Pillar Of Love Quotes

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And Lot's wife, of course, was told not to look back where all those people and their homes had been. But she did look back, and I love her for that, because it was so human. So she was turned into a pillar of salt. So it goes.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
Let there be spaces in your togetherness, And let the winds of the heavens dance between you. Love one another but make not a bond of love: Let it rather be a moving sea between the shores of your souls. Fill each other's cup but drink not from one cup. Give one another of your bread but eat not from the same loaf. Sing and dance together and be joyous, but let each one of you be alone, Even as the strings of a lute are alone though they quiver with the same music. Give your hearts, but not into each other's keeping. For only the hand of Life can contain your hearts. And stand together, yet not too near together: For the pillars of the temple stand apart, And the oak tree and the cypress grow not in each other's shadow.
Kahlil Gibran (The Prophet)
I loved you, so I drew these tides of men into my hands/and wrote my will across the sky in stars
T.E. Lawrence (Seven Pillars of Wisdom: A Triumph)
But she did look back, and I love her for that, because it was so human. So she was turned to a pillar of salt. So it goes. People aren't supposed to look back. I'm certainly not going to do it anymore.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
She loved him because he had brought her back to life. She had been like a caterpillar in a cocoon, and he had drawn her out and shown her that she was a butterfly.
Ken Follett (The Pillars of the Earth (Kingsbridge, #1))
Love rests on two pillars: surrender and autonomy. Our need for togetherness exists alongside our need for separateness.
Esther Perel (Mating in Captivity: Reconciling the Erotic and the Domestic)
She wanted to say 'I love you like a thunderstorm, like a lion, like a helpless rage'...
Ken Follett (The Pillars of the Earth (Kingsbridge, #1))
It's impossible to be the Mockingjay. Impossible to complete even this one sentence. Because now I know that everything I say will be directly taken out on Peeta. Result in his torture. But not his death, no, nothing so merciful as that. Snow will ensure that his life is much more worse than death. "Cut," I hear Cressida say quietly. "What's wrong with her?" Plutarch says under his breath. "She's figured out how Snow's using Peeta," says Finnick. There's something like a collective sigh of regret from that semicircle of people spread out before me. Because I know this now. Because there will never be a way for me to not know this again. Because, beyond the military disadvantage losing a entails, I am broken. Several sets of arms would embrace me. But in the end, the only person I truly want to comfort me is Haymitch, because he loves Peeta, too. I reach out for him and say something like his name and he's there, holding me and patting my back. "It's okay. It'll be okay, sweetheart." He sits me on a length of broken marble pillar and keeps an arm around me while I sob. "I can't do this anymore," I say. "I know," he says.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
How many times have you tried to talk to someone about something that matters to you, tried to get them to see it the way you do? And how many of those times have ended with you feeling bitter, resenting them for making you feel like your pain doesn't have any substance after all? Like when you've split up with someone, and you try to communicate the way you feel, because you need to say the words, need to feel that somebody understands just how pissed off and frightened you feel. The problem is, they never do. "Plenty more fish in the sea," they'll say, or "You're better off without them," or "Do you want some of these potato chips?" They never really understand, because they haven't been there, every day, every hour. They don't know the way things have been, the way that it's made you, the way it has structured your world. They'll never realise that someone who makes you feel bad may be the person you need most in the world. They don't understand the history, the background, don't know the pillars of memory that hold you up. Ultimately, they don't know you well enough, and they never can. Everyone's alone in their world, because everybody's life is different. You can send people letters, and show them photos, but they can never come to visit where you live. Unless you love them. And then they can burn it down.
Michael Marshall Smith (Only Forward)
Several sets of arms would embrace me. But in the end, the only person I truly want to comfort me is Haymitch, because he loves Peeta, too. I reach out for him and say something like his name and he's there, holding me and patting my back. "It's okay. It'll be okay, sweetheart." He sits me on a length of broken marble pillar and keeps an arm around me while I sob.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
A father’s tears and fears are unseen, his love is unexpressed, but his care and protection remains as a pillar of strength throughout our lives.
Ama H. Vanniarachchy
In Blackwater Woods Look, the trees are turning their own bodies into pillars of light, are giving off the rich fragrance of cinnamon and fulfillment, the long tapers of cattails are bursting and floating away over the blue shoulders of the ponds, and every pond, no matter what its name is, is nameless now. Every year everything I have ever learned in my lifetime leads back to this: the fires and the black river of loss whose other side is salvation, whose meaning none of us will ever know. To live in this world you must be able to do three things: to love what is mortal; to hold it against your bones knowing your own life depends on it; and, when the time comes to let it go, to let it go.
Mary Oliver (New and Selected Poems, Volume One)
Kell has only two faces. The one he wears for the world at large, and the one he wears for those he loves.” He sipped his wine. “For us.” Lila’s expression hardened. “Whatever he feels for me, it isn’t love.” “Because it isn’t soft and sweet and doting?” Rhy rocked back, stretching against the pillar. “Do you know how many times he’s nearly beat me senseless out of love? How many times I’ve done the same? I’ve seen the way he looks at those he hates …” He shook his head. “There are very few things my brother cares about, and even fewer people.
V.E. Schwab (A Gathering of Shadows (Shades of Magic, #2))
You were born together, and together you shall be forevermore. You shall be together when the white wings of death scatter your days. Ay, you shall be together even in the silent memory of God. But let there be spaces in your togetherness, And let the winds of the heavens dance between you. Love one another, but make not a bond of love: Let it rather be a moving sea between the shores of your souls. Fill each other's cup but drink not from one cup. Give one another of your bread but eat not from the same loaf Sing and dance together and be joyous, but let each one of you be alone, Even as the strings of a lute are alone though they quiver with the same music. Give your hearts, but not into each other's keeping. For only the hand of Life can contain your hearts. And stand together yet not too near together: For the pillars of the temple stand apart, And the oak tree and the cypress grow not in each other's shadow.
Kahlil Gibran
Carnal apple, Woman filled, burning moon, dark smell of seaweed, crush of mud and light, what secret knowledge is clasped between your pillars? What primal night does Man touch with his senses? Ay, Love is a journey through waters and stars, through suffocating air, sharp tempests of grain: Love is a war of lightning, and two bodies ruined by a single sweetness. Kiss by kiss I cover your tiny infinity, your margins, your rivers, your diminutive villages, and a genital fire, transformed by delight, slips through the narrow channels of blood to precipitate a nocturnal carnation, to be, and be nothing but light in the dark.
