Dive In The Ocean Quotes

Don’t wait any longer. Dive in the ocean, Leave and let the sea be you.

You can have your pick of pretty women. Why me? You're like the ocean, Pattyn. Pretty enough on the surface, but dive down into your depths, you'll find beauty most people never see. Lucky me. I fell in, headfirst.

fiction: the ocean i dive headfirst into when i can no longer breathe in reality. - a mermaid escapist II.

I opened a book and in I strode. Now nobody can find me. I've left my chair, my house, my road, My town and my world behind me. I'm wearing the cloak, I've slipped on the ring, I've swallowed the magic potion. I've fought with a dragon, dined with a king And dived in a bottomless ocean. I opened a book and made some friends. I shared their tears and laughter And followed their road with its bumps and bends To the happily ever after. I finished my book and out I came. The cloak can no longer hide me. My chair and my house are just the same, But I have a book inside me.

Rather than fearfully shutting down your sensitivity, dive in deeper into all possible feeling. As you expand, keep only those who are not afraid of oceans

I want to be a scientist who studies the ocean when I grow up. I would go out to sea, and scuba dive, and find new things, and National Geographic will hire me.” Sure, Nudge. Probably around the time I become president.

You’re like a lighthouse shining beside the sea of humanity, motionless: all you can see is your own reflection in the water. You’re alone, so you think it’s a vast, magnificent panorama. You haven’t sounded the depths. You simply believe in the beauty of God’s creation. But I have spent all this time in the water, diving deep into the howling ocean of life, deeper than anyone. While you were admiring the surface, I saw the shipwrecks, the drowned bodies, the monsters of the deep

Peace is not something you can force on anything or anyone... much less upon one's own mind. It is like trying to quiet the ocean by pressing upon the waves. Sanity lies in somehow opening to the chaos, allowing anxiety, moving deeply into the tumult, diving into the waves, where underneath, within, peace simply is.

Where are you hiding my love? Each day without you will never come again. Even today you missed a sunset on the ocean, A silver shadow on yellow rocks I saved for you, A squirrel that ran across the road, A duck diving for dinner. My God! There may be nothing left to show you Save wounds and weariness And hopes grown dead, And wilted flowers I picked for you a lifetime ago, Or feeble steps that cannot run to hold you, Arms too tired to offer you to a roaring wind, A face too wrinkled to feel the ocean's spray.

Dive deep into the ocean, Sita, and you will find that the greatest treasures you find are the illusions you leave behind.

When you were sleeping on the sofa I put my ear to your ear and listened to the echo of your dreams. That is the ocean I want to dive in, merge with the bright fish, plankton and pirate ships. I walk up to people on the street that kind of look like you and ask them the questions I would ask you. Can we sit on a rooftop and watch stars dissolve into smoke rising from a chimney? Can I swing like Tarzan in the jungle of your breathing? I don’t wish I was in your arms, I just wish I was peddling a bicycle toward your arms.

fiction: the ocean i dive headfirst into when i can no longer breathe in reality.   - a mermaid escapist II.

You have been walking the ocean's edge, holding up your robes to keep them dry. You must dive naked under and deeper under, a thousand times deeper. Love flows down. The ground submits to the sky and suffers what comes. Tell me, is the earth worse for giving in like that? Do not put blankets over the drum. Open completely.

I am an obscure and patient pearl-fisherman who dives into the deepest waters and comes up with empty hands and a blue face. Some fatal attraction draws me down into the abysses of thought, down into those innermost recesses which never cease to fascinate the strong. I shall spend my life gazing at the ocean of art, where others voyage or fight; and from time to time I’ll entertain myself by diving for those green and yellow shells that nobody will want. So I shall keep them for myself and cover the walls of my hut with them.

The day I bought my cane, I realized I was through with the burden of feet. Instead, I am going to become a mermaid. I have always liked the ocean, the promise of depth. I am tired of this dry world, all of this dust and sickness, these barren fields. I want to dive without drowning. I want to kiss sharks. I want men to carve me into the bows of their ships like a prayer, before I lure them into the depths with my fishnet mouth. I want the beauty, the gorgeous mutation, the fairytale of half body. All the wisdom of a woman, without the failures of sex. I am plunging. I am not coming up for air. I do not want all this human, my legs move like they resent being legs, my body is wrecked by all this gravity. I cannot face another morning waking up with no hope of a fairytale. Here on land, I am always drowning. Here on land, I cannot move.

I believed I could identify the scent of the sky as I stood there, a blue menthol fragrance similar to the scent of seawater that sprayed into my face when I first dove into the ocean. That initial scent was much more subtle than the ocean's heavy, fishy aroma; it was a whiff of salt and mint, just as I approached the water on a dive, that warned me that a more powerful scent would soon enter my nose. It was the scent I dreamed in. And it was the scent of that spring sky as I stood in my yard.

Secrets—even in hardened criminals, they were just air pockets lodged under debris at the bottom of an ocean. It might take an earthquake, or you scuba diving down there, sifting through the sludge, but their natural proclivity was always to head straight to the surface—to get out.

Love isn't safe. Love is a blinding flash in the dark. It is a leap over a cliff. It is a breathless dive to the bottom of the ocean...

Oh, her beauty--the tender maid! Its brilliance gives light like lamps to one travelling in the dark. She is a pearl hidden in a shell of hair as black as jet, A pearl for which Thought dives and remains unceasingly in the deeps of that ocean. He who looks upon her deems her to be a gazelle of the sand-hills, because of her shapely neck and the loveliness of her gestures.

Underwater I hear the water coming to my body, I hear the sunlight penetrating the water.

What also happened, however, was that another DSRV-equipped submarine put to sea occasionally, except that this DSRV really was a saturation diving chamber designed to look like a DSRV. The job of these guys was no more and no less than to retrieve pieces of Soviet missile warheads from the ocean bottom at the splash zone of their test site in the Sea of Okhotsk, and to tap into the Soviet underwater communications cables snaking along the bottom through that area.

As long as it's a regular day, not too rough to begin with, the ocean is pretty smooth once you make it out past the first set of waves. That's why people are afriad to swim in the ocean. They try to jump over those waves and get slammed down to the bottom and pulled across the sand like a piece of shell. You've got to go throught them, dive under just when they're rising up for you, set your direction, close your eyes, and just swim like hell. Once you get throught that, you'll find there isn't a better place for swimming because it's the ocean and it goes on forever. You don't have to see anyone if you don't want to. If you look out, away from the beach, it's easy to imagine that there's no one else but you in the whole world, you and maybe a couple of sea gulls.

And I pray that you no longer seek happiness from the past, but rather you set your sails forward, to a land that is pure and wonderful. I pray that you no longer stare into the shallows of empty promises, but that you dive into the depth of an ocean of guarantees. May you feel the winds of hope, and smell the scent of joy, may your heart be alive again as it was meant to be. For you are with a better captain, you are with a true sailor, a true leader; You are sailing with Christ, and He is always sure to lead us home.

