Dominant Guy Quotes

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The more he identifies with the dominant images of need, the less he understands his own life and his own desires. The spectacle’s estrangement from the acting subject is expressed by the fact that the individual’s gestures are no longer his own; they are the gestures of someone else who represents them to him.
Guy Debord (The Society of the Spectacle)
The point is not that Jesus was a good guy who accepted everybody, and thus we should do the same (though that would be good). Rather, his teachings and behavior reflect an alternative social vision. Jesus was not talking about how to be good and how to behave within the framework of a domination system. He was a critic of the domination system itself.
Marcus J. Borg (The God We Never Knew: Beyond Dogmatic Religion to a More Authentic Contemporary Faith)
Adrian had always found it amusing that a guy could be drilling Stacia up her ass while she considered herself to be a virgin. Her intent had been to present herself as such when she found "Mr. Right.
Jess C. Scott (Master & Servant)
I am persuaded that feminism is not at the root of political correctness. The actual source is much nastier and dares not speak its name, which is simply hatred for old people. The question of domination between men and women is relatively secondary—important but still secondary—compared to what I tried to capture in this novel, which is that we are now trapped in a world of kids. Old kids. The disappearance of patrimonial transmission means that an old guy today is just a useless ruin. The thing we value most of all is youth, which means that life automatically becomes depressing, because life consists, on the whole, of getting old.
Michel Houellebecq
Establishing dominance early in the relationship is key. Vampire children are like human children in that they can sense weakness. They will wait for you to be busy or too distracted to realize that you’ve given them permission to feed on the pizza guy. —Siring for the Stupid: A Beginner’s Guide to Raising Newborn Vampires
Molly Harper (How to Flirt with a Naked Werewolf (Naked Werewolf, #1))
I'm also a book nerd so aside from my life and my opinions, you could say my lyrics are inspired in some sense by the writings of Guy Debord, John Berryman, Georges Bataille, T.S. Eliot, Albert Camus, Bukowski, Artaud, Derrick Jensen and bunch of other people.
Dominic Owen Mallary
The first stage of the economy’s domination of social life brought about an evident degradation of being into having — human fulfillment was no longer equated with what one was, but with what one possessed. The present stage, in which social life has become completely dominated by the accumulated productions of the economy, is bringing about a general shift from having to appearing — all “having” must now derive its immediate prestige and its ultimate purpose from appearances. At the same time all individual reality has become social, in the sense that it is shaped by social forces and is directly dependent on them. Individual reality is allowed to appear only if it is not actually real.
Guy Debord (The Society of the Spectacle)
Economic growth has liberated societies from the natural pressures that forced them into an immediate struggle for survival; but they have not yet been liberated from their liberator. The commodity’s independence has spread to the entire economy it now dominates. This economy has transformed the world, but it has merely transformed it into a world dominated by the economy.
Guy Debord (The Society of the Spectacle)
She's never asked for a drawing before. I'm horrible at giving them away. 'For the sun, stars, oceans, and all the trees, I'll consider it,' I say, knowing she'll never agree. She knows how badly I want the sun and trees. We've been dividing up the world since we were five. I'm kicking butt at the moment - universe domination is within my grasp for the first time. 'Are you kidding?' she says, standing up straight. It annoys me how tall she's getting. It's like she's being stretched at night. 'That leaves me just the flowers, Noah.' Fine, I think. She'll never do it. It's settled, but it isn't. She reaches over and props up the pad, gazing at the portrait like she's expecting the English guy to speak to her. 'Okay,' she says. 'Trees, stars, oceans. Fine.' 'And the sun, Jude.' 'Oh, all right," she says, totally surprising me. 'I'll give you the sun.
Jandy Nelson (I'll Give You the Sun)
Overtly relating this to a guy entirely defeats his credibility as a genuinely dominant male. The guy she wants to fuck is dominant because that’s ‘the way he is’ instead of who she had to tell him to be. Observing the process will change it. This is the root function of every shit test ever devised by a woman. If masculinity has to be explained to a man, he’s not the man for her.
Rollo Tomassi (The Rational Male)
Je n'ai plus aucune force, aucun courage, aucune domination sur moi aucun pouvoir même de mettre en mouvement ma volonté. Je ne peux plus vouloir ; mais quelqu'un veut pour moi ; et j'obéis.
Guy de Maupassant (The Horla)
There is solid evidence for the fact that when women speak more than 30 percent of the time, men perceive them as dominating the conversation; well, similarly, if, say, two women in a row get one of the big annual literary awards, masculine voices start talking about feminist cabals, political correctness, and the decline of fairness in judging. The 30 percent rule is really powerful. If more than one woman out of four or five won the Pulitzer, the PEN/Faulkner, the Booker—if more than one woman in ten were to win the Nobel literature prize—the ensuing masculine furore would devalue and might destroy the prize. Apparently, literary guys can only compete with each other. Put on a genuinely equal competitive footing with women, they get hysterical.
Ursula K. Le Guin (The Wave in the Mind: Talks and Essays on the Writer, the Reader, and the Imagination)
Knox Masters is exactly the type of guy I want to date. He dominates a sport I love. He’s confident but not arrogant. He’s funny, able to laugh at himself, and… shit, hot as the fires of Mordor. I mean, the One Ring could be forged in his hotness. I want him.
Jen Frederick (Sacked (Gridiron, #1))
American evangelical leaders have succumbed to a watered-down salvation of entitlement, prosperity, conservative judges, and anti-abortion laws. They reap the seeds they’ve sown in an inept, blasphemous leader who divides and weakens his nation. Stripped of world dominance, power, and respect, Catholic leaders waddle in the shame of their pedophile-plagued clergy, inviting pagan religions into the house of God. Each has cut a Faustian deal with the devil, which presents Andre with an opportunity: a path to redemption
Guy Morris (Swarm)
If Mike convinces a woman to date him because he is dominant, the resulting relationship will be entirely different than if he had inspired this same woman to date him by convincing her that, through dating him, she could improve herself (though such dynamics might be ameliorated through therapy). One of the core reasons why people either end up in one bad relationship after another—or come to believe that all members of a certain gender have very constrained behavior patterns—is that they do not understand how different lures function (in male communities, this often manifests in the saying “AWALT,” which stands for “all women are like that”). These people do not realize that the lure they are using is creating those relationship dynamics and/or constrained behavior patterns. Talking with individuals who say guys or girls always act like X or Y feels like talking to a fisherman who insists that all fish have whiskers. When you point out that all the lures in his tackle box are designed specifically to only catch catfish, he just turns and gives you a quizzical look saying, “what's your point?
Simone Collins (The Pragmatist's Guide to Relationships)
A case could be made that even the shift into R&D on information technologies and medicine was not so much a reorientation towards market-driven consumer imperatives, but part of an all-out effort to follow the technological humbling of the Soviet Union with total victory in the global class war: not only the imposition of absolute U.S. military dominance overseas, but the utter rout of social movements back home. The technologies that emerged were in almost every case the kind that proved most conducive to surveillance, work discipline, and social control. Computers have opened up certain spaces of freedom, as we’re constantly reminded, but instead of leading to the workless utopia Abbie Hoffman or Guy Debord imagined, they have been employed in such a way as to produce the opposite effect.
David Graeber (The Utopia of Rules: On Technology, Stupidity, and the Secret Joys of Bureaucracy)
Well, confidence is not necessarily knowing that everything will go awesome and that you will succeed, confidence is being comfortable and okay with whatever does happen.   Someone
Dominic Mann (Bad Boys Finish First: How to Stop Being the Nice Guy and Become the Man Women Can’t Resist)
I tried in my way to be a good guy for her but I set us both up to fall. She fell in love with a man who doesn’t exist and in turn, I punished her for loving him.
Candice M. Wright (Coerce (Death in Bloom, #1))
The language of the spectacle consists of signs of the dominant system of production — signs which are at the same time the ultimate end-products of that system.
Guy Debord (Society of the Spectacle)
I had started on the marriage and motherhood beat by accident with a post on my personal, read only by friends, blog called ‘Fifty Shades of Men’. I had written it after buying Fifty Shades of Grey to spice up what Dave and I half-jokingly called our grown up time, and had written a meditation on how the sex wasn’t the sexiest part of the book. “Dear publishers, I will tell you why every woman with a ring on her finger and a car seat in her SUV is devouring this book like the candy she won’t let herself eat.” I had written. “It’s not the fantasy of an impossibly handsome guy who can give you an orgasm just by stroking your nipples. It is instead the fantasy of a guy who can give you everything. Hapless, clueless, barely able to remain upright without assistance, Ana Steele is that unlikeliest of creatures, a college student who doesn’t have an email address, a computer, or a clue. Turns out she doesn’t need any of those things. Here is the dominant Christian Grey and he’ll give her that computer plus an iPad, a beamer, a job, and an identity, sexual and otherwise. No more worrying about what to wear. Christian buys her clothes. No more stress about how to be in the bedroom. Christian makes those decisions. For women who do too much—which includes, dear publishers, pretty much all the women who have enough disposable income to buy your books—this is the ultimate fantasy: not a man who will make you come, but a man who will make agency unnecessary, a man who will choose your adventure for you.
Jennifer Weiner (All Fall Down)
Our Constitution is not good. It is a document designed to create a society of enduring white male dominance, hastily edited in the margins to allow for what basic political rights white men could be convinced to share. The Constitution is an imperfect work that urgently and consistently needs to be modified and reimagined to make good on its unrealized promises of justice and equality for all. And yet you rarely see liberals make the point that the Constitution is actually trash. Conservatives are out here acting like the Constitution was etched by divine flame upon stone tablets, when in reality it was scrawled out over a sweaty summer by people making deals with actual monsters who were trying to protect their rights to rape the humans they held in bondage.
Elie Mystal (Allow Me to Retort: A Black Guy’s Guide to the Constitution)
In a direct response to African Americans patrolling Oakland, California, and “copwatching,” Republicans in California passed the Mulford Act, which banned open carry of loaded firearms in California. Who signed that law? Republican patron saint and then governor of California Ronald Reagan. The absolutist interpretation of the Second Amendment is new, but using gun rights or gun control, as necessary, to maintain racial dominance is old.
Elie Mystal (Allow Me to Retort: A Black Guy’s Guide to the Constitution)
So I guess I shouldn't have been surprised when I was applying for campus housing and overheard Andy telling my mother that the only way I was going to be safe from all the sexual assaults he'd heard about on National Public Radio was if I lived in an all-girl dorm. Never mind that I have been kicking the butts of the undead since I was in elementary school, and that almost the entire time I resided under Andy's roof, I had a hot undead guy living in my bedroom. These are two of those secrets I was telling you about. Andy doesn't know about them, and neither does my mother. They think Jesse is what Father Dominic told them he is: a "young Jesuit student who transferred to the Carmel Mission from Mexico, then lost his yearning to go into the priesthood" after meeting me. That one slays me every time.
