Weight On Shoulders Quotes

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Listen. Slide the weight from your shoulders and move forward. You are afraid you might forget, but you never will. You will forgive and remember.
Barbara Kingsolver (The Poisonwood Bible)
All you could do was take on as much weight as you can bear. And if you're lucky, there's someone close enough by to shoulder the rest.
Sarah Dessen (Just Listen)
Two words. Three vowels. Four constenants. Seven letters. It can either cut you open to the core and leave you in ungodly pain or it can free your soul and lift a tremendous weight off you shoulders. The phrase is: It's over.
Maggi Richard
You’re only human. And as humans, we can’t expect to shoulder all of our pain. Sometimes we have to share it with the people who love us so we don’t come crashing down from the weight of it all
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
I watched him pitch the ball at a table neatly lined with six bowling pins, my stomach giving a little flutter when his T-shirt crept up in the back, revealing a stripe of skin. I knew from experience that every inch of him was hard, defined muscle. His back was smooth and perfect too, the scars from when he’d fallen once again replaced with wings—wings I, and every other human, couldn’t see. “Five dollars says you can’t do it again,” I said, coming up behind him. Patch looked back and grinned. “I don’t want your money, Angel.” “Hey now, kids, let’s keep this discussion PG-rated,” Rixon said. “All three remaining pins,” I challenged Patch. “What kind of prize are we talking about?” he asked. “Bloody hell,” Rixon said. “Can’t this wait until you’re alone?” Patch gave me a secret smile, then shifted his weight back, cradling the ball into his chest. He dropped his right shoulder, brought his arm around, and sent the ball flying forward as hard as he could. There was a loud crack! and the remaining three pins scattered off the table. “Aye, now you’re in trouble, lass,” Rixon shouted at me over the commotion caused by a pocket of onlookers, who were clapping and whistling for Patch. Patch leaned back against the booth and arched his eyebrows at me. The gesture said it all: Pay up. “You got lucky,” I said. “I’m about to get lucky.
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
A group of people shouldered their way up to the bar counter at Neil's back, pushing him into Andrew. Andrew didn't budge beneath his weight. He was something solid to lean against, something violent and fierce and unmoving. Neil couldn't remember what it felt like to have someone hold him up. It was terrifying and liberating all at once. His life was out of his control now; he was giving it to Andrew and hoping Andrew would keep it safe.
Nora Sakavic (The Foxhole Court (All for the Game, #1))
One week, one strong. One scared, one bold. I was beginning to understand though, that there were no such things as absolutes, not in life, or in people. Like Owen said, it was day by day, if not moment by moment. All you could do was take on as much weight as you can bear. And if you're lucky, there's someone close enough to shoulder the rest.
Sarah Dessen (Just Listen)
Women are expected to absorb traumas both subtle and loud and move on. Shoulder the weight of the world. But when the world fucks with us, the worst thing we can do is bury it. Embracing it makes us strong enough to fuck the world right back.
Tia Williams (Seven Days in June)
She had no time for sleep, with the weight of the world upon her shoulders. And she feared to dream. Sleep is a little death, dreams the whisperings of the Other, who would drag us all into his eternal night.
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
Or perhaps is is that time doesn't heal wounds at all, perhaps that is the biggest lie of them all, and instead what happens is that each wound penetrates the body deeper and deeper until one day you find that the sheer geography of your bones - the angle of your hips, the sharpness of your shoulders, as well as the luster of your eyes, the texture of your skin, the openness of your smile - has collapsed under the weight of your griefs.
Thrity Umrigar (The Space Between Us)
When one person collapses, the other instinctively shoulders their weight.
Michelle Zauner (Crying in H Mart)
I prefer sinners and madmen, who can learn, who can change, who can teach-or people like myself, if I may say so, who are not afraid to eat a lobster alone as they take on their shoulders the monumental weight of thirty years
James Baldwin (Just Above My Head)
To me, when someone wrongs you, you both share the burden of that wrongdoing - the pain of it weighs on both of you. Forgiveness, then, means choosing to bear the full weight all by yourself. Caleb's betrayal is something we both carry, and since he did it, all I've wanted is for him to take its weight away from me. I am not sure that I'm capable of shouldering it all myself - not sure that I am strong enough, or good enough.
Veronica Roth (Allegiant (Divergent, #3))
You can close your eyes and think of England, if you like." "I've never even been to England," she said, but she shut her eyelids. She could feel the dank heaviness of her clothes, cold and itchy against her skin, and the cloying sweet air of the cave, colder yet, and the weight of Jace's hands on her shoulders, the only things that were warm. And then he kissed her. She felt the brush of his lips, light at first, and her own opened automatically beneath the pressure. Almost against her will she felt herself go fluid and pliant, stretching upward to twine her arms around his neck the way that a sunflower twists toward light. His arms slid around her, his hands knotting in her hair, and the kiss stopped being gentle and became fierce, all in a single moment like tinder flaring into a blaze.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
I once saw a spindly man carrying a stone larger than his head upon his back. He stumbled beneath the weight, shirtless under the sun, wearing only a loincloth. He tottered down a busy thoroughfare. People made way for him. Not because they sympathized with him, but because they feared the momentum of his steps. You dare not impede one such as this. The monarch is like this man, stumbling along, the weight of a kingdom on his shoulders. Many give way before him, but so few are willing to step in and help carry the stone. They do not wish to attach themselves to the work, lest they condemn themselves to a life full of extra burdens. I left my carriage that day and took up the stone, lifting it for the man. I believe my guards were embarrassed. One can ignore a poor shirtless wretch doing such labor, but none ignore a king sharing the load. Perhaps we should switch places more often. If a king is seen to assume the burden of the poorest of men, perhaps there will be those who will help him with his own load, so invisible, yet so daunting.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
She was tired of hugging pillows, counting on blankets for warmth, and reliving romantic moments only in her dreams. She was tired of hoping that every day would hurry so she could get on to the next. Hoping that it would be a better day, an easier day. But it never was. Worked, paid the bills, and went to bed but never slept. Each morning the weight on her shoulders got heavier and heavier and each morning she wished for night to fall quickly so she could return to her bed to hug her pillows and wrap herself in the warmth of her blankets.
Cecelia Ahern
She did not know if her gift came from the lord of light or of darkness, and now, finally finding that she didn't care which, she wad overcome with almost indescribable relief, as if a huge weight, long carried, had slipped from her shoulders.
Stephen King (Carrie)
The past can be a terrible weight bound to you by an unbreakable chain. You can drag it with you, forever looking over your shoulder at what holds you back. Or you can let it go and move forward. It’s your choice.
Raymond E. Feist (Shards of a Broken Crown (The Serpentwar Saga, #4))
No matter what happens," Mark said, "I will stay here. I will always, always stay here." He put his arms around Julian and held him tightly. Julian exhaled, as if he were letting go of something heavy that he had carried for a long time, and leaning on Mark's shoulder, he let his older brother bear just a little of his weight.
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
No shame in loving an ain’t-shit man, long as you get it out your system good and early. A tragic woman hooks into an ain’t-shit man, or worse, lets him hook into her. He will drag her until he tires. He will climb atop her shoulders and her body will sag from the weight of loving him. Yes,
Brit Bennett (The Mothers)
Franz Kafka is Dead He died in a tree from which he wouldn't come down. "Come down!" they cried to him. "Come down! Come down!" Silence filled the night, and the night filled the silence, while they waited for Kafka to speak. "I can't," he finally said, with a note of wistfulness. "Why?" they cried. Stars spilled across the black sky. "Because then you'll stop asking for me." The people whispered and nodded among themselves. They put their arms around each other, and touched their children's hair. They took off their hats and raised them to the small, sickly man with the ears of a strange animal, sitting in his black velvet suit in the dark tree. Then they turned and started for home under the canopy of leaves. Children were carried on their fathers' shoulders, sleepy from having been taken to see who wrote his books on pieces of bark he tore off the tree from which he refused to come down. In his delicate, beautiful, illegible handwriting. And they admired those books, and they admired his will and stamina. After all: who doesn't wish to make a spectacle of his loneliness? One by one families broke off with a good night and a squeeze of the hands, suddenly grateful for the company of neighbors. Doors closed to warm houses. Candles were lit in windows. Far off, in his perch in the trees , Kafka listened to it all: the rustle of the clothes being dropped to the floor, or lips fluttering along naked shoulders, beds creaking along the weight of tenderness. It all caught in the delicate pointed shells of his ears and rolled like pinballs through the great hall of his mind. That night a freezing wind blew in. When the children woke up, they went to the window and found the world encased in ice. One child, the smallest, shrieked out in delight and her cry tore through the silence and exploded the ice of a giant oak tree. The world shone. They found him frozen on the ground like a bird. It's said that when they put their ears to the shell of his ears, they could hear themselves.
Nicole Krauss (The History of Love)
Aelin ran for Manon, leaping over the fallen stones, her ankle wrenching on loose debris. The island rocked with her every step, and the sunlight was scalding, as if Mala were holding that island aloft with every last bit of strength the goddess could summon in this land. Then Aelin was upon Manon Blackbeak, and the witch lifted hate-filled eyes to her. Aelin hauled off stone after stone from her body, the island beneath them buckling. "You're too good a fighter to kill," Aelin breathed, hooking an arm under Manon's shoulders and hauling her up. The rock swayed to the left-but held. Oh, gods. "If I die because of you, I'll beat the shit out of you in hell." She could have sworn the witch let out a broken laugh as she got to her feet, nearly dead weight in Aelin's arms.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
I sit down on the bed, cradling her little head against my shoulder, inhaling her sweet baby scent. Someday she'll get older, and the world will start having its way with her. She'll throw temper tantrums, she'll need speech therapy, she'll grow breasts and have pimples, she'll fight with her parents, she'll worry about her weight, she'll put out, she'll have her heart broken, she'll be happy, she'll be lonely, she'll be complicated, she'll be confused, she'll be depressed, she'll fall in love and get married, and she'll have a baby of her own. But right now she is pure and undiminished and beautiful.
