Ditch Quotes

You missed World Hist." "Did you get notes for me?" "No. I thought you were dead in a ditch.

Did you get notes for me?" "No", Ronan replied,"I thought you were dead in a ditch.

It's healthy to ditch class now and then." To be precise, it was healthier for humans if vampires ditched on days when human blood would be spilt.

And the past held only this wisdom: that love was a damaging mistake, and its accomplice, hope, a treacherous illusion. And whenever those twin poisonous flowers began to sprout in the parched land of that field, Mariam uprooted them. She uprooted them and ditched them before they took hold.

All I wanted to do was lie in the dry grass with my feet in a ditch forever. I could be a convenient sort of milemarker, I thought. Get to the thief and you know you're halfway to Methana.

A fierce battle was raging inside Harry's brain: She's Ron's sister. But she's ditched Dean! She's still Ron's sister. I'm his best mate! That'll make it worse. If I talked to him first- He'd hit you. What if I don't care? He's your best mate!

Don't ditch your childhood dreams just because you dreamt them up as a child.

Ritie, don't worry 'cause you ain't pretty. Plenty pretty women I seen digging ditches or worse. You smart. I swear to God, I rather you have a good mind than a cute behind.

The things you think are the disasters in your life are not the disasters really. Almost anything can be turned around: out of every ditch, a path, if you can only see it.

The first man who, having enclosed a piece of ground, bethought himself of saying This is mine, and found people simple enough to believe him, was the real founder of civil society. From how many crimes, wars and murders, from how many horrors and misfortunes might not any one have saved mankind, by pulling up the stakes, or filling up the ditch, and crying to his fellows, "Beware of listening to this impostor; you are undone if you once forget that the fruits of the earth belong to us all, and the earth itself to nobody.

I love you, Hermione,” said Ron, sinking back, rubbing his eyes wearily. Hermione turned faintly pink, but merely said, “Don’t let Lavender hear you saying that.” “I won’t,” said Ron into his hands. “Or maybe I will . . . then she’ll ditch me . . .

Be always drunken. Nothing else matters: that is the only question. If you would not feel the horrible burden of Time weighing on your shoulders and crushing you to the earth, be drunken continually. Drunken with what? With wine, with poetry, or with virtue, as you will. But be drunken. And if sometimes, on the stairs of a palace, or on the green side of a ditch, or in the dreary solitude of your own room, you should awaken and the drunkenness be half or wholly slipped away from you, ask of the wind, or of the wave, or of the star, or of the bird, or of the clock, of whatever flies, or sighs, or rocks, or sings, or speaks, ask what hour it is; and the wind, wave, star, bird, clock will answer you: "It is the hour to be drunken!

I wanted to kill the me underneath. That fact haunted my days and nights. When you realize you hate yourself so much, when you realize that you cannot stand who you are, and this deep spite has been the motivation behind your behavior for many years, your brain can’t quite deal with it. It will try very hard to avoid that realization; it will try, in a last-ditch effort to keep your remaining parts alive, to remake the rest of you. This is, I believe, different from the suicidal wish of those who are in so much pain that death feels like relief, different from the suicide I would later attempt, trying to escape that pain. This is a wish to murder yourself; the connotation of kill is too mild. This is a belief that you deserve slow torture, violent death.

What does education often do? It makes a straight-cut ditch of a free, meandering brook.

Hey—don’t ditch me until I find Michael, okay?” “Call me ‘Wessy,’ and I totally won’t.” I snorted. “Fine. If you ditch me, Wessy, I will stab you with the keg tap.” “My little Libby is such a savage.