Meg Cabot (Proposal (The Mediator, #6.5))
Those four effects described above—shaping a male-dominant view of sexuality, initiating victims, contributing to difficulty in separating sexual fantasy and reality, and providing a training manual for abusers—are at work just as much with men who have not engaged in activities that meet the legal definition of rape. Here we have to let go of a comforting illusion—that there is some clear line between men who rape and men who don't, between the bad guys and the good guys.
Robert Jensen (Getting Off: Pornography and the End of Masculinity)
The more he identifies with the dominant images of need, the less he understands his own life and his own desires. The spectacle’s estrangement from the acting subject is expressed by the fact that the individual’s gestures are no longer his own.
Guy Debord (The Society of the Spectacle)
I once read if you stare down a dog long enough, you prove your dominance if the dog is the first to look away. I lift a brow in challenge, refusing to blink. Troy’s thick lips turn up before he drops his gaze to the floor. That’s right, Fido. Now, go lick your ass.
Kate Stewart (The Guy on the Left (The Underdogs, #2))
If you’re someone who is intimately involved with a true masochist, and yet can’t bring yourself to actually hurt that person, you’re like the guy wearing a red uniform on a Star Trek away-mission: expendable.
Michael Makai (Domination & Submission: The BDSM Relationship Handbook)
Cocks had always been an incidental bonus to me, something I only cared about in proportion to how much I liked the guy it was attached to. Silly when flaccid, exciting or scary or off-putting when hard. It was a man’s words or expression or caresses that dominated my masturbatory fantasies—a specific man at that, be he a crush or a celebrity or a character from a movie. I never simply fixated on a dick. They were strictly secondary to the man himself.
Cara McKenna (After Hours)
Imagine you have a frog and you plop it into a pot of boiling water. What’s it going to do? It’s going to jump straight back out. However, if you put the frog in a pot of cool water, and slowly warm it up, the frog won’t notice until it is too late.   Similarly,
Dominic Mann (Bad Boys Finish First: How to Stop Being the Nice Guy and Become the Man Women Can’t Resist)
At any rate, she knew why she was attracted to Flynn now—attracted to being with a guy who could completely dominate her in bed. It was what she’d been doing in every aspect of her life lately, wanting to hole up in the backseat and not be asked to drive. Just hand over the keys to someone else.
Cara McKenna (Willing Victim (Flynn and Laurel, #1))
The high-value woman doesn’t ever let men have their way with her emotions, time, body, money, or career. And this is a boundary she strongly protects. Every boundary she bends or changes is only changed when he deserved it. It’s never given.   When a high-value woman is in a relationship with a high-value guy, they behave like a team. They both make concessions, but there’s always an equilibrium. Not a quid pro quo where every concession from her needs to be met by a concession from him. The relationship is always a win-win. Never a lose-win or even a win-lose. (She doesn’t want to dominate her guy either.)   The
Brian Keephimattracted (F*CK Him! - Nice Girls Always Finish Single)
The historical moment when Bolshevism triumphed for itself in Russia and social democracy fought victoriously for the old world marks the inauguration of the state of affairs that is at the heart of the modern spectacle’s domination: the representation of the working class has become an enemy of the working class.
Guy Debord (The Society of the Spectacle)
The fetishism of the commodity — the domination of society by “intangible as well as tangible things” — attains its ultimate fulfillment in the spectacle, where the real world is replaced by a selection of images which are projected above it, yet which at the same time succeed in making themselves regarded as the epitome of reality.
Guy Debord (Society of the Spectacle)
Let’s now look at the four basic types of EI parents (Gibson 2015): Emotional parents are dominated by feelings and can become extremely reactive and overwhelmed by anything that surprises or upsets them. Their moods are highly unstable, and they can be frighteningly volatile. Small things can be like the end of the world, and they tend to see others as either saviors or abandoners, depending on whether their wishes are being met. Driven parents are super goal-achieving and constantly busy. They are constantly moving forward, focused on improvements, and trying to perfect everything, including other people. They run their families like deadline projects but have little sensitivity to their children’s emotional needs. Passive parents are the nicer parents, letting their mate be the bad guy. They appear to enjoy their children but lack deeper empathy and won’t step in to protect them. While they seem more loving, they will acquiesce to the more dominant parent, even to the point of overlooking abuse and neglect. Rejecting parents aren’t interested in relationships. They avoid interaction and expect the family to center around their needs, not their kids. They don’t tolerate other people’s needs and want to be left alone to do their own thing. There is little engagement, and they can become furious and even abusive if things don’t go their way.
Lindsay C. Gibson (Recovering from Emotionally Immature Parents: Practical Tools to Establish Boundaries & Reclaim Your Emotional Autonomy)
Our Constitution is not good. It is a document designed to create a society of enduring white male dominance, hastily edited in the margins to allow for what basic political rights white men could be convinced to share. The Constitution is an imperfect work that urgently and consistently needs to be modified and reimagined to make good on its unrealized promises of justice and equality for all.
Elie Mystal (Allow Me to Retort: A Black Guy’s Guide to the Constitution)
Our Constitution is not good. It is a document designed to create a society of enduring white male dominance, hastily edited in the margins to allow for what basic political rights white men could be convinced to share. The Constitution is an imperfect work that urgently and consistently needs to be modified and reimagined to make good on its unrealized promises of justice and equality for all. And yet you rarely see liberals make the point that the Constitution is actually trash. Conservatives are out here acting like the Constitution was etched by divine flame upon stone tablets, when in reality it was scrawled out over a sweaty summer by people making deals with actual monsters who were trying to protect their rights to rape the humans they held in bondage. Why would I give a fuck about the original public meaning of the words written by these men? Conservatives will tell you that the text of laws explicitly passed in response to growing political, social, or economic power of nonwhite minorities should be followed to their highest grammatical accuracy, and I’m supposed to agree the text of this bullshit is the valid starting point of the debate? Nah. As Rory Breaker says in the movie Lock, Stock and Two Smoking Barrels: “If the milk turns out to be sour, I ain’t the kind of pussy to drink it.” The Constitution was so flawed upon its release in 1787 that it came with immediate updates. The first ten amendments, the “Bill of Rights,” were demanded by some to ensure ratification of the rest of the document. All of them were written by James Madison, who didn’t think they were actually necessary but did it to placate political interests.
Elie Mystal (Allow Me to Retort: A Black Guy’s Guide to the Constitution)
An “alternative” to the mainstream frat boys and premed straight and narrow guys, these scholarly, charmless, intellectual brats dominated the more creative departments. As an art history major, I couldn’t escape them. “Dudes” reading Nietzsche on the subway, reading Proust, reading David Foster Wallace, jotting down their brilliant thoughts into a black Moleskine pocket notebook. Beer bellies and skinny legs, zip-up hoodies, navy blue peacoats or army green parkas, New Balance sneakers, knit hats, canvas tote bags, small hands, hairy knuckles, maybe a deer head tattooed across a flabby bicep. They rolled their own cigarettes, didn’t brush their teeth enough, spent a hundred dollars a week on coffee. They would come into Ducat, the gallery I ended up working at, with their younger—usually Asian—girlfriends. “An Asian girlfriend means the guy has a small dick,” Reva once said. I’d hear them talk shit about the art. They lamented the success of others. They thought that they wanted to be adored, to be influential, celebrated for their genius, that they deserved to be worshipped. But they could barely look at themselves in the mirror. They were all on Klonopin, was my guess. They lived mostly in Brooklyn, another reason I was glad to live on the Upper East Side.
Ottessa Moshfegh (My Year of Rest and Relaxation)
can i have it?" This shocks me. She's never asked for a drawing before. I'm horrible at giving them away. "For the sun, stars, oceans, and all the trees, I'll consider it," | say knowing she'll never agree. She knows how badly I want the sun and the trees. we've been dividing up the world since we were five. |'m kicking butt at the moment - universe domination is within my grasp for the first time. "Are you kidding?" she says, standing up straight. It annoys me how tall she's getting. It's like she's being stretched at night. "That leaves me just the flowers, Noah." Fine, i think. She'll never do it. It's settled, but it isn't. She reaches over and props up the pad, gazing at the portrait like she's expecting the english guy to speak to her. "Okay," she says. "Trees, stars, oceans. Fine." "And the sun, Jude." "Oh, all right," she says, totally surprising me. "I'll give you the sun.
Jandy Nelson (I'll Give You the Sun)
Oh. Dane. That's his name, right?" she asked. "He took our phones and put the shackles on us, but said we could use the phone on the table. I'm not sure if it's some kind of dominance posturing," she trailed off for a moment. "Actually yeah, having been around him for more than thirty seconds, I'm relatively certain that this is one hundred percent, testosterone-laden alpha male posturing. Is Jake like this?" "I might be an idiot," I said, "but even I wouldn't fall for this sort of thing. A guy who goes to this length to seem awesome must have a dick the size of a gherkin.
Lynn Red
Even more importantly, there simply is no direct relation between physical strength and social power among humans. People in their sixties usually exercise power over people in their twenties, even though twenty-somethings are much stronger than their elders. The typical plantation owner in Alabama in the mid-nineteenth century could have been wrestled to the ground in seconds by any of the slaves cultivating his cotton fields. Boxing matches were not used to select Egyptian pharaohs or Catholic popes. In forager societies, political dominance generally resides with the person possessing the best social skills rather than the most developed musculature. In organized crime, the big boss is not necessarily the strongest man. He is often an older man who very rarely uses his own fists; he gets younger and fitter men to do the dirty jobs for him. A guy who thinks that the way to take over the syndicate is to beat up the don is unlikely to live long enough to learn from his mistake. Even among chimpanzees, the alpha male wins his position by building a stable coalition with other males and females, not through mindless violence. In fact, human history shows that there is often an inverse relation between physical prowess and social power. In most societies, it’s the lower classes who do the manual labor. This may reflect homo sapiens position in the food chain. If all that counted were raw physical abilities, sapiens would have found themselves on a middle rung of the ladder. But their mental and social skills placed them at the top. It is therefore only natural that the chain of power within the species will also be determined by mental and social abilities more than by brute force. It is therefore hard to believe that the most influential and most stable social hierarchy in history is founded on men's ability to physically coerce women.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
The economic system founded on isolation is a circular production of isolation. The technology is based on isolation, and the technical process isolates in turn. From the automobile to television, all the goods selected by the spectacular system are also its weapons for a constant reinforcement of the conditions of isolation of 'lonely crowds.' . . . 'With the present means of long-distance mass communication, sprawling isolation has proved an even more effective method of keeping a population under control,' says Lewis Mumford in The City in History, describing 'henceforth a one-way world.' But the general movement of isolation, which is the reality of urbanism, must also include a controlled reintegration of workers depending on the needs of production and consumption that can be planned. Integration into the system requires that isolated individuals be recaptured and isolated together: factories and halls of culture, tourist resorts and housing developments are expressly organized to serve this pseudo-community that follows the isolated individual right into the family cell. The widespread use of receivers of the spectacular message enables the individual to fill his isolation with the dominant images―images which derive their power precisely from this isolation.
