle of a party. But the weirdest party ever--one where the hostess was putting my feet in stirrups.
I ordered Marlboro Man to remain north of my belly button as nurses scurried into place. I’d made it clear beforehand: I didn’t want him down there. I wanted him to continue to get to know me the old-fashioned way--and besides, that’s what we were paying the doctor for.
“Go ahead and push once for me,” Dr. Oliver said.
I did, but only hard enough to ensure that nothing accidental or embarrassing would slip out. I could think of no greater humiliation.
“Okay, that’s not going to work at all,” Dr. Oliver scolded.
I pushed again.
“Ree,” Dr. Oliver said, looking up at me through the space between my legs. “You can do way better than that.”
He’d watched me grow up in the ballet company in our town. He’d watched me contort and leap and spin in everything from The Nutcracker to Swan Lake to A Midsummer Night’s Dream. He knew I had the fortitude to will a baby from my loins.
That’s when Marlboro Man grabbed my hand, as if to impart to me, his sweaty and slightly weary wife, a measure of his strength and endurance.
“Come on, honey,” he said. “You can do it.”
A few tense moments later, our baby was born.
Except it wasn’t a baby boy. It was a seven-pound, twenty-one-inch baby girl.
It was the most important moment of my life.
And more ways than one, it was a pivotal moment for Marlboro Man.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
pilot announced the problem and added, “There are four of us but only three parachutes. It’s my plane, my parachutes—I have to take one of them.” The others agreed. He strapped the parachute on and jumped to safety. Left on the aircraft were a brilliant professor (a rocket scientist, no less), a minister of religion and a backpacker. The professor jumped to his feet insisting, “I am one of the greatest minds in the country. I must survive. I must take one of the remaining parachutes.” The others agreed. He prepared himself and launched out. The elderly clergyman started to explain to the young traveler, “I’ve lived a long life. I do not fear death. You take the last parachute.” She stopped him mid-sentence with, “No, it’s fine. That brilliant professor just jumped out with my backpack strapped on!
”
”
John Dickson (Humilitas: A Lost Key To Life, Love, and Leadership)
“
A hotel loomed up like a first-order battleship from outer space. He saw two giants standing on a balcony, a man and a woman, holding drinks in their hands. His plane rushed toward them uncontrollably, carried in the wind. Their heads were bigger than Mount Rushmore. The man put his drink down and reached toward the woman, and pulled down the shoulder strap of her dress, exposing a colossal breast with an erect nipple standing out six feet. The man fondled it with a hand of horrifying size, and their faces closed in for a kiss… As his plane rushed toward a collision, he screamed and fought the controls, and passed between their noses under emergency power, propeller churning, and the plane was caught in an eddy of wind and swept around the corner of the building and out of sight.
”
”
Michael Crichton (Micro)
“
the horses to the oak freight wagon, and McCloskey helped him load, distributing the weight evenly in the wagon. When they were done, Johnny got a tarpaulin, and as he'd done many times, he threw it over the load and tucked it in carefully to keep out any rain he might encounter. Finally he'd strapped it all down tight with ropes. McCloskey had looked over the load and said, "Good job, Johnny. You sure you can do this run by yourself?" He said, "I'm sure I'll be fine, Fleet. It's just 19 miles over there and mostly flat. I won't have to use the brakes at all." "Be sure though and set the brake when you stop." Johnny nodded, and Fleet asked, "You got your book?" Nodding and smiling, Johnny said, "Yessir, got it," as he drove the wagon out of the warehouse yard, headed west to Forest City, which was often referred to as "Irish City" because it had been settled by Irishmen. The folks there were still mostly Irish, which was evident from the heavy Irish lilt to the speech of many of the folks living there. McCloskey's face showed tiny creases of worry as he watched Johnny drive off. He was a good boy, but he was still a boy being asked to do a man's job. In his year on the job, Johnny had grown to be a fine young man. He was only a few inches short of six feet, and he'd added a lot of muscle. He could lift as much as most of the teamsters. Even so, McCloskey worried about sending the boy out alone, but he'd had no choice in the matter. He'd promised the load would reach Forest City by tomorrow morning. Johnny had a brand-new Spencer repeating rifle leaning against his leg. Peter Sarpy, the owner, had used his contacts back east and gotten a shipment of the new rifles. Now, with his four drivers armed with repeating rifles, Sarpy worried a little less about being robbed. But the rifle made Johnny worry more because if outlaws did hit a wagon, they'd kill the driver if he lifted a rifle. Johnny had helped take a load to Forest City with old Monk Beeson two weeks before, and they hadn't had any problems, and he didn't expect any problems with today's load. But during that trip, Beeson had told Johnny about an outlaw gang living a few miles north of Forest City led by a man the Irish called Ranger Jones who collected tribute from prospective
”
”
R.O. Lane (Johnny Hayes)
“
The fabric was smooth and silky and a dark, rich violet—a strangely familiar shade I couldn’t place. The front fell into a deep V, the top structured enough to define the curve of my breasts. It was held up by black metal chain straps, and that same glistening ebony metal encircled the bodice, adorning my ribcage in a manner reminiscent of armor. The back was low and open, the long chains crossing over my back. The skirt pooled lightly around my feet, which donned delicate silver sandals.