First having read the book of myths, and loaded the camera, and checked the edge of the knife-blade, I put on the body-armor of black rubber the absurd flippers the grave and awkward mask. I am having to do this not like Cousteau with his assiduous team aboard the sun-flooded schooner but here alone. There is a ladder. The ladder is always there hanging innocently close to the side of the schooner. We know what it is for, we who have used it. Otherwise it is a piece of maritime floss some sundry equipment. I go down. Rung after rung and still the oxygen immerses me the blue light the clear atoms of our human air. I go down. My flippers cripple me, I crawl like an insect down the ladder and there is no one to tell me when the ocean will begin. First the air is blue and then it is bluer and then green and then black I am blacking out and yet my mask is powerful it pumps my blood with power the sea is another story the sea is not a question of power I have to learn alone to turn my body without force in the deep element. And now: it is easy to forget what I came for among so many who have always lived here swaying their crenellated fans between the reefs and besides you breathe differently down here. I came to explore the wreck. The words are purposes. The words are maps. I came to see the damage that was done and the treasures that prevail. I stroke the beam of my lamp slowly along the flank of something more permanent than fish or weed the thing I came for: the wreck and not the story of the wreck the thing itself and not the myth the drowned face always staring toward the sun the evidence of damage worn by salt and sway into this threadbare beauty the ribs of the disaster curving their assertion among the tentative haunters. This is the place. And I am here, the mermaid whose dark hair streams black, the merman in his armored body. We circle silently about the wreck we dive into the hold. I am she: I am he whose drowned face sleeps with open eyes whose breasts still bear the stress whose silver, copper, vermeil cargo lies obscurely inside barrels half-wedged and left to rot we are the half-destroyed instruments that once held to a course the water-eaten log the fouled compass We are, I am, you are by cowardice or courage the one who find our way back to this scene carrying a knife, a camera a book of myths in which our names do not appear.

She smiled. She was happy, yet sad. Life had never been more bittersweet. She looked at the sunset. The pink sky was sinking into the deep blue ocean. It was almost as if the sky knew it was making a mistake, digging its own grave. But for a moment there, at the very moment before diving into the darkness of the sea, on the golden horizon, the sky shone brighter than it ever had. It was glorious in its five seconds of fame. It was serendipitously happy, like all its life had led to that moment. And then it died into the sea, content.

The heart is a treasure trove.... it is filled to the brink with beautiful Divine gifts. Whoever dives into it, finds that an endless supply, as vast as the great expanse of the Cosmic Ocean.... and even greater than this!

We made it, baby. We’re riding in the back of the black limousine. They have lined the road to shout our names. They have faith in your golden hair & pressed grey suit. They have a good citizen in me. I love my country. I pretend nothing is wrong. I pretend not to see the man & his blond daughter diving for cover, that you’re not saying my name & it’s not coming out like a slaughterhouse. I’m not Jackie O yet & there isn’t a hole in your head, a brief rainbow through a mist of rust. I love my country but who am I kidding? I’m holding your still-hot thoughts in, darling, my sweet, sweet Jack. I’m reaching across the trunk for a shard of your memory, the one where we kiss & the nation glitters. Your slumped back. Your hand letting go. You’re all over the seat now, deepening my fuchsia dress. But I’m a good citizen, surrounded by Jesus & ambulances. I love this country. The twisted faces. My country. The blue sky. Black limousine. My one white glove glistening pink—with all our American dreams.

The thing about the ocean is that the surface won’t always tell you what is going on underneath.

We have the responsibility to care for the ocean as it cares for us

Because life is robust, Because life is bigger than equations, stronger than money, stronger than guns and poison and bad zoning policy, stronger than capitalism, Because Mother Nature bats last, and Mother Ocean is strong, and we live inside our mothers forever, and Life is tenacious and you can never kill it, you can never buy it, So Life is going to dive down into your dark pools, Life is going to explode the enclosures and bring back the commons, O you dark pools of money and law and quantitudinal stupidity, you oversimple algorithms of greed, you desperate simpletons hoping for a story you can understand, Hoping for safety, hoping for cessation of uncertainty, hoping for ownership of volatility, O you poor fearful jerks, Life! Life! Life! Life is going to kick your ass.

Something, most certainly, happens to a diver’s emotions underwater. It is not merely a side effect of the pleasing, vaguely erotic sensation of water pressure on the body. Nor is it alone the peculiar sense of weightlessness, which permits a diver to hang motionless in open water, observing sea life large as whales around him; not the ability of a diver, descending in that condition, to slowly tumble and rotate in all three spatial planes. It is not the exhilaration from disorientation that comes when one’s point of view starts to lose its “lefts” and “down” and gains instead something else, a unique perception that grows out of the ease of movement in three dimensions. It is not from the diminishment of gravity to a force little more emphatic than a suggestion. It is not solely exposure to an unfamiliar intensity of life. It is not a state of rapture with the bottomless blue world beneath one’s feet…it is some complicated mix of these emotions, together with the constant proximity of real terror.

Papi learned to swim in water that wanted to kill him. That ocean can't be so different; shouldn't be any different. If any man could take a hard dive & come up breathing, it should be one who had practiced for just that his entire life.

Those who dare to dive into the oceans, often finds treasures; no one ever heard. Take a leap of faith, every soul is having a treasure inside them, you just have to dive till the very end of their misty soul. Something really precious is waiting for you there...

We walked into the forever white sand dunes, and soon we were far away from all the people in the world. Everyone had disappeared from the universe except the young man whose hand I was holding, and everything that had ever been born and everything that had ever died existed where his hand touched mine. Everything the blue of the sky, the rain in the clouds, the white of the sand, the water in the oceans, all the languages of all the nations, and all the broken hearts that had learned to beat in their brokenness. We didn't talk. This was the quietest moment I had ever been in. Even my busy brain--it was quiet. So quiet that I felt that I was in a church. And the thought entered my head that my love for Dante was holy, not because I was holy but because what I felt for him was pure.

I could jump in a small swimming pool or dive in the big ocean, and I’d be equally as wet. So it is with love. Somebody get me a towel.

either, I'm an ocean that some lovers were too scared to dive in, and an ocean that swallowed others whole. my love will either illuminate you or intimidate you.

For Her, I can travel to the farthest of destinations I can dive into the deepest of oceans I can climb the highest of mountains

The ocean of knowledge is profound and the deeper you dive, the more insight you will gain from it.

When working in the archive you will often find yourself thinking of this exploration as a dive, a submersion, perhaps even a drowning … you feel immersed in something vast, oceanic.

As she fell, Esther wasn’t worried about being blown off course and plummeting into the rocks below. She wasn’t worried about hitting the shallows and pin diving to the ocean floor and shattering her spine. She wasn’t even worried about Cthulhu. (Okay, maybe a little.) What she worried about was Eugene’s willingness to jump. The way he glanced down at the water far below and looked at it like it was home. The way he stepped lightly from the cliff’s edge, and the way he fell through the air faster than she did, dragged down by earth’s magnetic field. The way he flickered in the sunlight as he hit the water, the same way Tyler Durden flashed on-screen four times before you saw him solidly. Foreshadowing the twist to come. Eugene was afraid of demons, and monsters, and above all the dark, but he was not afraid of death. That scared her more than anything.

Please, be kind to yourself. Please love yourself. Please work through your fears (dive deep), your insecurities (speak loudly), your anger (scream into the ground, the ocean, your pillow – not into the mirror, nor at your parents, nor at your friends, your lover, your neighbours, your dog. They don’t deserve it.) The ocean and the Earth can handle your anger. They are as volatile. Powerful. Inherently energetic. So are you. Don’t numb yourself. Don’t kill yourself. We need you. We need your love, your generosity, your joy, your bright, bright, light.

I watched the enormity of the clouds for several minutes. What I wanted to experience in the water, I realized, was how life of the reef was layered and intertwined. I now had many individual pieces at hand: named images, nouns. How were they related? What were the verbs? Which syntaxes were indigenous to the place? I asked a dozen knowledgeable people. No one was inclined to elaborate- or they didn’t know. “Did you see the octopus?” Someone shouted after the dive. Yes, I thought, but who among us knows what it was doing? What else was THERE, just then? WHY?

All life began underneath the ocean. So I'm giving people a taste of what existence might have been like before civilization.' 'But we were amoebas and tiny shrimplike creatures. We didn't start off in deep-sea-diving outfits.' 'We all come into this world with an oxygen tube in our belly button.' 'True.' She put her hands up to her own belly. There had so recently been a sea creature evolving in there, trying its best to get its act together. It had perished under the deep, deep, deep sea.

