Divorce Announcement Quotes

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He announces that lately he keeps losing things. "Like your wife and child," I want to say, but don´t. At fourty, I´ve learned not to say everything clever, not to score every point.
Suzanne Finnamore (Split: A Memoir of Divorce)
A united front announcing a split.
Sarah Dessen (That Summer)
Brad (Lauren's ex) ignored Hayley (she's Brad's ex girlfriend) and looked at me, he did a top to toe and back again then his gaze moved to Tate. "I'm here to tell you I'm suing you," he announced. Jim-Billy, Nadine, Steg, Wing and my eyes moved to Tate. Tate stared at Brad then he said, "Come again?" "I'm suing you," Brad repeated. "For what?" Tate asked. "Alienation of affection," Brad answered. Without hesitation, Tate threw his head back and burst out laughing. Then he looked at me and remarked, "You're right, babe, this is fun." Ignoring Tate's comment, Brad declared, "You stole my wife." Tate looked back at Brad. "Yeah, bud, I did." Brad pointed at Tate and his voice was raised when he proclaimed, "See? You admit it." He threw his arm out. "I have witnesses." "Not that any judge'll hear your case, seein' as Lauren divorced your ass before I alienated her affection, but you manage it, I'll pay the fine. In the meantime, I'll keep alienating her affection. You should know, and feel free to share it with your lawyers," Tate continued magnanimously, "schedule's comin' out mornin' and night. Usually, in the mornin', she sucks me off or I make her come in the shower. Night, man…shit, that's even better. Definitely worth the fine." Sorry, it's just too long; I have to cut it off. But it continues…like that: "This is the good life?" (Brad) "Part of it," Tate replied instantly, taking his fists from the bar, leaning into his forearms and asking softly, in a tone meant both to challenge and provoke, "She ever ignite, lose so much control she'd attack you? Climb on top and fuck you so hard she can't breathe?" I watched Brad suffer that blow because I hadn't, not even close. We'd had good sex but not that good and Brad was extremely proud of his sexual prowess. He was convinced he was the best. And he knew, with Tate's words, he was wrong. "Jesus, you're disgusting," Brad muttered, calling up revulsion to save face. "She does that to me," Tate continued. "Fuck off," Brad snapped. "All the fuckin' time," Tate pushed. "Fuck off," Brad repeated. "It's fuckin' magnificent," Tate declared. "Thanks, honey," I whispered and grinned at him when his eyes came to me. I was actually expressing gratitude, although embarrassed by his conversation, but I was also kind of joking to get in Brad's face. Tate wasn't. His expression was serious when he said, "You are, Ace. Fuckin' magnificent.
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
As an adult, I've met an ocean of divorced people. I might even know more divorced people than married people, because I live in godless Los Angeles, where if you're engaged it simply means you're publicly announcing that you are dating a person monogamishly.
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
Kitsch. Can't think of Engl. trans. for this word. A copy that's so proud of how close it comes to the original that it believes there's more worth in this closeness than in originality itself. "It looks like...!" Imposture of feeling over actual emotion; sentimentality over sentiment. Kitsch can also be in the eye: "The sunset looks like a painting!" Because artifice is now the ultimate standard, the original (sunset) has to be turned into a fake (painting), so that the latter may provide the measure of the former's beauty. Kitsch is always a form of inverted Platonism, prizing imitation over archetype. And in every case, it's related to an inflation of aesthetic value, as seen in the worst kind of kitsch: "classy" kitsch. Solemn, ornamental, grand. Ostentatiously, arrogantly announcing its divorce from authenticity.
Hernan Diaz (Trust)
One day in the Little Theater of Hurt Feelings the husband announces that he would like to try a separation. The wife is stunned. He has said nothing to her until now. But the shrink discourages it. “You might as well just get divorced,” she says.