”
”
Carissa Broadbent (The Serpent and the Wings of Night (Crowns of Nyaxia, #1))
“
The first Superfortress reached Tokyo just after midnight, dropping flares to mark the target area. Then came the onslaught. Hundreds of planes—massive winged mechanical beasts roaring over Tokyo, flying so low that the entire city pulsed with the booming of their engines. The US military’s worries about the city’s air defenses proved groundless: the Japanese were completely unprepared for an attacking force coming in at five thousand feet.
The full attack lasted almost three hours; 1,665 tons of napalm were dropped. LeMay’s planners had worked out in advance that this many firebombs, dropped in such tight proximity, would create a firestorm—a conflagration of such intensity that it would create and sustain its own wind system. They were correct. Everything burned for sixteen square miles. Buildings burst into flame before the fire ever reached them. Mothers ran from the fire with their babies strapped to their backs only to discover—when they stopped to rest—that their babies were on fire. People jumped into the canals off the Sumida River, only to drown when the tide came in or when hundreds of others jumped on top of them. People tried to hang on to steel bridges until the metal grew too hot to the touch, and then they fell to their deaths.
After the war, the US Strategic Bombing Survey concluded: “Probably more persons lost their lives by fire at Tokyo in a six-hour period than at any time in the history of man.”
As many as 100,000 people died that night. The aircrews who flew that mission came back shaken.
[According to historian] Conrad Crane: “They’re about five thousand feet, they are pretty low... They are low enough that the smell of burning flesh permeates the aircraft...They actually have to fumigate the aircraft when they land back in the Marianas, because the smell of burning flesh remains within the aircraft.
(...)
The historian Conrad Crane told me:
I actually gave a presentation in Tokyo about the incendiary bombing of Tokyo to a Japanese audience, and at the end of the presentation, one of the senior Japanese historians there stood up and said, “In the end, we must thank you, Americans, for the firebombing and the atomic bombs.”
That kind of took me aback. And then he explained: “We would have surrendered eventually anyway, but the impact of the massive firebombing campaign and the atomic bombs was that we surrendered in August.”
In other words, this Japanese historian believed: no firebombs and no atomic bombs, and the Japanese don’t surrender. And if they don’t surrender, the Soviets invade, and then the Americans invade, and Japan gets carved up, just as Germany and the Korean peninsula eventually were.
Crane added, The other thing that would have happened is that there would have been millions of Japanese who would have starved to death in the winter.
Because what happens is that by surrendering in August, that givesMacArthur time to come in with his occupation forces and actually feedJapan...I mean, that’s one of MacArthur’s great successes: bringing in a massive amount of food to avoid starvation in the winter of 1945.He is referring to General Douglas MacArthur, the supreme commander for the Allied powers in the Pacific. He was the one who accepted theJapanese emperor’s surrender.Curtis LeMay’s approach brought everyone—Americans and Japanese—back to peace and prosperity as quickly as possible. In 1964, the Japanese government awarded LeMay the highest award their country could give a foreigner, the First-Class Order of Merit of the Grand Cordon of the Rising Sun, in appreciation for his help in rebuilding the Japanese Air Force. “Bygones are bygones,” the premier of Japan said at the time.
