Don T Insist Quotes

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You look lousy,' he said. Jace blinked. 'Seems an odd time to start an insult contest, but if you insist, I could probably think up something good.' 'No I mean it. You don't look good.' 'This is from a guy ho has all the sex appeal of a penguin. Look, I realize you may be jealous that the good Lord didn't deal you the same chiseled hand he dealt me, but that's no reason to-' 'I am not trying to insult you.' Simon snapped.
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
Push yourself. Don’t settle. Wear those stripy legs with pride. And if you insist on settling down with some ridiculous bloke, make sure some of this is squirreled away somewhere. Knowing you still have possibilities is a luxury. Knowing I might have given them to you has alleviated something for me.
Jojo Moyes (Me Before You (Me Before You, #1))
I'm not falling for Warner," I say quietly. "Sure you aren't." "I'm not," I insist. "I'm just-- I don't know." I sigh. "I don't know what's happening to me." "They're called hormones.
Tahereh Mafi (Ignite Me (Shatter Me, #3))
I don't want your prayers, he said. What do you want, then? The old answers came easily to mind. Money. Vengeance. Jordie's voice in my head silenced forever. But a different reply roared to life inside him, loud, insistent, and unwelcome. You, Inej. You.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
I don't think," he insisted. "I feel.
Patti Smith (Just Kids)
The details are the life of it, I insist, say everything on your mind, don’t hold back, don’t analyze or anything as you go along, say it out.
Jack Kerouac (The Subterraneans)
In a word, live together in the forgiveness of your sins, for without it no human fellowship, least of all a marriage, can survive. Don’t insist on your rights, don’t blame each other, don’t judge or condemn each other, don’t find fault with each other, but accept each other as you are, and forgive each other every day from the bottom of your hearts…
Dietrich Bonhoeffer (Letters and Papers from Prison)
freedom isn't free. It shouldn't be a bragging point that "Oh, I don't get involved in politics," as if that makes you somehow cleaner. No, that makes you derelict of duty in a republic. Liars and panderers in government would have a much harder time of it if so many people didn't insist on their right to remain ignorant and blindly agreeable.
Bill Maher (When You Ride Alone You Ride With Bin Laden: What the Government Should Be Telling Us to Help Fight the War on Terrorism)
I don't understand why people insist on pitting concepts of evolution and creation against each other. Why can't they see that spiritualism and science are one? That bodies evolve and souls evolve and the universe is a fluid package that marries them both in a wonderful package called a human being. What's wrong with that idea?
Garth Stein (The Art of Racing in the Rain)
Responsibility to yourself means refusing to let others do your thinking, talking, and naming for you...it means that you do not treat your body as a commodity with which to purchase superficial intimacy or economic security; for our bodies to be treated as objects, our minds are in mortal danger. It means insisting that those to whom you give your friendship and love are able to respect your mind. It means being able to say, with Charlotte Bronte's Jane Eyre: "I have an inward treasure born with me, which can keep me alive if all the extraneous delights should be withheld or offered only at a price I cannot afford to give. Responsibility to yourself means that you don't fall for shallow and easy solutions--predigested books and ideas...marrying early as an escape from real decisions, getting pregnant as an evasion of already existing problems. It means that you refuse to sell your talents and aspirations short...and this, in turn, means resisting the forces in society which say that women should be nice, play safe, have low professional expectations, drown in love and forget about work, live through others, and stay in the places assigned to us. It means that we insist on a life of meaningful work, insist that work be as meaningful as love and friendship in our lives. It means, therefore, the courage to be "different"...The difference between a life lived actively, and a life of passive drifting and dispersal of energies, is an immense difference. Once we begin to feel committed to our lives, responsible to ourselves, we can never again be satisfied with the old, passive way.
Adrienne Rich
I don’t understand why the world insists on stuffing kids into boxes we never asked for, and then gets mad when we won’t stay there.
Karen M. McManus (One of Us Is Next (One of Us Is Lying, #2))
And your doubt can become a good quality if you train it. It must become knowing, it must become criticism. Ask it, whenever it wants to spoil something for you, why something is ugly, demand proofs from it, test it, and you will find it perhaps bewildered and embarrased, perhaps also protesting. But don't give in, insist on arguments, and act in this way, attentive and persistent, every single time, and the day will come when, instead of being a destroyer, it will become one of your best workers--perhaps the most intelligent of all the ones that are building your life.
Rainer Maria Rilke (Letters to a Young Poet)
Why not? It's true. My best hope is to not disgrace myself and..." He hesitates. And what?" I say. I don't know how to say it exactly. Only... I want to die as myself. Does that make any sense?" he asks. I shake my head. How could he die as anyone but himself? "I don't want them to change me in there. Turn me into some kind of monster that I'm not." I bite my lip feeling inferior. While I've been ruminating on the availability of trees, Peeta has been struggling with how to maintain his identity. His purity of self. "Do you mean you won't kill anyone?" I ask. No, when the time comes, I'm sure I'll kill just like everybody else. I can't go down without a fight. Only I keep wishing I could think of a way to... to show the Capitol they don't own me. That I'm more than just a piece in their Games," says Peeta. But you're not," I say. "None of us are. That's how the Games work." Okay, but within that frame work, there's still you, there's still me," he insists. "Don't you see?" A little, Only... no offense, but who cares, Peeta?" I say. I do. I mean what else am I allowed to care about at this point?" he asks angrily. He's locked those blue eyes on mine now, demanding an answer.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Are you free to be anything more than a friend to me? If," and she stressed the if heavily, "I ever decided to live in Avalon and wanted to be with you, would you be free enough to do that?" He looked away, and Laurel could tell he'd been avoiding a conversation like this. "Well?" she insisted. "If you wanted it," he finally said. "If I wanted it?" He nodded. "I'm not allowed to ask. You would have to ask me." Her breath caught in her chest, and Tamani looked at her. "Why do you think David bothers me so much?" Laurel looked down at her lap. "I can't just storm in and proclaim my intentions. I can't 'steal' you away. I just have to wait and hope that, someday, you'll ask." "And if I don't?" Laurel said, her voice barley above a whisper. "Then I guess I'll wait forever.
Aprilynne Pike (Spells (Wings, #2))
I just wanted to thank you' he says, his voice low. 'A group of scientists told you that my genes were damaged, that there was something wrong with me - they showed you the test results that proved it. And even I started to believe it.' He touches my face, his thumb skimming my cheekbone, and his eyes are on mine, intense and insistent. 'You never believed it,' he says 'Not for a second. You always insisted I was... I don't know, whole.
Veronica Roth (Allegiant (Divergent, #3))
Don't do it, Eleanor told the little girl; insist on your cup of stars; once they have trapped you into being like everyone else you will never see your cup of stars again; don't do it; and the little girl glanced at her, and smiled a little subtle, dimpling, wholly comprehending smile, and shook her head stubbornly at the glass. Brave girl, Eleanor thought; wise, brave girl.
Shirley Jackson (The Haunting of Hill House)
I bet this is a brothel," she whispered to Gendry. "You don't even know what a brothel is." "I do so," she insisted. "It's like an inn, with girls.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
My dad says people who insist that youtrust them usually don't deserve it.
Brandon Mull (The Candy Shop War (The Candy Shop War, #1))
Writers imagine that they cull stories from the world. I'm beginning to believe that vanity makes them think so. That it's actually the other way around. Stories cull writers from the world. Stories reveal themselves to us. The public narrative, the private narrative - they colonize us. They commission us. They insist on being told. Fiction and nonfiction are only different techniques of story telling. For reasons that I don't fully understand, fiction dances out of me, and nonfiction is wrenched out by the aching, broken world I wake up to every morning.
Arundhati Roy (The God of Small Things)
She handed him a glass of water and two Aleve gelcaps. “They’re anti-inflammatories. They will dull the pain a little bit and keep down swelling and redness. Swallow the pills, don’t chew.” “Well, I thought I’d stick them into my nose and impersonate a walrus, but if you insist, I’ll swallow them.
Ilona Andrews (On the Edge (The Edge, #1))
I like women who haven’t lived with too many men. I don’t expect virginity but I simply prefer women who haven’t been rubbed raw by experience. There is a quality about women who choose men sparingly; it appears in their walk in their eyes in their laughter and in their gentle hearts. Women who have had too many men seem to choose the next one out of revenge rather than with feeling. When you play the field selfishly everything works against you: one can’t insist on love or demand affection. You’re finally left with whatever you have been willing to give which often is: nothing.
Charles Bukowski
Don't do it, Eleanor told the little girl; insist on your cup of stars; once they have trapped you into being like everyone else you will never see your cup of stars again
Shirley Jackson (The Haunting of Hill House)
I keep remembering one of my Guru's teachings about happiness. She says that people universally tend to think that happiness is a stroke of luck, something that will maybe descend upon you like fine weather if you're fortunate enough. But that's not how happiness works. Happiness is the consequence of personal effort. You fight for it, strive for it, insist upon it, and sometimes even travel around the world looking for it. You have to participate relentlessly in the manifestations of your own blessings. And once you have achieved a state of happiness, you must never become lax about maintaining it, you must make a mighty effort to keep swimming upward into that happiness forever, to stay afloat on top of it. If you don't you will eat away your innate contentment. It's easy enough to pray when you're in distress but continuing to pray even when your crisis has passed is like a sealing process, helping your soul hold tight to its good attainments.
Elizabeth Gilbert (Eat, Pray, Love)
It was the time of year, the time of day, for a small insistent sadness to pass into the texture of things. Dusk, silence, iron chill. Something lonely in the bone.
Don DeLillo (White Noise)
But he does insist on a conversation. Goddamn it! Why can't people just do what I want them to do and be gone? It's a worldwide conspiracy to make me be polite when I don't want to be.
