Doctorate Image Quotes

We've searched our database for all the quotes and captions related to Doctorate Image. Here they are! All 100 of them:

The doctor brushed past her and gestured at the holographic image that jutted from the net-screen. "Let me tell you what is peculiar about it." "I'd say 36.28 percent of it is pretty peculiar
Marissa Meyer (Cinder (The Lunar Chronicles, #1))
It´s a good thing when a man is different from your image of him. Is shows he isn´t a type. If he were, it would be the end of him as a man. But if you can´t place him in a category, it means that at least a part of him is what a human being ought to be. He has risen above himself, he has a grain of immortality.
Boris Pasternak (Doctor Zhivago)
Stand in the machine there, let’s see what state your internal organs are in. The images
will be projected on screen, and I can go through the diagnosis with you, step by step.”
Brown did as he was told and soon images of his vital organs appeared on the screen.
 As you can see, your heart is slightly enlarged and your lungs and kidneys are not in
good shape either. Have you been experiencing any pain lately?”
“Not that I can think of. What can you do to help?”
“Difficult to say, you see you are dying” said the Doctor. You can see the
discolouration in your kidneys.” Brown strained his eyes.
Max Nowaz (The Arbitrator)
I guessed that he was one of those ambitious young physicians who more and more fill the profession, opportunists with a fashionable hoodlum image, openly hostile to their patients. My brief stay at the hospital had already convinced me that the medical profession was an open door to anyone nursing a grudge against the human race.
J.G. Ballard (Crash)
I’m fifteen and I feel like girl my age are under a lot of pressure that boys are not under. I know I am smart, I know I am kind and funny, and I know that everyone around me keeps telling me that I can be whatever I want to be. I know all this but I just don’t feel that way. I always feel like if I don’t look a certain way, if boys don’t think I’m ‘sexy’ or ‘hot’ then I’ve failed and it doesn’t even matter if I am a doctor or writer, I’ll still feel like nothing. I hate that I feel like that because it makes me seem shallow, but I know all of my friends feel like that, and even my little sister. I feel like successful women are only considered a success if they are successful AND hot, and I worry constantly that I won’t be. What if my boobs don’t grow, what if I don’t have the perfect body, what if my hips don’t widen and give me a little waist, if none of that happens I feel like what’s the point of doing anything because I’ll just be the ‘fat ugly girl’ regardless of whether I do become a doctor or not. I wish people would think about what pressure they are putting on everyone, not just teenage girls, but even older people – I watch my mum tear herself apart every day because her boobs are sagging and her skin is wrinkling, she feels like she is ugly even though she is amazing, but then I feel like I can’t judge because I do the same to myself. I wish the people who had real power and control the images and messages we get fed all day actually thought about what they did for once. I know the girls on page 3 are probably starving themselves. I know the girls in adverts are airbrushed. I know beauty is on the inside. But I still feel like I’m not good enough.
Laura Bates (Everyday Sexism)
Many governments employ torture but this was the first time that the element of Saturnalia and pornography in the process had been made so clear to me. If you care to imagine what any inadequate or cruel man might do, given unlimited power over a woman, then anything that you can bring yourself to suspect was what became routine in ESMA, the Navy Mechanics School that became the headquarters of the business. I talked to Dr. Emilio Mignone, a distinguished physician whose daughter Monica had disappeared into the precincts of that hellish place. What do you find to say to a doctor and a humanitarian who has been gutted by the image of a starving rat being introduced to his daughter's genitalia? Like hell itself the school was endorsed and blessed by priests, in case any stray consciences needed to be stilled.
Christopher Hitchens (Hitch 22: A Memoir)
I'll stay with you a little, my unforgettable delight, for as long as my arms and my hands and my lips remember you. I'll put my grief for you in a work that will endure and be worthy of you. I'll write your memory into an image of aching tenderness and sorrow. I'll stay here till this is done, then I too will go. This is how I will portray you, I'll trace your features on paper as the sea, after a fearful storm has churned it up, traces the form of the greatest, farthest-reaching wave on the sand. Seaweed, shells, cork, pebbles, the lightest, most imponderable things that it could lift from its bed, are cast up in a broken, sinuous line on the sand. This line endlessly stretching into the distance is the frontier of the highest tide. That was how life's storm cast you up on my shore, O my pride, that is how I'll portray you.
Boris Pasternak (Doctor Zhivago)
A Hasidic teaching says, "If your child has a talent to be a baker, don't tell him to be a doctor." Judaism holds that every child is made in the divine image. When we ignore a child's intrinsic strengths in an effort to push him toward our notion of extraordinary achievement, we are undermining God's plan.
Wendy Mogel (The Blessing of a Skinned Knee: Using Jewish Teachings to Raise Self-Reliant Children)
What grief is not taken away by time? What passion will survive an unequal battle with it? I knew a man in the bloom of his still youthful powers, filled with true nobility and virtue, I knew him when he was in love, tenderly, passionately, furiously, boldly, modestly, and before me, almost before my eyes, the object of his passion - tender, beautiful as an angel - was struck down by insatiable death. I never saw such terrible fits of inner suffering, such furious scorching anguish, such devouring despair as shook the unfortunate lover. I never thought a man could create such a hell for himself, in which there would be no shadow, no image, nothing in the least resembling hope... They tried to keep an eye on him; they hid all instruments he might have used to take his own life. Two weeks later he suddenly mastered himself: he began to laugh, to joke; freedom was granted him, and the first thing he did was buy a pistol. One day his family was terribly frightened by the sudden sound of a shot. They ran into the room and saw him lying with his brains blown out. A doctor who happened to be there, whose skill was on everyone's lips, saw signs of life in him, found that the wound was not quite mortal, and the man, to everyone's amazement, was healed. The watch on him was increased still more. Even at the table they did not give him a knife to and tried to take away from him anything that he might strike himself with; but a short while later he found a new occasion and threw himself under the wheels of a passing carriage. His arms and legs were crushed; but again they saved him. A year later I saw him in a crowded room; he sat at the card table gaily saying 'Petite ouverte,' keeping one card turned down, and behind him, leaning on the back of his chair, stood his young wife, who was sorting through his chips.
Nikolai Gogol (The Collected Tales of Nikolai Gogol)
What is art? Art is tar, rearranged. Art is tar on canvas or tar on tarp or tar on a naked body. Art is a bird chirping changed into something visual. Art is an image of a thousand beaks breaking into the office of a quack doctor. I know that doctor, and I've personally spoken to ten of those beaks. Art is rhythm, two hands clapping at a urinal while a third shakes off pee to the beat. Good art stays with you your whole life, especially if that good art is a tattoo. Good art is my name, written backwards, inked on your upper lip in a furry font. Art imitates life, just as life imitates Orafoura. Art can be anything from a Manet to a Monet to a painting of money to a missile. Art can save the world, or devastate it. (We could drop another big bomb on Japan, though I'm not advocating dumping Basquiat paintings on Hiroshima). Art rhymes with a bodily function, and everybody should let their creativity rip everywhere from the privacy of their bathrooms to small heated boxes with four of their closest friends. Art is thinking outside that box, and desperately trying to escape.
Jarod Kintz (This Book is Not for Sale)
You two stop your bickering," ordered the Doctor. "We're not bickering," Crash insisted. "Then stop whatever it is you're doing." "Having fun?" "Yes.
J. Grace Pennington (In His Image (Firmament, #2))
the heroic spirit of responsibility amid blood and failure. This struck me as the true image of a doctor.
Paul Kalanithi (When Breath Becomes Air)
That was why, later on, he began to lose interest in photography: first when colour took over, then when it became plain that the old magic of light-sensitive emulsions was waning, that to the rising generation the enchantment lay in a techne of images without substance, images that could flash through the ether without residing anywhere, that could be sucked into a machine and emerge from it doctored, untrue. He gave up recording the world in photographs then, and transferred his energies to saving the past.
J.M. Coetzee (Slow Man)
its commercial exploiters in fact controlled, to an almost monopolizing extent, its image and most of the knowledge about it. Many firms had their own radium-themed journals, which were distributed free to doctors,
Kate Moore (The Radium Girls: The Dark Story of America's Shining Women)
Reality is something that is co-authored,’ the woman says. ‘It makes sense that you would begin to find this disturbing. When someone says that something is not what you think of it as, it can cause slight tremors in the brain, variations in brain activity, and subconscious doubts begin to emerge. Why do you think people experience spiritual awakenings? It’s because the people around us are engaged. The frenzy is a charge that’s contagious.’ ‘Are you saying my mother is contagious?’ ‘No, I’m not. Though maybe I am, in a sense. We actively make memories, you know. And we make them together. We remake memories, too, in the image of what other people remember.’ ‘The doctor says my mother has become unreliable.’ ‘We are all unreliable. The past seems to have a vigour that the present does not.
Avni Doshi (Burnt Sugar)
According to the legend an evil old doctor, who called himself God and us dogs, created the first boy in his adolescent image. The boy peopled the garden with male phantoms that rose from his ejaculations. This angered God, who was getting on in years. He decided it endangered his position as CREATOR. So he crept upon the boy and anaesthetized him and made Eve from his rib. Henceforth all creation of beings would process through female channels. But some of Adam's phantoms refused to let God near them under any pretext.
William S. Burroughs (Port of Saints)
If you could only speak the devil fair enough, he might save you the cost of the doctor. Such strange lingering echoes of the old demon-worship might perhaps even now be caught by the diligent listener among the grey-haired peasantry; for the rude mind with difficulty associates the ideas of power and benignity. A shadowy conception of power that by much persuasion can be induced to refrain from inflicting harm, is the shape most easily taken by the sense of the Invisible in the minds of men who have always been pressed close by primitive wants, and to whom a life of hard toil has never been illuminated by any enthusiastic religious faith. To them pain and mishap present a far wider range of possibilities than gladness and enjoyment: their imagination is almost barren of the images that feed desire and hope, but is all overgrown by recollections that are a perpetual pasture to fear.
George Eliot (Silas Marner)
Peter kept the same pace that I did, even though I knew that I helplessly dragged my feet. The image of a doctor guiding an invalid grudgingly entered my mind. Yet there was a companionable silence as we trudged onward. My mind was still half vacant, but I felt safe. And, although our hands did not touch, I felt as if they did.
Gina Marinello-Sweeney
Yet the flip side of the coin was all the positive literature about radium. As early as 1914, specialists knew that radium could deposit in the bones of radium users and that it caused changes in their blood. These blood changes, however, were interpreted as a good thing—the radium appeared to stimulate the bone marrow to produce extra red blood cells. Deposited inside the body, radium was the gift that kept on giving. But if you looked a little closer at all those positive publications, there was a common denominator: the researchers, on the whole, worked for radium firms. As radium was such a rare and mysterious element, its commercial exploiters in fact controlled, to an almost monopolizing extent, its image and most of the knowledge about it. Many firms had their own radium-themed journals, which were distributed free to doctors, all full of optimistic research. The firms that profited from radium medicine were the primary producers and publishers of the positive literature.
Kate Moore (The Radium Girls: The Dark Story of America's Shining Women)
What had not changed, though, was the heroic spirit of responsibility amid blood and failure. This struck me as the true image of a doctor.
Paul Kalanithi (When Breath Becomes Air)
After two or three stanzas and several images by which he was himself astonished, his work took possession of him and he experienced the approach of what is called inspiration. At such moments the correlation of the forces controlling the artist is, as it were, stood on its head. The ascendancy is no longer with the artist or the state of mind which he is trying to express, but with language, his instrument of expression. Language, the home and dwelling of beauty and meaning, itself begins to think and speak for man and turns wholly into music, not in the sense of outward, audible sounds but by virtue of the power and momentum of its inward flow. Then, like the current of a mighty river polishing stones and turning wheels by its very movement, the flow of speech creates in passing, by the force of its own laws, rhyme and rhythm and countless other forms and formations, still more important and until now undiscovered, unconsidered and unnamed. At such moments Yury felt that the main part of his work was not being done by him but by something which was above him and controlling him: the thought and poetry of the world as it was at that moment and as it would be in the future. He was controlled by the next step it was to take in the order of its historical development; and he felt himself to be only the pretext and the pivot setting it in motion. ... In deciphering these scribbles he went through the usual disappointments. Last night these rough passages had astonished him and moved him to tears by certain unexpectedly successful lines. Now, on re-reading these very lines, he was saddened to find that they were strained and glaringly far-fetched.