Guy Debord (Panegyric: Books 1 & 2)
In Woolrich's crime fiction there is a gradual development from pulp to noir. The earlier a story, the more likely it stresses pulp elements: one-dimensional macho protagonists, preposterous methods of murder, hordes of cardboard gangsters, dialogue full of whiny insults, blistering fast action. But even in some of his earliest crime stories one finds aspects of noir, and over time the stream works itself pure. In mature Woolrich the world is an incomprehensible place where beams happen to fall, and are predestined to fall, and are toppled over by malevolent powers; a world ruled by chance, fate and God the malign thug. But the everyday life he portrays is just as terrifying and treacherous. The dominant economic reality is the Depression, which for Woolrich usually means a frightened little guy in a rundown apartment with a hungry wife and children, no money, no job, and desperation eating him like a cancer. The dominant political reality is a police force made up of a few decent cops and a horde of sociopaths licensed to torture and kill, whose outrages are casually accepted by all concerned, not least by the victims. The prevailing emotional states are loneliness and fear. Events take place in darkness, menace breathes out of every corner of the night, the bleak cityscape comes alive on the page and in our hearts. ("Introduction")
Francis M. Nevins Jr. (Night and Fear: A Centenary Collection of Stories by Cornell Woolrich (Otto Penzler Book))
Kane smiled and said, “You want to know something funny?” “Always.” “There are over seven billion people on this planet, and I can only tolerate eleven.” I raised an eyebrow. “Who are the eleven people?” He held up both of his hands and dropped a finger for each person he named. “You, Branna, Bronagh, Keela, Alannah, Alec, Dominic, Ryder, Damien, Tony the pizza delivery guy, and Susan who works in Subway in the village.” I resisted the urge to laugh. “Why the last two? You don’t know them.” Kane pointed his index finger at me. “Tony brings me food, and Susan makes me food. Leave them alone, they’re good people.” I snorted. “You really need to expand your circle of people.
L.A. Casey (Aideen (Slater Brothers, #3.5))
As Vishous seemed to find a partner in surly crime with Rhamp, Qhuinn found himself staring at the brother. For a lot of reasons. One, the fact that V seemed to be falling all kinds of enchanted over Rhamp was…well, a person was more likely to see God up close and in person before a male like V was ever going to ohhh and ahhh over a kid. Second, Rhamp was starting to warm up in return, the little guy’s initially hostile response easing, his body relaxing its tension, his expression and those myopic baby-eyes assuming a kind of fondness. Sort of like if one tiger met another in the wilderness and the pair decided to hang out instead of try to eat each other in a bid for dominance.
J.R. Ward (The Chosen (Black Dagger Brotherhood, #15))
I knew the way these guys operated; I'd seen it over and over again. They had a need to manipulate and dominate their prey. They wanted to be able to decide whether or not their victim should live or die, or how the victim should die. They'd keep me alive as long as my body would hold out, reviving me when I passed out or was close to death, always inflicting as much pain and suffering as possible. Some of them could go on for days like that. They wanted to show me they were in total control, that I was completely at their mercy. The more I cried out, the more I begged for relief, the more I would fuel and energize their dark fantasies. If I would plead for my life or regress or call out for my mommy or daddy, that would really get them off.
John E. Douglas (Mind Hunter: Inside the FBI's Elite Serial Crime Unit)
In Scotland, the poverty industry is dominated by a left-leaning, liberal, middle class. Because this specialist class is so genuinely well-intentioned when it comes to the interests of people in deprived communities, they get a bit confused, upset and offended when those very people begin expressing anger towards them. It never occurs to them, because they see themselves as the good guys, that the people they purport to serve may, in fact, perceive them as chancers, careerists or charlatans. They regard themselves as champions of the under class and therefore, should any poor folk begin to get their own ideas or, god forbid, rebel against the poverty experts, the blame is laid at the door of the complainants for misunderstanding what is going on.
Darren McGarvey (Poverty Safari)
In their book Warrior Lovers, an analysis of erotic fiction by women, the psychologist Catherine Salmon and the anthropologist Donald Symons wrote, "To encounter erotica designed to appeal to the other sex is to gaze into the psychological abyss that separates the sexes.... The contrasts between romance novels and porn videos are so numerous and profound that they can make one marvel that men and women ever get together at all, much less stay together and successfully rear children." Since the point of erotica is to offer the consumer sexual experiences without having to compromise with the demands of the other sex, it is a window into each sex's unalloyed desires. ... Men fantasize about copulating with bodies; women fantasize about making love to people. Rape is not exactly a normal part of male sexuality, but it is made possible by the fact that male desire can be indiscriminate in its choice of a sexual partner and indifferent to the partner's inner life--indeed, "object" can be a more fitting term than "partner." The difference in the sexes' conception of sex translates into a difference in how they perceive the harm of sexual aggression. ... The sexual abyss offers a complementary explanation of the callous treatment of rape victims in traditional legal and moral codes. It may come from more than the ruthless exercise of power by males over females; it may also come from a parochial inability of men to conceive of a mind unlike theirs, a mind that finds the prospect of abrupt, unsolicited sex with a stranger to be repugnant rather than appealing. A society in which men work side by side with women, and are forced to take their interests into account while justifying their own, is a society in which this thick-headed incuriosity is less likely to remain intact. The sexual abyss also helps to explain the politically correct ideology of rape. ... In the case of rape, the correct belief is that rape has nothing to do with sex and only to do with power. As (Susan) Brownmiller put it, "From prehistoric times to the present, I believe, rape has played a critical function. It is nothing more or less than a conscious process of intimidation by which all men keep all women in a state of fear." ... Brownmiller wrote that she adapted the theory from the ideas of an old communist professor of hers, and it does fit the Marxist conception that all human behavior is to be explained as a struggle for power between groups. But if I may be permitted an ad feminam suggestion, the theory that rape has nothing to do with sex may be more plausible to a gender to whom a desire for impersonal sex with an unwilling stranger is too bizarre to contemplate. Common sense never gets in the way of a sacred custom that has accompanied a decline of violence, and today rape centers unanimously insist that "rape or sexual assault is not an act of sex or lust--it's about aggression, power, and humiliation, using sex as the weapon. The rapist's goal is domination." (To which the journalist Heather MacDonald replies: "The guys who push themselves on women at keggers are after one thing only, and it's not reinstatement of the patriarchy.")
Steven Pinker (The Better Angels of Our Nature: Why Violence Has Declined)
It’s easy to throw stones at Microsoft. They’ve clearly fallen from their dominance. They’ve become mostly irrelevant. And yet I appreciate what they did and how hard it was. They were very good at the business side of things. They were never as ambitious product-wise as they should have been. Bill likes to portray himself as a man of the product, but he’s really not. He’s a businessperson. Winning business was more important than making great products. He ended up the wealthiest guy around, and if that was his goal, then he achieved it. But it’s never been my goal, and I wonder, in the end, if it was his goal. I admire him for the company he built—it’s impressive—and I enjoyed working with him. He’s bright and actually has a good sense of humor. But Microsoft never had the humanities and liberal arts in its DNA. Even when they saw the Mac, they couldn’t copy it well. They totally didn’t get it.
Walter Isaacson (Steve Jobs)
The missile crisis "was the most dangerous moment in human history," Arthur Schlesinger commented in October 2002 at a conference in Havana on the fortieth anniversary of the crisis, attended by a number of those who witnessed it from within as it unfolded. Desision-makers at the time undoubtedly understood that the fate of the world was in their hands. Nevertheless, attendees at the conference may have been shocked by some of the revelations. They were informed that in October 1962 the world was "one word away" from nuclear war. "A guy named Arkhipov saved the world," said Thomas Blanton of the National Security Archive in Washington, which helped organize the event. He was referring to Vasil Arkhipov, a Soviet submarine officer blocked an order to fire nuclear-armed toredoes in October 27, at the tensest moment of the crisis, when te submarines were under attack bu US destroyers, A devastating response would have been a near certainty, leading a major war.
Noam Chomsky (Hegemony or Survival: America's Quest for Global Dominance)
Korie: Phil and Willie are so much alike. We went to a marriage seminar at our church one time, and Phil and Kay and Jase and Missy were there as well. Each of the couples took a personality test to see if their personalities were compatible. We all laughed because Phil and Willie scored high in the characteristics for having a dominant personality. They were almost identical in a lot of areas, but somewhat different in that Willie was high in the social category as well. I think Willie got that part of his personality from his mother. It’s funny because people look at the Robertsons and think Jase and Phil are just alike, and they are certainly similar in their love for ducks. But when we took the personality test, we saw that Jase’s personality is much more like his mother’s. So I guess it makes sense that Phil and Jase get along so well in the duck blind. They made a good team, just like Phil and Kay do at home. Kay has always said that Willie is a lot like Phil and even calls him “Phil Jr.” at times. While I wouldn’t go that far, I definitely saw the similarities. They both have strong, charismatic personalities. They are both big-picture guys with big ideas and deep beliefs. Whatever either of them is going in life, he does it all the way, and they are both very opinionated, which can sometimes be a challenge. Phil and Willie haven’t always been as close as they are now. As they grew, they recognized the attributes they have in common and learned to value one another’s differences and strengths. Willie says it couldn’t have happened until after he was thirty, though. He needed to grow up and mature, and Phil has gotten more relaxed as he’s gotten older. Willie loves to hunt with his dad and brothers, but there have been times when he’s had a hard time sitting in Phil’s blind. You can only have one leader in the duck blind, only one man who lines up the men and yells, “Cut ‘em!” when it’s time to shoot. Willie and Phil have both always been leaders, whether it’s in the blind or in business.
Willie Robertson (The Duck Commander Family)
Before dinner on the last night, while the guys were on the deck drinking whiskey and talking about Elon Musk, Liz and I went on a walk and she told me about a dream she’d been fixating on, a dream about what happens after mothers die. “We are all in this place. All the mothers who had to leave early.” (I would repeat her unforgettable phrasing—had to leave early—to Edward as we went to sleep that night.) “It’s huge, big as an airplane hangar, and there are all these seats, rows and rows, set up on a glass floor, so all the moms can look down and watch their kids live out their futures.” How dominant the ache to know what becomes of our children. “There’s one rule: you can watch as much and as long as you want, but you can only intervene once.” I nodded, tears forming. “So I sat down. And I watched. I watched them out back by the pool, swimming with Andy, napping on a towel. I watched them on the jungle gym, walking Lambchop, reading their Lemony Snicket books. I watched Margo taking a wrong turn or forgetting her homework. I watched Dru ignoring his coach. I watched Gwennie logging her feelings in a journal. And every time I went to intervene, to warn one of the kids about something or just pick them up to hold them, a more experienced mother leaned across and stopped me. Not now. He’ll figure it out. She’ll come around. And it went on and on like that and in the end,” she said, smiling with wet eyes, “I never needed to use my interventions.” Her dream was that she had, in her too-short lifetime, endowed her children with everything they’d require to negotiate the successive obstacle courses of adolescence, young adulthood, and grown-up life. “I mean, they had heartaches and regret and fights and broken bones,” she said, stopping to rest. “They made tons of mistakes, but they didn’t need me. I never had to say anything or stop anything. I never said one word.” She put her arm through mine and we started moving again, back toward the house, touching from our shoulders to our elbows, crunching the gravel with our steps, the mingled voices of our children coming from the door we left open.
