Doc Martens Quotes

We've searched our database for all the quotes and captions related to Doc Martens. Here they are! All 32 of them:

After all, one does not scream at lesbians in Doc Martens unless one wants to receive a penis kicking.
T.J. Klune (Tell Me It's Real (At First Sight, #1))
Aunt Fiona stomped out in her heavy black Doc Martens boots (clichéd) and opened my door. “Back seat,” she said. “Front seat’s for people who haven’t been kidnapped by fucking numpties.
Rainbow Rowell (Carry On (Simon Snow, #1))
Kevlar wrist cuffs in place, smoke bombs in left cargo pocket, zip ties in the right, and my handy-dandy, military-grade, metal detector-defying, twin APS daggers snug in their sheaths and hidden inside my steel-toe Doc Martens. Nothing like a well-stocked pair of black cargoes to make me feel girly.
Tera Lynn Childs (Sweet Venom (Medusa Girls, #1))
Madeline began hearing people saying "Derrida". She heard them saying "Lyotard" and "Foucault" and "Deleuze" and "Baudrillard". That most of these people were those she instinctually disapproved of- upper-middle-class kids who wore Doc Martens and anarchist symbols- made Madeline dubious about the value of their enthusiasm.
Jeffrey Eugenides (The Marriage Plot)
Her only worry sometimes was that she didn’t look different enough, that people mistook her for part of a crowd. She’d see a girl in patterned Doc Martens or with a dyed red pixie cut and wish she had the balls.
Mark Haddon (The Red House)
Salander was dressed for the day in a black T-shirt with a picture on it of E.T. with fangs, and the words I AM ALSO AN ALIEN. She had on a black skirt that was frayed at the hem, a worn-out black, mid-length leather jacket, rivet belt, heavy Doc Marten boots, and horizontally striped, green-and-red knee socks. She had put on make-up in a colour scheme that indicated she might be colourblind. In other words, she was exceptionally decked out.
Stieg Larsson (The Girl with the Dragon Tattoo Trilogy)
What’s the matter? Afraid to come over here and fight a girl?” “You are no girl,” one of the soldiers yells. “Now that is downright insulting.” I squat down and pull daggers from my Doc Martens. “Looks like I’ll have to defend my honor.
Tera Lynn Childs (Sweet Legacy (Medusa Girls, #3))
You wore Doc Martens and purple hair. I wore my insecurity on a button-up. it wasn't meant to be. But then the unthinkable happened. I made you laugh. I can't remember the exact joke, which is surprising given my tendency to endlessly quote myself, but I know we were in English Class and I know it had something to do with Voltaire.
Allison Raskin (I Hate Everyone But You (I Hate Everyone But You, #1))
When I come home from school, I take my Doc Martens off and put on fake satin mules with the marabou trim, slip into my dressing gown and my movie, and I feel serene. I hold a glass of Coke to my cheek and pretend it is a glass of bourbon and I am in New Orleans. My bedroom door is the doorway onto the street and at night I can't sleep because of the heat and the commotion in this town. So I go down to the river and dance as a man with scars on his face plays an accordion. People clap along and wolf-whistle and I whip my skirt around my thighs, which are long and lean because I barely get a chance to eat, what with all my bourbon and afternoon baths. I dance until my mules get muddy, then I tiptoe home, followed by sailors and men who have hundreds and thousands of dollars playing stud poker. Steve McQueen might be there. I can't remember. I get confused at this point. Too much drink. I'm sure Karl Malden is lurking in the background, gazing at me longingly. I am kind to him because his mother is dying.
Emma Forrest (Namedropper)
Jax wears angst like an accessory. Black tends to be his aesthetic unless he needs to wear McCoy’s white branding. His daily wardrobe includes Doc Martens, T-shirts, and ripped jeans. He rocks jackets with slogans and decorates his tattooed fingers with rings. To put it lightly, he’s bad to the last British bone in his body. No matter how attractive he is, his guarded hazel eyes scream to stay the hell out of his way. Not to mention his attitude toward me is about as friendly as walking down a dark alley at midnight.
Lauren Asher (Wrecked (Dirty Air, #3))
In one corner of the square is a manger scene with two live sheep, a bed of hay, a couple of cows. The baby Jesus is a brown-faced doll lying in his crib, but Mary and Joseph are real and dressed in period garb. Joseph hoists a staff, Mary sports her virginal blue robes. As I walked by the other day, Joseph balanced on the crib, light bulb in hand, reaching toward an electrical socket. Mary, I guess, was taking a break. She sat on the edge of the crib. Her blue robes were hiked high enough to reveal Doc Marten boots beneath. She sipped a can of Coke and smoked.