Jonathan Tropper (This is Where I Leave You)
Does anyone ever get tired of being brave, Prosper?” I put my tiny hand in his. He squeezed it gently and said,” Sure they do little darlin’, people get tired of being brave all the time.” “What happens then, Prosper?” I was looking at him now, the weight of the world on my shoulders. I heard something catch in the back of his throat and he had to clear it before he went on. “Why they call on someone who has some brave left over, that’s what they do honey.” “Prosper?” “Yes Raine?” “Do you have any brave left over?” “Little darlin’, just so happens I been saving up a bunch of brave just for you.
Paula Marinaro (Game Changer (Hells Saints Motorcycle Club, #1))
It is not weakness to open your heart. It does not make you less of a man to to ask for help. To turn to someone when you’re vulnerable. To need a shoulder to cry on. You don’t have to bear the weight of anything by yourself.
Marie Lu (Rebel (Legend, #4))
People say that teenagers don’t know how to love like an adult. Part of me believes that, but I’m not an adult and so I have nothing to compare it to. But I do believe it’s probably different. I’m sure there’s more substance in the love between two adults than there is between two teenagers. There’s probably more maturity, more respect, more responsibility. But no matter how different the substance of a love might be at different ages in a person’s life, I know that love still has to weigh the same. You feel that weight on your shoulders and in your stomach and on your heart no matter how old you are.
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
I swear on all that is holy—if one of you doesn’t tell me what the hell just went down here, I’m going to lose my shit.” I chuckle. “My girl wanted me to send her a boudoir shot of me on a red velvet chaise lounge, but you have no idea how hard it is to find a goddamn red velvet chaise lounge.” “You say this as if it’s an explanation. It is not.” Justin sighs like the weight of the world rests on his shoulders. “You hockey players are fucked up.
Elle Kennedy (The Mistake (Off-Campus, #2))
There was no meaning in life, and man by living served no end. It was immaterial whether he was born or not born, whether he lived or ceased to live. Life was insignificant and death without consequence. Philip exulted, as he had exulted in his boyhood when the weight of a belief in God was lifted from his shoulders: it seemed to him that the last burden of responsibility was taken from him; and for the first time he was utterly free. His insignificance was turned to power, and he felt himself suddenly equal with the cruel fate which had seemed to persecute him; for, if life was meaningless, the world was robbed of its cruelty. What he did or left undone did not matter. Failure was unimportant and success amounted to nothing. He was the most inconsiderate creature in that swarming mass of mankind which for a brief space occupied the surface of the earth; and he was almighty because he had wrenched from chaos the secret of its nothingness. Thoughts came tumbling over one another in Philip's eager fancy, and he took long breaths of joyous satisfaction. He felt inclined to leap and sing. He had not been so happy for months. 'Oh, life,' he cried in his heart, 'Oh life, where is thy sting?
W. Somerset Maugham (Of Human Bondage)
Catherine," said the Marquess, placing one hand on Cath’s shoulder and one on his wife’s. "We know you’ve been through some . . . difficult things recently." Anger, hot and throbbing, blurred in her vision. "But we want you to be sure . . . absolutely sure this is what you want." His eyes turned wary beneath his bushy eyebrows. "We want you to be happy. That’s all we’ve ever wanted. Is this what’s going to make you happy?" Cath held his gaze, feeling the puncture of Raven’s talons on her shoulder, the weight of the rubies around her throat, the itch of her petticoat on her thighs. "How different everything could have been," she said, "if you had thought to ask me that before." She shrugged his arm away and pushed between them. She didn’t look back.
Marissa Meyer (Heartless)
As he walked out the door of his study, a phantom ache curled between his shoulder blades. As if they craved the weight of wings.
Roshani Chokshi (The Gilded Wolves (The Gilded Wolves, #1))
The weight is off my shoulders. I don't live in the past anymore. I look forward, instead of back.
Mackenzie Phillips (High on Arrival)
All right, then,” she snapped, “do as you please! Perhaps afterward we could manage a coherent discussion.” Twisting beneath him, she flopped onto her stomach. Christopher went still. After a long hesitation, she heard him ask in a far more normal voice, “What are you doing?” “I’m making it easier for you,” came her defiant reply. “Go on, start ravishing.” Another silence. Then, “Why are you facing downward?” “Because that’s how it’s done.” Beatrix twisted to look at him over her shoulder. A twinge of uncertainty caused her to ask, “Isn’t it?” His face was blank. “Has no one ever told you?” “No, but I’ve read about it.” Christopher rolled off her, relieving her of his weight. He wore an odd expression as he asked, “From what books?” “Veterinary manuals. And of course, I’ve observed the squirrels in springtime, and farm animals and-” She was interrupted as Christopher cleared his throat loudly, and again. Darting a confused glance at him, she realized that he was trying to choke back amusement. Beatrix began to feel indignant. Her first time in a bed with a man, and he was laughing. “Look here,” she said in a businesslike manner, “I’ve read about the mating habits of over two dozen species, and with the exception of snails, whose genitalia is on their necks, they all—” She broke off and frowned. “Why are you laughing at me? Christopher had collapsed, overcome with hilarity. As he lifted his head and saw her affronted expression, he struggled manfully with another outburst. “Beatrix. I’m . . . I’m not laughing at you.” “You are!” “No I’m not. It’s just . . .” He swiped a tear from the corner of his eye, and a few more chuckles escaped. “Squirrels . . .” “Well, it may be humorous to you, but it’s a very serious matter to the squirrels.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
You're a freak. But I really can't accept these-' Were you raised in a barn? Don't be ruuuuuude, my boy. They're a gift.' Blay shook his head. 'Take them, John. You're just going to lose this argument, and it will save us from the theatrics.' Theatrics?' Qhuinn leaped up and assumed a Roman oratory pose. 'Whither thou knowest thy ass from thy elbow, young scribe?' Blay blushed. 'Come on-' Qhuinn threw himself at Blay, grasping onto the guy's shoulders and hanging his full weight off him. 'Hold me. Your insult has left me breathless. I'm agasp.' Blay grunted and scrambled to keep Qhuinn up off the floor. 'That's agape.' Agasp sounds better.' Blay was trying not to smile, trying not to be delighted, but his eyes were sparkling like sapphires and his cheeks were getting red. With a silent laugh, John sat on one of the locker room benches, shook out his pair of white socks, and pulled them on under his new old jeans. 'You sure, Qhuinn? 'Cause I have a feeling they're going to fit and you might change your mind. Qhuinn abruptly lifted himself off Blay and straightened his clothes with a sharp tug. 'And now you offend my honor.' Facing off at John, he flipped into a fencing stance. Touché.' Blay laughed. 'That's en garde, you damn fool.' Qhuinn shot a look over his shoulder. 'ça va, Brutus?' Et tu?' That would be tutu, I believe, and you can keep the cross-dressing to yourself, ya perv.' Qhuinn flashed a brilliant smile, all twelve kinds of proud for being such an ass. 'Now, put the fuckers on, John, and let's be done with this. Before we have to put Blay in an iron lung.' Try sanitarium.' No, thanks, I had a big lunch.
J.R. Ward (Lover Enshrined (Black Dagger Brotherhood, #6))
I had forgotten that you are only a common boy. How should you understand reasons of the State? You must learn, child, that what would be wrong for you or for any of the common people is not wrong in a great Queen such as I. The weight of the world is on our shoulders. We must be freed from all rules. Ours is a high and lonely destiny.
C.S. Lewis (The Magician’s Nephew (Chronicles of Narnia, #6))
Come here and take off your clothes and with them every single worry you have ever carried. My fingertips on your back will be the very last thing you will feel before sleeping and the sound of my smile will be the alarm clock to your morning ears. Come here and take off your clothes and with them the weight of every yesterday that snuck atop your shoulders and declared them home. My whispers will be the soundtrack to your secret dreams and my hand the anchor to the life you will open your eyes to. Come here and take off your clothes.
Tyler Knott Gregson
But it's a whole lot easier to keep[secrets] when you've got someone else who knows breathing in the same room. Carrying them alone is like having a huge spiky weight digging into your shoulders and chest, a weight you can't shift even while you're sleeping.
Lilith Saintcrow (Betrayals (Strange Angels, #2))
A great weight had been lifted off of my shoulders. Ben wasn’t what I wanted or needed. I wanted someone who knew me, the real me. I needed the person who knew all my secrets and fears. I wanted a person who lived and fought passionately. I wanted my best friend.
Paige Weaver (Promise Me Darkness (Promise Me, #1))
Tiger Lily, you're a fool." he said, and kissed her forehead. And despite his size, and the fact that a boy like him was not built to shoulder much of anything, he shouldered her weight, and carried her home.
Jodi Lynn Anderson (Tiger Lily)
So, let's make a deal: If you do not voice all the withering comments about the weight or uselessness of this jacket that are no doubt swirling in that big brain of yours, then I will not mention the super-laser episode again. Agreed?" This jacket is really cutting into my shoulders, thought Artemis. And it's so heavy that I could not outrun a slug. But he said, "Agreed.
