Does Staples Do Quotes

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Nick’s job is super dull. He mostly takes care of answering the phone and doing filing, and stapling things. Sometimes the things don’t even need stapling, but Nick does it anyway. He makes shiny little railroad tracks along the tops of documents. His record is thirty-eight staples on one thing. Then he picked thirty-seven of them out again because he remembered he was supposed to be professional. Adulting is hard. The struggle is real.
Lisa Henry (Adulting 101)
Every man, I believe, enjoys the world picture which he accepts, for the gravity and finality of the actual is itself an aesthetic stimulus. In thissense, Christianity, Life-Force-Worship, Marxism, Freudianism all become :poetries" to their own believers. But this does not mean that their adherents have chosen them for that reason. On the contrary, this kind of poetry is the result, not the cause, of belief. Theology is, in this sense, poetry to me because I believe it; I do not believe it because it is poetry.
C.S. Lewis (The Weight of Glory)
There will be others, many others. You’ll try desperately to digest a single word through the acronym-laden gibberish, while beginning to wonder what the point of all this is, and also why you didn’t feel that staple you just sent into your thigh. You usually do. You’ll wonder what your company even does. After six years, you have no idea what an information system is, do you? Maybe you should ask. Maybe that’s how this ends. You’ll imagine how poetic it would be to simply unmute yourself and say, “Sorry to interrupt, guys, but what’s an information system?” Still, your mind will drift further, envisioning how much more tolerable this call would be if you could just slowly masturbate during it. So you do. You masturbate during it. And it’s beautiful. Masturbating, invisible within your three-walled fortress. Invisible… invisible… practically invisible.
Colin Nissan
I had forgotten to bring anything to read with me, so I passed the time waiting for my pizza by staring thoughtfully at the emptiness around me, sipping a glass of water and making up Scandinavian riddles – Q. How many Swedes does it take to paint a wall? A. Twenty-seven. One to do the painting and twenty-six to organize the spectators. Q. What does a Norwegian do when he wants to get high? A. He takes the filter off his cigarette. Q. What is the quickest way in Sweden of getting the riot police to your house? A. Don’t take your library book back on time. Q. There are two staples in the Swedish diet. One is the herring. What is the other? A. The herring. Q. How do you recognize a Norwegian on a Mediterranean beach? A. He’s the one in the snowshoes.
Bill Bryson (Neither Here nor There: Travels in Europe)
You can say that Christ died for our sins. You may say that the Father has forgiven us because Christ has done for us what we ought to have done. You may say that we are washed in the blood of the Lamb. You may say that Christ has defeated death. They are all true. If any of them do not appeal to you, leave it alone and get on with the formula that does. And, whatever you do, do not start quarreling with other people because they use a different formula from yours.
Clive Staples Lewis (Mere Christianity)
For I take it there are two things the imagination loves to do. It loves to embrace its objects completely, to take it in at a single glace, and see it as something harmonious, symmetrical, and self-explanatory. That is the classical imagination; the Parthenon was built for it. It also loves to lose itself in a labyrinth, to surrender to the inextricable. That is the romantic imagination; the Orlando Furioso was written for it. But Christian Theology does not cater very well for either. If Christianity is only a mythology, then I find the mythology I believe in is not the one I like best. I like Greek mythology much better, Irish better still, Norse best of all.