Jenny Offill (Dept. of Speculation)
One night my mother and Mike came home from dinner and announced that they were married, which, much to our horror, seemed to mean he wasn’t going home. Several months later, I came in from playing to find a boy a few years older than I was in the kitchen. I told him to get out of my house and then he told me to get out of his house. That was how I discovered I had four stepsiblings. That was how my stepbrother Mikey discovered his father had remarried. I can only assume those books about how to discuss divorce and remarriage with your children had not yet been written, or that no one in this time-strapped, cash-strapped family consisting now of six children had the resources to go to the bookstore.
Ann Patchett (This Is the Story of a Happy Marriage)
I’m dumb a lot of the time, but the best dumb decision I ever made was marrying you. Because now I know why I could spend forever with you, and only you. I know we’re supposed to stand up here and announce some bogus divorce, but I don’t want that. I want us.” My voice breaks. “Always. Forever. Because I am so fucking in love with you, I don’t know myself without you.
Eden Finley (Irresponsible Puckboy (Puckboys, #2))
These questions weren’t really about him; no, they were questions about how perceptive people were and what they missed and who else was about to announce their divorce and whether the undercurrent of tension in their own marriages would eventually lead to their demise. Did the fight I had with my wife on our actual anniversary that was particularly vicious mean we’re going to get divorced? Do we argue too much? Do we have enough sex? Is everyone else having more sex? Can you get divorced within six months of an absentminded hand-kiss at a bat mitzvah? How miserable is too miserable? How miserable is too miserable? One day he would not be recently divorced, but he would never forget those questions, the way people pretended to care for him while they were really asking after themselves.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
Could not interesting little experiment be tried, by possessor of unusual amount of moral courage, in the shape of suddenly producing perfectly brand new opinions: for example, to the effect that Americans have better manners than we have, or that their divorce laws are a great improvement over our own? Should much like to see the effect of these, or similar, psychological bombs, but should definitely wish Robert to be absent from the scene. Announcement of tea breaks off these intelligent speculations and I am struck, as usual, by the infinite superiority of other people's food to my own.
E.M. Delafield (The Diary of a Provincial Lady)
These questions weren't really about him; no, they were questions about how perceptive people were and what they missed and who else was about to announce their divorce and whether the undercurrent of tension in their own marriages would eventually lead to their demise. Did the fight I had with my wife on our actual anniversary that was particularly vicious mean we're going to get divorced? Do we argue too much? Do we have enough sex? Is everyone else having more sex? Can you get divorced within six months of an absentminded hand-kiss at a bat mitzvah? How miserable is too miserable? How miserable is too miserable? (13)
Taffy Brodesser-Akner (Fleishman Is in Trouble)
Bar associations and even courts themselves regularly sponsor public seminars counseling mothers on how to fabricate abuse accusations. “With child abuse and spouse abuse you don’t have to prove anything,” the leader of one seminar quoted in the Chicago Tribune tells divorcing women. “You just have to accuse.”227 “The number of women attending the seminars who smugly—indeed boastfully—announced that they had already sworn out false or grossly exaggerated domestic violence complaints against their hapless husbands, and that the device worked!” writes an astonished Thomas Kiernan in the New Jersey Law Journal. “To add amazement to my astonishment, the lawyer-lecturers invariably congratulated the self-confessed miscreants.
Stephen Baskerville
Behind Garber’s desk was a man I had never seen before. He was a colonel. He was in BDUs. His tape said: Willard, U.S. Army. He had iron-gray hair parted in a schoolboy style. It needed a trim. He had steel-rimmed eyeglasses and the kind of gray pouchy face that must have looked old when he was twenty. He was short and relatively squat and the way his shoulders failed to fill his BDUs told me he spent no time at all in the gym. He had a problem sitting still. He was rocking to his left and plucking at his pants where they went tight over his right knee. Before I had been in the room ten seconds he had adjusted his position three times. Maybe he had hemorrhoids. Maybe he was nervous. He had soft hands. Ragged nails. No wedding band. Divorced, for sure. He looked the type. No wife would let him walk about with hair like that. And no wife could have stood all that rocking and twitching. Not for very long. I should have come smartly to attention and saluted and announced: Sir, Major Reacher reports.