Elizabeth Wurtzel
Eleanor looked up, surprised; the little girl was sliding back in her chair, sullenly refusing her milk, while her father frowned and her brother giggled and her mother said calmly, 'She wants her cup of stars.' Indeed yes, Eleanor thought; indeed, so do I; a cup of stars, of course. 'Her little cup,' the mother was explaining, smiling apologetically at the waitress, who was thunderstruck at the thought that the mill's good country milk was not rich enough for the little girl. 'It has stars in the bottom, and she always drinks her milk from it at home. She calls it her cup of stars because she can see the stars while she drinks her milk.' The waitress nodded, unconvinced, and the mother told the little girl, 'You'll have your milk from your cup of stars tonight when we get home. But just for now, just to be a very good little girl, will you take a little milk from this glass?' Don't do it, Eleanor told the little girl; insist on your cup of stars; once they have trapped you into being like everyone else you will never see your cup of stars again; don't do it; and the little girl glanced at her, and smiled a little subtle, dimpling, wholly comprehending smile, and shook her head stubbornly at the glass. Brave girl, Eleanor thought; wise, brave girl.
Shirley Jackson (The Haunting of Hill House)
About once or twice every month I engage in public debates with those whose pressing need it is to woo and to win the approval of supernatural beings. Very often, when I give my view that there is no supernatural dimension, and certainly not one that is only or especially available to the faithful, and that the natural world is wonderful enough—and even miraculous enough if you insist—I attract pitying looks and anxious questions. How, in that case, I am asked, do I find meaning and purpose in life? How does a mere and gross materialist, with no expectation of a life to come, decide what, if anything, is worth caring about? Depending on my mood, I sometimes but not always refrain from pointing out what a breathtakingly insulting and patronizing question this is. (It is on a par with the equally subtle inquiry: Since you don't believe in our god, what stops you from stealing and lying and raping and killing to your heart's content?) Just as the answer to the latter question is: self-respect and the desire for the respect of others—while in the meantime it is precisely those who think they have divine permission who are truly capable of any atrocity—so the answer to the first question falls into two parts. A life that partakes even a little of friendship, love, irony, humor, parenthood, literature, and music, and the chance to take part in battles for the liberation of others cannot be called 'meaningless' except if the person living it is also an existentialist and elects to call it so. It could be that all existence is a pointless joke, but it is not in fact possible to live one's everyday life as if this were so. Whereas if one sought to define meaninglessness and futility, the idea that a human life should be expended in the guilty, fearful, self-obsessed propitiation of supernatural nonentities… but there, there. Enough.
Christopher Hitchens (Hitch 22: A Memoir)
I do not insist," answered Don Quixote, "that this is a full adventure, but it is the beginning of one, for this is the way adventures begin.
Miguel de Cervantes Saavedra
If you lack the iron and the fuzz to take control of your own life, if you insist on leaving your fate to the gods, then the gods will repay your weakness by having a grin or two at your expense. Should you fail to pilot your own ship, don't be surprised at what inappropriate port you find yourself docked. The dull and prosaic will be granted adventures that will dice their central nervous systems like an onion, romantic dreamers will end up in the rope yard. You may protest that it is too much to ask of an uneducated fifteen-year-old girl that she defy her family, her society, her weighty cultural and religious heritage in order to pursue a dream that she doesn't really understand. Of course it is asking too much. The price of self-destiny is never cheap, and in certain situations it is unthinkable. But to achieve the marvelous, it is precisely the unthinkable that must be thought.
Tom Robbins (Jitterbug Perfume)
I’m not a kid!” she told Shane hotly. “I’m only, like, a year younger than Eve!” “And girls are much more mature.” Eve nodded wisely. “So you’re about ten years older than Shane, then.” “Seriously,” Claire insisted. “I’m not a kid!” “Whatever you say, kid,” Shane said blandly. “Cheer up. Just means you don’t have to put up with me telling you how much sex I didn’t get.” “I’m telling Michael,” Eve warned. “About how much sex I didn’t get? Go ahead.
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
The raft finally got here," he said. Calypso snorted. Her eyes might have been red, but it was hard to tell in the moonlight. "You just noticed?" "But if it only shows up for guys you like-" "Don't push your luck, Leo Valdez," she said. "I still hate you." "Okay." "And you are not coming back here," she insisted. "So don't give me any empty promises." "How about a full promise?" he said. "Because I'm definitely-" She grabbed his face and pulled him into a kiss, which effectively shut him up. For all his joking and flirting, Leo had never kissed a girl before. Well, sisterly pecks on the cheeck from Piper, but that didn't count. This was a real, full-contact kiss. If Leo had had gears and wires in his brain, they would've short-circuited. Calypso pushed him away. "That didn't happen." "Okay." His voice sounded an octave higher than usual.
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
Many survivors insist they’re not courageous: ‘If I were courageous I would have stopped the abuse.’ ‘If I were courageous, I wouldn't be scared’... Most of us have it mixed up. You don’t start with courage and then face fear. You become courageous because you face your fear.
Laura Davis
What can I give you, Wanda?” he insisted. I took a deep breath and tried to keep my voice steady.“Give me a lie, Jared. Tell me you want me to stay.” There was no hesitation this time. His arms wound around me in the dark, held me securely against his chest. He pressed his lips against my forehead, and I felt his breath move my hair when he spoke. Melanie was holding her breath in my head. She was trying to bury herself again, trying to give memy freedom for these last minutes. Maybe she was afraid to listen to these lies. She wouldn't want this memory when I was gone. “Stay here, Wanda. With us. Withme. I don't want you to go. Please. I can't imagine having you gone. I can't see that. I don't know how to… how to…” His voice broke.
Stephenie Meyer (The Host (The Host, #1))
Too pissed off to cry, I said, 'This is only making me hate her. I don't want to hate her. And what's the point, if that's all it's making me do?' Still refusing to answer how and why questions. Still insisting on an aura of mystery. I leaned forward, head between by knees, and the Colonel placed a head on my upper back. 'The point is that there are always alsweres, Pudge.' And then he pushed air out between his pursed lips and I could hear the angry quiver in his voice as he repeated, 'There are always answers. We just have to be smart enough.' ~Miles/Pudge and Chip/the Colonel, pg 168
John Green (Looking for Alaska)
I don’t think I pity her. She doesn’t strike me as a girl that suggests compassion. I think I envy her... I don’t know whether she is a gifted being, but she is a clever girl, with a strong will and a high temper. She has no idea of being bored...Very pretty indeed; but I don’t insist upon that. It’s her general air of being someone in particular that strikes me.
Henry James (The Portrait of a Lady)
The only religions I don't like are the ones that insist their God is bigger than your God.
Stephen King (Duma Key)
The family is the cradle of the world’s misinformation. There must be something in family life that generates factual error. Over-closeness, the noise and heat of being. Perhaps even something deeper like the need to survive. Murray says we are fragile creatures surrounded by a world of hostile facts. Facts threaten our happiness and security. The deeper we delve into things, the looser our structure may seem to become. The family process works towards sealing off the world. Small errors grow heads, fictions proliferate. I tell Murray that ignorance and confusion can’t possibly be the driving forces behind family solidarity. What an idea, what a subversion. He asks me why the strongest family units exist in the least developed societies. Not to know is a weapon of survival, he says. Magic and superstition become entrenched as the powerful orthodoxy of the clan. The family is strongest where objective reality is most likely to be misinterpreted. What a heartless theory, I say. But Murray insists it’s true.
Don DeLillo (White Noise)
Encourage the women in your life—your friends, sisters, mothers, daughters—to insist on dignity and respect, to have faith in themselves, to be proud. Expect boys and men to be respectful, kind, and responsible, and don’t settle for less.
Lundy Bancroft (Why Does He Do That? Inside the Minds of Angry and Controlling Men)
Hedge put a drinking straw next to Nico’s mouth. “Have some Gatorade.” “I-I don’t want-“ “You’ll have some Gatorade,” the coach insisted. Nico had some Gatorade.
Rick Riordan
I’m not some sort of pallid romantic who insists on being loved for my shining inner being. My inner being is exceptionally cranky and I often don’t want her company myself.
Naomi Novik (The Last Graduate (The Scholomance, #2))
No,” I insist. “Not without you.” “Would you sacrifice the mortal you love for the netherling you hate?” he asks, and the conviction in his voice hurts as bad as a blow. I don't know what's more excruciating, the fact that I've told him I hate him enough times to make him believe it or that I'm starting to realize how far it is from the truth.
A.G. Howard (Unhinged (Splintered, #2))
Am I more afraid Of taking a chance and learning I'm somebody I don't know, or of risking new territory, only to find I'm the same old me? There is comfort in the tried and true. Breaking ground might uncover a sinkhole, one impossible to climb out of. And setting sail in uncharted waters might mean capsizing into a sea monster's jaws. Easier to turn my back on these things than to try tjem and fail. And yet, a whisper insists I need to know if they are or aren't integral to me. Status quo is a swamp. And stagnation is slow death.
Ellen Hopkins (Perfect (Impulse, #2))
I swear the older I get, the more I value bad examples over good ones. It's a good thing too, because most people are egotistical, neurotic, self-absorbed peons, insistent on wearing near-sighted glasses in a far-sighted world. And it's this exact sort of myopic ignorance that has led to my groundbreaking new theory. I call it Mim's Theorem of Monkey See Monkey Don't, and what it boils down to is this: it is my belief that there are some people whose sole purpose of existence is to show the rest of how not to act.
David Arnold (Mosquitoland)
I don’t know why we insist on pain when pain is so often easy to eliminate. It’s funny the ways we try to punish ourselves when we feel we’ve committed some crime.
Deb Caletti (Stay)
We don’t have problems”, Gabriel insisted. You killed someone! I killed someone for you! Well, pardon me if I don’t think that’s going to make it into the next collection of Halmark cards!” (p. 301).