No matter how old you are now. You are never too young or too old for success or going after what you want. Here’s a short list of people who accomplished great things at different ages 1) Helen Keller, at the age of 19 months, became deaf and blind. But that didn’t stop her. She was the first deaf and blind person to earn a Bachelor of Arts degree. 2) Mozart was already competent on keyboard and violin; he composed from the age of 5. 3) Shirley Temple was 6 when she became a movie star on “Bright Eyes.” 4) Anne Frank was 12 when she wrote the diary of Anne Frank. 5) Magnus Carlsen became a chess Grandmaster at the age of 13. 6) Nadia Comăneci was a gymnast from Romania that scored seven perfect 10.0 and won three gold medals at the Olympics at age 14. 7) Tenzin Gyatso was formally recognized as the 14th Dalai Lama in November 1950, at the age of 15. 8) Pele, a soccer superstar, was 17 years old when he won the world cup in 1958 with Brazil. 9) Elvis was a superstar by age 19. 10) John Lennon was 20 years and Paul Mcartney was 18 when the Beatles had their first concert in 1961. 11) Jesse Owens was 22 when he won 4 gold medals in Berlin 1936. 12) Beethoven was a piano virtuoso by age 23 13) Issac Newton wrote Philosophiæ Naturalis Principia Mathematica at age 24 14) Roger Bannister was 25 when he broke the 4 minute mile record 15) Albert Einstein was 26 when he wrote the theory of relativity 16) Lance E. Armstrong was 27 when he won the tour de France 17) Michelangelo created two of the greatest sculptures “David” and “Pieta” by age 28 18) Alexander the Great, by age 29, had created one of the largest empires of the ancient world 19) J.K. Rowling was 30 years old when she finished the first manuscript of Harry Potter 20) Amelia Earhart was 31 years old when she became the first woman to fly solo across the Atlantic Ocean 21) Oprah was 32 when she started her talk show, which has become the highest-rated program of its kind 22) Edmund Hillary was 33 when he became the first man to reach Mount Everest 23) Martin Luther King Jr. was 34 when he wrote the speech “I Have a Dream." 24) Marie Curie was 35 years old when she got nominated for a Nobel Prize in Physics 25) The Wright brothers, Orville (32) and Wilbur (36) invented and built the world's first successful airplane and making the first controlled, powered and sustained heavier-than-air human flight 26) Vincent Van Gogh was 37 when he died virtually unknown, yet his paintings today are worth millions. 27) Neil Armstrong was 38 when he became the first man to set foot on the moon. 28) Mark Twain was 40 when he wrote "The Adventures of Tom Sawyer", and 49 years old when he wrote "Adventures of Huckleberry Finn" 29) Christopher Columbus was 41 when he discovered the Americas 30) Rosa Parks was 42 when she refused to obey the bus driver’s order to give up her seat to make room for a white passenger 31) John F. Kennedy was 43 years old when he became President of the United States 32) Henry Ford Was 45 when the Ford T came out. 33) Suzanne Collins was 46 when she wrote "The Hunger Games" 34) Charles Darwin was 50 years old when his book On the Origin of Species came out. 35) Leonardo Da Vinci was 51 years old when he painted the Mona Lisa. 36) Abraham Lincoln was 52 when he became president. 37) Ray Kroc Was 53 when he bought the McDonalds Franchise and took it to unprecedented levels. 38) Dr. Seuss was 54 when he wrote "The Cat in the Hat". 40) Chesley "Sully" Sullenberger III was 57 years old when he successfully ditched US Airways Flight 1549 in the Hudson River in 2009. All of the 155 passengers aboard the aircraft survived 41) Colonel Harland Sanders was 61 when he started the KFC Franchise 42) J.R.R Tolkien was 62 when the Lord of the Ring books came out 43) Ronald Reagan was 69 when he became President of the US 44) Jack Lalane at age 70 handcuffed, shackled, towed 70 rowboats 45) Nelson Mandela was 76 when he became President

Also, I could finally sleep. And this was the real gift, because when you cannot sleep, you cannot get yourself out of the ditch--there's not a chance.

You're going to have to drive off the road and park behind thoses bushes," I instructed Vee. Vee leaned forward, peering into the darkness. "Is that a ditch between me and the bushes ?" "It's not very deep. Trust me, we'll clear it." "Looks deep to me. This is a Neon we're talking about, not a Hummer.

vers libre," (free verse) or nine-tenths of it, is not a new metre any more than sleeping in a ditch is a new school of architecture.

And if the blind lead the blind, both shall fall into the ditch.