Lee Child (The Enemy (Jack Reacher, #8))
Many people find it hard to understand what it is about a mountain that draws men and women to risk their lives on her freezing, icy faces--all for a chance at that single, solitary moment on the top. It can be hard to explain. But I also relate to the quote that says: “If you have to ask, you will never understand.” I just felt that maybe this was it: my first real, and possibly only, chance to follow that dream of one day standing on the summit of Mount Everest. Deep down, I knew that I should take it. Neil agreed to my joining his Everest team on the basis of how I’d perform on an expedition that October to the Himalayas. As I got off the phone from speaking to Neil, I had a sinking feeling that I had just made a commitment that was going to change my life forever--either for the better or for the worse. But I had wanted a fresh start--this was it, and I felt alive. A few days later I announced the news to my family. My parents--and especially my sister, Lara--called me selfish, unkind, and then stupid. Their eventual acceptance of the idea came with the condition that if I died then my mother would divorce my father, as he had been the man who had planted the “stupid idea” in my head in the first place, all those years earlier. Dad just smiled. Time eventually won through, even with my sister, and all their initial resistance then turned into a determination to help me--predominantly motivated by the goal of trying to keep me alive. As for me, all I had to ensure was that I kept my promise to be okay. As it happened, four people tragically died on Everest while we were there: four talented, strong climbers. It wasn’t within my capability to make these promises to my family. My father knew that.
Bear Grylls (Mud, Sweat and Tears)
Are-are you leaving?” She saw his shoulders stiffen at the sound of her voice, and when he turned and looked at her, she could almost feel the effort he was exerting to keep his rage under control. “You’re leaving,” he bit out. In silent, helpless protest Elizabeth shook her head and started slowly across the carpet, dimly aware that this was worse, much worse than merely standing up in front of several hundred lords in the House. “I wouldn’t do that, if I were you,” he warned softly. “Do-do what?” Elizabeth said shakily. “Get any nearer to me.” She stopped cold, her mind registering the physical threat in his voice, refusing to believe it, her gaze searching his granite features. “Ian,” she began, stretching her hand out in a gesture of mute appeal, then letting it fall to her side when her beseeching move got nothing from him but a blast of contempt from his eyes. “I realize,” she began again, her voice trembling with emotion while she tried to think how to begin to diffuse his wrath, “that you must despise me for what I’ve done.” “You’re right.” “But,” Elizabeth continued bravely, “I am prepared to do anything, anything to try to atone for it. No matter how it must seem to you now, I never stopped loving-“ His voice cracked like a whiplash. “Shut up!” “No, you have to listen to me,” she said, speaking more quickly now, driven by panic and an awful sense of foreboding that nothing she could do or say would ever make him soften. “I never stopped loving you, even when I-“ “I’m warning you, Elizabeth,” he said in a murderous voice, “shut up and get out! Get out of my house and out of my life!” “Is-is it Robert? I mean, do you not believe Robert was the man I was with?” “I don’t give a damn who the son of a bitch was.” Elizabeth began to quake in genuine terror, because he meant that-she could see that he did. “It was Robert, exactly as I said,” she continued haltingly. “I can prove it to you beyond any doubt, if you’ll let me.” He laughed at that, a short, strangled laugh that was more deadly and final than his anger had been. “Elizabeth, I wouldn’t believe you if I’d seen you with him. Am I making myself clear? You are a consummate liar and a magnificent actress.” “If you’re saying that be-because of the foolish things I said in the witness box, you s-surely must know why I did it.” His contemptuous gaze raked her. “Of course I know why you did it! It was a means to an end-the same reason you’ve had for everything you do. You’d sleep with a snake if it gave you a means to an end.” “Why are you saying this?” she cried. “Because on the same day your investigator told you I was responsible for your brother’s disappearance, you stood beside me in a goddamned church and vowed to love me unto death! You were willing to marry a man you believed could be a murderer, to sleep with a murderer.” “You don’t believe that! I can prove it somehow-I know I can, if you’ll just give me a chance-“ “No.” “Ian-“ “I don’t want proof.” “I love you,” she said brokenly. “I don’t want your ‘love,’ and I don’t want you. Now-“ He glanced up when Dolton knocked on the door. “Mr. Larimore is here, my lord.” “Tell him I’ll be with him directly,” Ian announced, and Elizabeth gaped at him. “You-you’re going to have a business meeting now?” “Not exactly, my love. I’ve sent for Larimore for a different reason this time.” Nameless fright quaked down Elizabeth’s spine at his tone. “What-what other reason would you have for summoning a solicitor at a time like this?” “I’m starting divorce proceedings, Elizabeth.” “You’re what?” she breathed, and she felt the room whirl. “On what grounds-my stupidity?” “Desertion,” he bit out.