Pablo Neruda
Men will allow God to be everywhere but on his throne. They will allow him to be in his workshop to fashion worlds and make stars. They will allow Him to be in His almonry to dispense His alms and bestow his bounties. they will allow Him to sustain the earth and bear up the pillars thereof, or light the lamps of heaven, or rule the waves of the ever-moving ocean; but when God ascends Hes throne, His creatures then gnash their teeth. And we proclaim an enthroned God, and His right to do as He wills with His own, to dispose of His creatures as He thinks well, without consulting them in the matter; then it is that we are hissed and execrated, and then it is that men turn a deaf ear to us, for God on His throne is not the God they love. But it is God upon the throne that we love to preach. It is God upon His throne whom we trust.
Charles Haddon Spurgeon
I have always had a special affinity for libraries and librarians, for the most obvious reasons. I love books. (One of my first Jobs was shelving books at a branch of the Chicago Public Library.) Libraries are a pillar of any society. I believe our lack of attention to funding and caring for them properly in the United States has a direct bearing on problems of literacy, productivity, and our inability to compete in today's world. Libraries are everyman's free university.
John Jakes (Homeland (Crown Family Saga, #1))
I loved you, so I drew these tides of Men into my hands And wrote my will across the Sky and stars To earn you freedom, the seven Pillared worthy house, That your eyes might be Shining for me When we came Death seemed my servant on the Road, 'til we were near And saw you waiting: When you smiled and in sorrowful Envy he outran me And took you apart: Into his quietness Love, the way-weary, groped to your body, Our brief wage Ours for the moment Before Earth's soft hand explored your shape And the blind Worms grew fat upon Your substance Men prayed me that I set our work, The inviolate house, As a memory of you But for fit monument I shattered it, Unfinished: and now The little things creep out to patch Themselves hovels In the marred shadow Of your gift.
T.E. Lawrence (The Seven Pillars of Wisdom)
His long arms stretch out like comforting pillars, supporting my whole being in his embrace.
Dee Lestari (Rectoverso)
You can't love anyone or anything until you love your own existence first. Love can only grow out of a respect for your own life.
Terry Goodkind (The Pillars of Creation (Sword of Truth, #7))
I wasn’t sure I’d been born with the ability to forgive. Not for terrors inflicted on those I loved. For myself, I didn’t care—not nearly as much. But there was some fundamental pillar of steel in me that could not bend or break in this. Could not stomach the idea of letting these people get away with what they’d done.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
Wild Fremen said it well: "Four things cannot be hidden -- love, smoke, a pillar of fire and a man striding across the open bled.
Frank Herbert (Dune Messiah (Dune Chronicles, #2))
Give your hearts, but not into each other's keeping. For only the hand of Life can contain your hearts. And stand together, yet not too near together: For the pillars of the temple stand apart, And the oak tree and the cypress grow not in each other's shadow.
Kahlil Gibran (The Prophet)
Look, the trees are turning their own bodies into pillars of light, are giving off the rich fragrance of cinnamon and fulfillment, the long tapers of cattails are bursting and floating away over the blue shoulders of the ponds, and every pond, no matter what its name is, is nameless now. Every year everything I have ever learned in my lifetime leads back to this: the fires and the black river of loss whose other side is salvation, whose meaning none of us will ever know. To live in this world you must be able to do three things: to love what is mortal; to hold it against your bones knowing your own life depends on it; and, when the time comes to let it go, to let it go.
Mary Oliver (New and Selected Poems, Volume One)
She looked at his young face, so full of concern and tenderness; and she remembered why she had run away from everyone else and sought solitude here. She yearned to kiss him, and she saw the answering longing in his eyes. Every fiber of her body told her to throw herself into his arms, but she knew what she had to do. She wanted to say, I love you like a thunderstorm, like a lion, like a helpless rage; but instead she said: "I think I'm going to marry Alfred.
Ken Follett (The Pillars of the Earth (Kingsbridge, #1))
I loved you, so I drew these tides of men into my hands and wrote my will across the sky in stars To gain you Freedom, the seven-pillared worthy house, that your eyes might be shining for me When I came.
T.E. Lawrence (Seven Pillars of Wisdom: A Triumph)
He was the worst kind of Christian, Philip realized: he embraced all of the negatives, enforced every proscription, insisted on all forms of denial, and demanded strict punishment for every offence; yet he ignored all the compassion of Christianity, denied its mercy, flagrantly disobeyed its ethic of love, and openly flouted the gentle laws of Jesus.
Ken Follett (The Pillars of the Earth (Kingsbridge, #1))
He had seen - clever, clever boy that he was - that she could not be won by wooing; and he had approached her sidelong, as a friend rather than a lover, meeting her in the woods and telling her stories and making her love him without her noticing.
Ken Follett (The Pillars of the Earth (Kingsbridge, #1))
And Lot's wife, of course, was told not to look back where all those people and their homes had been. But she did look back, and I love her for that, because it was so human. So she was turned into a pillar of salt. People aren't supposed to look back. I'm certainly not going to do it anymore. I've finished my war book now. The next one I write is going to be fun. This one is a failure, and had to be, since it was written by a pillar of salt.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
Then the lord rained upon Sodom and upon Gomorrah brimstone and fire from the Lord out of Heaven; and He overthrew those cities, and all the plain, and all the inhabitants of the cities, and that which grew upon the ground. So it goes. Those were vile people in both those cities, as is well known. The world was better off without them. And Lot's wife, of course, was told not to look back where all those people and their homes had been. But she did look back, and I love her for that, because it was so human. So she was turned to a pillar of salt.
Kurt Vonnegut Jr.
He was seething inside with a new emotion. Nothing seemed very important anymore except the Princess. He was single-minded about her. He was enchanted. He was possessed. He was in love.
Ken Follett (The Pillars of the Earth (Kingsbridge, #1))
If only life were more on the scale of Orlando Bloom taking down the giant Oliphaunt in The Return of the King rather than the usual, tedious mall-crawl with the Abercrombie crowd! We often wish the daily grind held a greater resemblance to all those fantasy worlds we’ve come to love, don’t we? In our more desperate moments, we’re tempted to walk smack into pillars at subway stations, just to see if we end up at Platform Nine and Three-Quarters. And which of us, at some point in our not-so-distant childhood (yes, let’s be honest!), hasn’t pushed aside the coats in a closet, hoping to find an entrance to another world?