”
”
Malcolm Gladwell
“
A woman’s voice came wailing on the wind. Norman looked up and spotted Sandra high up on an even steeper funnel of snow and ice. She was crying: ‘Your father is dead. What are we going to do?’ One of her shoulders was hanging weirdly. There was a bloody wound on her forehead, matted with hair. Then he saw his dad, still in his seat but slumped awkwardly forward. Norman turned around on the steep slope and inched over towards him, sneakers pathetically trying to hold an edge. He slipped and almost plummeted like a bobsleigh down the mountain. He caught a hold. Then he started crawling back up. It took him thirty minutes to climb 6 m (20 ft). His dad was doubled over. ‘DAD!’ No response. Snow was falling on his father’s curly hair. Above him, Sandra sounded delirious. By the time he was four, Norman had skied every black run at Mammoth. On his first birthday, his dad had him strapped to his back in a canvas papoose and took him surfing. Reckless, perhaps, but it had given the boy an indomitable spirit. Eleven-year-old Norman hugged his dad for the last time then tracked back across the slope to see what he could salvage from the wreckage. There were no ice axes or tools, but he did find a rug. He took it and scrabbled back to Sandra. She couldn’t move. Somehow he got her under the ragged remains of the plane’s wing and they wrapped themselves in the rug and fell into an exhausted sleep. Norman was woken around noon by a helicopter. He leapt up, trying to catch the crew’s attention. They came very, very close but somehow didn’t see him. They were going to have to get off this mountain themselves. A brief lull in the storm gave them a sudden view. The slope continued beneath their feet, sickeningly sheer, for hundreds of feet. Then lower down there were woods and the gully levelled a little before a massive ridgeline rose again. Beyond that lay a flatter meadow of snow and, at the edge of the world, a cabin. Sandra wanted to stay put. She was ranting about waiting for the rescuers. For a moment Norman nearly lay down beside her and drifted off to sleep. The
”
”
Collins Maps (Extreme Survivors: 60 of the World’s Most Extreme Survival Stories)
“
is July 2009. We step off our respective planes and lug our gear into the sweltering Vegas sun. Our taxis creep through downtown tourist traffic, swing around the airport, and unceremoniously drop us off in a giant, industrial-looking parking lot. The Las Vegas Sports Center sulks unimpressively in the heat, but under the sounds of arriving planes, there’s also a low hum and periodic whistles. Inside, the air is cooler and smells vaguely of . . . what is that smell? Sweat? Feet? Happiness? And when our eyes adjust to the light, we see skaters from every corner of the world—their helmets whiz by in every direction looking as if they are floating on air. On their feet are skates—black skates, white skates, blue skates, camouflage skates—propelled by a rainbow of wheels. On the sport floor, coaches with names like Carmen Getsome and Miss Fortune are drilling a centipede line of skaters in the fine art of knocking each other’s asses to the ground. Refs and skaters gear up for the mixed league, multination, battle du jour: Team Australia vs. Team Canada. Someone hobbles by with an ice pack strapped to her knee, still smiling. We smile too. Across town, nearly one thousand other skaters throng the casino and head to seminars in the meeting halls of the Imperial Palace Hotel, with nothing but roller derby on their minds. This is the fifth annual derby convention known as RollerCon.
”
”
Alex Cohen (Down and Derby: The Insider's Guide to Roller Derby)
“
Patients, they wrote, underwent “unnamed tortures when having their hands and feet strapped to the operating table, their heads shaved to the vertex [top of the skull], and the outside world masked from view by the towels and drapes.” Next came the “rattling of the instruments, the noise of the suction apparatus, and the menacing spark of the electro-cautery.” Some patients told them they wanted to die right then and there. Others called for help. These terrifying moments were useful, the doctors assured their colleagues, as the patients’ distress was often so great that the “additional trouble caused by the operation passes almost unnoticed.
”
”
Kate Clifford Larson (Rosemary: The Hidden Kennedy Daughter)
“
Not at all perturbed by the surprise arrival and very official-looking demeanor, and yet respectful of it all the same--he’d have done as much or more if some bloke was sniffing after his sister--he doffed his hat and stuck out his hand. “You must be Logan. Or should I call you Chief McCrae?”
Logan McCrae hesitated a short moment, then took Cooper’s hand in a quick, firm shake. Cooper was also glad to see McCrae didn’t feel the need to resort to some kind of macho game of whose handshake is the firmest to prove who would control their little meeting. But then, he did have a gun strapped to his hip, Cooper noted, so possibly that was simply unnecessary.
“Cooper Jax,” McCrae said, sidestepping his name query for now anyway. “I thought maybe we could take a quick walk if you have a few moments?”
“Off a short pier?” Cooper replied, smile unwavering as he gestured for McCrae to lead the way through the courtyard.
The bigger man’s dark gaze remained zeroed in, but the tight line of his square jaw relaxed, as did his shoulders. “That depends. We do have one or two.”
Cooper knew a lot more about the oldest McCrae sib than he assumed McCrae knew about him, but from all that Kerry had said about her only brother, Cooper was predisposed to like the bloke. The hint of humor underlying McCrae’s words told him to trust that instinct. “I’ll do my best to keep both feet on the ground then.”
“Good start,” McCrae replied, then headed through the courtyard.
”
”
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
“
He handed her the tracker then began disrobing. Oh, hello … She definitely liked this new turn of events. Heat scalded her cheeks at the sight of all that rippling muscled flesh as he unwound all the leather straps from his arms and braces and then dropped his shirt to his feet. Dear gods. Even scarred, he was a fierce, fabulous male. His gaze met hers expectantly. What did that look mean? Was it an invitation? Oh yeah, baby. Gimme! Her throat suddenly dry, she couldn’t think. All she could do was gape. “Well?” he asked. “Well what?” “Is it in my clothes or my body?” Ah … so that was why he’d given her this show.