Laura Kelly (Dispatches from the Republic of Otherness)
In the 1960s, it took months before someone figured out they could sell tie-dyed shirts and bell bottoms to anyone who wanted to rebel. In the 1990s, it took weeks to start selling flannel shirts and Doc Martens to people in the Deep South. Now people are hired by corporations to go to bars and clubs and observe what the counterculture is into and have it on the shelves in the mall stores right as it becomes popular. The counterculture, the indie fans, and the underground stars—they are the driving force behind capitalism. They are the engine. This brings us to the point: Competition among consumers is the turbine of capitalism.
David McRaney (You Are Not So Smart: Why You Have Too Many Friends on Facebook, Why Your Memory Is Mostly Fiction, and 46 Other Ways You're Deluding Yourself)
...[W]hen's it all going to f***ing stop? I’m going to jump from rock to rock for the rest of my life until there aren’t any rocks left? I’m going to run each time I get itchy feet? Because I get them about once a quarter, along with the utilities bills. More than that, even… I’ve been thinking with my guts since I was fourteen years old, and frankly speaking, between you and me, I have come to the conclusion that my guts have s*** for brains. I know what's wrong with Laura. What's wrong with Laura is that I'll never see her for the first or second or third time again. I'll never spend two or three days in a sweat trying to remember what she looks like, never again will I get to a pub half an hour early to meet her staring at the same article in a magazine and looking at my watch every thirty seconds, never again will thinking about her set something off in me like "Let's Get it On" sets something off in me. And sure, I love her and like her and have good conversations, nice sex and intense rows with her, and she looks after me and worries about me and arranges the Groucho for me, but what does all that count for, when someone with bare arms, a nice smile, and a pair of Doc Martens comes into the shop and says she wants to interview me? Nothing, that's what, but maybe it should count for a bit more.
Nick Hornby (High Fidelity)
I want to show you a body. They are sitting on a rock that is covered in moss. The body is holding a knife and wearing Doc Martens with flowers on the sides and they are whittling something out of dead wood. They are whittling a 3d model of a pulsating blob GIF out of dead wood. It has too many dimensions, and so they are struggling to get it right. As the knife separates the layers of woodskin they are softly chanting the word “caress,” because this is the future, and the word has become a war cry, or a weapon. The knife slips and cuts a minuscule chip out of the brown wood and of their brown thumb. They are smiling and they are bleeding all over it. There is a body and they are sitting on a rock. Let them narrate this story for you, this story of the future.
Linda Stupart (Virus)
Catty and Vanessa were vamping it up on the corner of Fairfax and Beverly, in bell-bottoms with exaggerated lacy bells that they must have pulled from Catty's mother's closet. Vanessa gave them the peace sign. "Feeling' groovy." She winked. She had gorgeous skin, movie-star blue eyes, and flawless blond hair. She was wearing a headband and blue-tinted glasses. Catty was forever getting Vanessa into trouble, but they remained best friends. "Love and peace," Catty greeted them. Catty was stylish in an artsy sort of way. Right now, she wore a hand-knit cap with pom-pom ties that hung down to her waist, and her puddle-jumping Doc Martens were so wrong with the bell-bottoms that they looked totally right. Her curly brown hair poked from beneath the fuchsia cap and her brown eyes were framed by granny glasses, probably another steal from her mother. "You like our retro look?" Vanessa giggled at all the cars honking at them.
Lynne Ewing (Into the Cold Fire (Daughters of the Moon, #2))
It seems that being a woman is very expensive and time-consuming. My innocence about this is incongruous, given my age, but total. I come from grunge, and then Britpop--scenes where you boast about how little you spend on an outfit ("Three quid! From a jumble sale!" "Ooooh, pricey--I found this jacket in a Dumpster. On a dead man. Under a fox carcass"), and taking pride in "getting ready to go out" consists of little more than washing your face, putting on your Doc Martens/snaeakers, and applying black Barry M nail polish, £1, on the bus into town.
Caitlin Moran (How to Be a Woman)
Ruby stared down at the Doc Martens she’d started wearing after someone had dropped a prop marble bust on her left foot during a junior-year production of The Play That Goes Wrong and broken two of her toes.
Jennifer Weiner (The Summer Place)
A school in the East Midlands, new term 1981-82. A new boy enters the class and is introduced by the teacher. He has spiky hair and wears a T-shirt, Doc Martens and tight denims with tiny turn-ups. He is instructed to sit [in] the nearest empty seat. The boy beside him has a flat-top and wears a tartan shirt, crepe shoes and loose denims with big turn-ups. As the latest addition to the class takes his seat he mutters to his new neighbour “Rockabilly bastard!” “Fucking Punk” replies his schoolmate, and they glare at each other menacingly. One year later they are wrecking wildly together at a Meteors gig – best of mates.
Craig Brackenridge (Hells Bent On Rockin': A History of Psychobilly)
I dress in my plaid green skirt, my black thigh-high tights beneath, and my white button-up shirt with the Covenant Academy crest across my breast. I slip into my black Mary Jane Doc Martens and grab my backpack.
Jescie Hall (That Sik Luv)
Ripped jeans, Doc Martens, a newsboy hat.