Sarah Arthur (Walking through the Wardrobe: A Devotional Quest into The Lion, The Witch, and The Wardrobe)
You don't love me, Sebastian. You don't have any idea what love really is. You can't love anyone or anything until you love your own existence, first. Love can only grow out of a respect for your own life. When you love yourself, your own existence, then you love someone who can enhance your existence, share it with you, and make it more pleasurable. When you hate yourself and believe your existence is evil, then you can only hate, you can only experience the shell of love, that longing for something good, but you have nothing to base it in but hatred. You taint the very concept of love, Sebastian, with your corrupted longing for it. You want me only to justify your hatred, to be your partner in self-loathing.
Terry Goodkind (The Pillars of Creation (Sword of Truth, #7))
Hope is a pillar of faith. It is pillar which holds our desired dreams.
Lailah Gifty Akita
Compassion stands on the pillars of trust, love, awareness and detachment.
Amit Ray (Nonviolence: The Transforming Power)
Oh thrice fools are we who like new-born princes weeping in the cradle know not that there is a kingdom before them then let our Lord's sweet hand square us and hammer us and strike off the knots of pride self-love and world-worship and infidelity that He may make us stones and pillars in His Father's house.
Samuel Rutherford
And Lot’s wife, of course, was told not to look back where all those people and their homes had been. But she did look back, and I love her for that, because it was so human. She was turned to a pillar of salt. So it goes. People aren’t supposed to look back. I’m certainly not going to do it anymore.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
I couldn’t be Pillar without you, and I still can’t. We’ve both hurt each other because we were too stubborn about what we expected, and we paid badly for that. But what’s the point of life if we give up on the people we love?” He enfolded her into his arms and stroked her smooth hair. He kissed her on the forehead and cheeks and mouth. “Wen, will you be my Pillarman?
Fonda Lee (Jade Legacy (The Green Bone Saga, #3))
You make the world come alive. You make the world colorful. You are the inspiration behind all that happens. You are the pillar of strength to many around you, the centrifugal force of your own little world, called family. I love being a women and celebrate being one everyday, hope you all do too!! And to all those who battle their various circumstances, the hurdles, the sacrifices and the compromises they make, wish them all inner strength! Happy Women's Day!
Deeba Salim Irfan
Love was magma, shooting from the Earth. It had the potential to form pillars of rock that would last for a thousand years or plumes of ash that choked the sky.
Diana Peterfreund (Across a Star-Swept Sea (For Darkness Shows the Stars, #2))
Love rests on two pillars: surrender and autonomy.
Esther Perel (Mating in Captivity: Unlocking Erotic Intelligence)
The 4 pillars Of the Greatest Religion ever Are Love Trust Character & Brotherhood...
Sujit Lalwani (Life Simplified!)
i want you to wipe away everything you know about love and start with one word kindness give it to them let them give it to you be two pillars equal in your love and you’ll carry empires on your backs
Rupi Kaur (Home Body)
But if I lack respect for and enjoyment of who I am, I have very little to give—except my unfilled needs. In my emotional impoverishment, I tend to see other people essentially as sources of approval or disapproval. I do not appreciate them for who they are in their own right. I see only what they can or cannot do for me. I am not looking for people whom I can admire and with whom I can share the excitement and adventure of life. I am looking for people who will not condemn me—and perhaps will be impressed by my persona, the face I present to the world. My ability to love remains undeveloped. This is one of the reasons why attempts at relationships so often fail—not because the vision of passionate or romantic love is intrinsically irrational, but because the self-esteem needed to support it is absent.
Nathaniel Branden (The Six Pillars of Self-Esteem)
When we doubt our minds, we tend to discount its products. If we fear intellectual self-assertiveness, perhaps associating it with loss of love, we mute our intelligence. We dread being visible; so we make ourselves invisible, then suffer because no one sees us.
Nathaniel Branden (The Six Pillars of Self-Esteem)
She wanted to say ‘I love you like a thunderstorm, like a lion, like a helpless rage’…
Ken Follett (The Pillars of the Earth (Kingsbridge, #1))
I'm not a wife, or a mother, or a pillar of the ton," she waved her unharmed arm as though the life she was describing was just beyond the room. "I'm invisible. So, why not stop being such a craven wallflower and start trying all the things that I've always dreamed of doing? Why not go to taverns adn drink scotch and fence? I confess, those things have been much more interesting than all the loathsome teas and balls and needlepoint with which I have traditionally occupied my time." She met his gaze again. "Does this make sense?" He nodded seriously. "It does. You're trying to find Callie.
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
He would recognize this later as the moment his center of gravity shifted: from being one of one—a pillar alone, apart—to being half of something that would fall if either side were cut away.
Laini Taylor (Strange the Dreamer (Strange the Dreamer, #1))
WHAT IS SAFE? Is safe the hands that hold you no matter what? Or is safe someone hurting enough to fight? Is safe the one who is strong as a pillar? Or is safe who wants to use the strength of two, not one? Is love safe? Or is it better to find comfort? Can there be comfort without love? Can passion come from warmth? Or does it need to come from fire?
Jolene Perry (My Heart for Yours (Crawford, #1))
I am responsible for my personal happiness. One of the characteristics of immaturity is the belief that it is someone else’s job to make me happy—much as it was once my parents’ job to keep me alive. If only someone would love me, then I would love myself. If only someone would take care of me, then I would be contented. If only someone would spare me the necessity of making decisions, then I would be carefree. If only someone would make me happy. Here’s a simple but powerful stem to wake one up to reality: If I take full responsibility for my personal happiness—. Taking responsibility for my happiness is empowering. It places my life back in my own hands. Ahead of taking this responsibility, I may imagine it will be a burden. What I discover is that it sets me free.
Nathaniel Branden (The Six Pillars of Self-Esteem)
He was pierced and scourged and mocked. He was cursed and raised up on a tree, but He was in that ancient pose of victory. An old man on a hill, a blind man between two pillars, the God Man on a cross. Glory is sacrifice, glory is exhaustion, glory is having nothing left to give. Almost. It is death by living. The earth shook. The roof came down. The world changed. The armies fled. That Moses kept his hands up.
