Dive Into Your Eyes Quotes

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Magnus's eyes gleamed. "He seems to like you. I saw him going for your hand out there like a squirrel diving for a peanut.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
At a few minutes before four, Peeta turns to me again. "Your favorite colour . . . it's green?" "That's right." Then I think of something to add. "And yours is orange." "Orange?" He seems unconvinced. "Not bright orange. But soft. Like the sunset," I say. "At least, that's what you told me once." "Oh." He closes his eyes briefly, maybe trying to conjure up that sunset, then nods his head. "Thank you." But more words tumble out. "You're a painter. You're a baker. You like to sleep with the windows open. You never take sugar in your tea. And you always double-knot your shoelaces." Then I dive into my tent before I do something stupid like cry.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Why not? Do you like him?” Magnus’s eyes gleamed. “He seems to like you. I saw him going for your hand out there like a squirrel diving for a peanut.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
This felt like the way you get nervous right before something exciting happens-the moment when you're balanced on the top of the roller coaster, the hush before the surprise party, the second after the diving board but before the water, when you can close your eyes and imagine, for just a second, that you're flying. The feeling that good things were coming, almost here, any moment now.
Morgan Matson (Since You've Been Gone)
summer, after all, is a time when wonderful things can happen to quiet people. for those few months, you’re not required to be who everyone thinks you are, and that cut-grass smell in the air and the chance to dive into the deep end of a pool give you a courage you don’t have the rest of the year. you can be grateful and easy, with no eyes on you, and no past. summer just opens the door and lets you out.
Deb Caletti (Honey, Baby, Sweetheart)
This is your life now?” “Guess so.” “Huh,” I said, summing up the situation perfectly. “Why don’t you go back to LA?” Blue eyes watched me warily and he didn’t answer at first. “My wife lives in Portland.
Kylie Scott (Lick (Stage Dive, #1))
He's a cousin of some friends of the Lightwoods or something. He's nice. I promise." "Nice, bah. He's gorgeous." Magnus gazed dreamily in his direction. "You should leave him here. I could hang hats on him and things." "No. You can't have him." "Why not? Do you like him?" Magnus's eyes gleamed. "He seems to like you. I saw him going for your hand out there like a squirrel diving for a peanut.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
Going through the mirrors requires confronting yourself. You need guts, you know, to look yourself straight in the eyes, to see yourself as you are, to dive into your own reflection. Those who hide their faces, those who lie to themselves, those who see themselves better than they are, they will never be able. So believe me, it doesn't run the sidewalks!
Christelle Dabos (A Winter's Promise (The Mirror Visitor, #1))
We were in the gondolas at The Venetian. You said you couldn't swim, that I'd have to save you if we capsized." His Adam's apple jumped. "Yeah." "I was terrified for you." "I know. You hung onto me so tight I could barely breathe." I drew back so I could see his face. "Why do you think we stayed on them for so long?" he asked. "You were practically sitting in my lap." "Can you swim?" He laughed quietly. "Of course I can swim. I don't even think the water was that deep." "It was all a ruse. You're tricky, David Ferris." "And you're funny, Evelyn Thomas." His face relaxed, his eyes softening again.
Kylie Scott (Lick (Stage Dive, #1))
I ain't a lover, but I want to love all your crazy imperfections, I ain't a diver, but I want to dive into your deep warm emotions, I ain't a reader, but I want to read messages send by your eyes, I ain't a skylark, but I want to sing for your mesmerizing smile, I ain't a gardener, but I want to plant seeds of ecstasy in your heart, I ain't a writer, but I want to write about how special you're.
Hareem Ch (Breaking a Pledge)
I placed my hand on his chest. “You don’t need to worry about Reece.” “I know, I know. He’s nothing compared to my magnificence.” His fingers stroked mine and his eyes softened. “But just out of curiosity, how do you feel about getting my name tattooed on your forehead?
Kylie Scott (Play (Stage Dive, #2))
When you got captured, I didn't know..." He trailed off, had to chug whiskey before he could continue. "If it'd be like..." "What?" "Like it was with Clotile." "Oh, Jackson, no. I was okay. I'm unharmed." "Didn't know if I'd get there too late," he said with a shudder. Then he crossed over to me, until we stood toe-to-toe. "Evie, if you ever get taken from me again, you better know that I'll be coming for you." He cupped my face with a bloodstained hand. "So you stay the hell alive! You don't do like Clotile, you doan take that way out. You and me can get through anything, just give me a chance."--his voice broke lower "just give me a chance to get to you." He buried his face in my hair, inhaling deeply. "There is nothing that can happen to you that we can't get past." ... "When you say we...?" He pulled back, gazing down at me, his eyes blazing. "I'm goan to lay it all out there for you. Laugh in my face--I don't care. But I'm goan to get this off my chest." "I won't laugh. I'm listening." "Evie, I've wanted you from the first time I saw you. Even when I hated you, I wanted you." He raked his fingers through his hair. "I got it bad, me." My heart felt like it'd stopped--so that I could hear him better. "For as long as you've been looking down your nose at me, I've been craving you, an envie like I've never known." "I don't look down at you! I'm too busy looking up to you." ... "The corners of his lips curled for an instant before he grew serious again. "You asked me if I had that phone with your pictures, if I'd looked at it. Damn right, I did! I saw you playing with a dog at the beach, and doing a crazy-ass flip off a high dive, and making faces for the camera. I learned about you"- his voice grew hoarse -"and I wanted more of you. To see you every day." With a humourless laugh, he admitted, "After the Flash, I was constantly sourcing ways to charge a goddamned phone--that would never make a call." I murmured, "I didn't know...I couldn't be sure." "It's you for me, peekon.
Kresley Cole (Poison Princess (The Arcana Chronicles, #1))
I can dive", Sophia said. "Do you know what it feels like when you dive?" Of course I do," her grandmother said. "You let go of everything and get ready and just dive. You can feel the seaweed against your legs. It's brown, and the water's clear, lighter towards the top, with lots of bubbles. And you glide. You hold your breath and glide and turn and come up, let yourself rise and breathe out. And then you float. Just float." And all the time with your eyes open," Sophia said. Naturally. People don't dive with their eyes shut." Do you believe I can dive without me showing you?" the child asked. Yes, of course", Grandmother said.
Tove Jansson (The Summer Book)
Change will force you to step off the path, to venture from the nest, to close your eyes and dive right in, knowing that the greatest opportunities in life are found in the sink or swim, do or die moments.
Stella Payton
As long as it's a regular day, not too rough to begin with, the ocean is pretty smooth once you make it out past the first set of waves. That's why people are afriad to swim in the ocean. They try to jump over those waves and get slammed down to the bottom and pulled across the sand like a piece of shell. You've got to go throught them, dive under just when they're rising up for you, set your direction, close your eyes, and just swim like hell. Once you get throught that, you'll find there isn't a better place for swimming because it's the ocean and it goes on forever. You don't have to see anyone if you don't want to. If you look out, away from the beach, it's easy to imagine that there's no one else but you in the whole world, you and maybe a couple of sea gulls.
Ann Patchett (The Patron Saint of Liars)
And you see his blue eyes, the blue eyes of all the family whom you used to know, grow narrow and glisten, his hand types out the details and he wants them all but the hysteria in your voice pleases him best.
Adrienne Rich (Diving Into the Wreck)
Still not breaking eye contact, he slid a finger into me. “You’re very wet.” “Yeah. You know, it’s kind of hard to focus on relationship talk when you’re fingering me.” “We can talk all you want later. Promise.” “’kay.” I made a pitiful noise in my throat… “I mean, you got hot for me in Vegas. But this…Sweetheart, Christ, this is fucking awesome.” “I masturbate. A lot.
Kylie Scott (Deep (Stage Dive, #4))
There go the crazy eyes again,” he whispered. “Shit.” I shut my eyes tight. Lizzy walking in on me and my boyfriend seven years ago had been pretty damn embarrassing, especially given that she then ran and told mom. Not that mom had been coherent enough to care. This, however, topped it. “Your cheeks have gone all rosy. Are you thinking rude thoughts about me, Anne?” “No.” “Liar,” he taunted in a soft voice. “You’re totally thinking of me with no pants on.” I totally was. “That’s just gross, dude. A massive invasion of my privacy.” He leaned in closer, his breath warming my ear. “Whatever you’re imagining, it’s bigger.” “I’m not imagining anything.” “I’m serious. It’s basically a monster. I cannot control it.” “Malcolm–” “You’re pretty much going to need a whip and chair to tame it, Anne.” “Stop it.” “That okay with you?
Kylie Scott (Play (Stage Dive, #2))
I suddenly see the world as no longer viable: you are out there burning the crops with some new sublimate This morning you left the bed we still share and went out to spread impotence upon the world I hate you. I hate the mask you wear, your eyes assuming a depth they do not possess, drawing me into the grotto of your skull the landscape of bone I hate your words they make you think of fake revolutionary bills crisp imitation parchment they sell at battlefields. Last night, in this room, weeping I asked you: what are you feeling? do you feel anything? Now in the torsion of your body as you defoliate the fields we lived from I have your answer.
Adrienne Rich (Diving Into the Wreck)
Apology accepted,” I said. “Good.” “Be warned, though, I’m practicing to become a better feminist.” I rolled onto my back, staring at his luminous eyes in the dark. “The whole Chris thing was a kick to the clit, but I’m working hard to set myself straight now. I own this body. My fate is mine.” “Okay,” he said slowly, meshing his fingers with mine. “Where is this going?” “I just want you to know, I will not be falling slave to your devil dick and demon tongue. No matter how good they are.
Kylie Scott (Dirty (Dive Bar, #1))
I like how you are with me. You’re not careful with me. You see more of me than anybody else.” I pressed my body against his, arching up on my toes and leaning toward his lips. His breath hitched, and I slipped my hands inside his jacket again and gripped his waist. “Don’t be careful with me, Tyler,” I whispered, catching his bottom lip, sucking it quickly and then letting it go. “Please,” I pleaded. And he groaned, closing his eyes and diving in.
Penelope Douglas (Misconduct)
I look into his eyes and jump… off of a high dive plunging deep into the pools of green staring back at me. No matter how hard I fought it, no matter how unreasonable or out of control it feels and no matter how much I try to reason it away the truth in this moment… is that Jonathan Hayes owns me heart and soul.
Kathryn Perez
I’m sorry I fucked things up. I thought if we could just stay the same, then everything would be all right and you’d never want to leave. But I didn’t give you what you needed and it all went to shit.” His beautiful blue eyes shone suspiciously bright. “I’m sorry. I don’t want anybody else. You’re everything to me, Lena. I’ve never felt this way about anyone. I need you to know that. You gotta understand that, okay?
Kylie Scott (Lead (Stage Dive, #3))
Teeth gritted, he gazed down at me. "Now that I come to think about it. I'm not real keen on your eye color, either. What do you call that shade of green? Fungus?
Kylie Scott (Twist (Dive Bar, #2))
Jay Maisel always says to bring your camera, ‘cause it’s tough to take a picture without it. Pursuant to the above aforementioned piece of the rule book, subset three, clause A, paragraph four would be…use the camera. Put it to your eye. You never know. There are lots of reasons, some of them even good, to just leave it on your shoulder or in your bag. Wrong lens. Wrong light. Aaahhh, it’s not that great, what am I gonna do with it anyway? I’ll have to put my coffee down. I’ll just delete it later, why bother? Lots of reasons not to take the dive into the eyepiece and once again try to sort out the world into an effective rectangle. It’s almost always worth it to take a look.
Joe McNally (The Moment It Clicks: Photography Secrets from One of the World's Top Shooters)
Irma looked around her bedroom desperately. Her eyes fell on the stack of schoolbooks lying on top of her vanity table. Homework! Homework trumped everything! Irma dived toward the desk and scooped up a couple of textbooks. "I want to do my homework!" she wailed. "I have to study. Send Leafy instead of me!" Irma pointed to her pet turtle. "Your turtle is not going on a date with Martin Tubbs!
Elizabeth Lenhard (The Last Tear (W.I.T.C.H. Chapter Books, #5))
I was a quick-wit boy Diving too deep for coins All of your street light eyes Wide on my plastic toys And when the cops closed the fair I cut my long baby hair Stole me a dog-eared map And called for you everywhere
Samuel Beam
He took his eyes off the road and looked over at me, and I didn’t blush or look away. I just looked right back at him. There was tension between us again, but it wasn’t the simmering, angry kind that had been there the day before. This felt like the way you get nervous right before something exciting happens—the moment when you’re balanced on the top of the roller coaster, the hush before the surprise party, the second after the diving board but before the water, when you can close your eyes and imagine, for just a second, that you’re flying. The feeling that good things were coming, almost here, any moment now.
Morgan Matson (Since You've Been Gone)
Falling for him would be like cliff diving. It would be either the most exhilarating thing that ever happened to me or the stupidest mistake I’d ever make. It would make my life worth living or it would crush me against stony rocks and break me utterly. Perhaps the wise thing to do would be to slow things down. Being friends would be so much simpler. Ren came back, picked up my empty dinner packet, and stowed it in the backpack. Sitting down across from me, he asked, “What are you thinking about?” I kept staring glassily at the fire. “Nothing much.” He tilted his head and considered me for a moment. He didn’t press me, for which I was grateful-another characteristic I could add to the pro relationship side of my mental list. Pressing his hands together palm to palm, he rubbed them slowly, mechanically, as if cleaning them of dust. I watched them move, mesmerized. “I’ll take the first watch, even though I really don’t think it’ll be necessary. I still have my tiger senses, you know. I’ll be able to hear or smell the Kappa if they decide to emerge from the water. “Fine.” “Are you alright?” I mentally shook myself. Sheesh! I needed a cold shower! He was like a drug, and what did you do with drugs? You pushed them as far away as possible. “I’m fine,” I said brusquely, then got up to dig through the backpack. “You let me know when your spidey-senses start to tingle.” “What?” I put my hand on my hip. “Can you also leap tall buildings in a single bound?” “Well, I still have my tiger strength, if that’s what you mean.” I grunted, “Fabulous. I’ll add superhero to your list of pros.” He frowned. “I’m no superhero, Kells. The most important consideration right now is that you get some rest. I’ll keep an eye out for a few hours. Then, if nothing happens,” he said with a grin, “I’ll join you.” I froze and suddenly became very nervous. Surely, he didn’t mean what that sounded like. I searched his face for a clue, but he didn’t seem to have any hidden agenda or be planning anything.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
I will not service your sister,” he told her flatly, unable to think of anything else to say. Elina laughed. “She does not want servicing. At least not from you.” “But when I came into your room earlier—” “It gets cold on Steppes. We share beds. We share food. We do not share cocks. There is no cock sharing among the Daughters of the Steppes. That is disgusting.” “So then earlier . . .” “She was inviting you to nap with us, like our brothers and cousins sometimes do. But not fuck.” “Oh.” “You sound disappointed.” “No. Just depressingly relieved.” “What?” “Beautiful sisters invite me to bed—I usually dive in headfirst. A little time away with you and suddenly I’m . . . my father.” “I like your father. Now he is charming. You are dolt with ineffective travel-cow and cousin that keeps trying to dress me like doll.” “Is that where you got that eye patch from?” “Yes.” “It’s a nice color on you.