”
”
Sherrilyn Kenyon (Born of Fury (The League, #6))
“
I’d never been winched out of the sea by a hovering helicopter before and it was a little bit of an experience. I knew I’d be pretty heavy but the crewman made it look very easy when he spun me around and pulled me in the cabin. Capt Birbeck and he were both talking to me at once, wanting to know if I was alright. He and the crewman were busy examining the mark on my neck. “Spicer, are you sure you’re all right?” “Yeah, I got a little scrape on my throat from the helmet chin strap and a small lump on the bridge of my nose, but I’m ok; why, is there something wrong?” “You might say that. The pilot decided he didn’t like the way the swell was running and decided to move to a different location to put us out. The crewman was tapping you on the shoulder to tell you to get back in because we were going someplace else. We aren’t sure but think you may have gone out about 100 feet instead of 50 and we were pretty sure you’d be injured. You may have accidentally broken a record.” “NO SHIT?!!” “They were really worried but I told them you can’t hurt one of those damn U.S. Marines!” “Same for the Royal Marines, right!” He broke into a big grin and gave me a light tap on the head. He said, “Right, but I’m not jumping out of this helicopter at a hundred fucking feet just to prove it mate!!!
”
”
W.R. Spicer (Sea Stories of a U.S. Marine Book 3 ON HER MAJESTY'S SERVICE)
“
Of course, I think Colonel Lowe will be happy to become a permanent fixture in Chicago if it means he can stay around Mollie. I’ve never seen a man so awestruck.” His head shot up. “Has he been pestering Mollie?” Zack demanded. Dr. Buchanan had just shoveled a huge bite of makowiec loaf into his mouth, and Zack’s blood began pounding through his system. Why had he been so blind to overlook what would happen when eighteen able-bodied men showed up on Mollie’s doorstep? He’d been letting Mollie lick her wounds in private, but what kind of idiot abandoned her when there were plenty of strapping young men there to take her mind off things? Dr. Buchanan finished eating and wiped his mouth. “I don’t think pester is the right word, although not an hour goes by that he isn’t paying her compliments. Yesterday, Colonel Lowe brought her a basket of oranges, although where he got oranges at this time of year is anyone’s guess.” Zack narrowed his eyes. “Why would Mollie be interested in some old man?” “Colonel Lowe isn’t an old man. I’d guess he’s about your age. Thirty-four, maybe thirty-six. And he’s a handsome fellow, no doubt about that. Miss Mollie seems quite taken by him.” The memory of a blond man sitting beside Mollie in her workshop with drafting paper before them smacked Zack in the face. He shot to his feet. “I’m going over there.” His mother tried to talk sense into him. “Zachariasz, it is cold outside. Sleet! You will catch your death.” He had lived through worse, and he wasn’t about to sit home eating makowiec loaf while the woman he loved was falling prey to some predator out to seduce her. As if diamond powder would impress her when Colonel Lowe was building her a whole new factory! He yanked his coat from the rack in the hall, still wet from his trip home. He’d put up with a lot from Mollie in the past few weeks, but this was the limit. While he was selling his soul to cut a deal for diamond powder this afternoon, she had been eating oranges with Colonel Lowe.
”
”
Elizabeth Camden (Into the Whirlwind)
“
a man with no hands and feet strapped to the black canvass. Shreds of ravaged, raw flesh hung from the ugly wounds surrounding the missing extremities. A murmur of disgust and disbelief resonated from the guests witnessing the gut-wrenching sight.
”
”
Billy Wells (Don't Look Behind You)
“
He raised his hand, and the material I wore began to vibrate against my skin. I looked down and froze as the fabric of my black dress morphed into a vibrant deep red that matched my lips. It grew, spilling past my feet. The bodice fit me to perfection, the thin straps wrapping around my shoulders and crisscrossing over my back. Liam lowered his hand, and I spun toward the mirror. I gasped at my reflection. The dress was breathtaking—and he’d made it for me.
”
”
Amber V. Nicole (The Book of Azrael (Gods & Monsters, #1))
“
The thought of shackling myself to someone for the rest of my life was as appealing as walking into the ocean with concrete blocks strapped to my feet.
”
”
Ana Huang (King of Wrath (Kings of Sin, #1))
“
I looked over the side of the roller coaster as it climbed to the top of the first hill with a series of loud clacks. The night was dark and cold, but the theme park was lit up with fairy lights and neon arcade games below. The nippy breeze flirted with the hems of sweaters and blew hats off the heads of unsuspecting park guests. Soon, the seasonal theme park would close, as it would be too cold to run the rides, but for now, I could enjoy the brief view of Denver from one hundred feet above the ground. Screams built around me—some scared, others excited—as the first car of the coaster crested the top of the hill. I craned my neck, savoring the liberation of the sky, even if I was strapped into a padded harness, and put my hands up. My boyfriend, Jacob, reached up and linked our fingers together
”
”
Carter Woods (The Cabin on the Mountain)
“
What would you have said, Doctor, if someone reported a very dead Himalayan snow leopard mixed up in a tangle of straps and boxes—and holding constant altitude at ninety thousand feet?