Kelly Corrigan (Tell Me More: Stories about the 12 Hardest Things I'm Learning to Say)
I really should simplify my existence. How much trouble is a person required to have? I mean, is it an assignment I have to carry out? It can’t be, because the only good I ever knew of was done by people when they were happy. But to tell you the truth, Kayo, since you are the kind of guy who will understand it, my pride has always been hurt by my not being able to give an account of myself and always being manipulated. Reality comes from giving an account of yourself, and that’s the worst of being helpless. Oh, I don’t mean like the swimmer on the sea or the child on the grass, which is the innocent being in the great hand of Creation, but you can’t lie down so innocent on objects made by man,” I said to him. “In the world of nature you can trust, but in the world of artifacts you must beware. There you must know, and you can’t keep so many things on your mind and be happy. ‘Look on my works ye mighty and despair!’ Well, never mind about Ozymandias now being just trunkless legs; in his day the humble had to live in his shadow, and so do we live under shadow, with acts of faith in functioning of inventions, as up in the stratosphere, down in the subway, crossing bridges, going through tunnels, rising and falling in elevators where our safety is given in keeping. Things done by man which overshadow us. And this is true also of meat on the table, heat in the pipes, print on the paper, sounds in the air, so that all matters are alike, of the same weight, of the same rank, the caldron of God’s wrath on page one and Wieboldt’s sale on page two. It is all external and the same. Well, then what makes your existence necessary, as it should be? These technical achievements which try to make you exist in their way?” Kayo said, not much surprised by this, “What you are talking about is moha—a Navajo word, and also Sanskrit, meaning opposition of the finite. It is the Bronx cheer of the conditioning forces. Love is the only answer to moha, being infinite. I mean all the forms of love, eros, agape, libido, philia, and ecstasy. They are always the same but sometimes one quality dominates and sometimes another.
Saul Bellow (The Adventures Of Augie March)
A bad guy? He smothered a smile at the naiveté of the question. “Do you wish I was your heroic rescuer? That’s cute.” “You didn’t do any rescuing. That part was all me.” “I’m no one’s hero anyway. Most label me an abomination. It’s my lot in life. I do scary things beyond what you could even imagine. It’s why you’re best off if you get out of the car. Go your own way.” “You do scary things? Like pick up a girl and murder her on the side of the road?” “Are you frightened?” “I’m terrified,” she said sarcastically without a hint of fear. “You lumped us together earlier when you said ‘our kind,’ so I assume I also do bad things.” “You killed that guy in the club.” “You mean the one who planned to shoot you in the heart?” “I’m not saying I feel bad for him. Just pointing out murder’s not exactly a heroine move.” “So I’m a bad girl? You like that, don’t you?” She stared out the window, her lips compressed against a smile. “I like it.” Holy shit, she was incredible. He dealt with the deadliest of preternatural creatures on a daily basis. His servitude to the Crown required he hunt down and destroy paranormal threats bent on power, greed, or world domination. But he’d never encountered someone like her.
Zoe Forward (Bad Moon Rising (Crown's Wolves, #1))
At different times in the past, there were companies that exemplified Silicon Valley. It was Hewlett-Packard for a long time. Then, in the semiconductor era, it was Fairchild and Intel. I think that it was Apple for a while, and then that faded. And then today, I think it’s Apple and Google—and a little more so Apple. I think Apple has stood the test of time. It’s been around for a while, but it’s still at the cutting edge of what’s going on. It’s easy to throw stones at Microsoft. They’ve clearly fallen from their dominance. They’ve become mostly irrelevant. And yet I appreciate what they did and how hard it was. They were very good at the business side of things. They were never as ambitious product-wise as they should have been. Bill likes to portray himself as a man of the product, but he’s really not. He’s a businessperson. Winning business was more important than making great products. He ended up the wealthiest guy around, and if that was his goal, then he achieved it. But it’s never been my goal, and I wonder, in the end, if it was his goal. I admire him for the company he built—it’s impressive—and I enjoyed working with him. He’s bright and actually has a good sense of humor. But Microsoft never had the humanities and liberal arts in its DNA. Even when they saw the Mac, they couldn’t
Walter Isaacson (Steve Jobs)
Since we were on Everest, many other climbers have succeeded on the “big one” as well. She has now been scaled by a blind man, a guy with prosthetic legs, and even by a young Nepalese teenager. Don’t be fooled, though. I never belittle the mountain. She is still just as high and just as dangerous. Instead, I admire those mountaineers--however they have climbed her. I know what it is really like up there. Humans learn how to dominate and conquer. It is what we do. But the mountain remains the same--and sometimes she turns and bites so damn hard that we all recoil in terror. For a while. Then we return. Like vultures. But we are never in charge. It is why, within Nepal, Everest is known as the mother goddess of the sky--lest we forget. This name reflects the respect the Nepalese have for the mountain, and this respect is the greatest lesson you can learn as a climber. You climb only because the mountain allows it. If the peak hints at you to wait, then you must wait; and when she begins to beckon you to go then you must struggle and strain in the thin air with all your might. The weather can change in minutes, as storm clouds envelop the peak--and the summit itself stubbornly pokes into the fierce band of jet-stream winds that circle the earth above twenty-five thousand feet. These 150+ mph winds cause the majestic plume of snow that pours off Everest’s peak. A constant reminder that you have got to respect the mountain. Or you die.
Bear Grylls (Mud, Sweat and Tears)
Separation is the alpha and omega of the spectacle. The institutionalization of the social division of labor, the formation of classes, had given rise to a first sacred contemplation, the mythical order with which every power shrouds itself from the beginning. The sacred has justified the cosmic and ontological order which corresponded to the interests of the masters; it has explained and embellished that which society could not do. Thus all separate power has been spectacular, but the adherence of all to an immobile image only signified the common acceptance of an imaginary prolongation of the poverty of real social activity, still largely felt as a unitary condition. The modern spectacle, on the contrary, expresses what society can do, but in this expression the permitted is absolutely opposed to the possible. The spectacle is the preservation of unconsciousness within the practical change of the conditions of existence. It is its own product, and it has made its own rules: it is a pseudo-sacred entity. It shows what it is: separate power developing in itself, in the growth of productivity by means of the incessant refinement of the division of labor into a parcellization of gestures which are then dominated by the independent movement of machines; and working for an ever-expanding market. All community and all critical sense are dissolved during this movement in which the forces that could grow by separating are not yet reunited.
Guy Debord
Cohen continued to struggle with his own well-being. Even though he had achieved his life’s dream of running his own firm, he was still unhappy, and he had become dependent on a psychiatrist named Ari Kiev to help him manage his moods. In addition to treating depression, Kiev’s other area of expertise was success and how to achieve it. He had worked as a psychiatrist and coach with Olympic basketball players and rowers trying to improve their performance and overcome their fear of failure. His background building athletic champions appealed to Cohen’s unrelenting need to dominate in every transaction he entered into, and he started asking Kiev to spend entire days at SAC’s offices, tending to his staff. Kiev was tall, with a bushy mustache and a portly midsection, and he would often appear silently at a trader’s side and ask him how he was feeling. Sometimes the trader would be so startled to see Kiev there he’d practically jump out of his seat. Cohen asked Kiev to give motivational speeches to his employees, to help them get over their anxieties about losing money. Basically, Kiev was there to teach them to be ruthless. Once a week, after the market closed, Cohen’s traders would gather in a conference room and Kiev would lead them through group therapy sessions focused on how to make them more comfortable with risk. Kiev had them talk about their trades and try to understand why some had gone well and others hadn’t. “Are you really motivated to make as much money as you can? This guy’s going to help you become a real killer at it,” was how one skeptical staff member remembered Kiev being pitched to them. Kiev’s work with Olympians had led him to believe that the thing that blocked most people was fear. You might have two investors with the same amount of money: One was prepared to buy 250,000 shares of a stock they liked, while the other wasn’t. Why? Kiev believed that the reluctance was a form of anxiety—and that it could be overcome with proper treatment. Kiev would ask the traders to close their eyes and visualize themselves making trades and generating profits. “Surrendering to the moment” and “speaking the truth” were some of his favorite phrases. “Why weren’t you bigger in the trades that worked? What did you do right?” he’d ask. “Being preoccupied with not losing interferes with winning,” he would say. “Trading not to lose is not a good strategy. You need to trade to win.” Many of the traders hated the group therapy sessions. Some considered Kiev a fraud. “Ari was very aggressive,” said one. “He liked money.” Patricia, Cohen’s first wife, was suspicious of Kiev’s motives and believed that he was using his sessions with Cohen to find stock tips. From Kiev’s perspective, he found the perfect client in Cohen, a patient with unlimited resources who could pay enormous fees and whose reputation as one of the best traders on Wall Street could help Kiev realize his own goal of becoming a bestselling author. Being able to say that you were the
Sheelah Kolhatkar (Black Edge: Inside Information, Dirty Money, and the Quest to Bring Down the Most Wanted Man on Wall Street)
with his daughter.” “Incest?” Rainie looked at Quincy incredulously. “Jesus, SupSpAg, how do you sleep with that mind?” “I can’t be sure,” Quincy said modestly, “but it has all the classic signs. Domineering father alone with his young daughter for the first thirteen years of her life. Seems very doting on the outside. I’m sure if you conducted further interviews you’d find plenty of neighbors and teachers telling you how ‘close’ Mr. Avalon and his daughter were. How ‘involved’ he was in her life. But then she hits puberty and the jig is up. To continue risks pregnancy, plus she’s starting to get a woman’s body, and many of these men aren’t interested in that. So Mr. Avalon goes ahead and takes a wife, some poor, passive woman to serve as window dressing and help him appear suitable to the outside world. Now he clings to the fantasy of what he once had. And protects it jealously.” “Does Mr. Avalon have access to a computer?” Rainie asked Luke. “In his office.” She turned to Quincy. “If Mr. Avalon was involved with his daughter, would he have problems with her relationship with VanderZanden?” “He’ll have problems with any of her relationships. In his mind, she’s his.” “That’s it then. He found out, got angry—” “And got an alibi,” Luke interrupted flatly. They looked at him sharply. He was nearly apologetic. “I tried, Rainie. I stayed in town till eleven last night trying to break this guy’s story. I’ve probably pissed off every blue blood in the city and it still holds. Mr. Avalon was in a business meeting all day Tuesday. His secretary swears