Judith McNaught (Almost Heaven (Sequels, #3))
I would like to announce that my marriage to Brock McCain is undergoing a transition period. Although we will be dissolving our marriage, our friendship will remain strong. Over the past couple of years, our schedules have taken us away from each other for lengthy periods of time. That, along with a shift in our growth as individuals, has resulted in a relationship built on mutual respect, but no longer one with a romantic connection. I know this will come as a shock to many who thought of ours as a 'marriage made in heaven' and for that, I apologize. We are public figures, but certain aspects of our relationship remain private. I wish Brock all the best as we both embark on new paths.
Melanie Summers (A Hollywood Ending)
Kitsch. Can’t think of Engl. trans. for this word. A copy that’s so proud of how close it comes to the original that it believes there’s more worth in this closeness than in originality itself. “It looks just like . . . !” Imposture of feeling over actual emotion; sentimentality over sentiment. Kitsch can also be in the eye: “The sunset looks like a painting!” Because artifice is now the ultimate standard, the original (sunset) has to be turned into a fake (painting), so that the latter may provide the measure of the former’s beauty. Kitsch is always a form of inverted Platonism, prizing imitation over archetype. And in every case, it’s related to an inflation of aesthetic value, as seen in the worst kind of kitsch: “classy” kitsch. Solemn, ornamental, grand. Ostentatiously, arrogantly announcing its divorce from authenticity.
Hernan Diaz (Trust)
she appeared in the doorway of his study and placidly announced she was leaving him. "It's you, not me," she said.
Kate Atkinson (Death at the Sign of the Rook (Jackson Brodie, #6))
I might even know more divorced people than married people, because I live in godless Los Angeles, where if you’re engaged it simply means you’re publicly announcing that you are dating a person monogamishly. I
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
On the same day that Marcelle Navratil arrived in New York, a brand-new movie entitled Saved from the Titanic was announced on the marquees of the city’s nickelodeons. The ten-minute silent film had been made in three weeks at Éclair’s studios in New Jersey and starred a real-life survivor of the shipwreck, Miss Dorothy Gibson, wearing the same white silk dress and black pumps in which she had escaped from the sinking liner. Dorothy had at first been unwilling to relive her ordeal so soon after the disaster and according to one newspaper there were times during the filming when she had “practically lost her reason by virtue of the terrible strain she had been under.” The one-reeler, which was produced by Jules Brulatour, would be Dorothy’s last film since she then embarked on a career in opera. This would prove to be short-lived, as would her marriage to Brulatour in 1917. Following a generous divorce settlement in 1919, the prettiest girl retreated from public attention and was never seen on stage or screen again.
Hugh Brewster (Gilded Lives, Fatal Voyage: The Titanic's First-Class Passengers and Their World)