Boris Pasternak (Doctor Zhivago)
In an ever-more complex world, Mandelbrot argues, scientists need both tools: image as well as number, the geometric view as well as the analytic. The two should work together. Visual geometry is like an experienced doctor's savvy in reading a patient's complexion, charts, and X-rays. Precise analysis is like the medical test results-the raw numbers of blood pressure and chemistry. "A good doctor looks at both, the pictures and the numbers. Science needs to work that way too," he says.
Benoît B. Mandelbrot (The (Mis)Behavior of Markets)
Regardless of age, Connection types, at some level, often feel like frightened children in an adult world. Because of their inadequate sense of self, they often try to anchor themselves in their roles as scientist, judge, doctor, father, mother, etc.
Laurence Heller (Healing Developmental Trauma: How Early Trauma Affects Self-Regulation, Self-Image, and the Capacity for Relationship)
It’s like I have this demon inside of me, and I want it gone, but the idea of removing it via pill is . . . I don’t know . . . weird. But a lot of days I get over that, because I do really hate the demon.” “You often try to understand your experience through metaphor, Aza: It’s like a demon inside of you; you’ll call your consciousness a bus, or a prison cell, or a spiral, or a whirlpool, or a loop, or a—I think you once called it a scribbled circle, which I found interesting.” “Yeah,” I said. “One of the challenges with pain—physical or psychic—is that we can really only approach it through metaphor. It can’t be represented the way a table or a body can. In some ways, pain is the opposite of language.” She turned to her computer, shook her mouse to wake it up, and then clicked an image on her desktop. “I want to share something Virginia Woolf wrote: ‘English, which can express the thoughts of Hamlet and the tragedy of Lear, has no words for the shiver and the headache. . . . The merest schoolgirl, when she falls in love, has Shakespeare or Keats to speak her mind for her; but let a sufferer try to describe a pain in his head to a doctor and language at once runs dry.’ And we’re such language-based creatures that to some extent we cannot know what we cannot name. And so we assume it isn’t real. We refer to it with catch-all terms, like crazy or chronic pain, terms that both ostracize and minimize. The term chronic pain captures nothing of the grinding, constant, ceaseless, inescapable hurt. And the term crazy arrives at us with none of the terror and worry you live with. Nor do either of those terms connote the courage people in such pains exemplify, which is why I’d ask you to frame your mental health around a word other than crazy.
John Green (Turtles All the Way Down)
We walked into my mother's house at 10:30 in the morning at the end of February 1992. I had been gone for three weeks. She had been so desperate about us - she, too, looked thin and haggard. She was stunned to see me walk in, filthy and crawling with lice, with a huge crowd of starving people. We ate and drank clean water; then, before we even washed, I put Marian in a taxi with me and told the driver to go to Nairobi Hospital. We had no money left and I knew Nairobi Hospital was expensive; it was where I had been operated on when the ma'alim broke my skull. But I also knew that there they would help us first and ask to pay later. Saving the baby's life had become the only thing that mattered to me. At the reception desk I announced, "This baby is going to die," and the nurse's eyes went wide with horror. She took him and put a drip in his arm, and very slowly, this tiny shape seemed to uncrumple slightly. After a little while, his eyes opened. The nurse said, "The child will live," and told us to deal with the bill at the cash desk. I asked her who her director was, and found him, and told this middle-aged Indian doctor the whole story. I said I couldn't pay the bill. He took it and tore it up. He said it didn't matter. Then he told me how to look after the baby, and where to get rehydration salts, and we took a taxi home. Ma paid for the taxi and looked at me, her eyes round with respect. "Well done," she said. It was a rare compliment. In the next few days the baby began filling out, growing from a crumpled horror-movie image into a real baby, watchful, alive.
Ayaan Hirsi Ali (Infidel)
Shinmon Aoki, a modern undertaker in Japan, described being ridiculed by society for his job washing and casketing the dead. His family disowned him and his wife wouldn't sleep with him because he was "defiled" by corpses. So Aoki purchased a surgical robe, mask, and gloves and began showing up to homes dressed in full medical garb. People began responding differently; they bought the image he was selling and called him "doctor." The American undertaker had done something similar: by making themselves "medical" they became legitimate.
Caitlin Doughty (Smoke Gets in Your Eyes & Other Lessons from the Crematory)
It might be instructive to try seeing things from the perspective of, say, a God-fearing hard-working rural-Midwestern military vet. It's not that hard. Imaging gazing through his eyes at the world of MTV and the content of video games, at the gross sexualization of children's fashions, at Janet Jackson flashing her aureole on what's supposed to be a holy day. Imagine you're him having to explain to your youngest what oral sex is and what it's got to do with a US president. Ads for penis enlargers and HOT WET SLUTS are popping up out of nowhere on your family's computer. Your kids' school is teaching them WWII and Vietnam in terms of Japanese internment and the horrors of My Lai. Homosexuals are demanding holy matrimony; your doctor's moving away because he can't afford the lawsuit insurance; illegal aliens want driver's licenses; Hollywood elites are bashing America and making millions from it; the president's ridiculed for reading his Bible; priests are diddling kids left and right. Shit, the country's been directly attacked, and people aren't supporting our commander in chief.
David Foster Wallace (Consider the Lobster and Other Essays)
But if you looked a little closer at all those positive publications, there was a common denominator: the researchers, on the whole, worked for radium firms. As radium was such a rare and mysterious element, its commercial exploiters in fact controlled, to an almost monopolizing extent, its image and most of the knowledge about it. Many firms had their own radium-themed journals, which were distributed free to doctors, all full of optimistic research. The firms that profited from radium medicine were the primary producers and publishers of the positive literature.
Kate Moore (The Radium Girls: The Dark Story of America's Shining Women)
Percy thought Frank had said surgeons. He had this weird image of giant doctors in scrubs and face masks, pulling their boat upstream. Then he realized Frank meant sturgeons, like the fish. He was glad he hadn’t said anything. Would have been embarrassing, his being son of the sea god and all.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
To cure epilepsy, doctors concocted recipes of dried human heart or made a potion of wine, lily, lavender, and an entire adult brain, which weighed about three pounds. Human fat was used to treat consumption, rheumatism, and gout. Physicians recommended those suffering from hemorrhoids to stroke them with the amputated hand of a dead man—a strangely unpalatable image to ponder.
Eleanor Herman (The Royal Art of Poison: Filthy Palaces, Fatal Cosmetics, Deadly Medicine, and Murder Most Foul)
heady scent of Erik’s cologne. She glanced around the softly painted room, noticing that the inside walls were mirrored, allowing a full view of the bed.  Feeling an awakening blush come, she instantly flushed the images from her mind. You’re here to make the bed. She walked toward an archway that opened into two separate walk-in dressing areas complete with built-in bureaus and drawers.  She took a swift peek inside the Hers and her heart
Ana E. Ross (The Doctor's Secret Bride)
To review briefly, in the late 1960s, men got paid more than women (usually double) for doing the exact same job. Women could get credit cards in their husband's names but not their own, and many divorced, single and separated women could not get cards at all. Women could not get mortgages on their own and if a couple applied for a mortgage, only the husband's income was considered. Women faced widespread and consistent discrimination in education, scholarship awards, and on the job. In most states the collective property of a marriage was legally the husband's since the wife had allegedly not contributed to acquiring it. Women were largely kept out of a whole host of jobs--doctor, college professor, bus driver, business manager--that women today take for granted. They were knocked out in the delivery room... once women got pregnant they were either fired from their jobs or expected to quit. If they were women of color, it was worse on all fronts--work education, health care. (And talk about slim pickings. African American men were being sent to prison and cut out of jobs by the millions.) Most women today, having seen reruns of The Brady Bunch and Father Knows Best, and having heard of Betty Friedan's The Feminine Mystique, the bestseller that attacked women's confinement to the home, are all too familiar with the idealized yet suffocating media images of happy, devoted housewives. In fact, most of us have learned to laugh at them, vacuuming in their stockings and heels, clueless about balancing a checkbook, asking dogs directions to the neighbor's. But we should not permit our ability to distance ourselves from these images to erase the fact that all women--and we mean all women--were, in the 1950s and '60s supposed to internalize this ideal, to live it and believe it.
Susan J. Douglas (The Mommy Myth: The Idealization of Motherhood and How It Has Undermined All Women)
This is Radio Free Hayden podcasting from somewhere dark and dingy that smells of ancient grease and more recent body odor. If anyone actually hears this podcast, I must first apologize that there’s no visual of me. My bandwidth is the digital equivalent of a mule train. So instead, I’ve posted this wonderful Norman Rockwell image instead of a video. You’ll note how the poor innocent ginger kid standing on the chair with his butt hanging out is about to be tranq’d in the ass by the ‘kindly country doctor.’ I felt the image was somehow appropriate.
Neal Shusterman (UnDivided (Unwind, #4))
I gave out the pews and reredos and so forth. The beautiful oak pulpit, which a professor-doctor from Tübingen dated to the thirteenth century. I told them to take the crucifix, too. It was quite large. Used prudently, it might have heated a dozen homes for a night or two. But there they drew the line. They were shocked, I think. I tried to explain that if He would give His life to save their souls, He would not mind parting with His image to warm their bones.” He shook his head, looking at the ruin of his church. “Of course, in the end it went to waste.
Michael Chabon (Moonglow)
The Doctor brusquely explains that the English game of cricket derives from one of those curious freaks of racial memory which can keep images alive in the mind eons after their true significance has been lost in the mists of time. Of all the races in the Galaxy only the English could possibly revive the memory of the most horrific star wars that ever sundered the Universe and transform it into what is generally regarded as an incomprehensibly dull and pointless game. It is for that reason that the Earth has always been regarded slightly askance by the rest of the Galaxy—it has inadvertently been guilty of the most grotesquely bad taste.
Neil Gaiman (Don't Panic: Douglas Adams & The Hitchhiker's Guide to the Galaxy)
The expected battle hadn’t taken place, yet something else had. Images of the entertainment which had just gone down were already coming back into Rat’s head. It had been wonderful to watch, unbelievably wonderful, the enactment of several plays at once on a single stage, and Rat was sorry it was over, but in a way it was even better to relive it now in the privacy of his mind. He hadn’t believed the boy-doctor and that stuff about the condom being used or warm, but he had gone along with it and the emotion which it powered. Everybody had. The emotion was the most important thing. He wondered how he could ever put such a chaotic, hilarious, sad thing down on paper, organise it into scenes or verses and fix his own pewiod at the end. He could never do it justice. He would never get that emotion back.
Graham Spaid (tireless:)
While they sorted us out for transportation I had a chance to look around. In the light of the dying sun the image glimpsed earlier through the crack in the box car seemed to have changed, grown more eery and menacing. One object immediately caught my eye: an immense square chimney, built of red bricks, tapering towards the summit. It towered above a two-story building and looked like a strange factory chimney. I was especially struck by the enormous tongues of flame rising between the lightning rods, which were set at angles on the square tops of the chimney. I tried to imagine what hellish cooking would require such a tremendous fire. Suddenly I realized that we were in Germany, the land of the crematory ovens. I had spent ten years in this country, first as a student, later as a doctor, and knew that even the smallest city had its crematorium.
