Documented Documentary Quotes

I also knew you wouldn't remember this trip, because you're only five years old, and our pediatrician had told us that children don't starting building memories of things until after they turn six. When I realized that, that I was ten and you were only five, I thought, fuck. But of course I didn't say so out loud. I just thought, fuck, silently, to myself. I realized that I'd remember everything and you maybe wouldn't remember anything. I needed to find a way to help you remember, even if it was only through things I documented for you, for the future. And that's how I became a documentarist and a documentarian at the same time. (p 213)

Posterity judges only from documentary evidence, and will insist on being assured of your facts. But as no document would be forthcoming to authenticate this sort of collective phenomena which the few persons who are enlightened are only too ready to leave in obscurity, the best minds would be moved to indignation, and you would be regarded as nothing more than a slanderer or a lunatic.

Before getting into CRISPR, Zayner tried a variety of synthetic biology experiments, including on himself. To treat his gastrointestinal problems, he performed a fecal transplant (don’t ask) to transform his gut’s microbiome. He did the procedure in a hotel room with two filmmakers documenting the scene, and (in case you really do want to know how it works) it became a short documentary called Gut Hack that can be found online.2

In the end it was the documentary evidence, the Germans’ own detailed record of their aggression and genocide, that provided the smoking guns. Document after document proved be yond any doubt that the Nazis had conducted two wars: One was their aggressive war against Europe (and eventually America) for military, political, geographic, and economic domination. The other was their genocidal war to destroy “inferior” races, primarily the Jews and Gypsies.

I went to see Frederick Wiseman, the pioneer of interview-free, commentary-free, documentation-free documentary – a filmmaker who glides so slowly with his camera into the heart of what he is filming that everyone forgets that he is there. I told him about all the difficulties I found myself up against in trying to piece together the life of Barbara Loden. And he said to me – this man, who never works on anything that isn’t real, said to me quite calmly – ‘Make it up. All you have to do is make it up.

In 1972, the DIE received from the KGB an Arabic translation of the Protocols of the Elders of Zion along with “documentary” material, also in Arabic, “proving” that the United States was a Zionist country whose aim was to transform the Islamic world into a Jewish fiefdom. The DIE was ordered to “discreetly” disseminate both “documents” within its targeted Islamic countries. During my later years in Romania, every month the DIE disseminated thousands of copies throughout its Islamic sphere of influence.

September 1995: Mark and I had our well documented book entitled TRANCE Formation of America published, complete with irrefutable graphic details which are in themselves evidence to present to Congress, all factions of law enforcement including the FBI, CIA, DIA, DEA, TBI, NSA, etc., all major news media groups, national and international human rights advocates, both American Psychological and Psychiatric Associations, the National Institute of Mental Health, and more… to no avail. TRANCE thoroughly exposes many of the perpe-TRAITORS and their agenda replete with names, which raises the question “why haven't we been sued?” The obvious answer is that the same “National Security Act” that continues to block our access to all avenues of justice and public exposure also prevents these criminals from inevitably bringing mind control to light through court procedures, an opportunity we would welcome. Meanwhile, as reported by both APAs, survivors of U.S. Government sponsored mind control began to surface all across our nation. The first to encounter the vast number of survivors were law enforcement and mental health professionals, and these professionals began to ask questions. in other countries, answers are being provided through somewhat less controlled media, reflecting the CIA's involvement in Project MK Ultra human rights atrocities. A television documentary entitled The Sleep Room aired across Canada by the Canadian Broadcast Corp. in the spring of 1998. Dr. Martin Orne, an associate boasted by Dr. William Mitchell M.D., Ph.D. who thrust Kelly into Vanderbilt's cover-up attempt (re: p.14), is named as an accomplice to Dr. Ewing Cameron's MK Ultra 'experiments' in Montreal, Quebec. Additionally, it should be known that Dr. Cameron went on to found the American Psychiatric Association, which has helped to maintain America's mental health profession in the dark ages of information control.