Molly Harper (Nice Girls Don't Have Fangs (Jane Jameson, #1))
Because everybody who has ever lost their way in life has felt the nagging insistence of that question. At some point we all look up and realize we are lost in a maze, and I dont want us to forget Alaska, and I don't want to forget that even when the material we study seems boring, we're trying to und3erstand how people answered that question and the question each of you posed in your papers--how different traditions have come to terms with what Chip, in his final, called 'people's rotten lots in life.
John Green (Looking for Alaska)
Don’t you do that.” She turned away from the mirror, toward him. “Don’t you dare make a joke. It took a great deal of courage to say what I did. And you don’t have to speak a word in return, but I will insist you be man enough to take it. I won’t have you making light of my feelings, or making light of yourself—as if you’re not worthy of them. Because you are worthy, Colin. You’re a generous, good-hearted person, and you deserve to be loved. Deeply, truly, well, and often.
Tessa Dare (A Week to be Wicked (Spindle Cove, #2))
Happiness is the consequence of personal effort. You fight for it, strive for it, insist upon it, and sometimes even travel around the world looking for it. You have to participate relentlessly in the manifestations of your own blessings. And once you have achieved a state of happiness, you must never become lax about maintaining it, you must make a mighty effort to keep swimming upward into that happiness forever, to stay afloat on top of it. If you don’t, you will leak away your innate contentment. It’s easy enough to pray when you’re in distress but continuing to pray even when your crisis has passed is like a sealing process, helping your soul hold tight to its good attainments.
Elizabeth Gilbert (Eat, Pray, Love)
Don't you? if you keep them from the magic, they will never know what their lives could be.' They will remain protected,' Asha insists. No, 'I say. 'Only untested.
Libba Bray (The Sweet Far Thing (Gemma Doyle, #3))
I say no to people who prioritize being cool over being good. I say no to misogynists who want to weaponize my body against me. I say no to men who feel entitled to my attention and reverence, who treat everything the light touches as a resource for them to burn. I say no to religious zealots who insist that I am less important than an embryo. I say no to my own instinct to stay quiet. It's a way of kicking down the boundaries that society has set up for women - be compliant, be a caregiver, be quiet - and erecting my own. I will do this; I will not do that. You believe in my subjugation; I don't have to be nice to you. I am busy. My time is not a public commodity.
Lindy West (Shrill: Notes from a Loud Woman)
We need a world that insists upon safety and dignity for all of us—not because we are beautiful, healthy, blameless, exceptional, or beyond reproach, but because we are human beings.
Aubrey Gordon (What We Don't Talk About When We Talk About Fat)
Admit it," He insists. "I was right." "No." I sniff. "You were wrong." sniff. "I'm just crying"-sniff- "cause i'm so happy." My tear take that lie as their cue and start streaming down my cheeks. "Come on, Princess," he says, "You don't need to cry over that loser." This only makes me cry harder. We both know who the loser is in this scenario. With a muttered curse, Quince wraps his arms around me and squeezes. It feels remarkably like a hug. "Don't cry," he whispers in my ear. "Please." I don't know if it's his soft words or the fact that my face is now hidden by his broad chest, but i just let go. Three years of longing and loving from a distance have built to the breaking point, and i let it out all over his west coast choppers T-shirt. "shhh," He soothes. "He's not worth it.
Tera Lynn Childs (Forgive My Fins (Fins, #1))
The world is a beautiful place,” she insists, and she’s serious; her gaze is even, her voice level. Her eyes catch mine, hold them. “Don’t forget that.” She reclines, mashing her cigarette into the hollow of the bowl. “And don’t miss it.
A.J. Finn (The Woman in the Window)
Are you afraid?" Volker questioned while sitting at the table and getting comfortable. "No. But I have incredible luck with dice and I am ruthless. You will lose, gentlemen. I will destroy your lands, take your women, ravish your men, and make your children my slave labor. I will own every castle, house, and farm that is within my reach. I won't be satisfied until I own all of it and you. I will destroy you all, gentlemen, and, to be quite blunt, I don't think you can handle it." Van covered his mouth to keep from laughing out loud and he didn't dare look at his sister. Verner stepped back, motioning to the table. "Now I must insist." "As you wish." Irene sighed and stood. She glanced at Van and gave him a quick wink before turning back to his uncle. "I do hope you're a 'sobber,' Mr. Van Holtz. Nothing I love more than the lamenting of the men I annihilate." "I can't believe you made him cry." "I did not. He just teared up a little." "Yeah. I think it was when you told him, 'I now control your ports and own your manhood.'" "His wife laughed.
Shelly Laurenston (When He Was Bad (Magnus Pack, #3.5; Pride, #0.75; Smith's Shifter World, #3.5))
Why do you pray?" he asked me, after a moment. Why did I pray? A strange question. Why did I live? Why did I breathe? "I don't know why," I said, even more disturbed and ill at ease. "I don't know why." After that day I saw him often. He explained to me with great insistence that every question possessed a power that did not lie in the answer. "Man raises himself toward God by the questions he asks Him," he was fond of repeating. "That is the true dialogue. Man questions God and God answers. But we don't understand His answers. We can't understand them. Because they come from the depths of the soul, and they stay there until death. You will find the true answers, Eliezer, only within yourself!" "And why do you pray, Moshe?" I asked him. "I pray to the God within me that He will give me the strength to ask Him the right questions.
Elie Wiesel (Night (The Night Trilogy, #1))
One might even argue that if an animal could choose with intelligence, it would opt for living in a zoo, since the major difference between a zoo and the wild is the absence of parasites and enemies and the abundance of food in the first, and their respective abundance and scarcity in the second. Think about it yourself. Would you rather be put up at the Ritz with free room service and unlimited access to a doctor or be homeless without a soul to care for you?... But I don't insist. I don't mean to defend zoos. Close them all down if you want (and let us hope that what wildlife remains can survive in what is left of the natural world). I know zoos are no longer in people's good graces. Religion faces the same problem. Certain illusions about freedom plague them both.
Yann Martel (Life of Pi)
Coldplay songs deliver an amorphous, irrefutable interpretation of how being in love is supposed to feel, and people find themselves wanting that feeling for real. They want men to adore them like Lloyd Dobler would, and they want women to think like Aimee Mann, and they expect all their arguments to sound like Sam Malone and Diane Chambers. They think everything will work out perfectly in the end (just like it did for Helen Fielding's Bridget Jones and Nick Hornby's Rob Fleming), and they don't stop believing because Journey's Steve Perry insists we should never do that.
Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
I don't like people who like me because I'm a Negro; neither do I like people who find in the same accident grounds for contempt. I love America more than any other country in the world, and, exactly for this reason, I insist on the right to criticize her perpetually. I think all theories are suspect, that the finest principles may have to be modified, or may even be pulverized by the demands of life, and that one must find, therefore, one's own moral center and move through the world hoping that this center will guide one aright. I consider that I have many responsibilities, but none greater than this: to last, as Hemingway says, and get my work done. I want to be an honest man and a good writer.
James Baldwin (Notes of a Native Son)
What'll we do with ourselves this afternoon,' cried Daisy, 'and the day after that, and the next thirty years?' 'Don't be morbid,' Jordan said. 'Life starts all over again when it gets crisp in the fall.' 'But it's so hot,' insisted Daisy, on the verge of tears, 'And everything's so confused. Let's all go to town!
F. Scott Fitzgerald (The Great Gatsby)
I don't care," Kami informed him. "All you are to me are sex objects that I choose to imagine bashing together at random. Oh, there you go again, look at that, nothing but Lynburn skin as far as the mind's eye can see. Masculine groans fill the air, husky and-" "Stop it," Ash said in a faint voice. "That isn't fair." Behind them, Jared was laughing. Kami glanced back at him and caught his eye: for once, it made her smile, as if amusement could still travel back and forth like a spark between them. "Ash is right, this is totally unfair," Jared told her. "If you insist on this-" "Oh, I do," Kami assured him. "Then I insist on hooking up with Rusty instead of Ash. It's the least you can do." "Ugh," Ash protested. "You guys, stop." "She's making a point," Jared said blandly. "I recognize her right to do that. But considering the alternative, I want Rusty." Ash gave this some thought. "Okay, I'll have Rusty too." The sound of the door opening behind them made them all look up the stairs to where Rusty stood, with one eyebrow raised. "Don't fight, boys," he remarked mildly. "There's plenty of Rusty to go around.
Sarah Rees Brennan (Untold (The Lynburn Legacy, #2))
If I were to be made a knight," said the Wart, staring dreamily into the fire, "I should insist on doing my vigil by myself, as Hob does with his hawks, and I should pray to God to let me encounter all the evil in the world in my own person, so that if I conquered there would be none left, and, if I were defeated, I would be the one to suffer for it." "That would be extremely presumptuous of you," said Merlyn, "and you would be conquered, and you would suffer for it." "I shouldn't mind." "Wouldn't you? Wait till it happens and see." "Why do people not think, when they are grown up, as I do when I am young?" "Oh dear," said Merlyn. '"You are making me feel confused. Suppose you wait till you are grown up and know the reason?" "I don't think that is an answer at all," replied the Wart, justly. Merlyn wrung his hands. "Well, anyway," he said, "suppose they did not let you stand against all the evil in the world?" "I could ask," said the Wart. "You could ask," repeated Merlyn. He thrust the end of his beard into his mouth, stared tragically into the fire, and began to munch it fiercely.
T.H. White (The Once and Future King)
Freuchen tells how one day, after coming home hungry from an unsuccessful walrus-hunting expedition, he found one of the successful hunters dropping off several hundred pounds of meat. He thanked him profusely. The man objected indignantly: "Up in our country we are human!" said the hunter. "And since we are human we help each other. We don't like to hear anybody say thanks for that. What I get today you may get tomorrow. Up here we say that by gifts one makes slaves and by whips one makes dogs. ... The refusal to calculate credits and debits can be found throughout the anthropological literature on egalitarian hunting societies. Rather than seeing himself as human because he could make economic calculations, the hunter insisted that being truly human meant refusing to make such calculations, refusing to measure or remember who had given what to whom, for the precise reason that doing so would inevitably create a world where we began "comparing power with power, measuring, calculating" and reducing each other to slaves or dogs through debt. It's not that he, like untold millions of similar egalitarian spirits throughout history, was unaware that humans have a propensity to calculate. If he wasn't aware of it, he could not have said what he did. Of course we have a propensity to calculate. We have all sorts of propensities. In any real-life situation, we have propensities that drive us in several different contradictory directions simultaneously. No one is more real than any other. The real question is which we take as the foundation of our humanity, and therefore, make the basis of our civilization.