G.A. Aiken (Light My Fire (Dragon Kin, #7))
There is a cop who is both prowler and father: he comes from your block, grew up with your brothers, had certain ideals. You hardly know him in his boots and silver badge, on horseback, one hand touching his gun. You hardly know him but you have to get to know him: he has access to machinery that could kill you. He and his stallion clop like warlords among the trash, his ideals stand in the air, a frozen cloud from between his unsmiling lips. And so, when the time comes, you have to turn to him, the maniac’s sperm still greasing your thighs, your mind whirling like crazy. You have to confess to him, you are guilty of the crime of having been forced. And you see his blue eyes, the blue eyes of all the family whom you used to know, grow narrow and glisten, his hand types out the details and he wants them all but the hysteria in your voice pleases him best. You hardly know him but now he thinks he knows you: he has taken down you worst moment on a machine and filed it in a file. He knows, or thinks he knows, how much you imagined; he knows, or thinks he knows, what you secretly wanted. He has access to machinery that could get you put away; and if, in the sickening light of the precinct, and if, in the sickening light of the precinct, your details sound like a portrait of your confessor, will you swallow, will you deny them, will you lie your way home?
Adrienne Rich (Diving Into the Wreck)
While Terry joined the others in the pool, I subjected myself to a dreadful thing called musical chairs, another cruel game. There's one chair short, and when the music stops you have to run for a seat. The life lessons never stop at a children's party. The music blares. You never know when it's going to stop. You're on edge the whole game; the tension is unbearable. Everyone dances in a circle around the ring of chairs, but it's no happy dance. Everyone has his eyes on the mother over by the radio, her hand poised on the volume control. Now and then a child wrongly anticipates her and dives for a chair. He's shouted at. He jumps off the seat again. He's a wreck. The music plays on. The children's faces are contorted in terror. No one wants to be excluded. The mother taunts the children by pretending to reach for the volume. The children wish she were dead. The game is an analogy for life: there are not enough chairs or good times to go around, not enough food, not enough joy, nor beds nor jobs nor laughs nor friends nor smiles nor money nor clean air to breathe...and yet the music goes on.
Steve Toltz
Apparently, we're all in the frame," I heard Harry murmur somewhere behind me. And I whirled back to him. Innate, irrational anger surged. Then stopped, dead - as I suddenly took in Handsome, Robert and Doc. They were all staring at me. They were concentrating, all resolute, all a tad furrow-browed… upon my face. Self-consciousness burgeoned. I gingerly fingered my and lips and my chin, "Am I drooling?" "Your arse is hanging out," said Harry, not looking up from the forensics he was scanning. And so it was. Handsome, Robert and Doc averted their eyes as I, wishing I'd merely been dribbling, grabbed the back flaps of my breezy hospital gown, fully placed my back against the wall. Then, thinking better of it, dived hurriedly, carefully, back into bed. If Chinese Lady'd been here, she could've, would've, told me. I missed her already.
Morana Blue (Gatsby's Smile)
I am a shadow. I walk the wet roads under the dim light of the pale lamps, in the darkest hour of the cold dull nights. I walk past the silent graveyard of the dead memories, towards the city of chaos plagued with gloom. I do not exist, but in the eyes of the shattered souls. In the chapter of an old book. In the poem. In the smile of a wrecked and in the tear of a broken spirit. Listen me in the songs told in the times long forgotten. Search for me in the churchs and temples, bars and brothels,pitch black nights and the colorless days. Dive down in your deepest part of your soul. And you will find my home. I have many faces but I have no face of my own. I am a shadow.
Foaad Ahmad
Nothing is nicer than diving with your eyes open. Diving down as far as the shimmering legs of your mother and father who have just come back from swimming and now are wading to shore through the shallow water. Nothing more fun than to tickle them and to hear, muffled by the water, how they shriek because they know it will make their child happy.
Jenny Erpenbeck (Visitation)
Even if you cry in the darkness of the night, even if you dive beneath the waves of the sea where your salty tears are imperceptible to human eyes, God sees you. God embraces your pain.
A. Helwa (From Darkness Into Light (Inspirational Islamic Books Book 4))
Do not focus your gaze on things that are wrong, for what you see, slowly begins to penetrate you. You are addicted to fixing your eyes on the wrong; you pay attention only to what is wrong inside you. The angry man concentrates on his anger, and how to get rid of it. Though he wants to get rid of the anger, he is actually concentrating on that white line of anger within him; the more he concentrates the more he is hypnotized by it. Don’t worry! Everybody is! Don’t focus your eyes on the anger, but concentrate on compassion. Concentrate on what is right. As the right gets more and more energy, the strength of the wrong gets weaker and weaker. Ultimately it will disappear. This happens because energy is one; you cannot use it in two ways. If you have utilized your energy in becoming peaceful, you would have no energy for restlessness. All your energy has moved towards peace, and if you have had a taste of peace and serenity, why bother to become restless? You can maintain your restlessness only if you have never known the flavour of serenity. You can dive into the pleasures of the world only if you have not tasted the divine.
Osho (Bliss: Living beyond happiness and misery)
Ready or not, I peer into your soul and dive deep... Your eyes don't like what I see. You don't want to be me. So you curse and smash the mirror which gets you what? A bit of blood , a handful of glass splinters, another source of pain.
Nikki Grimes (Bronx Masquerade)
You want me to teach you all the dirty words?” I looked up at him and wiggled my eyebrows. Aaron gave me a lopsided smile that would have made my panties drop to the floor had they been resting on my hips. “Well, you are in luck; I’m a wonderful teacher.” “And I’m a highly dedicated student.” He winked. And that goddamn wink disrupted the beating of my heart. “Although I might get a little distracted every now and then.” “I see.” I placed my index finger against his chest, watching Aaron’s eyes dive down quickly before returning to my face. “Maybe you need the right kind of motivation to keep your attention on the subject.” I trailed that finger up, traveling across his pec and then up his neck, following the line of his jaw until reaching his lips. They parted with a shallow breath. “This …” I pushed myself up and kissed his lips gently. “This is a six-letter word in Spanish. Labios. Tus labios. Your lips.” The only answer he gave me was taking my mouth in his again. As if the only way he’d learn the word was tasting it. “And this,” I said before parting his lips and making the kiss deeper, our tongues dancing together, “is another six-letter word. Lengua—tongue.” “I think I really like that one.” Aaron’s head dipped low, his new favorite word reaching my breast. “And this? What do you call this?” he said, grazing his mouth over the peak. A giggle that soon turned into a moan left my mouth before I was able to answer. “That’s a five-letter word. Pezón. Nipple.
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
She didn't get any further because he didn't just stand there letting her aim missiles at him. He easily dodged the first one, and the second went over his head as he dived at her, pushing her back down onto the couch with himself landing on top of her. After she got her breath back from the impact, she shrieked, "Get off of me, you clumsy clod!" "My dear girl, there was nothing clumsy involved in the position you now find yourself. It was quite intentional, I do assure you." "Get off of me anyway!" "So you can resume your spat of violence? No, no. Violence is not going to be part of our relationship. I could've sworn I already mentioned that." "And what do you call squashing me like this?" "Prudence, actually." And then he paused, his eyes getting greener by the second as he stared down at her. "On the other hand, I'd also call it quite nice." Her eyes narrowed. "If you're thinking about kissing me, I wouldn't advise it," she warned. "No?" "No." He sighed. "Ah, well." But then a half grin formed as he added, "I don't always take good advice." -Kelsey & Derek
Johanna Lindsey
One afternoon in the fall of 2015, while I was writing this book, I was driving in my car and listening to SiriusXM Radio. On the folk music station the Coffee House, a song came on with a verse that directly spoke to me—so much so that I pulled off the road as soon as I could and wrote down the lyrics and the singer’s name. The song was called “The Eye,” and it’s written by the country-folk singer Brandi Carlile and her bandmate Tim Hanseroth and sung by Carlile. I wish it could play every time you open these pages, like a Hallmark birthday card, because it’s become the theme song of this book. The main refrain is: I wrapped your love around me like a chain But I never was afraid that it would die You can dance in a hurricane But only if you’re standing in the eye. I hope that it is clear by now that every day going forward we’re going to be asked to dance in a hurricane, set off by the accelerations in the Market, Mother Nature, and Moore’s law. Some politicians propose to build a wall against this hurricane. That is a fool’s errand. There is only one way to thrive now, and it’s by finding and creating your own eye. The eye of a hurricane moves, along with the storm. It draws energy from it, while creating a sanctuary of stability inside it. It is both dynamic and stable—and so must we be. We can’t escape these accelerations. We have to dive into them, take advantage of their energy and flows where possible, move with them, use them to learn faster, design smarter, and collaborate deeper—all so we can build our own eyes to anchor and propel ourselves and our families confidently forward.
Thomas L. Friedman (Thank You for Being Late: An Optimist's Guide to Thriving in the Age of Accelerations)
Key Rabbit, allow me to bore you with a comparison of your wife and a beautiful woman," I said. "In the morning a beauty must lie in bed for three or four hours gathering strength for another mighty battle with Nature. Then, after being bathed and toweled by her maids, she loosens her hair in the Cascade of Teasing Willows Style, paints her eyebrows in the Distant Mountain Range Style, anoints herself with the Nine Bends of the River Diving-water Perfume, applies rouge, mascara, and eye shadow, and covers the whole works with a good two inches of the Powder of the Nonchalant Approach. Then she dresses in a plum-blossom patterned tunic with matching skirt and stockings, adds four or five pounds of jewelry, looks in the mirror for any visible sign of humanity and is relieved to find none, checks her makeup to be sure that it has hardened into an immovable mask, sprinkles herself with the Hundred Ingredients Perfume of the Heavenly Spirits who Descended in the Rain Shower, and minces with tiny steps toward the new day. Which, like any other day, will consist of gossip and giggles.
Barry Hughart (Bridge of Birds (The Chronicles of Master Li and Number Ten Ox, #1))
Are you falling asleep before midnight?" Cassie leaned over the edge of the couch to look at Jack. He was stretched out on the floor, his head resting against a pillow near the center of the couch, his eyes closed. She was now wide awake and headache free. He wasn't in so good a shape. "The new year is eighteen minutes away." "Come kiss me awake in seventeen minutes." She blinked at that lazy suggestion, gave a quick grin, and dropped Benji on his chest. He opened one eye to look up at her as he settled his hand lightly on the kitten. "That's a no?" She smiled. She was looking forward to dating him, but she was smart enough to know he'd value more what he had to work at. He sighed. "That was a no. How much longer am I going to be on the fence with you?" "Is that a rhetorical question or do you want an answer?" If this was the right relationship God had for her future, time taken now would improve it, not hurt it. She was ready to admit she was tired of being alone. He scratched Benji under the chin and the kitten curled up on his chest and batted a paw at his hand. "Rhetorical. I'd hate to get my hopes up." She leaned her chin against her hand, looking down at him. "I like you, Jack." "You just figured that out?" "I'll like you more when you catch my mouse." "The only way we are going to catch T.J. is to turn this place into a cheese factory and help her get so fat and slow that she can no longer run and hide." Or you could move your left hand about three inches to the right right and catch her." Jack opened one eye and glanced toward his left. The white mouse was sitting motionless beside the plate he had set down earlier. "Let her have the cheeseburger. You put mustard on it." "You're horrible." He smiled. "I'm serious." "So am I." Jack leaned over, caught Cassie's foot, and tumbled her to the floor. "Oops." "That wasn't fair. You scared my mouse." Jack set the kitten on the floor. "Benji, go get her mouse." The kitten took off after it. "You're teaching her to be a mouser." "Working on it. Come here. You owe me a kiss for the new year." "Do I?" She reached over to the bowl of chocolates on the table and unwrapped a kiss. She popped the chocolate kiss into his mouth. "I called your bluff." He smiled and rubbed his hand across her forearm braced against his chest. "That will last me until next year." She glanced at the muted television. "That's two minutes away." "Two minutes to put this year behind us." He slid one arm behind his head, adjusting the pillow. She patted his chest with her hand. "That shouldn't take long." She felt him laugh. "It ended up being a very good year," she offered. "Next year will be even better." "Really? Promise?" "Absolutely." He reached behind her ear and a gold coin reappeared. "What do you think? Heads you say yes when I ask you out, tails you say no?" She grinned at the idea. "Are you cheating again?" She took the coin. "This one isn't edible," she realized, disappointed. And then she turned it over. "A real two-headed coin?" "A rare find." He smiled. "Like you." "That sounds like a bit of honey." "I'm good at being mushy." "Oh, really?" He glanced over her shoulder. "Turn up the TV. There's the countdown." She grabbed for the remote and hit the wrong button. The TV came on full volume just as the fireworks went off. Benji went racing past them spooked by the noise to dive under the collar of the jacket Jack had tossed on the floor. The white mouse scurried to run into the jacket sleeve. "Tell me I didn't see what I think I just did." "I won't tell you," Jack agreed, amused. He watched the jacket move and raised an eyebrow. "Am I supposed to rescue the kitten or the mouse?
