Docking The Boat Quotes

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And as I sat there brooding on the old, unknown world, I thought of Gatsby’s wonder when he first picked out the green light at the end of Daisy’s dock. He had come a long way to this blue lawn, and his dream must have seemed so close that he could hardly fail to grasp it. He did not know that it was already behind him, somewhere back in that vast obscurity beyond the city, where the dark fields of the republic rolled on under the night. Gatsby believed in the green light, the orgastic future that year by year recedes before us. It eluded us then, but that's no matter—to-morrow we will run faster, stretch out our arms farther. . . . And one fine morning—— So we beat on, boats against the current, borne back ceaselessly into the past.
F. Scott Fitzgerald (The Great Gatsby)
There was nothing new in sitting on this dock, on this or that wooden bench, watching for his boat to come. In some ways, she was always waiting for him.
Ann Brashares (The Last Summer of You and Me)
The locals call me alligator man, not only because of my scar, but because I keep an alligator by the name of Emma on my boat. I caught her as a young ‘un back in Louisiana. She’s small and doesn’t take up much room. So far, I’ve had no complaints, although I have no illusions that at some point I will be forced to give her up. For now, what better watch dog could I have? No alarm system needed. I simply post my sign, ‘Beware of Alligator’ on the dock.
Behcet Kaya (Treacherous Estate (Jack Ludefance, #1))
You ever have the feeling you were in the wrong place? That if you could just get over the next hill, cross the next river, look down into the next valley, it'd all...fit. Be right." "All my life, more of less" “All your life spent getting ready for the next thing. I climbed a lot of hills now. I crossed a lot of rivers. Crossed the sea even, left everything I knew and came to Styria. But there I was, waiting for me at the docks when I got off the boat, same man, same life. Next valley ain’t no different from this one. No better anyway. Reckon I’ve learned … just to stick in the place I’m at. Just to be the man I am.
Joe Abercrombie (Best Served Cold)
She couldn’t read his expression. As he started toward her, she recalled the way he’d seemed to glide through the sand the first time she’d ever seen him; she remembered their kiss on the boat dock the night of his sister’s wedding. And she heard again the words she’d said to him on the day they’d said good-bye. She was besieged by a storm of conflicting emotions—desire, regret, longing, fear, grief, love. There was so much to say, yet what could they really begin to say in this awkward setting and with so much time already passed?
Nicholas Sparks (The Last Song)
She thought it preposterous that her father had to ask permission to run business on land their ancestors had lived and died on from men who had simply docked their boat here and decided they would like to be in charge now.
Chloe Gong (These Violent Delights (These Violent Delights, #1))
we are the boat returning to dock we are the footprints on the northern trail we are the iron coloring the soil we cannot be erased
Remi Kanazi (Before the Next Bomb Drops: Rising Up from Brooklyn to Palestine)
Boats are safe in a dock, but boats aren't meant for that.
Chris Bradford (The Ring of Wind (Young Samurai, #7))
The Voyager We are all lonely voyagers sailing on life's ebb tide, To a far off place were all stripling warriors have died, Sometime at eve when the tide is low, The voices call us back to the rippling water's flow, Even though our boat sailed with love in our hearts, Neither our dreams or plans would keep heaven far apart, We drift through the hush of God's twilight pale, With no response to our friendly hail, We raise our sails and search for majestic light, While finding company on this journey to the brighten our night, Then suddenly he pulls us through the reef's cutting sea, Back to the place that he asked us to be, Friendly barges that were anchored so sweetly near, In silent sorrow they drop their salted tears, Shall our soul be a feast of kelp and brine, The wasted tales of wishful time, Are we a fish on a line lured with bait, Is life the grind, a heartless fate, Suddenly, "HUSH", said the wind from afar, Have you not looked to the heavens and seen the new star, It danced on the abyss of the evening sky, The sparkle of heaven shining on high, Its whisper echoed on the ocean's spray, From the bow to the mast they heard him say, "Hope is above, not found in the deep, I am alive in your memories and dreams when you sleep, I will greet you at sunset and with the moon's evening smile, I will light your path home.. every last lonely mile, My friends, have no fear, my work was done well, In this life I broke the waves and rode the swell, I found faith in those that I called my crew, My love will be the compass that will see you through, So don't look for me on the ocean's floor to find, I've never left the weathered docks of your loving mind, For I am in the moon, the wind and the whale's evening song, I am the sailor of eternity whose voyage is not gone.
Shannon L. Alder
Ah, Robert?” “Shhhh, not while I’m praying,” he said, momentarily losing his place before he started again, “thank you for letting us survive that trip from hell. Thank you for ignoring my prayers for a quick death when I didn’t think that I’d be able to survive another day of starvation,” he said, making her roll her eyes in annoyance. “You were given three full meals a day just like everyone else,” she pointed out, not bothering to mention the fact that, on most days, he’d received second helpings. She sat down on a bench near their luggage, wondering just how much longer he was going to keep this up. “I’m sorry for all the cursing that my wife forced me to do while I was on that boat,” he continued, ignoring her even as he amused her. “As you know, she’s been such a bad influence on me. Thank you for pulling me from near death and somehow giving me the strength to survive.” “Near death?” she asked, frowning. “When were you near death?” “When was I near death?” he asked in stunned disbelief as he opened his eyes so that he could glare at her. “How could you forget all those times that I could barely move? When I struggled to find the will to live so that I wouldn’t leave you a young widow? Did my struggle for survival mean nothing to you?” he demanded in outrage, terrifying the people that were forced to walk past him to get to the docks and making her wrack her brain as she struggled to figure out what he was talking about. “Do you mean those few times when you had a touch of seasickness?” she asked, unable to think of anything else that he could be talking about since he’d been the picture of health during the majority of the trip. “A touch?” he repeated in disbelief. “I nearly died!
R.L. Mathewson (Truce (Neighbor from Hell, #4))
There was something about her mouth that made me feel possibilities...the way a train ticket holds possibilities, the way a boat docked at sunset does, the way a voice on the radio announcing victory does. A mouth can have that it can seem brave, and bold. Finite and infinite. After a war, you need both of those things. "Why don't you kiss me, she said. "Celebrate a new world." And so I did. I could not forget that kiss. I still cannot. I put my fingertips to her face. Indeed,changed that day, but the change in life was no smaller or less significant. The moment took my sorrow and made it swarm the streets in victory, shouting in joy and rightness, and from that I have never quite recovered.
Deb Caletti (Honey, Baby, Sweetheart)
And so now, having been born, I'm going to rewind the film, so that my pink blanket flies off, my crib scoots across the floor as my umbilical cord reattaches, and I cry out as I'm sucked back between my mother's legs. She gets really fat again. Then back some more as a spoon stops swinging and a thermometer goes back into its velvet case. Sputnik chases its rocket trail back to the launching pad and polio stalks the land. There's a quick shot of my father as a twenty-year-old clarinetist, playing an Artie Shaw number into the phone, and then he's in church, age eight, being scandalized by the price of candles; and next my grandfather is untaping his first U.S. dollar bill over a cash register in 1931. Then we're out of America completely; we're in the middle of the ocean, the sound track sounding funny in reverse. A steamship appears, and up on a deck a lifeboat is curiously rocking; but then the boat docks, stern first, and we're up on dry land again, where the film unspools, back at the beginning...
Jeffrey Eugenides (Middlesex)
I myself was nothing more than a collection of marginal selves who sit out their time like unpaid stevedores on an unfinished pier where no boats ever dock.
André Aciman (Enigma Variations)
The little fishing boat anchors right off the shore of Gili Meno. There are no docks here on this island. You have to roll up your pants, jump off the boat and wade in through the surf on your own power. There's absolutely no way to do this without getting soaking wet or even banged up on the coral, but it's worth all the trouble because the beach here is so beautiful, so special
Elizabeth Gilbert (Eat, Pray, Love)
It was the custom in those days for passengers leaving for America to bring balls of yarn on deck. Relatives on the pier held the loose ends. As the "Giulia" blew its horn and moved away from the dock, a few hundred strings of yarn stretched across the water. People shouted farewells, waved furiously, held up babies for last looks they wouldn't remember. Propellers churned; handkerchiefs fluttered, and, up on deck, the balls of yarn began to spin. Red, yellow, blue, green, they untangled toward the pier, slowly at first, one revolution every ten seconds, then faster and faster as the boat picked up speed. Passengers held the yarn as long as possible, maintaining the connection to faces disappearing onshore. But finally, one by one, the balls ran out. The strings of yarn flew free, rising on the breeze.
Jeffrey Eugenides (Middlesex)
Wow," said Samirah as we approached the dock. "You're right, Alex. That ship is really yellow." I sighed. "Not you, too." Alex grinned. "I vote we name it the Big Banana. All in favour?" "Don't you dare," I said. "I love it," Mallory said, throwing Alex a mooring line. Keen and Gunderson had emerged from belowdecks in an apparent truce, though both sported fresh black eyes. "It's decided, then!" bellowed Halfborn. "The good ship Mikillgulr!" T.J. scratched his head. "There's an Old Norse term for big banana?" "Well, not exactly," Halfborn admitted. "The Vikings never sailed far enough south to discover bananas. But Mikillgulr means big yellow. That's close enough!" I looked skyward with a silent prayer: Frey, god of summer, Dad, thanks for the boat. But could I suggest that forest green is also a great summery colour, and please stop embarrassing me in front of my friends? Amen.
Rick Riordan (The Ship of the Dead (Magnus Chase and the Gods of Asgard, #3))
It starts as a low croon that rolls in with the tide, a sound so faint it might just be the wind blowing through the clapboard shutters, through the portholes of docked fishing boats, and into narrow cracks along sagging doorways. But after the first night, the harmony of voices become undeniable. An enchanting hymn sailing over the water’s surface, cool and soft and alluring. The Swan sisters have awakened.
Shea Ernshaw (The Wicked Deep)
It is hard to work your day job and spend a ton of hours on your business, but it is harder to make a mistake and lose your home in foreclosure because you jumped before the boat was close enough to the dock.