Miklós Nyiszli (Auschwitz: A Doctor's Eyewitness Account)
The doctor told Nero "72% 5-year actuarially adjusted survival rate". It meant that 72 people out of hundred make it. It takes between 3 to 5 years for the body without clinical manifestations of the disease for the patient to be pronounced cured (closer to three at his age). He then felt in his guts quite certain that he was going to make it. now the reader might wonder about the mathematical difference between a 28% chance of death and a 72% chance of suvival over the next 5 years. Clearly, there is none, but we are not made for mathematics. In Nero's mind 28% chance of death meant the image of himself dead, and thoughts of the cumbersome details of his funeral. A 72% chance of survival put him in a cheerful mood; his mind was planning the result of a cured Nero skiing in the Alps. At no point during his ordeal did Nero think of himself as 72% alive and 28% dead.
Nassim Nicholas Taleb (Fooled by Randomness: The Hidden Role of Chance in Life and in the Markets (Incerto))
some point over the next few hours, she left some food and water for her children in their room and opened their bedroom window. She wrote out the name of her doctor, with a telephone number, and stuck it to the baby carriage in the hallway. Then she took towels, dishcloths, and tape and sealed the kitchen door. She turned on the gas in her kitchen stove, placed her head inside the oven, and took her own life. 2. Poets die young. That is not just a cliché. The life expectancy of poets, as a group, trails playwrights, novelists, and nonfiction writers by a considerable margin. They have higher rates of “emotional disorders” than actors, musicians, composers, and novelists. And of every occupational category, poets have far and away the highest suicide rates—as much as five times higher than the general population. Something about writing poetry appears either to attract the wounded or to open new wounds—and few have so perfectly embodied that image of the doomed genius as Sylvia Plath.
Malcolm Gladwell (Talking to Strangers: What We Should Know About the People We Don’t Know)
The introduction of cinematography enabled us to corral time past and thus retain it not merely in the memory - at best, a falsifying receptacle - but in the objective preservative of a roll of film. But, if past, present and future are the dimensions of time, they are notoriously fluid. There is no tension in the tenses and yet they are always tremulously about to coagulate. The present is a liquid jelly which settles into a quivering, passive mass, the past, as soon as - if not sooner than - we are aware of it as present. Yet this mass was intangible and existed only conceptually until arrival of the preservative, cinema. The motion picture is usually regarded as only a kind of shadow play and few bother to probe the ontological paradoxes it presents. For it offers us nothing less than the present tense experience of time irrefutably past. So that the coil of film has, as it were, lassoed inert phenomena from which the present had departed, and when projected upon a screen, they are granted a temporary revivification. [...] The images of cinematography, however, altogether lack autonomy. Locking in programmed patterns, they merely transpose time past into time present and cannot, by their nature, respond to the magnetic impulses of time future for the unachievable future which does not exist in any dimension, but nevertheless organizes phenomena towards its potential conclusions. The cinematographic model is one of cyclic recurrences alone, even if these recurrences are instigated voluntarily, by the hand of man viz. the projectionist, rather than the hand of fate. Though, in another sense, the action of time is actually visible in the tears, scratches and thumbprints on the substance of the film itself, these are caused only by the sly, corrosive touch of mortality and, since the print may be renewed at will, the flaws of aging, if retained, increase the presence of the past only by a kind of forgery, as when a man punches artificial worm-holes into raw or smokes shadows of fresh pain with a candle to produce an apparently aged artefact. Mendoza, however, claimed that if a thing were sufficiently artificial, it became absolutely equivalent to the genuine.
Angela Carter (The Infernal Desire Machines of Doctor Hoffman)
Abraham Verghese, the physician and writer, speaks eloquently about the value of touch in health care. During a lecture here in Pittsburgh he explained that when doctors examine patients by physically touching them the patients feel more thoroughly cared for than if they had only been asked questions and observed. That reaction makes sense since when we’re ill it’s usually our bodies that are sick and hold the details of our affliction; a doctor intuitive enough to diagnose from touch is not just appealing, but reassuring. Nurses touch patients all the time, typically not to make diagnoses, since that’s not what we officially do, but to gather information and to help—with going to the bathroom, bathing, walking, eating, managing pain, figuring out if someone’s taking a turn for the worse. Touch connects the essential humanness of nurse and patient, reminding me that we are two people with a shared mission: healing, if we can. The image of a mother placing the back of her hand on a child’s feverish forehead is indelible because it communicates, “I can feel how you feel when you are ill.” I
Theresa Brown (The Shift: One Nurse, Twelve Hours, Four Patients' Lives)
The name has always occupied a space between the concrete and the abstract, the individual and the social, but when it begins to be shaped and charged with meaning in places removed from the physical world, in that way entertaining the world of fiction, albeit unseen by the majority, at the same time as this fictional world is expanding and taking up an ever greater part of our lives - the TV screens are now not only in our own rooms, but also on the walls of our trains and under the luggage bins of our planes, in the waiting rooms of our doctors' offices and the halls of our banks, even in the supermarkets, quite apart from our carrying them around in the form of laptop computers and cell phones, in such a way that we inhabit two realities, one abstract and image-based, in which all kinds of people and places present themselves before us with nothing in common but being somewhere other than where we are, and one concrete, physical, which is the one we move around in and are more palpably a part of - when we arrive at a point where everything is either fiction or seen as fiction, the job of the novelist can no longer be to write more fiction.
Karl Ove Knausgård (Min kamp 6 (Min kamp, #6))
The programme was due at any moment and I felt a bit self-conscious about barging in on some innocent family at sacred tea time. I need not have feared. A young man of about thirty opened the door to me and I asked, 'Do you watch Doctor Who in this house by any chance?' For a split second the young man looked puzzled and then he smiled, opened the door wide, and simply said 'Come in, Doctor.' And in I went. As he ushered me into the sitting room, I heard the title music and I quietly sat in the chair the man pointed to. As I took my seat, he pointed towards two little boys sitting on the sofa, eyes glued to the screen as I appeared. They watched with terrific intensity as a bit of drama unrolled and then, as someone else took up the plot, they lost interest slightly and glanced up at their dad and then at me. Just as they did so, I reappeared on the screen and they looked at me there. Their amazement was simply amazing! They were utterly gobsmacked as the two images jostled in their heads. They could not grasp how I could be in two paces at once and then, to the delight of their dad, they couldn't believe Doctor Who was in their house. What a wonderful hour or so that was.
Tom Baker
As I became older, I was given many masks to wear. I could be a laborer laying railroad tracks across the continent, with long hair in a queue to be pulled by pranksters; a gardener trimming the shrubs while secretly planting a bomb; a saboteur before the day of infamy at Pearl Harbor, signaling the Imperial Fleet; a kamikaze pilot donning his headband somberly, screaming 'Banzai' on my way to my death; a peasant with a broad-brimmed straw hat in a rice paddy on the other side of the world, stooped over to toil in the water; an obedient servant in the parlor, a houseboy too dignified for my own good; a washerman in the basement laundry, removing stains using an ancient secret; a tyrant intent on imposing my despotism on the democratic world, opposed by the free and the brave; a party cadre alongside many others, all of us clad in coordinated Mao jackets; a sniper camouflaged in the trees of the jungle, training my gunsights on G.I. Joe; a child running with a body burning from napalm, captured in an unforgettable photo; an enemy shot in the head or slaughtered by the villageful; one of the grooms in a mass wedding of couples, having met my mate the day before through our cult leader; an orphan in the last airlift out of a collapsed capital, ready to be adopted into the good life; a black belt martial artist breaking cinderblocks with his head, in an advertisement for Ginsu brand knives with the slogan 'but wait--there's more' as the commercial segued to show another free gift; a chef serving up dog stew, a trick on the unsuspecting diner; a bad driver swerving into the next lane, exactly as could be expected; a horny exchange student here for a year, eager to date the blonde cheerleader; a tourist visiting, clicking away with his camera, posing my family in front of the monuments and statues; a ping pong champion, wearing white tube socks pulled up too high and batting the ball with a wicked spin; a violin prodigy impressing the audience at Carnegie Hall, before taking a polite bow; a teen computer scientist, ready to make millions on an initial public offering before the company stock crashes; a gangster in sunglasses and a tight suit, embroiled in a turf war with the Sicilian mob; an urban greengrocer selling lunch by the pound, rudely returning change over the counter to the black patrons; a businessman with a briefcase of cash bribing a congressman, a corrupting influence on the electoral process; a salaryman on my way to work, crammed into the commuter train and loyal to the company; a shady doctor, trained in a foreign tradition with anatomical diagrams of the human body mapping the flow of life energy through a multitude of colored points; a calculus graduate student with thick glasses and a bad haircut, serving as a teaching assistant with an incomprehensible accent, scribbling on the chalkboard; an automobile enthusiast who customizes an imported car with a supercharged engine and Japanese decals in the rear window, cruising the boulevard looking for a drag race; a illegal alien crowded into the cargo hold of a smuggler's ship, defying death only to crowd into a New York City tenement and work as a slave in a sweatshop. My mother and my girl cousins were Madame Butterfly from the mail order bride catalog, dying in their service to the masculinity of the West, and the dragon lady in a kimono, taking vengeance for her sisters. They became the television newscaster, look-alikes with their flawlessly permed hair. Through these indelible images, I grew up. But when I looked in the mirror, I could not believe my own reflection because it was not like what I saw around me. Over the years, the world opened up. It has become a dizzying kaleidoscope of cultural fragments, arranged and rearranged without plan or order.
Frank H. Wu (Yellow)
A hero ventures forth from the world of common day into a region of supernatural wonder: fabulous forces are there encountered and a decisive victory is won: the hero comes back from this mysterious adventure with the power to bestow boons on his fellow men. That is the pattern of the myth, and that is the pattern of these fantasies of the psyche. Now it was Dr Perry's thesis in his paper that in certain cases the best thing is to let the schizophrenic process run its course, not to abort the psychosis by administering shock treatments and the like, but, on the contrary, to help the process of disintegration and reintegration along. However, if a doctor is to be helpful in this way, he has to understand the image language of mythology. He has himself to understand what the fragmentary signs and signals signify that his patient, totally out of touch with rationally oriented manners of thought and communication, is trying to bring forth in order to establish some kind of contact. Interpreted from this point of view, a schizophrenic breakdown is an inward and backward journey to recover something missed or lost, and to restore, thereby, a vital balance. So let the voyager go. He has tipped over and is sinking, perhaps drowning; yet, as in the old legend of Gilgamesh and his long, deep dive to the bottom of the cosmic sea to pluck the watercress of immortality, there is the one green value of his life down there. Don't cut him off from it: help him through.
Joseph Campbell (Myths to Live By)
The earliest commentaries on Scripture had been of this discursive nature, being addresses by word of mouth to the people, which were taken down by secretaries, and so preserved. While the traditionary teaching of the Church still preserved the vigour and vividness of its Apostolical origin, and spoke with an exactness and cogency which impressed an adequate image of it upon the mind of the Christian Expositor, he was able to allow himself free range in handling the sacred text, and to admit into the comment his own particular character of mind, and his spontaneous and individual ideas, in the full security, that, however he might follow the leadings of his own thoughts in unfolding the words of Scripture, his own deeply fixed views of Catholic truth would bring him safe home, without overstepping the limits of truth and sobriety. Accordingly, while the early Fathers manifest a most remarkable agreement in the principles and the substance of their interpretation, they have at the same time a distinctive spirit and manner, by which each may be known from the rest. About the vith or viith century this originality disappears; the oral or traditionary teaching, which allowed scope to the individual teacher, became hardened into a written tradition, and henceforward there is a uniform invariable character as well as substance of Scripture interpretation. Perhaps we should not err in putting Gregory the Great as the last of the original Commentators; for though very numerous commentaries on every book of Scripture continued to be written by the most eminent doctors in their own names, probably not one interpretation of any importance would be found in them which could not be traced to some older source. So that all later comments are in fact Catenas or selections from the earlier Fathers, whether they present themselves expressly in the form of citations from their volumes, or are lections upon the Lesson or Gospel for the day, extempore indeed in form, but as to their materials drawn from the previous studies and stores of the expositor. The latter would be better adapted for the general reader, the former for the purposes of the theologian.