Visibility limits your imagination of the ocean only as far as you can see, ten metres, fifteen at a stretch. But it's only in the utter black that you can feel the true scale, the volume and weight of that gaping unknowable drift between continents.

On Hana’s island, diving is women’s work. Their bodies suit the cold depths of the ocean better than men’s. They can hold their breath longer, swim deeper, and keep their body temperature warmer, so for centuries, Jeju women have enjoyed a rare independence.

Most people do not live from a deep place within themselves, but instead float around on the waves at the surface of the ocean of life. The magickian dives deep into the ocean, swimming below the surface commotion, and traveling deeper and deeper into the stillness, until he or she reaches the bottom, the ground of his or her being. In your ultimate truth, you are one with this stillness.

A fish wants to dive from dry land into the ocean when it hears the roaring waves. A falcon wants to return from the forest to the King’s wrist when it hears the drum beating “Return.” A Sufi, shimmering with light, wants to dance like a sunbeam when darkness surrounds him.

His life was absurd. He went all over the world accepting all kinds of bondage and escaping. He was roped to a chair. He escaped. He was chained to a ladder. He escaped. He was handcuffed, his legs were put in irons, he was tied up in a strait jacket and put in a locked cabinet. He escaped. He escaped from bank vaults, nailed-up barrels, sewn mailbags; he escaped from a zinc-lined Knabe piano case, a giant football, a galvanized iron boiler, a rolltop desk, a sausage skin. His escapes were mystifying because he never damaged or appeared to unlock what he escaped from. The screen was pulled away and there he stood disheveled but triumphant beside the inviolate container that was supposed to have contained him. He waved to the crowd. He escaped from a sealed milk can filled with water. He escaped from a Siberian exile van. From a Chinese torture crucifix. From a Hamburg penitentiary. From an English prison ship. From a Boston jail. He was chained to automobile tires, water wheels, cannon, and he escaped. He dove manacled from a bridge into the Mississippi, the Seine, the Mersey, and came up waving. He hung upside down and strait-jacketed from cranes, biplanes and the tops of buildings. He was dropped into the ocean padlocked in a diving suit fully weighted and not connected to an air supply, and he escaped. He was buried alive in a grave and could not escape, and had to be rescued. Hurriedly, they dug him out. The earth is too heavy, he said gasping. His nails bled. Soil fell from his eyes. He was drained of color and couldn't stand. His assistant threw up. Houdini wheezed and sputtered. He coughed blood. They cleaned him off and took him back to the hotel. Today, nearly fifty years since his death, the audience for escapes is even larger.

QUALITIES There is a sun-star rising outside form. I am lost in that other. It's sweet not to look at two worlds, to melt in meaning as honey melts in milk. No one tires of following the soul. I don't recall now what happens on the manifest plane. I stroll with those I have always wanted to know, fresh and graceful as a water lily, or a rose. The body is a boat; I am waves swaying against it. Whenever it anchors somewhere, I smash it loose, or smash it to pieces. If I get lazy and cold, flames come from my ocean and surround me. I laugh inside them like gold purifying itself. A certain melody makes the snake put his head down on a line in the dirt....Here is my head, brother: What next! Weary of form, I come into qualities. Each says, "I am a blue-green sea. Dive into me!" I am Alexander at the outermost extension of empire, turning all my armies in toward the meaning of armies, Shams.

Amongst those who go to sea there are the navigators who discover new worlds, adding continents to the earth and stars to the heavens: they are the masters, the great, the eternally splendid. Then there are those who spit terror from their gun-ports, who pillage, who grow rich and fat. Others go off in search of gold and silk under foreign skies. Still others catch salmon for the gourmet or cod for the poor. I am the obscure and patient pearl-fisherman who dives into the deepest waters and comes up with empty hands and a blue face. Some fatal attraction draws me into the abysses of thought, down into those innermost recesses which never cease to fascinate the strong. I shall spend my life gazing at the ocean of art, where others voyage or fight; and from time to time I'll entertain myself by diving for those green and yellow shells that nobody will want. So I shall keep them for myself and cover the walls of my hut with them.

I am the obscure and patient pearl-fisherman who dives into the deepest waters and comes up with empty hands and a blue face. Some fatal attraction draws me down into the abysses of thought, down into those innermost recesses which never cease to fascinate the strong. I shall spend my life gazing at the ocean of art, where others voyage or fight; and from time to time I’ll entertain myself by diving for those green and yellow shells that nobody will want. So I shall keep them for myself and cover the walls of my hut with them.

The universe is an ocean upon which we are the waves. While some decide to surf, others venture to dive.

If the apple of the next generation could fall farther from the tree, and get less shade from its parent, then the new tree might grow taller and healthier.

Do not think to swim below. The ocean is already pushing into ears, sinuses, temples, the softness of eyes, and the harpsichord strings behind the kneecaps.

My heart is an ocean of deep secrets, in which I want to dive in deep.

Every time you dive, you hope you'll see something new - some new species. Sometimes the ocean gives you a gift, sometimes it doesn't.

i have often known the heaviest hearts to recite the lightest words and the burdenless do not understand that to dive headfirst into oceans like ours is to surely drown

I dive down into the depth of the ocean of forms, hoping to gain the perfect pearl of the formless. No more sailing from harbour to harbour with this my weather-beaten boat. The days are long passed when my sport was to be tossed on waves. And now I am eager to die into the deathless. Into the audience hall by the fathomless abyss where swells up the music of toneless strings I shall take this harp of my life. I shall tune it to the notes of forever, and when it has sobbed out its last utterance, lay down my silent harp at the feet of the silent.

Call me Ishmael. Some years ago--never mind how long precisely--having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people's hats off--then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this. If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me. There now is your insular city of the Manhattoes, belted round by wharves as Indian isles by coral reefs--commerce surrounds it with her surf. Right and left, the streets take you waterward. Its extreme downtown is the battery, where that noble mole is washed by waves, and cooled by breezes, which a few hours previous were out of sight of land. Look at the crowds of water-gazers there. Circumambulate the city of a dreamy Sabbath afternoon. Go from Corlears Hook to Coenties Slip, and from thence, by Whitehall, northward. What do you see?--Posted like silent sentinels all around the town, stand thousands upon thousands of mortal men fixed in ocean reveries. Some leaning against the spiles; some seated upon the pier-heads; some looking over the bulwarks of ships from China; some high aloft in the rigging, as if striving to get a still better seaward peep. But these are all landsmen; of week days pent up in lath and plaster--tied to counters, nailed to benches, clinched to desks. How then is this? Are the green fields gone? What do they here? But look! here come more crowds, pacing straight for the water, and seemingly bound for a dive. Strange! Nothing will content them but the extremest limit of the land; loitering under the shady lee of yonder warehouses will not suffice. No. They must get just as nigh the water as they possibly can without falling in. And there they stand--miles of them--leagues. Inlanders all, they come from lanes and alleys, streets and avenues--north, east, south, and west. Yet here they all unite. Tell me, does the magnetic virtue of the needles of the compasses of all those ships attract them thither? Once more. Say you are in the country; in some high land of lakes. Take almost any path you please, and ten to one it carries you down in a dale, and leaves you there by a pool in the stream. There is magic in it. Let the most absent-minded of men be plunged in his deepest reveries--stand that man on his legs, set his feet a-going, and he will infallibly lead you to water, if water there be in all that region. Should you ever be athirst in the great American desert, try this experiment, if your caravan happen to be supplied with a metaphysical professor. Yes, as every one knows, meditation and water are wedded for ever.

You're like the water, Ari. I can't live without water.' 'You're like the air, Dante. I can't live without the air.' 'You're like the sky.' 'You're like the rain.' We were smiling. We were playing a game. And we would both win. There were no losers in this game. 'You're like the night.' 'You're like the sun.' 'You're the ocean.' 'You're the dawn.' 'I love you, Aristotle Mendoza.