Dave Ramsey (EntreLeadership: 20 Years of Practical Business Wisdom from the Trenches)
Most of the big shore places were closed now and there were hardly any lights except the shadowy, moving glow of a ferryboat across the Sound. And as the moon rose higher the inessential houses began to melt away until gradually I became aware of the old island here that flowered once for Dutch sailors’ eyes — a fresh, green breast of the new world. Its vanished trees, the trees that had made way for Gatsby’s house, had once pandered in whispers to the last and greatest of all human dreams; for a transitory enchanted moment man must have held his breath in the presence of this continent, compelled into an aesthetic contemplation he neither understood nor desired, face to face for the last time in history with something commensurate to his capacity for wonder. And as I sat there brooding on the old, unknown world, I thought of Gatsby’s wonder when he first picked out the green light at the end of Daisy’s dock. He had come a long way to this blue lawn, and his dream must have seemed so close that he could hardly fail to grasp it. He did not know that it was already behind him, somewhere back in that vast obscurity beyond the city, where the dark fields of the republic rolled on under the night. Gatsby believed in the green light, the orgastic future that year by year recedes before us. It eluded us then, but that’s no matter — to-morrow we will run faster, stretch out our arms farther… . And one fine morning —— So we beat on, boats against the current, borne back ceaselessly into the past.
F. Scott Fitzgerald (The Great Gatsby)
Over the roar of our motor, we catch snippets of radio hits blasting off the boats we pass: Taylor Swift’s “Cruel Summer” and Sheryl Crow’s “Soak Up the Sun” and Otis Redding’s “(Sittin’ On) The Dock of the Bay.
Emily Henry (Funny Story)
On the dock Yarrow stood and watched them go, as sailors’ wives and sisters stand on all the shores of all Earthsea watching their men go out on the sea, and they do not wave or call aloud, but stand still in hooded cloak of grey or brown, there on the shore that dwindles smaller and smaller from the boat while the water grows wide between.
Ursula K. Le Guin (A Wizard of Earthsea (Earthsea Cycle, #1))
Morgon of Hed met the High One's harpist one autumn day when the trade-ships docked at Tol for the season's exchange of goods. A small boy caught sight of the round-hulled ships with their billowing sails striped red and blue and green, picking their way among the tiny fishing boats in the distance, and ran up the coast from Tol to Akren, the house of Morgon, Prince of Hed. There he disrupted an argument, gave his message, and sat down at the long, nearly deserted tables to forage whatever was left of breakfast. The Prince of Hed, who was recovering slowly from the effects of loading two carts of beer for trading the evening before, ran a reddened eye over the tables and shouted for his sister.
Patricia A. McKillip (Riddle-Master (Riddle-Master, #1-3))
And the boat and the dock and the gravel on the shore, the trees sky-pointed or crouching, leaning out over the water, the complicated profile of surrounding islands and dim yet distinct mountains, seemed to exist in a natural confusion, more extravagant and yet more ordinary than anything I could dream or invent. Like a place that will go on existing whether you are there or not, and that in fact is still there.
Alice Munro (The Love of a Good Woman: Winner of the Nobel Prize in Literature)
But first the endgames. Because it seems that no matter what you think of them, they must be played, even if, like the independence of India or Jamaica, like the signing of peace treaties or the docking of passenger boats, the end is simply the beginning of an even longer story.
Zadie Smith (White Teeth)
I told her about the best and the worst. The slow and sleepy places where weekdays rolled past like weekends and Mondays didn’t matter. Battered shacks perched on cliffs overlooking the endless, rumpled sea. Afternoons spent waiting on the docks, swinging my legs off a pier until boats rolled in with crates full of oysters and crayfish still gasping. Pulling fishhooks out of my feet because I never wore shoes, playing with other kids whose names I never knew. Those were the unforgettable summers. There were outback towns where you couldn’t see the roads for red dust, grids of streets with wandering dogs and children who ran wild and swam naked in creeks. I remembered climbing ancient trees that had a heartbeat if you pressed your ear to them. Boomboom-boomboom. Dreamy nights sleeping by the campfire and waking up covered in fine ash, as if I’d slept through a nuclear holocaust. We were wanderers, always with our faces to the sun.
Vikki Wakefield (Friday Brown)
You worked, slaved, fought off the rats, the mice, the roaches, the ants, the Housing Authority, the cops, the muggers, and now the drug dealers. You lived a life of disappointment and suffering, of too-hot summers and too-cold winters, surviving in apartments with crummy stoves that didn’t work and windows that didn’t open and toilets that didn’t flush and lead paint that flecked off the walls and poisoned your children, living in awful, dreary apartments built to house Italians who came to America to work the docks, which had emptied of boats, ships, tankers, dreams, money, and opportunity the moment the colored and the Latinos arrived. And still New York blamed you for all its problems
James McBride (Deacon King Kong)
Turns out making a dramatic exit is a lot harder when you have to stand there and wait another twenty minutes for a boat to dock.
Elle Lothlorien (Alice in Wonderland)
I was watching the beauty boat slowly pull out of port as I stood alone on the dock of permanent invisibility.
Karen Kilgariff (Stay Sexy & Don't Get Murdered: The Definitive How-To Guide)
1 The summer our marriage failed we picked sage to sweeten our hot dark car. We sat in the yard with heavy glasses of iced tea, talking about which seeds to sow when the soil was cool. Praising our large, smooth spinach leaves, free this year of Fusarium wilt, downy mildew, blue mold. And then we spoke of flowers, and there was a joke, you said, about old florists who were forced to make other arrangements. Delphiniums flared along the back fence. All summer it hurt to look at you. 2 I heard a woman on the bus say, “He and I were going in different directions.” As if it had something to do with a latitude or a pole. Trying to write down how love empties itself from a house, how a view changes, how the sign for infinity turns into a noose for a couple. Trying to say that weather weighed down all the streets we traveled on, that if gravel sinks, it keeps sinking. How can I blame you who kneeled day after day in wet soil, pulling slugs from the seedlings? You who built a ten-foot arch for the beans, who hated a bird feeder left unfilled. You who gave carrots to a gang of girls on bicycles. 3 On our last trip we drove through rain to a town lit with vacancies. We’d come to watch whales. At the dock we met five other couples—all of us fluorescent, waterproof, ready for the pitch and frequency of the motor that would lure these great mammals near. The boat chugged forward—trailing a long, creamy wake. The captain spoke from a loudspeaker: In winter gray whales love Laguna Guerrero; it’s warm and calm, no killer whales gulp down their calves. Today we’ll see them on their way to Alaska. If we get close enough, observe their eyes—they’re bigger than baseballs, but can only look down. Whales can communicate at a distance of 300 miles—but it’s my guess they’re all saying, Can you hear me? His laughter crackled. When he told us Pink Floyd is slang for a whale’s two-foot penis, I stopped listening. The boat rocked, and for two hours our eyes were lost in the waves—but no whales surfaced, blowing or breaching or expelling water through baleen plates. Again and again you patiently wiped the spray from your glasses. We smiled to each other, good troopers used to disappointment. On the way back you pointed at cormorants riding the waves— you knew them by name: the Brants, the Pelagic, the double-breasted. I only said, I’m sure whales were swimming under us by the dozens. 4 Trying to write that I loved the work of an argument, the exhaustion of forgiving, the next morning, washing our handprints off the wineglasses. How I loved sitting with our friends under the plum trees, in the white wire chairs, at the glass table. How you stood by the grill, delicately broiling the fish. How the dill grew tall by the window. Trying to explain how camellias spoil and bloom at the same time, how their perfume makes lovers ache. Trying to describe the ways sex darkens and dies, how two bodies can lie together, entwined, out of habit. Finding themselves later, tired, by a fire, on an old couch that no longer reassures. The night we eloped we drove to the rainforest and found ourselves in fog so thick our lights were useless. There’s no choice, you said, we must have faith in our blindness. How I believed you. Trying to imagine the road beneath us, we inched forward, honking, gently, again and again.
Dina Ben-Lev
Once, my grandmama told me a story about her great-grandmama. She'd come across the ocean, been kidnapped and sold. Said her great-grandmama told her that in her village, they ate fear. Said it turned the food to sand in they mouth. Said everyone knew about the death march to the cost, that word had come down about the ships, about how they packed men and women into them. Some heard it was even worse for those who sailed off, sunk into the far. Because that's what it looked like when the ship crossed the horizon: like the ship sailed off and sunk, bit by bit, into the water. Her grandmama said they never went out at night, and even in the day, they stayed in the shadows of they houses. But still, they came for her. Kidnapped her here, and she learned the boats didn't sink to some watery place, sailed by white ghosts. She learned that bad things happened on that ship, all the way until it docked. That her skin grew around the chains. That her mouth shaped to the muzzle. That she was made into an animal under the hot, bright sky, the same sky the rest of her family was under, somewhere far aways, in another world. I knew what that was, to be made a animal.
Jesmyn Ward (Sing, Unburied, Sing)
Salt hits my tongue before the driver opens the door, splashing the sleek leather interior of the limo with watercolor light. This dock homes the most expensive boats in Boston, outfitting them with caviar and champagne before they set sail.
Skye Warren (Survival of the Richest (The Trust Fund Duet, #1))
To know Seattle one must know its waterfront. It is a good waterfront, not as busy as New York's, not as self-consciously colorful as San Francisco's, not as exotic as New Orleans, but a good, honest, working waterfront with big gray warehouses and trim fishing boats and docks that smell of creosote, and sea gulls and tugs and seafood restaurants and beer joints and fish stores--a waterfront where you can hear foreign languages and buy shrunken heads and genuine stuffed mermaids, where you can watch the seamen follow the streetwalkers and the shore patrol follow the sailors, where you can stand at an open-air bar and drink clam nectar, or sit on a deadhead and watch the water, or go to an aquarium and look at an octopus.
Murray Morgan (Skid Road: An Informal Portrait of Seattle)
Johnny leapt off the boat and threw his own vest on the dock. First thing, he ran up to Mirren and kicked her. Then he kicked me. Kicked the twins. Walked over to our grandparents and stood up straight. “Good to see you, Granny and Granddad. I look forward to a happy summer.
E. Lockhart (We Were Liars)
If you turn left at the next logging road, he said, and walk a quarter of a mile, you come to a dock on a lake, with an air horn hanging off it. You honk the air horn, and someone comes and picks you up in a boat, and they take you to this place where there's pizza and showers and cold beer!
Lucy Letcher (Southbound (The Barefoot Sisters, #1))
The exuberant Husky crew gingerly hoisted Walling out of the shell and sent him off to the hospital. Astonished fans and journalists gathered around them on the dock, peppering them with questions: Was the University of Washington in the District of Columbia? Where exactly was Seattle, anyway? Were any of them really lumberjacks?