Eoin Colfer (The Last Guardian (Artemis Fowl, #8))
The hatchet must fall on the block; the oak must be cleft to the centre. The weight of the world is on my shoulders. Here is the pen and the paper; on the letters in the wire basket I sign my name, I, I, and again I.
Virginia Woolf (The Waves)
hear him breathing behind me, loud and fast. "Are you all right, Four?" "Are you human, Tris? Being up this high..." He gulps for air. "It doesn't scare you at all?" I look over my shoulder at the ground. If I fall now, I will die. But I don't think I will fall. A gust of air presses against my left side, throwing my body weight to the right. I gasp and cling to the rungs, my balance shifting. Four's cold hand clamps around one of my hips, one of his fingers finding a strip of bare skin just under the hem of my T-shirt. He squeezes, steading me and pushing me gently to the left, restoring my balance. Now I can't breathe. I pause, staring at my hands, my mouth dry. I feel the ghost of where his hand was, his fingers long and narrow. "You okay?" he asks quietly. "Yes," I say, my voice strained.
Veronica Roth
there were no such things as absolutes, not in life or in people. it was day by day, if not moment by moment. all you could do was take on as much weight as you can bear.and if you're lucky, there's someone close enough by to shoulder the rest.
Sarah Dessen
On the day when the weight deadens on your shoulders and you stumble, may the clay dance to balance you.
John O'Donohue
To keep Velaris safe, to keep Mor and Amren and Cassian and Azriel and… Rhys safe. I said to Lucien, low and quiet and as vicious as the talons that formed at the tips of my fingers, as vicious as the wondrous weight between my shoulder blades, “When you spend so long trapped in darkness, Lucien, you find that the darkness begins to stare back.” A pulse of surprise, of wicked delight against my mental shields, at the dark, membranous wings I knew were now poking over my shoulders. Every icy kiss of rain sent jolts of cold through me. Sensitive—so sensitive, these Illryian wings. Lucien backed up a step. “What did you do to yourself?” I gave him a little smile. “The human girl you knew died Under the Mountain. I have no interest in spending immortality as a High Lord’s pet.” Lucien started shaking his head. “Feyre—” “Tell Tamlin,” I said, choking on his name, on the thought of what he’d done to Rhys, to his family, “if he sends anyone else into these lands, I will hunt each and every one of you down. And I will demonstrate exactly what the darkness taught me.” There was something like genuine pain on his face. I didn’t care. I just watched him, unyielding and cold and dark. The creature I might one day have become if I had stayed at the Spring Court, if I had remained broken for decades, centuries… until I learned to quietly direct those shards of pain outward, learned to savor the pain of others.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
The weight of the world is on our shoulders, its vision is through our eyes; if we blink or look aside, or turn back to finger what Plato said or remember Napoleon and his conquests, we inflict on the world the injury of some obliquity. This is life…
Virginia Woolf (The Waves)
There are none among us who have not been, even for a moment, cruel to those whom we love most, as if unable, in that moment, to shoulder any longer the magnificent weight and burden, the responsibility, of that love.
Rick Bass (The Sky, The Stars, The Wilderness)
Julian,” said Jia, in the same gentle voice, “would you do something for us? Would you take up the Mortal Sword?” Clary sat up straight. She had held the Mortal Sword: she had felt the weight of it. The cold, like hooks in your skin, dragging the truth out of you. You couldn’t lie holding the Mortal Sword, but the truth, even a truth you wanted to tell, was agony. “They can’t,” she whispered. “He’s just a kid —” “He’s the oldest of the kids who escaped the Institute,” Jace said under his breath. “They don’t have a choice.” Julian nodded, his thin shoulders straight. “I’ll take it.” Robert Lightwood passed behind the podium then and went to the table. He took up the sword and returned to stand in front of Julian. The contrast between them was almost funny: the big, barrel-chested man and the lanky, wild-haired boy. Julian reached a hand up and took the sword. As his hand closed around the hilt, he shuddered, a ripple of pain that was quickly forced down. Emma, behind him, started forward, and Clary caught a glimpse of the look on her face — pure fury — before Helen caught at her and pulled her back.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
He shifted his weight, throwing his good leg off the bed as if he were going to try to stand. “What are you doing?” I demanded through the tears. “Lie down, you idiot, you’ll hurt yourself!” I jumped to my feet and pushed his good shoulder down with two hands. He surrendered, leaning back with a gasp of pain, but he grabbed me around my waist and pulled me down on the bed, against his good side. I curled up there, trying to stifle the silly sobs against his hot skin.
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
Majestic though in ruin: sage he stood With Atlantean shoulders fit to bear The weight of mightiest Monarchies his look Drew audience and attention still as Night Or Summers Noon-tide air while thus he spake.
John Milton (Paradise Lost)
She did not know if her gift had come from the lord of light or of darkness, and now, finally finding that she did not care which, she was overcome with an almost indescribable relief, as if a huge weight, long carried, had slipped from her shoulders.
Stephen King (Carrie)
I stare at her collarbone that's framed with lace, the hollow of her throat, her shoulders that rise with each rise with the weight of her next breath. We're fragile things. Our bones show through our skin. What would any god want with us?
Lauren DeStefano (Perfect Ruin (Internment Chronicles, #1))
My name...my name is Mary. I'm here with a friend.' Rhage stopped breathing. His heart skipped a beat and then slowed. "Say that again,' he whispered. 'Ah, my name is Mary Luce. I'm a friend of Bella's...We came here with a boy, with John Matthew. We were invited.' Rhage shivered, a balmy rush blooming out all over his skin. The musical lilt of her voice, the rhythm of her speech, the sound of her words, it all spread through him, calming him, comforting him. Chaining him sweetly. He closed his eyes. 'Say something else.' 'What?' she asked, baffled. 'Talk. Talk to me. I want to hear your voice.' She was silent, and he was about to demand that she speak when she said, 'You don't look well. Do you need a doctor?' He found himself swaying. The words didn't matter. It was her sound: low, soft, a quiet brushing in his ears. He felt as if here being stroked on the inside of his skin. 'More,' he said, twisting his palm around to the front of her neck so he could feel the vibrations in her throat better. 'Could you... could you please let go of me?' 'No.' He brought his other arm up. She was wearing some kind of fleece, and he moved the collar aside, putting his hand on her shoulder so she couldn't get away from him. 'Talk.' She started to struggle. 'You're crowding me.' 'I know. Talk.' 'Oh for God's sake, what do you want me to say?' Even exasperated, her voice was beautiful. 'Anything.' 'Fine. Get your hand off my throat and let me go or I'm going to knee you where it counts.' He laughed. Then sank his lower body into her, trapping her with his thighs and hips. She stiffened against him, but he got an ample feel of her. She was built lean, though there was no doubt she was female. Her breasts hit his chest, her hips cushioned his, her stomach was soft. 'Keep talking,' he said in her ear. God, she smelled good. Clean. Fresh. Like lemon. When she pushed against him, he leaned his full weight into her. Her breath came out in a rush. 'Please,' he murmured. Her chest moved against his as if she were inhaling. 'I... er, I have nothing to say. Except get off of me.' He smiled, careful to keep his mouth closed. There was no sense showing off his fangs, especially if she didn't know what he was. 'So say that.' 'What?' 'Nothing. Say nothing. Over and over and over again. Do it.' She bristled, the scent of fear replaced by a sharp spice, like fresh, pungent mint from a garden. She was annoyed now. 'Say it.' "Fine. Nothing. Nothing.' Abruptly she laughed, and the sound shot right through to his spine, burning him. 'Nothing, nothing. No-thing. No-thing. Noooooothing. There, is that good enought for you? Will you let me go now?
J.R. Ward (Lover Eternal (Black Dagger Brotherhood, #2))
I said to Lucien, low and quiet and as vicious as the talons that formed at the tips of my fingers, as vicious as the wondrous weight between my shoulder blades, "When you spend so long trapped in darkness, Lucien, you find that the darkness starts to stare back.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Daniel reaches out and seizes both of my wrists in his hands. “Look at me,” he says, his eyes locking on to mine. They are fierce in the night, and in them I see the same brother who had once stood up to an entire nation. “It is not weakness to open your heart. It does not make you less of a man to ask for help. To turn to someone when you’re vulnerable. To need a shoulder to cry on. You don’t have to bear the weight of anything by yourself. Do you understand me? I know what it’s like to be forced to go it alone. I never want you to feel that way.
Marie Lu (Rebel (Legend, #4))
I'd never wanted to consume another body as rabidly as I did when he was inside me, but even like this, I could never seem to get close enough to the parts of him I wanted to feel. And it was with that thought in my mind that the delicious ratcheting tension along my skin and in my belly crystallized into an ache so heavy I slipped my legs off his shoulders, pulling all of his weight on top of me and pleading, "Please, please, please," over and over.
Christina Lauren (Beautiful Bastard (Beautiful Bastard, #1))
He grins sourly. "I only make big bets that involve lives and the future of humanity." His shoulders slump as though the invisible weight on them is too much. "Speaking of which, you handled yourself well out there. Better than anyone expected. We could really use someone like you. There are situations that a girl like you could handle better than a platoon of men." His grin turns boyish. "Assuming you don't clock an angel for pissing you off." "That's a big assumption.
Susan Ee (Angelfall (Penryn & the End of Days, #1))
Perhaps you know someone whose heart clutches onto the bittersweet memory of the one who got away. Someone who secretly bears the weight of this imperceptible burden wherever he or she goes, every day of his or her life. Someone who’d gladly travel back in a time machine to a day when paths diverged, to mend together that which has been torn apart, setting destiny back on its rightful track — if only he or she could. Perhaps you know this someone better than you think. And should this someone happen to be you, may you find strength and support in the millions of others who shoulder this burden with you, and may you be reintroduced one day to true love… in this lifetime and whatever comes after.