N.D. Wilson (Death by Living: Life Is Meant to Be Spent)
When I look down into this fucked-out cunt of a whore I feel the whole world beneath me, a world tottering and crumbling, a world used up and polished like a leper's skull. If there were a man who dared to say all that he thought of this world there would not be left him a square foot of ground to stand on. When a man appears the world bears down on him and breaks his back. There are always too many rotten pillars left standing, too much festering humanity for man to bloom. The superstructure is a lie and the foundation is a huge quaking fear. If at intervals of centuries there does appear a man with a desperate, hungry look in his eye, a man that would turn the world upside down in order to create a new race, the love that he brings to the world is turned to bile and he becomes a scourge. If now and then we encounter pages that explode, pages that wound and sear, that wring groans and tears and curses, know that they come from a man with his back up, a man whose only defenses left are his words and his words are always stronger than the lying, crushing weight of the world, stronger than all the racks and wheels which the cowardly invent to crush out the miracle of personality. If any man ever dared to translate all that is in his heart, to put down what is really his experience, what is truly his truth, I think then the world would go to smash, that it would be blown to smithereens and no god, no accident, no will could ever again assemble the pieces, the atoms, the indestructible elements that have gone to make up the world.
Henry Miller (Tropic of Cancer (Tropic, #1))
if we have parents who raise us with love and respect; who allow us to experience consistent and benevolent acceptance; who give us the supporting structure of reasonable rules and appropriate expectations; who do not assail us with contradictions; who do not resort to ridicule, humiliation, or physical abuse as means of controlling us; who project that they believe in our competence and goodness—we have a decent chance of internalizing their attitudes and thereby of acquiring the foundation for healthy self-esteem.
Nathaniel Branden (The Six Pillars of Self-Esteem)
Persistence is the pillar of success.
Debasish Mridha
The three pillars of life;faith, hope and love.
Lailah Gifty Akita (Think Great: Be Great! (Beautiful Quotes, #1))
There is a vast difference between being in love and being loving. True love is built on the three pillars of complete loyalty, complete sacrifice, and complete trust.
Larry Barkdull (Rescuing Wayward Children: When a Loved One Goes Astray)
Maybe that's why falling in love becomes so important. The hope of it. Because it's the last standing pillar in the temple of thrill.
Heather McElhatton (Jennifer Johnson Is Sick of Being Single)
Stand together yet not too near together: For the pillars of the temples stand apart, And the oak tree and the cypress grow not in each others shadow.
Kahlil Gibran (The Prophet)
Someone who loves us passionately is motivated to know and understand us to a greater depth than someone with whom our relationship is more casual.
Nathaniel Branden (The Six Pillars of Self-Esteem)
I can be loved by my family, my mate, and my friends, and yet not love myself. I can be admired by my associates and yet regard myself as worthless.
Nathaniel Branden (The Six Pillars of Self-Esteem)
That is not true, but we lack the moral authority to endorse them (acts of euthanasia). What we do instead is what you have just seen. We commend the dying to Saint Hubert and tie them to a pillar in order to prolong and intensify their suffering.
Gabriel García Márquez (Of Love and Other Demons)
I looked through the Gideon Bible in my motel room for tales of great destruction. The sun was risen upon the Earth when Lot entered into Zo-ar, I read. Then the Lord rained upon Sodom and upon Gomorrah brimstone and fire from the Lord out of Heaven; and He overthrew those cities, and all the plain, and all the inhabitants of the cities, and that which grew upon the ground. So it goes. Those were vile people in both those cities, as is well known. The World was better off without them. And Lot's wife, of course, was told not to look back where all those people and their homes had been. But she did look back, and I love her for that, because it was so human. So she was turned to a pillar of salt. So it goes.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
Men are judged, and are encouraged to judge themselves, by how well they can financially take care of others. Men are socialized to be “servants” fully as much as women; only the forms of culturally encouraged servitude are different. If a man cannot support a woman, he tends to lose stature in her eyes and in his own.
Nathaniel Branden (Six Pillars of Self-Esteem)
Conversion can also occur among those who already have the faith. Christians will become real Christians, with less façade and more foundation. Catastrophe will divide them from the world, force them to declare their basic loyalties; it will revive shepherds who shepherd rather than administrate, reverse the proportion of saints and scholars in favor of saints, create more reapers for the harvest, more pillars of fire for the lukewarm; it will make the rich see that real wealth is in the service of the needy; and, above all else, it will make the glory of Christ’s Cross shine out in a love of the brethren for one another as true and loyal sons of God.
Fulton J. Sheen (Peace of Soul: Timeless Wisdom on Finding Serenity and Joy by the Century's Most Acclaimed Catholic Bishop)
Ninguem sabia o quanto ela o amava. Amava-o, porque ele a devolvera à vida. Ela vivia como uma lagarta dentro de um casulo, e Jack obrigara-a a sair cá para fora e mostrara-lhe que, afinal, era uma borboleta. (...) acordando o amor que jazia latente no seu coração, teria passado o resto da vida insensível às alegrias e penas do amor.
Ken Follett (The Pillars of the Earth (Kingsbridge, #1))
The infinite loves of two birds were broken. I and You were the two birds. The strong pillars of faith, trust, hope, conviction and whatever that makes a strong building, the building is obviously known as relations, were now go down. Those pillars lose their strength. They were no more able to balance my and yours’s infinite love..Tamanna breaks down
Prakhar Srivastav
Such disappointments, betrayals and reconciliations were the stuff of married life, but she and Jack had gone through them before the wedding. Now, at least, she felt confident that she knew him. Nothing was likely to surprise her. It was a funny way to do things, but it might be better than making your vows first and getting to know your spouse afterward.
Ken Follett (The Pillars of the Earth (Kingsbridge, #1))
Come, let us build bridges of love with each other with the cement of kindness and pillars of trust.
Debasish Mridha
To become happier, wiser, and more loving, sometimes you have to swim against ancient currents within your nervous system. For example, in some ways the three pillars of practice are unnatural: virtue restrains emotional reactions that worked well on the Serengeti, mindfulness decreases external vigilance, and wisdom cuts through beliefs that once helped us survive.
Rick Hanson (Buddha's Brain: The Practical Neuroscience of Happiness, Love, and Wisdom)
A heart given freely is the most vulnerable and selfless thing one can offer another human being. It can be as fragile and needy as a newly born infant, or as solid and self-supporting as a granite pillar, yet it is the hands of the recipient that determines its ultimate fate.