”
”
Arthur C. Clarke (The Collected Stories of Arthur C. Clarke)
“
Let’s go,” Alex said, his voice deep, laden with determination that I didn’t share. I might have been standing, but it felt as if cement blocks had been strapped to my feet, my fear keeping me locked in place. “Leisel!” Jami admonished me in a harsh whisper. “Eve is waiting for you! Risking her life for you! Move
”
”
Madeline Sheehan (Thicker Than Blood (Thicker Than Blood, #1))
“
A dropped cat always lands on its feet. Buttered toast always lands buttered side down. Strap buttered toast to back of cat , & drop. The two will hover, spinning inches above the ground ...
”
”
Peter Blegvad (The Book of Leviathan)
“
In our wars with the west,” said Lankowski, “we learned to bury everything that we did not want blown up. Individually-targeted bombs were first tested on Arabs, did you know that? The archives are full of pictures of exploding Arabs.” “I’ve seen some of the pictures,” said Petra. “I also recall that during those wars, some of the individuals targeted themselves by strapping on their own bombs and blowing them up in public places.” “Yes, we did not have guided missiles, but we did have feet.
”
”
Orson Scott Card (Shadow Puppets (Shadow, #3))
“
Otherwise they were dressed identically, and their outfits definitely belonged in a nightmare. They wore matching white slacks and gold buccaneer shirts with V-necks that showed way too much chest hair. A dozen sheathed daggers lined their rhinestone belts. Their shoes were open-toed sandals, proving that – yes, indeed – they had snakes for feet. The straps wrapped around the serpents’ necks. Their heads curled up where the toes should be. The snakes flicked their tongues excitedly and turned their gold eyes in every direction, like dogs looking out of the window of a car. Maybe it had been a long time since they’d had shoes with a view.
”
”
Rick Riordan (The Mark of Athena (Heroes of Olympus, #3))
“
Someone’s gotta do it. No one’s gonna do it. So I’ll do it. Your honor, I rise in defense of drunken astronauts. You’ve all heard the reports, delivered in scandalized tones on the evening news or as guaranteed punch lines for the late-night comics, that at least two astronauts had alcohol in their systems before flights. A stern and sober NASA has assured an anxious nation that this matter, uncovered by a NASA-commissioned study, will be thoroughly looked into and appropriately dealt with. To which I say: Come off it. I know NASA has to get grim and do the responsible thing, but as counsel for the defense—the only counsel for the defense, as far as I can tell—I place before the jury the following considerations: Have you ever been to the shuttle launchpad? Have you ever seen that beautiful and preposterous thing the astronauts ride? Imagine it’s you sitting on top of a 12-story winged tube bolted to a gigantic canister filled with 2 million liters of liquid oxygen and liquid hydrogen. Then picture your own buddies—the “closeout crew”—who met you at the pad, fastened your emergency chute, strapped you into your launch seat, sealed the hatch and waved smiling to you through the window. Having left you lashed to what is the largest bomb on planet Earth, they then proceed 200 feet down the elevator and drive not one, not two, but three miles away to watch as the button is pressed that lights the candle that ignites the fuel that blows you into space. Three miles! That’s how far they calculate they must go to be beyond the radius of incineration should anything go awry on the launchpad on which, I remind you, these insanely brave people are sitting. Would you not want to be a bit soused? Would you be all aflutter if you discovered that a couple of astronauts—out of dozens—were mildly so? I dare say that if the standards of today’s fussy flight surgeons had been applied to pilots showing up for morning duty in the Battle of Britain, the signs in Piccadilly would today be in German. Cut these cowboys some slack. These are not wobbly Northwest Airlines pilots trying to get off the runway and steer through clouds and densely occupied airspace. An ascending space shuttle, I assure you, encounters very little traffic. And for much of liftoff, the astronaut is little more than spam in a can—not pilot but guinea pig. With opposable thumbs, to be sure, yet with only one specific task: to come out alive. And by the time the astronauts get to the part of the journey that requires delicate and skillful maneuvering—docking with the international space station, outdoor plumbing repairs in zero-G—they will long ago have peed the demon rum into their recycling units.
”
”
Charles Krauthammer (Things That Matter: Three Decades of Passions, Pastimes, and Politics)
“
*
Behind him, Lex’s pursuers held their guns sideways on and low. They kept them down by their hips, hidden in the folds of their jackets. Both of them fired, but even with their specialised training, their shots were off-target by too great a margin. One round blasted a discarded water bottle sitting on a step, the other blew up a puff of rock dust a few inches from the target’s feet. Again, the faces of bystanders started to turn in his direction.