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
Epithalamium Without silence there would be no music. Life paired is doubtless more difficult than solitary existence - just as a boat on the open sea with outstretched sails is trickier to steer than the same boat drowsing at a dock, but schooners after all are meant for wind and motion, not idleness and impassive quiet. A conversation continued through the years includes hours of anxiety, anger, even hatred, but also compassion, deep feeling. Only in marriage do love and time, eternal enemies, join forces. Only love and time, when reconciled, permit us to see other beings in their enigmatic, complex essence, unfolding slowly and certainly, like a new settlement in a valley, or among green hills. In begins from one day only, from joy and pledges, from the holy day of meeting, which is like a moist grain; then come the years of trial and labor, sometimes despair, fierce revelation, happiness and finally a great tree with rich greenery grows over us, casting its vast shadow. Cares vanish in it.
Adam Zagajewski
I know you,” he added, helping to arrange the blanket over my shoulders. “You won’t drop the subject until I agree to check on your cousin, so I’ll do it. But only under one condition.” “John,” I said, whirling around to clutch his arm again. “Don’t get too excited,” he warned. “You haven’t heard the condition.” “Oh,” I said, eagerly. “Whatever it is, I’ll do it. Thank you. Alex has never had a very good life-his mother ran away when he was a baby, and his dad spent most of his life in jail…But, John, what is all this?” I swept my free hand out to indicate the people remaining on the dock, waiting for the boat John had said was arriving soon. I’d noticed some of them had blankets like the one he’d wrapped around me. “A new customer service initiative?” John looked surprised at my change of topic…then uncomfortable. He stooped to reach for the driftwood Typhon had dashed up to drop at his feet. “I don’t know what you mean,” he said, stiffly. “You’re giving blankets away to keep them warm while they wait. When did this start happening?” “You mentioned some things when you were here the last time….” He avoided meeting my gaze by tossing the stick for his dog. “They stayed with me.” My eyes widened. “Things I said?” “About how I should treat the people who end up here.” He paused at the approach of a wave-though it was yards off-and made quite a production of moving me, and my delicate slippers, out of its path. “So I decided to make a few changes.” It felt as if one of the kind of flowers I liked-a wild daisy, perhaps-had suddenly blossomed inside my heart. “Oh, John,” I said, and rose onto my toes to kiss his cheek. He looked more than a little surprised by the kiss. I thought I might actually have seen some color come into his cheeks. “What was that for?” he asked. “Henry said nothing was the same after I left. I assumed he meant everything was much worse. I couldn’t imagine it was the opposite, that things were better.” John’s discomfort at having been caught doing something kind-instead of reckless or violet-was sweet. “Henry talks too much,” he muttered. “But I’m glad you like it. Not that it hasn’t been a lot of added work. I’ll admit it’s cut down on the complaints, though, and even the fighting amongst our rowdier passengers. So you were right. Your suggestions helped.” I beamed up at him. Keeper of the dead. That’s how Mr. Smith, the cemetery sexton, had referred to John once, and that’s what he was. Although the title “protector of the dead” seemed more applicable. It was totally silly how much hope I was filled with by the fact that he’d remembered something I’d said so long ago-like maybe this whole consort thing might work out after all. I gasped a moment later when there was a sudden rush of white feathers, and the bird he’d given me emerged from the grizzly gray fog seeming to engulf the whole beach, plopping down onto the sand beside us with a disgruntled little humph. “Oh, Hope,” I said, dashing tears of laughter from my eyes. Apparently I had only to feel the emotion, and she showed up. “I’m sorry. I didn’t mean to leave you behind. It was his fault, you know.” I pointed at John. The bird ignored us both, poking around in the flotsam washed ashore by the waves, looking, as always, for something to eat. “Her name is Hope?” John asked, the corners of his mouth beginning to tug upwards. “No.” I bristled, thinking he was making fun of me. Then I realized I’d been caught. “Well, all right…so what if it is? I’m not going to name her after some depressing aspect of the Underworld like you do all your pets. I looked up the name Alastor. That was the name of one of the death horses that drew Hades’s chariot. And Typhon?” I glanced at the dog, cavorting in and out of the waves, seemingly oblivious of the cold. “I can only imagine, but I’m sure it means something equally unpleasant.
Meg Cabot (Underworld (Abandon, #2))
Life in the Cause would lurch forward as it always did. You worked, slaved, fought off the rats, the mice, the roaches, the ants, the Housing Authority, the cops, the muggers, and now the drug dealers. You lived a life of disappointment and suffering, of too-hot summers and too-cold winters, surviving in apartments with crummy stoves that didn’t work and windows that didn’t open and toilets that didn’t flush and lead paint that flecked off the walls and poisoned your children, living in awful, dreary apartments built to house Italians who came to America to work the docks, which had emptied of boats, ships, tankers, dreams, money, and opportunity the moment the colored and the Latinos arrived. And still New York blamed you for all its problems. And who can you blame? You were the one who chose to live here, in this hard town with its hard people, the financial capital of the world, land of opportunity for the white man and a tundra of spent dreams and empty promises for anyone else stupid enough to believe the hype. Sister Gee stared at her neighbors as they surrounded her, and at that moment she saw them as she had never seen them before: they were crumbs, thimbles, flecks of sugar powder on a cookie, invisible, sporadic dots on the grid of promise, occasionally appearing on Broadway stages or on baseball teams with slogans like “You gotta believe,” when in fact there was nothing to believe but that one colored in the room is fine, two is twenty, and three means close up shop and everybody go home; all living the New York dream in the Cause Houses, within sight of the Statue of Liberty, a gigantic copper reminder that this city was a grinding factory that diced the poor man’s dreams worse than any cotton gin or sugarcane field from the old country. And now heroin was here to make their children slaves again, to a useless white powder. She looked them over, the friends of her life, staring at her. They saw what she saw, she realized. She read it in their faces. They would never win. The game was fixed. The villains would succeed. The heroes would die.
James McBride (Deacon King Kong)
Children there rowed boats, climbed trees, picked mussels, ending every summer day cleaned up and carrying the ice in the silver bucket, the Goldfish crackers, and the Scotch, down to the dock at six, where they’d stand ranged along the splintering wooden boards looking down at the white bodies of the flashing fish, while the grown-ups behind them drank as the sun fell into the sea. The Miltons of Crockett’s Island.
Sarah Blake (The Guest Book)
from “The Unquarried Blue of Those Depths Is All But Blinding,” There are some things we just don’t talk about— Not even in the morning, when we’re waking, When your calloused fingers tentatively walk The slope of my waist: How love’s a rust-worn boat, Abandoned at the dock—and who could doubt Waves lick their teeth, eyeing its hull? We’re taking Our wreckage as a promise, so we don’t talk. We wet the tired oars, tide drawing us out.
Ashley Anna McHugh (Into These Knots)
After all, they were heading to Limbo, the port city notorious for its piracy. Based on the research of Rilv’s operatives and a team of Nexi researchers, one of the Haders was believed to be near Limbo. They somehow were able to tell that the Hader was moving over the sea, implying it was being used by someone who traveled on a boat. And considering how there were so many treasure-hunting pirates that docked in Limbo, it seemed likely some pirate captain had the Hader.
Aaron McGowan (Haders: An Adventure Fantasy series (Elpis Book 2))
Tatiasha, my wife, I got cookies from you and Janie, anxious medical advice from Gordon Pasha (tell him you gave me a gallon of silver nitrate), some sharp sticks from Harry (nearly cried). I’m saddling up, I’m good to go. From you I got a letter that I could tell you wrote very late at night. It was filled with the sorts of things a wife of twenty-seven years should not write to her far-away and desperate husband, though this husband was glad and grateful to read and re-read them. Tom Richter saw the care package you sent with the preacher cookies and said, “Wow, man. You must still be doing something right.” I leveled a long look at him and said, “It’s good to know nothing’s changed in the army in twenty years.” Imagine what he might have said had he been privy to the fervent sentiments in your letter. No, I have not eaten any poison berries, or poison mushrooms, or poison anything. The U.S. Army feeds its men. Have you seen a C-ration? Franks and beans, beefsteak, crackers, fruit, cheese, peanut butter, coffee, cocoa, sacks of sugar(!). It’s enough to make a Soviet blockade girl cry. We’re going out on a little scoping mission early tomorrow morning. I’ll call when I come back. I tried to call you today, but the phone lines were jammed. It’s unbelievable. No wonder Ant only called once a year. I would’ve liked to hear your voice though: you know, one word from you before battle, that sort of thing . . . Preacher cookies, by the way, BIG success among war-weary soldiers. Say hi to the kids. Stop teaching Janie back flip dives. Do you remember what you’re supposed to do now? Kiss the palm of your hand and press it against your heart.   Alexander   P.S. I’m getting off the boat at Coconut Grove. It’s six and you’re not on the dock. I finish up, and start walking home, thinking you’re tied up making dinner, and then I see you and Ant hurrying down the promenade. He is running and you’re running after him. You’re wearing a yellow dress. He jumps on me, and you stop shyly, and I say to you, come on, tadpole, show me what you got, and you laugh and run and jump into my arms. Such a good memory. I love you, babe.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
So you know we have an Elpis piece,” Terico said. “Delkol also has one. And now he has a golden Nexi that will lead him to the other two.” “Time is of the essence then,” Rilv said. “We will need you to come to Setar as soon as possible.” “Our boat has been destroyed, unfortunately,” Terico said. “All the ships docked here were destroyed.” “A ship would take too long,” Rilv said. “We will send an airship to pick you up, along with any of your companions who wish to assist.” An airship! This was precisely the sort of thing Terico wished to hear.
Aaron McGowan (Elpis:)
The Jewish doctors and lawyers and the successful merchants who owned big stores downtown lived in one-family houses on streets branching off the eastern slope of the Chancellor Avenue hill, closer to grassy, wooded Weequahic Park, a landscaped three hundred acres whose boating lake, golf course, and harness-racing track separated the Weequahic section from the industrial plants and shipping terminals lining Route 27 and the Pennsylvania Railroad viaduct east of that and the burgeoning airport east of that and the very edge of America east of that—the depots and docks of Newark Bay, where they unloaded cargo from around the world.