Lisa Gardner (The Third Victim (Quincy & Rainie, #2))
People in their sixties usually exercise power over people in their twenties, even though twentysomethings are much stronger than their elders. The typical plantation owner in Alabama in the mid-nineteenth century could have been wrestled to the ground in seconds by any of the slaves cultivating his cotton fields. Boxing matches were not used to select Egyptian pharaohs or Catholic popes. In forager societies, political dominance generally resides with the person possessing the best social skills rather than the most developed musculature. In organised crime, the big boss is not necessarily the strongest man. He is often an older man who very rarely uses his own fists; he gets younger and fitter men to do the dirty jobs for him. A guy who thinks that the way to take over the syndicate is to beat up the don is unlikely to live long enough to learn from his mistake. Even among chimpanzees, the alpha male wins his position by building a stable coalition with other males and females, not through mindless violence. In fact, human history shows that there is often an inverse relation between physical prowess and social power. In most societies, it’s the lower classes who do the manual labour. This may reflect Homo sapiens’ position in the food chain. If all that counted were raw physical abilities, Sapiens would have found themselves on a middle rung of the ladder. But their mental and social skills placed them at the top. It is therefore only natural that the chain of power within the species will also be determined by mental and social abilities more than by brute force. It is therefore hard to believe that the most influential and most stable social hierarchy in history is founded on men’s ability physically to coerce women.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
It occurred to me, not for the first time, how much simpler our lives would be if we could date each other. That delousing kit cost eleven dollars! “Do you ever think it would be easier if we could go out with girls?” I said aloud. Svetlana didn’t answer right away. “I find most of the lesbians I know a bit intimidating,” she said, finally. “And I don’t really share their aesthetic sense—or they seem not to value aesthetics that much. I just don’t think I’d fit in. Especially since I’m always lusting after boys.” That was something I thought about, too: the physical response I felt to Ivan, the dull electric jolt, some heavy, slow machinery starting to turn in my chest and between my legs. I had never felt those things with relation to a girl. On the other hand, I usually hadn’t felt them in Ivan’s presence, either; it was more when he wasn’t there. And how much was that physical feeling worth? Was it really enough to counterbalance all the disadvantages? You couldn’t just talk to Ivan like he was a normal person; he didn’t hear, or he didn’t understand, or he went off somewhere and you couldn’t find him. Also, all his friends thought I was crazy. Instead of dealing with those people, how much more fun and relaxing it would be to pet Svetlana’s shining golden hair, to tell her how pretty she was and to watch her get more pretty, as she always did when someone complimented her. Her body wanted to be complimented, and I knew just what to tell her, so why couldn’t I? “But girls are more beautiful, and so much easier to sort of negotiate with. And the lust for boys never seems to work out well for me. So it just feels like girls are at least something to think about.” Again, Svetlana didn’t answer right away. “I would feel squeamish with anything beyond kissing and playing with each other’s breasts,” she said after a moment. I realized that I, too, had only been thinking about kissing and playing with each other’s breasts. What else did lesbians even do? Other than oral sex, which was apparently horrible. The way people talked about it on sit-coms: “Does he like . . . deep-sea diving?” You had to be altruistic to do it—a generous lover. That said, oral sex with a boy also seemed likely to be disgusting. Guys themselves seemed to think so. Wasn’t that why they went around yelling “cocksucker” at people who cut them off in traffic? “Do you not feel squeamish when you think about sex with a guy?” I asked. “I do, but it feels exciting. The idea of being penetrated and dominated.
Elif Batuman (Either/Or)
There was an original purpose to the Second Amendment, but it wasn’t to keep people safe. It was to preserve white supremacy and slavery. The Second Amendment is in the Constitution because Patrick Henry (Virginia’s governor at the time that the Constitution was being debated) and George Mason (the intellectual leader of the movement against the Constitution, the “anti-federalists”) won a debate against James Madison (the guy who wrote most of the Constitution and its original ten amendments). Henry and Mason wanted the Second Amendment in there to guard against slave revolts. Although, overall, white Southerners outnumbered their enslaved populations, that numerical advantage did not hold in every region. In parts of Virginia, for instance, enslaved Black people outnumbered whites. Predictably, whites were worried about slave revolts because, you know, holding people in bondage against their will is not all that easy to do without numerical and military superiority. The principal way of quelling slave revolts was (wait for it): armed militias of white people. Gangs of white people roving around, imposing white supremacy, is nothing new. But the slavers worried that the new Constitution put the power of raising militias with the federal government and not with the individual states. That would mean that the federal government, dominated by Northerners, could choose to not help the South should their population of oppressed humans demand freedom. In a May 2018 New York Times article, Professor Carl Bogus of Roger Williams University School of Law explained the argument like this: During the debate in Richmond, Mason and Henry suggested that the new Constitution gave Congress the power to subvert the slave system by disarming the militias. “Slavery is detested,” Henry reminded the audience. “The majority of Congress is to the North, and the slaves are to the South.” Henry and Mason argued that because the Constitution gave the federal government the power to arm the militias, only the federal government could do so: “If they neglect or refuse to discipline or arm our militia, they will be useless: the states can do neither—this power being exclusively given to Congress.” Why would the federal government “neglect” a Southern militia? Henry and Mason feared the Northerners who “detested” slavery would refuse to help the South in the event of a slave uprising. Madison eventually gave in to the forces of slavery and included the Second Amendment, along with his larger Bill of Rights.
Elie Mystal (Allow Me to Retort: A Black Guy’s Guide to the Constitution)
Would the pair of you like to turn your backs so you exclude us more effectively?” Jode asks. “We’re just adding to the list.” I hold up my journal. “Daryn.” Gideon shakes his head, pretending to be disappointed. “It’s our list.” “A list?” Jode leans back, resting his head against his bag. “What’s this list about?” Rather than explain it, I just lean over and give it to him. Gideon puts his hand over his heart and winces. “I hate sharing, Martin.” I lean up, whispering in his ear. “Some things are only for you.” He gives me a long unblinking look that makes my face burn and my body feel light and hot. “This is an outrage,” Jode says dryly. “I’m in here once and Gideon is here … two, three, four times?” “Three,” I say. “The last one doesn’t really count.” “Oh, it counts,” Gideon says. “How many times am I in it?” Marcus asks. “Are you guys making this a competition?” “Of course.” “Yeah.” “Definitely. And I’m dominating.” “For real,” Marcus says. “How many times am I on there?” “Once, like me. For your winning smile.” Jode closes the notebook and tosses it to Marcus. “But don’t let it go to your head. Gideon’s arse has a spot on the list as well.” Gideon looks at me and winks. “Like I said, dominating.” “Dare, you got a pen?” Marcus asks. This catches me by surprise for a moment. “Yes.” I toss it to him, smiling. This is perfect. Whatever he adds, it’s already perfect. As Marcus writes, Jode leans back and gazes up at the trees. “You’re thinking it’ll be five for you after this. Aren’t you, Gideon?” “You know me well, Ellis.” Marcus finishes writing. He sets the pen in the fold and hands the journal to Gideon. I lean in and read. Marcus’s handwriting is elegant cursive—almost astonishingly elegant. And what he wrote is, as expected, perfection. Even better is that Gideon reads it aloud. “‘Twenty-eight. The family you make.’” He looks at Marcus. “Damn right, bro. This is the best one here.” He looks at me. “Tied with fourteen.” “Ah, yes,” Jode says. “Gideon’s Super Lips.” Marcus shakes his head at me. “Why?” “It was a mistake. I wrote it before the list went public. What’s your addition, Jode? It can be anything. Anything that has significance to you.” “Full English breakfast,” he says, without missing a beat. “Bacon, eggs, sausages, baked beans, grilled tomato, mushrooms, toast, marmalade. With tea, of course. One of life’s undeniable pleasures.” My mouth instantly waters. “Well, it’s no trail mix, but all right.” I add “English Breakfast” to the list.
Veronica Rossi (Seeker (Riders, #2))
They came in to look. I watched them. Most people go through museums like they do Macy's: eyes sweeping the display, stopping only if something really grabs their attention. These two looked at everything. They both clearly liked the bicycle picture. Yup, Dutch, I decided. He was a few steps ahead when he got to my favorite painting there. Diana and the Moon. It was-surprise surprise-of Diana, framed by a big open window, the moon dominating the sky outside. She was perched on the windowsill, dressed in a gauzy wrap that could have been nightclothes or a nod to her goddess namesake. She looked beautiful, of course, and happy, but if you looked for more than a second, you could see that her smile had a teasing curve to it and one of her hands was actually wrapped around the outside frame. I thought she looked like she might swing her legs over the sill and jump, turning into a moth or owl or breath of wind even before she was completely out of the room. I thought she looked, too, like she was daring the viewer to come along. Or at least to try. The Dutch guy didn't say anything. He just reached out a hand. His girlfriend stepped in, folding herself into the circle of his outsretched arm. They stood like that, in front of the painting, for a full minute. Then he sneezed. She reached into her pocket and pulled out a tissue.He took in and, without letting go of her, did a surprisingly graceful one-handed blow. Then he crumpled the tissue and looked around for a trash can. There wasn't one in sight. She held out her free hand; he passed over the tissue, and she stuck it right back into her pocket. I wanted to be grossed out. Instead, I had the surprising thought that I really really wanted someone who would do that: put my used Kleenex in his pocket. It seemed like a declaration of something pretty big. Finally,they finished their examination of Diana and moved on.There wasn't much else, just the arrogant Willings and the overblown sunrise. They came over to examine the bronzes. She saw my book. "Excuse me. You know this artist?" Intimately just didn't seem as true anymore. "Pretty well," I answered. "He is famous here?" "Not very." "I like him." she said thoughtfully. "He has...oh, the word...personism?" "Personality?" I offered. "Yes!" she said, delighted. "Personality." She reached behind her without looking. Her boyfriend immediately twined his fingers with hers. They left, unfolding the map again as they went, she chattering cheerfully. I think she was telling him he had personality. They might as well have had exhibit information plaques on their backs: "COUPLE." CONTEMPORARY DUTCH. COURTESY OF THE ESTATE OF LOVE, FOR THE VIEWING PLEASURE (OR NOT) OF ANYONE AND EVERYONE.