Dee Henderson (The Protector (O'Malley, #4))
Hope you got your things together.’” I sang, stabbing a pillow with my spear. Feathers exploded into the air. “‘Hope you are quite prepared to die!’” I spun in a dazzling whirl of lights, landed a killer back-kick on a phantom Shade, and simultaneously punched the magazine rack. “‘Looks like we’re in for nasty weather!’” I took a swan dive at a short, imaginary Shade, lunged up at a taller one— —and froze. Barrons stood inside the front door, dripping cool-world elegance. I hadn’t heard him come in over the music. He was leaning, shoulder against the wall, arms folded, watching me. “‘One eye is taken for an eye . . .’” I trailed off, deflating. I didn’t need a mirror to know how stupid I looked. I regarded him sourly for a moment, then moved for the sound dock to turn it off. When I heard a choked sound behind me I spun, and shot him a hostile glare. He wore his usual expression of arrogance and boredom. I resumed my path for the sound dock, and heard it again. This time when I turned back, the corners of his mouth were twitching. I stared at him until they stopped. I’d reached the sound dock, and just turned it off, when he exploded. I whirled. “I didn’t look that funny,” I snapped. His shoulders shook. “Oh, come on! Stop it!” He cleared his throat and stopped laughing. Then his gaze took a quick dart upward, fixed on my blazing MacHalo, and he lost it again. I don’t know, maybe it was the brackets sticking out from the sides. Or maybe I should have gotten a black bike helmet, not a hot pink one. I unfastened it and yanked it off my head. I stomped over to the door, flipped the interior lights back on, slammed him in the chest with my brilliant invention, and stomped upstairs. “You’d better have stopped laughing by the time I come back down,” I shouted over my shoulder. I wasn’t sure he even heard me, he was laughing so hard.
Karen Marie Moning (Faefever (Fever, #3))
You give up ‘demanding instant resolution, instant relief from discomfort and pain, and magical fixes’. You breathe a sigh of relief, and as you dive into life as it really is, in clear-eyed awareness of your limitations, you begin to acquire what has become the least fashionable but perhaps most consequential of superpowers: patience.
Oliver Burkeman (Four Thousand Weeks: Time and How to Use It)
The art of sensuality encompassing the exploration and experiencing of all our senses... Those images are being born from and through living the moments of eating favorite chocolate cake with ice-cream, tranquil meditating, walking the beach and feeling the warm breeze on your face and the soothing sand beneath your feet, watching a never repeating its symphony sunset, dancing and feeling your body move through space, smelling flowers in a garden, painting or working with clay, with your fingertips gently touching piano keys or pulling the tense strings of guitar, caressing your ears with the whispers of one's soul, diving into the depth of loving you eyes, and, joining in a passionate kiss of life...the life of the artist...
Artist Emerald
You’ve got to go through them, dive under just when they’re rising up for you, set your direction, close your eyes, and just swim like hell. Once you get through that, you’ll find there isn’t a better place for swimming because it’s the ocean and it goes on forever. You don’t have to see anyone you don’t want to. If you look out, away from the beach, it’s easy to imagine that there’s no one else but you in the whole world, you and maybe a couple of sea gulls.
Ann Patchett (The Patron Saint of Liars)
On this way, they reached the roof. Christine tripped over it as lightly as a swallow. Their eyes swept the empty space between the three domes and the triangular pediment. She breathed freely over Paris, the whole valley of which was seen at work below. She called Raoul to come quite close to her and they walked side by side along the zinc streets, in the leaden avenues; they looked at their twin shapes in the huge tanks, full of stagnant water, where, in the hot weather, the little boys of the ballet, a score or so, learn to swim and dive. The shadow had followed behind them clinging to their steps; and the two children little suspected its presence when they at last sat down, trustingly, under the mighty protection of Apollo, who, with a great bronze gesture, lifted his huge lyre to the heart of a crimson sky. It was a gorgeous spring evening. Clouds, which had just received their gossamer robe of gold and purple from the setting sun, drifted slowly by; and Christine said to Raoul: “Soon we shall go farther and faster than the clouds, to the end of the world, and then you will leave me, Raoul. But, if, when the moment comes for you to take me away, I refuse to go with you—well you must carry me off by force!” “Are you afraid that you will change your mind, Christine?” “I don’t know,” she said, shaking her head in an odd fashion. “He is a demon!” And she shivered and nestled in his arms with a moan. “I am afraid now of going back to live with him … in the ground!” “What compels you to go back, Christine?” “If I do not go back to him, terrible misfortunes may happen! … But I can’t do it, I can’t do it! … I know one ought to be sorry for people who live underground … But he is too horrible! And yet the time is at hand; I have only a day left; and, if I do not go, he will come and fetch me with his voice. And he will drag me with him, underground, and go on his knees before me, with his death’s head. And he will tell me that he loves me! And he will cry! Oh, those tears, Raoul, those tears in the two black eye-sockets of the death’s head! I can not see those tears flow again!” She wrung her hands in anguish, while Raoul pressed her to his heart. “No, no, you shall never again hear him tell you that he loves you! You shall not see his tears! Let us fly, Christine, let us fly at once!” And he tried to drag her away, then and there. But she stopped him. “No, no,” she said, shaking her head sadly. “Not now! … It would be too cruel … let him hear me sing to-morrow evening … and then we will go away. You must come and fetch me in my dressing-room at midnight exactly. He will then be waiting for me in the dining-room by the lake … we shall be free and you shall take me away … You must promise me that, Raoul, even if I refuse; for I feel that, if I go back this time, I shall perhaps never return.” And she gave a sigh to which it seemed to her that another sigh, behind her, replied. “Didn’t you hear?” Her teeth chattered. “No,” said Raoul, “I heard nothing.” - Chapter 12: Apollo’s Lyre
Gaston Leroux (The Phantom of the Opera)
You were born with your head in the clouds, your future wide open, feeling almost weightless. Almost. Kudoclasm. You had dreams even before you had memories: a cloud of fantasies and ambitions of secret plans and hidden potential, visions of who you are, and what your life will be. They keep your spirits high, floating somewhere above your life, where the world looks faintly hypothetical, almost translucent. But every time you reach for the sky and come away with nothing, you start to wonder what’s holding them up. “Surely it would have happened by now?!” You feel time starting to slip, pulling you back down to earth. even as you tell yourself, don’t look down. You don’t have the luxury of floating through life, because you may not have the time. The future is already rushing toward you, and it’s not as far away as you think. It feels like your life is flashing before your eyes, but it’s actually just the opposite: you’re thinking forward, to everything you still haven’t done, the places you had intended to visit, the life goals you’d eventually get around to, some day in the future. You start dropping your delusions one by one, like tossing ballast overboard. And soon the fog lifts, and everything becomes clear— right until the moment your feet touch the ground. And there it is, “the real world.” As if you’ve finally grown up, steeped in reality, your eyes adjusting to the darkness, seeing the world for what it is. But in truth, you don’t belong there. We dream to survive— no more optional than breathing. Maybe “the real world” is just another fantasy, something heavy to push back against, and launch ourselves still higher. We’re all afraid to let go, of falling into a bottomless future. But maybe we belong in the air, tumbling in the wind. Maybe it’s only when you dive in that you pick up enough speed to shape the flow of reality, and choose your own course, flying not too high, and not too low, but gliding from one to the other in long playful loops. To dream big, and bounce ideas against the world and rise again. Moving so fast, you can’t tell where the dream ends and where the world begins.
Sébastien Japrisot
You said to imagine a great big sphere, and inside is all of time and space. All of it. And outside are these intelligent entities, and all they are is curious; all they want to do is experience.” “Go on,” Alice said. Her eyes are so bright.… “One might say: ‘I want the experience of being a seventeen-year-old girl in the fourteenth century who was burned at the stake.’ Or ‘I’d like the experience of being a four-month aborted fetus in 1994.’ And they just dive in and do it.” I looked at Alice. She was waiting for something. I thought about what I just said, and then I remembered: “They have to create what happens. Write a script.” She still waited, so I said, “Not only the experience itself; the house, the city, the country, the whole world where it happens. All of it.” “Which makes that entity responsible for all of it,” she reminded me. “So that’s who the ‘little man watching’ really is—that, that thing—” “Not a thing,” she said, interrupting for the very first time. “It’s you. You’re living a script that you wrote. Which is why free will and predestination are the same thing.
Theodore Sturgeon (The Complete Stories of Theodore Sturgeon, Volume XIII: Case and the Dreamer)
Goggles but no bathing suit?" she asked. Daniel blushed. "I guess that was stupid. But I was in a hurry, only thinking about what you would need to get the halo." He drove the paddle back into the water, propelling them more quickly than a speedboat. "You can swim in your underwear, right?" Now Luce blushed. Under normal circumstances, the question might have seemed thrilling, something they both would have giggled at. Not these nine days. She nodded. Eight days now. Daniel was deadly serious. Luce just swallowed hard and said, "Of course." The pair of green-gray spires grew larger, more detailed, and then they were upon them. They were tall and conical, made of rusted slats of copper. They had once been capped by small teardrop-shaped copper flags sculpted to look like they were rippling in the wind, but one weathered flag was pocked with holes, and the other had broken off completely. In the open water, the spires' protrusion was bizarre, suggesting a cavernous cathedral of the deep. Luce wondered how long ago the church had sunk, how deep it sat below. The thought of diving down there in ridiculous goggles and mom-bought underwear made her shudder. "This church must be huge," she said. She meant I don't think I can do this. I can't breathe underwater. How are we going to find one small halo sunk in the middle of the sea? "I can take you down as far as the chapel itself, but only that far. So long as you hold on to my hand." Daniel extended a warm hand to help Luce stand up in the gondola. "Breathing will not be a problem. But the church will still be sanctified, which means I'll need you to find the halo and bring it out to me." Daniel yanked his T-shirt off over his head, dropping it to the bench of the gondola. He stepped out of his pants quickly, perfectly balanced on the boat, then kicked off his tennis shoes. Luce watched, feeling something stir inside her, until she realized she was supposed to be stripping down, too. She kicked off her boots, tugged off her socks, stepped out of her jeans as modestly as she could. Daniel held her hand to help her balance; he was watching her but not the way she would have expected. He was worried about her, the goose bumps rising on her skin. He rubbed her arms when she slipped off he sweater and stood freezing in her sensible underwear n the gondola in the middle of the Venetian lagoon. Again she shivered, cold and fear an indecipherable mass inside her. But her voice sounded brave when she tugged the goggles, which pinched, down over her eyes and said, "Okay, let's swim." They held hands, just like they had the last time they'd swum together at Sword & Cross. As their feet lifted off the varnished floor of the gondola, Daniel's hand tugged her upward, higher than she ever could have jumped herself-and then they dove. Her body broke the surface of the sea, which wasn't as cold as she'd expected. In fact, the closer she swam beside Daniel, the warmer the wake around them grew. He was glowing.
Lauren Kate (Rapture (Fallen, #4))
This is the definition of peace. The definition is interrupted by Toraf's ringtone. Why did Rachel get Toraf a phone? Does she hate me? Fumbling behind him in the sand, Galen puts a hand on it right before it stops ringing. He waits five seconds and...Yep, he's calling again. "Hello?" he whispers. "Galen, it's Toraf." Galen snorts. "You think?" "Rayna's ready to leave. Where are you?" Galen sighs. “We’re on the beach. Emma’s still sleeping. We’ll walk back in a few minutes.” Emma braved her mom’s wrath by skipping curfew again last night to be with him. Grom’s mating ceremony is tomorrow, and Galen and Rayna’s attendance is required. He’ll have to leave her in Toraf’s care until he gets back. “Sorry, Highness. I told you, Rayna’s ready to go. You have about two minutes of privacy. She’s heading your way. “The phone disconnects. Galen leans down and sweeps his lips over her sweet neck. “Emma,” he whispers. She sighs. “I heard him,” she groans drowsily. “You should tell Toraf that he doesn’t have to yell into the phone. And if he keeps doing it, I’m going to accidentally break it.” Galen grins. “He’ll get the hang of it soon. He’s not a complete idiot.” At this, Emma opens one eye. He shrugs. “Well, three quarters maybe. But not a complete one.” “Are you sure you don’t want me to come with you?” she says, sitting up and stretching. “You know I do. But I think this mating ceremony will be interesting enough without introducing my Half-Breed girlfriend, don’t you think?” Emma laughs and pulls her hair to one side, draping it over her shoulder. “This is our first time away from each other. You know, as a couple. We’ve only been really dating for two weeks now. What will I do without you?” He pulls her to him, leaning her back against his chest. “Well, I’m hoping that this time when I come back, it won’t be to the sight of you kissing Toraf.” The snickers beside them let them know their two minutes of privacy are up. “Yeah. Or someone’s gonna die,” Rayna says cordially. Galen helps Emma up and swats the leftover sand out of her sundress. He takes her hands into his. “Could I please just ask one thing without you getting all mad about it?” She scowls. “Let me guess. You don’t want me to get in the water while you’re gone.” “But I’m not ordering you to stay out of it. I’m asking, no begging, very politely, and with all my heart for you not to get in. It’s your choice. But it would make me the happiest man-fish on the coast if you wouldn’t.” They sense the stalker almost daily now. That and the fact that Dr. Milligan blew his theory about Emma’s dad being a Half-Breed out of the water makes Galen more nervous than he can say. It means they still don’t have any answers about who could know about Emma. Or why they keep hanging around. Emma rewards him with a breathtaking smile. “I won’t. Because you asked.” Toraf was right. I just had to ask. He shakes his head. “Now I can sleep tonight.” “That makes one of us. Don’t stay gone too long. Or Mark will sit by me at lunch.” He grimaces. “I’ll hurry.” He leans down to kiss her. Behind them, he hears Rayna’s initial splash. “She’s leaving without you,” Emma whispers on his lips. “She could have left hours ago and I’d still catch her. Good-bye, angelfish. Be good.” He places a forceful kiss on her forehead, then gets a running start and dives in. And he misses her already.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Suddenly with a single bound he leaped into the room. Winning a way past us before any of us could raise a hand to stay him. There was something so pantherlike in the movement, something so unhuman, that it seemed to sober us all from the shock of his coming. The first to act was Harker, who with a quick movement, threw himself before the door leading into the room in the front of the house. As the Count saw us, a horrible sort of snarl passed over his face, showing the eyeteeth long and pointed. But the evil smile as quickly passed into a cold stare of lion-like disdain. His expression again changed as, with a single impulse, we all advanced upon him. It was a pity that we had not some better organized plan of attack, for even at the moment I wondered what we were to do. I did not myself know whether our lethal weapons would avail us anything. Harker evidently meant to try the matter, for he had ready his great Kukri knife and made a fierce and sudden cut at him. The blow was a powerful one; only the diabolical quickness of the Count's leap back saved him. A second less and the trenchant blade had shorn through his heart. As it was, the point just cut the cloth of his coat, making a wide gap whence a bundle of bank notes and a stream of gold fell out. The expression of the Count's face was so hellish, that for a moment I feared for Harker, though I saw him throw the terrible knife aloft again for another stroke. Instinctively I moved forward with a protective impulse, holding the Crucifix and Wafer in my left hand. I felt a mighty power fly along my arm, and it was without surprise that I saw the monster cower back before a similar movement made spontaneously by each one of us. It would be impossible to describe the expression of hate and baffled malignity, of anger and hellish rage, which came over the Count's face. His waxen hue became greenish-yellow by the contrast of his burning eyes, and the red scar on the forehead showed on the pallid skin like a palpitating wound. The next instant, with a sinuous dive he swept under Harker's arm, ere his blow could fall, and grasping a handful of the money from the floor, dashed across the room, threw himself at the window. Amid the crash and glitter of the falling glass, he tumbled into the flagged area below. Through the sound of the shivering glass I could hear the "ting" of the gold, as some of the sovereigns fell on the flagging. We ran over and saw him spring unhurt from the ground. He, rushing up the steps, crossed the flagged yard, and pushed open the stable door. There he turned and spoke to us. "You think to baffle me, you with your pale faces all in a row, like sheep in a butcher's. You shall be sorry yet, each one of you! You think you have left me without a place to rest, but I have more. My revenge is just begun! I spread it over centuries, and time is on my side. Your girls that you all love are mine already. And through them you and others shall yet be mine, my creatures, to do my bidding and to be my jackals when I want to feed. Bah!" With a contemptuous sneer, he passed quickly through the door, and we heard the rusty bolt creak as he fastened it behind him. A door beyond opened and shut. The first of us to speak was the Professor. Realizing the difficulty of following him through the stable, we moved toward the hall. "We have learnt something… much! Notwithstanding his brave words, he fears us. He fears time, he fears want! For if not, why he hurry so? His very tone betray him, or my ears deceive. Why take that money? You follow quick. You are hunters of the wild beast, and understand it so. For me, I make sure that nothing here may be of use to him, if so that he returns.