Inside every human being is an ocean of pure, vibrant consciousness. When you “transcend” in Transcendental Meditation, you dive down into that ocean of pure consciousness. You splash into it. And it’s bliss. You can vibrate with this bliss. Experiencing pure consciousness enlivens it, expands it. It starts to unfold and grow. If you have a golf-ball-sized consciousness, when you read a book, you’ll have a golf-ball-sized understanding; when you look out a window, a golf-ball-sized awareness; when you wake up in the morning, a golf-ball-sized wakefulness; and as you go about your day, a golf-ball-sized inner happiness. But if you can expand that consciousness, make it grow, then when you read that book, you’ll have more understanding; when you look out, more awareness; when you wake up, more wakefulness; and as you go about your day, more inner happiness. You can catch ideas at a deeper level. And creativity really flows. It makes life more like a fantastic game.

Across the road, at the edge of the yellow beach, an especially large wave rises to the sky, gathering strength and power, until it can't bear the strain any longer and dives for shore in a long, elegant undulation, from north to south. An instant later, the boom reaches us, like the firing of a seventy-five-millimeter artillery shell -- a sound I know all too well. My nerves flinch obediently.

This life that I was living now, it was like diving into an ocean when all I had known was a swimming pool. There were no storms in a swimming pool. Storms, they were born in the oceans of the world.

Joel!’ Emily howled. ‘Let him go or I swear you’ll regret it!’ ‘Are you threatening me, child?’ ‘Yes!’ Emily shouted. ‘These may be your Islands, but if you don’t release Joel right now, I promise you, the moment I get my powers back, you’ll pay for what you’ve done to him!’ ‘No one threatens me!’ Pounding waves of fury rose up around Nā-maka-o-Kaha‘i and crashed noisily to the beach, crushing the rowing boat into splinters and throwing wet sand in the air. The small fish swimming around her ducked into the protection of her seaweed dress. Nā-maka-o-Kaha‘i moved as close to the shore as she dared and spat at Emily with ocean foam. ‘You listen to me, you insolent child. Tell Pele she will surrender to me or I will drown this boy in my depths and let the ocean life feed on his bones! You have one day!’ She rose higher above her waterspout before diving down into the swirling centre. Joel was sucked in after her as the waterspout spun across the ocean surface before disappearing into its depths. ‘Joel!’ Emily cried.

We crowded around her, hear the single deep inhale pull down her lungs, as if she was about to dive underwater, and then, that’s it — no exhale. She simply stills, like someone had pressed pause on a movie.

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He’s like the ocean, you know. The surface always looks so calm, most nights,” I don’t miss the fact she uses night instead of day, “but underneath, it could be hell, and no one would ever know, unless they dive in deep.

It’s like swimming in molasses, this kiss, it’s like being dipped in gold, this kiss, it’s like I’m diving into an ocean of emotion and I’m too swept up in the current to realise I’m drowning and nothing even matters anymore.

Deep You, you’re deep water And I’m scared because I can’t defaulter I don’t know how to swim, So, if I jump in, I’ll be consumed by your waves. I’ll try to keep my head above the rage. But you’ll just swallow up my whole. My entire being will be controlled. If I were to dive, I could no longer thrive. You would consume my being; Leaving me breathless, not breathing. Is there a medium I can prescribe? That would allow me to disguise The fear I gather in my bones. I just can’t swim in the water of morone. Do you possess a life support To hold me up? My last resort. If I jump in, I’ll drown in bends. Your love is suffocating, nothing can amend. November 20, 2011

And the journey on the spiritual path is the greatest journey - no man has climbed a mountain peak higher than this, no man has ever dived into a deeper ocean. The depth of the self is the deepest, and the height is the highest.

At three hundred feet, we are profoundly changed. The pressure at these depths is nine times that of the surface. The organs collapse. The heart beats at a quarter of its normal rate, slower than the rate of a person in a coma. Senses disappear. The brain enters a dream state. At six hundred feet down, the ocean’s pressure—some eighteen times that of the surface—is too extreme for most human bodies to withstand. Few freedivers have ever attempted dives to this depth; fewer have survived. Where humans can’t go, other animals can. Sharks, which can dive below six hundred and fifty feet, and much deeper, rely on senses beyond the ones we know. Among them is magnetoreception, an attunement to the magnetic pulses of the Earth’s molten core. Research suggests that humans have this ability and likely used it to navigate across the oceans and trackless deserts for thousands of years. Eight hundred feet down appears to be the absolute limit of the human body.

Silence is round me, wideness ineffable; White birds on the ocean diving and wandering; A soundless sea on a voiceless heaven, Azure on azure, is mutely gazing. Identified with silence and boundlessness My spirit widens clasping the universe Till all that seemed becomes the Real, One in a mighty and single vastness. Someone broods there nameless and bodiless, Conscious and lonely, deathless and infinite, And, sole in a still eternal rapture, Gathers all things to his heart for ever.

In Yoruba creation myth the world began as marsh full of waterfowl, and for the Magyars (the inhabitants of present-day Hungary) the sun god Magyar turned himself into a diving duck and made humans out of sand and seedy much from the ocean floor.

EVERYWHERE I TURNED, EVERYWHERE I went, everybody had something to say about love. Mothers, fathers, teachers, singers, musicians, poets, writers, friends. It was like the air. It was like the ocean. It was like the sun. It was like the leaves on a tree in summer. It was like the rain that broke the drought. It was the soft sound of the water flowing through a stream. And it was the sound of the crashing waves against the shore in a storm. Love was why we fought all our battles. Love was what we lived and died for. Love was what we dreamed of as we slept. Love was the air we wanted to breathe in when we woke to greet the day. Love was a torch you carried to lead you out of darkness. Love took you out of exile and carried you to a country called Belonging.

Dive deeply into a drop of water, and a hundred oceans will flood you. Look into a mote of dust, and a million nameless beings will jump out. A hundred harvests rest in a germ of barley seed, and in the right light, an insect's wing reflects the sea. Why be surprised? Deep in the pupil of my eye lie cosmic rays, and the center of my heart beats with the pulse of the cosmos.

Echo and Shadow A room and a room. And between them she leans in the doorway to say something, lintel bright above her face, threshold dark beneath her feet, her hands behind her head gathering her hair to tie and tuck at the nape. A world and a world. Dying and not dying. And between them the curtains blowing and the shadows they make on her body, a shadow of birds, a single flock, a myriad body of wings and cries turning and diving in complex unison. Shadow of bells, or the shadow of the sound they make in the air, mornings, evenings, everywhere I wait for her, as even now her voice seems a lasting echo of my heart’s calling me home, its story an ocean beyond my human beginning, each wave tolling the whole note of my outcome and belonging.

Song You’re wondering if I’m lonely: OK then, yes, I’m lonely as a plane rides lonely and level on its radio beam, aiming across the Rockies for the blue-strung aisles of an airfield on the ocean. You want to ask, am I lonely? Well, of course, lonely as a woman driving across country day after day, leaving behind mile after mile little towns she might have stopped and lived and died in, lonely If I’m lonely it must be the loneliness of waking first, of breathing dawn’s first cold breath on the city of being the one awake in a house wrapped in sleep If I’m lonely it’s with the rowboat ice-fast on the shore in the last red light of the year that knows what it is, that knows it’s neither ice nor mud nor winter light but wood, with a gift for burning.

They dived into the ocean of shadow and smog, adding to it with the fumes of their own aircraft. The goggles were useless now, but Jacob kept them on, in case there might be some break in the murky pool. It was fitting that the Worldwaker had passed through there, with the shark emblem painted on brightly. In those deep waters it could not be seen. It almost felt like it had lured them in. The dolphins do not hunt the sharks.