Sebastian Cole (Sand Dollar: A Story of Undying Love)
Listen. Slide the weight from your shoulders and move forward. You are afraid you might forget, but you never will. You will forgive and remember. Think of the vine that curls from the small square plot that was once my heart. That is the only marker you need. Move on. Walk forward into the light.
Barbara Kingsolver (The Poisonwood Bible)
From his shoulder on down, the Rat felt the supple weight of her body. An odd sensation, that weight. This being that could love a man, bear children, grow old, and die; to think one whole existence was in this weight.
Haruki Murakami (Pinball, 1973 (The Rat, #2))
There are too many women who haven’t had the chance to fall in love with themselves. Your sacrifices weren’t for nothing. Each sacrifice you made was by choice to help others as you put them first. With each sacrifice that you made, you took chances, and the uphill battles of carrying the weight on your shoulders toned your core.
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
Your ability to shoulder everything, to give 200% of yourself all the time, to be perfect at everything you attempt…these are not the attributes that make you a valuable human being.” I pause. “And they are not why I fell in love with you.” His black eyes shoot up to me. I smile. The weight of these heavy secrets falls off of me, and I feel relieved to continue. “I fell in love with you because you’re goofy. You’re fun. Your heart is so big I don’t know how it fits in here,” I say, pressing my hand to his chest. “You’re a terrible singer. You make me soup when I’m sick. You bought me tampons that time I was laid out on the couch with cramps and couldn’t move. You didn’t even send someone else for them. You went yourself!
Sarah Adams (The Cheat Sheet (The Cheat Sheet, #1))
Suddenly I realized she was asleep. Exhausted by her flight she had fallen asleep against my shoulder as so many times, in taxis, in buses, on a park-seat. I sat still and let her be. There was nothing to disturb her in the dark church. The candles napped around the virgin, and there was nobody else there. The slowly growing pain in my upper arm where her weight lay was the greatest pleasure I had ever known.
Graham Greene (The End of the Affair)
As a single mother, I feel like I carry the weight of the ocean on my shoulders trying to keep my head above water to keep from drowning. I try to stand firm as I dig my toes in the sand, but the troubling waves tend to wash the sand away from under my feet. I lose my balance, but I have to make the best of what I am given; take a leap of faith and start swimming.
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
When I beheld you, suddenly - for perhaps a second - I had the strength to reject everything that wasn't you and to laugh at the illusion. But my shoulders are very frail. I was unable to bear the weight of the world's condemnation. And I began to hate you when everything about you would have kindled my love and when love would have made men's contempt unbearable, and their contempt would have made my love unbearable. The fact is, I hate you.
Jean Genet
If God meant for us to carry baggage around, he would have made our skin have little pouches like kangaroos. Or maybe he would have just made it so that each and every one of us were born with huge- ass shoulders to carry the load. Clearly, we weren’t made to carry the weight of the world, kinda makes you wonder why we do it anyway, huh?
Rachel Van Dyken (Toxic (Ruin, #2))
Whenever he remembered this moment, it lasted forever: a flash of complete separateness as Lydia disappeared beneath the surface. Crouched on the dock, he had a glimpse of the future: without her, he would be completely alone. In the instant after, he knew it would change nothing. He could feel the ground still tipping beneath him. Even without Lydia, the world would not level. He and his parents and their lives would spin into the space where she had been. They would be sucked into the vacuum she left behind. More than this: the second he touched her, he knew that he had misunderstood everything. When his palms hit her shoulders, when the water closed over her head, Lydia had felt relief so great she had sighed in a deep choking lungful. She had staggered so readily, fell so eagerly, that she and Nath both knew: that she felt it, too, this pull she now exerted, and didn't want it. That the weight of everything tilting toward her was too much.
Celeste Ng (Everything I Never Told You)
[He] Spoke and rose to full height, sword in air, Then cleft the man's brow square between the temples Cutting his head in two -- a dreadful gash Between the cheeks all beardless. Earth resounded Quivering at the great shock of his weight As he went tumbling down in all his armor, Drenched with blood and brains; in equal halves His head hung this and that way from his shoulders.
Virgil (The Aeneid)
For a fleeting instant, in the sad curve of his shoulders, I saw what Comonot could not: the core of decency; the weight he had carried so long; the endless struggle to do right in the wake of this irreversible wrong; the grieving husband and frightened father; the author of all those love songs. For the first time, I understood.
Rachel Hartman (Seraphina (Seraphina, #1))
I did not know the work of mourning Is like carrying a bag of cement Up a mountain at night The mountaintop is not in sight Because there is no mountaintop Poor Sisyphus grief I did not know I would struggle Through a ragged underbrush Without an upward path ... Look closely and you will see Almost everyone carrying bags Of cement on their shoulders That’s why it takes courage To get out of bed in the morning And climb into the day.
Edward Hirsch (Gabriel: A Poem)
You can't blame anyone else... You have to make your own choices and live every agonizing day with the consequences of those choices. He knew this. That's why he deserted us like we deserted those civilians. He saw the road ahead, a steep, treacherous mountain road. We'd all have to hike that road, each of us dragging the boulder of what we'd done behind us. He couldn't do it. He couldn't shoulder the weight." - Philip Adler
Max Brooks (World War Z: An Oral History of the Zombie War)
After a while Mary said, “Zsadist?” “Yeah?” “What are those markings?” His frowned and flicked his eyes over to her, thinking, as if she didn’t know? But then . . . well, she had been a human. Maybe she didn’t. “They’re slave bands. I was . . . a slave.” “Did it hurt when they were put on you?” “Yes.” “Did the same person who cut your face give them to you?” “No, my owner’s hellren did that. My owner . . . she put the bands on me. He was the one who cut my face.” “How long were you a slave?” “A hundred years.” “How did you get free?” “Phury. Phury got me out. That’s how he lost his leg.” “Were you hurt while you were a slave?” Z swallowed hard. “Yes.” “Do you still think about it?” “Yes.” He looked down at his hands, which suddenly were in pain for some reason. Oh, right. He’d made two fists and was squeezing them so tightly his fingers were about to snap off at the knuckles. “Does slavery still happen?” “No. Wrath outlawed it. As a mating gift to me and Bella.” “What kind of slave were you?” Zsadist shut his eyes. Ah, yes, the question he didn’t want to answer. For a while it was all he could do to force himself to stay in the chair. But then, in a falsely level voice, he said, “I was a blood slave. I was used by a female for blood.” The quiet after he spoke bore down on him, a tangible weight. “Zsadist? Can I put my hand on your back?” His head did something that was evidently a nod, because Mary’s gentle palm came down lightly on his shoulder blade. She moved it in a slow, easy circle. “Those are the right answers,” she said. “All of them.” He had to blink fast as the fire in the furnace’s window became blurry. “You think?” he said hoarsely. “No. I know.
J.R. Ward (Father Mine (Black Dagger Brotherhood, #6.5))
I’ve loved you since the first moment I clapped eyes on you in Latin class. Since that day in the rain, when you climbed into my car and slipped my sweater over your head to get warm. Since the first time I watched you with Jamie, laughing and joking even though the weight of the world was on your shoulders. Since I saw you running in crazy, breathless circles around the circumference of my favorite tree, a look of absolute joy on your face.” He traced a finger down my cheek. “I’ve loved you since before I even knew what love was.
Julie Johnson (Say the Word)
The hand that rested on my shoulder rubbed it a bit, comfortingly. Then it gave my shoulder a little squeeze. I leaned into him. Maybe it was that I was broken. Maybe it was just that I was out of my mind. But it occurred to me that I was going to kiss him. The thought just arrived, certain knowledge, delivered from some greater, more knowledgeable place. I was going to kiss him. Stephen would not want to kiss me. He would back up in horror. And yet, I was still going to do it. I reached over, and put my hand against his chest, then I moved closer. I could feel just the very tips of the gentle stubble on his cheek brushing against my skin. "Rory," he said. But it was a quiet protest, and it went nowhere. For the first few seconds, he didn't move-he accepted the kiss like you might accept a spoonful of medicine. Then I heard it, a sigh, like he had finally set down a heavy weight. I was pretty sure we were both kind of terrified, but I was completely sure that we were both doing this. We kissed slowly, very deliberately, coming together and then pulling apart and looking at each other. Then each kiss got longer, and then it didn't stop. Stephen put his hand just under the edge of my shirt, holding it on the spot where the scar was. Sometimes the skin around the scar got cold-now it was warm. Now it was alive. "So Thorpe says that-Seriously?" Callum was in the doorway. Stephen mumbled what I think was a very obscene word right against my mouth. "You realize I now owe Boo five pounds?" Callum said. "Boo! I owe you five pounds!
Maureen Johnson (The Madness Underneath (Shades of London, #2))
Two hundred miles from the surface of the earth there is no gravity. The laws of motion are suspended. You could turn somersaults slowly slowly, weight into weightlessness, nowhere to fall. As you lay on your back paddling in space you might notice your feet had fled your head. You are stretching slowly slowly, getting longer, your joints are slipping away from their usual places. There is no connection between your shoulder and your arm. You will break up bone by bone, fractured from who you are, drifting away now, the centre cannot hold.