The written word is greatest sacred documentation.

documents out of RAND. As Ellsberg wrote in his 2002 book, Secrets, “What I had in my safe at RAND was seven thousand pages of documentary evidence of lying, by four presidents

Although there is general agreement that the 'Goldstein' book and the Appendix both stem from the same satiric impulse, the degree of Orwell's success in combining satire and naturalism remains a subject of debate. Crick may be right to leave the matter open: 'Perhaps [Orwell] had not solved the structural problem of integrating these two things into the narrative, or perhaps their unintegrated documentary appearance was fully deliberate.' But, if the 'documentary appearance' was deliberate, what did Orwell hope to achieve? Although Samuel Hynes, among others, has rightly noted the dependence of Orwell's imagination on 'the sense of recorded fact,' I cannot agree with him that the 'Goldstein' book and the Appendix serve 'as a kind of make-believe documentation' intended to 'make the world more horrible by verifying it.' On the contrary, I would suggest that the real horror of the 'Goldstein' book is not that it verifies the world of the novel but that it fails to verify any world. Does Big Brother exist? Does Goldstein exist? Does the Brotherhood exist? Did the Party write the 'Goldstein' book? Winston cannot get straight answers to his questions, and neither can the reader.

James Jackson, the barber, led the meeting, which was filmed by a documentary filmmaker named Ed Pincus, who was in Natchez documenting the civil rights struggle. The resulting film, Black Natchez, is still widely available.

Furthermore, if the idea of an evolution of religion has been repudiated, the obituary has not reached the field of Old Testament studies. One of the most successful corollaries of Tylor’s theory was Julius Wellhausen’s history of the evolution of Israelite religion. Julius Wellhausen (1844–1908) did far more than sort out the supposedly intertwined strands of documents underlying the Pentateuch, usually labeled as J, E, D, and P, a technique known as the “Documentary Hypothesis” or “Source Criticism.” Those alleged discoveries had been made by others before him. Wellhausen’s contribution was to lay them out in a coherent narrative thanks to Tylor’s Procrustean bed, which enabled him to force the biblical material into his expectations of how Israelite religion must have developed. A centerpiece of his major study was that the so-called Mosaic law was not fully invented until after the Babylonian exile, and, thus, strict adherence to the Torah did not become a central part of Judaism until long after the prophets had proclaimed their messages and their teachings had been written down.5 Obviously, with this rewriting of the biblical account, he turned the entire history of Israel topsy-turvy.

Purkiss, Diane. The Witch in History: Early Modern and Twentieth-Century Representations. New York: Routledge, 1996. Ray, Benjamin. “The Geography of Witchcraft Accusations in 1692 Salem Village.” The William and Mary Quarterly 65, no. 3 (2008): 449–78. Roach, Marilynne K. The Salem Witch Trials: A Day-by-Day Chronicle of a Community Under Siege. New York: Cooper Square Press, 2002. Rosenthal, Bernard. Salem Story: Reading the Witch Trials of 1692. Cambridge, UK: Cambridge University Press, 1993. Rosenthal, Bernard, Gretchen A. Adams, et al., eds. Records of the Salem Witch-Hunt. Cambridge, UK: Cambridge University Press, 2009. Thomas, Keith. Religion and the Decline of Magic. New York: Scribner, 1971. Trask, Richard B. The Devil Hath Been Raised: A Documentary History of the Salem Village Witchcraft Outbreak of March 1692: Together with a Collection of Newly Located and Gathered Witchcraft Documents. Danvers, MA: Yeoman Press, 1997. Weisman, Richard. Witchcraft, Magic, and Religion in 17th-Century Massachusetts. Amherst: University of Massachusetts Press, 1984.

Some tribes maintain blood quantum, such as once-quarter proven blood degree from their tribe. Even so-called purely ‘descendancy’ tribes such as the Five Tribes with no blood quantum requirement jealously guard some proven, documentary link by blood to distant ancestors. More than any single BIA requirement, however, this criterion has proven troublesome for southeastern groups because of its reliance on on-Indian records and the confused (and confusing) nature of surviving documents.

Documentary Hypothesis in the nineteenth century, according to which the Pentateuch (or Hexateuch) is composed of four main sources or documents that were edited or redacted together: J, E, P, and D.

