Dock Safety Quotes

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When I was six, Hitler, who had become rather a nuisance, launched a sustained attempt to destroy Liverpool, and though we lived several miles from the vulnerable docks target, our Childwall suburb became too close for comfort and safety.
Brian Epstein (A Cellarful of Noise: The man who made the Beatles)
Dinah said, “Ivy, you want to take this or should I?” “I’ll do it. You’re busy,” Ivy said. Dinah could hear her twisting around in the pilot’s seat to look at Julia. She spoke as follows: “Julia. Shut up. If you say another fucking word I’ll stave your fucking head in and put your corpse out the airlock. Nothing about this is acceptable. Starting with the fact that you are flapping your gums, posing a distraction to Dinah while she is carrying out a difficult mission-critical operation to protect the Cloud Ark. You just attempted to countermand a direct order from Markus, who is in charge of everything here under the PSAPS clause of the Cloud Ark Constitution. You are up here illegally. The Crater Lake Accord specifically barred the sending of national leaders to the Cloud Ark. You have violated that commitment and found a way to be launched up here anyhow, and judging from the looks of it there was no end of dirty dealing along the way. Your vehicle approached the Cloud Ark in a manner incompatible with our safety and security procedures, endangering the lives of everyone up here, and forcing arklets and Izzy itself to expend priceless and irreplaceable fuel to perform evasive maneuvers. We were sent here on an emergency basis, placing ourselves in harm’s way and expending more scarce resources to clean up the mess that you created by your cowardly and dishonorable act. For all of these reasons I am commanding you, by my authority as the commander of this vessel, to remain silent until we have docked safely at Izzy.
Neal Stephenson (Seveneves)
She looks across the line and sees the nine waitresses in their bathing suits, in the clear blazing sunlight, laughing on the dock, herself among them; and off in the shadowy rustling bushes of the shoreline, sex lurking dangerously. It had been dangerous, then. It had been sin. Forbidden, secret, sullying. Sick with desire. Three dots had expressed it perfectly, because there had been no ordinary words for it. On the other hand there had been marriage, which meant wifely checked aprons, playpens, a sugary safety. But nothing has turned out that way. Sex has been domesticated, stripped of the promised mystery, added to the category of the merely expected. It's just what is done, mundane as hockey. It's celibacy these days that would raise eyebrows.
Margaret Atwood (Wilderness Tips)
A man approached me and asked if he could sit next to me on the dock. I shrugged my shoulders. Apparently, he had been at the bar the night before and was concerned by what he had witnessed. More importantly, this complete stranger took the time to say something. He remarked that I seemed lost. I simply nodded as the tears began to pour down my checks. It was the first time I had cried in many years. He spoke about how our lives are like the boats we could see on the water. That we all need to orient toward a point on the horizon or we will hopelessly drift. He suggested that it was time for me to realize that I was here for a purpose. I listened and felt a tender release of my pain. He continued to speak about finding a balance between risk and safety. Too much risk sets us back. Too much safety and we can’t progress forward. It is remarkable how one courageous conversation can save a life. I never found out who this man by the ocean was and never saw him again. However, he helped me to discover an inner compass that would eventually help me come back to my true north. With time, therapy helped me gain traction and create more stability. Although my path forward wasn’t completely straight and narrow, I slowly began to emerge with greater confidence and hope.
Arielle Schwartz (The Post-Traumatic Growth Guidebook: Practical Mind-Body Tools to Heal Trauma, Foster Resilience and Awaken Your Potential)
For the bus ride, which Delaney estimated would be ninety minutes, she had prepared a mix of happy journeying music, which she activated as they pulled out of the campus gate. The first song was by Otis Redding, and the first message came via her phone. Woman-hater, it said, with a link to an unsigned and evidence-less post hinting that he had been unkind to an ex-girlfriend who he’d met shortly before the bay and the dock and the sitting. Thanks for the early-morning pick-me-up! the writer said, meaning that Delaney had ruined the day and tacitly endorsed Redding’s newly alleged misogyny. Delaney skipped to the next song, Lana Del Rey’s “High by the Beach,” and then quickly figured it was too big a risk so skipped ahead. The third song, the Muppets’ “Movin’ Right Along,” was unknown to most on the bus, and survived its three-minute length, during which a handful of passengers furiously tried to find a reason the song was complicit in evil committed or implied. Delaney skipped the next song, by Neil Diamond, thinking any Jewish singer dubious in light of the Israeli sandwich debacle, skipped songs six and seven (from Thriller), briefly considered the Ronettes’ “Be My Baby” but then remembered Phil Spector, and so finally settled on a young Ghanian rapper she’d recently discovered. His first song was hunted down quickly in a hail of rhetorical buckshot—as a teen, the rapper had zinged a borderline joke about his female trigonometry teacher—so Delaney turned off the shared music, leaving everyone, for the next eighty-one minutes, to their earbuds and the safety of their individualized solitude.