Jeanette Winterson (Written on the Body)
Shy burst out laughing. When he quit, he saw she was smiling up at him. and it hit him. All of it. Waking up to her. Going to bed with her. Making love to her. Eating with her. Laughing with her. Kissing her. Going shopping with her, and when she was in a store and wandering away, he saw her looking over the racks, looking for him, and when he came to her at her back, she'd turned to him, looking lost, and leaned into him the second he got there, suddenly found. Jesus, he had it. All of it. "I never dreamed any fuckin' dream," he whispered, and the smile faded from her face as tears filled her eyes. She understood him. "Shy-" "Didn't dream it, saw it, waited my time, and then you gave it to me." "Shy," her voice broke on his name. He looked into her blue eyes swimming with tears, feeling her fingers digging into his shoulders, her weight in his lap, the smell of her hair, the taste of her still on his tongue. Yes, he fucking had it. When he was twelve he lost it. Now he had it again. All of it. Everything.
Kristen Ashley (Own the Wind (Chaos, #1))
The shot doesn't come. He stares at me with the same ferocity but doesn't move. Why doesn't he shoot me? His heart pounds against my palms,and my own heart lifts. He is Divergent. He can fight this simulation.Any simulation. "Tobias," I say. "It's me." I step forward and wrap my arms around him. His body is stiff. His heart beats faster. I can feel it against my cheek. A thud against my cheek. A thud as the gun hits the floor.He grabs my shoulders-too hard, his fingers digging into my skin where the bullet was. I cry out as he pulls me back. Maybe he means to kill me in some crueler way. "Tris," he says,and it's him again. His mouth collides with mine. His arm wraps around me and he lifts me up, holding me against him, his hands clutching at my back. His face and the back of his neck are slick with sweat, his body is shaking,and my shoulder blazes with pain,but I don't care,I don't care,I don't care. He sets me down and stares at me, his fingers brushing over my forehead, my eyebrows,my cheeks, my lips. Something like a sob and a sigh and a moan escapes him,and he kisses me again. His eyes are bright with tears. I never thought I would see Tobias cry. It makes me hurt. I pull myself to his chest and cry into his shirt. All the throbbing in my head comes back,and the ache in my shoulder,and I feel like my body weight doubles.I lean against him, and he supports me. "How did you do it?" I say. "I don't know," he says. "I just hear your voice.
Veronica Roth (Divergent (Divergent, #1))
I had no idea kissing felt like this. Sensory overload. At some point, Ren reluctantly let me down. He still supported my weight, which was good because I was ready to fall over. He cupped my cheek and ran a thumb slowly across my bottom lip. He stood close to me, keeping one arm wrapped around my waist. His other hand moved to my hair, and his fingers began to slowly twist the loose strands. I had to blink my eyes a few times to clear my vision. He laughed quietly. “Breathe, Kelsey.” He had a very self-satisfied, smug grin on his face, which, for some reason, got my ire up. “You seem very happy with yourself.” He raised an eyebrow. “I am.” I smirked back to him and said, “Well, you didn’t ask for permission.” “Hmm, perhaps we should rectify that.” He trailed his fingers up my arm, swirling little circles as he went. “Kelsey?” I watched his progress and mumbled, distracted, “Yes?” He stepped closer. “Do I-“ “Hmm?” I wiggled slightly. “Have your-“ He started nuzzling my neck then moved up to my ear. His lips ticked me as he whispered, and I felt him smile, “Permission-“ Goose bumps broke out on my arms and I trembled. “To kiss you?” I nodded weakly. Standing on my tiptoes, I slipped my arms around his neck showing him that I was definitely giving permission. He trailed kisses from my ear across to my cheek in achingly slow motion, grazing along a path of his choosing. He stopped, hovering just over my lips, and waited. I knew what he was waiting for. I paused only a brief second before whispering faintly, “Yes.” Smiling victoriously, he crushed me against his chest and kissed me again. This time, the kiss was bolder and playful. I ran my hands from his powerful shoulders, up to his neck, and pressed him close to me.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
Ask me in the morning, after I’ve spent hours weighed down by nightmares, drugged beyond reason just to hold back the memories of dying, which was not so bad as coming back, and I’d say yes. I wish you’d let me die.” Kell looked ill. “I—” “But ask me in the afternoon,” cut in Rhy, “when I’ve felt the sun cutting through the cold, or the warmth of Alucard’s smile, or the steady weight of your arm around my shoulders, and I would tell you it was worth it. It is worth it.
Victoria E. Schwab (A Conjuring of Light (Shades of Magic, #3))
I remember understanding what a brutal thing it is to be the bearer of truly bad news - to break off a piece of that misery and hand it to other people, one by one, and then have to comfort them; to put their grief on your shoulders on top of all your own; to be the calm one in the face of their shock and tears. And then learning that relative weight of grief is immaterial. Being smothered a little is no different than being smothered a lot. Either way, you can't breathe.
Heather Cocks (The Royal We (Royal We, #1))
She has never been a pretty crier. She sobbed the way she did everything else - with passion and excess. That she had managed to keep it inside her this long was astounding to James. He thought of pushing open the half-closed door and kneeling before his wife, wrapping his arms around her shoulders and helping her upstairs. He raised his hand, stroking the wood of the door, planning to say something to calm her. But what wisdom could he offer Gus, when he could not even heed it himself? James walked upstairs again, got into bed, covered his head with a pillow. And hours later, when Gus crept beneath the sheets, he tried to pretend that he did not feel the weight of her grief, lying between them like a fitful child, so solid that he could not reach past it to touch her.
Jodi Picoult (The Pact)
Put me down. This isn’t funny.” My feet make little ineffectual spirals. This isn’t the first time a big kid’s thrown his weight around with me. Marcus DuShay in third grade once slung me onto the hood of the principal’s car and ran off laughing. The plight of the little humans. There is no dignity for us in this oversize world. “Visit me up here for a sec.” “What on earth for?” I try to slide down but he spans his hands on my waist and presses me against the wall. I squeeze his shoulders until I come to the informed conclusion that his body is extravagant muscle under these Clark Kent shirts. “Holy shit.” His collarbone is like a crowbar under my palms. I say the only idiotic thing I can think of. “Muscles. Bones.” “Thanks.
Sally Thorne (The Hating Game)
Even when I ran my bar I followed the same policy. A lot of customers came to the bar. If one in ten enjoyed the place and said he'd come again, that was enough. If one out of ten was a repeat customer, then the business would survive. To put it another way, it didn't matter if nine out of ten didn't like my bar. This realization lifted a weight off my shoulders. Still, I had to make sure that the one person who did like the place really liked it. In order to make sure he did, I had to make my philosophy and stance clear-cut, and patiently maintain that stance no matter what. This is what I learned through running a business.
Haruki Murakami (What I Talk About When I Talk About Running)
I twisted, my loose clothes sliding over my shoulders, my waist. I hadn’t realized how much weight I’d lost. Despite things creeping back to normal. I said, “Don’t you have other things to deal with?” “Of course I do,” he said, shrugging. “I have so many things to deal with that I’m sometimes tempted to unleash my power across the world and wipe the board clean. Just to buy me some damned peace.” He grinned, bowing at the waist. Even that casual mention of his power failed to chill me, awe me. “But I’ll always make time for you.” I was hungry—I hadn’t yet eaten. And that was indeed worry glimmering behind the cocky, insufferable grin. So I motioned him to lead the way to that familiar glass table at the end of the hall.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
As I lifted the ash dagger, something inside me fractured so completely that there would be no hope of ever repairing it. No matter how many years passed, no matter how many times I might try to paint her face. More faeries wailed now-her kinsmen and friends. The dagger was a weight in my hand-my hand, shining and coated with the blood of the first faerie. It would be more honorable to refuse-to die, rather than murder innocents. But... but... "Let me enter eternity," she repeated, lifting her chin. "Fear no evil," she whispered-just for me. "Feel no pain." I gripped her delicate, bony shoulder and drove the dagger into her heart. She gasped, and blood spilled onto the ground like a splattering of rain. Her eyes were closed when I looked at her face again. She slumped to the floor and didn't move. I went somewhere far, far away from myself.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
No,” I hear myself say. “You’re not supposed to be here.” She’s sitting on my bed. She’s leaning back on her elbows, legs outstretched in front of her, crossed at the ankles. And while some part of me understands I must be dreaming, there’s another, overwhelmingly dominant part of me that refuses to accept this. Part of me wants to believe she’s really here, inches away from me, wearing this short, tight black dress that keeps slipping up her thighs. But everything about her looks different, oddly vibrant; the colors are all wrong. Her lips are a richer, deeper shade of pink; her eyes seem wider, darker. She’s wearing shoes I know she’d never wear. And strangest of all: she’s smiling at me. “Hi,” she whispers. It’s just one word, but my heart is already racing. I’m inching away from her, stumbling back and nearly slamming my skull against the headboard, when I realize my shoulder is no longer wounded. I look down at myself. My arms are both fully functional. I’m wearing nothing but a white T-shirt and my underwear. She shifts positions in an instant, propping herself up on her knees before crawling over to me. She climbs onto my lap. She’s now straddling my waist. I’m suddenly breathing too fast. Her lips are at my ear. Her words are so soft. “Kiss me,” she says. “Juliette—” “I came all the way here.” She’s still smiling at me. It’s a rare smile, the kind she’s never honored me with. But somehow, right now, she’s mine. She’s mine and she’s perfect and she wants me, and I’m not going to fight it. I don’t want to. Her hands are tugging at my shirt, pulling it up over my head. Tossing it to the floor. She leans forward and kisses my neck, just once, so slowly. My eyes fall closed. There aren’t enough words in this world to describe what I’m feeling. I feel her hands move down my chest, my stomach; her fingers run along the edge of my underwear. Her hair falls forward, grazing my skin, and I have to clench my fists to keep from pinning her to my bed. Every nerve ending in my body is awake. I’ve never felt so alive or so desperate in my life, and I’m sure if she could hear what I’m thinking right now, she’d run out the door and never come back. Because I want her. Now. Here. Everywhere. I want nothing between us. I want her clothes off and the lights on and I want to study her. I want to unzip her out of this dress and take my time with every inch of her. I can’t help my need to just stare; to know her and her features: the slope of her nose, the curve of her lips, the line of her jaw. I want to run my fingertips across the soft skin of her neck and trace it all the way down. I want to feel the weight of her pressed against me, wrapped around me. I can’t remember a reason why this can’t be right or real. I can’t focus on anything but the fact that she’s sitting on my lap, touching my chest, staring into my eyes like she might really love me. I wonder if I’ve actually died. But just as I lean in, she leans back, grinning before reaching behind her, never once breaking eye contact with me. “Don’t worry,” she whispers. “It’s almost over now.” Her words seem so strange, so familiar. “What do you mean?” “Just a little longer and I’ll leave.” “No.” I’m blinking fast, reaching for her. “No, don’t go—where are you going—” “You’ll be all right,” she says. “I promise.” “No—” But now she’s holding a gun. And pointing it at my heart.