In 1979, Stefania and Helena Podgórska were named Righteous Among the Nations by Yad Vashem, the World Holocaust Remembrance Center, which is the leading institution for Holocaust education, documentation, commemoration, and research. Stefania and Helena’s heroism during the Holocaust has been recognized with numerous other awards, articles, film documentaries, television interviews, and a 1996 television movie called Hidden in Silence. Stefania

This process of continuous alteration was applied not only to newspapers, but to books, periodicals, pamphlets, posters, leaflets, films, sound-tracks, cartoons, photographs—to every kind of literature or documentation which might conceivably hold any political or ideological significance. Day by day and almost minute by minute the past was brought up to date. In this way every prediction made by the Party could be shown by documentary evidence to have been correct; nor was any item of news, or any expression of opinion, which conflicted with the needs of the moment, ever allowed to remain on record.

No one could have missed the reservoir of self-pity, the quickness to blame, the narrowing of the eyes, as if in wildlife documentary, when things did not go his [Clinton] way. That famous tendency of the candidate to take a less than forthcoming approach to embarrassing questions that had already been well documented.

I knew Steve was starting to cope when he proposed one of his most ambitious documentaries with John. They would journey literally to the end of the earth, to Antarctica, and document conditions for wildlife there. Steve knew that Antarctica functioned as a canary in a coal mine--an early-warning mechanism for environmental problems with the earth as a whole. It was summer in the Southern Hemisphere, and that’s the only practical time to go to Antarctica, but the continent was still no place for small children. I felt torn about being separated at such a tumultuous time, but the doco Icebreaker had been planned for a long time. Steve went south with John Stainton and a camera crew. I went to Florida and Disney World with the rest of my family: Robert and Bindi. As he had with the fauna of the Galapagos Islands, Steve discovered that the Antarctic wildlife had little fear of humans. There were no hunting parties out terrorizing the wildlife, so they didn’t perceive people as a threat. The penguins were among the friendliest. In fact, he found if he mimicked their actions, they would often repeat them in response. Steve slid on his belly down the slopes of ice, and the penguins did the same.

Console Wars is a narrative account based on information obtained from hundreds of interviews. Re-creating a story of this nature, which draws from the recollections of a multitude of sources, can often lead to inconsistencies; particularly when dealing with industry competitors and especially when dealing with events that took place more than two decades ago. As such, I have re-created the scenes in this book using the information uncovered from my interviews, facts gathered from supporting documents, and my best judgment as to what version most closely fits the documentary record. In certain situations, details of settings and description have been altered, reconstructed, or imagined. Additionally, most of the dialogue in this book has been re-created based on source recollections of content, premise, and tone. Some of the conversations recounted in this book took place over extended periods of time or in multiple locations, but have been condensed, or reorganized in a slightly different manner, while remaining true to the integrity and spirit of all original discussions.

In the past, scholars have focused overly much on subtle distinctions between purported J and E documents interwoven with each other throughout the Pentateuch, distinctions so subtle, in fact, that many, if not most, pentateuchal specialists no longer see them. Meanwhile, [...] it is becoming increasingly clear that there is another more obvious and important set of divisions between sources of the Pentateuch, that is, the divisions separating the major non-Priestly sections from each other: primeval history, Jacob, Joseph and Moses-exodus stories. (David M. Carr essay, p. 159)

I, like many, if not most, specialists working on pentateuchal formation now, do not recognize an 'Elohist' counterpart to the older 'Yahwist.' Whatever pre-Priestly proto-Pentateuch I would consider would be one that contains texts once assigned to J and E. Furthermore, I am inclined to date any non-P proto-Pentateuch no earlier than the late preexilic or (more likely) exilic period. My pre-Priestly 'proto-Pentateuch' is close to the older J neither in contents or context. The only way I am a proponent of a 'Yahwist' is if one reduces the definition of such a document as Jan Christian Gertz does to those who posit a 'running strand of pre-Priestly material in the Tetratech.' That definition, however, makes the term 'Yahwist' so different from the older use of the term as to make it functionally nonusable. In fact, no one on this panel, so far as I know, advocates a Yahwist recognizably like the J of studies up through the 1970s. (David Carr essay, p. 160)