‘He is going to kill himself,’ said the male assassin through the wireless communication node adhered to his throat. This was unexpected.
‘No,’ said the woman, her reply tickling him through his skin. ‘I don’t think so . . .’
The target’s arm came down in a sharp motion, and the object he had strapped to his back snapped open into a blossom of bright orange fabric and fine white cords. The thin material immediately caught the steady breeze and inflated into a narrow rectangle with a kite-like cross-section.
‘A parachute?’ The man disregarded protocol and launched forward, hoping to get to the target before he could step off the ledge.
The compact canopy filled with wind, drawing shouts of surprise from the assembled tourists in the square, and the target pushed off the side of Mdina’s battlements and into the air.
The woman grabbed her partner by the shoulder and pulled him back. ‘Wait.’ She was already putting her weapon away.
He resisted, irritated at the idea of missing the kill. The chute was little better than a gimmick, a toy that would barely slow the target’s descent. If he got to the edge, if the woman covered him, he might still be able to hit the mark. It was galling to think that this civilian would escape them.
‘Both of you stand away,’ said a third voice. ‘I have this.
”
”
James Swallow (Ghost (Marc Dane, #3))
“
My day just splits again, and I am at the table sitting with the girls, Jenny is hearing me say all this… I am saying at lunch to all of them not leaving out one gross detail- and Jenny said- ‘Damn I have loaded in my undies right now just leasing to this crap.’ Liv and Maddie are kissing like to ribbed- hot- b*tch dogs in heat over it, so yeah, it's hot. I said- ‘I am coming – OH-hh-Aaa- UM-mmm-COME-meeting!!!’ So loud that I know that the rooms in the apartments could hear me, one even said back to my god- yet Miss Wilddickersion is eighty-eight I know who you are… a girl over there, rolled my eyes feeling so award.’
I am so going to hell for this- I said out loud. Do you ever look back over the crap you say, and say what the freak was I thinking? I just had the thought of this crap I am saying. Jenny said- nope not really- my dad hears me coming all the time so- like last night he said- ‘Stop it! You’re going to go throw your bedroom floor girl, and it’s four in the morning!
‘Yet I hear their freaking headboard hitting my wall- but- but that’s okay?’ I said about to have the old b*tch over in the next apart room there getting off too- ‘We all do’ -said Maddie and Olivia. Have you ever had the cops come, over that crap? Jenny said- ‘Well- freak know- Maybe…? I’ve done an officer here at the school, said Jenny proudly, so the whole cafeteria could hear her. Hey- Jenny- no one cares to hear about you being a slutty ho,’ Said- Marcel, yelling it at a table or two away. Maddie- ‘So was it that good?’ ‘It’s good under the hood.’ Said Maddie, I said the same thing too, in a different way, I said- ‘If you know what you’re doing down there.’ Jenny- ‘I- am- the- one that showed you-you b*tch, and your sis too.’
It’s all good! I speak! Not sure if I am going to keep my nasty pizza down at this point really, I don’t want to have thoughts played around in my mind freaking and fingering my brain. I put my feet up all girly and per-die on the table, and he sits accused from me to check me out so why not give him what he wants, and I don’t give a crap if I am in a skirt, I spread them out sloughing like a dude, and Marcel turns bright red, I want him to see that, I was not wearing annoying underneath I know that someone took a picture of my p*ssy and all of his freaked-up face- yep jaw-dropping moments, good thing I shaved it!
The teaching that was looking over us freaking fainted at the sight of my va-jay-jay, is that a good thing? Oliva was saying please don’t fart- please don’t fart- she had the set on the other side of me, yet she was all pressed up to Maddie, so I knew he could see all of this- YOU-NO! I said- ‘Dude shut up! You’re freaking me over, and I put my one hand down between my legs, and start to play with myself, caressing it all around, sometimes up and down or in a little circular pattern, making lots of sounds. I even put my long fingers down inside and feel all the wetness and wroth, and I hear voices coming out of me, so he could see the come on my fingers unstop of my dark purple nail polish, and I come right in front of everyone, but it was only for him to see.’ Jenny- ‘do I see a d*ick; you need one to freak that p*ssy? I said- ‘Nah- dude that’s just my heart throbbing clit, and I get written up by another old b*tch teach, that must have a hairy one, or something like that- she has always been up against my ass hole.’
‘Sometimes you are as blunt as the butt end of a fork, freaking strapping you in the one boob!’ said- Oliva. I see Marcel in the lunch line making a cute almost kiss-ie face at me, and I rankle up my nose and turn my head off to the right side and shake it in a short fast yet deliberate quiver.