Thomas Aquinas (Catena Aurea: Volume 1-4)
When someone goes to the doctor and says, “I hear a voice in my head,” he or she will most likely be sent to a psychiatrist. The fact is that, in a very similar way, virtually everyone hears a voice, or several voices, in their head all the time: the involuntary thought processes that you don’t realize you have the power to stop. Continuous monologues or dialogues. You have probably come across “mad” people in the street incessantly talking or muttering to themselves. Well, that’s not much different from what you and all other “normal” people do, except that you don’t do it out loud. The voice comments, speculates, judges, compares, complains, likes, dislikes, and so on. The voice isn’t necessarily relevant to the situation you find yourself in at the time; it may be reviving the recent or distant past or rehearsing or imagining possible future situations. Here it often imagines things going wrong and negative outcomes; this is called worry. Sometimes this soundtrack is accompanied by visual images or “mental movies.” Even if the voice is relevant to the situation at hand, it will interpret it in terms of the past. This is because the voice belongs to your conditioned mind, which is the result of all your past history as well as of the collective cultural mind-set you inherited. So you see and judge the present through the eyes of the past and get a totally distorted view of it. It is not uncommon for the voice to be a person’s own worst enemy. Many people live with a tormentor in their head that continuously attacks and punishes them and drains them of vital energy. It is the cause of untold misery and unhappiness, as well as of disease. The good news is that you can free yourself from your mind. This is the only true liberation. You can take the first step right now. Start listening to the voice in your head as often as you can. Pay particular attention to any repetitive thought patterns, those old gramophone records that have been playing in your head perhaps for many years. This is what I mean by “watching the thinker,” which is another way of saying: listen to the voice in your head, be there as the witnessing presence. When you listen to that voice, listen to it impartially. That is to say, do not judge. Do not judge or condemn what you hear, for doing so would mean that the same voice has come in again through the back door. You’ll soon realize: there is the voice, and here I am listening to it, watching it. This I am realization, this sense of your own presence, is not a thought. It arises from beyond the mind.
Eckhart Tolle (The Power of Now: A Guide to Spiritual Enlightenment)
FREEING YOURSELF FROM YOUR MIND What exactly do you mean by “watching the thinker”? When someone goes to the doctor and says, “I hear a voice in my head,” he or she will most likely be sent to a psychiatrist. The fact is that, in a very similar way, virtually everyone hears a voice, or several voices, in their head all the time: the involuntary thought processes that you don’t realize you have the power to stop. Continuous monologues or dialogues. You have probably come across “mad” people in the street incessantly talking or muttering to themselves. Well, that’s not much different from what you and all other “normal” people do, except that you don’t do it out loud. The voice comments, speculates, judges, compares, complains, likes, dislikes, and so on. The voice isn’t necessarily relevant to the situation you find yourself in at the time; it may be reviving the recent or distant past or rehearsing or imagining possible future situations. Here it often imagines things going wrong and negative outcomes; this is called worry. Sometimes this soundtrack is accompanied by visual images or “mental movies.” Even if the voice is relevant to the situation at hand, it will interpret it in terms of the past. This is because the voice belongs to your conditioned mind, which is the result of all your past history as well as of the collective cultural mind-set you inherited. So you see and judge the present through the eyes of the past and get a totally distorted view of it. It is not uncommon for the voice to be a person’s own worst enemy. Many people live with a tormentor in their head that continuously attacks and punishes them and drains them of vital energy. It is the cause of untold misery and unhappiness, as well as of disease. The good news is that you can free yourself from your mind. This is the only true liberation. You can take the first step right now. Start listening to the voice in your head as often as you can. Pay particular attention to any repetitive thought patterns, those old gramophone records that have been playing in your head perhaps for many years. This is what I mean by “watching the thinker,” which is another way of saying: listen to the voice in your head, be there as the witnessing presence. When you listen to that voice, listen to it impartially. That is to say, do not judge. Do not judge or condemn what you hear, for doing so would mean that the same voice has come in again through the back door. You’ll soon realize: there is the voice, and here I am listening to it, watching it. This I am realization, this sense of your own presence, is not a thought. It arises from beyond the mind.
Eckhart Tolle (The Power of Now: A Guide to Spiritual Enlightenment)
Well before the end of the 20th century however print had lost its former dominance. This resulted in, among other things, a different kind of person getting elected as leader. One who can present himself and his programs in a polished way, as Lee Quan Yu you observed in 2000, adding, “Satellite television has allowed me to follow the American presidential campaign. I am amazed at the way media professionals can give a candidate a new image and transform him, at least superficially, into a different personality. Winning an election becomes, in large measure, a contest in packaging and advertising. Just as the benefits of the printed era were inextricable from its costs, so it is with the visual age. With screens in every home entertainment is omnipresent and boredom a rarity. More substantively, injustice visualized is more visceral than injustice described. Television played a crucial role in the American Civil rights movement, yet the costs of television are substantial, privileging emotional display over self-command, changing the kinds of people and arguments that are taken seriously in public life. The shift from print to visual culture continues with the contemporary entrenchment of the Internet and social media, which bring with them four biases that make it more difficult for leaders to develop their capabilities than in the age of print. These are immediacy, intensity, polarity, and conformity. Although the Internet makes news and data more immediately accessible than ever, this surfeit of information has hardly made us individually more knowledgeable, let alone wiser, as the cost of accessing information becomes negligible, as with the Internet, the incentives to remember it seem to weaken. While forgetting anyone fact may not matter, the systematic failure to internalize information brings about a change in perception, and a weakening of analytical ability. Facts are rarely self-explanatory; their significance and interpretation depend on context and relevance. For information to be transmuted into something approaching wisdom it must be placed within a broader context of history and experience. As a general rule, images speak at a more emotional register of intensity than do words. Television and social media rely on images that inflamed the passions, threatening to overwhelm leadership with the combination of personal and mass emotion. Social media, in particular, have encouraged users to become image conscious spin doctors. All this engenders a more populist politics that celebrates utterances perceived to be authentic over the polished sound bites of the television era, not to mention the more analytical output of print. The architects of the Internet thought of their invention as an ingenious means of connecting the world. In reality, it has also yielded a new way to divide humanity into warring tribes. Polarity and conformity rely upon, and reinforce, each other. One is shunted into a group, and then the group polices once thinking. Small wonder that on many contemporary social media platforms, users are divided into followers and influencers. There are no leaders. What are the consequences for leadership? In our present circumstances, Lee's gloomy assessment of visual media's effects is relevant. From such a process, I doubt if a Churchill or Roosevelt or a de Gaulle can emerge. It is not that changes in communications technology have made inspired leadership and deep thinking about world order impossible, but that in an age dominated by television and the Internet, thoughtful leaders must struggle against the tide.
Henry Kissinger (Leadership : Six Studies in World Strategy)
What I have been doing lately from my WIP "In Hiding" is available on my website. *Strong language warning* Wayne sat in the hygienic emergency room trying to ignore the bitch of a headache that began radiating at the back of his skull. His worn jeans, a blood-stained t-shirt, and his makeshift bandage sat on a nearby chair. The hysteria created by his appearance in the small hospital ward had died down. A local cop greeted him as soon as he was escorted to the examination room. The conversation was brief, once he revealed he was a bail enforcer the topic changed from investigation to shooting the bull. The experienced officer shook his hand before leaving then joked he hoped this would be their only encounter. The ER doc was a woman about his age. Already the years of long hours, rotating shifts and the rarity of a personal life showed on her face. Her eyelids were pink-rimmed, her complexion sallow; all were earmarks of the effect of long-term exhaustion. Wayne knew it all too well as he rubbed his knuckle against his own grainy eyes. Despite this, she attended to him with an upbeat demeanor and even slid in some ribbing at his expense. He was defenseless, once the adrenaline dropped off Wayne felt drained. He accepted her volleys without a response. All he mustered was a smile and occasional nod as she stitched him up. Across the room, his cell toned, after the brief display of the number a woman’s image filled the screen. Under his breath, he mumbled, “Shit.” He intends for his exclamation to remain ignored, having caught it the doctor glanced his direction with a smile. Without invitation, she retrieved his phone handing it to him without comment. Wayne noted the raised eyebrow she failed to hide. The phone toned again as he glanced at the flat image on the device. The woman’s likeness was smiling brightly, her blue eyes dancing. Just looking at her eased the pain in his head. He swiped the screen and connected the call as the doctor finished taping his injury. Using his free uninjured arm, he held the phone away from him slightly, utilizing the speaker option. “Hey Baby.” “What the hell, Wayne!” Her voice filled the small area, in his peripheral vision he saw the doc smirk. Turning his head, he addressed the caller. “Babe, I was getting ready to call.” The excuse sounded lame, even to him. “Why the hell do I have to hear about this secondhand?” Wayne placed the phone to his chest, loudly he exclaimed; “F***!” The ER doc touched his arm, “I will give you privacy.” Wayne gave her a grateful nod. With a snatch, she grabbed the corner of the thin curtain suspended from the ceiling and pulled it close. Alone again, he refocused on the call. The woman on the other end had continued in her tirade without him. When he rejoined the call mid-rant, she was issuing him a heartfelt ass-chewing. “...bullshit Wayne that I have to hear about this from my cousin. We’ve talked about this!” “Honey...” She interrupts him before he can explain himself. “So what the hell happened?” Wisely he waited for silence to indicate it was his turn to speak. “Lou, Honey first I am sorry. You know I never meant to upset you. I am alright; it is just a flesh wound.” As he speaks, a sharp pain radiates across his side. Gritting his teeth, Wayne vows to continue without having the radiating pain affect his voice. “I didn’t want you to worry Honey; you know calling Cooper first is just business.” Silence. The woman miles away grits her teeth as she angrily brushes away her tears. Seated at the simple dining table, she takes a napkin from the center and dabs at her eyes. Mentally she reminds herself of her promise that she was done crying over this man. She takes an unsteady breath as she returns her attention to the call. “Lou, you still there?” There is something in his voice, the tender desperation he allows only her to see. Furrowing her brow she closes her eyes, an errant tear coursed down her cheek.
Caroline Walken
After many years of his melancholy he realized that love as understood by most of the people in the world, is mostly love of the intellect, of the mind. It associates them with certain image of love which a person has seen, read or heard.
Raj Doctor (Melancholy Of Innocence)
Without an understanding of common grace, Christians will believe they can live self-sufficiently within their own cultural enclave. Some might feel that we should go only to Christian doctors, work only with Christian lawyers, listen only to Christian counselors, or enjoy only Christian artists. Of course, all non-believers have seriously impaired spiritual vision. Yet so many of the gifts God has put in the world are given to nonbelievers. Mozart was a gift to us—whether he was a believer or not. So Christians are free to study the world of human culture in order to know more of God; for as creatures made in His image we can appreciate truth and wisdom wherever we find it.
Timothy J. Keller (Every Good Endeavor: Connecting Your Work to God's Work)
When Rita asked Tabin to change places with her and operate on the next patient, he did his best to impress her, but the first incision with the point of his blade brought a grunt of disapproval. 'Try not to jab at the patient like you're killing a pig,' Rita said. 'Let your hand widen the wound gently.' Tabin pictured the way fencers held their foils as they sized up opponents, swaying gently side to side, and attempted to send that image to receptors in the fine muscles of his fingers, so that they enlarged the opening one delicate cut at a time. 'Much better, Doctor Geoff,' Rita said. 'If you keep this up, you'll hardly blind anybody.
David Oliver Relin
Today mammography requires an expensive, large, stationary machine that takes a crude, two-dimensional picture. But imagine a ‘bra’ that has tiny X-ray pixel emitters on the top and X-ray sensors on the bottom. It’s self-contained, self-powered, has a 3G or Wi-Fi-enabled network, and can be shipped to a patient in a FedEx box. The patient puts on the bra, pushes a button, and the doctor comes online and starts talking: ‘Hi. All set to take your mammogram? Hold still.’ The X-ray pixels fire, the detectors assemble and transmit the image, and the doctor reads it on the spot. The patient ships back the package, and she’s done. With little time and little money.