Mark W. Boyer
I loved you, so I drew these tides of men into my hands and wrote my will across the sky in stars To earn you Freedom, the seven-pillared worthy house, that your eyes might be shining for me When we came.   Death seemed my servant on the road, till we were near and saw you waiting: When you smiled, and in sorrowful envy he outran  me and took you apart: Into his quietness.
T.E. Lawrence (Seven Pillars of Wisdom)
But before I go, I have just one more thing to tell you: Something has spoken to me in the night, burning the tapers of the waning year; something has spoken in the night, and told me I shall die, I know not where. Saying: "To lose the earth you know, for greater knowing; to lose the life you have, for greater life; to leave the friends you loved, for greater loving; to find a land more kind than home, more large than earth---- "--Whereon the pillars of this earth are founded, towards which the conscience of the world is tending--a wind is rising, and the rivers flow.
Thomas Wolfe (You Can't Go Home Again)
How does one undermine the framework of racial reasoning? By dismantling each pillar slowly and systematically. The fundamental aim of this undermining and dismantling is to replace racial reasoning with moral reasoning, to understand the black freedom struggle not as an affair of skin pigmentation and racial phenotype but rather as a matter of ethical principles and wise politics, and to combat the black nationalist attempt to subordinate the issues and interests of black women by linking mature black self-love and self-respect to egalitarian relations within and outside black communities. The failure of nerve of black leadership is its refusal to undermine and dismantle the framework of racial reasoning.
Cornel West (Race Matters)
She loved him because he had brought her back to life. She had been like a caterpillar in a cocoon, and he had drawn her out and shown her that she was a butterfly. She would have spent her entire life numb to the joys and pains of love, if he had not walked into her secret glade, and shared his story poems with her, and kissed her so lightly, and then slowly, gently, awakened the love that lay dormant in her heart. He had been so patient, so tolerant, despite his youth. For that she would always love him." pg. 799
Ken Follett (The Pillars of the Earth (Kingsbridge, #1))
Their relationship would continue to grow, to change. There would always be pain, and they would be tested... Their triad had the shakiest of foundations, based as it was on mistrust, jealousy, and deception. But ships didn't need pillars pounded into the earth; no, they needed strong, protective hulls that could carry them over the ever-changing waves of an uncaring sea. With trust, hope... love--all things they had built together--they could weather anything.
Bey Deckard (Fated: Blood and Redemption (Baal's Heart, #3))
He was the worst kind of Christian, Philip realized: he embraced all of the negatives, enforced every proscription, insisted on all forms of denial, and demanded strict punishment for every offense; yet he ignored all the compassion of Christianity, denied its mercy, flagrantly disobeyed its ethic of love, and openly flouted the gentle laws of Jesus. That’s what the Pharisees were like, Philip thought; no wonder the Lord preferred to eat with publicans and sinners.
Ken Follett (The Pillars of the Earth (Kingsbridge, #1))
One pillar says to the other, “There is a soul connection between us... something that can’t be understood or seen... something at larger level.” Yes, the larger connection which they can’t see is that both are part of the same Karmic structure. But if they try to meet, the whole structure will crumble. Not all soul connections are meant to be materialized.
Shunya
As she searched, she looked down at the fallen architecture and read the names graffitied on its sides. Gracus loves Lucinda. Ethan loves Sarah. Michael loves Erin. For what seemed like days she ran her fingers over the names carved into the fragmented bones of ruined loves, stepping around the broken pillars of unkept vows and dusting headstones in the graveyard of love with her hands. Every kind of death had a resting place in the dry lands. She walked until her feet bled.
Josephine Angelini (Starcrossed (Starcrossed, #1))
I was thinking not very long ago about the difference between the people we "grew up" with vs. the people we're "growing old" with - not always being one and the same - and how time (and the memories we forge together) really does strengthen pretty much all of our relationships/friendships (whether they had started on the right foot or not). And I guess what I've mostly learned (by moving to NZ especially) is that the more Significant people you have in your life, the more 'manageable' the idea of loss, losing a loved-one, can become - not because you can replace them (obviously you can't) or because they're interchangeable (no one is), but because like a foundation to a house the more pillars you have (people you love) holding it up (loving you) the more solid/resilient you become - and from there, I find you're better equipped to overcome whatever life throws your way. That said time does pass us by very quickly. I find it much more noticeable through our growing kids than ever before.
Kim Dallmeier
Typically, people allow differences and mistakes to lower their respect and value for other people. But you know the pillar of honor is strong in a relationship when you can look at the other person and say, “You are really different from me. It makes me sad when I see you making that choice. But I love you. I value you, I believe in you, and I am here for you in this relationship.
Danny Silk (Keep Your Love On)
She opens her eyes. “Adelina?” she whispers, blinking. And all I can see before me is the little sister who used to braid my hair, who sang to me and whimpered under the stairs, who bandaged my broken finger and came to me when the thunder rolled outside. She is my sister, always, even in death, even beyond. My heart twists again as I think of what I am doing, and I choke back a sob. Oh, Magiano. I will miss all the days we will never have, all the moments we will never share. Forgive me, forgive me, forgive me. I open my mouth. I mean to tell my sister I’m sorry, sorry I couldn’t save her in the mountains, sorry I didn’t listen to her, I didn’t tell her more often that I loved her. I am ready to say a thousand words. But I say none of them. Instead, I say, “The deal is done.” A faint glow encircles Violetta. The pillar vanishes. She sucks in a deep gasp of air, then falls to her knees. She is alive.
Marie Lu (The Midnight Star (The Young Elites, #3))
Our caresses, our tender words, our still rapture under the influence of autumn sunsets, or pillared vistas, or calm majestic statues, or Beethoven symphonies, all bring with them the consciousness that they are mere waves and ripples in an unfathomable ocean of love and beauty; our emotion in its keenest moment passes from expression to silence, our love at its highest flood rushes beyond its object, and loses itself in the sense of divine mystery.
George Eliot (Adam Bede)
Well, the black man has functioned in the white man's world as a fixed star, as an immovable pillar: and as he moves out of his place, heaven and earth are shaken to their foundations. You, don't be afraid. I said that it was intended that you should perish in the ghetto, perish by never being allowed to go behind the white man's definitions, by never being allowed to spell your proper name. You have, and many of us have, defeated this intention; and, by a terrible law, a terrible paradox, those innocents who believed that your imprisonment made them safe are losing their grasp of reality. But these men are your brothers - your lost, younger brothers. And if the word integration means anything, this is what it means: that we, with love, shall force our brothers to see themselves as they are, to cease fleeing from reality and begin to change it. For this is your home, my friend, do not be driven from it; great men have done great things here, and will again, and we can make America what America must become. It will be hard, James, but you come from sturdy, peasant stock, men who picked cotton and damned rivers and built railroads, and, in the teeth of the most terrifying odds, achieved an unassailable and monumental dignity. You come from a long line of great poets, some of the greatest poets since Homer. One of them said, The very time I thought I was lost, My dungeon shook and my chains fell off.