David Graeber (Debt: The First 5,000 Years)
But recently I have learned from discussions with a variety of scientists and other non-philosophers (e.g., the scientists participating with me in the Sean Carroll workshop on the future of naturalism) that they lean the other way: free will, in their view, is obviously incompatible with naturalism, with determinism, and very likely incoherent against any background, so they cheerfully insist that of course they don't have free will, couldn’t have free will, but so what? It has nothing to do with morality or the meaning of life. Their advice to me at the symposium was simple: recast my pressing question as whether naturalism (materialism, determinism, science...) has any implications for what we may call moral competence. For instance, does neuroscience show that we cannot be responsible for our choices, cannot justifiably be praised or blamed, rewarded or punished? Abandon the term 'free will' to the libertarians and other incompatibilists, who can pursue their fantasies untroubled. Note that this is not a dismissal of the important issues; it’s a proposal about which camp gets to use, and define, the term. I am beginning to appreciate the benefits of discarding the term 'free will' altogether, but that course too involves a lot of heavy lifting, if one is to avoid being misunderstood.
Daniel C. Dennett (Consciousness Explained)
His eyes widended again, then flicked to something behind me. He shook his head, looked back at me. His voice low, intimate, insistent. "Come back from this, Merit. You don't want to fight me." "I do," I heard, in a voice that was barely mine. "Find steel," she advised him. We advised him. He stood there a long moment, silently, still, before nodding. Someone offered him a blade, a katana that glinted in the light. He took it, mirrored my stance - katana in both hands, body bladed. "If the only way you'll come back from this is to be bloodied by it, then so be it." He lunged.
Chloe Neill (Friday Night Bites (Chicagoland Vampires, #2))
Don't look at me like that," said Ruza. "Like what?" "Like I'm a beautiful book you're about to open and plunder with your greedy mad eyes." Lazlo laughed. "Greedy mad eyes? Plunder? Are you afraid of me, Ruza?" Ruza looked suddenly steely. "Do you know, Strange, that to ask a Tizerkane if he fears you is to challenge him to single comabt?" "Well then," said Lazlo, who knew better than to believe anything Ruza said. "I'm glad I only said it to you and not one of the fearsome warriors like Azareen or Tzara." "Unkind," said Ruza, wounded. His face crumpled. He pretended to weep. "I am fearsome," he insisted "I am." "There, there," consoled Lazlo. "You're a very fierce warrior. Don't cry. You're terrifying." "Really?" asked Ruza in a pitiful little hopeful voice. "You're not just saying that?" "You two idiots," said Azareen, and Lazlo felt a curious twinge of pride, to be called an idiot by her, with what might have been the tiniest edge of fondness.
Laini Taylor (Strange the Dreamer (Strange the Dreamer, #1))
We're not obsessed by anything, you see," insisted Ford. "..." "And that's the deciding factor. We can't win against obsession. They care, we don't. They win." "I care about lots of things," said Slartibartfast, his voice trembling partly with annoyance, but partly also with uncertainty. "Such as?" "Well," said the old man, "life, the Universe. Everything, really. Fjords." "Would you die for them?" "Fjords?" blinked Slartibartfast in surprise. "No." "Well then." "Wouldn't see the point, to be honest.
Douglas Adams
Okay," Christian said with a great show at maintaining his patience. "So you can't dance. But you could at least talk to the woman." Julius frowned and avoided his gaze. "I am talking." "You aren't," Christian insisted. "You haven't said more than a handful of words." Scowling, he admitted, "I'm practicing in my head." Christian blinked at this. "Practicing?" "Well, you don't just blurt out the first thing that comes to mind," Julius said with exasperation. "I have to approach this carefully, so I'm practicing." "In your head?" Christian clarified. "Yes." Julius nodded. "In my head." "Right....Good, good," he nodded, and then said "but you know what would be even better?" Julius raised his eyebrows with interest. "What?" "Talking to her OUT LOUD!" Christian snapped. "Jesus Christ, Father, you're as old as the earth. You run a huge corporation, dealing with people-even women-day in day out. Surely you can string a couple of words together and manage a little conversation with the woman?
Lynsay Sands (Vampire, Interrupted (Argeneau, #9))
So Rhys went against orders, and marched in his whole legion to get Myriam out. For his friend, for my lover- and for that bastard Drakon's sake. Rhys sacrificed his legion in the process, got all of them captured and tortured afterward. Yet everyone insists Rhysand is soulless, wicked. But the male I knew was the most decent of them all. Better than that prick-prince. You don't lose that quality, no matter the centuries, and Rhys was too smart to do anything but have the vilification of his character be a calculated move. And yet here you are- his mate. The most powerful High Lord in the world lost his mate, and has not yet come to claim her, even when she is defenseless in the woods." Jurian Chuckled. "Perhaps that's because Rhysand has not lost you at all. But rather unleashed you upon us.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
Bes had indeed put on his ugly outfit. He climbed onto the roof of the limbo and stood there, legs planted, arms akimbo, like superman-exept with only the underwear. I wasn't sure what to say except: "Put some clothes on!" "These children are under my protection," Bes insisted. "I don't know you," I said, "I never met you before today." "Nonsense. You expressly asked for my attention." "I didn't ask for the Speedo Patrol!
Rick Riordan (The Throne of Fire (The Kane Chronicles, #2))
I've said it before, love, an Im sorry I have to say it again, but you do not understand the choices I have to make.. You don't know what I've seen and what I'm forced to witness every single day." He hesitates. "And I wouldn't want you to. But do not presume to understand my actions, because if you do, I can assure you You'll only be met with disappoint. And if you insist on continuing to make assumptions about my character, I'll advise you only this: assume you will always be wrong.
Tahereh Mafi (Ignite Me (Shatter Me, #3))
I'll talk to him before I go," Carlos grumbled. "And what about the girls?" Toni asked. "They need you, Carlos." "They need a mother!" Carlos yelled. "And I need a mate." Caitlyn gasped. Hes was looking for a mate? What kind of mate? His gaze shifted towards her, and his eyes glittered with a hard, angry look. "You--what?" Toni stepped back, apparently stunned. "You heard me," Carlos growled. "Ye want to get married?" the Scotsman asked. "Don't look so shocked, Ian. Didn't want you want to get married?" "Aye, but--" "You can't get married," Toni declared. "You're gay." Caitlyn snorted. Were they crazy? Carlos glared at her in the shadows, then shifted his gaze to Toni. "I never said I was gay." "Of course you're gay," she insisted. "I saw you dance the samba in a hot pink sequined thong." Carlos shrugged. "So? You said I was very sexy. You were practically drooling." Ian stiffened. "When was this?" "Before I met you," Toni muttered.
Kerrelyn Sparks (Eat Prey Love (Love at Stake, #9))
I’ll never leave you. I’ll never mistreat you. I think you know that by now. Try with me. Let us find what we may find.” “What do you expect to find, Robert?” “How should I know? I’ve never experienced anything like this before in my life.” Tears shone briefly under her graceful long lashes before she blinked them away and glanced at him again with a reluctant twist of a smile. Sitting up, she wrapped her arms around her bent knees and sighed. “You are asking us both to set ourselves up for great hurt when it comes time for me to leave.” “Leave? Don’t speak of leaving, angel. You must stay forever.” “As your mistress.” “As my love,” he countered insistently.
Gaelen Foley (The Duke (Knight Miscellany, #1))
It’s loneliness. Even though I’m surrounded by loved ones who care about me and want only the best, it’s possible they try to help only because they feel the same thing—loneliness—and why, in a gesture of solidarity, you’ll find the phrase “I am useful, even if alone” carved in stone. Though the brain says all is well, the soul is lost, confused, doesn’t know why life is being unfair to it. But we still wake up in the morning and take care of our children, our husband, our lover, our boss, our employees, our students, those dozens of people who make an ordinary day come to life. And we often have a smile on our face and a word of encouragement, because no one can explain their loneliness to others, especially when we are always in good company. But this loneliness exists and eats away at the best parts of us because we must use all our energy to appear happy, even though we will never be able to deceive ourselves. But we insist, every morning, on showing only the rose that blooms, and keep the thorny stem that hurts us and makes us bleed hidden within. Even knowing that everyone, at some point, has felt completely and utterly alone, it is humiliating to say, “I’m lonely, I need company. I need to kill this monster that everyone thinks is as imaginary as a fairy-tale dragon, but isn’t.” But it isn’t. I wait for a pure and virtuous knight, in all his glory, to come defeat it and push it into the abyss for good, but that knight never comes. Yet we cannot lose hope. We start doing things we don’t usually do, daring to go beyond what is fair and necessary. The thorns inside us will grow larger and more overwhelming, yet we cannot give up halfway. Everyone is looking to see the final outcome, as though life were a huge game of chess. We pretend it doesn’t matter whether we win or lose, the important thing is to compete. We root for our true feelings to stay opaque and hidden, but then … … instead of looking for companionship, we isolate ourselves even more in order to lick our wounds in silence. Or we go out for dinner or lunch with people who have nothing to do with our lives and spend the whole time talking about things that are of no importance. We even manage to distract ourselves for a while with drink and celebration, but the dragon lives on until the people who are close to us see that something is wrong and begin to blame themselves for not making us happy. They ask what the problem is. We say that everything is fine, but it’s not … Everything is awful. Please, leave me alone, because I have no more tears to cry or heart left to suffer. All I have is insomnia, emptiness, and apathy, and, if you just ask yourselves, you’re feeling the same thing. But they insist that this is just a rough patch or depression because they are afraid to use the real and damning word: loneliness. Meanwhile, we continue to relentlessly pursue the only thing that would make us happy: the knight in shining armor who will slay the dragon, pick the rose, and clip the thorns. Many claim that life is unfair. Others are happy because they believe that this is exactly what we deserve: loneliness, unhappiness. Because we have everything and they don’t. But one day those who are blind begin to see. Those who are sad are comforted. Those who suffer are saved. The knight arrives to rescue us, and life is vindicated once again. Still, you have to lie and cheat, because this time the circumstances are different. Who hasn’t felt the urge to drop everything and go in search of their dream? A dream is always risky, for there is a price to pay. That price is death by stoning in some countries, and in others it could be social ostracism or indifference. But there is always a price to pay. You keep lying and people pretend they still believe, but secretly they are jealous, make comments behind your back, say you’re the very worst, most threatening thing there is. You are not an adulterous man, tolerated and often even admired, but an adulterous woman, one who is ...