Peter H. Diamandis (Abundance: The Future is Better Than You Think)
I drove south in pure Miami style, which is to say fast, moving smoothly in and out of traffic as if there were no real lanes. I did not usually drive so flamboyantly; I have always felt that, contrary to the true spirit of our city’s roads, getting there is just as important as maintaining a forceful image along the way. But the moves came naturally to me—I grew up here, after all, and the current situation seemed to call for all the haste and macho firmness I could muster. What was Rita thinking? And more, how had she persuaded the doctors to go along with it? It made no sense: Lily Anne was tiny, fragile, terribly vulnerable, and to send her out into cold hard life so quickly seemed to be complete and callous madness. I
Jeff Lindsay (Dexter is Delicious (Dexter, #5))
Some say that the spiritual founder of the Rosicrucians was Paracelsus himself. In Huser's edition of his Prognostication Concerning the Next Twenty-four Years there is a woodcut of a child looking toward a heap of Paracelsus's books, some inscribed with a capital R and one bearing the word Rosa. But the significance of this imagery for the Rosicrucians seems spurious.* The rose that the secret society chose as its symbol is in fact derived from the emblem of Martin Luther, in which a heart and cross spring from the center of the flower. The movement began as a society of Protestant Paracelsians founded by the alchemist Johann Valentin Andreae of Herrenberg. *The Paracelsus connection remains puzzling, however. In the first edition of the Philosophia Magna, published by Birckmann in 1567, the Hirschvogel woodcut of Paracelsus appears in modified form with various strange images in the background that later became clearly associated with Rosicrucianism, such as a child's head emerging from a cleft in the ground. What is the significance of these symbols, fifty years before the Rosicrucian movement came into the open?
Philip Ball (The Devil's Doctor: Paracelsus and the World of Renaissance Magic and Science)
Aren’t you going to insist that we pray, Gerry?' the Captain asked as he took a bite. 'This food doesn’t deserve to be blessed,' the Doctor responded grimly, 'but if it makes you feel any better, I already prayed.
J Grace Pennington
The perplexing thing was that Elon seemed to drift off into a trance at times. People spoke to him, but nothing got through when he had a certain, distant look in his eyes. This happened so often that Elon’s parents and doctors thought he might be deaf. “Sometimes, he just didn’t hear you,” said Maye. Doctors ran a series of tests on Elon, and elected to remove his adenoid glands, which can improve hearing in children. “Well, it didn’t change,” said Maye. Elon’s condition had far more to do with the wiring of his mind than how his auditory system functioned. “He goes into his brain, and then you just see he is in another world,” Maye said. “He still does that. Now I just leave him be because I know he is designing a new rocket or something.” Other children did not respond well to these dreamlike states. You could do jumping jacks right beside Musk or yell at him, and he would not even notice. He kept right on thinking, and those around him judged that he was either rude or really weird. “I do think Elon was always a little different but in a nerdy way,” Maye said. “It didn’t endear him to his peers.” For Musk, these pensive moments were wonderful. At five and six, he had found a way to block out the world and dedicate all of his concentration to a single task. Part of this ability stemmed from the very visual way in which Musk’s mind worked. He could see images in his mind’s eye with a clarity and detail that we might associate today with an engineering drawing produced by computer software. “It seems as though the part of the brain that’s usually reserved for visual processing—the part that is used to process images coming in from my eyes—gets taken over by internal thought processes,” Musk said. “I can’t do this as much now because there are so many things demanding my attention but, as a kid, it happened a lot.
Ashlee Vance (Elon Musk: How the Billionaire CEO of SpaceX and Tesla is Shaping our Future)
at her watch. “I’m going to go steal a cup of the cops’ coffee. Want some?” “I’d kill for coffee. Please. Black.” Lacey watched the doctor disappear out the back flap door. She exhaled and relaxed her shoulders, noticing that both techs did the same thing. The three in the tent exchanged a wry look. It was tough to be in close quarters with Dr. Peres for any period of time. Lacey turned her focus back to the gold in her hand. Déjá vu. In her mind, Lacey saw the bridges sitting on her palm, but the image wasn’t from today. She’d held them before. Or held some bridges that were identical. They’d creeped her out at that time too. But where’d she see them? In dental school? No, the memory was older than that. Rusty fragments of images poked at her brain. The front flap door of the tent
Kendra Elliot (Hidden (Bone Secrets, #1))
the image of them trapped in that car haunted him, because now he knew them. They weren’t strangers anymore. They were so much more. He’d just spent the best night of his life with Grace. All he knew was that right now, he was going to enjoy this. His time with her and her son.
Victoria James (The Doctor's Fake Fiancee (Red River, #3))
filling the form in.  She held up the photo and matched it with the wall, a tired, thinlooking girl looking out at her. It was set to the right of Oliver’s. They could have had them taken at the same time. She’d ask Mary.  Grace had said she had only been with Oliver — or at least that’s what the answers suggested. She’d have to ask her to make sure. It wasn’t unknown for homeless people to get into disagreements over love. When you’ve got nothing much to lose, the law doesn’t come into play when you’re asking yourself if you’re prepared to kill for someone.  Grace also admitted to being a regular heroin user and agreed to have an examination. She also said she didn’t have any diseases as far as she knew. She was the same age, too. Eighteen. Had they known each other before they’d become homeless? She’d have to find Grace to know the truth.  She went back to Oliver’s file and checked the date next to his signature. It said the seventh of September. Just under two months ago.  Jamie leafed to the next and only other page in the file. It was another shabbily photocopied sheet. Mary must have been doing them on her printer-scanner at home, creating them on her computer. She really did care. The sheet displayed a pixelated outline of the human body — no doubt an image pulled off the web and then stretched out to fill a page. The resolution was too low to keep any sort of detail, but the shape still came through okay. It was a human with their arms out, feet apart. At the top of the page, in Comic Sans, ‘Examination Sheet’ was written as the title.  In appropriately illegible handwriting for a doctor, notes had been jotted around the body. Parts had been circled with lines being drawn to the corresponding note. She read words like ‘graze’ and ‘lesion’. ‘Rash’ cropped up a few times. But there didn’t look to be anything sinister going on. The crooks of the elbows, as well as the ankles, were all circled several times but nothing was written at the sides. Those areas didn’t need explaining, though underneath, as if encapsulating the entire exam were the words ‘No signs of infection’. So he’d been relatively careful, then. Clean needles, at least. Under that, there was a little paragraph recommending a general blood panel, but overall, Oliver seemed to be in decent health. Nothing had been prescribed, it seemed.  She checked Grace’s and found it to be much the same, complete with triple circles around the elbows and ankles. Though her genital area had also been circled and the word ‘Rash’ had been written. At the bottom, a prescription had been written for azithromycin.  Jamie clicked her teeth together, rummaging in her brain for the name. Was it a gonorrhoea medication or chlamydia? She knew it was for an STD, she just couldn’t remember which. But that meant that where she’d put down ‘1’ for number of
Morgan Greene (Bare Skin (DS Jamie Johansson #1))
Biden seems to care more about his image than carrying out the only significant responsibility required of him as vice president: to launch retaliatory strikes in the event of a nuclear attack. That dwarfs the only duty the U.S. Constitution assigns to him—choosing whether to vote in the Senate to break a tie. Yet despite the obvious danger to the country, no one in Secret Service management has blown the whistle on Biden. “We drive the vehicle with the military aide,” an agent says. “If the president goes down and we can’t locate the military aide to take military action, that’s on us. We don’t have the backbone to say, ‘Mr. Vice President, we can’t separate the control vehicle with the military aide and the doctor from you.’ ” As a result, “unfortunately what’s going to happen is either you’re going to have a dead vice president in Delaware or you’re going to have agents killed in Delaware because Secret Service management refused to stand up to the vice president and say, ‘No sir, we can’t roll with this many assets short,’ ” an agent notes. “He wants to be Joe, and he does not want the vehicles around him. The situation is alarming, but the culture of Secret Service management is to go along, in hopes of getting a
Ronald Kessler (The First Family Detail: Secret Service Agents Reveal the Hidden Lives of the Presidents)
To help burnish its image in the face of so many legal, financial, and public-relations problems, Purdue hired former New York mayor and Republican insider Rudy Giuliani and his consulting firm, Giuliani Partners. Just a few months after his lauded response to the 9/11 terrorist attacks, Giuliani’s job was to convince “public officials they could trust Purdue because they could trust him,
Beth Macy (Dopesick: Dealers, Doctors, and the Drug Company that Addicted America)
images changing from overhead shots of an airport to a hospital with doctors wearing hazmat-esque shields and gowns, crowded sidewalks, bustling markets, and packed-beyond-capacity subways, many of the people wearing surgical masks over their noses and mouths,
Paul Tremblay (The Cabin at the End of the World)
Controlling images were never just about the object of study—popular culture memes or characters from movies and television shows—but about the process of reproducing structural inequalities in our everyday lives. Social psychologists study how we acknowledge and reproduce status groups like “man,” “woman,” “black,” “white,” “Asian,” “poor,” “rich,” “novice,” and “expert” in routine interactions. These are statuses of people that we recognize as meaningful categories. When we interact with someone, a few things happen. We size up the person we are engaging with, scanning for any risks to our own social status. You don’t want to be the person who mistakes the company president for the janitor, for example. We also scan others’ perception of us. This is how all kinds of impromptu moments of cooperation make our day go smoothly. It’s the guy who sees you struggling to get something on the bus and coordinates the four people around you to help you get on. Or it’s the three women in a fast food line who all grab for a baby’s bottle just before it hits the floor. We cooperate in micromoments and in longer settings like the waiting room of a doctor’s office. And, when we are cooperating with strangers or near strangers, we are using all kinds of ideas about status to make the interaction work to our benefit.
Tressie McMillan Cottom (Thick: And Other Essays)
The criminalization of black and Latina women includes persisting images of hypersexuality that serve to justify sexual assaults against them both in and outside of prison. Such images were vividly rendered in a Nightline television series filmed in November 1999 on location at California's Valley State Prison for Women. Many of the women interviewed by Ted Koppel complained that they received frequent and unnecessary pelvic examinations, including when they visited the doctor with such routine illnesses as colds. In an attempt to justify these examinations, the chief medical officer explained that women prisoners had rare opportunities for "male contact," and that they therefore welcomed these superfluous gynecological exams. Although this officer was eventually removed from his position as a result of these comments, his reassignment did little to alter the pervasive vulnerability of imprisoned women to sexual abuse.
Angela Y. Davis (Are Prisons Obsolete?)
Although Habit 2 applies to many different circumstances and levels of life, the most fundamental application of “begin with the end in mind” is to begin today with the image, picture, or paradigm of the end of your life as your frame of reference or the criterion by which everything else is examined. Each part of your life—today’s behavior, tomorrow’s behavior, next week’s behavior, next month’s behavior—can be examined in the context of the whole, of what really matters most to you. By keeping that end clearly in mind, you can make certain that whatever you do on any particular day does not violate the criteria you have defined as supremely important, and that each day of your life contributes in a meaningful way to the vision you have of your life as a whole. To begin with the end in mind means to start with a clear understanding of your destination. It means to know where you’re going so that you better understand where you are now and so that the steps you take are always in the right direction. It’s incredibly easy to get caught up in an activity trap, in the busyness of life, to work harder and harder at climbing the ladder of success only to discover it’s leaning against the wrong wall. It is possible to be busy—very busy—without being very effective. People often find themselves achieving victories that are empty, successes that have come at the expense of things they suddenly realize were far more valuable to them. People from every walk of life—doctors, academicians,
Stephen R. Covey (The 7 Habits of Highly Effective People)
Another aspect of my criticism: the image you get from reading the Roe v. Wade opinion is it’s mostly a doctor’s rights case—a doctor’s right to prescribe what he thinks his patient needs. And the images of the doctor and the little woman—it’s never the woman alone. It’s always the woman in consultation with her doctor. My idea of how choice should have developed was not a privacy notion, not a doctor’s right notion, but a woman’s right to control her own destiny, to be able to make choices without a Big Brother state telling her what she can and cannot do.