Dave Eggers (The Every)
Your problem is that you do believe in all of that nonsense. And that’s why you’re scared.” “I’m not scared,” she insisted, but even she wasn’t convinced by the thin protestation. “Yes, you are, or you wouldn’t be asking all these questions. You’re stalling.” Falco bent down and started untying the gondola’s rigging. His hands worked through the ropes easily, as if this were a trick he’d performed many times before. “Hop aboard before I let it go completely loose.” Cass swore she saw him wink at her through the gloom. “My aunt will positively murder me if she finds out I took her gondola without asking.” In the middle of the night. With a strange boy. “Oh, don’t get your laces all in a knot. We’re just going to borrow it. We can have it back before your precious auntie realizes it’s missing.” Cass stood by the dock, staring at the sleek gondola. The early morning was cool, but the blood racing through her veins kept her warm. As long as Falco was certain they could return before anyone found out… Falco knelt in the middle of the boat, one hand held out in Cass’s direction, the other poised to release the gondola from the dock with a quick tug of the rope. “I understand if you don’t want to come. So many rules to break.” Falco’s voice still had that lilting quality to it, but his eyes were serious. “It is safer in the cage, isn’t it?” It was safer. If her parents had stayed in Venice instead of plunging themselves into plague-afflicted foreign cities, they might still be alive. They had wandered outside the little circle of safety and expectations, and had paid the ultimate price. But Cass didn’t want to stay in the circle. She wanted to live. Besides, if there really was a murderer out there, and he had his eye on Cass, what was the point in sitting around waiting for him to come to her?
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
Montreal November 1704 Temperature 34 degrees Tannhahorens did not look at Mercy. The tip of his knife advanced and the Frenchman backed away from it. He was a very strong man, possibly stronger than Tannhahorens. But behind Tannhahorens were twenty heavily armed braves. The Frenchman kept backing and Tannhahorens kept pressing. No sailor dared move a muscle, not outnumbered as they were. The Sauk let out a hideous wailing war cry. Mercy shuddered with the memory of other war cries. Even more terrified, all the French took another step back--and three of them fell into the St. Lawrence River. The Sauk burst into wild laughter. The voyageurs hooted and booed. The sailors threw ropes to their floundering comrades, because only Indians knew how to swim. Tannhahorens took Mercy’s hand and led her to one of the pirogues, and the Sauk paddled close, hanging on to the edge of the dock so that Mercy could climb in. Mercy could not look at the Sauk. She had shamed Tannhahorens in front of them. Mercy climbed in and Tannhahorens stepped in after her, and the men paddled slowly upstream to Tannhahorens’s canoe. The other pirogue stayed at the wharf, where those Sauk continued to stand, their weapons shining. Eventually the French began to load the ship again. “Daughter,” said Tannhahorens, “the sailors are not good men.” She nodded. He bent until he could look directly into her eyes, something Indians did not care for as a rule. “Daughter.” She flushed scarlet. On her white cheeks, guilt would always be revealed. “The cross protects,” said Tannhahorens. “Or so the French fathers claim. Perhaps it does. But better protection is to stay out of danger.” Did Tannhahorens think she had gotten lost? Did he believe that she had ended up on the wharf by accident? That she was waving the cross around for protection? Or was he, in the way of Indians, allowing that to be the circumstance because it was easier? When he had thanked the Sauk sufficiently and they had agreed to tell Otter that Mercy had gone home with her father, Tannhahorens paddled back to Kahnawake. His long strong arms bent into the current. Her family had not trusted her after all. Tannhahorens must have been following her. Or, in the way of a real father, he had not trusted Montreal. Either way, she was defeated. There was no escape. If there is no escape, and if there is also no ransom, what is there for me? thought Mercy. I don’t want to be alone. A single star in a black and terrible night. How can I endure the name Alone Star? “Why do you call me Munnonock?” she asked. She wanted desperately to go home and end this ugly day. Home. It was still a word of warmth and comfort. Still a word of safety and love. The homes she had known misted and blended and she did not really know if it was Nistenha in the longhouse or Stepmama in Deerfield or her mother in heaven whose home she wanted. “You are brave, daughter,” said Tannhahorens without looking at her, without breaking his rhythm, “and can stand alone. You shine with courage, and so shone every night of your march. You are our hope for sons and daughters to come. On you much depends.
Caroline B. Cooney (The Ransom of Mercy Carter)
She’d had many lovers before Michael, and felt pretty good and liberated about the whole thing. But she’d also felt anxious and slightly crazy and out of control, and the safety and warmth of her relationship with Michael had felt like a safe harbor, not a dry dock.
Abbi Waxman (Other People's Houses)