Bram Stoker (Dracula)
Now let me tell you something. I have seen a thousand sunsets and sunrises, on land where it floods forest and mountains with honey coloured light, at sea where it rises and sets like a blood orange in a multicoloured nest of cloud, slipping in and out of the vast ocean. I have seen a thousand moons: harvest moons like gold coins, winter moons as white as ice chips, new moons like baby swans’ feathers. I have seen seas as smooth as if painted, coloured like shot silk or blue as a kingfisher or transparent as glass or black and crumpled with foam, moving ponderously and murderously. I have felt winds straight from the South Pole, bleak and wailing like a lost child; winds as tender and warm as a lover’s breath; winds that carried the astringent smell of salt and the death of seaweeds; winds that carried the moist rich smell of a forest floor, the smell of a million flowers. Fierce winds that churned and moved the sea like yeast, or winds that made the waters lap at the shore like a kitten. I have known silence: the cold, earthy silence at the bottom of a newly dug well; the implacable stony silence of a deep cave; the hot, drugged midday silence when everything is hypnotised and stilled into silence by the eye of the sun; the silence when great music ends. I have heard summer cicadas cry so that the sound seems stitched into your bones. I have heard tree frogs in an orchestration as complicated as Bach singing in a forest lit by a million emerald fireflies. I have heard the Keas calling over grey glaciers that groaned to themselves like old people as they inched their way to the sea. I have heard the hoarse street vendor cries of the mating Fur seals as they sang to their sleek golden wives, the crisp staccato admonishment of the Rattlesnake, the cobweb squeak of the Bat and the belling roar of the Red deer knee-deep in purple heather. I have heard Wolves baying at a winter’s moon, Red howlers making the forest vibrate with their roaring cries. I have heard the squeak, purr and grunt of a hundred multi-coloured reef fishes. I have seen hummingbirds flashing like opals round a tree of scarlet blooms, humming like a top. I have seen flying fish, skittering like quicksilver across the blue waves, drawing silver lines on the surface with their tails. I have seen Spoonbills flying home to roost like a scarlet banner across the sky. I have seen Whales, black as tar, cushioned on a cornflower blue sea, creating a Versailles of fountain with their breath. I have watched butterflies emerge and sit, trembling, while the sun irons their wings smooth. I have watched Tigers, like flames, mating in the long grass. I have been dive-bombed by an angry Raven, black and glossy as the Devil’s hoof. I have lain in water warm as milk, soft as silk, while around me played a host of Dolphins. I have met a thousand animals and seen a thousand wonderful things. But— All this I did without you. This was my loss. All this I want to do with you. This will be my gain. All this I would gladly have forgone for the sake of one minute of your company, for your laugh, your voice, your eyes, hair, lips, body, and above all for your sweet, ever-surprising mind which is an enchanting quarry in which it is my privilege to delve.
Gerald Durrell
Let Her Go" Well you only need the light when it's burning low Only miss the sun when it starts to snow Only know you love her when you let her go Only know you've been high when you're feeling low Only hate the road when you're missing home Only know you love her when you let her go And you let her go Staring at the bottom of your glass Hoping one day you'll make a dream last But dreams come slow and they go so fast You see her when you close your eyes Maybe one day you'll understand why Everything you touch surely dies But you only need the light when it's burning low Only miss the sun when it starts to snow Only know you love her when you let her go Only know you've been high when you're feeling low Only hate the road when you're missing home Only know you love her when you let her go Staring at the ceiling in the dark Same old empty feeling in your heart Cause love comes slow and it goes so fast Well you see her when you fall asleep But never to touch and never to keep Cause you loved her too much and you dived too deep Well you only need the light when it's burning low Only miss the sun when it starts to snow Only know you love her when you let her go Only know you've been high when you're feeling low Only hate the road when you're missing home Only know you love her when you let her go And you let her go Ohhh, oh no And you let her go Ohhh, oh no Well you let her go Cause you only need the light when it's burning low Only miss the sun when it starts to snow Only know you love her when you let her go Only know you've been high when you're feeling low Only hate the road when you're missing home Only know you love her when you let her go Cause you only need the light when it's burning low Only miss the sun when it starts to snow Only know you love her when you let her go Only know you've been high when you're feeling low Only hate the road when you're missing home Only know you love her when you let her go And you let her go
Passenger
Pie?" I narrowed my eyes at her, and then down at the container in her hands, where there were chocolate hand pies lined up in neat rows. The So Sorry Blondies were all gone by then, devoured between me and Paul and the rest of the dive team, and the memory of their deliciousness was too fresh for me to resist another Pepper Evans creation. I took one of the mini pies with a wary hand, just as she pulled out her phone, tapped it a few times, and smirked. I stopped chewing. "Did you just tweet?" I asked, my mouth full of chocolate. Pepper swept her bangs back with her fingers, and this time the gesture was calculated and breezy. "Did I?" I scowled into my phone screen, lowering it under my desk so Mrs. Fairchild wouldn't see. This one was just a GIF of Regina George from Mean Girls--- "Why are you so obsessed with me?" "At least your pie is better than your tweets," I mumbled. But the smirk on Pepper's face only deepened. "Those are from the Big League Burger bargain menu, by the way." My mouth dropped open. Pepper turned her eyes back to her textbook, burying her smirk in it. "Enjoy.
Emma Lord (Tweet Cute)
Barnacles stud the smooth dark skin, and crabs scurry across it. That black back must be slippery, treacherous like rock … But you see the hole in its back, the breath going in and out, and you think of all the blowholes along this coast; how a clever man can slip into them, fly inland one moment, back to ocean the next. Always curious, always brave, you take one step and the whale is underfoot. Two steps more and you are sliding, sliding deep into a dark and breathing cave that resonates with whale song. Beside you beats a blood-filled heart so warm it could be fire. Plunge your hands into that whale heart, lean into it and squeeze and let your voice join the whale’s roar. Sing that song your father taught you as the whale dives, down, deep. How dark it is beneath the sea, and looking through the whale’s eyes you see bubbles slide past you like … But there was none of that. Bobby was only imagining, only writing. Held in the sky on a rocky headland, Bobby drew chalk circles on slate, drew bubbles. Bubelz. Roze a wail. He erased the marks with the heel of his hand. It wasn’t true, it was just an old story, and he couldn’t even remember the proper song.
Kim Scott (That Deadman Dance: A Novel)
I will rouse you from your sleep, you who have given yourself up to recitation, who have taken the study of the Qur’an as a practice, who have seized upon some of its outward meanings and sentences. How long will you wander about the shore of the sea with your eyes closed to its wonders? Was it not for you to sail through its depths in order to see its amazing things, to travel to its islands to pick its delicacies, to dive to its bottom and become rich from obtaining its jewels? Don’t you despise yourself for losing out on its pearls and jewels as you continue to look only to its shores and esoteric aspects? Haven’t you heard that the Qur’an is an ocean from which the knowledge of all ages branches out just as rivers and streams branch out from the shores of the ocean? Don’t you envy the happiness of people who have plunged into its overflowing waves and seized red sulfur, who have dived into its depths and taken out red rubies, shining pearls and green chrysolite, who have roamed its shores and gathered gray ambergris and fresh blooming aloes wood, who have clung to its islands and found an abundance in their animals of the greatest antidote and pungent musk?
Abu Hamid al-Ghazali
Fast-forward about twenty years: I was in Bora Bora on vacation. I was scuba diving, and thirty or so lemon sharks started hovering around me in the water. My first thought was, Wow, this is a lot more terrifying up close and personal than it is on Discovery Channel Shark Week. My next thought was, What do I do? I know the name lemon shark sounds sweet, but look it up. They are the ugliest, most terrifying sharks, and they get up to about ten feet long. That’s big enough to take off your head in a single bite. I hadn’t signed up for a shark encounter. In fact, they didn’t tell us much about what to expect down there, and there was no training session. It was more like, “Are you certified? Okay, just jump in.” After several minutes of being stalked by this pack of predators, I was overcome by a calmness. I remember feeling the sharks brush past my head and knock into my back. I couldn’t keep my eye on all of them--they were everywhere--so I just let it be. They didn’t bother me, and I didn’t bother them. Instead, the thing that freaked me out on the dive was a harmless little suckerfish that decided to hang out in my face. Every time I turned around, he was there, stalking me.
Derek Hough (Taking the Lead: Lessons from a Life in Motion)
Crimson silk sheets. I’m in her and she’s looking at me like I’m her world. The woman undoes me. I flinch. I’m having sex with me, seeing myself from his eyes. I look incredible naked—is that how he sees me? He doesn’t see any of my flaws. I’ve never looked half as good to myself. I want to pull out. It feels perverse. I’m fascinated. But this was not what I was hunting for at all . . . Where are the handcuffs? Ah, grab her fucking head, she’s going down on me again. She’ll make me come. Tie her up. Is she back? How much longer do I have? He senses me there. Get out of my HEAD! I deepen the kiss, bite his tongue, and he is violent with lust. I take advantage, diving deep. There’s a thought he’s shielding. I want it. Nobody home but She for Whom I am the World. Can’t go on like this, can’t keep doing it. Why couldn’t he go on? What couldn’t he keep doing? I’m having sex with him, any way he wants me, while I stare up at him with utter worship. Where was the problem there? Weariness suddenly crashes over me. I’m in his body, and I’m coming beneath him, and I’m checking my eyes warily. What the fuck am I doing here? He knew what he was, what I was. He knew we came from different worlds, didn’t belong together. Yet for a few months there’d been no lines of demarcation between us. We’d existed in a place beyond definitions, where no rules had mattered, and I wasn’t the only one who’d reveled in it. But the entire time I’d been lost in sexual bliss, he’d been aware of time passing, of everything that was happening—that I was mindless, I wasn’t willing, and when I snapped out of it I’d blame him. Keep hoping to see the light in her eyes. Even knowing it’ll mean she’s saying good-bye. I had. Irrational or not, I’d held it against him. He’d seen me naked, body and soul, and I hadn’t seen him at all. I’d been blinded by helpless lust that hadn’t been for him. I had been lust, and he’d been there. Just one time, he’s thinking as we watch my glazed eyes go even emptier. One time, what? Instead of pushing, I try a stealth attack. I pretend to retreat, let him think he’s won, and at the last minute turn around. Instead of lunging for his thoughts, I stay very, very still and listen. He pushes my hair out of my face. I look like an animal. There’s no sentience in my gaze. I’m a cavewoman, with a miniscule, pre-historic brain. When you know who I am. Let me be your man.
Karen Marie Moning (Shadowfever (Fever, #5))
But if you like the word Quetzalcoatl, don't you think it would be wonderful if he came back again? Ah, the names of the gods! Don't you think the names are like seeds, so full of magic, of the unexplored magic? Huitzilopochtli!--how wonderful! And Tlaloc! Ah! I love them! I say them over and over, like they say Mani padma Om! in Tibet. I believe in the fertility of sound. Itzpapalotl--the Obsidian Butterfly! Itzpapalotl! But say it, and you will see it does good to your soul. Itzpapalotl! Tezcatlipocá! They were old when the Spaniards came, they needed the bath of life again. But now, re-bathed in youth, how wonderful they must be! Think of Jehovah! Jehovah! Think of Jesus Christ! How thin and poor they sound! Or Jesús Cristo! They are dead names, all the life withered out of them. Ah, it is time now for Jesus to go back to the place of the death of the gods, and take the long bath of being made young again. He is an old-old young god, don't you think?' He looked long at Kate, then dived for his soup. Kate widened her eyes in amazement at this torrent from the young Mirabal. Then she laughed. 'I think it's a bit overwhelming!' she said, non-committal. 'Ah! Yes! Exactly! Exactly! But how good to be overwhelmed! How splendid if something will overwhelm me! Ah, I am so glad!
D.H. Lawrence (The Plumed Serpent)
There are different kinds of birds and there are different situations and places to find these birds. Some of these birds choose to eat carcass and some prefer fresh meat. Some eat from backyards and some will take their food far from sight. There are those who soar higher and least live on short and common trees and there are those who wouldn’t mind sleeping on any tree. There are those who exhibit their dexterity on the ground to the joy and admiration of all people, and there are those who make people raise their heads and strain their eyes before they see them. There are those whose appearance comes with awe, and there those who would pass without people taking a second look at them in admiration. There are those whose voices are a wake-up call and there are those whose sounds give reasons to ponder! There are those who sing sweet melodies and there are those whose sounds threaten. There are those who are for special meals and occasions, and there are those who are fit for the base of any pot at all. There are those who though are humble and friendly, yet when you go beyond your boundary, they will show how they are hungry! There are those who dive amazingly and there are those who just swim and move around in water! Life is just like that; different people, different values and different functions!