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))
Most Christians are like a man who was toiling along the road, bending under a heavy burden, when a wagon overtook him. The driver kindly offered to help him on his journey. He joyfully accepted the offer but, when he was seated, continued to bend beneath his burden, which he still kept on his shoulders. "Why do you not lay down your burden?" asked the kind-hearted driver. "Oh!" replied the man, "I feel that it is almost too much to ask you to carry me, and I could not think of letting you carry my burden too." And so Christian who have given themselves into the care and keeping of the Lord Jesus still continue to bend beneath the weight of their burdens and often go weary and heavy-laden throughout the whole length of their journey.
Hannah Whitall Smith
This is life. Learning to love through loss. Seeking warm pockets in the bitter cold. Finding the worth of a smile on a cloudy day. Carrying the weight of the world on weary shoulders—mistakes, sins, injustices—added upon daily. Enduring burdens that spur greater strength. This is life. Sorting through layers of expressions staring you straight in the eye. A battle to be right when wrong, to be good when bad, to be content when in need, and to laugh when tearing up. This is life. Valuing things of no worth. Reevaluating dreams. Laboring ceaselessly against the current. Seeing less, wanting more, having enough. This is life. Chasing the moon when the sun would extend its warmth. Slapping the hand that would offer a gentle caress. Cowering at personal, monstrous shadows. Giving and taking in unbalanced weights. Diminishing the majesty of mountains in order to form our own lowly hills. Hoping for more than we deserve. This is life. Hurting. Despairing. Losing. Weeping. Suffering. Laboring. Sinking. Mourning. Appreciating with greater capacity and sincerity a learned knowledge that these adversities do have their opposites. This is life. A taste. A revelation. A banishment. A mercy. A test. An experience. A turbulent sea-voyage that shall assuredly reach the unseen shore, making seasoned sailors of us all. This is life.
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, and Grumblings for Every Day of the Year)
I hate being fat. I hate the way people look at me, or don't. I hate being a joke; I hate the disorienting limbo between too visible and invisible; I hate the way that complete strangers waste my life out of supposed concern for my death. I hate knowing that if I did die of a condition that correlates with weight, a certain subset of people would feel their prejudices validated, and some would outright celebrate. I also love being fat. The breadth of my shoulders makes me feel safe. I am unassailable. I intimidate. I am a polar icebreaker. I walk and climb and lift things, I can open your jar, I can absorb blows - literal and metaphorical - meant for other women, smaller woman, breakable women women who need me. My bones feel like iron - heavy, but strong. I used to say that being fat in our culture was like drowning (in hate, in blame, in your own tissue), but lately I think it's more like burning. After three decades in the fire, my iron bones are steel.
Lindy West (Shrill: Notes from a Loud Woman)
He stood naked at the edge of a cliff. THe lake lay far below him. A frozen explosion of granite burst in flight to the sky over motionless water. The water seemed immovable, the stone- flowing. The stone had the stillness of one last movement when thrust meets thrust and the currents are held in a pause more dynamic than motion. THe stone glowed wet with sunrays. The lake below was only a thin steel ring that cut the rocks in half. The rocks went on into the depth, unchanged. They began and ended in the sky so that the world seemed suspended in space, an island floating on on nothing, anchored to the feet of the man on the cliff. His body leaned back against the sky. It was a body of long straight lines and angles each curve broken into planes. He stood rigid his hands hanging at his sides, palms out. He felt his shoulder blades drawn tight together. The curve of his neck, and the weight of the blood in his hands. He felt the wind behind him in the hollow of his spine. The wind waved his hair against the sky. His hair was neither blonde nor red, but the exact color or ripe orange rind... He stepped to the edge, raised his arms, and dived down into the sky below.
Ayn Rand (The Fountainhead)
Cauldron save me," she began whispering, her voice lovely and even-like music. "Mother hold me," she went on, reciting a prayer similar to one I'd heard once before, when Tamlin eased the passing of that lesser faerie who'd died in the foyer. Another of Amarantha's victims. "Guide me to you." I was unable to raise my dagger, unable to take the step that would close the distance between us. "Let me pass through the gates; let me smell that immortal land of milk and honey." Silent tears slide down my face and neck, where they dampened the filthy collar of my tunic. As she spoke, I knew I would be forever barred from that immortal land. I knew that whatever Mother she meant would never embrace me. In saving Tamlin, I was to damn myself. I couldn't do this-couldn't lift that dagger again. "Let me fear no evil," she breathed, staring at me-into me, into the soul that was cleaving itself apart."Let me feel no pain." A sob broke from my lips. "I'm sorry," I moaned. "Let me enter eternity," She breathed. I wept as I understood. Kill me now, she was saying. Do it fast. Don't make it hurt. Kill me now. Her bronze eyes were steady, if not sorrowful. Infinitely, infinitely worse than the pleading of the dead faerie beside her. I couldn't do it. But she held my gaze-held my gaze and nodded. As I lifted the ash dagger, something inside me fractured so completely that there would be no hope of ever repairing it. No matter how many years passed, no matter how many times I might try to paint her face.” As I lifted the ash dagger, something inside me fractured so completely that there would be no hope of ever repairing it. No matter how many years passed, no matter how many times I might try to paint her face. More faeries wailed now-her kinsmen and friends. The dagger was a weight in my hand-my hand, shining and coated with the blood of the first faerie. It would be more honorable to refuse-to die, rather than murder innocents. But... but... "Let me enter eternity," she repeated, lifting her chin. "Fear no evil," she whispered-just for me. "Feel no pain." I gripped her delicate, bony shoulder and drove the dagger into her heart. She gasped, and blood spilled onto the ground like a splattering of rain. Her eyes were closed when I looked at her face again. She slumped to the floor and didn't move. I went somewhere far, far away from myself.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
For me alone Don Quixote was born and I for him. His was the power of action, mine of writing. Only we two are at one, despite that fictitious and Tordillescan scribe who has dared, and may dare again, to pen the deeds of my valorous knight with his coarse and ill-trimmed ostrich feather. This is no weight for his shoulders, no task for his frozen intellect; and should you chance to make his acquaintance, you may tell him to leave Don Quixote's weary and mouldering bones to rest in the grave, nor seek, against all the canons of death, to carry him off to Old Castile, or to bring him out of the tomb, where he most certainly lies, stretched at full length and powerless to make a third journey, or to embark on any new expedition. For the two on which he rode out are enough to make a mockery of all the countless forays undertaken by all the countless knights errant, such has been the delight and approval they have won from all to whose notice they have come, both here and abroad. Thus you will comply with your Christian profession by offering good counsel to one who wishes you ill, and I shall be proud and satisfied to have been the first author to enjoy the pleasure of witnessing the full effect of his own writing. For my sole object has been to arouse men's contempt for all fabulous and absurd stories of knight errantry, whose credit this tale of my genuine Don Quixote has already shaken, and which will, without a doubt, soon tumble to the ground. Farewell.
Miguel de Cervantes Saavedra (Don Quixote)
The answer was obvious. Life had no meaning. On the earth, satellite of a star speeding through space, living things had arisen under the influence of conditions which were part of the planet's history; and as there had been a beginning of life upon it so, under the influence of other conditions, there would be an end: man, no more significant than other forms of life, had come not as the climax of creation but as a physical reaction to the environment. Philip remembered the story of the Eastern King who, desiring to know the history of man, was brought by a sage five hundred volumes; busy with affairs of state, he bade him go and condense it; in twenty years the sage returned and his history now was in no more than fifty volumes, but the King, too old then to read so many ponderous tomes, bade him go and shorten it once more; twenty years passed again and the sage, old and gray, brought a single book in which was the knowledge the King had sought; but the King lay on his death-bed, and he had no time to read even that; and then the sage gave him the history of man in a single line; it was this: he was born, he suffered, and he died. There was no meaning in life, and man by living served no end. It was immaterial whether he was born or not born, whether he lived or ceased to live. Life was insignificant and death without consequence. Philip exulted, as he had exulted in his boyhood when the weight of a belief in God was lifted from his shoulders: it seemed to him that the last burden of responsibility was taken from him; and for the first time he was utterly free. His insignificance was turned to power, and he felt himself suddenly equal with the cruel fate which had seemed to persecute him; for, if life was meaningless, the world was robbed of its cruelty. What he did or left undone did not matter. Failure was unimportant and success amounted to nothing. He was the most inconsiderate creature in that swarming mass of mankind which for a brief space occupied the surface of the earth; and he was almighty because he had wrenched from chaos the secret of its nothingness.