Jeffrey Rosen (Conversations with RBG: Ruth Bader Ginsburg on Life, Love, Liberty, and Law)
Fredric Jameson and others have detailed the operation of a cultural prohibition, at the structural level, on even the imaging of alternatives to the desolate insularity of individual experience within the competitive workings of capitalist society. possibilities of non-monadic or communal life are rendered unthinkable. In 1965, a typical negative image of collective living was, for example, that of the Bolsheviks moving sullen working-class families into Doctor Zhivago's spacious and pristine home in the David Lean movie. For the past quarter-century, the communal has been presented as a farm more nightmarish option. For example, in recent neoconservative portrayals of the Chinese Cultural Revolution, measures taken against private property and class privilege on behalf of collective social formations are equated to the most monstrous crimes in world history. On a smaller scale, there are the countless narratives of cult-like communes of obedient converts ruled by homicidal madmen and cynical manipulators. Echoing bourgeois fears in the late nineteenth century following 1871, the idea of a commune derived from any form of socialism remains systemically intolerable. The cooperative, as a lived set of relations, cannot actually be made visible -- it can only be represented as a parodic replication of existing relations of domination. In many different ways, the attack on values of collective and cooperation is articulated through the notion that freedom is to be free of any dependency on others, while in fact we are experience a more comprehensive subjection to the 'free' workings of markets. As Harold Bloom has shown, the real American religion is 'to be free of other selves.' In academic circles, the right-wing attach on the cooperative is abetted by the current intellectual fashion of denouncing the idea or possibility of community for its alleged exclusions and latent fascisms. One of the main forms of control over the last thirty years has been to ensure there are no visible alternatives to privatized patterns of living.
Jonathan Crary (24/7: Late Capitalism and the Ends of Sleep)
Slipping on his jeans, a black T-shirt that had the image of a red-haired foxgirl in the front with the words “Lilian in the streets” and a raven-haired foxgirl in the back with the words “Iris in the sheets
Brandon Varnell (Catgirl Doctor: Volume 1 (Catgirl Doctor, #1))
It was about six weeks before I left Madura for good that a great change in my life took place . It was quite sudden. I was sitting in a room on the first floor of my uncle’s house. I seldom had any sickness and on that day there was nothing wrong with my health, but a sudden, violent fear of death overtook me. There was nothing in my state of health to account for it; and I did not try to account for it or to find out whether there was any reason for the fear. I just felt, ‘I am going to die,’ and began thinking what to do about it. It did not occur to me to consult a doctor or my elders or friends. I felt that I had to solve the problem myself, then and there. The shock of the fear of death drove my mind inwards and I said to myself mentally, without actually framing the words: ‘Now death has come; what does it mean? What is it that is dying? This body dies.’ And I at once dramatized the occurrence of death. I lay with my limbs stretched out stiff as though rigor mortis had set in and imitated a corpse so as to give greater reality to the enquiry. I held my breath and kept my lips tightly closed so that no sound could escape, so that neither the word ‘I’ or any other word could be uttered, ‘Well then,’ I said to myself, ‘this body is dead. It will be carried stiff to the burning ground and there burnt and reduced to ashes. But with the death of this body am I dead? Is the body ‘I’? It is silent and inert but I feel the full force of my personality and even the voice of the ‘I’ within me, apart from it. So I am Spirit transcending the body. The body dies but the Spirit that transcends it cannot be touched by death. This means I am the deathless Spirit.’ All this was not dull thought; it flashed through me vividly as living truth which I perceived directly, almost without thought-process. ‘I’ was something very real, the only real thing about my present state, and all the conscious activity connected with my body was centred on that ‘I’. From that moment onwards the ‘I’ or Self focused attention on itself by a powerful fascination. Fear of death had vanished once and for all. Absorption in the Self continued unbroken from that time on. Other thoughts might come and go like the various notes of music, but the ‘I’ continued like the fundamental sruti note that underlies and blends with all the other notes. Whether the body was engaged in talking, reading, or anything else, I was still centred on ‘I’. Previous to that crisis I had no clear perception of my Self and was not consciously attracted to it. I felt no perceptible or direct interest in it, much less any inclination to dwell permanently in it... One of the features of my new state was my changed attitude to the Meenakshi Temple. Formerly I used to go there occasionally with friends to look at the images and put the sacred ash and vermillion on my brow and would return home almost unmoved. But after the awakening I went there almost every evening. I used to go alone and stand motionless for a long time before an image of Siva or Meenakshi or Nataraja and the sixty-three saints, and as I stood there waves of emotion overwhelmed me.
Ramana Maharshi
Brrr,” Nic complained, her voice drifting across the darkness. “It’s so cold. Do you have a spare bearskin over there?” An image of naked limbs on a bear skin rug flashed through his mind. He cleared his throat. “I thought you were asleep.” “I dozed for a bit. My boots were killing me, so I took them off. Now my feet are cold, and that makes me uncomfortable and cranky.” Gabe hesitated a moment before saying, “Well, we can’t have cranky. Scoot them over here. I’ll rub your feet for you.” “God bless you, Gabe Callahan.” She whipped her legs out from beneath her covers and set them in his lap. She wore thin trouser socks, and when he took her right foot between his hands, he sucked in a breath. “You have ice cubes for feet.” “I told you so.” He tugged off her sock and began rubbing her bare, freezing foot. While he tried to keep his touch clinical and his thoughts impersonal, he couldn’t help noticing her foot’s slender width, the graceful arch of her instep, the softness of her skin. It was the most personal touch he’d shared with a woman in months, and damn his soul, he enjoyed it. While he massaged her right foot, her left foot crept up and rested on his thigh, inches from his torso. Inches from his erection. He should put her ice cubes right on his crotch, but he settled for the next best thing. He tugged his shirttail from his jeans and yanked her sock off her left foot. “Look, don’t take this personally. Consider it payback for doctoring my scratches that day.” He took both her feet and tucked them against his belly, sucking in an audible breath. It truly was like putting ice on his stomach. “Whoa. Have you no circulation in your feet whatsoever?” “Oh, you feel good, Callahan,” she purred. “How can you be so warm? Are you hiding a heater or something?” A heater? Was that a come-on? Or was she just clueless? He wished he could see her expression to help him judge. Wryly he replied, “Or something.” Gabe
Emily March (Angel's Rest (Eternity Springs, #1))
Jack sure didn’t have this problem. He wasn’t embarrassed by his feelings. Frustrated by them, yes. Embarrassed? Pah.” “Maybe Jack is the guy I should be talking to….” Mel lost every trace of humor. “Okay, I have to draw the line there. You can’t do that. Jack might say too much—he’s been known to do that once or twice. And I can’t have you conjuring up pictures of me in—” She straightened her spine. “I’m your boss, I think. I am, yes I am. You’re the doctor, but it’s my clinic. I can’t have you picturing me in compromising positions, even if they might help your pathetic sex life, because I’m your boss.” He just grinned largely, happily. As of her last words, he didn’t need Jack’s input to drum up an image or two. Her turn to squirm. She’d certainly enjoyed his discomfort, but all he said with regards to hers was, “Why, Melinda. Hmm.” *
Robyn Carr (Paradise Valley)
Twenty years prior to my birth, Marie Curie advocated the use of Radiography in the diagnosis of injuries and treatment of wounded soldiers during World War I. The advances in X-ray machines were rapid and by the 1920’s they were everywhere. Shoe-fitting, fluoroscope machines, known in England as Pedoscopes, which displayed a continuous X-ray image on a monitor, were outside most of the better shoe stores and were a great toy to play with. I thought that it was fun to hop onto a Pedoscope, when the clerk wasn’t looking, and stick my feet into its openings. Looking down through the scope, I could see the bones in my toes wiggle around. My family doctor, Dr. Kooperstein, and his colleague, Dr. Franklin, bought an upright fluoroscope machine, giving me a chance to see my insides moving around in real time. Wow, what impressed me was how complicated everything was inside of me! Modern medicine was making great advances and I was there to witness them. Penicillin came into use in the early 1940’s and perhaps could have saved my sister’s life, if only it had been developed fifteen years earlier. The twenty-second bursts of radiation from the shoe machines and that of the fluoroscope machine used by my doctors were many times greater than the X-ray machines in use now. Even at these elevated bursts of radiation, I doubt that I was in any great danger, but shoe clerks fitting shoes have been known to receive radiation burns requiring the amputation of their hands and arms. Doctors and nurses were also in danger of the effects of being over-radiated, but at that time radiation poisoning wasn’t known and was of little concern to anyone.
Hank Bracker
But already blood is a surveillance camera, the widest window with the best view into my past, present, and predictable future. Blood is one of the three main diagnostic tools of a doctor: the others are imaging and a physical exam.
Rose George (Nine Pints: A Journey Through the Money, Medicine, and Mysteries of Blood)
One thing felt certain: A pretty big chunk of the American people including some of the very folks I was trying to help. didn't trust a work I said! One night around then I watched a news report on charitable organization called Remote Area Medical that provided medical services in temporary pop-up clinics around the country, operating out of trailers parked outside arenas and fairgrounds. Almost all the patients in the report were white southerners from places like Tennessee, Georgia, and West Virginia-men and women who had jobs but no employer-based insurance or had insurance with deductibles they couldn't afford. Many had driven hundreds of miles- some sleeping in their cars over-night, leaving the engines running to stay warm -to join hundreds of other people lined up before dawn to see one of the volunteer doctors who might pull an infected tooth, diagnose debilitating abdominal pain, or examine a lump in their breast. The demand was so great that pa- tients who arrived after sunup sometimes got turned away. I found the story both heartbreaking and maddening, an indictment of a wealthy nation that failed too many of its citizens. And yet I knew that almost every one of those people waiting to see a free doctor came from a deep-red Republican district, the sort of place where opposition to our healtheare bill, along with support of the Tea Party, was likely to be strongest. There had been a time--back when I was still a state senator driving around southern Illinois or, later, traveling through rural Iowa during the earliest days of the presidential campaign- when I could reach such voters. I wasn't yet well known enough to be the target of caricature, which meant that whatever preconceptions people may have had about a Black guy from Chicago with a foreign name could be dispelled by a simple conversation, a small gesture of kindness. After sitting down with folks in a diner or hearing their complaints at a county fair, I might not get their vote or even agreement on most issues. But we would at least make a connection, and we'd come away from such encounters understanding that we had hopes, struggles, and values in common. I wondered if any of that was still possible, now that I lived locked behind gates and guardsmen, my image filtered through Fox News and other media outlets whose entire business model depended on making their audience angry and fearful.
Barack Obama (A Promised Land)
For any aspiring physicians I have one word of advice: be sure that you love people and are a “people person.” Everything in medicine seems ephemeral. Nothing stays the same for long—with one exception: those people we call patients. They are still the same fascinating individuals that make the practice of medicine worthwhile. The child’s smile, the old man’s rambling stories, the anxious mother’s concerns, the young man’s insecurity, the hypochondriac’s fear of cancer, . . . and the list is endless—each one of these individuals is a wonderful human being fashioned in the very image of the Creator.