Ernest Agyemang Yeboah
i met your mother for the first time today, and i felt your pain through her eyes. i saw your self-esteem in her body language. i heard your insecurities in her laugh. she gave you life, and in turn, you’ve given life to the things she dislikes about herself. she experienced life, and in turn, you’ve adopted her experiences and made them your own. your whole life, you’ve lived up to skewed ideologies of how a woman should be and how a woman should conduct herself. your whole life, you’ve looked up to faux versions of what a woman should be and what a woman must consist of to be worthy. your whole life, you’ve been drinking water from a source dripping in your mother’s trauma and heartache, and it’s poisoned the perception you have of yourself and the perception you have of the world. you’ve dived deep to find answers to your mother’s pain only to find yourself at her feet every time you come up for air. you’ve been swimming in your mother’s tears for too long, drowning in a battle that was never yours to begin with. there is much she taught you that you must unlearn so you may become your own woman. there is much she taught you that you must unlearn so your daughters may become their own women. there is much she taught you that you must forgive her for so you may finally begin your own healing. i met your mother for the first time today, and i feel like i finally met you.
Billy Chapata (Flowers on the Moon)
Immediately after leaving the gate we encountered a bunch of raggedly dressed street kids. They blinked sad brown eyes and held out their hands begging for money, but we ignored them. Dan flashed us an accusing look, as if we were heartless bastards. He fished some coins out of his pocket, and tossed them to the children. A frantic mob of kids immediately overwhelmed Dan, hopping up and down, clamoring for money. Dan finally broke free from the grasping children, and we set off down the street. Suddenly, Dan stopped dead in his tracks, belatedly realizing his expensive scuba diving watch was missing. While we laughed and said, “I told you so!” Dan rubbed his naked wrist and stomped around the street in disbelief, bemoaning the loss of his watch. Then an innocent looking little boy timidly approached Dan. Obviously feeling sorry for the kind-hearted American, the cute little ragamuffin timidly spoke, “Mister, I know who stole your watch. Give me a hundred pesos and I’ll get it back for you.” Dan breathed a sigh of relief, thanked the little angel profusely, and gave him a hundred pesos worth eight American dollars. The little boy quickly scuttled into the crowd never to be seen again. We laughed so hard we were choking. Dan had just set a new chump record, losing an expensive watch and a hundred pesos all within minutes of leaving the base. We dragged him into the nearest bar to console him with cold San Miguel beer.
William F. Sine (Guardian Angel: Life and Death Adventures with Pararescue, the World's Most Powerful Commando Rescue Force)
The ship! The hearse!--the second hearse!" cried Ahab from the boat; "its wood could only be American!" Diving beneath the settling ship, the whale ran quivering along its keel; but turning under water, swiftly shot to the surface again, far off the other bow, but within a few yards of Ahab's boat, where, for a time, he lay quiescent. "I turn my body from the sun. What ho, Tashtego! let me hear thy hammer. Oh! ye three unsurrendered spires of mine; thou uncracked keel; and only god-bullied hull; thou firm deck, and haughty helm, and Pole-pointed prow,--death-glorious ship! must ye then perish, and without me? Am I cut off from the last fond pride of meanest shipwrecked captains? Oh, lonely death on lonely life! Oh, now I feel my topmost greatness lies in my topmost grief. Ho, ho! from all your furthest bounds, pour ye now in, ye bold billows of my whole foregone life, and top this one piled comber of my death! Towards thee I roll, thou all-destroying but unconquering whale; to the last I grapple with thee; from hell's heart I stab at thee; for hate's sake I spit my last breath at thee. Sink all coffins and all hearses to one common pool! and since neither can be mine, let me then tow to pieces, while still chasing thee, though tied to thee, thou damned whale! THUS, I give up the spear!" The harpoon was darted; the stricken whale flew forward; with igniting velocity the line ran through the grooves;--ran foul. Ahab stooped to clear it; he did clear it; but the flying turn caught him round the neck, and voicelessly as Turkish mutes bowstring their victim, he was shot out of the boat, ere the crew knew he was gone. Next instant, the heavy eye-splice in the rope's final end flew out of the stark-empty tub, knocked down an oarsman, and smiting the sea, disappeared in its depths.
Herman Melville (Moby Dick or The Whale)
Sam Underwater, everything is quiet. Tranquil. Like heaven is all around you, caressing your body, pulling you into its embrace. Deeper and deeper, it pulls at your legs until they beg to be released. I hold my water-resistant camera in front of me and take multiple pictures of the cold depths of the ocean. Its beauty never fails to mesmerize me. But I can’t stay for too long; sooner or later, that urge to breathe always pulls me back to the surface toward the dark sky littered with a million flickering lights … back into the noise of swooshing water and rushing wind. The shore is mostly deserted, except for a few beer cans, party cups, and some clothes and trash lying scattered all around. The only other person there is Nate Wilson … the most handsome guy at school and so much more than that. He’s sitting on a few rocks near the edge of the beach with a girl by his side. I can’t stop watching. Their hands touch briefly, but then the wave overtakes me and blocks my view. When the water lowers, I shake my head, but the waves keep picking up. Still, I hold up my camera and take a few pictures. Right as he turns his head toward me, I dive underwater again. Here, there are no boys, no girls, and no secret touches. Just me and the water, and all the beautiful creatures below that need to meet my camera. A single picture says more than words ever will. No matter how powerful they are. Nate People say it only takes a few minutes for your life to be destroyed. I never believed them … until today. With just the snap of a finger, a stupid decision and a simple push, I marked my own fate. My body grows colder and colder the longer I stay in the water. It consumes me whole as I stray farther and farther away from myself. From reality. I’m so damn dizzy, but I can’t collapse here. Not now, not in the middle of the ocean. I take a deep breath and peel my eyes open, forcing myself to go. That’s when I spot her … the girl and her camera. FLASH. I cover my eyes with my hand. Salty seawater enters my nostrils and mouth as I struggle to swim. When I open my eyes again, the girl is gone; swallowed by the same waves that drag me back to the shore. As my feet sink into the sand and the water creeps up against my toes, I stop and turn around, clutching the long red hairs in my hand as though they’re my last lifeline. This is now the place where not only my life changed forever. But hers too.
Clarissa Wild (Cruel Boy)
You’re still holding my arm.” “I know.” So this was it, she thought, and struggled to keep her voice. “Should I ask you to let go?” “I wouldn’t bother.” She drew a deep, steadying breath. “All right. What do you want, Roman?” “To get this out of the way, for both of us.” He rose. Her step backward was instinctive, and much more surprising to her than to him. “I don’t think that’s a good idea.” “Neither do I.” With his free hand, he gathered up her hair. It was soft, as he’d known it would be. Thick and full and so soft that his fingers dived in and were lost. “But I’d rather regret something I did than something I didn’t do.” “I’d rather not regret at all.” “Too late.” He heard her suck in her breath as he yanked her against him. “One way or the other, we’ll both have plenty to regret.” He was deliberately rough. He knew how to be gentle, though he rarely put the knowledge into practice. With her, he could have been. Perhaps because he knew that, he shoved aside any desire for tenderness. He wanted to frighten her, to make certain that when he let her go she would run, run away from him, because he wanted so badly for her to run to him. Buried deep in his mind was the hope that he could make her afraid enough, repelled enough, to send him packing. If she did, she would be safe from him, and he from her. He thought he could accomplish it quickly. Then, suddenly, it was impossible to think at all. She tasted like heaven. He’d never believed in heaven, but the flavor was on her lips, pure and sweet and promising. Her hand had gone to his chest in an automatic defensive movement. Yet she wasn’t fighting him, as he’d been certain she would. She met his hard, almost brutal kiss with passion laced with trust. His mind emptied. It was a terrifying experience for a man who kept his thoughts under such stringent control. Then it filled with her, her scent, her touch, her taste. He broke away-for his sake now, not for hers. He was and had always been a survivor. His breath came fast and raw. One hand was still tangled in her hair, and his other was clamped tight on her arm. He couldn’t let go. No matter how he chided himself to release her, to step back and walk away, he couldn’t move. Staring at her, he saw his own reflection in her eyes. He cursed her-it was a lack quick denial-before he crushed his mouth to hers again. It wasn’t heaven he was heading for, he told himself. It was hell.
Nora Roberts (Golden Shores: Treasures Lost, Treasures Found / The Welcoming)
The Enchanted Broccoli Forest. Oh, what a pleasure that was! Mollie Katzen's handwritten and illustrated recipes that recalled some glorious time in upstate New York when a girl with an appetite could work at a funky vegetarian restaurant and jot down some tasty favorites between shifts. That one had the Pumpkin Tureen soup that Margo had made so many times when she first got the book. She loved the cheesy onion soup served from a pumpkin with a hot dash of horseradish and rye croutons. And the Cardamom Coffee Cake, full of butter, real vanilla, and rich brown sugar, said to be a favorite at the restaurant, where Margo loved to imagine the patrons picking up extras to take back to their green, grassy, shady farmhouses dotted along winding country roads. Linda's Kitchen by Linda McCartney, Paul's first wife, the vegetarian cookbook that had initially spurred her yearlong attempt at vegetarianism (with cheese and eggs, thank you very much) right after college. Margo used to have to drag Calvin into such phases and had finally lured him in by saying that surely anything Paul would eat was good enough for them. Because of Linda's Kitchen, Margo had dived into the world of textured vegetable protein instead of meat, and tons of soups, including a very good watercress, which she never would have tried without Linda's inspiration. It had also inspired her to get a gorgeous, long marble-topped island for prep work. Sometimes she only cooked for the aesthetic pleasure of the gleaming marble topped with rustic pottery containing bright fresh veggies, chopped to perfection. Then Bistro Cooking by Patricia Wells caught her eye, and she took it down. Some pages were stuck together from previous cooking nights, but the one she turned to, the most splattered of all, was the one for Onion Soup au Gratin, the recipe that had taught her the importance of cheese quality. No mozzarella or broken string cheeses with- maybe- a little lacy Swiss thrown on. And definitely none of the "fat-free" cheese that she'd tried in order to give Calvin a rich dish without the cholesterol. No, for this to be great, you needed a good, aged, nutty Gruyère from what you couldn't help but imagine as the green grassy Alps of Switzerland, where the cows grazed lazily under a cheerful children's-book blue sky with puffy white clouds. Good Gruyère was blocked into rind-covered rounds and aged in caves before being shipped fresh to the USA with a whisper of fairy-tale clouds still lingering over it. There was a cheese shop downtown that sold the best she'd ever had. She'd tried it one afternoon when she was avoiding returning home. A spunky girl in a visor and an apron had perked up as she walked by the counter, saying, "Cheese can change your life!" The charm of her youthful innocence would have been enough to be cheered by, but the sample she handed out really did it. The taste was beyond delicious. It was good alone, but it cried out for ham or turkey or a rich beefy broth with deep caramelized onions for soup.
Beth Harbison (The Cookbook Club: A Novel of Food and Friendship)
Through the breach, they heard the waters pour, as mountain torrents down a flume. "The ship! The hearse!--the second hearse!" cried Ahab from the boat; "its wood could only be American!" Diving beneath the settling ship, the whale ran quivering along its keel; but turning under water, swiftly shot to the surface again, far off the other bow, but within a few yards of Ahab's boat, where, for a time, he lay quiescent. "I turn my body from the sun. What ho, Tashtego! let me hear thy hammer. Oh! ye three unsurrendered spires of mine; thou uncracked keel; and only god-bullied hull; thou firm deck, and haughty helm, and Pole-pointed prow,--death-glorious ship! must ye then perish, and without me? Am I cut off from the last fond pride of meanest shipwrecked captains? Oh, lonely death on lonely life! Oh, now I feel my topmost greatness lies in my topmost grief. Ho, ho! from all your furthest bounds, pour ye now in, ye bold billows of my whole foregone life, and top this one piled comber of my death! Towards thee I roll, thou all-destroying but unconquering whale; to the last I grapple with thee; from hell's heart I stab at thee; for hate's sake I spit my last breath at thee. Sink all coffins and all hearses to one common pool! and since neither can be mine, let me then tow to pieces, while still chasing thee, though tied to thee, thou damned whale! THUS, I give up the spear!" The harpoon was darted; the stricken whale flew forward; with igniting velocity the line ran through the grooves;--ran foul. Ahab stooped to clear it; he did clear it; but the flying turn caught him round the neck, and voicelessly as Turkish mutes bowstring their victim, he was shot out of the boat, ere the crew knew he was gone. Next instant, the heavy eye-splice in the rope's final end flew out of the stark-empty tub, knocked down an oarsman, and smiting the sea, disappeared in its depths. For an instant, the tranced boat's crew stood still; then turned. "The ship? Great God, where is the ship?" Soon they through dim, bewildering mediums saw her sidelong fading phantom, as in the gaseous Fata Morgana; only the uppermost masts out of water; while fixed by infatuation, or fidelity, or fate, to their once lofty perches, the pagan harpooneers still maintained their sinking lookouts on the sea. And now, concentric circles seized the lone boat itself, and all its crew, and each floating oar, and every lance-pole, and spinning, animate and inanimate, all round and round in one vortex, carried the smallest chip of the Pequod out of sight. But as the last whelmings intermixingly poured themselves over the sunken head of the Indian at the mainmast, leaving a few inches of the erect spar yet visible, together with long streaming yards of the flag, which calmly undulated, with ironical coincidings, over the destroying billows they almost touched;--at that instant, a red arm and a hammer hovered backwardly uplifted in the open air, in the act of nailing the flag faster and yet faster to the subsiding spar. A sky-hawk that tauntingly had followed the main-truck downwards from its natural home among the stars, pecking at the flag, and incommoding Tashtego there; this bird now chanced to intercept its broad fluttering wing between the hammer and the wood; and simultaneously feeling that etherial thrill, the submerged savage beneath, in his death-gasp, kept his hammer frozen there; and so the bird of heaven, with archangelic shrieks, and his imperial beak thrust upwards, and his whole captive form folded in the flag of Ahab, went down with his ship, which, like Satan, would not sink to hell till she had dragged a living part of heaven along with her, and helmeted herself with it. Now small fowls flew screaming over the yet yawning gulf; a sullen white surf beat against its steep sides; then all collapsed, and the great shroud of the sea rolled on as it rolled five thousand years ago.