W. Somerset Maugham (Of Human Bondage)
You used to be able to spot an ain't-shit man a lot easier. At pool halls and juke joints, speakeasies and rent parties and sometimes in church, snoring in the back pew. The type of man our brothers warned us about because he was going nowhere and he would treat us bad on the way to that nowhere. But nowadays? Most of these young men seem ain't-shit to us. Swaggering around downtown, drunk and swearing, fighting outside nightclubs, smoking reefer in their mamas' basements. When we were girls, a man who wanted to court us sipped coffee in the living room with our parents first. Nowadays, a young man fools around with any girl who's willing and if she gets in trouble - well, you just ask Luke Sheppard what these young men do next. A girl nowadays has to get nice and close to tell if her man ain't shit and by then, it might be too late. We were girls once. It's exciting, loving someone who can never love you back. Freeing, in its own way. No shame in loving an ain't-shit man, long as you get it out of your system good and early. A tragic woman hooks into an ain't-shit man, or worse, lets him hook into her. He will drag her until he tires. He will climb atop her shoulders and her body will sag from the weight of loving him. Yes, those are the ones we worry about.
Brit Bennett (The Mothers)
And I was alone, had been for a while, and might be for a while, but it no longer frightened me the way it had. I was discovering something terrifyingly simple: there was absolutely nothing I could do about it. I was discovering this in the way, I suppose, that everybody does, but having tried, endlessly, to do something about it. You attach yourself to someone, or you allow someone to attach themselves to you. This person is not for you, and you, really, are not for that person--and that's it, son. But you try, you both try. The only result of all your trying is to make absolutely real the unconquerable distance between you: to dramatize, in a million ways, the absolutely unalterable truth of this distance. Side by side, and hand in hand, your sunsets, nevertheless are not occurring in the same universe. It is not merely that the rain falls differently on each of you, for that can be a wonder and a joy: it is that what is rain for the one is not rain for the other. Your elements will not mix, unless one agrees that the elements be pulverized--and the result of that is worse than being alone. The result of that is to become one of the living dead. The most dreadful people I have ever known are those who have been "saved," as they claim, by Christ--they could not possibly be more deluded--those for whom the heavenly telephone is endlessly ringing, always with disastrous messages for everybody else. Or those people who have been cured by their psychiatrists, a cure which has rendered them a little less exciting than oatmeal. I prefer sinners and madmen, who can learn, who can change, who can teach--or people like myself, if I may say so, who are not afraid to eat a lobster alone as they take on their shoulders the monumental weight of thirty years.
James Baldwin (Just Above My Head)
You need to be Queen. Everyone who knows anything knows htat, but most people don't know anything, and that is a problem." He scratched at the back of his head and shifted his weight. "I would never take that away from you. No matter what happens, I'd never take the crown from you, and I'd defend you against anybody who tried." I didn't say anything to that. I'd never heard Tove talk so much before, and I didn't know what he was getting at. "I know that you're in love with...well, not me," he said carefully. "And I'm not in love with you either. But I do respect you and I like you." "I respect and like you too," I said, and he gave me a small smile. "But it's a number of things, and it's none of them." He let out a deep breath. "That didn't make sense. I mean,it's because you need somebody to help you keep the throne, and somebody on your side, and I can do that. But...it's just because I think...I want to." "What?" I asked, and he actually looked at me, letting his mossy eyes stare into mine. "Will you...I mean,do you want to get married?" Tove asked. "To me?" "I,um..." I didn't know what to say. "If you don't want to,nothing has to change between us," Tove said hurriedly. "I asked because it sounds like a good idea to me." "Yeah," I said,and I didn't know what I would say until it was comign out of my mouth. "I mean,yes,I do.I will. I would...I'll marry you." "Yeah?" Tove smiled. "Yes." I swallowed hard and tried to smile back. "Good." He exhaled and looked back down the hall. "This is good,right?" "Yeah,I think so," I said, and I meant it. "Yeah." He nodded. "I sorta feel like throwing up now,though." "I think that's normal." "Good." He nodded again and looked at me. "Well,I'll let you go...do whatever you need to do.And I'll go do what I do." "okay," I nodded. "All right." He randomly patted me on the shoulder, then nodded again, and walked away.
Amanda Hocking (Torn (Trylle, #2))
Wanting his mind on other matters, she deliiberately challenged his statement. "You don't know so much about me. There was a man once. He was crazy about me." She tried to look wordly. "Absolutely crazy for me." His answering laughter was warm against her neck, her throat. His lips touched the skin over her pulse and skimmed lightly up to her ear. "Are you, by any chance, referring to that foppish boy with the orange hair and spiked collar? Dragon something?" Savannah gasped and pulled away to glare at im. "How could you possibly know about him? I dated him last year." Gregori nuzzled her neck, inhaling her fragrance, his hand sliding over her shoulder, moving gently over her satin skin to take possession of her breast. "He wore boots and rode a Harley." His breath came out in a rush as his palm cupped the soft weight, his thumb brushing her nipple into a hard peak. The feel of his large hand-so strong, so warm and possessive on her-sent heat curling through her body. Desire rose sharply. He was seducing her with tenderness. Savannah didn't want it to happen. Her body felt better, but the soreness was there to remind her where this could all lead. Her hand caught at his wrist. "How did you find out about Dragon?" she asked, desperate to distract him, to distract herself. How could he make her body burn for his when she was so afraid of him, of having sex with him? "Making love," he corrected, his voice husky, caressing, betraying the ease with which his mind moved like a shadow through hers."And to answer your question, I live in you, can touch you whenever I wish.I knew about all of them. Every damn one." He growled the worrds, and her breath caught in her throat. "He was the only one you thought of kissing." His mouth touched hers. Gently. Lightly. Returned for more. Coaxing, teasing, until she opened to him. He stole her breath, her reason, whirling her into a world of feeling.Bright colors and white-hot heat, the room falling away until there was only his broad shoulders,strong arms, hard body, and perfect,perfect mouth. When he lifted his head, Savannah nearly pulled him back to her.He watched her face,her eyes cloudy with desire, her lips so beautiful, bereft of his. "Do you have any idea how beautiful you are, Savannah? There is such beauty in your soul,I can see it shining in your eyes." She touched his face, her palm molding his strong jaw. Why couldn't she resist his hungry eyes? "I think you're casting a spell over me. I can't remember what we were talking about." Gregori smiled. "Kissing." His teeth nibbled gently at her chin. "Specifically,your wanting to kiss that orange-bearded imbecile." "I wanted to kiss every one of them," she lied indignantly. "No,you did not.You were hoping that silly fop would wipe my taste from your mouth for all eternity." His hand stroked back the fall of hair around her face.He feathered kisses along the delicate line of her jaw. "It would not have worked,you know.As I recall,he seemed to have a problem getting close to you." Her eyes smoldered dangerously. "Did you have anything to do with his allergies?" She had wanted someone, anyone,to wipe Gregori's taste from her mouth,her soul. He raised his voice an octave. "Oh, Savannah, I just have to taste your lips," he mimicked. Then he went into a sneezing fit. "You haven't ridden until you've ridden on a Harley,baby." He sneezed, coughed, and gagged in perfect imitation. Savannah pushed his arm, forgetting for a moment her bruised fist. When it hurt, she yelped and glared accusingly at him. "It was you doing all that to him! That poor man-you damaged his ego for life. Each time he touched me, he had a sneezing fit." Gregori raised an eyebrow, completely unrepentant. "Technically,he did not lay a hand on you.He sneezed before he could get that close.