Philip Roth (The Plot Against America)
I’m so happy to be back here. You’re nice and quiet. Her waters stirred in something close to laughter. We don’t have to talk at all if you don’t want to. I’m happy just to hold you. I sank down, resting on the sandy Ocean floor, legs crossed and arms behind my head. I watched the trails of boats crisscrossing and fading along the surface above me. Fish swam by in schools, not spooked by the girl on the ground. So, about six months? I asked, my stomach twisting. Yes, barring some natural disaster or man-made sinking. I can’t predict those things. I know. Don’t start worrying about that yet. I can tell you’re still hurting from the last time. She wrapped me in sympathy. I lifted my arms as if I was stroking Her, though of course my tiny body was unable to truly embrace Hers. I feel like I never have enough time to get over a singing before the next one comes. I have nightmares, and I’m a nervous wreck during the weeks leading up to it. My chest felt hollow with misery. I’m afraid I’ll always remember how it feels. You won’t. In all My years, I’ve never had a freed siren come back to Me demanding that I fix her memories. Do You hear from them at all? Not intentionally. I feel people when they’re in Me. It’s how I find new girls. It’s how I listen for anyone who might suspect the true nature of My needs. Sometimes a former siren will go for a swim or stick her legs off a dock. I can get a peek at their lives, and no one has remembered Me yet. I’ll remember You, I promised. I could feel Her embracing me. For all eternity, I’ll never forget you. I love you. And I love You. You can rest here tonight, if you like. I’ll make sure no one finds you. Can I just stay down here forever? I don’t want to worry about hurting people unintentionally. Or disappointing my sisters. Aisling has her cottage, so maybe I could build a little house down here out of driftwood. She ran a current down my back gently. Sleep. You’ll feel differently in the morning. Your sisters would be lost without you. Trust Me, they think it all the time. Really? Really. Thank You. Rest. You’re safe.
Kiera Cass (The Siren)
Instead of driving straight to the wharf where we usually parked the boat, Adam slowed at the marina dock so the boys could mock Mr. Vader, who hadn’t moved from the position he’d been in when I splashed him, except he’d started on another beer. The boys told him he was all washed up and he should enter a wet T-shirt contest with that figure, and so forth. My brother called to Dad, “Nice save, Pops.” “Hey.” Dad tipped his beer to us. “You’ve got to be fast with Lori around.” “I have to say, young lady,” grumbled Mr. Vader. “I was very impressed with all your shenanigans. Right up to the point I got doused. I want you to plan to close the Crappie Festival show until further notice.” Which meant, Until you screw up. That was okay. He’d told me I was better than the boys at something for once in my life! I turned to Sean and beamed so big that my cheeks hurt. Sean squinted into the sun, wearing that strange, fixed smile. Even my brother and Cameron gave each other puzzled looks rather than congratulating me again. Only Adam met my eyes. He shook his head at me. Oh, crap. Crappy. Holy Crappie Festival! I had upset the natural order. After Adam had already upset the natural order in team calisthenics. I should have thought all of this through better. Sean began, “But I didn’t even get a chance to-“ “I saw what happened,” Mr. Vader told him. “You had your chance. The Big Kahuna has spoken.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
There’s no way around August. In the sweltering dog days of summer in the deep South mornings haze with humidity that doesn’t end with the coming of dark. Cuts don’t heal. Grudges fester. Mold grows on damp sheets and dogs don’t bother to come out from under the house and bark. What would be the point? In more cultivated times people closed the shutters midday and sallied forth when the worst was over. The river is a different story. And if you are fortunate enough to have a dock with hammocks hanging under it and boats tied at the end of it and all of Jericho waiting to enfold you, not to mention the Perseid meteor showers to keep you company at night, why would you be anywhere else? Especially if you have peaches.
Ellen Malphrus (Untying the Moon)
And as I sat there brooding on the old, unknown world, I thought of Gatsby’s wonder when he first picked out the green light at the end of Daisy’s dock. He had come a long way to this blue lawn, and his dream must have seemed so close that he could hardly fail to grasp it. He did not know that it was already behind him, somewhere back in that vast obscurity beyond the city, where the dark fields of the republic rolled on under the night. Gatsby believed in the green light, the orgastic future that year by year recedes before us. It eluded us then, but that's no matter—to-morrow we will run faster, stretch out our arms farther and one fine morning—— So we beat on, boats against the current, borne back ceaselessly into the past.
F. Scott Fitzgerald (The Great Gatsby)
And as I sat there brooding on the old, unknown world, I thought of Gatsby’s wonder when he first picked out the green light at the end of Daisy’s dock. He had come a long way to this blue lawn, and his dream must have seemed so close that he could hardly fail to grasp it. He did not know that it was already behind him, somewhere back in that vast obscurity beyond the city, where the dark fields of the republic rolled on under the night. Gatsby believed in the green light, the orgastic future that year by year recedes before us. It eluded us then, but that’s no matter—to-morrow we will run faster, stretch out our arms farther. . . . And one fine morning — So we beat on, boats against the current, borne back ceaselessly into the past.
F. Scott Fitzgerald (The Great Gatsby)
Owen felt his mouth curve into a grin as he heard the familiar clap, clap, clap behind him. That was one of his favorite sounds—high heels on the wooden dock of the Boys of the Bayou swamp boat tour company. He took his time turning and once he did, he started at the shoes. They were black and showed off bright red toenails. The straps wrapped sexily around trim ankles and led the eye right up to smooth, toned calves. The heels matched the black polka dots on the white skirt that thankfully didn’t start until mid-thigh, and showed off more tanned skin. He straightened from his kneeling position in one of the boats as his eyes kept moving up past the skirt to the bright red belt that accentuated a narrow waist and then to the silky black tank that molded to a pair of perfect breasts. He was fully anticipating her lips being bright red to go with that belt and her toenail polish. God, he loved red lipstick. And high heels. In any color. But before he could get to those lips, she used them, to say, “Oh, dammit, it’s you.” Owen’s gaze bypassed her mouth to fly to her eyes. Because he’d know that voice anywhere. Madison Allain was home. A day early. Not that an extra day would have helped him prepare. He’d been thinking about her visit for a week and was still as wound tight about it as he’d been when Sawyer, his business partner and cousin, had told him that she was coming home. For a month. Owen stood just watching her, fighting back all of the first words that he was tempted to say. Like, “Damn, you’re even more gorgeous than the last time I saw you.” Or, “I haven’t put anyone in the hospital lately.” Or, “I’ve missed you so fucking much.” Just for instance.
Erin Nicholas (Sweet Home Louisiana (Boys of the Bayou, #2))
I knew from experience that before you went swimming off a dock for the first time each summer, you needed to check the sides and the ladder carefully for bryozoan, colonies of slimy green critters that grew on hard surfaces underwater (think coral, but gelatinous-shudder). They wouldn’t hurt you, they were part of a healthy freshwater ecosystem, their presence meant the water was pristine and unpolluted, blah blah blah-but none of this was any consolation if you accidentally touched them. Poking around with a water ski and finding nothing, I spent the rest of the afternoon watching for Sean from the water. And getting out occasionally when he sped by in the boat, in order to woo him like Halle Berry coming out of the ocean in a James Bond movie (which I had seen with the boys about a hundred times. Bikini scene, seven hundred times). Only I seemed to have misplaced my dagger.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
They had just docked in Greece and the passengers learned they would be quarantined and not be allowed to go ashore... "It was the bitterest disappointment we had yet experienced. To lie a whole day in sight of the Acropolis, and yet be obliged to go away without visiting Athens! Disappointment was hardly a strong enough word to describe the circumstances....At eleven o'clock at night, when most of the ship's company were abed, four of us stole softly ashore in a small boat, a clouded moon favoring the enterprise...Once ashore and seeing no road, we took a tall hill to the left of the distant Acropolis for a mark, and steered straight for it over all obstructions...The full moon was riding high in the cloudless heavens now. We sauntered carelessly and unthinkingly to the edge of the lofty battlements of the citadel, and looked down---- a vision! And such a vision! Athens by moonlight!
Mark Twain (The Innocents Abroad: Or, the New Pilgrim's Progress, Volume 2)
As we walked off the plank, we were greeted by a swarm of felines that clearly knew the boat's arrival time. There were cats stretched out on the dock, cats lounging in the morning sun, cats playing and fighting one another, and cats cleaning themselves. Calicos, tabbies, tuxedoes, ginger, and black cats. At the end of the dock were crates that had been converted into blanket-covered little cat apartments. Tails stuck out from inside the shelters. The few buildings on the street were adorned with graffiti of cats. A Japanese tourist couple also getting off the boat were more prepared than us- they had bonito flake treats to dole out to the felines. But the local fishermen sorted their wares in sheds by the road were the real treat-givers. They threw out small fish to the cats. The lucky cats on the receiving end pranced by us with fish heads and tails sticking out from either side of their mouths.
Rachel Cohn (My Almost Flawless Tokyo Dream Life)
He later claimed he had been conceived during a twenty-four-hour storm on the river. His ancestors were generations of lightermen and thus he had a river body that showed an accent only on land. He knew every tideway between Twickenham and Lower Hope Point and could identify docks by their smell or the sound of loading cargo. His father had been “a freeman of the river,” he boasted; this in spite of the fact that he also spoke of him as a cruel man who’d forced him into the boxing profession in his teens. The Darter also had a mouthful of whistles, for every barge, he told us, had its own signal. You learned it when starting work on a new boat. It was the only signal you were allowed to use over the water as a recognition or a warning, and each whistle was based on a bird call. He’d met river people, he said, who walking in a landlocked forest had suddenly heard their own barge whistle though there was no river in sight.
Michael Ondaatje (Warlight)
Twenty minutes later the three girls rented a small motorboat at Campbell’s Landing. The craft was old and the engine clattered and threw oil, but it was the only boat available. “Lucky we all know how to swim,” Bess said with some misgiving as they pulled away from the dock. “I have a feeling this old tub leaks and may sink before we go very far.” “We’ll be all right if George keeps busy with the bailer!” Nancy laughed, heading the craft upstream. The river was wide near town, but the upper reaches were narrow and twisted and turned at such sharp angles that fast travel was out of the question. At the wheel, Nancy kept an alert watch for shoals. Water was slowly seeping in at the bow. “It’s really pretty out here, but so wild,” Bess commented, her gaze wandering along the solid line of trees fringing the shores. “Better forget the scenery for a while,” Nancy advised, “and give George a hand with the bailing. If you don’t, our shoes will be soaked.