Herman Melville
Not liking to think of him so, and wondering if they had guessed at dinner why he suddenly became irritable when they talked about fame and books lasting, wondering if the children were laughing at that, she twitched the stockings out, and all the fine gravings came drawn with steel instruments about her lips and forehead, and she grew still like a tree which has been tossing and quivering and now, when the breeze falls, settles, leaf by leaf, into quiet. It didn't matter, any of it, she thought. A great man, a great book, fame—who could tell? She knew nothing about it. But it was his way with him, his truthfulness—for instance at dinner she had been thinking quite instinctively, If only he would speak! She had complete trust in him. And dismissing all this, as one passes in diving now a weed, now a straw, now a bubble, she felt again, sinking deeper, as she had felt in the hall when the others were talking, There is something I want—something I have come to get, and she fell deeper and deeper without knowing quite what it was, with her eyes closed. And she waited a little, knitting, wondering, and slowly rose those words they had said at dinner, "the China rose is all abloom and buzzing with the honey bee," began washing from side to side of her mind rhythmically, and as they washed, words, like little shaded lights, one red, one blue, one yellow, lit up in the dark of her mind, and seemed leaving their perches up there to fly across and across, or to cry out and to be echoed; so she turned and felt on the table beside her for a book. And all the lives we ever lived And all the lives to be, Are full of trees and changing leaves, she murmured, sticking her needles into the stocking. And she opened the book and began reading here and there at random, and as she did so, she felt that she was climbing backwards, upwards, shoving her way up under petals that curved over her, so that she only knew this is white, or this is red. She did not know at first what the words meant at all. Steer, hither steer your winged pines, all beaten Mariners she read and turned the page, swinging herself, zigzagging this way and that, from one line to another as from one branch to another, from one red and white flower to another, until a little sound roused her—her husband slapping his thighs. Their eyes met for a second; but they did not want to speak to each other. They had nothing to say, but something seemed, nevertheless, to go from him to her. It was the life, it was the power of it, it was the tremendous humour, she knew, that made him slap his thighs. Don't interrupt me, he seemed to be saying, don't say anything; just sit there. And he went on reading. His lips twitched. It filled him. It fortified him. He clean forgot all the little rubs and digs of the evening, and how it bored him unutterably to sit still while people ate and drank interminably, and his being so irritable with his wife and so touchy and minding when they passed his books over as if they didn't exist at all. But now, he felt, it didn't matter a damn who reached Z (if thought ran like an alphabet from A to Z). Somebody would reach it—if not he, then another. This man's strength and sanity, his feeling for straight forward simple things, these fishermen, the poor old crazed creature in Mucklebackit's cottage made him feel so vigorous, so relieved of something that he felt roused and triumphant and could not choke back his tears. Raising the book a little to hide his face, he let them fall and shook his head from side to side and forgot himself completely (but not one or two reflections about morality and French novels and English novels and Scott's hands being tied but his view perhaps being as true as the other view), forgot his own bothers and failures completely in poor Steenie's drowning and Mucklebackit's sorrow (that was Scott at his best) and the astonishing delight and feeling of vigour that it gave him.
Virginia Woolf (To the Lighthouse)
Find a quiet space where you can be alone and focus on the dive ahead. Slow your heartbeat, establish a deep breathing rhythm, close your eyes or gaze out on to the ocean. Get yourself into a nice peaceful zone. Put away any thoughts circling around your mind concerning other aspects of your life, particularly areas where there is something negative going on. You are going diving; there is nothing you can do about anything that is happening in your surface existence while you are underwater.
Simon Pridmore (Scuba Confidential - An Insider's Guide to Becoming a Better Diver)
Well you only need the light when it's burning low Only miss the sun when it starts to snow Only know you love her when you let her go Only know you've been high when you're feeling low Only hate the road when you're missing home Only know you love her when you let her go And you let her go Staring at the bottom of your glass Hoping one day you'll make a dream last But dreams come slow and they go so fast You see her when you close your eyes Maybe one day you'll understand why Everything you touch, oh it dies But you only need the light when it's burning low Only miss the sun when it starts to snow Only know you love her when you let her go Only know you've been high when you're feeling low Only hate the road when you're missing home Only know you love her when you let her go Staring at the ceiling in the dark Same old empty feeling in your heart 'Cause love comes slow and it goes so fast Well you see her when you fall asleep But never to touch and never to keep 'Cause you loved her too much and you dive too deep Well you only need the light when it's burning low Only miss the sun when it starts to snow Only know you love her when you let her go Only know you've been high when you're feeling low Only hate the road when you're missing home Only know you love her when you let her go And you let her go Oh oh oh no
Rosenberg
Hello, ma’am. How are you today?” he asked one day with a grin on his face the size of Kansas. I turned around looked at him and asked him what will it be, sir?   “For starters,” he replied, “how about your name and phone number?” Hmm, you know if you strap a ton to your ankles and dive head first into the Atlantic, I‘ll think about it when you come back up,” I replied and smiled. My chances are that slim, eh?” he said, leaning up against the counter. Well, actually a little slimmer than that if you want me to be honest. So are you going to help pay my bills or are you wasting my precious oxygen? -Emerald Eyes Of The Sea
Hazel Cartwright (Emerald Eyes of The Sea (Emerald Trilogy, part #1))
Six days you shall labor and do all your work, but the seventh day is a sabbath to the Lord your God. On it you shall not do any work….” —Deuteronomy 5:13 (NIV) Henry spread a soft blanket across the living room floor. I thought he was going to lie down and read a book, but then when I looked up from my newspaper, he was on all fours spreading out another blanket beside the first one. “What are you doing, Hen?” I asked. “I’m making a soft world,” he said. I went back to reading my article and pushed away thoughts that I should go upstairs to my home office and get a jump start on the week ahead by checking e-mail and diving into my projects. I heard Henry go upstairs and then I heard thump, thump, thump as he came down, his arms overflowing with blankets from his bed. His brother Solomon rested in his favorite reading spot with his nose in a book. His father worked on the Sunday crossword, and I went back to the paper. I kept one eye watching Henry cover the living room floor with blankets, pillows, and a bunch of his stuffed animals. When everything was just so, every pillow exactly where he wanted, he rolled around on his favorite blue blanket, grinning from ear to ear. “Like it? This is my soft world.” He hugged his favorite stuffed dinosaur. I’m so glad I stayed downstairs with my family. Had I gone off to do work, I would have missed the soft world. Dear God, thank You for the day of rest— just what I need to relax and feel blessed. —Sabra Ciancanelli Digging Deeper: Gn 2:3; Lk 6:1–11
Guideposts (Daily Guideposts 2014)
What’s wrong?” Jake’s voice, deep as thunder, unsettled her. Why did he have to be so handsome? She wanted to fall right inside those brown eyes. “I saw you in the living room with Ben . . . earlier.” His lips pulled upward, no doubt remembering Ben’s belly laughs. “He’s a fun kid.” She hated to wipe the smile from his face. “I know you mean well, Jake, but I think it’s best if you avoid spending time with the children.” The smile slid south. “We were just playing around.” “The children are getting attached to you. I don’t think it’s healthy.” His jaw flexed, his shoulders squared. “They need relationships now more than ever.” “Not from someone who’ll soon exit their lives.” He flinched. She hated to hurt his feelings, had a physical ache from wounding him. “It doesn’t have to be that way,” he said finally. “I don’t want to exit their lives. I don’t want to exit your life.” Maybe he thought they could be some happy family or something. It was time to tell him everything. “I’m selling Summer Place. We’ll be leaving the island soon. The Goldmans—our guests over the daffodil weekend—made an offer, and I accepted. I haven’t told the children yet, so I’d appreciate if you wouldn’t mention it. We’ll stay through closing in late June.” Jake’s lips parted. A second later they pressed together. He walked to the end of the porch and back. He reminded her of a caged tiger, constricted by the boundary of the porch. She hadn’t expected him to be so upset. When he passed, she set her hand on his bare arm, stopping him. The muscles flexed beneath her palm. He was so strong. She had the sudden image of him hitting Sean, using those muscles to protect her. She pulled her hand away as if his skin burned her. “They’ve had enough loss. They’ve already become attached to you, and that’s only going to hurt them more when we leave.” His face softened as he stared, his lips slackening, his eyes growing tender. His face had already darkened under the sun. Faint lines fanned the corner of his eyes. He reached toward her and ran his finger down the side of her face. “Don’t leave.” His touch left a trail of fire. She pressed her spine to the column. How could she want to dive into his arms and run away at the same time? Inside a riot kicked up. She was back in the apartment on Warren Street, coming home from school, slipping in the door, unsure if she’d find her mom racing around the kitchen, slumped on the bathroom tile, or just gone. The same uncertainty roiled in her now. “I have to.” “This is their home. Your engagement is over,” he said gently. “Is what you’re going back to as important as what you’re leaving?” He didn’t have to say he meant them. Us. She shook her head, dislodging his hand. How had he turned this all around? She
Denise Hunter (Driftwood Lane (Nantucket, #4))
Reinvention is my philosophy, if you want to call it that,” he says, looking out the window. “Imagination is the key to creating a life that is ever new.” Stanley turns his eyes to me. “We are each of us a changeling person,” he says. “We are not going to be the same decade after decade. Wisdom results from confronting not only one’s desires and capacities but also one’s limitations.” “The Layers,” one of Stanley’s best-loved poems, is his crystallization of this wisdom. I have walked through many lives, some of them my own, and I am not who I was, though some principle of being abides from which I struggle not to stray. When I look behind, as I am compelled to look before I can gather strength to proceed on my journey, I see the milestones dwindling toward the horizon and the slow fires trailing from the abandoned camp-sites, over which scavenger angels wheel on heavy wings. Oh, I have made myself a tribe out of my true affections, and my tribe is scattered! How shall the heart be reconciled to its feast of losses? In a rising wind the manic dust of my friends, those who fell along the way, bitterly stings my face. Yet I turn, I turn, exulting somewhat, with my will intact to go wherever I need to go, and every stone on the road is precious to me. In my darkest night, when the moon was covered and I roamed through wreckage, a nimbus-clouded voice directed me: “Live in the layers, not on the litter.” Though I lack the art to decipher it, no doubt the next chapter in my book of transformations is already written. I am not done with my changes.
Mark Matousek (When You're Falling, Dive: Lessons in the Art of Living)
Ascott scrambled for his dive knife, he and waved the four- inch blade between himself and the octopus. The floating sack of tentacles hesitated and then all eight of its arms snapped forward. Curled in the tip of each was a variety of sharpened implements, from swords and dive knives to a fishing spear. The large unblinking eyes seemed to be saying, Your move.
Paul Mannering (Pisces of Fate (Drakeforth Trilogy #2))
At length, one evening towards the end of March, the mental clearness of Orange somewhat revived, and he felt himself compelled to get up and put on his clothes. The nurse, thinking that the patient was resting quietly, and fearing the shine of the lamp might distress him, had turned it low and gone away for a little: so it was without interruption, although reeling from giddiness, and scorched with fever, that Rupert groped about till he found some garments, and his evening suit. Clad in these, and throwing a cloak over his shoulders, he went downstairs. Those whom he met, that recognized him, looked at him wonderingly and with a vague dread; but he appeared to have his understanding as well as they, and so he passed through the hall without being stopped; and going into the bar, he called for brandy. The bar-tender, to whom he was known, exclaimed in astonishment; but he got no reply from Orange, who, pouring himself out a large quantity of the fiery liquor found it colder than the coldest iced water in his burning frame. When he had taken the brandy, he went into the street. It was a bleak seasonable night, and a bitter frost-rain was falling: but Orange went through it, as if the bitter weather was a not unwelcome coolness, although he shuddered in an ague-fit. As he stood on the corner of Twenty-third Street, his cloak thrown open, the sleet sowing down on his shirt, and the slush which covered his ankles soaking through his thin shoes, a member of his club came by and spoke to him. "Why, good God! Orange, you don't mean to say you're out on a night like this! You must be much better--eh?" he broke off, for Orange had given him a grey look, with eyes in which there was no speculation; and the man hurried away scared and rather aghast. "These poet chaps are always queer fishes," he muttered uneasily, as he turned into the Fifth Avenue Hotel. Of the events of terror and horror which happened on that awful night, when a human soul was paying the price of an astonishing violation of the order of the universe, no man shall ever tell. Blurred, hideous, and enormous visions of dives, of hells where the worst scum of the town consorted, of a man who spat on him, of a woman who struck him across the face with her umbrella, calling him the foulest of names--visions such as these, and more hateful than these, presented themselves to Orange, when he found himself, at three o'clock in the morning, standing under a lamp-post in that strange district of New York called "The Village." ("The Bargain Of Rupert Orange")
Vincent O'Sullivan (The Supernatural Omnibus- Being A Collection of Stories)
he felt as if the white turtle had somersaulted into his eyes. That night of the readings, it dived into him again, down to the depth of his irises, as he acted as interpreter. After she sang each scene, he would read his translation. Theirs was a dialogue in two tongues blending and counterpointing. Strange to hear the turtle voice in English, Lola Basyon thought. She rather liked its sound though— I am your cradle rocking your babydreams past anemone; the hundred fingers curling around sleepgurgles passing… What
Merlinda Bobis (White Turtle)
She leaned up and kissed me. Her mouth tasted like lipstick, blood, and gunpowder. It was also the softest thing that I’d ever felt, and in spite of the pain I felt my mouth opening so that my tongue could flick out to taste hers. The heat came off her face like a furnace. Our tongues moved around each other’s, swirling and dueling. Finally she broke the kiss. It was like surfacing after a long, intoxicating dive through a sea of Red Bull. “What was that for?”I managed. “I am beginning to like you, Perry.”I shivered out a breath. “You’ve got a kooky way of showing it.”“Have you ever felt more alive?”“Once or twice, yes.”Gobi was still looking at me, lips half parted, eyes searching the depths of whatever was inside me. She looked lost and young and totally uncontrolled, a reflection of how I felt now, in a place that I’d never been before, somewhere that nobody would ever think to look for me. I had the sudden, ridiculous, absolutely compelling vision of chucking everything—school, music, my family and friends—and running away with her, away from the rest of the world. I figured we’d last about a week. “Are you all right?”she asked. “My head hurts.”“Is the lipstick,”she smiled. “There is a mind-control drug in it. You are now completely under my power ... By dawn you will be mine.”“Just promise me you won’t hurt my family.”She went serious. “Families get hurt, Perry. There are no guarantees this side of the grave.”“You’re a real bitch, you know that?”“I never denied it.”I swung at her. She caught my fist. “Too slow.”I let myself tilt forward just enough for our foreheads to touch, then reached for her neck and put my fingers on the scar, tracing the thin curve of raised tissue. “What happened there?”Her gaze shifted away. “A painful memory.”“Like what, getting your throat cut and coming back from the grave?”Gobi straightened up. The mood didn’t just break—it shattered into a million sharp and spiky pieces that lay all over the sidewalk like dragon’s teeth. Then she shuddered and fell still. “Gobi?”She leaned forward again, and I caught her. For a moment we just stood there together in front of the dive bar, and when I felt her legs starting to give way, I lowered her back down the front steps.
