Ditch The Drama Quotes

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When did the body first set out on its own adventures? Snowman thinks; after having ditched its old travelling companions, the mind and the soul, for whom it had once been considered a mere corrupt vessel or else a puppet acting out their dramas for them, or else bad company, leading the other two astray. it must have got tired of the soul’s constant nagging and whining and the anxiety-driven intellectual web-spinning of the mind, distracting it whenever it was getting its teeth into something juicy or its fingers into something good. It had dumped the other two back there somewhere, leaving them stranded in some damp sanctuary or stuffy lecture hall while it made a beeline for the topless bars, and it had dumped culture along with them: music and painting and poetry and plays. Sublimation, all of it; nothing but sublimation, according to the body. Why not cut to the chase? But the body had its own cultural forms. It had its own art. Executions were its tragedies, pornography was its romance.
Margaret Atwood (Oryx and Crake (MaddAddam, #1))
Get your coat and ditch the damn sunglasses, I’ve told you before, you’re not Bono.
Phil Hall (Murder O'clock (Inspector Bee Thrillers))
When did the body first set out on its own adventures? Snowman thinks; after having ditched its old travelling companions, the mind and the soul, for whom it had once been considered a mere corrupt vessel or else a puppet acting out their dramas for them, or else bad company, leading the other two astray.
Margaret Atwood (Oryx and Crake (MaddAddam, #1))
We over-manage and under-lead, trying to control people rather than connecting to them and developing their potential.
Cy Wakeman (Reality-Based Leadership: Ditch the Drama, Restore Sanity to the Workplace, and Turn Excuses into Results)
When did the body first set out on its own adventures? Snowman thinks; after having ditched its old travelling companions, the mind and the soul, for whom it had once been considered a mere corrupt vessel or else a puppet acting out their dramas for them, or else bad company, leading the other two astray. It must have got tired of the soul’s constant nagging and whining and the anxiety-driven intellectual web-spinning of the mind, distracting it whenever it was getting its teeth into something juicy or its fingers into something good. It had dumped the other two back there somewhere, leaving them stranded in some damp sanctuary or stuffy lecture hall while it made a beeline for the topless bars, and it had dumped culture along with them: music and painting and poetry and plays. Sublimation, all of it; nothing but sublimation, according to the body. Why not cut to the chase? But the body had its own cultural forms. It had its own art. Executions were its tragedies, pornography was its romance.
Margaret Atwood (Oryx and Crake (MaddAddam, #1))
Whether you believe something possible or impossible -- either way, you will be right.
Cy Wakeman (Reality-Based Leadership: Ditch the Drama, Restore Sanity to the Workplace, and Turn Excuses Into Results)
have bested Stella through sheer good luck and Lulu’s kindness, but I know that I can’t push my advantage too far without risking Permanent Exile. The only safe thing to do now is say to Lulu and Chris and Colin, Sorry—see you guys, and break off to reclaim my rightful place as Stella’s Number One, at which point we’ll ditch Iona and Yvette and have a sweet time, the magic of Stella being most intense when we’re first reunited and there is a sparkling surprise even to normal things like Shuffleboard or the Bocce Ball Courts or the Tire Swing. Ditching my new group is the only right move in my Stella drama but I can’t bring myself to do it, it is a split-second decision—NO—so I just smile at Stella and we keep walking and it feels dangerous to do this, I know I will pay later on but now it’s done.
Jennifer Egan (The Candy House)
We talk more about our people than we do to them.
Cy Wakeman (Reality-Based Leadership: Ditch the Drama, Restore Sanity to the Workplace, and Turn Excuses into Results)