Antidepression medication is temperamental. Somewhere around fifty-nine or sixty I noticed the drug I’d been taking seemed to have stopped working. This is not unusual. The drugs interact with your body chemistry in different ways over time and often need to be tweaked. After the death of Dr. Myers, my therapist of twenty-five years, I’d been seeing a new doctor whom I’d been having great success with. Together we decided to stop the medication I’d been on for five years and see what would happen... DEATH TO MY HOMETOWN!! I nose-dived like the diving horse at the old Atlantic City steel pier into a sloshing tub of grief and tears the likes of which I’d never experienced before. Even when this happens to me, not wanting to look too needy, I can be pretty good at hiding the severity of my feelings from most of the folks around me, even my doctor. I was succeeding well with this for a while except for one strange thing: TEARS! Buckets of ’em, oceans of ’em, cold, black tears pouring down my face like tidewater rushing over Niagara during any and all hours of the day. What was this about? It was like somebody opened the floodgates and ran off with the key. There was NO stopping it. 'Bambi' tears... 'Old Yeller' tears... 'Fried Green Tomatoes' tears... rain... tears... sun... tears... I can’t find my keys... tears. Every mundane daily event, any bump in the sentimental road, became a cause to let it all hang out. It would’ve been funny except it wasn’t. Every meaningless thing became the subject of a world-shattering existential crisis filling me with an awful profound foreboding and sadness. All was lost. All... everything... the future was grim... and the only thing that would lift the burden was one-hundred-plus on two wheels or other distressing things. I would be reckless with myself. Extreme physical exertion was the order of the day and one of the few things that helped. I hit the weights harder than ever and paddleboarded the equivalent of the Atlantic, all for a few moments of respite. I would do anything to get Churchill’s black dog’s teeth out of my ass. Through much of this I wasn’t touring. I’d taken off the last year and a half of my youngest son’s high school years to stay close to family and home. It worked and we became closer than ever. But that meant my trustiest form of self-medication, touring, was not at hand. I remember one September day paddleboarding from Sea Bright to Long Branch and back in choppy Atlantic seas. I called Jon and said, “Mr. Landau, book me anywhere, please.” I then of course broke down in tears. Whaaaaaaaaaa. I’m surprised they didn’t hear me in lower Manhattan. A kindly elderly woman walking her dog along the beach on this beautiful fall day saw my distress and came up to see if there was anything she could do. Whaaaaaaaaaa. How kind. I offered her tickets to the show. I’d seen this symptom before in my father after he had a stroke. He’d often mist up. The old man was usually as cool as Robert Mitchum his whole life, so his crying was something I loved and welcomed. He’d cry when I’d arrive. He’d cry when I left. He’d cry when I mentioned our old dog. I thought, “Now it’s me.” I told my doc I could not live like this. I earned my living doing shows, giving interviews and being closely observed. And as soon as someone said “Clarence,” it was going to be all over. So, wisely, off to the psychopharmacologist he sent me. Patti and I walked in and met a vibrant, white-haired, welcoming but professional gentleman in his sixties or so. I sat down and of course, I broke into tears. I motioned to him with my hand; this is it. This is why I’m here. I can’t stop crying! He looked at me and said, “We can fix this.” Three days and a pill later the waterworks stopped, on a dime. Unbelievable. I returned to myself. I no longer needed to paddle, pump, play or challenge fate. I didn’t need to tour. I felt normal.

Did you know that until very recently, more people had been to the moon than had dived beyond depths of six thousand meters? I think about this often- -the inhospitableness of certain places. A footprint, once left on the surface of the moon, might in theory remain as it is almost indefinitely. Uneroded by atmosphere, by wind or by rain, any mark made up there could quite easily last for several centuries. The ocean is different, the ocean covers its tracks.

Transcendence is before you should you choose to take a swim. Into your deep blue you dive and all that is within. Referred to as my subconscious so you may understand me clear. But there’s nothing very simple about the message I’m sending here. The colour of your blood, the liquid through your veins, is really just a pathway to the place that feels your pains. The heart is an ocean but within it there’s a sun, submerged beneath the ocean, and all that is but one.

It refers to a variety of physiological reflexes in the brain, lungs, and heart, among other organs, that are triggered the second we put our faces in water. The deeper we dive, the more pronounced the reflexes become, eventually spurring a physical transformation that protects our organs from imploding under the immense underwater pressure and turns us into efficient deep-sea-diving animals. Freedivers can anticipate these switches and exploit them to dive deeper and longer.

Your camouflage and your world is created by conscious focusing and unconscious concentration. Only by turning your head away for a moment can you see what is beneath the seemingly solid pattern. By plunging into our ocean of value climate you can dive beneath your camouflage system and look up to see it, relatively foundationless, floating above you, moved, formed and directed by the shifting illusions caused by the wind of will, and the force of subconscious concentration and demand.

Life is like taking a swim in the ocean, you never really know what to expect when you dive in. the worst part is, it doesn't matter how you get into the water. Weather you dive in head first, or take every step with caution. when the tidal wave hits you like a ton of bricks, it's up to you to decide if your going to let that wave suck you in, or if your going to fight till you feel the reassuring worm sand beneath your feet. like that wave, life will not give up the fight, so why should we just let it win.

My God,” she says. “I feel like I’ve gone through a car wash.” I laugh, or force myself to, because it’s not something I’d normally laugh at. “What about you?” she says to Scottie. “How did you make out?” “I’m a boy,” Scottie says. “Look at me.” Sand has gotten into the bottom of her suit, creating a huge bulge. She scratches at the bulge. “I’m going to go to work now,” she says. I think she’s impersonating me and that Mrs. Speer is getting an unrealistic, humiliating glimpse. “Scottie,” I say. “Take that out.” “It must be fun to have girls,” Mrs. Speer says. She looks at the ocean, and I see that she’s looking at Alex sunbathing on the floating raft. Sid leans over Alex and puts his mouth to hers. She raises a hand to his head, and for a moment I forget it’s my daughter out there and think of how long it has been since I’ve been kissed or kissed like that. “Or maybe you have your hands full,” Mrs. Speer says. “No, no,” I say. “It’s great,” and it is, I suppose, though I feel like I’ve just acquired them and don’t know yet. “They’ve been together for ages.” I gesture to Alex and Sid. I don’t understand if they’re a couple or if this is how all kids in high school act these days. Mrs. Speer looks at me curiously, as if she’s about to say something, but she doesn’t. “And boys.” I gesture to her little dorks. “They must keep you busy.” “They’re a handful. But they’re at such a fun age. It’s such a joy.” She gazes out at her boys. Her expression does little to convince me that they’re such a joy. I wonder how many times parents have these dull conversations with one another and how much they must hide. They’re so goddamn hyper, I’d do anything to inject them with a horse tranquilizer. They keep insisting that I watch what they can do, but I truly don’t give a fuck. How hard is it to jump off a diving board? My girls are messed up, I want to say. One talks dirty to her own reflection. Did you do that when you were growing up? “Your girls seem great, too,” she says. “How old are they?” “Ten and eighteen. And yours?” “Ten and twelve.” “Oh,” I say. “Great.” “Your younger one sure is funny,” she says. “I mean, not funny. I meant entertaining.” “Oh, yeah. That’s Scottie. She’s a riot.