James Baldwin (The Fire Next Time)
Archdeacon Peter's face was like stone. He was the worst kind of Christian, Philip realized: he embraced all of the negatives, enforced every proscription, insisted on all forms of denial, and demanded strict punishment for every offense; yet he ignored all the compassion of Christianity, denied its mercy, flagrantly disobeyed its ethic of love, and openly flouted the gentle laws of Jesus. That's what the Pharisees were like, Philip thought; no wonder the Lord preferred to eat with publicans and sinners.
Ken Follett (The Pillars of the Earth (Kingsbridge, #1))
May I be a pillar on which upon you stand, a leaning post for young ones, my lover and my friend. May I be a beam of light that you bestow upon your hopes, your dreams, your wisdom, so we may carry on. May I be a beacon, a tree with roots so strong, treetop spreading high and wide, a trunk so wide and long. May I be your music a flute for you to play whatever you desire with each forthcoming day. May I lose myself to find you, support all those who need my love, my core, my laughter, permeate my every deed.
Petra Poje - Keeper of The Eye
I was taught that punishment and shame were the logical and necessary reactions to screwing up. The benefit of punishment was that it would keep my wild and terrible natural tendencies in line. It would shame me into being better. “Justice is the firmest pillar of good government,” after all, and justice meant people had to pay for their mistakes. When something went wrong, there had to be fault. There had to be blame. There had to be pain. Now I knew I was wrong. Punishment didn’t make things better. It mucked things up even more. The father’s self-punishment did not grant him his daughter’s forgiveness. It did not whip his sins out of him. Instead, it removed him from his family by isolating him in a prison of self-loathing. Locked in this prison, he couldn’t hear what his daughter needed. He couldn’t give her what she was asking for. There was blame and pain in spades. But all of this actively prevented him from making amends, from healing his relationship with his daughter. Punishment did not ease Willow or Jeremy or the other children at Mott Haven back into their circles of friends. Punishment excludes and excises. It demolishes relationships and community. I could not believe it had taken me this long to realize that punishment is not love. In fact, it is the opposite of love. Forgiveness is love. Spaciousness is love.
Stephanie Foo (What My Bones Know: A Memoir of Healing from Complex Trauma)
Love rests on two pillars: surrender and autonomy. Our need for togetherness exists alongside our need for separateness. One does not exist without the other. With too much distance, there can be no connection. But too much merging eradicates the separateness of two distinct individuals. Then there is nothing more to transcend, no bridge to walk on, no one to visit on the other side, no other internal world to enter. When people become fused—when two become one—connection can no longer happen. There is no one to connect with. Thus separateness is a precondition for connection: this is the essential paradox of intimacy and sex.
Esther Perel (Mating in Captivity: Unlocking Erotic Intelligence)
Candlelight flickered in the adjacent bedroom. She followed the ambient warmth to the threshold and paused there, marveling at what she saw. Lucan’s austere bedroom had been transformed into something out of a dream. Four tall black pillar candles set into intricate silver sconces burned in each corner. Red silk draped the bed. On the floor before the fireplace was a cushioned next of fluffy pillows and even more crimson silk. It looked so romantic, so inviting. A room intended for lovemaking. She took a step farther inside. Behind her, the door closed softly on its own. No, not quite on its own. Lucan was there, standing on the other side of the room, watching her. His hair was damp from a shower. He wore a loosely tied, satiny red robe that skated around his bare calves, and there was a heated look in his eyes that melted her where she stood. “For you,” he said, indicating the romantic setting. “For us tonight. I want things to be special for you.” Gabrielle was moved, instantly aroused by the sight of him, but she couldn’t bear to make love the way things had been left between them. “When I left tonight, I wasn’t going to come back,” she told him from the safety of distance. If she went any closer, she didn’t think she’d have the strength to say what had to be said. “I can’t do this anymore, Lucan. I need things from you that you can’t give me.” “Name them.” It was a soft command, but still a command. He moved toward her with careful steps, as though he sensed she might bolt on him at any second. “Tell me what you need.” She shook her head. “What would be the use?” A few more slow steps. He paused just beyond an arm’s length. “I’d like to know. I’m curious what it would take to convince you to stay with me.” “For the night?” she asked quietly, hating herself for how badly she needed to feel his arms around her after what she’d been through these past several hours. “I want you, and I’m prepared to offer you anything, Gabrielle. So, tell me what you need.
Lara Adrian (Kiss of Midnight (Midnight Breed, #1))
From thirty-five to forty-two, a new step, a new door opens. If up to the age of thirty-five you have felt deep harmony, an orgasmic feeling, and you have discovered meditation through it, then from thirty-five to forty-two you will help each other go more and more into that meditation without sex, because at this point sex starts looking childish, juvenile. The age of forty-two is the time when a person should be able to know exactly who he is. From forty-two to forty-nine he goes deeper and deeper into meditation, more and more into himself, and helps the partner in the same way. The partners become friends. There is no more “husband” and no more “wife” that time has passed. It has given its richness to your life; now there is something growing that is even higher than love. That is friendliness, a compassionate relationship to help the other to go deeper into himself or herself, to become more independent, to become more alone, just like two tall trees standing separate but still close to each other, or two pillars in a temple supporting the same roof—standing so close, but also so separate and independent and alone.
Osho (Being in Love: How to Love with Awareness and Relate Without Fear)
Today is another day! Yesterday is gone but not its memories. There were so many things we expected yesterday which did not happen and what we least expected happened instead. Some are still expecting something. Expectation is a pillar of life. We all do have our expectations for today. Though we may or we may not be able to tell with certainty how our expectations would materialize. We ought to take life easy. Well, it may not be so easy to take it easy but, take it easy! Stay focused and entrust your trust in God. After all what you least expects can happen; serendipity can visit you and stay with you forever at a twinkle of an eye. The coin of life can however turn within a moment of time and your expectations can become a big had I know and a night mare; the vicissitudes of life can rob you at any moment of time. No one knows what the next second really holds. What matters in life is to do what matter; plant the seed of life God has entrusted in your hands and dare to ensure its abundant fruitfulness. The very problem in life is living to neglect the very reasons why you are living because of the problems you may face in living why you must live. When you trade why you must live for why you must not live, you are ruled by what you know but you do not know how it is ruling you. Once we have life, let us live for life all about living and living life is life!