Paulo Coelho (Adultery)
...there is a celebrated aphorism insisting that the best way to live is to 'work like you don't need the money, dance like nobody is watching, and love like you've never been hurt.'...After years of hearing and reading these lines I have decided to tell the truth: the original version is wrong. There is a grave error in the wording of this adage. The correct version should go as follows: Love like you don't need the money, Work like nobody is watching, Dance like you've never been hurt. See? Doesn't that make more sense?
Gina Barreca (It's Not That I'm Bitter . . .: Or How I Learned to Stop Worrying About Visible Panty Lines and Conquered the World)
When I reached him, I anchored my hands on my hips and glared. "Do not get into anymore fights on my behalf." I didn't want him suspended-or worse. "Now give me your keys." He gently flicked the end of my nose. "Haven't you heard? I do what I want, when I want, and there's nothing anyone can do to stop me." I could knee him between the legs and simply steal his keys, proving otherwise, but all I said was, "Believe me, I've witnessed that firsthand," and held out my hands. "Now be a good boy and do what I want you to do." He lifted the sunglasses and I saw a bright gleam in those violet eyes. "And what is it, exactly, that Little Ali wants?" Little Ali. Ugh. "I said give me your keys." No reason to play nice. He certainly wasn't. "And if you call me Little Ali again, I'll smash your trachea the way I hear you like to to others." Suddenly suspicious, he snapped out a quick "Why?" "Because I hate it." "Not the name. The keys." "Hello. Because I want to stab you with them, why else?" "Why?"He insisted. Fine. "Because I need to practice my driving, and I promised my grandparents I would." "You're telling me..." The glasses slid back into place as he cupped the back of my neck and dragged me closer to him, peering down at me sternly. "That you Don't know how to drive?" "Of course I know how to drive. Now, if you ask me if I know how to drive well, the answer will be different." He choked out a laugh, but backed away and tossed me the keys. "Just wait until the parking lot is empty before putting my precious life in danger.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
I just wanted to thank you," he says, his voice low. "A group of scientists told you that my genes were damaged, that there was something wrong with me - they showed you test results that proved it. And I even started to believe it." He touches my face, his thumb skimming my cheekbone, and his eyes on mine, intense and insistent. "You never believed it," he says. "Not for a second. You always insisted that I was... I don't know, whole." I cover his hand with my own. "Well, you are." "No one has ever told me that before," he says softly. "It's what you deserve to hear," I say firmly, my eyes going cloudy with tears. "That you're whole, that you're worth loving, that you're the best person I've ever known.
Veronica Roth (Allegiant (Divergent, #3))
I often meet people in the West who insist that the Holocaust was the worst atrocity in human history, without question. Yes, it was horrific. But I often wonder, with African atrocities like in the Congo, how horrific were they? The thing Africans don’t have that Jewish people do have is documentation. The Nazis kept meticulous records, took pictures, made films. And that’s really what it comes down to. Holocaust victims count because Hitler counted them. Six million people killed. We can all look at that number and rightly be horrified. But when you read through the history of atrocities against Africans, there are no numbers, only guesses. It’s harder to be horrified by a guess. When Portugal and Belgium were plundering Angola and the Congo, they weren’t counting the black people they slaughtered. How many black people died harvesting rubber in the Congo? In the gold and diamond mines of the Transvaal? So in Europe and America, yes, Hitler is the Greatest
Trevor Noah (Born a Crime: Stories from a South African Childhood)
With a sigh, he grabbed hold of his chair and lifted himself out of it, then wrote on the blackboard: How will we ever get out of this labyrinth of suffering? - A.Y. 'I'm going to leave that up for the rest of the semester,' he said. 'Because everybody who has ever lost their way in life has felt the nagging insistence of that question. At some point we all look up and realize we are lost in a maze, and I don't want us to forget Alaska, and I don't want to forget that even when the material we study seems boring, we're trying to understand how people have answered that question and the questions each of you posed in your papers--how different traditions have come to terms with what Chip, in his final, called 'people's rotten lots in life.
John Green (Looking for Alaska)
I'm not sure I even believe in marriage," Hadley says and he looks surprised. "Aren't you on your way to a wedding?" "Yeah," she says with a nod. "But that's what I mean." He looks at her blankly. "It shouldn't be this big fuss, where you drag everyone halfway across the world to witness your love. If you want to share your life together, fine. But it's between two people, and that should be enough. Why the big show? Why rub it in everyone's faces?" Oliver runs a hand along his jaw, obviously not quite sure what to think. "It sounds like its weddings you don't believe in," he says finally. "Not marriage." "I'm not such a big fan of either at the moment." "I don't know," he says. "I think they're kind of nice." "They're not," she insists. "They're all for show. You shouldn't need to prove anything if you really mean it. It should be a whole lot simpler than that. It should mean something." "I think it does," Oliver says quietly. "It's a promise." "I guess so," she says, unable to keep the sigh out of her voice. "But not everyone keeps that promise." she looks over toward the woman, still fast asleep. "Not everyone makes it fifty-two years, and if you do, it doesn't matter that you once stood in front of all those people and said that you would. The important part is that you had someone to stick by you all that time. Even when everything sucked.
Jennifer E. Smith (The Statistical Probability of Love at First Sight)
The insistence is on merit, insinuating that any current majority white leadership in any industry has got there through hard work and no outside help, as if whiteness isn’t its own leg-up, as if it doesn’t imply a familiarity that warms an interviewer to a candidate. When each of the sectors I mentioned earlier have such dire racial representation, you’d have to be fooling yourself if you really think that the homogeneous glut of middle-aged white men currently clogging the upper echelons of most professions got there purely through talent alone. We don’t live in a meritocracy, and to pretend that simple hard work will elevate all to success is an exercise in wilful ignorance.
Reni Eddo-Lodge (Why I’m No Longer Talking to White People About Race)
Tris," a low voice says behind me. I don't know why it doesn't startle me. Maybe because I am becoming Dauntless, and mental readiness is something I'm supposed to develop. Maybe because his voice is low and smooth and almost soothing. Whatever the reason over my shoulder. Four stands behind me with his gun slung across his back, just like mine. "Yes?" I say. "I came to find out what you think you're doing." "I'm seeking higher ground," I say. "I don't think I'm doing anything." I see his smile in the dark. "All right. I'm coming." I pause a second. He doesn't look at me the way Will, Christina, and Al sometimes do- like I am too small and too weak to be any use, and they pity me for it. But if he insists on coming with me, it is probably because he doubts me.
Veronica Roth (Divergent (Divergent, #1))
Pick someplace that you could actually get to without building a spaceship.” Six asks I think it over for a moment. “I don’t know. Disney World?” Six and Sarah both exchange a look and then start laughing. “Disney World?” exclaims Six. “You’re so cheesy, John.” “No, it’s sweet,” says Sarah, patting my hand. “It’s the most magical place on Earth.” “You know, I’ve never actually been on a roller coaster. Henri wasn’t down with the whole amusement-park thing. I used to see the commercials and I always wanted to go.” “That’s so sad!” exclaims Sarah. “We’re definitely going to get you to Disney World. Or at least on a roller coaster. They’re amazing.” Six snaps her fingers. “What’s that one ride? It’s supposed to be like a rocket ship?” “Space Mountain,” answers Sarah. “Yeah,” replies Six, and then hesitates as if she’s worried she’s about to divulge too much. “I actually remember looking that up online when I was little. I insisted to Katarina that it had something to do with us.” The thought of a young Six investigating Disney World is priceless. The three of us share a laugh. “Aliens,” mutters Sarah jokingly. “You need to get out more.
Pittacus Lore (The Fall of Five (Lorien Legacies, #4))
I like how you call homosexuality an abomination." "I don't say homosexuality's an abomination, Mr. President, the bible does." "Yes it does. Leviticus-" "18:22" "Chapter in verse. I wanted to ask you a couple questions while I had you here. I'm interested in selling my youngest daughter into slavery as sanctioned in exodus 21:7. She's a Georgetown sophomore, speaks fluent Italian, always cleared the table when it was her turn. What would a good price for her be? While thinking about that can I ask another? My chief of staff, Leo Mcgary,insists on working on the sabbath. Exodus 35:2 clearly says he should be put to death. Am I morally obligated to kill him myself or is it ok to call the police? Here's one that's really important, cause we've got a lot of sports fans in this town. Touching the skin of a dead pig makes one unclean, Leviticus 11:7. If they promise to wear gloves, can the Washington Red Skins still play football? Can Notre Dame? Can West Point? does the whole town really have to be together to stone my brother John for planting different crops side by side? Can I burn my mother in a small family gathering for wearing garments made from two different threads?