Carl Matlock (The Annals of a Country Doctor)
Food is supposed to sustain and nurture us. Eating well, any doctor will tell you, is the most important thing you can do to take care of yourself. Feeding well, any human will tell you, is the most important job a mother has, especially in the first months of her child’s life. But right now, in America, we no longer think of food as sustenance or nourishment. For many of us, food feels dangerous. We fear it. We regret it. And we categorize everything we eat as good or bad, with the “bad” list always growing longer. No meat, no dairy, no gluten—and, goodness, no sugar. Everything has too much sugar, salt, fat; too many calories, processed ingredients, toxins. As a result, we are all too much, our bodies taking up too much space in our clothes and in the world. Food has become a heavy issue, loaded with metaphorical meaning and the physical weight of our obesity crisis. And for parents, food is a double burden, because we must feed our children even while most of us are still struggling with how to feed ourselves. When the feeding tube first went in, I thought the hardest part of teaching Violet to eat again would be persuading her to open her mouth. Actually, the hardest part was letting go of my own expectations and judgments about what food should look like—so I could just let her eat.
Virginia Sole-Smith (The Eating Instinct: Food Culture, Body Image, and Guilt in America)
The ability of the murderer to know exactly where Edie was, the phone being used only where it would be most difficult to pinpoint who’d used it, which implied knowledge of police methods, and the extraordinarily detailed knowledge about the two new characters for the film that Yasmin had said Ormond had. Murphy was now asking her about her own holiday plans. Robin pulled herself together enough to describe learning to ski, back at New Year. The conversation was only lightly personal, but it was pleasant and easy. Murphy made Robin laugh with a description of a friend’s accident on a dry ski slope, where he’d taken a date he was keen to impress. At no time did he mention his previous invitation for a drink, nor did he make her feel uncomfortable in this small space, and she was grateful for both these things. They were approaching Blackhorse Road when Robin suddenly said, astounded by her own bravery, ‘Listen – that time you called me about a drink – the reason I was so – I’m not used to people asking me out.’ ‘How’s that possible?’ said Murphy, keeping his eyes on the road. ‘I’ve just got divorced – well, a year ago now – from someone I was with since we were seventeen,’ said Robin. ‘So – anyway, I was in work mode when you called, and that’s why I was a bit – you know – clueless.’ ‘Ah,’ said Murphy. ‘I got divorced three years ago.’ Robin wondered how old he was. She’d have guessed a couple of years older than her. ‘Have you got kids?’ she asked. ‘No. My ex didn’t want them.’ ‘Oh,’ said Robin. ‘You?’ ‘No.’ They’d pulled up outside her flat before either spoke again. As she picked up her bag and put her hand on the door handle, Murphy said, ‘So… if, after I get back from holiday, I called you again and asked you out…?’ It’s only a drink, said Ilsa’s voice in Robin’s head. Nobody’s saying you’ve got to jump into bed with him. An image of Madeline Courson-Miles flickered before Robin’s eyes. ‘Er –’ said Robin, whose heart was hammering. ‘Yes, OK. That’d be great.’ She thought he’d look pleased at that, but instead he seemed tense. ‘OK.’ He rubbed his nose, then said, ‘There’s something I should tell you first, though. It’s what you say, isn’t it, “come out for a drink”? But, ah – I’m an alcoholic.’ ‘Oh,’ said Robin again. ‘Been sober two years, nine months,’ said Murphy. ‘I’ve got no problem with people drinking around me. Just need to put that out there. It’s what you’re supposed to do. AA rules.’ ‘Well, that doesn’t make any – I mean, thanks for saying,’ said Robin. ‘I’d still like to go out some time. And thanks for the lift, I really appreciate it.’ He looked cheerful now. ‘Pleasure. Better get back to my packing.’ ‘Yes – have fun in Spain!’ Robin got out of the car. As the blue Avensis pulled away, Murphy raised a hand in farewell, and Robin reciprocated, still amazed at herself. It had been quite some morning. She’d just unlocked her front door when her mobile rang. ‘Hi,’ said Strike. ‘Is that offer of the sofa-bed still open?’ ‘Yes, of course,’ said Robin, both confused and pleased, entering her flat and pushing the door shut with her foot. ‘How’s Pat?’ ‘Bloody grumpy. I got her home all right. Told her to get an emergency appointment with her doctor. Half the door flew off and hit her in the back. I can tell she’s sore: she could’ve cracked something. She told me to piss off, though not in those exact words. Probably thinks I’m accusing her of being too old to survive a door hitting her.’ ‘Strike,’ said Robin, ‘I’ve just found something out. They’re about to arrest Phillip Ormond for murder.’ Silence followed these words. Robin walked into her kitchen and set her handbag down on the counter. ‘Ormond?’ repeated Strike.
Robert Galbraith (The Ink Black Heart (Cormoran Strike, #6))
Instead of working in the presence of others and attending face-to-face meetings in the flesh, lockdowns forced many into remote work and a reliance on the disembodied video chat. Some people became so afraid of other people that social events over video became the norm. Children were conditioned to fear playing with friends and even doctor’s visits were done remotely. While some have overcome this neurotic fear of other people in the flesh-and-blood, others are still petrified and remain working remotely, socializing with images and taking part in pastimes that lack the presence of real people.
Academy of Ideas
Sexual predators care for only one thing—themselves and their sick, fucked up wants. They don’t care about the destruction they leave in their wake. They’re fucking monsters. And don’t ever be fooled into thinking you know what one of those sick fucks looks like. They’re not the image of old, dirty, greasy, seedy-looking men that we once believed to be true. They are men and women of any age, any look, and any job. They can be the server at your local deli or the man who fixes your car. They can be the doctor you’ve visited for years. The person you trust to educate your child. Your dentist. The kid who bags your groceries. Or the middle-aged woman you take that Zumba class with. They can be your best friend, aunt, uncle, mom, dad, or fucking stepdad. They are and can be anyone. They look just like you and I do. Monsters in plain clothing.
Samantha Towle (River Wild)
The New York Times reporter Charles Duhigg puzzled over a similar issue—why people weren’t donating to Syrian refugee relief. One answer came from his interviews with the social scientists Jennifer van Heerde-Hudson and David Hudson, who have spent years studying how charities solicit donations. “Children who have lost their homes, starving families, the heartstring things,” David Hudson told him. “That’s what everyone believes works.” But they found the opposite to be true. When campaigns shift from images of poverty-stricken children and messages like “Please donate before it’s too late” to hopeful and inspiring images of children holding signs like FUTURE DOCTOR, people are more likely to give. “If you can trigger a sense of hope, donations go up,” explained Mr. Hudson.28 Or as Duhigg puts it, “It’s not entirely your fault” if you aren’t donating to refugees. “You just haven’t been manipulated properly.” When neuromarketers tweaked an unsuccessful campaign by the Italian UNCHR for refugees, its new commercial led to a 237 percent increase in sellable calls over the prior one. The brains of test subjects showed them how to do it. The first commercial had low emotional arousal throughout, and poor engagement during the final call to action. Using EEG insights from participants watching the commercial, they modified the new commercial with new images to evoke greater empathy in viewers, and with new visual effects in the call to action that better engaged viewers’ brains.29
Nita A. Farahany (The Battle for Your Brain: Defending the Right to Think Freely in the Age of Neurotechnology)
One message she received stood out. God has no religion. All of the ascended masters play a part in this. God is love, light, and energy. That is God. We are made in God’s image, but that refers to the energy and the light of love. We are made in His image but most of us do not turn our light on and love. While many NDE stories include a visit with God or Jesus Christ, Lisa felt a connection with every ascended master in history though she didn’t see any human forms except the angelic beings who were actually more light than form.
John J. Graden (Near-Death Experience Series: Books 1-4: Doctors, Suicide Survivors, Children and NDE Trips to Hell (True Near-Death Experiences series))
Skills are taught experientially—meaning that students studying AI don’t have their heads buried in books. In order to learn, they need lexical databases, image libraries, and neural nets. For a time, one of the more popular neural nets at universities was called Word2vec, and it was built by the Google Brain team. It was a two-layer system that processed text, turning words into numbers that AI could understand.17 For example, it learned that “man is to king as woman is to queen.” But the database also decided that “father is to doctor as mother is to nurse” and “man is to computer programmer as woman is to homemaker.”18 The very system students were exposed to was itself biased. If someone wanted to analyze the farther-reaching implications of sexist code, there weren’t any classes where that learning could take place.
Amy Webb (The Big Nine: How the Tech Titans and Their Thinking Machines Could Warp Humanity)
I can see you’re frustrated,” he said. “I’m sure it’s unsettling not to remember what happened, but medically speaking …” He glanced over at Sienna for confirmation and then continued. “I strongly recommend you not expend energy trying to recall specifics you can’t remember. With amnesia victims, it’s best just to let the forgotten past remain forgotten.” “Let it be?!” Langdon felt his anger rising. “The hell with that! I need some answers! Your organization brought me to Italy, where I was shot and lost several days of my life! I want to know how it happened!” “Robert,” Sienna intervened, speaking softly in a clear attempt to calm him down. “Dr. Ferris is right. It definitely would not be healthy for you to be overwhelmed by a deluge of information all at once. Think about the tiny snippets you do remember—the silver-haired woman, ‘seek and find,’ the writhing bodies from La Mappa—those images flooded into your mind in a series of jumbled, uncontrollable flashbacks that left you nearly incapacitated. If Dr. Ferris starts recounting the past few days, he will almost certainly dislodge other memories, and your hallucinations could start all over again. Retrograde amnesia is a serious condition. Triggering misplaced memories can be extremely disruptive to the psyche.” The thought had not occurred to Langdon. “You must feel quite disoriented,” Ferris added, “but at the moment we need your psyche intact so we can move forward. It’s imperative that we figure out what this mask is trying to tell us.” Sienna nodded. The doctors, Langdon noted silently, seemed to agree. Langdon sat quietly, trying to overcome his feelings of uncertainty. It was a strange sensation to meet a total stranger and realize you had actually known him for several days. Then again, Langdon thought, there is something vaguely familiar about his eyes. “Professor,” Ferris said sympathetically, “I can see that you’re not sure you trust me, and this is understandable considering all you’ve been through. One of the common side effects of amnesia is mild paranoia and distrust.” That makes sense, Langdon thought, considering I can’t even trust my own mind.
Dan Brown (Inferno (Robert Langdon, #4))
Breast cancer does not occur overnight. That lump you feel in the shower one morning may have started forming decades ago. By the time doctors detect the tumor, it may have been present for forty years or even longer.2 The cancer has been growing, maturing, and acquiring hundreds of new survival-of-the-fittest mutations that allow it to grow even more quickly as it tries to outmaneuver your immune system. The scary reality is that what doctors call “early detection” is actually late detection. Modern imaging simply isn’t good enough to detect cancer at its earliest stages, so it can spread long before it’s even spotted.
Michael Greger (How Not to Die: Discover the Foods Scientifically Proven to Prevent and Reverse Disease)
My only certainty was the voice within me, the dream image. I felt a duty to follow its lead, blindly. But it was hard, and every day I rebelled against it again. Maybe I was crazy, I often thought - maybe I was not like other people. . . . Still, I could do everything the others did, without much effort: read Plato, solve trigonometry problems, follow a chemical analysis. There was only one thing I couldn't do: wrest the darkly hidden goal from inside me and see it before me, the way the others did, the ones who knew they wanted to be professors or lawyers, doctors or artists, who knew how long their path would take and what the advantages it would bring. That was what I could not do, Maybe I too would become one of those things someday. but how could I know? Or maybe I would search and search for years, and nothing would come of me, I would reach no goal at all. Or maybe I would reach a goal, but it would turn out to be wicked, dangerous and terrible. All I wanted to do was try to live the life that was inside me, trying to get out. Why was that so hard?
Hermann Hesse (Demian)
He was a monster. His eyes overflowed with pale light as though someone had hung the moon in place of his irises. His body flickered like a hologram modeled after a good doctor cast over whatever he truly was. Yet he stood so still, stiller than any living thing had a right to. Then the wind whipped away that overlaid image, shredding it into wisps of color in the air. Somerled, or whoever he was, stretched taller and thinner. All color bled from him. His skin was alabaster, and his hair was a length of silk. When he strolled toward me, lips spread in a mockery of a smile, that pretty picture was ruined. Rows upon rows of barbed teeth crowded his mouth. I’d never seen something so terrifying and so beautiful at the same time. It was like waiting to be drowned by a tidal wave.