Now let me tell you something. I have seen a thousand sunsets and sunrises, on land where it floods forest and mountains with honey coloured light, at sea where it rises and sets like a blood orange in a multicoloured nest of cloud, slipping in and out of the vast ocean. I have seen a thousand moons: harvest moons like gold coins, winter moons as white as ice chips, new moons like baby swans’ feathers. I have seen seas as smooth as if painted, coloured like shot silk or blue as a kingfisher or transparent as glass or black and crumpled with foam, moving ponderously and murderously. I have felt winds straight from the South Pole, bleak and wailing like a lost child; winds as tender and warm as a lover’s breath; winds that carried the astringent smell of salt and the death of seaweeds; winds that carried the moist rich smell of a forest floor, the smell of a million flowers. Fierce winds that churned and moved the sea like yeast, or winds that made the waters lap at the shore like a kitten. I have known silence: the cold, earthy silence at the bottom of a newly dug well; the implacable stony silence of a deep cave; the hot, drugged midday silence when everything is hypnotised and stilled into silence by the eye of the sun; the silence when great music ends. I have heard summer cicadas cry so that the sound seems stitched into your bones. I have heard tree frogs in an orchestration as complicated as Bach singing in a forest lit by a million emerald fireflies. I have heard the Keas calling over grey glaciers that groaned to themselves like old people as they inched their way to the sea. I have heard the hoarse street vendor cries of the mating Fur seals as they sang to their sleek golden wives, the crisp staccato admonishment of the Rattlesnake, the cobweb squeak of the Bat and the belling roar of the Red deer knee-deep in purple heather. I have heard Wolves baying at a winter’s moon, Red howlers making the forest vibrate with their roaring cries. I have heard the squeak, purr and grunt of a hundred multi-coloured reef fishes. I have seen hummingbirds flashing like opals round a tree of scarlet blooms, humming like a top. I have seen flying fish, skittering like quicksilver across the blue waves, drawing silver lines on the surface with their tails. I have seen Spoonbills flying home to roost like a scarlet banner across the sky. I have seen Whales, black as tar, cushioned on a cornflower blue sea, creating a Versailles of fountain with their breath. I have watched butterflies emerge and sit, trembling, while the sun irons their wings smooth. I have watched Tigers, like flames, mating in the long grass. I have been dive-bombed by an angry Raven, black and glossy as the Devil’s hoof. I have lain in water warm as milk, soft as silk, while around me played a host of Dolphins. I have met a thousand animals and seen a thousand wonderful things. But— All this I did without you. This was my loss. All this I want to do with you. This will be my gain. All this I would gladly have forgone for the sake of one minute of your company, for your laugh, your voice, your eyes, hair, lips, body, and above all for your sweet, ever-surprising mind which is an enchanting quarry in which it is my privilege to delve.

In the sea, perhaps, time itself is slowed by the water's weight and viscosity. Even with just my hands in Kali's or Octavia's tank, time proceeds at a different pace. Perhaps, I muse, this is the pace at which the Creator thinks, in this weighty, graceful, liquid manner-like blood flows, not like synapses fire. Above the surface, we move and think like wiggly children, or like teens who twitch away at their computer-phones, multitasking but never focusing. But the ocean forces you to move more slowly, more purposefully, and yet more pliantly. By entering it, you are bathed in a grace and power you don't experience in air. To dive beneath the surface feels like entering the Earth's vast, dreaming subconscious. Submitting to its depth, its currents, its pressure, is both humbling and freeing.

Metaphor is invariably more meaning, not less. Literalism is the lowest and least level of meaning. We must never be too tied to our own metaphors as the only possible way to speak the truth, and yet we also need good metaphors to go deep. That is the inherent tension and conflict: only the right symbol dives deep into the good, the true, and the beautiful and retrieves these like pearls from the ocean depths. The right symbol at the right time allows us to move beyond complexity and illusion. Often that which looks like mere symbol is indeed the doorway to all that you really need to know—if you approach it humbly and respectfully. How else could an always available God be always available? It cannot depend on having a college education or even a common education, but on a simple ability to read the symbolic universe, which some ancients seem to have done much better than we do.2

This love is like a dive under the ocean. When I first saw you I was fascinated by the extensiveness and you were so beautiful. I did not believe you were so deep that I went downstairs. I wanted to know and see what you have - in the depths, all the way down to darkness. Until I was slowly breathed but I wanted to continue. I visit your paradise peacefully and peacefully. The place where the problem is not heavy and I'm free. But as a dive in the sea, my air gradually decreased. I had to go up and assemble a new hope. That's when I'm dialing again I'm stronger, and I can see the depth of your mystery. The ocean will be ashamed of the depth of my love. With every sinking and flight in your abyss, I feel the light of the world even though my breathing is getting dramatic. As I have this love for you, every time I feel, I'm trying to stop myself coming back and coming back to the sea you built in my heart.

HAPPINESS: "Flourishing is a fact, not a feeling. We flourish when we grow and thrive. We flourish when we exercise our powers. We flourish when we become what we are capable of becoming...Flourishing is rooted in action..."happiness is a kind of working of the soul in the way of perfect excellence"...a flourishing life is a life lived along lines of excellence...Flourishing is a condition that is created by the choices we make in the world we live in...Flourishing is not a virtue, but a condition; not a character trait, but a result. We need virtue to flourish, but virtue isn't enough. To create a flourishing life, we need both virtue and the conditions in which virtue can flourish...Resilience is a virtue required for flourishing, bur being resilient will not guarantee that we will flourish. Unfairness, injustice, and bad fortune will snuff our promising lives. Unasked-for pain will still come our way...We can build resilience and shape the world we live in. We can't rebuild the world...three primary kinds of happiness: the happiness of pleasure, the happiness of grace, and happiness of excellence...people who are flourishing usually have all three kinds of happiness in their lives...Aristotle understood: pushing ourselves to grow, to get better, to dive deeper is at the heart of happiness...This is the happiness that goes hand in hand with excellence, with pursuing worthy goals, with growing mastery...It is about the exercise of powers. The most common mistake people make in thinking about the happiness of excellence is to focus on moments of achievement. They imagine the mountain climber on the summit. That's part of the happiness of excellence, and a very real part. What counts more, though, is not the happiness of being there, but the happiness of getting there. A mountain climber heads for the summit, and joy meets her along the way. You head for the bottom of the ocean, and joy meets you on the way down...you create joy along the way...the concept of flow, the kind of happiness that comes when we lose ourselves through complete absorption in a rewarding task...the idea of flow..."Contrary to what we usually believe, moments like these, the best moments in our lives, are not the passive, receptive, relaxing times...The best moments usually occur when a person's body or mind is stretched to its limit in a voluntary effort to accomplish something difficult and worthwhile."...Joy, like sweat, is usually a byproduct of your activity, not your aim...A focus on happiness will not lead to excellence. A focus on excellence will, over time, lead to happiness. The pursuit of excellence leads to growth, mastery, and achievement. None of these are sufficient for happiness, yet all of them are necessary...the pull of purpose, the desire to feel "needed in this world" - however we fulfill that desire - is a very powerful force in a human life...recognize that the drive to live well and purposefully isn't some grim, ugly, teeth-gritting duty. On the contrary: "it's a very good feeling." It is really is happiness...Pleasures can never make up for an absence of purposeful work and meaningful relationships. Pleasures will never make you whole...Real happiness comes from working together, hurting together, fighting together, surviving together, mourning together. It is the essence of the happiness of excellence...The happiness of pleasure can't provide purpose; it can't substitute for the happiness of excellence. The challenge for the veteran - and for anyone suddenly deprived of purpose - is not simple to overcome trauma, but to rebuild meaning. The only way out is through suffering to strength. Through hardship to healing. And the longer we wait, the less life we have to live...We are meant to have worthy work to do. If we aren't allowed to struggle for something worthwhile, we'll never grow in resilience, and we'll never experience complete happiness.