I walk up to where more than friends and at this point, I hug him and the cafeteria gaps, he kisses me in front of everyone, and I look up before walking and saying with flirty eyes- (You’re such a weirdo!)
”
”
Marcel Ray Duriez (Nevaeh Dreaming of you Play with Me)
“
Well?” Corbin sucked in a breath. “You look lovely. I knew that color would suit you.” “It’s not bad,” I said grudgingly. “It is beautiful, as are you. We need only one more thing. Here.” Before I could ask what the one more thing was, he was suddenly kneeling in front of me with a box in his hands. He opened it, revealing black, strappy heels so high I was surprised they fit in the box. The open-toed design made me glad I’d had a pedicure recently. “Are those Jimmy Choos?” I asked, as he took one out and reached for me. “Manolo Blahniks,” he said absently. “Here, let me put them on you.” “Let me sit down first, I’ll fall over,” I objected as he lifted my right foot. “You’ll be fine. Just hold on to me.” I was forced to do just that, holding on to his broad shoulders as he slipped first one shoe on and then the other. They had a simple yet elegant design with a single strap over the toes and another around the ankle. Corbin’s long fingers seemed like they would be too large to buckle the delicate ankle strap but he managed with no problem. “There,” he murmured when he was done. I expected him to get up but instead he remained kneeling at my feet, looking up at me. “Perfect. Addison, you are a goddess.” “Stop it.” I could feel my cheeks getting hot and it occurred to me that I was still holding on to his shoulders although both my feet were planted firmly on the ground. I caught a whiff of his scent—that cool fragrance that reminded me of the ocean somehow. I wanted to step away but I couldn’t. “Why should I stop?” Corbin growled softly. “Why should I not say what I think? When was the last time a man told you how beautiful you are?
”
”
Evangeline Anderson (Crimson Debt (Born to Darkness, #1))
“
6th Avenue Heartache"
Sirens ring, the shots ring out
A stranger cries, screams out loud
I had my world strapped against my back
I held my hands, never knew how to act
And the same black line that was drawn on you
Was drawn on me
And now it's drawn me in
6th Avenue heartache
Below me was a homeless man
I'm singin' songs I knew complete
On the steps alone, his guitar in hand
It's fifty years, stood where he stands
And the same black line that was drawn on you
Was drawn on me
And now it's drawn me in
6th Avenue heartache
Now walkin' home on those streets
The river winds move my feet
Subway steam, like silhouettes in dreams
They stood by me, just like moonbeams
And the same black line that was drawn on you
Was drawn on me
And now it's drawn me in
6th Avenue heartache
Look out the window, down upon that street
And gone like a midnight was that man
But I see his six strings laid against that wall
And all his things, they all look so small
I got my fingers crossed on a shooting star
Just like me-just moved on
And the same black line that was drawn on you
Was drawn on me
And now it's drawn me in
6th Avenue heartache
Bringing Down the Horse (1996)
”
”
Jakob Dylan
“
Patrickio Aragonés had already impassively survived six assassination attempts,
had acquired the habit of dragging his feet which had been flattened out with a
mallet, his ears buzzed, and his hernia ached at dawn in the winter, and he had
learned to take off and put on the golden spur as if the straps were tangled up
simply to gain time at audiences muttering God damn it these buckles Flemish
blacksmiths make aren't even good for this...
”
”
Gabriel García Márquez (The Autumn of the Patriarch)
“
Have you ever skied?” “You mean strap boards on my feet and jump off the side of a mountain?
”
”
B.R. Kingsolver (Soul Harvest (The Rift Chronicles, #3))
“
Why is it all being done?” he thought. “Why am I standing here, making them work? What are they all so busy for, trying to show their zeal before me? What is that old Matrona, my old friend, toiling for? (I doctored her, when the beam fell on her in the fire)” he thought, looking at a thin old woman who was raking up the grain, moving painfully with her bare, sun-blackened feet over the uneven, rough floor. “Then she recovered, but today or tomorrow or in ten years she won’t; they’ll bury her, and nothing will be left either of her or of that smart girl in the red jacket, who with that skillful, soft action shakes the ears out of their husks. They’ll bury her and this piebald horse, and very soon too,” he thought, gazing at the heavily moving, panting horse that kept walking up the wheel that turned under him. “And they will bury her and Fyodor the thrasher with his curly beard full of chaff and his shirt torn on his white shoulders—they will bury him. He’s untying the sheaves, and giving orders, and shouting to the women, and quickly setting straight the strap on the moving wheel. And what’s more, it’s not them alone—me they’ll bury too, and nothing will be left. What for?” He thought this, and at the same time looked at his watch to reckon how much they thrashed in an hour. He wanted to know this so as to judge by it the task to set for the day.