Ernest Agyemang Yeboah
A few people have ventured to imitate Shakespeare's tragedy. But no audacious spirit has dreamed or dared to imitate Shakespeare's comedy. No one has made any real attempt to recover the loves and the laughter of Elizabethan England. The low dark arches, the low strong pillars upon which Shakespeare's temple rests we can all explore and handle. We can all get into his mere tragedy; we can all explore his dungeon and penetrate into his coal-cellar, but we stretch our hands and crane our necks in vain towards that height where the tall turrets of his levity are tossed towards the sky. Perhaps it is right that this should be so; properly understood, comedy is an even grander thing than tragedy.
G.K. Chesterton
The broken pink pillars, in the half-light, might have been waiting to fall down on him: the pool, covered with green scum, its steps torn away and hanging by one rotting clamp, to close over his head. The shattered evil-smelling chapel, overgrown with weeds, the crumbling walls, splashed with urine, on which scorpions lurked - wrecked entablature, sad archivolt, slippery stones covered with excreta - this place, where love had once brooded, seemed part of a nightmare.
Malcolm Lowry (Under the Volcano)
Few things are harder to visualise than that a cold snowbound landscape, so marrow-chillingly quiet and lifeless, will, within mere months, be green and lush and warm, quivering with all manner of life, from birds warbling and flying through the trees to swarms of insects hanging in scattered clusters in the air. Nothing in the winter landscape presages the scent of sun-warmed heather and moss, trees bursting with sap and thawed lakes ready for spring and summer, nothing presages the feeling of freedom that can come over you when the only white that can be seen is the clouds gliding across the blue sky above the blue water of the rivers gently flowing down to the sea, the perfect, smooth, cool surface, broken now and then by rocks, rapids and bathing bodies. It is not there, it does not exist, everything is white and still, and if the silence is broken it is by a cold wind or a lone crow caw-cawing. But it is coming ... it is coming... One evening in March the snow turns to rain, and the piles of snow collapse. One morning in April there are buds on the trees, and there is a trace of green in the yellow grass. Daffodils appear, white and blue anemones too. Then the warm air stands like a pillar among the trees on the slopes. On sunny inclines buds have burst, here and there cherry trees are in blossom. If you are sixteen years old all of this makes an impression, all of this leaves its mark, for this is the first spring you know is spring, with all your sense you know this is spring, and it is the last, for all coming springs pale in comparison with your first. If, moreover, you are in love, well, then ... then it is merely a question of holding on. Holding on to all the happiness, all the beauty, all the future that resides in everything.
Karl Ove Knausgård (Min kamp 2 (Min kamp, #2))
What? Am I to be a listener only all my days? Am I never to get my word in—I that have been so often bored by the Theseid of the ranting Cordus? Shall this one have spouted to me his comedies, and that one his love ditties, and I be unavenged? Shall I have no revenge on one who has taken up the whole day with an interminable Telephus or with an Orestes which, after filling the margin at the top of the roll and the back as well, hasn't even yet come to an end? No one knows his own house so well as I know the groves of Mars, and the cave of Vulcan near the cliffs of Aeolus. What the winds are brewing; whose souls Aeacus has on the rack; from what country another worthy is carrying off that stolen golden fleece; how big are the ash trees which Monychus hurls as missiles: these are the themes with which Fronto's plane trees and marble halls are for ever ringing until the pillars quiver and quake under the continual recitations; such is the kind of stuff you may look for from every poet, greatest or least. Well, I too have slipped my hand from under the cane; I too have counselled Sulla to retire from public life and take a deep sleep; it is a foolish clemency when you jostle against poets at every corner, to spare paper that will be wasted anyhow. But if you can give me time, and will listen quietly to reason, I will tell you why I prefer to run in the same course over which Lucilius, the great nursling of Aurunca drove his horses.
Juvenal
Do it again," she whispered, tilting her head, offering her mouth to him. Staring down at her swollen bottom lip, he gave it a little lick. A small, soft moan sounded from the back of her throat. "Ask nicely," he whispered. "Please." She gave a lock of hair at his neck an impatient tug. He came undone. Delving his tongue inside her sweet mouth, he walked her backward until her back met one of the pillars. With one hand cradling the back of her head for protection, his other hand held her hip immobilized, under his control. Rhythmically, he sank his tongue into her honeyed depths, mimicking the motion of making love. She whimpered, the sound a desperate plea. Her fingers threaded through the damp hair at the base of his neck; her other hand clutched at his forearm. He squeezed her hip, his long fingers digging into her soft bottom as he rocked her into his arousal. For several moments, she ground her hips against him as he plundered her mouth. The kiss was no longer enough. He wanted to take her. Right here, right now. His fingertips trailed down the back of her neck to caress her shoulder, her arm, her breast. His breath hitched when she pushed herself more firmly into his hand. She wanted his touch. He complied of course: he would never deny her. Gently he kneaded her through the fabric of her dress, purposely passing his thumb over the hardened tip. She made a small sound of pleasure that nearly pushed him over the edge. The manor, the rain, the mud disappeared. Reason and practicality were momentarily suspended. Nothing mattered in those moments. Nothing but the ever-escalating power of their passion.
Olivia Parker (To Wed a Wicked Earl (Devine & Friends, #2))
As beautiful as you are my lady, You sick answers to why love is never by your side Your heart wonders around trying to find your ideal love But yet nothing is completing your need. You’re a women of strength and resemble power within, Filled with joy on your angelic face, yet no good man appreciates it A laughter that one can capture for a lifetime, too bad that all the men you seem to meet erase it all You display Emotions that one can wish to dwell in and feel the energy you hold within. Take a stand my lady, no rose ever dies without growing back again, You need no tears to fall for a man who sees less in you You need no sad feeling to crush that happy self, he’ll never be worth the joy in you Show him no sad emotions, you’re too strong to give in now. As a flower you bloomed gracefully and a beautiful lady rose up from that seed the Lord God planted As a pillar you balanced yourself against all negative forces of life and that was your strength As an ocean you cried your tears out but that never hindered the ocean from being full again As a beautiful picture frame you lit up the room and no soul will ever take that away from you. Let yourself love you, is the greatest love one can ever behold, I’m done seeing you cry!!!