From the river to the sea. From here to eternity. Swimming and diving in a river to rest by the sea, on the shore. There are forests all around, outside this unique tunnel of water and love and light. The green is powerful, more cutting-edge than dream-like. Really, really intense. It hurts. It cuts. The leaves, the nettle. Stay inside. Warm inside. Plenty of air inside. The forests and jungles all around are peaceful, quiet, quiet, peaceful, but too vivid to be bearable in this Matrix, in this matrix of sound, sonic oceanic tunnel, natural flowing watercourses, light, different shades of grey, white, black, yellow, blue… The green outside is religious, fanatic, horror vacui, but calm, calming from a distance, from a safe distance. Love and hate in everything that is, in the green every nettle and leave and in the river and sea every fish. Floating on a cloud made of feathers while sleeping on a dream while sleeping on an immaculate hotel bed on an island, tout seul.

Barnacles stud the smooth dark skin, and crabs scurry across it. That black back must be slippery, treacherous like rock … But you see the hole in its back, the breath going in and out, and you think of all the blowholes along this coast; how a clever man can slip into them, fly inland one moment, back to ocean the next. Always curious, always brave, you take one step and the whale is underfoot. Two steps more and you are sliding, sliding deep into a dark and breathing cave that resonates with whale song. Beside you beats a blood-filled heart so warm it could be fire. Plunge your hands into that whale heart, lean into it and squeeze and let your voice join the whale’s roar. Sing that song your father taught you as the whale dives, down, deep. How dark it is beneath the sea, and looking through the whale’s eyes you see bubbles slide past you like … But there was none of that. Bobby was only imagining, only writing. Held in the sky on a rocky headland, Bobby drew chalk circles on slate, drew bubbles. Bubelz. Roze a wail. He erased the marks with the heel of his hand. It wasn’t true, it was just an old story, and he couldn’t even remember the proper song.

I will rouse you from your sleep, you who have given yourself up to recitation, who have taken the study of the Qur’an as a practice, who have seized upon some of its outward meanings and sentences. How long will you wander about the shore of the sea with your eyes closed to its wonders? Was it not for you to sail through its depths in order to see its amazing things, to travel to its islands to pick its delicacies, to dive to its bottom and become rich from obtaining its jewels? Don’t you despise yourself for losing out on its pearls and jewels as you continue to look only to its shores and esoteric aspects? Haven’t you heard that the Qur’an is an ocean from which the knowledge of all ages branches out just as rivers and streams branch out from the shores of the ocean? Don’t you envy the happiness of people who have plunged into its overflowing waves and seized red sulfur, who have dived into its depths and taken out red rubies, shining pearls and green chrysolite, who have roamed its shores and gathered gray ambergris and fresh blooming aloes wood, who have clung to its islands and found an abundance in their animals of the greatest antidote and pungent musk?

Let’s return to the question of the ocean tides. The cause of the twice-daily rising and falling of the seas is exactly the same as the cause of the 2,000-Mile Man’s discomfort: the non-uniformity of gravity. But in this case, it’s the Moon’s gravity, not the Earth’s. The Moon’s pull on the oceans is strongest on the side of the Earth facing the Moon and weakest on the far side. You might expect the Moon to create a single oceanic bulge on the closer side, but that’s wrong. For the same reason that the tall man’s head is pulled away from his feet, the water on both sides of the Earth—near and far—bulges away from it. One way to think about this is that on the near side, the Moon pulls the water away from the Earth, but on the far side, it pulls the Earth away from the water. The result is two bulges on opposite sides of the Earth, one facing toward the Moon and the other facing away. As the Earth turns one revolution under the bulges, each point experiences two high tides. The distorting forces caused by variations in the strength and direction of gravity are called tidal forces, whether they are due to the Moon, Earth, Sun, or any other astronomical mass. Can humans of normal size feel tidal forces—for example, when jumping from a diving board? No, we cannot, but only because we are so small that the Earth’s gravitational field hardly varies across the length of our bodies. Descent

Enormous hydrangeas with vibrant pink sponge-like blooms, rhododendrons and impatiens, tall spears of flowering oyster plants jostled together with Jurassic-looking philodendron leaves and tree ferns, a mixed bag all tied by a wild creeper with bell-shaped blue flowers. The damp smell of the garden reminded Jess of places she'd visited in Cornwall, like St. Just in Roseland, where fertile ground spoke of layers of different generations, civilizations past. At last, beyond the tangled greenery, Jess glimpsed the jutting white chimneys of a large roof. She realized she was holding her breath. She turned a final corner, just like Daniel Miller had done on his way to meet Nora, and there it was. Grand and magnificent, yet even from a distance she could see that the house was in a state of disrepair. It was perched upon a stone plinth that rose about a meter off the ground. A clinging ficus with tiny leaves had grown to cover most of the stones and moss stained the rest, so that the house appeared to sit upon an ocean of greenery. Jess was reminded of the houses in fairy tales, hidden and then forgotten, ignored by the human world only to be reclaimed by nature. Protruding from one corner of the plinth was a lion's head, its mouth open to reveal a void from which a stream of spring water must once have flowed. On the ground beneath sat a stone bowl, half-filled with stale rainwater. As Jess watched, a blue-breasted fairy wren flew down to perch upon the edge of the bowl; after observing Jess for a moment, the little bird made a graceful dive across the surface of the water, skimming himself clean before disappearing once more into the folds of the garden.

The ocean made space for me, pressing against the blackness of my assumed skin, buoying me and counter-acting the heaviness of the lead fastened around my waist. I kicked and continued my initial dive, feeling the pressures sliding back against my belly and legs, the quiet acceptance of the seas. Space and oceans have much in common, both are alien to us, not our element, both contain mysteries, dangers, sudden beauties of their own and beyond our land-bound experience. But space is a container of nothingness, a vacuum, a void of immeasurable loneliness and occasional transcendence. Water is a repository of life, and the life asserts itself as you move through the ocean; creatures large and small, beautiful or stunningle grotesque according to their custom, aquatic forests and microscopic landscapes, beings caught between the layers of life, rocks made of living creatures and living creatures made of stone, vegetable animals and animated plants and sudden deep, heart-breaking, lovely jewels that flick their trailing rainbows and dart away from you between the fronds of weeds, leaving shimmering mysteries that can be pursued, but never truly caught and comprehended. Space does not care whether you are there or not, and the struggle to survive between worlds is a fight to avoid being sucked into a vacuum, into an ultimate nil. Implacable in its indifference, it kills you simply because it is, and crushes you with the weight of your knowledge of its indifference. But the ocean is not indifferent. It reacts and shapes itself to your presence or absence, presents its laws as implacable realities, but an instant later displays the very non-exemplar of that rule swimming calmly through the depths. Accept the strangeness and the ocean opens to you, gives you freedom and beauty, a hook into otherness. But wonder approached in fear is cancelled, disappears into threathening shiverings of distant plants, into terrifying movements of bulky darkness through the rocks.

Fanning my arms to the side, I draw my pointe shoe forward. As I make my way towards the sea, more twinkles of music unfurl with each step, adding to the present melody. I take a breath, mustering the courage to walk on water. An aquamarine ripple flecked with golden stardust flickers to life beneath me, glowing brightly. I drag my other foot forward. The ocean sparkles, as if accepting the magic I offer. When I find comfort on the water, I relevé--- bringing myself onto pointe. My arms extend in a port de bras, and I begin a series of quick bourrée steps. A ribbon of stardust unravels from my feet, kissing the ocean with that glittering aqua glow. I embrace the beauty I've created, tilting into an arabesque. When I send my arm into the sky, the night illuminates. Stars explode like a shimmering tapestry woven from my body. I smile--- proudly owning the stage--- or in this case, the sea. I ignite the ocean with a piqué manège before leaping into a grand jeté, sending shooting stars as I fly. When I land, I fall into a series of chaîné turns before transitioning into more bourrée steps. Every move leads me closer and closer to Damien. The emptiness between us disappears as I leap into his arms. He lifts me towards the sky, moonlight showering us, before I fall into a fish dive--- my face towards the sea and my legs swept into the air. I glide my fingertips through the water, painting even more color into the night. The ocean radiates with undernotes of jade and lavender, shimmers of bright cyan and pearl. He gently places me down, guiding me into a pirouette. I tether my vision to his as the symphony of the sea blooms into a crescendo. Together, we burst into an allegro--- our own medley of fast, brisk movement. I surrender to his familiar hands around my waist, feeling weightless as he lifts me, as if I'm becoming an angel myself. Damien gives me wings, and I fly across the ocean. The once-black waves have transformed entirely. Plumes of stardust swirl like milk in water, feathering out into a soft iridescence.