C.S. Lewis (The Weight of Glory)
A businessman buys a business and tries to operate it. He does everything that he knows how to do but just cannot make it go. Year after year the ledger shows red, and he is not making a profit. He borrows what he can, has a little spirit and a little hope, but that spirit and hope die and he goes broke. Finally, he sells out, hopelessly in debt, and is left a failure in the business world. A woman is educated to be a teacher but just cannot get along with the other teachers. Something in her constitution or temperament will not allow her to get along with children or young people. So after being shuttled from one school to another, she finally gives up, goes somewhere and takes a job running a stapling machine. She just cannot teach and is a failure in the education world. I have known ministers who thought they were called to preach. They prayed and studied and learned Greek and Hebrew, but somehow they just could not make the public want to listen to them. They just couldn’t do it. They were failures in the congregational world. It is possible to be a Christian and yet be a failure. This is the same as Israel in the desert, wandering around. The Israelites were God’s people, protected and fed, but they were failures. They were not where God meant them to be. They compromised. They were halfway between where they used to be and where they ought to be. And that describes many of the Lord’s people. They live and die spiritual failures. I am glad God is good and kind. Failures can crawl into God’s arms, relax and say, “Father, I made a mess of it. I’m a spiritual failure. I haven’t been out doing evil things exactly, but here I am, Father, and I’m old and ready to go and I’m a failure.” Our kind and gracious heavenly Father will not say to that person, “Depart from me—I never knew you,” because that person has believed and does believe in Jesus Christ. The individual has simply been a failure all of his life. He is ready for death and ready for heaven. I wonder if that is what Paul, the man of God, meant when he said: [No] other foundation can [any] man lay than that is laid, which is Jesus Christ. Now if any man build upon this foundation gold, silver, precious stones, wood, hay, stubble; every man’s work shall be made manifest: for the day shall declare it, because it shall be revealed by fire; and the fire shall try every man’s work of what sort it is. If any man’s work abide which he hath built thereupon, he should receive a reward. If any man’s work shall be burned, he shall suffer loss: but he himself shall be saved; yet so as by fire (1 Cor. 3:11-15). I think that’s what it means, all right. We ought to be the kind of Christian that cannot only save our souls but also save our lives. When Lot left Sodom, he had nothing but the garments on his back. Thank God, he got out. But how much better it would have been if he had said farewell at the gate and had camels loaded with his goods. He could have gone out with his head up, chin out, saying good riddance to old Sodom. How much better he could have marched away from there with his family. And when he settled in a new place, he could have had “an abundant entrance” (see 2 Pet. 1:11). Thank God, you are going to make it. But do you want to make it in the way you have been acting lately? Wandering, roaming aimlessly? When there is a place where Jesus will pour “the oil of gladness” on our heads, a place sweeter than any other in the entire world, the blood-bought mercy seat (Ps. 45:7; Heb. 1:9)? It is the will of God that you should enter the holy of holies, live under the shadow of the mercy seat, and go out from there and always come back to be renewed and recharged and re-fed. It is the will of God that you live by the mercy seat, living a separated, clean, holy, sacrificial life—a life of continual spiritual difference. Wouldn’t that be better than the way you are doing it now?
A.W. Tozer (The Crucified Life: How To Live Out A Deeper Christian Experience)
Winslow wants you to learn this"- he waved a few sheets of stapled pages- "and that." He pointed to the book in my lap. Fifty French Conversations. It was one of our textbooks. I'd stopped at the seventeenth: Mon hamster a mange trop de fromage. Il a mal au ventre maintenant. "The rest is the Bainbridge Method." "You have a method?" "Patented and proven." I waved the book. "Does it include greedy, cheese-guzzling hamsters with stomachaches?" He nodded. "Absolutely.French conversations is nothing without rodents and cheese.Is there something shameful in your past involving either?" "Not that I can think of off the top of my head." "Tant pis." "And that means...?" "Fuhgeddaboudit," he translated, grinning. I sighed. "Do people make Russian jokes in your presence?" "How do you get five Russians to agree on anything?" "How?" I asked. "Shoot four of them." I thought for a sec. "I'm not sure that's funny." "No," Alex said. "People don't tell many Russian jokes in my presence." "I should start my three things, huh?" "Yeah.That would be good." I did some speedy translating in my head. "Je n'ai jamais lu Huckleberry Finn, Beloved, ou Moby-Dick." "Ella,no one has read Moby-Dick. The French was passable, but as far as revelations go,that sucked." "Ah, but there's a part deux. All three of those books were required reading last year in my American lit class. I used SparkNotes." "You're kidding, right?" "See?" I daintily brushed Dorito crumbs from my fingertips. "Changes your perception of me, doesn't it?" "No,I mean, 'That's a revelation?' You can do better than that." "Maybe," I agreed, "but it's still early in the game.
Melissa Jensen (The Fine Art of Truth or Dare)
What do I do now?” I ask desperately. “Tell me! What do I do now?” He remains calm. He looks at me closely and says, “Keep living, Ed…. It’s only the pages that stop here.” He stays perhaps another ten minutes, probably due to the trauma that has strapped itself to me. I remain standing, trying to contemplate and recover from what’s transpired. “I really think I’d better go,” he says again, this item with more finality. With difficulty, I walk him to the door. We say goodbye on the front porch, and he walks back up the street. I wonder about his name, but I’m sure I’ll earn it soon enough. He’s written about this, I’m sure, the bastard. All of it. As he walks up the street he pulls a small notebook from his pocket and writes a few things down. It makes me think maybe I should write about all this myself. After all, I;m the one who did all the work. I’d start with the bank robbery. Something like, “The gunman is useless.” The odds are, however, that he’s beaten me to it already It’ll be his name on the cover of all these words, not mine. He’ll get all the credit. Or the crap, if her does a shit job. But I just remembered the I was the one- not him- who gave life to these pages. I was the one who- I tell me to stop. It’s an inner voice and it’s loud. All day, I think about many things, though I try not to. I look through the folder and find everything as he said. All the ideas are written in and people are sketched. Scratchy excerpts are stapled together. Beginnings and endings merge and bend. Hours wander past. Days follow them. I don’t leave the shack, and I don’t answer the phone. I barely even eat. The Doorman sits with me as the minutes pass by. For a long time, I wonder what I’m waiting for, but I understand it’s just like he said. I guess it’s for life beyond these pages.