Molemo Sylence
Our tragedy today is a general and universal physical fear so long sustained by now that we can even bear it. There are no longer problems of the spirit. There is only one question: When will I be blown up? Because of this, the young man or woman writing today has forgotten the problems of the human heart in conflict with itself which alone can make good writing because only that is worth writing about, worth the agony and the sweat. He must learn them again. He must teach himself that the basest of all things is to be afraid: and, teaching himself that, forget it forever, leaving no room in his workshop for anything but the old verities and truths of the heart, the universal truths lacking which any story is ephemeral and doomed--love and honor and pity and pride and compassion and sacrifice. Until he does so, he labors under a curse. He writes not of love but of lust, of defeats in which nobody loses anything of value, and victories without hope and worst of all, without pity or compassion. His griefs grieve on no universal bones, leaving no scars. He writes not of the heart but of the glands. Until he learns these things, he will write as though he stood among and watched the end of man. I decline to accept the end of man. It is easy enough to say that man is immortal because he will endure: that when the last ding-dong of doom has clanged and faded from the last worthless rock hanging tideless in the last red and dying evening, that even then there will still be one more sound: that of his puny inexhaustible voice, still talking. I refuse to accept this. I believe that man will not merely endure: he will prevail. He is immortal, not because he alone among creatures has an inexhaustible voice, but because he has a soul, a spirit capable of compassion and sacrifice and endurance. The poet's, the writer's, duty is to write about these things. It is his privilege to help man endure by lifting his heart, by reminding him of the courage and honor and hope and pride and compassion and pity and sacrifice which have been the glory of his past. The poet's voice need not merely be the record of man, it can be one of the props, the pillars to help him endure and
William Faulkner
Ladies and gentlemen, I feel that this award was not made to me as a man, but to my work - a life's work in the agony and sweat of the human spirit, not for glory and least of all for profit, but to create out of the materials of the human spirit something which did not exist before. So this award is only mine in trust. It will not be difficult to find a dedication for the money part of it commensurate with the purpose and significance of its origin. But I would like to do the same with the acclaim too, by using this moment as a pinnacle from which I might be listened to by the young men and women already dedicated to the same anguish and travail, among whom is already that one who will some day stand here where I am standing. Our tragedy today is a general and universal physical fear so long sustained by now that we can even bear it. There are no longer problems of the spirit. There is only the question: When will I be blown up? Because of this, the young man or woman writing today has forgotten the problems of the human heart in conflict with itself which alone can make good writing because only that is worth writing about, worth the agony and the sweat. He must learn them again. He must teach himself that the basest of all things is to be afraid; and, teaching himself that, forget it forever, leaving no room in his workshop for anything but the old verities and truths of the heart, the old universal truths lacking which any story is ephemeral and doomed - love and honor and pity and pride and compassion and sacrifice. Until he does so, he labors under a curse. He writes not of love but of lust, of defeats in which nobody loses anything of value, of victories without hope and, worst of all, without pity or compassion. His griefs grieve on no universal bones, leaving no scars. He writes not of the heart but of the glands. Until he relearns these things, he will write as though he stood among and watched the end of man. I decline to accept the end of man. It is easy enough to say that man is immortal simply because he will endure: that when the last dingdong of doom has clanged and faded from the last worthless rock hanging tideless in the last red and dying evening, that even then there will still be one more sound: that of his puny inexhaustible voice, still talking. I refuse to accept this. I believe that man will not merely endure: he will prevail. He is immortal, not because he alone among creatures has an inexhaustible voice, but because he has a soul, a spirit capable of compassion and sacrifice and endurance. The poet's, the writer's, duty is to write about these things. It is his privilege to help man endure by lifting his heart, by reminding him of the courage and honor and hope and pride and compassion and pity and sacrifice which have been the glory of his past. The poet's voice need not merely be the record of man, it can be one of the props, the pillars to help him endure and prevail.
William Faulkner
I had no sister, but I felt as if she were one." "A sister? You think of a woman that gorgeous as a sister, but you fell in love with me?" "You are more beautiful than Asha. I see this inside of you as well as outside." Mari shook her head. "Have I told you that you sound totally crazy sometimes? You expect me to believe that she never lit any fires in you, and I did?" "Yes," Alain replied, his tone faintly bewildered as he looked at her. "Asha never changed the way I saw things, as you have." That reminded her of something. "What did you tell her about me? That I define your world or something? I couldn't believe you said that." Alain nodded. "You define the world I see. Yes. I needed to explain what you mean to me in terms another Mage would understand." Mari could feel her lips quivering but tried to fight of laughter. "Alain, I 'define the world' for you? That's too much." "Too much?" "It's so sweet, it's nauseating." Alain pondered her words. "What is wrong with that statement? I see the false world through my own illusions. You are now my reference for those illusions. Why should that make you feel ill? You define the world I see.
Jack Campbell (The Hidden Masters of Marandur (The Pillars of Reality, #2))
The gnarled pine, I would have said, touch it. This is China. Horticulturalists around the world have come to study it. Yet no one has ever been able to explain why it grows like a corkscrew, just as no one can adequately explain China. But like that tree, there it is, old, resilient, and oddly magnificent. Within that tree are the elements in nature that have inspired Chinese artists for centuries: gesture over geometry, subtlety over symmetry, constant flow over static form. And the temples, walk and touch them. This is China. Don't merely stare at these murals and statues. Fly up to the crossbeams, get down on your hands and knees, and press your head to the floor tiles. Hide behind that pillar and come eye to eye with its flecks of paint. Imagine that you are the interior decorator who is a thousand years in age. Start with a bit of Tibetan Buddhism, plus a dash each of animism and Taoism. A hodgepodge, you say? No, what is in those temples is an amalgam that is pure Chinese, a lovely shabby elegance, a glorious new motley that makes China infinitely intriguing. Nothing is ever completely thrown away and replaced. If one period of influence falls out of favor, it is patched over. The old views still exist, one chipped layer beneath, ready to pop through with the slightest abrasion. That is the Chinese aesthetic and also its spirit. Those are the traces that have affected all who have traveled along China's roads.
Amy Tan (Saving Fish from Drowning)