Christine Feehan (Dark Magic (Dark, #4))
the six of us are supposed to drive to the diner in Hastings for lunch. But the moment we enter the cavernous auditorium where the girls told us to meet them, my jaw drops and our plans change. “Holy shit—is that a red velvet chaise lounge?” The guys exchange a WTF look. “Um…sure?” Justin says. “Why—” I’m already sprinting toward the stage. The girls aren’t here yet, which means I have to act fast. “For fuck’s sake, get over here,” I call over my shoulder. Their footsteps echo behind me, and by the time they climb on the stage, I’ve already whipped my shirt off and am reaching for my belt buckle. I stop to fish my phone from my back pocket and toss it at Garrett, who catches it without missing a beat. “What is happening right now?” Justin bursts out. I drop trou, kick my jeans away, and dive onto the plush chair wearing nothing but my black boxer-briefs. “Quick. Take a picture.” Justin doesn’t stop shaking his head. Over and over again, and he’s blinking like an owl, as if he can’t fathom what he’s seeing. Garrett, on the other hand, knows better than to ask questions. Hell, he and Hannah spent two hours constructing origami hearts with me the other day. His lips twitch uncontrollably as he gets the phone in position. “Wait.” I pause in thought. “What do you think? Double guns, or double thumbs up?” “What is happening?” We both ignore Justin’s baffled exclamation. “Show me the thumbs up,” Garrett says. I give the camera a wolfish grin and stick up my thumbs. My best friend’s snort bounces off the auditorium walls. “Veto. Do the guns. Definitely the guns.” He takes two shots—one with flash, one without—and just like that, another romantic gesture is in the bag. As I hastily put my clothes back on, Justin rubs his temples with so much vigor it’s as if his brain has imploded. He gapes as I tug my jeans up to my hips. Gapes harder when I walk over to Garrett so I can study the pictures. I nod in approval. “Damn. I should go into modeling.” “You photograph really well,” Garrett agrees in a serious voice. “And dude, your package looks huge.” Fuck, it totally does. Justin drags both hands through his dark hair. “I swear on all that is holy—if one of you doesn’t tell me what the hell just went down here, I’m going to lose my shit.” I chuckle. “My girl wanted me to send her a boudoir shot of me on a red velvet chaise lounge, but you have no idea how hard it is to find a goddamn red velvet chaise lounge.” “You say this as if it’s an explanation. It is not.” Justin sighs like the weight of the world rests on his shoulders. “You hockey players are fucked up.” “Naah, we’re just not pussies like you and your football crowd,” Garrett says sweetly. “We own our sex appeal, dude.” “Sex appeal? That was the cheesiest thing I’ve ever—no, you know what? I’m not gonna engage,” Justin grumbles. “Let’s find the girls and grab some lunch
Elle Kennedy (The Mistake (Off-Campus, #2))
Something creaked beneath me! A soft step on rotting wood! I jumped startled, scared, and turned, expecting to see-God knows what! Then I sighed, for it was only Chris standing in the gloom, silently staring at me. Why? Did I look prettier than usual? Was it the moonlight, shining through my airy clothes? All random doubts were cleared when he said in a voice gritty and low, "You look beautiful sitting there like that." He cleared the frog in his throat. "The moonlight is etching you with silver-blue, and I can see the shape of your body through your clothes." Then, bewilderingly, he seized me by the shoulders, digging in his fingers, hard! They hurt. "Damn you, Cathy! You kissed that man! He could have awakened and seen you, and demanded to know who you were! And not thought you only a part of his dream!" Scary the way he acted, the fright I felt for no reason at all. "How do you know what I did? You weren't there; you were sick that night." He shook me, glaring his eyes, and again I thought he seemed a stranger. "He saw you, Cathy-he wasn't soundly asleep!" "He saw me?" I cried, disbelieving. It wasn't possible . . . wasn't! "Yes!" he yelled. This was Chris, who was usually in such control of his emotions. "He thought you a part of his dream! But don't you know Momma can guess who it was, just by putting two and two together-just as I have? Damn you and your romantic notions! Now they're on to us! They won't leave money casually about as they did before. He's counting, she's counting, and we don't have enough-not yet!" He yanked me down from the widow sill! He appeared wild and furious enough to slap my face-and not once in all our lives had he ever struck me, though I'd given him reason to when I was younger. But he shook me until my eyes rolled, until I was dizzy and crying out: "Stop! Momma knows we can't pass through a looked door!" This wasn't Chris . . . this was someone I'd never seen before . . . primitive, savage. He yelled out something like, "You're mine, Cathy! Mine! You'll always be mine! No matter who comes into your future, you'll always belong to me! I'll make you mine . . . tonight . . . now!" I didn't believe it, not Chris! And I did not fully understand what he had in mind, nor, if I am to give him credit, do I think he really meant what he said, but passion has a way of taking over. We fell to the floor, both of us. I tried to fight him off. We wrestled, turning over and over, writhing, silent, a frantic strug- gle of his strength against mine. It wasn't much of a battle. I had the strong dancer's legs; he had the biceps, the greater weight and height . . . and he had much more determination than i to use something hot, swollen and demanding, so much it stile reasoning and sanity from him. And I loved him. I wanted what he wanted-if he wanted it that much, right and wrong. Somehow we ended up on that old mattress-that filthy, smelly, stained mattress that must have known lovers long before this night. And that is where he took me, and forced in that swollen, rigid male sex part of him that had to be satisfied. It drove into my tight and resisting flesh which tore and bled. Now we had done what we both swore we'd never do.
V.C. Andrews (Flowers in the Attic/Petals on the Wind (Dollganger, #1-2))
The news filled me with such euphoria that for an instant I was numb. My ingrained self-censorship immediately started working: I registered the fact that there was an orgy of weeping going on around me, and that I had to come up with some suitable performance. There seemed nowhere to hide my lack of correct emotion except the shoulder of the woman in front of me, one of the student officials, who was apparently heartbroken. I swiftly buried my head in her shoulder and heaved appropriately. As so often in China, a bit of ritual did the trick. Sniveling heartily she made a movement as though she was going to turn around and embrace me I pressed my whole weight on her from behind to keep her in her place, hoping to give the impression that I was in a state of abandoned grief. In the days after Mao's death, I did a lot of thinking. I knew he was considered a philosopher, and I tried to think what his 'philosophy' really was. It seemed to me that its central principle was the need or the desire? for perpetual conflict. The core of his thinking seemed to be that human struggles were the motivating force of history and that in order to make history 'class enemies' had to be continuously created en masse. I wondered whether there were any other philosophers whose theories had led to the suffering and death of so many. I thought of the terror and misery to which the Chinese population had been subjected. For what? But Mao's theory might just be the extension of his personality. He was, it seemed to me, really a restless fight promoter by nature, and good at it. He understood ugly human instincts such as envy and resentment, and knew how to mobilize them for his ends. He ruled by getting people to hate each other. In doing so, he got ordinary Chinese to carry out many of the tasks undertaken in other dictatorships by professional elites. Mao had managed to turn the people into the ultimate weapon of dictatorship. That was why under him there was no real equivalent of the KGB in China. There was no need. In bringing out and nourishing the worst in people, Mao had created a moral wasteland and a land of hatred. But how much individual responsibility ordinary people should share, I could not decide. The other hallmark of Maoism, it seemed to me, was the reign of ignorance. Because of his calculation that the cultured class were an easy target for a population that was largely illiterate, because of his own deep resentment of formal education and the educated, because of his megalomania, which led to his scorn for the great figures of Chinese culture, and because of his contempt for the areas of Chinese civilization that he did not understand, such as architecture, art, and music, Mao destroyed much of the country's cultural heritage. He left behind not only a brutalized nation, but also an ugly land with little of its past glory remaining or appreciated. The Chinese seemed to be mourning Mao in a heartfelt fashion. But I wondered how many of their tears were genuine. People had practiced acting to such a degree that they confused it with their true feelings. Weeping for Mao was perhaps just another programmed act in their programmed lives. Yet the mood of the nation was unmistakably against continuing Mao's policies. Less than a month after his death, on 6 October, Mme Mao was arrested, along with the other members of the Gang of Four. They had no support from anyone not the army, not the police, not even their own guards. They had had only Mao. The Gang of Four had held power only because it was really a Gang of Five. When I heard about the ease with which the Four had been removed, I felt a wave of sadness. How could such a small group of second-rate tyrants ravage 900 million people for so long? But my main feeling was joy. The last tyrants of the Cultural Revolution were finally gone.
Jung Chang (Wild Swans: Three Daughters of China)
It was getting late, but sleep was the furthest thing from my racing mind. Apparently that was not the case for Mr. Sugar Buns. He lay back, closed his eyes, and threw an arm over his forehead, his favorite sleeping position. I could hardly have that. So, I crawled on top of him and started chest compressions. It seemed like the right thing to do. "What are you doing?" he asked without removing his arm. "Giving you CPR." I pressed into his chest, trying not to lose count. Wearing a red-and-black football jersey and boxers that read, DRIVERS WANTED. SEE INSIDE FOR DETAILS, I'd straddled him and now worked furiously to save his life, my focus like that of a seasoned trauma nurse. Or a seasoned pot roast. It was hard to say. "I'm not sure I'm in the market," he said, his voice smooth and filled with a humor I found appalling. He clearly didn't appreciate my dedication. "Damn it, man! I'm trying to save your life! Don't interrupt." A sensuous grin slid across his face. He tucked his arms behind his head while I worked. I finished my count, leaned down, put my lips on his, and blew. He laughed softly, the sound rumbling from his chest, deep and sexy, as he took my breath into his lungs. That part down, I went back to counting chest compressions. "Don't you die on me!" And praying. After another round, he asked, "Am I going to make it?" "It's touch-and-go. I'm going to have to bring out the defibrillator." "We have a defibrillator?" he asked, quirking a brow, clearly impressed. I reached for my phone. "I have an app. Hold on." As I punched buttons, I realized a major flaw in my plan. I needed a second phone. I could hardly shock him with only one paddle. I reached over and grabbed his phone as well. Started punching buttons. Rolled my eyes. "You don't have the app," I said from between clenched teeth. "I had no idea smartphones were so versatile." "I'll just have to download it. It'll just take a sec." "Do I have that long?" Humor sparkled in his eyes as he waited for me to find the app. I'd forgotten the name of it, so I had to go back to my phone, then back to his, then do a search, then download, then install it, all while my patient lay dying. Did no one understand that seconds counted? "Got it!" I said at last. I pressed one phone to his chest and one to the side of his rib cage like they did in the movies, and yelled, "Clear!" Granted, I didn't get off him or anything as the electrical charge riddled his body, slammed his heart into action, and probably scorched his skin. Or that was my hope, anyway. He handled it well. One corner of his mouth twitched, but that was about it. He was such a trouper. After two more jolts of electricity--it had to be done--I leaned forward and pressed my fingertips to his throat. "Well?" he asked after a tense moment. I released a ragged sigh of relief,and my shoulders fell forward in exhaustion. "You're going to be okay, Mr. Farrow." Without warning, my patient pulled me into his arms and rolled me over, pinning me to the bed with his considerable weight and burying his face in my hair. It was a miracle!
Darynda Jones (The Curse of Tenth Grave (Charley Davidson, #10))