Jo Denning (Shattered City (Saoirse Reilly, #0.5))
September 23 "Be who you are and say what you feel, because those who mind don't matter and those who matter don't mind." Dr. Seuss (1904–1991) According to this advice from the good doctor, we are fine just the way we are. Whether we change dramatically or stay the same, we need not be aShamed of today’s thoughts, feelings and actions. Dr. Seuss tells us that while it may be prudent to hear out our critics, our self-image need not be swayed by their vantage points. Our best friends are not waiting for us to be better; they appreciate us completely—just the way we are. How long can we sustain belief in ourselves without becoming critical of ourselves? It will likely take practice. Somewhere along the line we became conditioned to never be satisfied. Where did that get us? Did we turn to pills, booze, bad relationships, Gambling, spending, eating and/or self-abuse? The doctor has prescribed a new medicine for the mind. Can we accept the remedy? Let’s look at ourselves through the eyes of those who consider us fine—right now, just like this. Why not start loving ourselves the way we are right now? When we hear the internal critic, how about showing that voice some compassion too? In being fair with myself I will avoid judging others. Bill W. said, “The way our ‘worthy’ alcoholics have sometimes tried to judge the ‘less worthy’ is, as we look back on it, rather comical. Imagine, if you can, one alcoholic judging another!” Now imagine needing the approval of another addict to feel worthy. We may hear in meetings, “Once I needed your approval and I would do anything to get it; today I appreciate your approval, but I am not willing to do anything to get it.” What situations challenge my ability to be authentic? How many minutes can I go without criticizing myself? Do I feel desperate for the approval of others?
Joe C. (Beyond Belief: Agnostic Musings for 12 Step Life: Finally, a daily reflection book for nonbelievers, freethinkers and everyone!)
What did he say his name was? Caleb? The image of his naked body flashes in my mind and I pinch the bridge of my nose. My thoughts are like the cheese on a New York pizza—stretching and folding away from me, finding corners I wish they wouldn't. Sure, he was good-looking and appeared wealthy, but I only met him once!
Liz Willow (My Fake Wedding to the Doctor)
So the first step is to make your site relevant and useful. There are two broad components of SEO: On-page and Off-page optimization. Your on-page footprint includes your: Website structure Hosting Domain URL Website content (text, pictures, video, audio) Then you add crucial usability factors like: Enhanced security Website speed Mobile responsiveness Ease of navigation Structured data layouts Couple that with conversion factors like web funneling and you can have a strong relevant on-page content. These conversion factors include: Call to action features Freshness of content Time on site New online technologies like: Live chat Integration with relevant third-party software Off-page SEO is comprised of linkages, references and signals from other websites to yours. There can be multiple ways in which websites reference you – you can be part of: Leading medical directory sites Forums, blogs Bookmarking and article sites Social media Images or video sites Online newspapers Magazines Local directories And others There are multiple ways you can get links from these sites, and together they form your offsite optimization score. How
Danny Basu (Digital Doctor: Integrated Online Marketing Guide for Medical and Dental Practices)
Tips on Web Design and Site Marketing Web content is king, which is why we have devoted an entire chapter to it later in this book. It is what draws visitors and ultimately what converts them to customers. So, try to make your web content as engaging as possible. Make sure the content is interactive, unique and educational. Ensure that visitors have the option of plugins while encouraging them to visit as many pages on your site as possible if they want to obtain vital information. The images you use on your website should be both enticing and descriptive in nature. In today’s world, social media is all pervasive. In order to encourage visitors to share your web content, you can include icons of social media platforms on your website. In some select cases, consider integrating social media feeds, like Facebook or Instagram, onto your website so that they can automatically show the latest postings. A "Call-to-Action" can help convert visitors to your site into customers. Always try using a very clear and concise "Call-to-Action" language. Understand what type of conversion you are looking for, and try to provide multiple levels of conversion. For example, a plastic surgeon may provide Schedule an Appointment as a call to action, which will attract only the segment of web visitors who have reached their decision stage. By adding conversion points for visitors who are at earlier stages of their decision making, like signing up for a webcast or your newsletter can help you widen your conversion points and provide inputs to your email marketing. To raise the average amount of time a visitor spends on your website and to minimize the bounce rate, ensure that your website offers a user-friendly and attractive design. This way you will increase the number of links you have on your website and boost its SEO ranking (Tip: While Google’s algorithm is not public, our iterative testing shows that sites with good usability analytics metrics like time on site and bounce rate play favorably in Google’s algorithm, other things remaining constant). Ensure you observe due diligence when designing a website that will enable visitors to navigate in different languages. For example, you may need a lot more space for your menu, as there are languages that use up more space than the English language.
Danny Basu (Digital Doctor: Integrated Online Marketing Guide for Medical and Dental Practices)
The Christian knows the truth about the non-Christian. He knows this because he is himself what he is by grace alone. He has been saved from the blindness of mind and the hardness of heart that marks the 'natural man.' The Christian has the 'doctor's book.' The Scriptures tell him the origin and of the nature of sin. Man is dead in treaspasses and sins (Eph 2:1). He hates God. His ability to see the facts as they are and to reason about as he ought to reason about them is, at bottom, a matter of sin. He has the God-created ability of reasoning within him. He is made in the image of God. God's revelation is before him and within him. He is in his own constitution a manifestation of the revelation and therefore of the requirement of God. God made a covenant with him through Adam (Rom 5:12). He is therefore now, in Adam, a covenant-breaker. He is also against God and therefore against the revelation of God (Rom 8:6-8). This revelation of God constantly and inescapably reminds him of his creatural responsibility. As a sinner he has, in Adam, declared himself autonomous.
Cornelius Van Til (Christian Theory of Knowledge)
The Christian knows the truth about the non-Christian. He knows this because he is himself what he is by grace alone. He has been saved from the blindness of mind and the hardness of heart that marks the 'natural man.' The Christian has the 'doctor's book.' The Scriptures tell him the origin and of the nature of sin. Man is dead in trespasses and sins (Eph 2:1). He hates God. His ability to see the facts as they are and to reason about as he ought to reason about them is, at bottom, a matter of sin. He has the God-created ability of reasoning within him. He is made in the image of God. God's revelation is before him and within him. He is in his own constitution a manifestation of the revelation and therefore of the requirement of God. God made a covenant with him through Adam (Rom 5:12). He is therefore now, in Adam, a covenant-breaker. He is also against God and therefore against the revelation of God (Rom 8:6-8). This revelation of God constantly and inescapably reminds him of his creatural responsibility. As a sinner he has, in Adam, declared himself autonomous.
Cornelius Van Til (Christian Theory of Knowledge)
When it comes to medical diagnostics, Magnetic Resonance Imaging (MRI) plays a vital role in helping doctors detect and treat various health conditions. However, the cost of an MRI scan can often be a concern for many individuals. In this article, we will explore the MRI cost in Gurgaon and how Sanar Care offers affordable imaging solutions without compromising on quality.
sanar
A person has flaws but Jesus has none, quite like the images of models on billboards - you know why, because both images are doctored to sell a product - in case of the models, it's some cosmetic or some apparel, and in case of Jesus, it's religion.
Abhijit Naskar (Girl Over God: The Novel)
You are the image of God predistine to rule, he gave u dominion as far as the earth is concerned. God also predestined you to be the best in this life, but only in your field(where your purpose is concerned). Before you were conceived God said: let us create a pilot, a doctor, an artist, a minister etc. Jeremiah is not the only one whom God knew and appointed before birth Jer1:4-5. You are also appointed by God in a certain field which you will never know until you understand your purpose and ask God about it. Read chapter one of #You-are-God's-masterpiece available online at Amazon,bookrix and many other stores.
Nonhlanhla Annah Thusi (You are God's masterpiece: God's showpiece)
you’d like to encounter more of Jim Woodford’s story, we encourage you to pick up a copy of his book Heaven, an Unexpected Journey: One Man’s Experience with Heaven, Angels, and the Afterlife (Destiny Image, 2017). You can also connect with Jim at JimWoodfordMinistries.com. THREE LUNG TRANSPLANT RECIPIENT MIKE OLSEN DIED AND MET HIS ORGAN DONOR IN HEAVEN MEET MIKE OLSEN Louisville, Kentucky pastor Mike Olsen suffered for several years with idiopathic pulmonary fibrosis, a disease that kills almost as many patients as breast cancer. Mike was relieved when he received a call from the doctor letting him know that they had received a pair
Randy Kay (Real Near Death Experience Stories: True Accounts of Those Who Died and Experienced Immortality)
Visualize. Here’s a visualization practice my friend and mentor Pia taught me: Find a comfortable chair and sit upright. Take 10 deep breaths, relax your shoulders, and clear your mind. Visualize walking through a forest, or a field of cornstalks, or a lush garden. Visualize coming to an open beach. Hold that scene in your mind’s eye for as long as you can, and see what emerges. Objects or people that emerge from the left represent the past. Those from the right represent the future. Record the images in your journal. Writing helps to consolidate the experience. Do timed automatic writings to quiet your rational mind. See 13. Survive love and loss for directions. Record your dreams in a journal. Note patterns, repetitions, symbols, and archetypes, rather than literal events. Before sleep, invite your subconscious for revelation through dreams. Pay attention to your body’s signals: twinges, goosebumps, or nausea, for example. Intuitive signals tend to be fleeting, whereas signals that represent physical imbalances or disease tend to be longer-lasting. Enlist the gift of hindsight. This can help to correlate images and signs with actual happenings, and decipher between intuition and wishful or fearful thinking. Record these notes into your dream journal, which may be used for all intuition-related reflections. Be patient. Developing intuition is like learning a new language. It takes time, repetition, and practice. Practice humility and trust. Like analytical thinking, intuition isn’t 100 percent accurate 100 percent of the time.
Cynthia Li (Brave New Medicine: A Doctor's Unconventional Path to Healing Her Autoimmune Illness)
need say was I need some time off. But she couldn’t do it. “The St. James house at half-past seven,” she repeated. “Got it, sir.” He rang off. Barbara hung up. She tried to plumb the depths of her feelings, to put a name to what was slowly washing through her veins. She wanted to call it shame. She knew it was liberation. She went to tell her father that they would need to reschedule his doctor’s appointment for another day. Kevin Whateley had not gone to the Royal Plantagenet, which was the pub next door to his cottage. Rather, he had walked along the embankment, past the triangular green where he and Matthew had once learned to operate their pair of remote-control planes, and had instead entered an older pub that stood on a spit of land reaching like a curled finger into the Thames. He’d chosen the Blue Dove deliberately. In the Royal Plantagenet—despite its proximity to his house—he might have forgotten for five minutes or so. But the Blue Dove would not allow him to do so. He sat at a table that overlooked the water. In spite of the night’s falling temperature, someone was out, night fishing from a boat, and lights bobbed periodically with the river’s movement. Kevin watched this, allowing his memory to fill with the image of Matthew running along that same dock, falling, damaging a knee, righting himself but not crying at all, even when the blood began to seep from the cut, even when the stitches were later put in. He was a brave little bloke, always had been. Kevin forced his eyes from the dock and fastened them on the mahogany table. Beer mats covered it, advertising Watney’s, Guinness, and Smith’s. Carefully, Kevin stacked them, restacked them, spread them out like cards, restacked them again. He felt how shallow his breathing was and knew that he needed to take in more air. But to breathe deeply was to lose his grip for an instant. He wouldn’t do that. For if he lost control, he didn’t know how he would get it back. So he did without air. He waited. He didn’t know if the man he sought would come into the pub this late on a Sunday night, mere minutes before closing. In fact, he didn’t even know if the man came here at all any longer. But years ago he’d been a regular customer, when Patsy worked long hours behind the bar, before she’d got her job in a South Kensington hotel. For Matthew’s sake, she had said when she’d taken on the
Elizabeth George (Well-Schooled in Murder (Inspector Lynley, #3))