Markus Zusak (I Am the Messenger)
In the last years of the Republic there were films such as Robert Siodmark's Menschen am Sonntag (People on Sunday, 1930)) and Gerhard Lamprecht's Emil und die Detektive (Emil and the Detectives, 1931), which embraced the airy streets, light-dappled forests, and lakes surrounding Berlin. Billie Wilder, a brash young journalist and dance-hall enthusiast, worked on the scripts for both these films. While Kracauer and Eisner saw malevolence in the frequent trope of doubling (one being possessed by another and thus becoming two conflicting psychological presences), Wilder witnessed another form of doubling during the Weimer era: transvestitism, a staple of cabaret. Men dressing as women (as do Reinhold Schünzel in der Himmel auf Erden [Heaven on earth]) and Curti Bois in Der Fürst von Pappenheim [The Masked Mannequin][both 1927]) or women as men (as does Dolly Haas in Liebeskommando [Love's Command, 1931]), in order to either escape detection or get closer to the object of their affection, is an inherently comic situation, especially when much to his or her surprise the cross-dresser begins to enjoy the disguise. Billie left Germany before he directed a film of his own; as Billy he brought to Hollywood a vigorous appreciation of such absurdities of human behavior, along with the dry cynicism that distinguished Berlin humor and an enthusiasm for the syncopations of American jazz, a musical phenomenon welcomed in the German capital. Wilder, informed by his years in Berlin (to which he returned to make A Foreign Affair in 1948 and One, Two, Three in 1961), wrote and directed many dark and sophisticated American films, including The Apartment (1969) and Some Like it Hot (1959), a comedy, set during Prohibition, about the gender confusion on a tonal par with Schünzel's Viktor und Viktoria, released in December 1933, eleven months into the Third Reich and the last musical to reflect the insouciance of the late Republic.
Laurence Kardish (Weimar Cinema 1919-1933: Daydreams and Nightmares)
As Japan recovered from the post-war depression, okonomiyaki became the cornerstone of Hiroshima's nascent restaurant culture. And with new variables- noodles, protein, fishy powders- added to the equation, it became an increasingly fungible concept. Half a century later it still defies easy description. Okonomi means "whatever you like," yaki means "grill," but smashed together they do little to paint a clear picture. Invariably, writers, cooks, and oko officials revert to analogies: some call it a cabbage crepe; others a savory pancake or an omelet. Guidebooks, unhelpfully, refer to it as Japanese pizza, though okonomiyaki looks and tastes nothing like pizza. Otafuku, for its part, does little to clarify the situation, comparing okonomiyaki in turn to Turkish pide, Indian chapati, and Mexican tacos. There are two overarching categories of okonomiyaki Hiroshima style, with a layer of noodles and a heavy cabbage presence, and Osaka or Kansai style, made with a base of eggs, flour, dashi, and grated nagaimo, sticky mountain yam. More than the ingredients themselves, the difference lies in the structure: whereas okonomiyaki in Hiroshima is carefully layered, a savory circle with five or six distinct layers, the ingredients in Osaka-style okonomiyaki are mixed together before cooking. The latter is so simple to cook that many restaurants let you do it yourself on table side teppans. Hiroshima-style okonomiyaki, on the other hand, is complicated enough that even the cooks who dedicate their lives to its construction still don't get it right most of the time. (Some people consider monjayaki, a runny mass of meat and vegetables popularized in Tokyo's Tsukishima district, to be part of the okonomiyaki family, but if so, it's no more than a distant cousin.) Otafuku entered the picture in 1938 as a rice vinegar manufacturer. Their original factory near Yokogawa Station burned down in the nuclear attack, but in 1946 they started making vinegar again. In 1950 Otafuku began production of Worcestershire sauce, but local cooks complained that it was too spicy and too thin, that it didn't cling to okonomiyaki, which was becoming the nutritional staple of Hiroshima life. So Otafuku used fruit- originally orange and peach, later Middle Eastern dates- to thicken and sweeten the sauce, and added the now-iconic Otafuku label with the six virtues that the chubby-cheeked lady of Otafuku, a traditional character from Japanese folklore, is supposed to represent, including a little nose for modesty, big ears for good listening, and a large forehead for wisdom.