Joe Schreiber (Au Revoir, Crazy European Chick (Perry & Gobi, #1))
disobeying your earthly father? I do. In fact, one of my most memorable experiences with my dad came after I had spilled a paint can all over the carpet while my parents were remodeling a room. They didn’t see it happen, so I went flying up the stairs and dived under my covers. In a few minutes I could hear the muffled voice of my father discussing how I had ruined the carpet. I tightened the sheet over my head and tried to prop up stuffed animals and pillows so he couldn’t find me. I heard him call out to me. Then I heard his feet coming up the stairs. “Hugh Thomas, where are you?” Trying not to even breathe, I remained silent. Then the door opened with a creak, and I felt his feet moving toward the side of my bed. I was terrified. I knew he had found me. I expected him to grab me by the ankle, jerk me out of the bed, hang me upside down, and whale away on my hind end with a wooden spoon. But he didn’t. I just remember him gently grabbing the corner of the sheet, slowing pulling it up, sliding his face under the covers where he could make eye contact with me, and then saying, “Son, you ruined the carpet, but I love you. Why don’t you come down and help me fix this? I’m not mad, but we have to clean it up, okay?” When God came to find Adam, He was upset, for sure.
Hugh Halter (Flesh: Bringing the Incarnation Down to Earth)
Writing is not about the end product, yes that is extremely important. It's not even about the grammar or style you write in; style and grammar are in the eye of the beholder. With each person, someone will find problems so grammar and style are moot. Writing, truly diving in is about the creative process...discovering a newer side of yourself as you are writing; creating. The adventure from page one to being done is what it is about. Do you feel good with the end product? do you feel good half way through? The point to this is simple...feedback is vital to selling your work, paying attention to hurtful feedback can destroy your pursuit of your dreams. so write for you...sell to others but write from your soul. Whether it's fiction/faction/non fiction or somewhere in between if your heart and soul is not in it...you are not going to be happy with it.
Kyle Williamson
I lay in bed awake, my bedside light still on past three.In my chest, my stomach, in my aching head, I felt pain for us both. That Lawrie loved me, I could not easily believe. Though he had never made me feel like an outsider, I couldn't help worrying that he only liked me because I looked different to all the other girls in that gang he'd turned up with at Cynth's wedding. Lawrie had rushed in with his declaration of love--but did he really see me? I couldn't imagine being someone who dived in for another like that; the sense that one's molecules were being recalibrated; the sheer, multi-layered joy of being seen and adored, and adoring in return, the cycle of shyness to confidence as each new step was taken. To seek your beloved in a crowd, to lock eyes and feel you have no truer place--it seemed impossible to me. I was--both by circumstance and nature--a migrant in this world, and my lived experience had long become a state of mind. I didn't know if I loved him, and that was also frightening--not to know, to be sure.
Jessie Burton (The Muse)
Gunner! Get in the fucking car! We have to go! Now! Right fucking now!” I yell, as I run around to the front of the vehicle and then back to where Gunner is since he is not moving fast enough for me. Gunner bolts upward and takes off running for the house. I have no idea why. For some stupid reason, I think he’s bailing on Ava so I rush forward and tackle him to the ground. “We have to go, Gunner! Get a fucking grip, brother!” I shout in his face while we’re rolling around on the ground. “Get off of me, fuckface!” “You’re going to the hospital and becoming a dad whether you like it or not!” I bellow in his face as he shoves me off of him and breaks for the house again. “I dive and snag a leg, at least enough to send him headfirst back into the ground. I stand and start trying to drag him to the vehicle while he’s kicking at me trying to get loose. He lands a hefty kick, just as I bend over to grab his other leg and I take a shot to the eyebrow. Blood starts pouring down my face from the wound. “Fuck! That shit hurt, Gunner! You ass!” I can hear Loki going wild in the house, barking, and Mac is in the window running his beak. He gets to his feet, again, and bolts to the house while I’m wiping the blood out of my eye. When he re-emerges a moment later, I punch him in the jaw. It rocks him back a step and I get a happy feeling in my stomach when I see a trickle of blood. “What the fuck, Axel? What is wrong with you?” “Girlie punch, Assman!” shouts Mac. “Both of you, stop right now! What the fuck is wrong with you two?” Dad’s voice booms in my ear. “He kicked me in the face!” “He punched me!” we say at the same time. That’s when I notice the diaper bag and suitcase that Gunner is holding. Huh. Well, shit. That’s probably what he was running to the house to get. “Where is Ava?” shouts Gunner, dropping the bags and running to the spot the SUV is no longer parked in. “Bailey is driving her and Trudy to the hospital while you two jackholes decided to slug it out in the front yard!
Lola Wright (Axel (The Devil's Angels MC #2))
Your deep green eyes make me wanna swan dive off a cliff into a shallow ocean of sweet little lies. That's why I stand here paralyzed.
Curtis Tyrone Jones
She tries to dribble past him, but—" Todd leaped onto the blanket and dived for Elizabeth, tackling her to the ground. "He bumps her to the floor! It's a foul for Wilkins! Free shot for the beautiful forward." Todd smothered her face in tiny kisses. "Your shot, Liz," Todd whispered. Elizabeth fended him off, but she couldn't help laughing. "Todd, sometimes you can be so idiotic." "That's just because I'm so happy," Todd said, picking up his plate and taking a bite of salad. "Last week I was a wrecked man. My girlfriend was leaving me, and I was out for the season. Now I've got the two most important things in the world back again: basketball and my girlfriend." Elizabeth feigned hurt. "You mean I'm only as important as basketball?" Todd paused, pretending to be deep in thought. "Hmm, which is more important?" "Todd, that's not funny," Elizabeth said, picking up her champagne flute and taking a sip of apple cider. Todd nodded solemnly. "You're right, basketball is obviously more important." Elizabeth whacked him in the arm, sending his fork flying out of his hand. Todd put his plate down and his expression turned serious. "Liz, you know you're the most important thing in the world to me." He turned and looked at her, his coffee-colored eyes warm with love. Elizabeth's stomach fluttered at the intensity of his gaze. "Liz, it's so nice to have you back again," Todd said in a husky voice, taking the glass out of her hand and setting it down. "For good." He took her in his arms and kissed her deeply. Elizabeth closed her eyes and returned the embrace with ardor, wrapping her arms around his neck.
Francine Pascal (In Love With The Enemy (Sweet Valley High Book 120))
She awakened with a start to find Macon standing at the foot of the bed, watching her with a grin stretched across his face. His finger and thumb still lingered on her big toe. Stunned, she scooted toward the headboard, as if it could lend her some protection, her eyes wide. Steven’s .45 was in the drawer of the nightstand on his side of the bed. She inched in that direction. “What are you doing here?” she croaked. Macon dragged his eyes over her lush figure, her sleep-rumpled underthings made of the thinnest lawn, and smiled. “You might say I’ve come to admire the spoils. It won’t be long now, Emma, dear. Things are going very badly for Steven. Soon you’ll be giving me fine, redheaded sons. Of course, I won’t be able to keep you here at Fairhaven—that would be indiscreet. We’ll have to get you a place in town.” Emma tried to shield her breasts with one arm as she moved nearer and nearer the side of the bed. “You’re vile, Macon Fairfax, and I’d sooner die than let you touch me. Now, get out of here before I scream!” “You can scream all you want,” he chuckled, spreading his hands wide of his lithe body. “There’s nobody here but the servants, and they wouldn’t dream of interfering, believe me.” Emma swallowed hard. She couldn’t be sure whether he was bluffing; after all, this was Macon’s house as well as Cyrus’s. If he gave instructions, they were probably obeyed. “Get out,” she said again. Her hand was on the knob of the nightstand drawer, but she knew she wasn’t going to have time to get the pistol out and aim it before Macon was on her. He was too close, and his eyes showed that he knew exactly what she meant to do. “It won’t be so bad, Emma,” he coaxed, his voice a syrupy croon by then. “I know how to make you happy, and you’re in just the right place for me to prove it.” “Don’t touch me,” Emma breathed, shrinking back against the headboard, her eyes wide with horror. “Steven will kill you if you touch me!” “You wouldn’t tell him.” Macon was standing over her by then, looking down into her face. She could see a vein pulsing at his right temple as he set his jaw for a moment. “You’d keep it to yourself because he wouldn’t have a chance in hell of winning this case if he assaulted me in a fit of rage—would he?” Emma’s heart was thundering against her ribs and she was sure she was going to throw up. She tried to move away from Macon, but he reached out and grasped her hard by the hair. “Please,” she whispered. He indulged in a small, tight smile. “Don’t humiliate yourself by begging, darling. It won’t save you. Keep your pleas for those last delicious moments before pleasure overtakes you.” Bile rushed into the back of Emma’s throat. “Let me go.” He pressed her flat against the mattress, his hand still entangled in her hair. She gazed up at him in terror, unable to speak at all. The crash of the door against the inside wall startled them both. Emma’s eyes swung to the doorway, and so did Macon’s. Nathaniel was standing there, still dressed in the suit he’d worn to Steven’s trial, his tie loose, his Fairfax eyes riveted on his cousin’s face. In his shaking hand was a derringer, aimed directly at Macon’s middle. “Let her go,” he said furiously. Macon released Emma, but only to shrug out of his coat and hang it casually over the bedpost. “Get out of here, Nathaniel,” he said, sounding as unconcerned as if he were about to open a book or pour himself a drink. “This is business for a man, not a boy.” Emma was breathing hard, her eyes fixed on Nathaniel, pleading with him. With everything in her, she longed to dive for the other side of the bed and run for her life, but she knew she wouldn’t escape Macon. Not without Nathaniel’s help. “I won’t let you hurt her,” the boy said with quiet determination. The derringer, wavering before, was steady now. Macon
Linda Lael Miller (Emma And The Outlaw (Orphan Train, #2))
Bear fat for the burn. You will lie on your face.” Their gazes locked, laughter still shimmering in his. Seconds dragged by, measured by the wild thumping of her heart. He wanted to rub her down? Oh, God, what was she going to do? She clutched the fur more tightly. Hunter shrugged as if her defiance bothered him not at all and tossed down the pouch. “You are sure enough not smart, Blue Eyes. You will lie on your face,” he said softly. “Don’t fight the big fight. If my strong arm fails me, I will call my friends. And in the end, you will lie on your face.” Loretta imagined sixty warriors swooping down on her. As if he needed more of an advantage. Hatred and helpless rage made her tremble. Hunter watched her, his expression unreadable as he waited. She wanted to fly at him, scratching and biting. Instead she loosened her hold on the buffalo robe and rolled onto her stomach. As she pressed her face into the stench-ridden buffalo fur, tears streamed down her cheeks, pooling and tickling in the crevices at each side of her nose. She clamped her arms to her sides and lay rigid, expecting him to jerk back the robe. Shame swept over her in hot, rolling waves as she imagined all those horrible men looking at her. She felt the fur shift and braced herself. His greased palm touched her back and slid downward with such agonizing slowness that her skin shriveled and her buttocks quivered. So focused was she on his touch, on the shame of it, that several seconds passed before she realized he had slipped his arm beneath the fur, that no one, not even he, could see her. Relief, if she felt any at all, was short-lived, for he laved every inch of her back with grease and then tried to nudge her arms aside to get at the burned skin along her ribs. She resisted him, but in the end his strength won out. When his fingertips grazed the swell of her left breast, her lungs ceased working and her body snapped taut. He hesitated, then resumed the rubbing, diving his fingertips between her and the fur to graze her nipple. She wasn’t burned there, and she knew he pressed the issue only to drive home his point. She belonged to him, and he would touch her whenever and wherever he pleased. A sob caught in her throat. Once again she felt his hand pause. His gaze burned into the back of her head, tangible in its intensity. At last he withdrew his arm from under the fur and sat back. Loretta twisted her neck to look up at his dark face, not bothering to wipe away her tears, too defeated to care if he saw them. He set the leather pouch on the pallet beside her. For an instant she thought she glimpsed pity in his eyes. “You rub the rest, eh? And put yourself into the clothes.” With that, he rose, presented his broad back to her, and walked away to crouch by the only remaining fire. Loretta clutched the fur to her breasts and sat up, not quite able to believe he had left her alone to dress.
Catherine Anderson (Comanche Moon (Comanche, #1))
How is it that I am now so softly awakened, My leaves shaken down with music?― Darling, I love you. It is not your mouth, for I have known mouths before,― Though your mouth is more alive than roses, Roses singing softly To green leaves after rain. It is not your eyes, for I have dived often in eyes,― Though your eyes, even in the yellow glare of footlights, Are windows into eternal dusk. Nor is it the live white flashing of your feet, Nor your gay hands, catching at motes in the spotlight; Nor the abrupt thick music of your laughter, When, against the hideous backdrop, With all its crudities brilliantly lighted, Suddenly you catch sight of your alarming shadow, Whirling and contracting. How is it, then, that I am now so keenly aware, So sensitive to the surges of the wind, or the light, Heaving silently under blue seas of air?― Darling, I love you, I am immersed in you…
Conrad Aiken
I would be over the moon if you'd make me one of your famous apple cakes." Portia stared at the ingredients her sister had lined up with perfect precision on the scratched countertop. Apples. Butter. Brown sugar. Cordelia cocked her head. "What is it?" "Nothing," Portia said, her voice weak. "It's just that I'm not in the mood to bake, is all." That was a lie. Her fingers itched to dive in, peel, and core, sift the flour, fold in the softened butter and brown sugar. Again and again since moving into the apartment she'd had to ignore her tingling fingertips and the smells of chocolate and vanilla that didn't really exist. She had thrown every bit of food in the apartment away, and it still hadn't helped. "I don't believe you," Cordelia said. "You want to bake like nobody's business. I can see it in your eyes.