Aaron Sorkin
Everyone wants to be a hero. When you think about it, it’s a little sad that so few actually get to be one.” Nova couldn’t contain a derisive sniff. “It would be sad, except they don’t actually mean it.” Adrian cocked his head at her. “What do you mean?” “There’s no rule that says you have to be a prodigy to be a hero,” she insisted. “If people wanted to stand up for themselves or protect their loved ones or do what they believe in their hearts is the right thing to do, then they would do it. If they wanted to be heroic, they would find ways to be heroic, even without supernatural powers.” She waggled her fingers in mockery of said powers. “It’s easy to say you want to be a hero, but the truth is most people are lazy and complacent. They have the Renegades to do all the rescuing and saving, so why should they bother? It’s easier to just call the hotline, then turn the other way and pretend it’s not your problem to solve.
Marissa Meyer (Renegades (Renegades, #1))
It’s to do with knowing and being known. I remember how it stopped seeming odd that in biblical Greek knowing was used for making love. Whosit knew so-and-so. Carnal knowledge. It’s what lovers trust each other with. Knowledge of each other, not of the flesh but through the flesh, knowledge of self, the real him, the real her, in extremis, the mask slipped from the face. Every other version of oneself is on offer to the public. We share our vivacity, grief, sulks, anger, joy ... we hand it out to anybody who happens to be standing around, to friends and family with a momentary sense of indecency perhaps, to strangers without hesitation. Our lovers share us with the passing trade. But in pairs we insist that we give ourselves to each other. What selves? What’s left? What else is there that hasn’t been dealt out like a pack of cards? Carnal knowledge. Personal, final, uncompromised. Knowing, being known. I revere that. Having that is being rich, you can be generous about what’s shared – she walks, she talks, she laughs, she lends a sympathetic ear, she kicks off her shoes and dances on the tables, she’s everybody’s and it don’t mean a thing, let them eat cake; knowledge is something else, the undealt card, and while it’s held it makes you free-and-easy and nice to know, and when it’s gone everything is pain. Every single thing. Every object that meets the eye, a pencil, a tangerine, a travel poster. As if the physical world has been wired up to pass a current back to the part of your brain where imagination glows like a filament in a lobe no bigger than a torch bulb. Pain.
Tom Stoppard (The Real Thing)
Will looked at his sister. “And you don’t care about being a Shadowhunter. How is this: I shall write a letter and give it to you if you promise to deliver it home yourself — and not to return.” Cecily recoiled; she had many memories of shouting matches with Will, of the china dolls she had owned that he had broken by dropping them out an attic window; but there was also kindness in her memories: the brother who had bandaged up a cut knee, or retied her hair ribbons when they came loose. That kindness was absent from the Will who stood before her now. Her mother had used to cry for the first year or two after Will went; she had said, in Welsh, holding Cecily to her, that they — the Shadowhunters — would “take all the love out of him.” A cold, unloving people, she had told Cecily, who had forbidden her marriage to her husband. What could he want with them, her Will, her little one? “I will not go,” Cecily said, staring her brother down. “And if you insist that I must, I will — I will —” The door of the attic slid open and Jem stood silhouetted in the doorway…
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
Literature is a source of pleasure, he said, it is one of the rare inexhaustible joys in life, but it's not only that. It must not be disassociated from reality. Everything is there. That is why I never use the word fiction. Every subtlety in life is material for a book. He insisted on the fact. Have you noticed, he'd say, that I'm talking about novels? Novels don't contain only exceptional situations, life or death choices, or major ordeals; there are also everyday difficulties, temptations, ordinary disappointments; and, in response, every human attitude, every type of behavior, from the finest to the most wretched. There are books where, as you read, you wonder: What would I have done? It's a question you have to ask yourself. Listen carefully: it is a way to learn to live. There are grown-ups who would say no, that literature is not life, that novels teach you nothing. They are wrong. Literature performs, instructs, it prepares you for life.
Laurence Cossé (A Novel Bookstore)
Something terrible was clawing up her throat. “I was lucky,” Arin said. “I had you. And a hard head. And the grace of my god.” “Damn your god.” Arin caught her arm above the elbow. She turned to face him. All trace of humor had left his face. His eyes were wide, urgent. “Don’t say that.” “Why not? I can say anything. Anything except what really matters.” “Kestrel, take it back. You’ll offend him.” “Your god risks you.” “He protects me.” “You’re his plaything.” “You’re wrong. He loves me.” Saying those words made him look so alone. He reminded her of sails curved by the wind, full and yet empty at the same time. She found that she was jealous of his god. The sudden jealousy held her so hard in its grip that she couldn’t breathe. “It’s true,” Arin insisted. She saw then that she had hurt him, that his god’s love was all the more precious to him because of his fear that he would find it nowhere else. Her anger rinsed away. “I’m sorry. I’m sorry. I ask your pardon. His, too.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Gwen was kind of amazed. A mother with several degrees and a prestigious position at an Ivy League college did not ensure that she’d be any less embarrassing to her child than a mother who became a nurse through night school. Gwen knew this when Alla launched into her “unfortunate changes in my vagina after the birth of Lachlan” discussion. “No. It was his shoulders. He’s always had very large shoulders. I mean look at him. Even as a baby they were freakishly long.” “Freakishly?” Lock snapped. “They stretched me right out.” “Mom!” Brody shrugged and reached for more moo goo gai pork. “I didn’t mind.” “Dad!” “Well, darling, you were always quite large, so it made things a little easier for both of us when it came to sex.” “Mom!” Alla shook her head. “I don’t know what happened to you, Lachlan MacRyrie.” She turned to Gwen. “I’ve always insisted on being quite open about human bodies when talking to my children. There’s no shame in a woman’s body. And like everything else in the world, it ages. So while you still have the exquisite body you’ve been blessed with, Gwen dear, and that prebirth vagina— enjoy it.” “Is there any way to get you to stop?” Lock begged.
Shelly Laurenston (The Mane Squeeze (Pride, #4))
So we get a karaoke machine. On the first night, the year tens stage a competition, insisting that every member of the House has to be involved, so we clear the year-seven and -eight dorms and wait for our turn. Raffy is on second and does an impressive job of "I Can''t Live, If Living Means Without You" but then one of the seniors points out to her that she's chosen a dependency song and Raffy spends the whole night neuroticising about it. "I just worked out that I don't have ambition," she says while one of the year eights sings tearfully, "Am I Not Pretty Enough?" I start compiling a list of all the kids I should be recommending to the school counsellor, based on their song choices. "I think she's reading a little to much into it, Raf." "No she isn't. Because do you know what my second and third choices were? 'Don't Leave Me This Way' and 'I Just Don't Know What To Do With Myself.'" "Mary Grace chose 'Brown-eyed Girl' and she's got blue eyes and Serina sang 'It's Raining Men' and she's a lesbian. You're taking this way too seriously. Let it go.
Melina Marchetta (On the Jellicoe Road)
Question." "Yes," Candace asked expectantly, eyes fixed on the dark street ahead. "Have you ever had to chose sides between a friend and a boyfriend?" Candace nodded. "Which side are you suppose to pick?" "The right one." "What if they're both right?" "They're not." "But they are," Melody insisted. "That's the problem." "No." Candace slowly rolled past a police cruiser. "They both think they're right. But who do you think is right? Which side represents the thing you think is worth fighting for?" Melody glanced out the window as though she was expecting the answer to be revealed on a neighbor's lawn. Every house except hers had the lights turned off. "I dunno." "You do," Candace insisted. "You just don't have the courage to be honest with yourself. Because then you'd have to do the thing you don't want to do, and you hate doing anything that's hard. Which is why you gave up singing and why you have no life and why you've always been a -" "Um okay! Can we get back to the part where you were sounding like Oprah?" "I'm just saying, Melly, what would you do if you weren't afraid? That's your answer. That's your side." She turned into the circular driveway and put the SUV in PARK. "And if you don't choose it, you're lying to yourself and everyone around you." She opened the door and grabbed her purse. "Oprah out!" The door slammed behind her.
Lisi Harrison (Monster High (Monster High, #1))
At the end of that class Demian said to me thoughtfully: "There’s something I don’t like about this story, Sinclair. Why don’t you read it once more and give it the acid test? There’s something about it that doesn’t taste right. I mean the business with the two thieves. The three crosses standing next to each other on the hill are almost impressive, to be sure. But now comes this sentimental little treatise about the good thief. At first he was a thorough scoundrel, had committed all those awful things and God knows what else, and now he dissolves in tears and celebrates such a tearful feast of self-improvement and remorse! What’s the sense of repenting if you’re two steps from the grave? I ask you. Once again, it’s nothing but a priest’s fairy tale, saccharine and dishonest, touched up with sentimentality and given a high edifying background. If you had to pick a friend from between the two thieves or decide which one you’d rather trust, you most certainly wouldn’t choose the sniveling convert. No, the other fellow, he’s a man of character. He doesn’t give a hoot for ‘conversion’, which to a man in his position can’t be anything but a pretty speech. He follows his destiny to it’s appointed end and does not turn coward and forswear the devil, who has aided and abetted him until then. He has character, and people with character tend to receive the short end of the stick in biblical stories. Perhaps he’s even a descendant of Cain. Don’t you agree?" I was dismayed. Until now I had felt completely at home in the story of the Crucifixion. Now I saw for the first time with how little individuality, with how little power of imagination I had listened to it and read it. Still, Demian’s new concept seemed vaguely sinister and threatened to topple beliefs on whose continued existence I felt I simply had to insist. No, one could not make light of everything, especially not of the most Sacred matters. As usual he noticed my resistance even before I had said anything. "I know," he said in a resigned tone of voice, "it’s the same old story: don’t take these stories seriously! But I have to tell you something: this is one of the very places that reveals the poverty of this religion most distinctly. The point is that this God of both Old and New Testaments is certainly an extraordinary figure but not what he purports to represent. He is all that is good, noble, fatherly, beautiful, elevated, sentimental—true! But the world consists of something else besides. And what is left over is ascribed to the devil, this entire slice of world, this entire half is hushed up. In exactly the same way they praise God as the father of all life but simply refuse to say a word about our sexual life on which it’s all based, describing it whenever possible as sinful, the work of the devil. I have no objection to worshiping this God Jehovah, far from it. But I mean we ought to consider everything sacred, the entire world, not merely this artificially separated half! Thus alongside the divine service we should also have a service for the devil. I feel that would be right. Otherwise you must create for yourself a God that contains the devil too and in front of which you needn’t close your eyes when the most natural things in the world take place.