”
”
Leo Tolstoy (Anna Karenina. A Novel in Eight Parts)
“
The most touching photo was of a dog strapped to the chest of a soldier parachuting out of an airplane at thirty thousand feet, both wearing oxygen masks. The soldier cradled the dog with one arm while pulling the parachute release cord with the other. The closeness of the bond and the physical embrace really hit home for me: dogs and humans belong together. We couldn’t exist without each other.
”
”
Gregory Berns (How Dogs Love Us: A Neuroscientist and His Adopted Dog Decode the Canine Brain)
“
The road is covered by jagged serrations of ice hard as iron. I pull aside the boot soles that are strapped to my feet. Underneath, my feet are streaked with cuts and dark abrasions. Thorns, branches and sharp ice graved their signs on me unknown, leaving behind a medley of runes written in some strange tongue.
”
”
Ned Hayes (Sinful Folk)
“
Endometriosis, or painful periods? (Endometriosis is when pieces of the uterine lining grow outside of the uterine cavity, such as on the ovaries or bowel, and cause painful periods.) Mood swings, PMS, depression, or just irritability? Weepiness, sometimes over the most ridiculous things? Mini breakdowns? Anxiety? Migraines or other headaches? Insomnia? Brain fog? A red flush on your face (or a diagnosis of rosacea)? Gallbladder problems (or removal)? — PART E — Poor memory (you walk into a room to do something, then wonder what it was, or draw a blank midsentence)? Emotional fragility, especially compared with how you felt ten years ago? Depression, perhaps with anxiety or lethargy (or, more commonly, dysthymia: low-grade depression that lasts more than two weeks)? Wrinkles (your favorite skin cream no longer works miracles)? Night sweats or hot flashes? Trouble sleeping, waking up in the middle of the night? A leaky or overactive bladder? Bladder infections? Droopy breasts, or breasts lessening in volume? Sun damage more obvious, even glaring, on your chest, face, and shoulders? Achy joints (you feel positively geriatric at times)? Recent injuries, particularly to wrists, shoulders, lower back, or knees? Loss of interest in exercise? Bone loss? Vaginal dryness, irritation, or loss of feeling (as if there were layers of blankets between you and the now-elusive toe-curling orgasm)? Lack of juiciness elsewhere (dry eyes, dry skin, dry clitoris)? Low libido (it’s been dwindling for a while, and now you realize it’s half or less than what it used to be)? Painful sex? — PART F — Excess hair on your face, chest, or arms? Acne? Greasy skin and/or hair? Thinning head hair (which makes you question the justice of it all if you’re also experiencing excess hair growth elsewhere)? Discoloration of your armpits (darker and thicker than your normal skin)? Skin tags, especially on your neck and upper torso? (Skin tags are small, flesh-colored growths on the skin surface, usually a few millimeters in size, and smooth. They are usually noncancerous and develop from friction, such as around bra straps. They do not change or grow over time.) Hyperglycemia or hypoglycemia and/or unstable blood sugar? Reactivity and/or irritability, or excessively aggressive or authoritarian episodes (also known as ’roid rage)? Depression? Anxiety? Menstrual cycles occurring more than every thirty-five days? Ovarian cysts? Midcycle pain? Infertility? Or subfertility? Polycystic ovary syndrome? — PART G — Hair loss, including of the outer third of your eyebrows and/or eyelashes? Dry skin? Dry, strawlike hair that tangles easily? Thin, brittle fingernails? Fluid retention or swollen ankles? An additional few pounds, or 20, that you just can’t lose? High cholesterol? Bowel movements less often than once a day, or you feel you don’t completely evacuate? Recurrent headaches? Decreased sweating? Muscle or joint aches or poor muscle tone (you became an old lady overnight)? Tingling in your hands or feet? Cold hands and feet? Cold intolerance? Heat intolerance? A sensitivity to cold (you shiver more easily than others and are always wearing layers)? Slow speech, perhaps with a hoarse or halting voice? A slow heart rate, or bradycardia (fewer than 60 beats per minute, and not because you’re an elite athlete)? Lethargy (you feel like you’re moving through molasses)? Fatigue, particularly in the morning? Slow brain, slow thoughts? Difficulty concentrating? Sluggish reflexes, diminished reaction time, even a bit of apathy? Low sex drive, and you’re not sure why? Depression or moodiness (the world is not as rosy as it used to be)? A prescription for the latest antidepressant but you’re still not feeling like yourself? Heavy periods or other menstrual problems? Infertility or miscarriage? Preterm birth? An enlarged thyroid/goiter? Difficulty swallowing? Enlarged tongue? A family history of thyroid problems?
”
”
Sara Gottfried (The Hormone Cure)
“
Take this off.” I pull at the strap of Autumn’s nightgown, and she gives me a mischievous smile and follows my command, letting it drop into a pile around her feet.
”
”
Michelle Madow (Blood Moon (Star Touched: Wolf Born, #1))