Mary Kubica (Local Woman Missing)
I slip into my black Mary Jane Doc Martens and grab my backpack.
Jescie Hall (That Sik Luv)
With shiny Doc Marten boots, black bondage pants, an Anti-Pasti T-shirt, and a shaved head, she was a terrifying yet glorious vision of rebellion. Long gone were the tennis shorts and sneakers from last summer; Tracey had transformed into something I had seen only on prime-time TV shows like CHiPs or Quincy.
Dave Grohl (The Storyteller: Tales of Life and Music—A Memoir of Dreams, Music and Legendary Collaborations)
Usually we define ourselves by loving things, Doc Martens or Shakespeare or music or whatever. But if the things we love are other people, those people define us. And then they’re part of you, and they change what you know about yourself.
Leah Thomas (Wild and Crooked)
A lot of bands did take themselves too seriously back then… anarchist ones usually. It was some quest to them, fighting the system by not drinking bitter ’cos it contained fish! And not wearing leather jackets… they didn’t seem to notice that their Doc Martens were made of leather too.
Ian Glasper (Burning Britain: The History of UK Punk 1980-1984)
The Ten Commandments of Punk Thou shalt know everything by the time thou art seventeen, with a great and sure certainty. Thou shalt proclaim the year zero and not honor the past because the new alone shall count. Thou shalt wear a garb of torn leather jacket and trousers, with accessories bearing a hint of S&M, with thy feet shod by Doc Martens. Thy T-shirt, like thy lyrics, will bear a slogan to offend. Thou shalt be bored, angry, pretty vacant, or at least faintly pissed off. Thou shalt have no more heroes, nor accept anyone in authority. Thou shalt bear an adjective for a surname like Rotten or Vicious. Thou shalt connect with thy audience so that they may invade thy stage or receive thy spit in their eye. Let them mosh. Thou shalt speak the truth in a fake cockney accent, even if thou art Irish or went to a minor English public school. Thou shalt not grow old lest thy come to realize the biggest authority thy will need to defeat is thine own self.
Bono (Surrender: 40 Songs, One Story)
He had traded in the band shirts and Doc Martens for button-downs and casual oxfords long ago, but never fully outgrown the sexy, sullen pull of despondent musing. He'd simply disguised it as a career.
Ania Ahlborn (Within These Walls)
Rose and I have flipped six houses together. She’s a sturdy, busty black-haired millennial who wears her hair very short. Her uniform is T-shirts with ironic sayings, jeans, and vintage Doc Martens. Her boyfriend wears a man bun in his curly hair and a thick beard that obscures what I am not sure is a particularly interesting face, but he’s good to her, and that’s really the only thing that matters
Barbara O'Neal (When We Believed in Mermaids)
The farm is saved, hurrah!” Jade said without enthusiasm. She looked me over, pursing her lips at my sallow complexion and gimpy leg. Her expression made me thankful I wasn’t an injured horse. They scowled at my shaggy hair and thickening beard; nor were they pleased by my leather jacket, slacks, and scuffed Doc Martens. Tinhorn, city slicker, ne’er-do-well, is what my Big & Tall duds said about me. How much did they know of my background? No telling what lies Mr. Apollo had fed them, no telling what manner of bargain he’d struck.
Laird Barron (Blood Standard (Isaiah Coleridge, #1))
Yes, as unlikely as that sounds, there are indeed black skinheads. There’s no other name for a baldheaded, shit-kicking, black punk in a white T-shirt, suspenders, rolled-up jeans, and ten-hole oxblood Doc Martens. We used to call them ska skins because large groups of them would turn up for ska shows. Ska, for the uninitiated, was born in Jamaica as a fusion of calypso and jazz, a precursor to reggae.
Mitty Walters (Breaking Gravity)
I know what's wrong with Laura. What's wrong with Laura is that I'll never see her for the first or second or third time again. I'll never spend two or three days in a sweat trying to remember what she looks like, never again will I get to a pub half an hour early to meet her, staring at the same article in a magazine and looking at my watch every thirty seconds, never again will thinking about her set something off in me like 'Let's Get It On' sets something off in me. And sure, I love her and like her and have good conversations, nice sex and intense rows with her, and she looks after me and worries about me and arranges the Groucho for me, but what does all that count for, when someone with bare arms, a nice smile, and a pair of Doc Martens comes into the shop and says she wants to interview me? Nothing, that's what, but maybe it should count for a bit more.
Nick Hornby
This is why women should always wear Doc Martens. You never know when you’re going to have to defeat the Jaws of Death or kick a man in the nuts.
Lucie Britsch (Sad Janet: A Novel)
There're always more truths than one. Knowing who I am, or thinking I might know? That's only half a truth. Because my identity will always be halfway informed by the world. It has to be informed by something. Usually we define ourselves by loving things, Doc Martens or Shakespeare or music or whatever. But if the things we love are other people, those people define us. And then they're a part of you, and they change what you know about yourself.
Leah Thomas (Wild and Crooked)