Carolyn Keene (The Clue in the Crumbling Wall (Nancy Drew, #22))
Low dark clouds raced over a steel sea toward Barkley Cove. The wind hit first, rattling windows and hurling waves over the wharf. Boats, tied to the dock, bobbed up and down like toys, as men in yellow slickers tied this line or that, securing. Then sideways rain slammed the village, obscuring everything except the odd yellow form moving about in the grayness. The wind whistled through the sheriff’s window, and he raised his voice. “So, Joe, you had something to tell me?” “Sure do. I found out where Miss Clark will claim she was the night Chase died.” “What? Did you finally catch up to her?” “Ya kiddin’? She’s slipperier’n a damn eel. Gets gone ever’ time I get near. So I drove over to Jumpin’s marina this morning to see if he knew when she’d be coming next. Like everybody else she hasta go there for gas, so I figured I’d catch her up sooner or later. You won’t believe what I found out.” “Let’s have it.” “I got two reliable sources say she was outta town that night.
Delia Owens (Where the Crawdads Sing)
And so now, having been born, I’m going to rewind the film, so that my pink blanket flies off, my crib scoots across the floor as my umbilical cord reattaches, and I cry out as I’m sucked back between my mother’s legs. She gets really fat again. Then back some more as a spoon stops swinging and a thermometer goes back into its velvet case. Sputnik chases its rocket trail back to the launching pad and polio stalks the land. There’s a quick shot of my father as a twenty-year-old clarinetist, playing an Artie Shaw number into the phone, and then he’s in church, age eight, being scandalized by the price of candles; and next my grandfather is untaping his first U.S. dollar bill over a cash register in 1931. Then we’re out of America completely; we’re in the middle of the ocean, the sound track sounding funny in reverse. A steamship appears, and up on deck a lifeboat is curiously rocking; but then the boat docks, stern first, and we’re up on dry land again, where the film unspools, back at the beginning . . .
Jeffrey Eugenides (Middlesex)
I’ve something to show you in here,” he murmurs and opens the door. The harsh light of the fluorescents illuminates the impressive motor launch in the dock, bobbing gently on the dark water. There’s a row boat beside it. “Come.” Christian takes my hand and leads me up the wooden stairs. Opening the door at the top, he steps aside to let me in. My mouth drops to the floor. The attic is unrecognizable. The room is filled with flowers... there are flowers everywhere. Someone has created a magical bower of beautiful wild meadow flowers mixed with glowing fairy lights and miniature lanterns that glow soft and pale round the room. My face whips round to meet his, and he’s gazing at me, his expression unreadable. He shrugs. “You wanted hearts and flowers,” he murmurs. I blink at him, not quite believing what I’m seeing. “You have my heart.” And he waves toward the room. “And here are the flowers,” I whisper, completing his sentence. “Christian, it’s lovely.” I can’t think of what else to say. My heart is in my mouth as tears prick my eyes.
E.L. James
A man approached me and asked if he could sit next to me on the dock. I shrugged my shoulders. Apparently, he had been at the bar the night before and was concerned by what he had witnessed. More importantly, this complete stranger took the time to say something. He remarked that I seemed lost. I simply nodded as the tears began to pour down my checks. It was the first time I had cried in many years. He spoke about how our lives are like the boats we could see on the water. That we all need to orient toward a point on the horizon or we will hopelessly drift. He suggested that it was time for me to realize that I was here for a purpose. I listened and felt a tender release of my pain. He continued to speak about finding a balance between risk and safety. Too much risk sets us back. Too much safety and we can’t progress forward. It is remarkable how one courageous conversation can save a life. I never found out who this man by the ocean was and never saw him again. However, he helped me to discover an inner compass that would eventually help me come back to my true north. With time, therapy helped me gain traction and create more stability. Although my path forward wasn’t completely straight and narrow, I slowly began to emerge with greater confidence and hope.
Arielle Schwartz (The Post-Traumatic Growth Guidebook: Practical Mind-Body Tools to Heal Trauma, Foster Resilience and Awaken Your Potential)
The boat tilted and pitched her into the chilly lake. Sputtering, she stood up in the shallow water only to hear the sound of Lincoln’s roaring laughter echoing off the glassy surface of the water. She glared at him. How dare he? “Are you going to stand there? Aren’t you going to help me out?” “Well, Miss Independent, you said you could do it yourself.” In four long strides, he left the dock and sat down in the grass on the shore. She gaped at him. Despite the shivers wracking her body, coal-hot anger gnawed at the pit of her stomach. Was he honestly going to leave her to slog out of this lake alone? The smirk on his face said he most certainly was. She sloshed through the weeds to the edge of the shore. Her heavy, water-soaked clothes weighted down each step. Her foot sank into the mire at the bottom, and the mud sucked her shoe off. She bent, dug in the slimy goo, and fished out the shoe with her hands. She heaved it toward the shore, where it missed Lincoln by an inch. Too bad. Maybe her aim would be better with the other shoe. She removed it and heaved it toward him. He caught it in his right hand. “Want help now?” “No!” “Good.” He leaned back and rested on his elbows. “Nice sunset, isn’t it?” Oooh, that man. When she got out of here, she was going to give him a tongue-lashing he’d never forget.
Lorna Seilstad (When Love Calls (The Gregory Sisters, #1))
It wasn’t until she had almost reached its lights that she heard another rider in the hills behind her. Ice slid down Kestrel’s spine. Fear, that the rider was Arin. Fear, at her sudden hope that it was. She pulled Javelin to a stop and swung to the ground. Better to go on foot through the narrow streets to the harbor. Stealth was more important now than speed. Beating hooves echoed in the hills. Closer. She hugged Javelin hard around the neck, then pushed him away while she still could bear to do it. She slapped his rump in an order to head home. Whether he’d go to her villa or Arin’s, she couldn’t say. But he left, and might draw the other rider after him if she was indeed being pursued. She slipped into the city shadows. And it was magic. It was as if the Herrani gods had turned on their own people. No one noticed Kestrel skulking along walls or heard her cracking the thin ice of a puddle. No late-night wanderer looked in her face and saw a Valorian. No one saw the general’s daughter. Kestrel made it to the harbor, down to the docks. Where Arin waited. His breath heaved white clouds into the air. His hair was black with sweat. It hadn’t mattered that Kestrel had been ahead of him on the horse path. Arin had been able to run openly through the city while she had crept through alleys. Their eyes met, and Kestrel felt utterly defenseless. But she had a weapon. He didn’t, not that she could see. Her hand instinctively fell to her knife’s jagged edge. Arin saw. Kestrel wasn’t sure what came first: his quick hurt, so plain and sharp, or her certainty--equally plain, equally sharp--that she could never draw a weapon on him. He straightened from his runner’s crouch. His expression changed. Until it did, Kestrel hadn’t perceived the desperate set of his mouth. She hadn’t recognized the wordless plea until it was gone, and his face aged with something sad. Resigned. Arin glanced away. When he looked back it was as if Kestrel were part of the pier beneath her feet. A sail stitched to a ship. A black current of water. As if she were not there at all. He turned away, walked into the illuminated house of the new Herrani harbormaster, and shut the door behind him. For a moment Kestrel couldn’t move. Then she ran for a fishing boat docked far enough from its fellows that she might cast off from shore unnoticed by an sailors on the other vessels. She leaped onto the deck and took rapid stock of the boat. The tiny cabin was bare of supplies. As she lifted the anchor and uncoiled the rope tethering the boat to its dock, she knew, even if she couldn’t see, that Arin was talking with the harbormaster, distracting him while Kestrel prepared to set sail.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
An American businessman took a vacation to a small coastal Mexican village on doctor’s orders. Unable to sleep after an urgent phone call from the office the first morning, he walked out to the pier to clear his head. A small boat with just one fisherman had docked, and inside the boat were several large yellowfin tuna. The American complimented the Mexican on the quality of his fish. “How long did it take you to catch them?” the American asked. “Only a little while,” the Mexican replied in surprisingly good English. “Why don’t you stay out longer and catch more fish?” the American then asked. “I have enough to support my family and give a few to friends,” the Mexican said as he unloaded them into a basket. “But… What do you do with the rest of your time?” The Mexican looked up and smiled. “I sleep late, fish a little, play with my children, take a siesta with my wife, Julia, and stroll into the village each evening, where I sip wine and play guitar with my amigos. I have a full and busy life, señor.” The American laughed and stood tall. “Sir, I’m a Harvard M.B.A. and can help you. You should spend more time fishing, and with the proceeds, buy a bigger boat. In no time, you could buy several boats with the increased haul. Eventually, you would have a fleet of fishing boats.” He continued, “Instead of selling your catch to a middleman, you would sell directly to the consumers, eventually opening your own cannery. You would control the product, processing, and distribution. You would need to leave this small coastal fishing village, of course, and move to Mexico City, then to Los Angeles, and eventually to New York City, where you could run your expanded enterprise with proper management. The Mexican fisherman asked, “But, señor, how long will all this take?” To which the American replied, “15-20 years, 25 tops.” “But what then, señor?” The American laughed and said, “That’s the best part. When the time is right, you would announce an IPO and sell your company stock to the public and become very rich. You would make millions.” “Millions señor? Then what?" “Then you would retire and move to a small coastal fishing village, where you would sleep late, fish a little, play with your kids, take a siesta with your wife, and stroll in to the village in the evenings where you could sip wine and play your guitar with your amigos.