Hermann Hesse (Demian)
The raft finally got here,” he said. Calypso snorted. Her eyes might have been red, but it was hard to tell in the moonlight. “You just noticed?” “But if it only shows up for guys you like—” “Don’t push your luck, Leo Valdez,” she said. “I still hate you.” “Okay.” “And you are not coming back here,” she insisted. “So don’t give me any empty promises.” “How about a full promise?” he said. “Because I’m definitely—” She grabbed his face and pulled him into a kiss, which effectively shut him up. For all his joking and flirting, Leo had never kissed a girl before. Well, sisterly pecks on the cheek from Piper, but that didn’t count. This was a real, full-contact kiss. If Leo had had gears and wires in his brain, they would’ve short-circuited. Calypso pushed him away. “That didn’t happen.” “Okay.” His voice sounded an octave higher than usual. “Get out of here.” “Okay.” She turned, wiping her eyes furiously, and stormed up the beach, the breeze tousling her hair. Leo wanted to call to her, but the sail caught the full force of the wind, and the raft cleared the beach. He struggled to align the guidance console. By the time Leo looked back, the island of Ogygia was a dark line in the distance, their campfire pulsing like a tiny orange heart. His lips still tingled from the kiss. That didn’t happen, he told himself. I can’t be in love with an immortal girl. She definitely can’t be in love with me. Not possible. As his raft skimmed over the water, taking him back to the mortal world, he understood a line from the Prophecy better—an oath to keep with a final breath. He understood how dangerous oaths could be. But Leo didn’t care. “I’m coming back for you, Calypso,” he said to the night wind. “I swear it on the River Styx.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
Coddly slammed a fist on the table. “No one will take you seriously if you do not act decisively.” There was a beat of silence after his voice stopped echoing around the room, and the entire table sat motionless. “Fine,” I responded calmly. “You’re fired.” Coddly laughed, looking at the other gentlemen at the table. “You can’t fire me, Your Highness.” I tilted my head, staring at him. “I assure you, I can. There’s no one here who outranks me at the moment, and you are easily replaceable.” Though she tried to be discreet, I saw Lady Brice purse her lips together, clearly determined not to laugh. Yes, I definitely had an ally in her. “You need to fight!” he insisted. “No,” I answered firmly. “A war would add unnecessary strain to an already stressful moment and would cause an upheaval between us and the country we are now bound to by marriage. We will not fight.” Coddly lowered his chin and squinted. “Don’t you think you’re being too emotional about this?” I stood, my chair screeching behind me as I moved. “I’m going to assume that you aren’t implying by that statement that I’m actually being too female about this. Because, yes, I am emotional.” I strode around the opposite side of the table, my eyes trained on Coddly. “My mother is in a bed with tubes down her throat, my twin is now on a different continent, and my father is holding himself together by a thread.” Stopping across from him, I continued. “I have two younger brothers to keep calm in the wake of all this, a country to run, and six boys downstairs waiting for me to offer one of them my hand.” Coddly swallowed, and I felt only the tiniest bit of guilt for the satisfaction it brought me. “So, yes, I am emotional right now. Anyone in my position with a soul would be. And you, sir, are an idiot. How dare you try to force my hand on something so monumental on the grounds of something so small? For all intents and purposes, I am queen, and you will not coerce me into anything.” I walked back to the head of the table. “Officer Leger?” “Yes, Your Highness?” “Is there anything on this agenda that can’t wait until tomorrow?” “No, Your Highness.” “Good. You’re all dismissed. And I suggest you all remember who’s in charge here before we meet again.
Kiera Cass (The Crown (The Selection, #5))
Table 3–1. Definitions of Cognitive Distortions 1. ALL-OR-NOTHING THINKING: You see things in black-and-white categories. If your performance falls short of perfect, you see yourself as a total failure. 2. OVERGENERALIZATION: You see a single negative event as a never-ending pattern of defeat. 3. MENTAL FILTER: You pick out a single negative detail and dwell on it exclusively so that your vision of all reality becomes darkened, like the drop of ink that colors the entire beaker of water. 4. DISQUALIFYING THE POSITIVE: You reject positive experiences by insisting they “don’t count” for some reason or other. In this way you can maintain a negative belief that is contradicted by your everyday experiences. 5. JUMPING TO CONCLUSIONS: You make a negative interpretation even though there are no definite facts that convincingly support your conclusion. a. Mind reading. You arbitrarily conclude that someone is reacting negatively to you, and you don’t bother to check this out. b. The Fortune Teller Error. You anticipate that things will turn out badly, and you feel convinced that your prediction is an already-established fact. 6. MAGNIFICATION (CATASTROPHIZING) OR MINIMIZATION: You exaggerate the importance of things (such as your goof-up or someone else’s achievement), or you inappropriately shrink things until they appear tiny (your own desirable qualities or the other fellow’s imperfections). This is also called the “binocular trick.” 7. EMOTIONAL REASONING: You assume that your negative emotions necessarily reflect the way things really are: “I feel it, therefore it must be true.” 8. SHOULD STATEMENTS: You try to motivate yourself with shoulds and shouldn’ts, as if you had to be whipped and punished before you could be expected to do anything. “Musts” and “oughts” are also offenders. The emotional consequence is guilt. When you direct should statements toward others, you feel anger, frustration, and resentment. 9. LABELING AND MISLABELING: This is an extreme form of overgeneralization. Instead of describing your error, you attach a negative label to yourself: “I’m a loser.” When someone else’s behavior rubs you the wrong way, you attach a negative label to him: “He’s a goddam louse.” Mislabeling involves describing an event with language that is highly colored and emotionally loaded. 10. PERSONALIZATION: You see yourself as me cause of some negative external event which in fact you were not primarily responsible for.
David D. Burns (Feeling Good: The New Mood Therapy)
You make out with a boy because he’s cute, but he has no substance, no words to offer you. His mouth tastes like stale beer and false promises. When he touches your chin, you offer your mouth up like a flower to to be plucked, all covered in red lipstick to attract his eye. When he reaches his hand down your shirt, he stops, hand on boob, and squeezes, like you’re a fruit he’s trying to juice. He doesn’t touch anything but skin, does not feel what’s within. In the morning, he texts you only to say, “I think I left the rest of my beer at your place, but it’s cool, you can drink it. Last night was fun.” You kiss a girl because she’s new. Because she’s different and you’re twenty two, trying something else out because it’s all failed before. After spending six weekends together, you call her, only to be answered by a harsh beep informing you that her number has been disconnected. You learn that success doesn’t come through experimenting with your sexuality, and you’re left with a mouth full of ruin and more evidence that you are out of tune. You fall for a boy who is so nice, you don’t think he can do any harm. When he mentions marriage and murder in the same sentence, you say, “Okay, okay, okay.” When you make a joke he does not laugh, but tilts his head and asks you how many drinks you’ve had in such a loving tone that you sober up immediately. He leaves bullet in your blood and disappears, saying, “Who wants a girl that’s filled with holes?” You find out that a med student does. He spots you reading in a bar and compliments you on the dust spilling from your mouth. When you see his black doctor’s bag posed loyally at his side, you ask him if he’s got the tools to fix a mangled nervous system. He smiles at you, all teeth, and tells you to come with him. In the back of his car, he covers you in teethmarks and says, “There, now don’t you feel whole again.” But all the incisions do is let more cold air into your bones. You wonder how many times you will collapse into ruins before you give up on rebuilding. You wonder if maybe you’d have more luck living amongst your rubble instead of looking for someone to repair it. The next time someone promises to flood you with light to erase your dark, you insist them you’re fine the way you are. They tell you there’s hope, that they had holes in their chest too, that they know how to patch them up. When they offer you a bottle in exchange for your mouth, you tell them you’re not looking for a way out. No, thank you, you tell them. Even though you are filled with ruins and rubble, you are as much your light as you are your dark.
Lora Mathis
When I got to school the next morning I had stepped only one foot in the quad when he spotted me and nearly tackled me to the ground. “Jamie!” he hollered, rushing across the lawn without caring the least bit about the scene he was creating. The next thing I knew, my feet were off the ground and I was squished so tightly in Ryan’s arms that I could barely breathe. “Okay, Ryan?” I coughed in a hushed tone. “This is exactly the kind of thing that can get you killed.” “I don’t care, I’m not letting go. Don’t ever disappear like that again!” he scolded, but his voice was more relieved than angry. “It’s been days! You had your mother worried sick!” “My mother?” I questioned sarcastically. Ryan laughed as he finally set me back on my feet. “Okay, fine, me too.” He still wouldn’t let go of me, though. He was gripping my arms while he looked at me with those eyes, and that smile… You know, being all Ryan-ish. And then, when I got lost in the moment, he totally took advantage of how whipped I was and he kissed me. The jerk. He just pulled my face to his right then and there, in the middle of a crowded quad full of students, where I could have accidentally unleashed an electrical storm at any moment. And okay, maybe I liked it, and maybe I even needed it, but still! You can’t just go kissing Jamie Baker whenever you want, even if you are Ryan Miller! “Ryan!” I yelled as soon as I was able to pull away from him—which admittedly took a minute. “I’m sorry.” Ryan laughed with this big dopey grin on his face and then kissed me some more. I had to push him away from me. “Don’t be sorry, just stop!” I realized I was screaming at him when I felt a hundred different pairs of eyes on me. I tried to ignore the audience that Ryan seemed oblivious to and dropped the audio a few decibels. “I wasn’t kidding when I said this has to stop. Look, I will be your friend. I want to be your friend. But that’s it. We can’t be anything more. It’ll never work.” Ryan watched me for a minute and then whispered, “Don’t do that.” I was shocked to hear the sudden emotion in his voice. “Don’t give up.” It was hopeless. “Fine!” I snapped. “I’ll be your stupid girlfriend!” Big shocker, me giving Ryan his way, I know. But let’s face it—it’s just what I do best. I had to at least act a little tough, though. “But!” I said in the harshest voice I was capable of. “You can’t ever touch me unless I say. No more tackling me, and especially no more surprise kissing.” He actually laughed at my request. “No promises.” Stupid, cocky boyfriend. “You’re crazy. You know that, right?” Ryan got this big cheesy smile on his face and said, “Crazy about you.” “Ugh,” I groaned. “Would you be serious for a minute? Why do you insist on putting your life in danger?” “Because I like you.” His stupid grin was infectious. I wanted to be angry, but how could I with him looking at me like that? “I’m not worth it, you know,” I said stubbornly. “I have issues. I’m unstable.” “You’re cute when you’re unstable,” Ryan said, “and I like your issues.” The stupid boy was straight-up giddy now. But he was so cute that I cracked a smile despite myself. “You really are crazy,” I muttered.