At least Lars was curious about the appeal of jazz to black folk; for most observers, such ponderation is akin to contemplating why gorillas like bananas. The attractiveness of jazz to the nonblack is well documented in publicly funded documentaries where experts speak of jazz in the past tense. They look authoritatively into the camera and ingratiate themselves with the Man by saying things like, “White people were hearing something in jazz that says something deeply about their experience. I’m not sure that it would have been this way if we were not a country of immigrants . . . so many people felt kind of displaced . . . I think that was part of its amazing appeal, was how it spoke to feeling out of sort and out of joint and maladjusted.” What hogwash. Does my fondness for classical music make me well adjusted? Besides, people who are really fucked up don’t turn to jazz; they turn to heroin, opium, whiskey, and Vonnegut.

The creation of this digital collection, which brings together the entire body of research materials related to William F Cody's personal and professional life, will enable a variety of audiences to consider the impact of William F. Cody the cultural entrepreneur on American life and provide contextualizing documents from other sources, including audio-visual media that exist for the final years of his life. It will allow more scholars to study the man within his times, will provide new resources to contextualize studies of other regional and national events and persons, and will encourage digital edition visitors to explore and learn more about these vital decades of American expansion and development. The digital edition of the Papers will differ significantly from the print edition by including manuscript materials, photographs, and film and sound recordings, and it will offer navigational and search options not possible in the print edition. As Griffin's volume reveals, it took many people to make Buffalo Bill's Wild West happen. Likewise, there are many people whose combined efforts have made this documentary project a reality. All of the generous donors and talented scholars who have contributed to the success of this effort will be noted in due course. But in this, the first publication, it is appropriate to acknowledge that big ideas are carried to fruition only by sound and steady leadership. The McCracken Research Library was fortunate at the advent of the papers project that in its board chair it had such a leader. Maggie Scarlett was not only an early supporter of this documentary editing project but also its first true champion. It was through her connections (and tenacity) that the initial funds were raised to launch the project. Whether seeking support from private donors, the Wyoming State Legislature, federal granting agencies, or the United States Congress, Maggie led the charge and thereby secured the future of this worthy endeavor. Thus, this reissue of Griffin's account is a legacy not only to William Cody but also to all of those who have made this effort and the larger undertaking possible. In that spirit, though these pages rightfully belong to Charles Eldridge Griffin and to Mr. Dixon, if this volume were mine to dedicate, it would be to Maggie. Kurt Graham

The Murder of Marilyn Monroe: Her Lips Were Sealed Until Now - is an Investigative Journal - the format reads more like a documentary with all statements backed-up with official documents-

ON JULY 1, 2006, Cory Booker officially took office as the new mayor of Newark. He’d gained fame in the late ’90s as a city councilman who would sleep in a tent at city housing projects, hold hunger strikes and live on food stamps, patrol bad neighborhoods himself and physically confront the dealers holding down their corners. His victory was the first regime change in two decades, and it happened only after six years of near-bloody battling between the young, charismatic, light-skinned, Stanford-Yale-Oxford-educated upstart and the old, grizzled, but equally charismatic incumbent. The tension between Cory Booker and Sharpe James had been national news for most of the ’00s. The 2002 election, which Booker lost, was documented in the Oscar-nominated Streetfight, which between talking head interviews showed intense footage of the predominantly poor, black constituents who ardently supported James’s altercating with the working-class whites and Puerto Ricans who fought for Booker and his eloquent calls for public service and revitalization. The documentary was a near-perfect picture of a specific place and time: the declining city at risk of being left behind, the shoulder-height view of the vast number of problems in play, and the presentation of two equal and opposing paths forward whose backers were split almost definitively along socioeconomic lines. The 2002 election had been beyond combative; a riot nearly broke out when Booker showed up at a street basketball tournament that Sharpe James was already attending, and James called Booker “a Republican who took money from the KKK and the Taliban . . . who’s collaborating with the Jews to take over Newark.” When James—who was constantly being investigated for various alleged corruptions—won the election by a margin of 53 percent to 47 percent, his victory seemed to cement Newark’s representation of “permanent poverty,” a culture of violence and corruption (at least if you subscribed to the New York Times).