Melissa Jensen (The Fine Art of Truth or Dare)
There it is, forming behind us: The Fat Blue Phalanx. All the smug self-satisfied maleness you can drink, and free refills at the station house. It's all I can see in cops, that patriarchal bullshit that will never yield to a contract of mutual respect. That grunting fuck-obsessed inability to deobjectify you and treat you as a person, it’s a subclass of male that will never, ever change, no matter what. There they are with their uniforms and their discipline, an abstract and codified representation of all the construction workers who ever whistled at you and there you were, too polite to pee in their toolboxes in retaliation, too polite to challenge them, walking away red-faced because the worst part of it is that you were wondering whether they were really whistling like they’d whistle at Caprice or if they were just being sarcastic and were even now laughing at you with your short skinny legs and flat ass. Besides you’re not supposed to let it get to you. You’re supposed to have a sense of humour: they do. See them waving their cocks at each other and farting? You aren’t allowed to break the rules of their society which say that you are a cold uptight lesbian bitch if you don’t like their hohoho aggressive male ways so just hold your head high from your position of moral superiority and go home and tell your boyfriend (if you have one, which I don’t) who if you’re lucky will offer to go beat them up knowing you won’t take him up on it because you know perfectly well he’d probably get his ass kicked, most of the boys you know are highly ass-kickable because they’ve been brought up nicely. They were brought up in the luxury of knowing the money power of the military-industrial complex would protect them from the dirt and the grime of uneducated testosterone. its thanx to our weak boyfriends that we have cops at all, surrogate cock and balls to maintain ‘order’, whatever that is. Or was. And where does it really leave you as a prisoner of the suburbs? Fuming over some tiny incident that the aggressors have already forgotten about, but you have the sinking feeling you've just sniffed the true underbelly and the aroma was not what you get in Calvin Klein ads. Scratch 'n' sniff, scratch 'n' sniff, peel the onion... will you ever get down to the reality of what this place is about? And I know I shouldn't brand individual cops with the big blue brush but in my mind these guys are a symbol of the whole iron-cage Boy system that makes me always a victim, no matter what I do, it's a cage I can't escape. I'm the little princess. They dominate, they aggress, they protect.
Tricia Sullivan (Maul)
There simply is no direct relation between physical strength and social power among humans. People in their sixties usually exercise power over people in their twenties, even though twentysomethings are much stronger than their elders. The typical plantation owner in Alabama in the mid-nineteenth century could have been wrestled to the ground in seconds by any of the slaves cultivating his cotton fields. Boxing matches were not used to select Egyptian pharaohs or Catholic popes. In forager societies, political dominance generally resides with the person possessing the best social skills rather than the most developed musculature. In organised crime, the big boss is not necessarily the strongest man. He is often an older man who very rarely uses his own fists; he gets younger and fitter men to do the dirty jobs for him. A guy who thinks that the way to take over the syndicate is to beat up the don is unlikely to live long enough to learn from his mistake. Even among chimpanzees, the alpha male wins his position by building a stable coalition with other males and females, not through mindless violence.
Yuval Noah Harari (Sapiens - A brief history of humankind (Marathi) (Marathi Edition))
Good values are 1) reality-based, 2) socially constructive, and 3) immediate and controllable. Bad values are 1) superstitious, 2) socially destructive, and 3) not immediate or controllable. Honesty is a good value because it’s something you have complete control over, it reflects reality, and it benefits others (even if it’s sometimes unpleasant). Popularity, on the other hand, is a bad value. If that’s your value, and if your metric is being the most popular guy/girl at the dance party, much of what happens will be out of your control: you don’t know who else will be at the event, and you probably won’t know who half those people are. Second, the value/metric isn’t based on reality: you may feel popular or unpopular, when in fact you have no fucking clue what anybody else really thinks about you. (Side Note: As a rule, people who are terrified of what others think about them are actually terrified of all the shitty things they think about themselves being reflected back at them.) Some examples of good, healthy values: honesty, innovation, vulnerability, standing up for oneself, standing up for others, self-respect, curiosity, charity, humility, creativity. Some examples of bad, unhealthy values: dominance through manipulation or violence, indiscriminate fucking, feeling good all the time, always being the center of attention, not being alone, being liked by everybody, being rich for the sake of being rich, sacrificing small animals to the pagan gods.
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
Never mind that I have been kicking the butts of the undead since I was in elementary school, and that almost the entire time I resided under Andy's roof, I had a hot undead guy living in my bedroom. These are two of those secrets I was telling you about. Andy doesn't know about them, and neither does my mother. They think Jesse is what Father Dominic told them he is: a "young Jesuit student who tranferred to the Carmel Mission from Mexico, then lost his yearning to go into the priesthood" after meeting me. That one slays me every time.
Meg Cabot (Proposal (The Mediator, #6.5))
Bears. We come in all shapes and varieties. Besides your “typical” bear (a hairy, stocky to heavyset man), there are chubs (heavyset men who aren’t necessarily hairy), cubs (young bears or bears who are very young at heart), daddy bears (older guys, sometimes looking for a “daddy/son” relationship with a younger guy or cub—definitely not talking pederasty here), leather bears (bears who like to wear leather), muscle bears (can be very muscular, but they tend not to worry about abs in favor of some nice padding), polar bears (bears whose hair has gone gray/white), panda bears (bears of Asian descent), black bears (bears of African descent), pocket bears (short bears), Ewoks (very short bears), ginger bears (redheaded bears), and grizzly bears (usually much shaggier and taller and sometimes dominant). And then there are otters (hairy guys who are slim)!
Dreamspinner Press
Kendra and Ben consider themselves the experts. She’s the cataloger with a degree and he’s a lecturer in history, writing a book on this St. Vrain guy. Experts, see? They want Nora’s money so they can preserve her collection and even buy more historical stuff. But Dominic thinks they’re wasting her money—and it’s money he wants to invest and make a commission on.
Karin Kaufman (At Death's Door (Juniper Grove, #3))
Love MINECRAFT? **Over 18,000 words of kid-friendly fun!** This high-quality fan fiction fantasy diary book is for kids, teens, and nerdy grown-ups who love to read epic stories about their favorite game! Meet the Skull Kids. They're three Minecraft players who hop from world to world, hunting zombies and searching for the elusive Herobrine--the ghost in the machine. Teleporting down into a new world, the group is surprised to find that the game has changed once again, rendering almost ALL of their technology and mods useless. And when two of the Skull Kids are starving and distracted by exploring a desert village on Day 1 of their new adventure, the whole group is in danger when the sun goes down. Will the Skull Kids survive? Thank you to all of you who are buying and reading my books and helping me grow as a writer. I put many hours into writing and preparing this for you. I love Minecraft, and writing about it is almost as much fun as playing it. It’s because of you, reader, that I’m able to keep writing these books for you and others to enjoy. This book is dedicated to you. Enjoy!! After you read this book, please take a minute to leave a simple review. I really appreciate the feedback from my readers, and love to read your reactions to my stories, good or bad. If you ever want to see your name/handle featured in one of my stories, leave a review and tell me about it in there! And if you ever want to ask me any questions, or tell me your idea for a cool Minecraft story, you can email me at steve@skeletonsteve.com. Are you on my Amazing Reader List? Find out at the end of the book! June 29th, 2016 Now I’m going to try something a little different. Tell me what you guys think! This ‘Players Series’ is going to be a continuing series of books following my new characters, the players Renzor51, Molly, and quantum_steve. Make sure to let me know if you like it or not! Would you still like to see more books about mobs? More books about Cth’ka the Creeper King? I’m planning on continuing that one. ;) Don’t forget to review, and please say hi and tell me your ideas! Thanks, Ryan Gallagher, for the ideas to continue the wolf pack book! Enjoy the story. P.S. - Have you joined the Skeleton Steve Club and my Mailing List?? You found one of my diaries!! This particular book is the continuing story of some Minecraft players—a trio of friends who leap from world to world, searching for the elusive Herobrine. They’re zombie hunters and planeswalkers. They call themselves “The Skull Kids”. Every time these Skull Kids hop into a new world, they start with nothing more than the clothes they’re wearing, and they end up dominating the realm where they decide to live. What you are about to read is the first collection of diary entries from Renzor51, the player and member of the Skull Kids who documents their adventures, from the day they landed on Diamodia and carved out their own little empire, and beyond. Be warned—this is an epic book! You’re going to care about these characters. You’ll be scared for them, feel good for them, and feel bad for them! It’s my hope that you’ll be sucked up into the story, and the adventure and danger will be so intense, you’ll forget we started this journey with a video game! With that, future readers, I present to you the tale of the Skull Kids, Book 1. The Skull Kids Ka-tet Renzor51 Renzor51 is the warrior-scribe of the group, and always documents the party’s adventures and excursions into game worlds. He’s a sneaky fighter, and often takes the role of a sniper, but can go head to head with the Skull Kids’ enemies when needed. A natural artist, Renzor51 tends to design and build many of the group’s fortresses and structures, and keeps things organized. He also focuses a lot on weapon-smithing and enchanting, always seeking out ways to improve his gear. Molly
Skeleton Steve (Diary of a Zombie Hunter Player Team - The Skull Kids, Book 1 (Diary of a Zombie Hunter Player Team - The Skull Kids, #1))
Times were changing in the world of id. They had finally fired Jason, narrowing the group to Carmack, Romero, Adrian, and Tom. But something else was in the air. The Reagan-Bush era was finally coming to a close and a new spirit rising. It began in Seattle, where a sloppily dressed grunge rock trio called Nirvana ousted Michael Jackson from the top of the pop charts with their album Nevermind. Soon grunge and hip-hop were dominating the world with more brutal and honest views. Id was braced to do for games what those artists had done for music: overthrow the status quo. Games until this point had been ruled by their own equivalent of pop, in the form of Mario and Pac-Man. Unlike music, the software industry had never experienced anything as rebellious as Wolfenstein 3-D. The
David Kushner (Masters of Doom: How Two Guys Created an Empire and Transformed Pop Culture)
Dominic was appalled. "You have an ass, a phat ass. I love it and so do the guys who check you out." "No one checks me out." Dominic snarled. "Trust me, they do... why do you think I hate going into town with you? I use bucket loads of self-control not to punch people." I snorted. "And people say I have anger issues." Dominic grinned. "I know I have a bad temper, but so do you, we're a perfect match." "A match made from Hell according to Branna.
L.A. Casey
With that in mind, Luke closed his eyes and thought determinedly of Dominic’s smile. The next morning, his father’s helicopter crashed in Colombia.