Tim FERRIS
Early in the boob-emerging years, I had no boobs, and I was touchy about it. Remember in middle school algebra class, you’d type 55378008 on your calculator, turn it upside down, and hand it to the flat-chested girl across the aisle? I was that girl, you bi-yotch. I would have died twice if any of the boys had mentioned my booblets. Last year, I thought my boobs had progressed quite nicely. And I progressed from the one-piece into a tankini. But I wasn’t quite ready for any more exposure. I didn’t want the boys to treat me like a girl. Now I did. So today I’d worn a cute little bikini. Over that, I still wore Adam’s cutoff jeans. Amazingly, they looked sexy, riding low on my hips, when I traded the football T-shirt for a pink tank that ended above my belly button and hugged my figure. I even had a little cleavage. I was so proud. Sean was going to love it. Mrs. Vader stared at my chest, perplexed. Finally she said, “Oh, I get it. You’re trying to look hot.” “Thank you!” Mission accomplished. “Here’s a hint. Close your legs.” I snapped my thighs together on the stool. People always scolded me for sitting like a boy. Then I slid off the stool and stomped to the door in a huff. “Where do you want me?” She’d turned back to the computer. “You’ve got gas.” Oh, goody. I headed out the office door, toward the front dock to man the gas pumps. This meant at some point during the day, one of the boys would look around the marina office and ask, “Who has gas?” and another boy would answer, “Lori has gas.” If I were really lucky, Sean would be in on the joke. The office door squeaked open behind me. “Lori,” Mrs. Vader called. “Did you want to talk?” Noooooooo. Nothing like that. I’d only gone into her office and tried to start a conversation. Mrs. Vader had three sons. She didn’t know how to talk to a girl. My mother had died in a boating accident alone on the lake when I was four. I didn’t know how to talk to a woman. Any convo between Mrs. Vader and me was doomed from the start. “No, why?” I asked without turning around. I’d been galloping down the wooden steps, but now I stepped very carefully, looking down, as if I needed to examine every footfall so I wouldn’t trip. “Watch out around the boys,” she warned me. I raised my hand and wiggled my fingers, toodle-dee-doo, dismissing her. Those boys were harmless. Those boys had better watch out for me.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
The captain? Sophia stood staring numbly after him. Had he just said he’d introduce her to the captain? Of someone else was the captain, then who on earth was this man? One thing was clear. Whoever he was, he had her trunks. And he was walking away. Cursing under her breath, Sophia picked up her skirts and trotted after him, dodging boatmen and barrels and coils of tarred rope as she pursued him down the quay. A forest of tall masts loomed overhead, striping the dock with shadow. Breathless, she regained his side just as he neared the dock’s edge. “But…aren’t you Captain Grayson?” “I,” he said, pitching her smaller trunk into a waiting rowboat, “am Mr. Grayson, owner of the Aphrodite and principle investor in her cargo.” The owner. Well, that was some relief. The tavern-keeper must have been confused. The porter deposited her larger truck alongside the first, and Mr. Grayson dismissed him with a word and a coin. He plunked one polished Hessian on the rowboat’s seat and shifted his weight to it, straddling the gap between boat and dock. Hand outstretched, he beckoned her with an impatient twitch of his fingers. “Miss Turner?” Sophia inched closer to the dock’s edge and reached one gloved hand toward his, considering how best to board the bobbing craft without losing her dignity overboard. The moment her fingers grazed his palm, his grin tightened over her hand. He pulled swiftly, wrenching her feet from the dock and a gasp from her throat. A moment of weightlessness-and then she was aboard. Somehow his arm had whipped around her waist, binding her to his solid chest. He released her just as quickly, but a lilt of the rowboat pitched Sophia back into his arms. “Steady there,” he murmured through a small smile. “I have you.” A sudden gust of wind absconded with his hat. He took no notice, but Sophia did. She noticed everything. Never in her life had she felt so acutely aware. Her nerves were draw taut as harp strings, and her senses hummed. The man radiated heat. From exertion, most likely. Or perhaps from a sheer surplus of simmering male vigor. The air around them was cold, but he was hot. And as he held her tight against his chest, Sophia felt that delicious, enticing heat burn through every layer of her clothing-cloak, gown, stays, chemise, petticoat, stockings, drawers-igniting desire in her belly. And sparking a flare of alarm. This was a precarious position indeed. The further her torso melted into his, the more certainly he would detect her secret: the cold, hard bundle of notes and coin lashed beneath her stays. She pushed away from him, dropping onto the seat and crossing her arms over her chest. Behind him, the breeze dropped his hat into a foamy eddy. He still hadn’t noticed its loss. What he noticed was her gesture of modesty, and he gave her a patronizing smile. “Don’t concern yourself, Miss Turner. You’ve nothing in there I haven’t seen before.” Just for that, she would not tell him. Farewell, hat.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
settlement in Gerar to control a pentapolis of five coastal cities: Gaza, Ashdod, Gath, Ekron, and Ashkelon. The principal god of the Philistines was Dagon. He was half-fish, half-humanoid, and was a god of storm. His cult center was near the shoreline of Ashkelon where the boats were docked for their journeys of trade, diplomacy, and battle. The four archangels, Mikael, Gabriel, Raphael, and Uriel had disguised themselves as monk priests on a pilgrimage to Mount Sapan. They had boarded a ship to follow the coast up north. They wore long billowy cloaks that hid their armament and weapons beneath.
Brian Godawa (Caleb Vigilant (Chronicles of the Nephilim Book 6))
watched at the window. Very soon the boat turned around again and came in to the dock not far from the lighthouse. It looked like a man who jumped out. But Benny knew that the Cook boy was as big as a man. Benny watched him as he bent over his boat. He took
Gertrude Chandler Warner (The Lighthouse Mystery (The Boxcar Children Mysteries Book 8))
Aransas Pass had once been called the shrimp capital of the world. Over three hundred shrimp boats had graced its docks until the industry had collapsed back in the 1970’s—a message from the natural world that the fortunes of man and the bounty of the sea could change in an instant. Walking
John Lyman (The Deep Green)
A cluster of yachts was anchored at the far side, and a smaller boat with a National Park Service logo on the side was tied at the dock. We slowed, turned, and slid in next to it. I
Jeff Lindsay (Double Dexter (Dexter #6))
Did you know it’s bad luck to take bananas on a fishing boat?” he said as we got to the end of one dock and turned around to go back.
Tracy Brogan (The Best Medicine (Bell Harbor, #2))
the moment, and she texted back that she was at the Hôtel du Cap with two of her daughters. He responded immediately, said he was on his boat in St. Jean Cap Ferrat, and was heading in her direction that afternoon. Would she and her daughters like to have dinner on his yacht? He said he would be honored, and Véronique was amused. She thought it would be fun for the girls to meet him. And she imagined that seeing his boat would be entertaining for them, too. She knew he had several, and it would be nice to see him. She texted back that they would be delighted, and he answered that his tender would pick them up at eight o’clock at the dock at Eden Roc. She told the girls about it when they got back from swimming. “Nikolai who?” Juliette asked with a puzzled expression. She had never heard of him, and couldn’t imagine how her mother knew him. “You know how I hate boats, Mom. They always make me sick.” “I have a feeling his is big enough that you won’t get seasick. Let’s do it.” She hadn’t seen him since they’d had dinner on the terrace of his suite in Rome, when he’d nearly killed her
Danielle Steel (Precious Gifts)
By this time (in mid-2012) the country had been without a functioning government for more than twenty years, and the city was a byword for chaos, lawlessness, corruption, and violence. But this wasn’t the Mogadishu we saw. Far from it: on the surface, the city was a picture of prosperity. Many shops and houses were freshly painted, and signs on many street corners advertised auto parts, courses in business and English, banks, money changers and remittance services, cellphones, processed food, powdered milk, cigarettes, drinks, clothes, and shoes. The Bakara market in the center of town had a monetary exchange, where the Somali shilling—a currency that has survived without a state or a central bank for more than twenty years—floated freely on market rates that were set and updated twice daily. There were restaurants, hotels, and a gelato shop, and many intersections had busy produce markets. The coffee shops were crowded with men watching soccer on satellite television and good-naturedly arguing about scores and penalties. Traffic flowed freely, with occasional blue-uniformed, unarmed Somali National Police officers (male and female) controlling intersections. Besides motorcycles, scooters, and cars, there were horse-drawn carts sharing the roads with trucks loaded above the gunwales with bananas, charcoal, or firewood. Offshore, fishing boats and coastal freighters moved about the harbor, and near the docks several flocks of goats and sheep were awaiting export to cities around the Red Sea and farther afield. Power lines festooned telegraph poles along the roads, many with complex nests of telephone wires connecting them to surrounding buildings. Most Somalis on the street seemed to prefer cellphones, though, and many traders kept up a constant chatter on their mobiles. Mogadishu was a fully functioning city.
David Kilcullen (Out of the Mountains: The Coming Age of the Urban Guerrilla)
After you were badly beaten, the essential part of you that made you a human being could come loose from the world, as if the self were a small boat and the rope mooring it to the dock slid off its cleats so that the dinghy drifted out helplessly into the middle of the pond; or as if a large vessel, a merchant ship, perhaps, began in the grip of a powerful current to drag its anchor and ran the risk of colliding with other ships or disastrously running aground. He now understood that this loosening was perhaps not only physical but also ethical, that when violence was done to a person, then violence entered the range of what that person—previously peaceable and law-abiding—afterwards included in the spectrum of what was possible. It became an option.
Salman Rushdie (Quichotte)
Puzzled, the Hardys continued upriver. Forty minutes later they reached the little village of Brockton and tied up at the public boat landing. A little boy with a sunburned nose who was fishing off the dock with a bamboo pole scowled at them. “Can you tell us where Mrs. Lunberry lives?” Frank asked him with a smile. “That gray cottage over near the woods.” The lad indicated the direction with a jerk of his head and kept on scowling. “You guys realize you just scared off a big fat bluegill?
Franklin W. Dixon (A Figure in Hiding (Hardy Boys, #16))
need say was I need some time off. But she couldn’t do it. “The St. James house at half-past seven,” she repeated. “Got it, sir.” He rang off. Barbara hung up. She tried to plumb the depths of her feelings, to put a name to what was slowly washing through her veins. She wanted to call it shame. She knew it was liberation. She went to tell her father that they would need to reschedule his doctor’s appointment for another day. Kevin Whateley had not gone to the Royal Plantagenet, which was the pub next door to his cottage. Rather, he had walked along the embankment, past the triangular green where he and Matthew had once learned to operate their pair of remote-control planes, and had instead entered an older pub that stood on a spit of land reaching like a curled finger into the Thames. He’d chosen the Blue Dove deliberately. In the Royal Plantagenet—despite its proximity to his house—he might have forgotten for five minutes or so. But the Blue Dove would not allow him to do so. He sat at a table that overlooked the water. In spite of the night’s falling temperature, someone was out, night fishing from a boat, and lights bobbed periodically with the river’s movement. Kevin watched this, allowing his memory to fill with the image of Matthew running along that same dock, falling, damaging a knee, righting himself but not crying at all, even when the blood began to seep from the cut, even when the stitches were later put in. He was a brave little bloke, always had been. Kevin forced his eyes from the dock and fastened them on the mahogany table. Beer mats covered it, advertising Watney’s, Guinness, and Smith’s. Carefully, Kevin stacked them, restacked them, spread them out like cards, restacked them again. He felt how shallow his breathing was and knew that he needed to take in more air. But to breathe deeply was to lose his grip for an instant. He wouldn’t do that. For if he lost control, he didn’t know how he would get it back. So he did without air. He waited. He didn’t know if the man he sought would come into the pub this late on a Sunday night, mere minutes before closing. In fact, he didn’t even know if the man came here at all any longer. But years ago he’d been a regular customer, when Patsy worked long hours behind the bar, before she’d got her job in a South Kensington hotel. For Matthew’s sake, she had said when she’d taken on the
Elizabeth George (Well-Schooled in Murder (Inspector Lynley, #3))
What’s the point, Hamid had asked? Why move if you do not wish for places to change you? But perhaps you leave to find out what doesn’t change, the discontent and itch that are constant. You move only to discover, amidst the waiting and the hoping, and the dashing of that hope, that there is only one place the boat will dock. Wherever you go, there you are.