Kelly Oram (Being Jamie Baker (Jamie Baker, #1))
Reader: Will you not admit that you are arguing against yourself? You know that what the English obtained in their own country they obtained by using brute force. I know you have argued that what they have obtained is useless, but that does not affect my argument. They wanted useless things and they got them. My point is that their desire was fulfilled. What does it matter what means they adopted? Why should we not obtain our goal, which is good, by any means whatsoever, even by using violence? Shall I think of the means when I have to deal with a thief in the house? My duty is to drive him out anyhow. You seem to admit that we have received nothing, and that we shall receive nothing by petitioning. Why, then, may we do not so by using brute force? And, to retain what we may receive we shall keep up the fear by using the same force to the extent that it may be necessary. You will not find fault with a continuance of force to prevent a child from thrusting its foot into fire. Somehow or other we have to gain our end. Editor: Your reasoning is plausible. It has deluded many. I have used similar arguments before now. But I think I know better now, and I shall endeavour to undeceive you. Let us first take the argument that we are justified in gaining our end by using brute force because the English gained theirs by using similar means. It is perfectly true that they used brute force and that it is possible for us to do likewise, but by using similar means we can get only the same thing that they got. You will admit that we do not want that. Your belief that there is no connection between the means and the end is a great mistake. Through that mistake even men who have been considered religious have committed grievous crimes. Your reasoning is the same as saying that we can get a rose through planting a noxious weed. If I want to cross the ocean, I can do so only by means of a vessel; if I were to use a cart for that purpose, both the cart and I would soon find the bottom. "As is the God, so is the votary", is a maxim worth considering. Its meaning has been distorted and men have gone astray. The means may be likened to a seed, the end to a tree; and there is just the same inviolable connection between the means and the end as there is between the seed and the tree. I am not likely to obtain the result flowing from the worship of God by laying myself prostrate before Satan. If, therefore, anyone were to say : "I want to worship God; it does not matter that I do so by means of Satan," it would be set down as ignorant folly. We reap exactly as we sow. The English in 1833 obtained greater voting power by violence. Did they by using brute force better appreciate their duty? They wanted the right of voting, which they obtained by using physical force. But real rights are a result of performance of duty; these rights they have not obtained. We, therefore, have before us in English the force of everybody wanting and insisting on his rights, nobody thinking of his duty. And, where everybody wants rights, who shall give them to whom? I do not wish to imply that they do no duties. They don't perform the duties corresponding to those rights; and as they do not perform that particular duty, namely, acquire fitness, their rights have proved a burden to them. In other words, what they have obtained is an exact result of the means they adapted. They used the means corresponding to the end. If I want to deprive you of your watch, I shall certainly have to fight for it; if I want to buy your watch, I shall have to pay you for it; and if I want a gift, I shall have to plead for it; and, according to the means I employ, the watch is stolen property, my own property, or a donation. Thus we see three different results from three different means. Will you still say that means do not matter?
Mahatma Gandhi
It’s that time of the month again… As we head into those dog days of July, Mike would like to thank those who helped him get the toys he needs to enjoy his summer. Thanks to you, he bought a new bass boat, which we don’t need; a condo in Florida, where we don’t spend any time; and a $2,000 set of golf clubs…which he had been using as an alibi to cover the fact that he has been remorselessly banging his secretary, Beebee, for the last six months. Tragically, I didn’t suspect a thing. Right up until the moment Cherry Glick inadvertently delivered a lovely floral arrangement to our house, apparently intended to celebrate the anniversary of the first time Beebee provided Mike with her special brand of administrative support. Sadly, even after this damning evidence-and seeing Mike ram his tongue down Beebee’s throat-I didn’t quite grasp the depth of his deception. It took reading the contents of his secret e-mail account before I was convinced. I learned that cheap motel rooms have been christened. Office equipment has been sullied. And you should think twice before calling Mike’s work number during his lunch hour, because there’s a good chance that Beebee will be under his desk “assisting” him. I must confess that I was disappointed by Mike’s over-wrought prose, but I now understand why he insisted that I write this newsletter every month. I would say this is a case of those who can write, do; and those who can’t do Taxes. And since seeing is believing, I could have included a Hustler-ready pictorial layout of the photos of Mike’s work wife. However, I believe distributing these photos would be a felony. The camera work isn’t half-bad, though. It’s good to see that Mike has some skill in the bedroom, even if it’s just photography. And what does Beebee have to say for herself? Not Much. In fact, attempts to interview her for this issue were met with spaced-out indifference. I’ve had a hard time not blaming the conniving, store-bought-cleavage-baring Oompa Loompa-skinned adulteress for her part in the destruction of my marriage. But considering what she’s getting, Beebee has my sympathies. I blame Mike. I blame Mike for not honoring the vows he made to me. I blame Mike for not being strong enough to pass up the temptation of readily available extramarital sex. And I blame Mike for not being enough of a man to tell me he was having an affair, instead letting me find out via a misdirected floral delivery. I hope you have enjoyed this new digital version of the Terwilliger and Associates Newsletter. Next month’s newsletter will not be written by me as I will be divorcing Mike’s cheating ass. As soon as I press send on this e-mail, I’m hiring Sammy “the Shark” Shackleton. I don’t know why they call him “the Shark” but I did hear about a case where Sammy got a woman her soon-to-be ex-husband’s house, his car, his boat and his manhood in a mayonnaise jar. And one last thing, believe me when I say I will not be letting Mike off with “irreconcilable differences” in divorce court. Mike Terwilliger will own up to being the faithless, loveless, spineless, useless, dickless wonder he is.
Molly Harper (And One Last Thing ...)
But what I would like to know," says Albert, "is whether there would not have been a war if the Kaiser had said No." "I'm sure there would," I interject, "he was against it from the first." "Well, if not him alone, then perhaps if twenty or thirty people in the world had said No." "That's probable," I agree, "but they damned well said Yes." "It's queer, when one thinks about it," goes on Kropp, "we are here to protect our fatherland. And the French are over there to protect their fatherland. Now who's in the right?" "Perhaps both," say I without believing it. "Yes, well now," pursues Albert, and I see that he means to drive me into a corner, "but our professors and parsons and newspapers say that we are the only ones that are right, and let's hope so;--but the French professors and parsons and newspapers say that the right is on their side, now what about that?" "That I don't know," I say, "but whichever way it is there's war all the same and every month more countries coming in." Tjaden reappears. He is still quite excited and again joins the conversation, wondering just how a war gets started. "Mostly by one country badly offending another," answers Albert with a slight air of superiority. Then Tjaden pretends to be obtuse. "A country? I don't follow. A mountain in Germany cannot offend a mountain in France. Or a river, or a wood, or a field of wheat." "Are you really as stupid as that, or are you just pulling my leg?" growls Kropp, "I don't mean that at all. One people offends the other--" "Then I haven't any business here at all," replies Tjaden, "I don't feel myself offended." "Well, let me tell you," says Albert sourly, "it doesn't apply to tramps like you." "Then I can be going home right away," retorts Tjaden, and we all laugh, "Ach, man! he means the people as a whole, the State--" exclaims Mller. "State, State"--Tjaden snaps his fingers contemptuously, "Gendarmes, police, taxes, that's your State;--if that's what you are talking about, no, thank you." "That's right," says Kat, "you've said something for once, Tjaden. State and home-country, there's a big difference." "But they go together," insists Kropp, "without the State there wouldn't be any home-country." "True, but just you consider, almost all of us are simple folk. And in France, too, the majority of men are labourers, workmen, or poor clerks. Now just why would a French blacksmith or a French shoemaker want to attack us? No, it is merely the rulers. I had never seen a Frenchman before I came here, and it will be just the same with the majority of Frenchmen as regards us. They weren't asked about it any more than we were." "Then what exactly is the war for?" asks Tjaden. Kat shrugs his shoulders. "There must be some people to whom the war is useful." "Well, I'm not one of them," grins Tjaden. "Not you, nor anybody else here." "Who are they then?" persists Tjaden. "It isn't any use to the Kaiser either. He has everything he can want already." "I'm not so sure about that," contradicts Kat, "he has not had a war up till now. And every full-grown emperor requires at least one war, otherwise he would not become famous. You look in your school books." "And generals too," adds Detering, "they become famous through war." "Even more famous than emperors," adds Kat. "There are other people back behind there who profit by the war, that's certain," growls Detering. "I think it is more of a kind of fever," says Albert. "No one in particular wants it, and then all at once there it is. We didn't want the war, the others say the same thing--and yet half the world is in it all the same.
Erich Maria Remarque (All Quiet on the Western Front)