Alessandra Hazard (Just a Bit Ruthless (Straight Guys, #6))
The ‘republican’ variant is that freedom must mean non-domination. Stemming from Aristotle, republican freedom requires freedom from potential domination as well as from actual domination by figures, institutions or processes of unaccountable domination.12 In other words, to the extent that authority figures or institutions could, if they wished, ‘arbitrarily interfere’ with a person’s ability to act or think (or develop), republican freedom is compromised.13 This view is linked to the argument, derived in part from the philosophy of Jean-Jacques Rousseau, that the very existence of property can destroy or compromise such freedom. After all, if a few families own all the land, to talk of everyone having freedom would be absurd. Robust republican freedom could be said to exist if everyone in society could avoid or escape from unwanted interference, and also from the rational fear of it. To be free, a person must be free of the will of others. If I fear rationally and reasonably that, were I to offend someone, my freedom would be lost, I am not free. By contrast with libertarianism, which sees all government as compromising freedom, republican freedom requires and depends on government. But it must be government that is democratically accountable and geared to the promotion of full freedom, defined primarily as the ability of the most vulnerable in society to avoid domination. Republican freedom also requires government to ensure that the choices of the powerful cannot block others from making choices themselves. If
Guy Standing (Basic Income: And How We Can Make It Happen)
Your hard-to-resist charm makes you incredibly sexy and keeps guys coming back again and again. You are dominant in AND out of the bedroom, making you a hot commodity to a lot of guys. Your quote should match the confidence you have in yourself because THAT is what makes you sexiest. You don't need to beat around the bush when you want someone to know how you feel about them, so saying something direct is exactly what you would do. Guys flock to you because you make honestly look so sexy.
sandy Khoury
One time I asked my father, who was super laid-back, if he believed in evil. We'd been watching the TV news when an awful story came on about some guy who went to a crowded movie theater and started shooting everyone, people he'd never met before, even kids. The lawyer for the shooter said he had severe emotional problems (which was, like, no kidding), but in my mind, that didn't account for how and why he devised a plan so awful and cold-blooded. And I remember Dad mulling my question for a few moments before saying that true evil was rare, but, yes, it was real. He also said that it didn't occur in any other species besides humans, and I believe he was right. Violence and brutal domination exist in the animal world as a means for survival, not as sport or sick amusement.
Carl Hiaasen (No Surrender (Skink #7))
The spectacle is the ruling order's nonstop discourse about itself, its never-ending monologue of self-praise, its self-portrait at the stage of totalitarian domination of all aspects of life.
Guy Debord (The Society of the Spectacle)
An enormous, golden statue dominates the room. From this angle, it looks like a chubby, bald guy in a diaper sitting on a box.
Julia Huni (Triana Moore, Space Janitor: The Complete Series)
If a guy is going to dominate you, let him dominate you on the price of something like a hand drawing in this case, something that doesn’t matter. If you find yourself in a similar situation (the day will come when this happens to you, too), then pick something abstract and start an intense price negotiation over it—and it doesn’t matter if you win or lose. The power of the person’s frame is rendered trivial, and the focus is back to you and what you want to do with the meeting.
Oren Klaff (Pitch Anything: An Innovative Method for Presenting, Persuading, and Winning the Deal)
My personal note about love - There is no true love as far as my knowledge only attachments and vibrations that keep two souls and bodies for sometime and then they sperate. Somehow if they are trapped what is so called as social bondage i e Marriage, then they have responsibilities, children to make and nurture them. But world needs human resources so marriage is needed but here the concept of marriage in south and north. concept of marriage in south india is different than concept of marriage in north india where manu smiriti is written and rajputs (My previous life clans) dominates. Bhramin concept of marriage is totally unique. so when you love someone within your culture it becomes strong family bondage that is hard to break but that affects organization you work, if you inter marry concept of trust may break anytime, that is why north rajputs follow the concept of vibrations in love but that is not suitable in south india. And because of sexual activities it affects the society and ecology. So finally for my personal choice which is true true true love is almost impossible anywhere even within same culture or inter culture because both have their own pros and cons and trust issues, that is why i choose to be single but if I marry then I will keep my marrital relationship out of context or out of my organization or institution where i am going to. Sex is primary desire for men and women and also for theird genders. In western concept sex has gone into multiple varieties even incest nature. It is now difficult to classify which one is right and which one is wrong becaus they context specific and completely personal but problem is where legality is touching. So my personal choice is if getting married whatever community the girl is from I will keep it out of my research institutional context but most probably i will not marry as I am not sure about immorality and where immorality comes into touch and it may get against the meaning of what is ganapathy. Ganapathy should never be immoral nor his wife. so i will most probably be single and friendly to anyone, any sex, any nationality but i will keep recording each every aspect of science and where immorality comes to. And when i choose to die, I will write all about science and immorality and spirtulism and souls desire. Prostituion or porn industry can never be avoided completely nor should be avoided as it researches about human emotions. they are track records of human evolution. But I see these prostitutes and porn industry as a tool for finding where immorality comes forward. And inside research institutions whereever I am going to I will keep observing everything that goes in science. Traditional and modern science both i will keep on observing for sure. So finally if i marry somehow whomever it is, the girl should be out of my research working context or completely same mind set. And My marriage should not ruin the name of Ganapathy so they girl i choose will be very specific that can not ruin my names reputation at any cost. the girl i touch should be fire that fires other guys if they desire for her and she fires other girls that try to reach me
Ganapathy K
In his book, Cohen referenced an old joke: What do pro wrestling and the U.S. Senate have in common? Both are dominated by overweight white guys pretending to hurt each other. He said, “The intellectual level of cable news is one step above pro wrestling.” Cohen wrote that over a decade ago. Today the news is at the level of pro wrestling. This is one reason we have a WWE performer in the White House.
Matt Taibbi (Hate Inc.: Why Today's Media Makes Us Despise One Another)
I know everyone is loving me all around the world But Someone is loving me more than anyone else, she is not Rajput, She is not Christian, She is not Islam, She is Hindu, She is Kannadiga, She loves Hanuman, Ram and Shiv as spiritual gurus, She does not like Vishnu or Bramma or Saraswathi, but outside world she is modern, Adamant, strong leader, Let me finish the trekking and If I think YRC is suitable for me, then probably I will talk with this adamant girl, RKP, But I am not sure whether I can manage her for whole life because she is very strong child of Hanuman and too adamant (Not Dominating - I do not like dominating girls but she is not dominating - For me I am saying this, for other guys she might be dominating) RKP - too adamant - Yes I like her
Ganapathy K Siddharth Vijayaraghavan
Impressionists, Cubists, and Surrealists who had stunned the world between 1870 and 1960 by entirely redefining art. VAN GOGH… SEURAT… PICASSO… MUNCH… MATISSE… MAGRITTE… KLIMT… KANDINSKY… JOHNS… HOCKNEY… GAUGUIN… DUCHAMP… DEGAS… CHAGALL… CÉZANNE… CASSATT… BRAQUE… ARP… ALBERS… This section terminated at one last architectural rib, and Langdon moved past it, finding himself in the final section of the library. The volumes here appeared to be dedicated to the group of artists that Edmond, in Langdon’s presence, liked to call “the school of boring dead white guys”—essentially, anything predating the modernist movement of the mid-nineteenth century. Unlike Edmond, it was here that Langdon felt most at home, surrounded by the Old Masters. VERMEER… VELÁZQUEZ… TITIAN… TINTORETTO… RUBENS… REMBRANDT… RAPHAEL… POUSSIN… MICHELANGELO… LIPPI… GOYA… GIOTTO… GHIRLANDAIO… EL GRECO… DÜRER… DA VINCI… COROT… CARAVAGGIO… BOTTICELLI… BOSCH… The last few feet of the final shelf were dominated by a large glass cabinet, sealed with a heavy lock. Langdon peered through the glass and saw an ancient-looking leather box inside—a protective casing for a massive antique book. The text on the outside of the box was barely legible, but Langdon could see enough to decrypt the title of the volume inside. My God, he thought, now realizing why this book had been locked away from the hands of visitors. It’s probably worth a fortune. Langdon knew there were precious few early editions of this legendary artist’s work in existence. I’m not surprised Edmond invested in this, he thought, recalling that Edmond had once referred to this British artist as “the only premodern with any imagination.” Langdon disagreed, but he could certainly understand Edmond’s special affection for this artist. They are both cut from the same cloth. Langdon crouched down and peered through the glass at the box’s gilded engraving: The Complete Works of William Blake. William Blake, Langdon mused. The Edmond Kirsch of the eighteen hundreds. Blake had been an idiosyncratic genius—a prolific luminary whose painting style was so progressive that some believed he had magically glimpsed the future in his dreams. His symbol-infused religious illustrations depicted angels, demons, Satan, God, mythical creatures, biblical themes, and a pantheon of deities from his own spiritual hallucinations
Dan Brown (Origin (Robert Langdon, #5))
I cannot allow myself to be subordinate to anything except the survival of the human race, not even an idea, and certainly not a belief. If I were to become dominated by one faction or another, then I would serve their ends, and not those of humanity.
Guy Haley (Plague War (Dark Imperium #2))
This man. What is it about him? God, he’s so… Impressive. Dominating. Forceful. I don’t know—there’s simply this presence about him I can’t ignore. Gravitas. That’s what it is, I suppose. He’s so substantial. So masculine. I think about the inane crap guys my age spout. They’re so full of swagger and hot air. Not Rafe. He doesn’t have any of that. I could sense the first time I set eyes on him that he has no need to prove himself. His self-confidence is of the quiet variety. But I’d guess it’s unwavering. And I’d bet the reason it’s unwavering is that he’s never had any reason to doubt it. I bet he gets what he wants. Especially when it comes to women.
Elodie Hart (Unfurl (Alchemy, #1))
Because I know Lionel Acrux and he’s mentioned you like three times, which is kind of a big deal for a guy with zero hobbies except world domination,” Orion said lightly. “I’m friends with his son, Darius.
Caroline Peckham (Vicious Fae (Ruthless Boys of the Zodiac, #3))
Choose any competitive situation that you’re in right now. Who is your opponent? Is it your teacher or coach, your boss, an unruly client? No matter how they’re treating you there is one way to not only earn their respect, but turn the tables. Excellence. That may mean acing an exam, or crafting an ideal proposal, or smashing a sales goal. Whatever it is, I want you to work harder on that project or in that class than you ever have before. Do everything exactly as they ask, and whatever standard they set as an ideal outcome, you should be aiming to surpass that. If your coach doesn’t give you time in the games, dominate practice. Check the best guy on your squad and show the fuck out. That means putting time in off the field. Watching film so you can study your opponent’s tendencies, memorizing plays, and training in the gym. You need to make that coach pay attention. If it’s your teacher, then start doing work of high quality. Spend extra time on your assignments. Write papers for her that she didn’t even assign! Come early to class. Ask questions. Pay attention. Show her who you are and want to be. If it’s a boss, work around the clock. Get to work before them. Leave after they go home. Make sure they see that shit, and when it’s time to deliver, surpass their maximum expectations. Whoever you’re dealing with, your goal is to make them watch you achieve what they could never have done themselves. You want them thinking how amazing you are. Take their negativity and use it to dominate their task with
David Goggins (Can't Hurt Me: Master Your Mind and Defy the Odds)
The first stage of the economy’s domination of social life brought about an evident degradation of being into having – human fulfillment was no longer equated with what one was, but with what one possessed.