Dur e Aziz Amna (American Fever)
After staying a fair while in Bodhgaya, we returned to Calcutta for a short stay at the Nalanda Square Buddhist Temple. I then took my leave of all my good friends there and got on the boat at the Calcutta docks. This was March, 1940. The fumes of the coming World War were growing thick and nearing the combustion point in Germany. I saw a lot of battleships in the Indian Ocean as our boat passed by.
Ajaan Lee (The Autobiography of Phra Ajaan Lee)
Vacations are more than vacations, and that island is more than an island. Vacations are the act of grabbing minutes and hours and days with both hands, stealing against the inevitability of time. There will be a day when our family as we know it will no longer exist, and I want to know in that moment that I wasn’t at the office or doing the dishes when I could have been walking on the dock with my dad, when I could have been drinking tea and eating ginger cookies on the porch with my mom. I don’t want to be building my bank account or my abs or my dream house when I could be dancing with Aaron at the beach bar on New Year’s Eve, when I could be making crackers and cheese for dinner because we were on the boat till way after the shops closed, sunburnt and sandy and windblown, and happier there and together than anywhere else with anyone else.
Shauna Niequist (Cold Tangerines: Celebrating the Extraordinary Nature of Everyday Life)
I'm mooring my rowboat / at the dock of the island called God. / This dock is made in the shape of a fish / and there are many boats moored / at many different docks. / 'It's okay,' I say to myself / with blisters that broke and healed / and broke and healed -- / saving themselves over and over. / And salt sticking to my face and arms like / a glue-skin pocked with grains of tapioca. / I empty myself from my wooden boat / and onto the flesh of The Island. 'On with it!' He says and thus / we squat on the rocks by the sea / and play - can it be true - / a game of poker. / He calls me. / I win because I hold a royal straight flush. / He wins because He holds five aces, / A wild card had been announced / but I had not heard it / being in such a state of awe / when he took out the cards and dealt. / As he plunks down his five aces / and I am still grinning at my royal flush, / He starts to laugh, / and laughter rolling like a hoop out of His mouth / and into mine / and such laughter that He doubles right over me / laughing a Rejoice-Chorus at our two triumphs. / Then I laugh, the fishy dock laughs / the sea laughs. The Island laughs. / The Absurd laughs. Dearest dealer, / I with my royal straight flush, / love you so for your wild card, / that untamable, eternal, gut-driven ha-ha / and lucky love.
Anne Sexton (The Awful Rowing Toward God)
It was well past noon when the boys sighted Northport on their left. Passing between a pair of entrance buoys, the Sleuth came off the swelling ocean onto the calm surface of a small, well-protected harbor. On one side a forest of thick masts rose from a fleet of sturdy fishing boats. At the far end of the bay, bright-colored pleasure craft rode at anchor. Slender, pencillike masts marked the sailboats. On the shore nearby were the yellow wooden skeletons of boats under construction. Joe guided the Sleuth toward a large dock with gasoline pumps, which extended into the water from the boatyard. “This must be the yard that sponsored the regatta,” Frank commented. “Bring her in, Joe.” Within minutes the young detectives had made their craft secure and scrambled onto the dock. They hurried down the wooden planking and turned onto Waterfront Street. There were restaurants, souvenir shops, and boat-supply stores. All of them were well kept and busy. The boys stopped in a luncheonette for a snack, then hurried on. They
Franklin W. Dixon (The Missing Chums (Hardy Boys, #4))
After the Hardys’ craft had been safely moored in their boathouse, Tony headed the Napoli out into the bay. He turned and followed the shoreline to the long jetties where the freighters were docked. Soon the Napoli passed under the gray bow of a big cutter moored at the Coast Guard pier. Tony made his boat fast, and the six boys climbed up a steel ladder onto the dock. They entered the small, neat station office, which had a short-wave tower on its roof. The officer on duty rose from his desk. “Hello, Frank—Joe—fellows,” he greeted them. The personnel at the Bayport station knew the Hardys well. More than once they had cooperated with the boys and their father on cases.
Franklin W. Dixon (The Missing Chums (Hardy Boys, #4))
Frank and Joe were mystified as they drove away from the Haley Building. Both boys would have liked to go out in their boat to sift through their thoughts in the fresh salt air and sunshine. Since the Sleuth was not yet repaired, they settled for a drive to the harbor. The Napoli was moored at the dock. Tony was touching up worn spots with varnish, while Chet Morton lolled on a thwart, practicing knots. Frank and Joe strolled out to chat with them.
Franklin W. Dixon (The Disappearing Floor (Hardy Boys, #19))
details like my fictitious birthdate and school name without hesitating (which was quite important when passing through customs and ship security). Despite the fact that there were dozens of busloads of people in the terminal, waiting to board the Emperor, it still wasn’t anywhere close to the number of people the ship could hold. “There are two types of cruises,” Alexander explained as we were waiting in our ninth line of the day. “Round-trip cruises, where everyone boards and disembarks at the exact same location and stays aboard for the same number of days—as opposed to one-way cruises, where the ships continue going in the same direction and people can board and disembark anywhere along the line. We’re on the one-way type. So there will be lots of people who’ve already been on board for a while, although they might be taking advantage of this stop to go ashore today.” He pointed through a grimy window. The Emperor was too big to dock directly at the terminal, so it was anchored out at sea. Dozens of small, festively painted shuttle boats were zipping back and forth between it and the terminal. Some were ferrying new passengers out to the ship, while others were bringing passengers who had gone ashore for the day back from excursions. There were also several larger, slower cargo boats piled high with crates marked with things like BEEF, CABBAGE, and PUDDING. Feeding the thousands of guests and crew required a staggering amount of food; each crate was so big, a forklift was needed to move it.
Stuart Gibbs (Spy School at Sea)
The last days of May are among the longest of the year, and in spite of the ferry-dock lights and the lights of the cars streaming into the belly of the boat, she could see some glow in the western sky and against it the black mound of an island.
Alice Munro (What is Remembered)
The motors of the Flying Express diminished to a low purr and the hull sank gradually until it hit the water, moving forward in the manner of an ordinary boat. Through the loudspeaker boomed the voice of the pilot: “Ladies and gentlemen, we are about to dock at Providence! Watch your step going ashore.” The Hardys and their friends filed onto the dock, and walked up into the quaint town with its gray-shingled houses. Souvenir shops and seafood restaurants lined the main street. Tourists milled around and mingled with the denizens of the Cape Cutlass artists’ colony—good-looking girls in slacks with wind-blown hair and suntanned men wearing beards and sandals.
Franklin W. Dixon (Mystery of the Flying Express (Hardy Boys, #20))
Fables and Fortune Hunters An American businessman took a vacation to a small coastal Mexican village on doctor’s orders. Unable to sleep after an urgent phone call from the office the first morning, he walked out to the pier to clear his head. A small boat with just one fisherman had docked, and inside the boat were several large yellowfin tuna. The American complimented the Mexican on the quality of his fish. “How long did it take you to catch them?” the American asked. “Only a little while,” the Mexican replied in surprisingly good English. “Why don’t you stay out longer and catch more fish?” the American then asked. “I have enough to support my family and give a few to friends,” the Mexican said as he unloaded them into a basket. “But … What do you do with the rest of your time?” The Mexican looked up and smiled. “I sleep late, fish a little, play with my children, take a siesta with my wife, Julia, and stroll into the village each evening, where I sip wine and play guitar with my amigos. I have a full and busy life, señor.” The American laughed and stood tall. “Sir, I’m a Harvard M.B.A. and can help you. You should spend more time fishing, and with the proceeds, buy a bigger boat. In no time, you could buy several boats with the increased haul. Eventually, you would have a fleet of fishing boats.” He continued, “Instead of selling your catch to a middleman, you would sell directly to the consumers, eventually opening your own cannery. You would control the product, processing, and distribution. You would need to leave this small coastal fishing village, of course, and move to Mexico City, then to Los Angeles, and eventually New York City, where you could run your expanding enterprise with proper management.” The Mexican fisherman asked, “But, señor, how long will all this take?” To which the American replied, “15–20 years. 25 tops.” “But what then, señor?” The American laughed and said, “That’s the best part. When the time is right, you would announce an IPO and sell your company stock to the public and become very rich. You would make millions.” “Millions, señor? Then what?” “Then you would retire and move to a small coastal fishing village, where you would sleep late, fish a little, play with your kids, take a siesta with your wife, and stroll to the village in the evenings where you could sip wine and play your guitar with your amigos …
Timothy Ferriss (The 4-Hour Workweek)
The boat moved from the dock so quickly that it seemed like it was controlled by his mind or his expression, like how somebody gets their horse to start going just by nodding at it, not that I really know about that because I dislike horses and have refused to know the truth about them and how they work.
Jenny Slate (Little Weirds)
At the boat dock a few passengers had already boarded the Sandpiper. But Clams Dagget was leaning against a bollard, smoking his corncob pipe, apparently in no hurry to shove off. He greeted the Hardys with a nod. “Hi, lads! How’s the detective business?” “Booming,” Frank replied with a smile. “Maybe you can help us. Ever hear of a place called Tigers’ Bight?” “Sure. Down south of the bay. I once lost an anchor there.” The Hardys became excited. “We couldn’t find it on the map,” Joe said.