The Dark Depths of the Seas And Internal Waves Or [the unbelievers' state] are like the darkness of a fathomless sea which is covered by waves above which are waves above which are clouds, layers of darkness, one upon the other. If he puts out his hand, he can scarcely see it. Those Allah gives no light to, they have no light. (Qur'an, 24:40) In deep seas and oceans, the darkness is found at a depth of 200 meters (660 feet) and deeper. At this depth, there is almost no light, and below a depth of 1,000 meters (3,280 feet) there is no light at all.65 Today, we know about the general formation of the sea, the characteristics of the living things in it, its salinity, as well as the amount of water it contains, and its surface area and depth. Submarines and special equipment, developed with modern technology, have enabled scientists to obtain such information. Human beings are not able to dive to a depth of more than 70 meters (230 feet) without the aid of special equipment. They cannot survive unaided in the dark depths of the oceans, such as at a depth of 200 meters (660 feet). For these reasons, scientists have only recently been able to discover detailed information about the seas. However, that the depth of the sea is dark was revealed in the Qur'an 1,400 years ago. It is certainly one of the miracles of the Qur'an that such information was given at a time where no equipment to enable man to dive into the depths of the oceans was available. In addition, the statement in Surat an-Nur 40 "…like the darkness of a fathomless sea which is covered by waves above which are waves above which are clouds…" draws our attention to another miracle of the Qur'an. Scientists have only recently discovered that there are sub-surface waves, which "occur on density interfaces between layers of different densities." These internal waves cover the deep waters of seas and oceans because deep water has a higher density than the water above it. Internal waves act like surface waves. They can break, just like surface waves. Internal waves cannot be discerned by the human eye, but they can be detected by studying temperature or salinity changes at a given location.66 The statements in the Qur'an run parallel precisely the above explanation. Certainly, this fact, which scientists has discovered very recently, shows once again that the Qur'an is the word of Allah.

SEA” Sounds of the Pacific Ocean at Big Sur “SEA” Cherson! Cherson! You aint just whistlin Dixie, Sea— Cherson! Cherson! We calcimine fathers here below! Kitchen lights on— Sea Engines from Russia seabirding here below— When rocks outsea froth I’ll know Hawaii cracked up & scramble up my doublelegged cliff to the silt of a million years— Shoo—Shaw—Shirsh— Go on die salt light You billion yeared rock knocker Gavroom Seabird Gabroobird Sad as wife & hill Loved as mother & fog Oh! Oh! Oh! Sea! Osh! Where’s yr little Neppytune tonight? These gentle tree pulp pages which’ve nothing to do with yr crash roar, liar sea, ah, were made for rock tumble seabird digdown footstep hollow weed move bedarvaling crash? Ah again? Wine is salt here? Tidal wave kitchen? Engines of Russia in yr soft talk— Les poissons de la mer parle Breton— Mon nom es Lebris de Keroack— Parle, Poissons, Loti, parle— Parlning Ocean sanding crash the billion rocks— Ker plotsch— Shore—shoe— god—brash— The headland looks like a longnosed Collie sleeping with his light on his nose, as the ocean, obeying its accomodations of mind, crashes in rhythm which could & will intrude, in thy rhythm of sand thought— —Big frigging shoulders on that sonofabitch Parle, O, parle, mer, parle, Sea speak to me, speak to me, your silver you light Where hole opened up in Alaska Gray—shh—wind in The canyon wind in the rain Wind in the rolling rash Moving and t wedel Sea sea Diving sea O bird—la vengeance De la roche Cossez Ah Rare, he rammed the gate rare over by Cherson, Cherson, we calcify fathers here below —a watery cross, with weeds entwined—This grins restoredly, low sleep—Wave—Oh, no, shush—Shirk—Boom plop Neptune now his arms extends while one millions of souls sit lit in caves of darkness —What old bark? The dog mountain? Down by the Sea Engines? God rush—Shore— Shaw—Shoo—Oh soft sigh we wait hair twined like larks—Pissit—Rest not —Plottit, bisp tesh, cashes, re tav, plo, aravow, shirsh,—Who’s whispering over there—the silly earthen creek! The fog thunders—We put silver light on face—We took the heroes in—A billion years aint nothing— O the cities here below! The men with a thousand arms! the stanchions of their upward gaze! the coral of their poetry! the sea dragons tenderized, meat for fleshy fish— Navark, navark, the fishes of the Sea speak Breton— wash as soft as people’s dreams—We got peoples in & out the shore, they call it shore, sea call it pish rip plosh—The 5 billion years since earth we saw substantial chan—Chinese are the waves—the woods are dreaming

Wherever you go, Provincetown will always take you back, at whatever age and in whatever condition. Because time moves somewhat differently there, it is possible to return after ten years or more and run into an acquaintance, on Commercial or at the A&P, who will ask mildly, as if he’d seen you the day before yesterday, what you’ve been doing with yourself. The streets of Provincetown are not in any way threatening, at least not to those with an appetite for the full range of human passions. If you grow deaf and blind and lame in Provincetown, some younger person with a civic conscience will wheel you wherever you need to go; if you die there, the marshes and dunes are ready to receive your ashes. While you’re alive and healthy, for as long as it lasts, the golden hands of the clock tower at Town Hall will note each hour with an electric bell as we below, on our purchase of land, buy or sell, paint or write or fish for bass, or trade gossip on the post office steps. The old bayfront houses will go on dreaming, at least until the emptiness between their boards proves more durable than the boards themselves. The sands will continue their slow devouring of the forests that were the Pilgrims’ first sight of North America, where man, as Fitzgerald put it, “must have held his breath in the presence of this continent, compelled into an aesthetic contemplation he neither understood nor desired, face to face for the last time in history with something commensurate to his capacity for wonder.” The ghost of Dorothy Bradford will walk the ocean floor off Herring Cove, draped in seaweed, surrounded by the fleeting silver lights of fish, and the ghost of Guglielmo Marconi will tap out his messages to those even longer dead than he. The whales will breach and loll in their offshore world, dive deep into black canyons, and swim south when the time comes. Herons will browse the tidal pools; crabs with blue claws tipped in scarlet will scramble sideways over their own shadows. At sunset the dunes will take on their pink-orange light, and just after sunset the boats will go luminous in the harbor. Ashes of the dead, bits of their bones, will mingle with the sand in the salt marsh, and wind and water will further disperse the scraps of wood, shell, and rope I’ve used for Billy’s various memorials. After dark the raccoons and opossums will start on their rounds; the skunks will rouse from their burrows and head into town. In summer music will rise up. The old man with the portable organ will play for passing change in front of the public library. People in finery will sing the anthems of vanished goddesses; people who are still trying to live by fishing will pump quarters into jukeboxes that play the songs of their high school days. As night progresses, people in diminishing numbers will wander the streets (where whaling captains and their wives once promenaded, where O’Neill strode in drunken furies, where Radio Girl—who knows where she is now?—announced the news), hoping for surprises or just hoping for what the night can be counted on to provide, always, in any weather: the smell of water and its sound; the little houses standing square against immensities of ocean and sky; and the shapes of gulls gliding overhead, white as bone china, searching from their high silence for whatever they might be able to eat down there among the dunes and marshes, the black rooftops, the little lights tossing on the water as the tides move out or in.