Guy Debord (The Society of the Spectacle (Critical Editions))
Wait a minute,” Lexi says. “I want to get back to this concept of sexual dominant, because I dated a guy once that—
Sawyer Bennett (Uncivilized (Uncivilized, #1))
Zack warmed, falling in love with Ace all over again. “So you’re saying you love me, but you don’t want me giving you a handjob in front of the guys, right?” Horror shone in Ace’s eyes. “Hell, no.” He narrowed his gaze. “Asshole. I’ll show you a handjob.” Zack groaned. “Not now. Give me a break before my dick falls off. I didn’t know I could still harness that kind of sexual energy when not changed.” He sucked in a breath as Ace masturbated him. “Only you and Kelly can get to me like this.” Ace smirked. “I know.” “But remember, my beast won’t forget it. I’m still the dominant one in our relationship.” Zack tried to sound forceful, but he knew the moan that left him hurt his authority. “That’s right, Z. Tell yourself you’re in charge while you come all over my hand.” Ace leaned in to nip Zack’s ear as he whispered, “Do you know how good you taste? How great you feel with that fat cock rammed up my ass?” Zack strove for control but could only promise payback. “I’m looking forward to it, lover.” Ace licked his lips. “I can’t get enough of that mouth of yours. Now come over my hands and let me taste you again.” “I love you.” “Back at you, control freak. Now, come hard.” Ace winked as Zack lost it. -Zack & Ace
Marie Harte (Zack & Ace (Circe's Recruits, #2))
Arik had already gone two weeks longer than usual for this haircut because of an overseas business trip. Time to get back to his highest priority. “How long until Dominic is back?” “A week, maybe two. I told him to take his time. Granddad doesn’t often take time off, and he’s getting up there in years.” A few weeks? He’d look like a wildebeest if he waited that long. “That’s no good. I need a cut. Are there any male barbers available?” “Afraid to let a girl touch your precious hair?” She smirked. “I can peek at the schedule and see if we can squeeze you in this afternoon.” “I don’t have time to come back. I need it done now.” Usually when he used the word now, people jumped to do his bidding. She, on the other hand, shook her head. “Not happening, unless you’ve changed your mind and are willing to let me cut it.” “You’re a hairdresser.” “Exactly.” “I want a barber.” “Same thing.” Said the girl without a Y chromosome. “I think I’ll wait.” Arik turned away from her, only to freeze as she muttered, “Pussy.” If she only knew how right she was. But, of course, she didn’t mean the feline version. Pride made him pivot back. “You know what. On second thought, you may cut my hair.” “How gracious of you, Your Majesty.” She sketched him a mock bow. Not funny, even if accurate. He glared in reply. “I see someone’s too uptight for a sense of humor.” “I greatly enjoy comedy, when I hear it.” “Sorry if my brand of sarcasm is too simple for you to understand, big guy. Now, if you’re done, sit down so we can get this over with and send you and your precious hair back to your office.
Eve Langlais (When an Alpha Purrs (A Lion's Pride, #1))
You hate me. I’m an easy guy to hate. You’re not alone. I get off on your pain. I get off on dominating you. You’re small, and I’m in charge. Your goal is to please me, and that makes me feel good. I loved you because you hurt worse than any of the others.
C.D. Reiss (Forbidden (Songs of Perdition, #1-3))
Liberty as we understand it in the United States has been the exception not the rule — and its survival over the past three centuries the consequence not of happy foreordination but of the good guys in the world having enjoyed unmatched military and financial supremacy. Having known little else, the historically myopic will find it tempting to presume that our present global order represents the immutable state of nature. It does not. Just as the primary reason that the forces of liberty have prevailed since 1815 is that they have acquired and maintained unrivaled power, the relative peace and buzzing international trade that we currently enjoy is the product not of the West’s moral dominance, but of the prepotency first of the British Empire and then — after a seamless and invisible handover — of an ascendant United States.
Charles C.W. Cooke
It was a little embarrassing to be reading a self-help writer and thinking, This guy gets me. But it was in this moment, lying in bed late at night, that I first realized that the voice in my head—the running commentary that had dominated my field of consciousness since I could remember—was kind of an asshole.
Dan Harris (10% Happier)
I've been on the warpath for forty years. I've probably put a thousand men in the ground. Women too. Hell, probably some kids mixed in along the way, although I can't say for sure. And I know some good guys got caught in the crossfire, too; cops, security guards, watchmen, even your run of the mill innocent bystanders. Wrong place at the wrong time and all that.” I stared off into space. “Why are you telling me this?” “Because you need to remember I'm not a nice guy. I'm not far removed from that thing in your dream. Call me a war criminal and you'd probably be more right than wrong. I always thought at the time I was working for the good guys, fighting for the right reasons. But the Cold War was still a bloody business and I was always there at its bloodiest. Afghanistan, Burma, Egypt, Iran, India, Brazil, Russia...I've been all over, always where the fighting was the dirtiest. Tore up some places here in the States as well. Things the press was threatened to keep quiet about, or bribed into silence, or worse.” “Just keeps getting better and better,” I said. “And just remember, I'm one of the good guys. Some of the animals I worked with, they make your run of the mill concentration camp guard look like he's gentle enough to run a daycare center. Some of those older guys, they probably were concentration camp guards back in the day. Plenty of the grey-hairs I went into the field with, those were the war addicts, the guys who couldn't go back home. Saw it after 'Nam, too; men who lived for death, lived for the blood and the thrill of the kill. They weren't much better than the dummies we were gunning after. Matter of fact, most of them were probably worse. At least the guys at the end of my gun usually died for a cause: communism, Islam, even plain old fashioned world domination. Some of the savages I fought with, they killed simply for the fun of it. The money? That was just gravy.” I turned to look at Richard, slouched in his rocker, hat pulled down low over his blue eyes. “So what about you? Killing for a cause, or was it the fun?” Richard finally turned and looked me square in the eye. “You ain't figured that out yet? I killed for profit, kid. And back in the day, business was good. Business was really good.
Jack Badelaire (Killer Instincts)
two entertainers got together to create a 90-minute television special. They had no experience writing for the medium and quickly ran out of material, so they shifted their concept to a half-hour weekly show. When they submitted their script, most of the network executives didn’t like it or didn’t get it. One of the actors involved in the program described it as a “glorious mess.” After filming the pilot, it was time for an audience test. The one hundred viewers who were assembled in Los Angeles to discuss the strengths and weaknesses of the show dismissed it as a dismal failure. One put it bluntly: “He’s just a loser, who’d want to watch this guy?” After about six hundred additional people were shown the pilot in four different cities, the summary report concluded: “No segment of the audience was eager to watch the show again.” The performance was rated weak. The pilot episode squeaked onto the airwaves, and as expected, it wasn’t a hit. Between that and the negative audience tests, the show should have been toast. But one executive campaigned to have four more episodes made. They didn’t go live until nearly a year after the pilot, and again, they failed to gain a devoted following. With the clock winding down, the network ordered half a season as replacement for a canceled show, but by then one of the writers was ready to walk away: he didn’t have any more ideas. It’s a good thing he changed his mind. Over the next decade, the show dominated the Nielsen ratings and brought in over $1 billion in revenues. It became the most popular TV series in America, and TV Guide named it the greatest program of all time. If you’ve ever complained about a close talker, accused a partygoer of double-dipping a chip, uttered the disclaimer “Not that there’s anything wrong with that,” or rejected someone by saying “No soup for you,” you’re using phrases coined on the show. Why did network executives have so little faith in Seinfeld? When we bemoan the lack of originality in the world, we blame it on the absence of creativity. If only people could generate more novel ideas, we’d all be better off. But in reality, the biggest barrier to originality is not idea generation—it’s idea selection. In one analysis, when over two hundred people dreamed up more than a thousand ideas for new ventures and products, 87 percent were completely unique. Our companies, communities, and countries don’t necessarily suffer from a shortage of novel ideas. They’re constrained by a shortage of people who excel at choosing the right novel ideas. The Segway was a false positive: it was forecast as a hit but turned out to be a miss. Seinfeld was a false negative: it was expected to fail but ultimately flourished.
Adam M. Grant (Originals: How Non-Conformists Move the World)
So.....you’re the guy Maggie’s got the hots for.” Maggie rolled her eyes and dropped her head into her hands. Leave it to Shad to just come right out with it. From her dejected position, she couldn’t see Johnny’s response, but she felt his interest pique like a blow torch aimed right at her face. Her neck and cheeks flamed hot. “Johnny Kinross - in the flesh,” Shad was warming up to the subject now, his lines right out of a poorly-written made-for-TV movie. “You are Johnny Kinross, right? I mean...I never saw you. But I think we had a pretty good relationship.” Maggie sputtered, a laugh erupting from her chest. Shad swiveled his head and gave her his “Shut-up-woman!” lips and his “domineering male” chin thrust. He was talking again before Maggie could give him her “you’ve-got-ten-seconds-to-vacate-the-premises-before-I-cut-you” glare in response.
Amy Harmon (Prom Night in Purgatory (Purgatory, #2))
Remember, you met someone," Kane said. "I had second thoughts. Don't do this, Kane, I'm sorry. There I said it," Brian said. "Too late," Avery called out from behind Kane. Avery felt territorial and primal. He clenched his fists and dropped them into his pockets to keep from going after the guy. "That's not for you to decide," Brian shouted back at Avery. That got his attention. Avery's eyes narrowed, and he ripped his hands free of his slacks, moving around Kane, toward Brian. Brian backed the rest of the way out of the apartment, holding up his hands. Kane's hands were on Avery's chest, pushing him back, so he slammed the door shut with his foot. Avery locked the dead bolt in a show of dominance.
Kindle Alexander (Always (Always & Forever #1))
Dear John’ Monologue   On the day I terminated our relationship, Anak and Taer were their usual spirited selves, doing their best to tempt me into a three-way liaison. They thought I was playing a dominance-and-submission game until I put a stop to their seduction with an authoritative stance. At that point, they turned sheepish, and I made them hear me out.               It was difficult delivering my ‘Dear John’ spiel, but I knew I had to do it. It was for the greater good after all. It was gruelling not to feel guilty when they looked so mousey and lost.               I said, “The two of you are sweet and accommodating, but you must realize our liaison must come to an end. I’ll be returning to Quebec, and you guys will have to make a life for yourselves here.”               “We go you to Quebec for you,” Taer replied in broken English.               “Yes, we go you Quebec,” Anak professed.               “I’m afraid that is not possible. I can’t look after you,” I expressed.               “Why no? We help in house,” chirped the older boy.               “Yes, we help in house,” seconded the younger one.               Those two made every conceivable excuse to hang onto me, envisioning me as their ticket out of the Philippines. I did everything in my power to end the affair sensibly, but my reasoning seemed to fly over their heads. I was left with no choice but to toss them out of my lodging. It was not a pretty sight when we finally parted ways. Before they left, they swore revenge and that I would not see the end of them.               The situation turned ugly.
Young (Turpitude (A Harem Boy's Saga Book 4))
Where would the American feel dominant? This is a negotiation, we assume. He’d want a psychological advantage. He would want to be comfortable, and he would want the other guy to be uncomfortable.
Lee Child (Night School (Jack Reacher, #21))