Matt Goulding (Rice, Noodle, Fish: Deep Travels Through Japan's Food Culture)
A man decides to be a lawyer and spends years studying law and finally puts out his shingle. He soon finds something in his temperament that makes it impossible for him to make good as a lawyer. He is a complete failure. He is 50 years old, was admitted to the bar when he was 30, and 20 years later, he has not been able to make a living as a lawyer. As a lawyer, he is a failure. A businessman buys a business and tries to operate it. He does everything that he knows how to do but just cannot make it go. Year after year the ledger shows red, and he is not making a profit. He borrows what he can, has a little spirit and a little hope, but that spirit and hope die and he goes broke. Finally, he sells out, hopelessly in debt, and is left a failure in the business world. A woman is educated to be a teacher but just cannot get along with the other teachers. Something in her constitution or temperament will not allow her to get along with children or young people. So after being shuttled from one school to another, she finally gives up, goes somewhere and takes a job running a stapling machine. She just cannot teach and is a failure in the education world. I have known ministers who thought they were called to preach. They prayed and studied and learned Greek and Hebrew, but somehow they just could not make the public want to listen to them. They just couldn’t do it. They were failures in the congregational world. It is possible to be a Christian and yet be a failure. This is the same as Israel in the desert, wandering around. The Israelites were God’s people, protected and fed, but they were failures. They were not where God meant them to be. They compromised. They were halfway between where they used to be and where they ought to be. And that describes many of the Lord’s people. They live and die spiritual failures. I am glad God is good and kind. Failures can crawl into God’s arms, relax and say, “Father, I made a mess of it. I’m a spiritual failure. I haven’t been out doing evil things exactly, but here I am, Father, and I’m old and ready to go and I’m a failure.” Our kind and gracious heavenly Father will not say to that person, “Depart from me—I never knew you,” because that person has believed and does believe in Jesus Christ. The individual has simply been a failure all of his life. He is ready for death and ready for heaven. I wonder if that is what Paul, the man of God, meant when he said: [No] other foundation can [any] man lay than that is laid, which is Jesus Christ. Now if any man build upon this foundation gold, silver, precious stones, wood, hay, stubble; every man’s work shall be made manifest: for the day shall declare it, because it shall be revealed by fire; and the fire shall try every man’s work of what sort it is. If any man’s work abide which he hath built thereupon, he should receive a reward. If any man’s work shall be burned, he shall suffer loss: but he himself shall be saved; yet so as by fire (1 Cor. 3:11-15). I think that’s what it means, all right. We ought to be the kind of Christian that cannot only save our souls but also save our lives. When Lot left Sodom, he had nothing but the garments on his back. Thank God, he got out. But how much better it would have been if he had said farewell at the gate and had camels loaded with his goods. He could have gone out with his head up, chin out, saying good riddance to old Sodom. How much better he could have marched away from there with his family. And when he settled in a new place, he could have had “an abundant entrance
A.W. Tozer (The Crucified Life: How To Live Out A Deeper Christian Experience)
Nick's job is super dull. He mostly takes care of answering the phone and doing filing, and stapling things. Sometimes the things don't even need stapling, but Nick does it anyway. He makes shiny little railroad tracks along the tops of documents. His record is thirty-eight staples on one thing. Then he picked thirty-seven of them out again because he remembered he was supposed to be professional.
Lisa Henry (Adulting 101)
An artist does not have a personal life as we do, he hides it, forcing us to go to his books if we wish to touch the true source of his feelings. Underneath all his preoccupations with sex, society, religion, etc. (all the staple abstractions which allow the forebrain to chatter) there is, quite simply, a man tortured beyond endurance by the lack of tenderness in the world.
Lawrence Durrell (Justine (The Alexandria Quartet, #1))
Gym class?’ Perry said. ‘A staple of the channel,’ Amanda replied, continuing to push tiles on the pyramid.  ‘A producer came up with the idea.’ ‘Of broadcasting gym classes?’ ‘No. Of gym classes.’ Perry frowned. ‘You invented gym?’ ‘Come on,’ Amanda said. ‘What does gym have to do with education? You didn’t think there was any real point to it, did you?
Jay Martel (Channel Blue)
Now, I know that people with diabetes have heard over and over that they must limit rice, pasta, and other starchy foods. But keep in mind that diabetes—and overweight—has been rare in countries that have made these foods their staples. The plan does have rules about carbohydrates, but they relate mainly to which ones you choose, not how much. In our studies, we have found that people who include plenty of healthy carbohydrates in their diets do better, not worse.
Neal D. Barnard (Dr. Neal Barnard's Program for Reversing Diabetes: The Scientifically Proven System for Reversing Diabetes without Drugs)