Franklin W. Dixon (The Disappearing Floor (Hardy Boys, #19))
That's the thing about photographs. If you really look at them hard enough and long enough, your imagnation or your memory starts to animate them. You hear voices, traffic, dogs barking, a door slam. The world of that moment was moving. Other things were going on outside the frame of each individual picture. An instant earlier or later, and you'd be looking at a different picture. Things were happening when the photographer froze these moments. They're a part of something, right? A life, an experience, a place in time. If a song is like a little stretch of a river, a photograph is more like a boat tied off at a dock, but your imagination and your memory can untie the boat and put it back in the river, make it move. You can take it down the river or back up the river.
Brad Zellar (Till the Wheels Fall Off)
in the river of life, people came and went like boats. Full of steam and noise, they docked, and all would be blown by a wind that you couldn’t predict.
Weina Dai Randel (The Last Rose of Shanghai)
In Marseille you could walk down to the docks in the mornings. They had urchins, still alive. An offhand exchange, a few francs for this delicacy. The rocks are littered with debris, empty shells opened with a knife, rinsed by salt water, and sucked dry on the spot. Men taking lunch with bottles of their hard house wine, watching the boats move in and out. It's the ovaries---the coral ovaries. They are supposed to transfer a great power when you consume them. Absolutely voluptuous, the texture, absolutely permanent, the taste. It stays with you for the rest of your life." She went toward the door, pulling her hair back. She looked at me thoughtfully. "There are so many things to be blasé about your youth, your health, your employment. But real food---gifts from the ocean, no less---is not one of them. It's one of the only things that can immerse you safely in pleasure in this degraded, miserable place.
Stephanie Danler (Sweetbitter)
A stationary stone ship... A granite boat that doesn't pitch... that takes us nowhere... that never docks... Onboard this lighthouse, we'll never get ashore...
Christophe Chabouté (Alone)
So Lily and I are on the boat and she’s asking me a ton of questions and I’m trying to answer them as patiently as possible. ‘Dad,’ she said, ‘what if we don’t catch any fish?’ ‘Then there will be one more fish in the loch.’ ‘Dad, what if we lose an oar?’ ‘Then I’ll use the one we have left to get us back to the docks.’ ‘Dad, what if we lose both oars?’ ‘Then we’ll paddle back with our hands.’ ‘Dad, what if a boat came?’ ‘Then we’d get out of the way.’ ‘What if it was really close?’ ‘We’d get out of the way really fast.’ ‘Dad, what if you didn’t see the boat?’ And by now I’m losing my patience. ‘Lily,’ I said, ‘I thought you wanted to learn how to fish. Why all the boat questions?’ ‘Because, Dad, there’s a big boat behind you.’ I look over my shoulder and the Dunoon ferry is right there!” We all burst out laughing as Nate starts gesturing with his hands. “I start rowing like hell to get us out of the way and Lily’s just sitting there calm as you please.
Samantha Young
Yeah, I’m the fucking captain. And I should be docked, drunk and have my dick in somebody’s mouth right now. I deliver boats. I didn’t sign on for passengers, I don’t know their names or give a shit about them. I told big, blond and dangerous what happened. Get off my bridge. I don’t know what you want to know.
Adira August (Shadow Men (Hunt&Cam4Ever, #7))
Speed is measured as distance divided by time (miles per hour or meters per second). For the speed of light to remain constant, distance and time have to change. Let’s go back now to Galileo’s shipboard experiment, using a beam of light instead of a stone. On a boat that’s moving at a uniform speed across the water, shine a flashlight down the mast, and it will strike the deck at the base of the mast. The observer on the dock agrees with that. But from her vantage point on the dock, if she had a precision measuring tool, she would see the light travel a tiny extra distance, the distance the ship has moved in the time it took the light to reach the bottom of the mast. But the speed of light, which is measured in meters per second—again, distance divided by time—is a constant. So if the observer on the dock finds that light traveled an extra distance, the only way its speed can remain constant is if the light also took a longer time to travel. Time, therefore, is not immutable. The duration of time— measured as the ticks of a clock—is dif­ferent for observers who move at dif­ferent speeds. Each sees the other’s clock slow down. Even more strangely, distance is not absolute either; it appears to contract in the direction of motion.
Ron Cowen (Gravity’s Century: From Einstein’s Eclipse to Images of Black Holes)
Speed is measured as distance divided by time (miles per hour or meters per second). For the speed of light to remain constant, distance and time have to change. Let’s go back now to Galileo’s shipboard experiment, using a beam of light instead of a stone. On a boat that’s moving at a uniform speed across the water, shine a flashlight down the mast, and it will strike the deck at the base of the mast. The observer on the dock agrees with that. But from her vantage point on the dock, if she had a precision measuring tool, she would see the light travel a tiny extra distance, the distance the ship has moved in the time it took the light to reach the bottom of the mast. Brought to you by | University of Wisconsin Madison Libraries Authenticated Download Date | 5/11/19 3:47 PM 12 • GRAVITY’S CENTURY But the speed of light, which is measured in meters per second—again, distance divided by time—is a constant. So if the observer on the dock finds that light traveled an extra distance, the only way its speed can remain constant is if the light also took a longer time to travel. Time, therefore, is not immutable. The duration of time— measured as the ticks of a clock—is dif­ferent for observers who move at dif­ferent speeds. Each sees the other’s clock slow down. Even more strangely, distance is not absolute either; it appears to contract in the direction of motion.
Ron Cowen (Gravity’s Century: From Einstein’s Eclipse to Images of Black Holes)
It dawned on me that in the river of life, people came and went like boats. Full of steam and noise, they docked, and all would be blown by a wind that you couldn’t predict.
Weina Dai Randel (The Last Rose of Shanghai)
Nights, they barbecue on the strips of lawn between the cottages, usually pooling their resources, grill hamburgs and hot dogs. Or maybe during the day one of the guys walks over to the docks to see what’s fresh and that night they grill tuna or bluefish or boil some lobsters. Other nights they walk down to Dave’s Dock, sit at a table out on the big deck that overlooks Gilead, across the narrow bay. Dave’s doesn’t have a liquor license, so they bring their own bottles of wine and beer, and Danny loves sitting out there watching the fishing boats, the lobstermen, or the Block Island Ferry come in as he eats chowder and fish-and-chips and greasy clam cakes. It’s pretty and peaceful out there as the sun softens and the water glows in the dusk. Some nights they just walk home after dinner, gather in each other’s cottages for more cards and conversations; other times maybe they drive over to Mashanuck Point, where there’s a bar, the Spindrift. Sit and have a few drinks and listen to some local bar band, maybe dance a little, maybe not. But usually the whole gang ends up there and it’s always a lot of laughs until closing time.
Don Winslow (City on Fire (Danny Ryan, #1))
Mom was excited to get back to the island, watching as it appeared in the distance. Her anticipation turned to dread, and she gasped, her hands on her mouth, when she saw the dock they had worked so hard on before gone. “What happened?” she asked, breaking her silence for the first time. “I’m pretty sure this was Ortho's work. He seemed to really hate villagers and destroyed every village he came across,” Dad said with a frown. Mom’s face softened. “I’m glad he can't do that anymore. This is so sad.” They pulled up to the island, stretching as they stepped from their boats. “We should probably fix up a shelter,” Dad said. “We’ll need a place for when it gets dark. Then I think we should strategize for this ocean monument trip we have to make.” “Oooh!” Kate said. “We should have turtle shell helmets!” Mom gasped. “Kate! Why would you do that to the poor turtles?” Kate giggled. “No Mom, baby turtles drop scute when they grow into big turtles, then you can collect it and make turtle shell helmets. They’re cool because they let you breathe underwater a bit longer. Plus, you can enchant them with...um. I forgot the name. But there’s an enchantment that helps you breathe longer, too.” “And one for mining underwater,” Jack added. “Why would you need that?” Dad asked. “Can’t you just mine like normal?” Jack shook his head. “Have you ever tried to swing a pickaxe underwater?” Dad blinked. “Oh. Yeah, I guess that makes sense. Sorry to dredge that up.” He wiggled his eyebrows. Mom was about to give Dad ‘The Look’ but Kate beat her to it. “No Dad, Jack already did a bunch of jokes.” “What?” Dad looked offended. “I’m supposed to do the Dad jokes!” “You are,” Jack said. “That’s why I did Jack Jokes.” Dad snorted out a laugh. “Were they punny?” Jack grinned. “Definitely. They worked great for our new villager friends when they helped us on the farm. They were real ice-breakers.” Dad laughed extra loud. “That’s it, I’m done!” Kate said. “Come on Mom, let’s go get some turtle scute.” “I’m right there with you girl. Let’s go.” Dad waved. “We’ll make sure we have shelter, and we’ll give it a nice outfit.” Dad winked. Jack cocked his head. “What does a house wear?” Dad grinned. “Address!” Jack laughed, and the girls rolled their eyes. “We’ll make sure not to build a house like a penguin though. They just igloo them together.” Kate and Mom groaned and hurried off towards the turtles. “Don’t run in front of a car!” Jack yelled. “You might get tired!” “Run faster, Mom,” Kate yelled. Dad and Jack laughed at their fleeing forms. Chapter 18 By the time Mom and Kate came back from their turtle excursion, Dad and Jack had fixed up a house
Pixel Ate (The Accidental Minecraft Family: Book 27)
He saw that the sun was riding low in the sky. It would be sunset soon. He had planned to be at the Mallory docks, Key West’s sunset mecca, for the island’s signature moment, but he was juiced by the idea that he might know where Finbar McShane was. There would be another sunset tomorrow. If he was still here to see it. The parking lane was one-way. It took him on a swing under the causeway and then out at the entrance to another marina. He saw boat ramps and, beyond them, the houseboats grouped together on the water like a floating village. Most of them had smaller runabouts with outboards attached to back-door docks and decks. The houseboats were painted in pastels, two-story structures sitting on barges and lashed together to create a community. From Bosch’s angle of view he counted eight houses extending out into Garrison Bight. The second
Michael Connelly (Desert Star (Renée Ballard, #5; Harry Bosch, #24; Harry Bosch Universe, #37))
That was when my father went to the docks, that patient, good man I had so little respect for, though we were of the same flesh and blood and he had saved my life more than a dozen times when we traveled over continents, finding us bread and shelter. He was a mouse who feared the forest, yet he had managed to take us into France and on to Le Havre, where he worked shoveling coal in a mill until we could afford steerage on a boat to New York, the only dream we ever shared.
Alice Hoffman (The Museum of Extraordinary Things)