Linda Francis Lee (The Glass Kitchen)
Graham went to the gym to work out, as he does almost every day. There's a pile of unfolded clothes on the couch beside me and a bag of cheese puffs in my lap. I love it when he goes to the gym, if only because I can be the massive sloth I naturally am in peace. If he were here, he'd be eyeing up my laundry and staring at the edible garbage in my lap and on my fingers, internally freaking out over the possibility of powdery cheese getting on the furniture. One hand in the bag, one hand wrapped around the stem of my wine glass—this is my idea of perfection. 'Girls Chase Boys' by Ingrid Michaelson is presently keeping me company from the stereo system. When my phone rings from where it resides on the back of the couch, I jump and send the bag flying. Orange confetti falls to the floor and I swallow, knowing I am so dead if Graham walks in the door right now. “What?” is my less than friendly greeting. “What'd you do?” How does he know me so well? I guess because he made me. “I just let off a bomb of cheese puffs. Although, technically, I'm blaming it on you since it was your phone call that scared me into dumping the bag over.” “Your mother is knitting again.” Eyes glued to the orange blobs on the pale carpet, I reply, “Oh? I'm sure it's marvelous, whatever it is.” Are they seeping into the carpet as I watch, even now becoming an irremovable part of it? Graham is going to majorly freak out over this. “Looks like a yellow condom.” I choke on nothing. “I have to go, Dad.” He grunts a goodbye. I fling the phone away and dive to my knees, hurriedly scooping up the abused deliciousness into my hands. Of course this is when Graham decides to come home—when my ass is in the air facing the door and I look like I'm eating processed food off the floor. I groan and let my head fall forward, smashing a cheese puff with my forehead. He doesn't say anything for a really, really long time, and I refuse to move or look at him, so it gets sort of awkward. “Never thought I'd come home to this scene. Ever.” Just to rile him up, I shove a cheese puff in my mouth and chomp away. “I can't believe you just ate that!” I get to my feet as I pop another into my mouth. “Mmm.” Graham's face is twisted with horror, his backpack dropping to the floor. Sweat clings to him in a delicious way, his hair damp with it. “Do you know how dirty the carpet is?” “You clean it almost every day. It can't be that dirty.” “I don't get everything out of it!” he exclaims, slapping the remaining puffs from my hands. “Go brush your teeth. No. Wait. Induce vomiting. Immediately.” I look at him and laugh. “You're crazy.” “Just...go drink water or something. I'll clean this up.” “I am perfectly capable of cleaning up my own messes.” He just looks at me. “Okay, so not as well as you, but still.” He remains mute. “Fine.” I toss my hands in the air and carefully walk over the splotches of orange beneath me. As I leave the living room, I pause by a framed photograph of a lemon tree, sliding it off-center on the wall. “I saw that,” he calls after me. “Just giving you something to do!” I smirk as I saunter into the bathroom. “I'll give you something to do.” I cock my head at that, wondering if that was meant to be sexual or not. I'm thinking not. I flip the light switch up in the bathroom and scream. Even with the distance between us, I can hear him laughing. The mirror is covered in what looks like blood, spelling out R – E – D. I put my face close to it and sniff. Ketchup. What a waste of a good condiment. “Not funny!” “So funny!
Lindy Zart (Roomies)
Max had left a week’s supply of foul-smelling dog food and two pages of instructions about doggie daycare. Neve had expected advice about dog-walking, worming tablets and the vet’s emergency phone number, but it turned out that Max had a very dim view of her dog-sitting abilities: • Do NOT let him in your bedroom. • It also goes without saying that he is NOT to sleep on your bed. • Do NOT let him in the bathroom. He’ll try to drink out of the toilet bowl. • Do NOT feed him at the table. He eats dog food not human food. • And do NOT give him chocolate. I’m serious. Human chocolate can make dogs very ill. Have left a bag of liver treats instead. • He doesn’t like old men, especially if they have walking sticks or zimmer frames. • He doesn’t like balloons, carrier bags or kites. • Also avoid small children. • A small child trying to fly a kite, while holding a balloon and a carrier bag in their other hand would just about finish him off. By the time Neve went to bed that night, Keith had stayed in the bathroom while she had a shower (and tried to get in the cubicle to drink the water), because he’d barked and scrabbled at the door so hard, she’d feared for her paintwork. He’d also had a piece of steamed haddock from her plate because she hadn’t been able to eat dinner without his nose in her crotch and his paw prodding her leg until she fed him. Neve had secretly suspected that Keith wouldn’t have so many emotional issuesif Max refused to indulge him, but it turned out that she was the softest of soft touches, unable to wield any sort of discipline or say, ‘No, Keith, you have to sleep in the lounge,’ in an authoritative voice. She’d lasted five minutes until the sound of Keith whimpering and howling and generally giving the impression that he was being tortured had forced her into the living room to pick up his bed, and his toys and his water bowl. But if he had to sleep in her room, then he could do it in his own bed, Neve reasoned as she sat up, eyes fixed on Keith. Every time she took her gaze off him and tried to read, he’d dive out of his bed and start advancing towards her. ‘Back to your basket, you wicked boy,’ she’d say and he’d slink away, eyes downcast, only to be given away by the joyous wag of his stumpy tale, as if it was the best gameever. It was inevitable – as soon as Neve turned out the light, there was a scrabble of claws on the wooden floor, then a dead weight landed on her feet. ‘Bad dog,’ she snapped, but they could both tell her heart wasn’t in it. Besides, if Keith stayed at the bottom of the bed, he could double up as a hot-water bottle. Keith had other ideas. He wriggled up the bed on his belly as if he was being stealthy and settled down next to Neve, batting his paws against her back until she was shoved right over and he could put his head on her pillow and pant hot doggy breath against her face. ‘Celia was right,’ Neve grumbled. ‘You are a devil dog.
Sarra Manning (You Don't Have to Say You Love Me)
Breathlessness mixed with exhilaration hit me, as if I were about to take a dive off a cliff straight into an ocean below. I pushed a strand of hair out of her eyes. “I’m nice to you because you’re worth it, Elizabeth.
Ilsa Madden-Mills (Dirty English (English, #1))
Watching me working with the bag isn’t doing something.” Hands stilled and he sucked in deep breaths. “I’m taking pictures of you too.” I held up the shiny new camera and clicked off a few in demonstration. “You don’t mind me taking your picture, do you?” “No.” “Excellent. Can you take all your clothes off for me please? I’d like to get some nude shots.” He gave me the look. “It’s for artistic purposes, I swear.” “I don’t think so.” He undid the straps on his glove things. They weren’t the full traditional boxing gloves, but less bulky. “I’ll make it worth your while.” In a move that should have been beneath me, I toyed with the V in the neckline of my sweater. “How?” His eyes darkened with interest.
Kylie Scott (Lead (Stage Dive, #3))
Note how you feel when relaxed. The part of your subconscious that you notice — that is consciousness. There is nothing remarkable about that. You don't have to find it. You really don't need to do it. There is always sensitivity in here. Settle in for a few minutes; just continue with your breathing. Trust that there will be a natural rhythm in your breath. That there's always sensitivity here. Breathing back, thinking you're there. Breathing out and realizing that you are breathing well. If your mind gets busy, don’t worry, that’s what it’s designed to do.  Say "in" as you breathe in, quietly say "out" as you breathe out, to keep your attention steady. Thoughts, pictures, and emotions will come and go. The goal is to consider them without having to think about them. Don’t make an effort to stop them. Don't try and get them to go. Don't try to change them; they are going to change themselves. No need to talk about them now. There is plenty of time for this to be done later. There's no need to add anything to the picture. Just stick with it, sense them when sounds appear, feel them as feelings come up, when ideas and memories come to mind, remember them. And we sit down and know we're there. Watch what’s happening in your mind and body the way you’d watch a movie or a TV show.  The storyline is going to twist and transform, plot threads are going to pass, and something different is going to emerge. You don't have to look for this series, just settle down, relax and it's going to come to you. Remember how those feelings and perceptions and pictures don't have much heaviness, like the story in a movie they don't have any real substance. Nothing to dive into or hook on, nothing to shut down, push away, or alter. You don’t need to do anything at all.  Let go, calm down, ease your mind, smile a little, look down and know you're sitting down. Take a moment before we close and consider the ever-changing, constantly connected network of causes and conditions that contribute to this and every single moment. If someone who has been supportive comes to mind, say thanks in silence.
Adrian Satyam (Energy Healing: 6 in 1: Medicine for Body, Mind and Spirit. An extraordinary guide to Chakra and Quantum Healing, Kundalini and Third Eye Awakening, Reiki and Meditation and Mindfulness.)
down. ‘Good evening,’ he said innocently. ‘Just checking why you’re parked here at 10.30 p.m. on a Saturday night,’ the security guard said suspiciously, eyeing our baby wipes in the middle of the seats. ‘We’re just out for a drive,’ Dan replied. ‘Seeing the sights.’ ‘Round ’ere? Good luck finding them,’ he scoffed, taking a cigarette from the pocket of his shirt. ‘Not to worry, mate. Drive on. Just checking you’re not up to no good.’ He winked, slapping the side of the van as he walked back to his post. Dan started the knackered engine of the scruffy Volkswagen. ‘Let’s get all this food back to the fridge at the kitchen. We can sort through it in the morning,’ he said. His hand brushed mine as I reached over to turn the radio on, and he changed gear. ‘Sorry,’ we mumbled at the same time, but I couldn’t ignore the rush of excitement I felt when our skin touched. I averted my eyes from Dan to the window and watched his reflection in the driver’s seat as we trundled through the dark streets. ‘You survived your first dumpster diving trip then,’ Dan said, breaking the tension between us. ‘It appears so,’ I agreed. ‘I don’t suppose you’re free tomorrow afternoon, after work, are you?’ My stomach did a teeny flip.
Danielle Owen-Jones (Stone Broke Heiress)
This is where it starts—where it always starts: you peer out over your long nose and see green. It brushes against your outer coat and tickles the smooth skin of your belly. It blankets the ground beneath your paws. In place of the endless stone boxes the men built, giant green trunks rise up around you. You sit on your hindquarters but still can’t quite tilt your head back far enough to see their leafy tops. This isn’t your home. There’s no way you could’ve been here before. But somehow, it feels familiar. And there is something else you recognize. . . . Meat. Your whole body seems to shout the word at once. Fur bristles along your spine. Your muzzle twitches and saliva drips from your jowls. You feel the smooth sharpness of your tearing teeth. It has been so long. Where is the meat? Your ears stand upright, the fine hairs taking in everything. You hear the crisp snap of a small branch, then the whisper of fur brushing against leaves. You think you can even hear the trill of a heartbeat. More than anything, though, you can smell the creature, hidden in the shadows, between the darker shades of green. It smells like fear and food, like everything you love about the chase. It smells like life. Out of the corner of your vision, you sense motion. You spring forward from your back legs, and the animal bolts, a tawny blur. It’s not like the rodents you’re used to. This is bigger. It bounds instead of skitters, leaps instead of burrows. It’s all speed and grace, and you love the energy it takes to chase after it. Your pack is with you suddenly—brothers and sisters and second cousins, alphas and omegas. As you tear through the forest, head nodding and eyes watering, they trail in lines behind you, and you know without looking that your tail is streaming out like a flag. With the blood pumping inside your ears, each second sounds like a bark. The creature is faster than you are, but it’s losing steam. You’re panting but not tired. You run and run and run, watching the spindly legs flick through the underbrush ahead of you. You were made for this. There’s a flick of white, a flash of a hoof. You drive harder, your nails churning up cool dirt. The pack fans out and starts to close in, herding your prey closer and closer. It’s slowing. You’re gaining. It stumbles, and you dive. You open your jaws. You sink in your teeth. You savor.
Devon Hughes (Unnaturals: The Battle Begins)
Your eyes speak myriad new words unknown languages they talk to the world they say unknown things which can only be felt deeply and soulfully Your eyes are like windows to your soul they mesmerise the looker to dive deep into them If I look longer into your eyes I feel lost in them I feel I discover a new world inside them Your eyes are the ocean and the depth of your eyes and the stories that they tell me is an aching mystery !
Avijeet Das
I, inside you! ( Part 2 ) ................So time waited at the door and the destiny knocked too, But the ones they had been sent for had become something else, So time asked destiny,” if still it could do what it was meant to do?” And it replied, “Only if they wink I can fulfil your wish. Until then there is nothing else I can do, nothing else!” But for her kiss, for her embrace, for the rhythm of her heart beats, I never winked my eyes, Even though many sunshines had passed and the walls had witnessed million moonlights, The time waits there, the destiny is tired too, to be the joy of the Cupid who lives in the skies, And had granted us the dreams made of lights, So, there was no need to wink, There was no need to wake up, And time that steals moments whenever lovers blink, Had become the Destiny’s Atlas, bearing our yoke, because we had poured ourselves into the depths of love cup, Where time disappeared and never found its end, There, there in the depths of the love cup, I love my darling Irma forever, And for her smiles, her kisses, I had compelled the destiny to bend, Because fate too favours the destiny of the wish, of a true lover, And in the room of love walls, we lie submersed in the love cup, She and I caught in the eternal embrace, Where time waits, destiny waits too, and we neither wink nor look up, Because I am caught in the moment of her eternal grace, Her beauty, her heart beat and her face, And I want to be in this place just with her, Away from the disturbances of time, worries of destiny, just with her and her beautiful face, Where she belongs to me and I belong to her, So, let the time wait till the end of everything, Then when time does not exist destiny would cease to be, Then Irma, we shall arise from the state of nothing, And the universe shall be just you, and me, With no curtains, no walls, no time, no destiny, Your heart beats, your beautiful face and our eternal embrace, Then maybe we shall be the darlings of divinity, Because in the wide and infinitely empty space, it shall be left with no choice, but to feed your grace, Then as a lover I shall be truly jovial, Because now, Irma, everything would lie at your feet, Destiny, time, eternity, and that instinct original and primeval, Where only you and I shall be destined to meet! With the cup of love always full, Of your beauty, your feelings, your smiles, and you, Then I shall dive into it and let it cover me full, And disappear forever somewhere inside you, only you!
Javid Ahmad Tak (They Loved in 2075!)
You cannot look at me thus and not expect to dive deep into my lady waters,” I panted. “Avert your eyes or make true on the vows that shine within them like the star you are named after, Max Rigel.” “Is that code for ‘please fuck me’?” He smirked, and gracious, that smile was a mountain which I wished to climb, to bury my flag in its peak and announce it as mine. “I could not be clearer,” I panted. “Take me to Davy Jones’ Locker, and plunder my treasure chest with your sea cucumber.
Caroline Peckham (Sorrow and Starlight (Zodiac Academy, #8))