Dig yourself a ditch, six feet deep, and bury everything that you've ever said, everything that you've never meant, and everything that has burned you and left you with nothing but ash

What do you guys even do every night?" The words slip from my mouth before I can stop them. "It," Rashmi says. "They do it. He's ditching us to screw.

Isn't that someone we know?" asked Horace. He pointed to where a cloaked figure sat by the side of the road a few hundred meters away, arms wrapped around his knees. Close by him, a small shaggy horse cropped the grass growing at the edge of the drainage ditch that ran beside the road. "So it is," Halt replied. "And he seems to have brought Will with him.

I have three phobias which, could I mute them,would make my life as slick as a sonnet,but dull as ditch water:I hate to go to bed,I hate to get up and I hate to be alone...

We'd better get. But y'all have a nice night,' I say. Apparently, fear turns me Texan. A startling personality insight that I'll jot down later if I'm not dead in a ditch.

I´m pretty sure i saw Zuckerberg digging the latrine ditch beside Raffe at the camp a few days ago. I guess a billion dollars doesn't buy much respect in the World After.

Hi, I’m at the Speedway at Eighty-sixth and Ditch, and I need an ambulance. The great love of my life has a malfunctioning G-tube.

Illium, with his wings of silver-kissed blue and a face designed to seduce both males and females, not to mention his ability to do the most impossible acrobatics in the air, would provide a worthy diversion. The fact that he’d decided to ditch half his clothing was just icing on the cake.

Em didn't truly understand about my panic attacks - no one did. But she'd never pushed me to explain, never tried to ditch me when things got weird, and never once looked at me like I was a freak.

Charles Baudelaire: Get Drunk One should always be drunk. That's all that matters; that's our one imperative need. So as not to feel Time's horrible burden that breaks your shoulders and bows you down, you must get drunk without ceasing. But what with? With wine, with poetry, or with virtue, as you choose. But get drunk. And if, at some time, on the steps of a palace, in the green grass of a ditch, in the bleak solitude of your room, you are waking up when drunkenness has already abated, ask the wind, the wave, a star, the clock, all that which flees, all that which groans, all that which rolls, all that which sings, all that which speaks, ask them what time it is; and the wind, the wave, the star, the bird, the clock will reply: 'It is time to get drunk! So that you may not be the martyred slaves of Time, get drunk; get drunk, and never pause for rest! With wine, with poetry, or with virtue, as you choose!' -- Charles Baudelaire, tr. Michael Hamburger

The centipede was happy, quite, Until a toad in fun Said, “Pray, which leg goes after which?” This worked his mind to such a pitch, He lay distracted in a ditch, Considering how to run.

Penn station", Ali said to the driver, slamming the door. Then she turned back to Hanna. "We ditch the bitches", she said. "And then we take them down".

Palestinian and Israeli leaders finally recover the Road Map to Peace, only to discover that, while they were looking for it, the Lug Nuts of Mutual Interest came off the Front Left Wheel of Accommodation, causing the Sport Utility Vehicle of Progress to crash into the Ditch of Despair.

The reward for toil had been more toil. If you dug the best ditches, they gave you a bigger shovel.

I’ve spent the last two hours worried that you were bleeding to death in a ditch,” Evie continued. “Now that I know you’re okay, I just want you to be bleeding to death in a ditch.” “Aww, Lamb Chop, you missed me.

That man over there says that women need to be helped into carriages, and lifted over ditches, and to have the best place everywhere. Nobody ever helps me into carriages, or over mud-puddles, or gives me any best place! And ain't I a woman? Look at me! Look at my arm! I have ploughed and planted, and gathered into barns, and no man could head me! And ain't I a woman? I could work as much and eat as much as a man - when I could get it - and bear the lash as well! And ain't I a woman? I have borne five children, and seen most all sold off to slavery, and when I cried out with my mother's grief, none but Jesus heard me! And ain't I a woman?

Only amateurs say that they write for their own amusement. Writing is not an amusing occupation. It is a combination of ditch-digging, mountain-climbing, treadmill and childbirth. Writing may be interesting, absorbing, exhilarating, racking, relieving. But amusing? Never!

The works of the roots of the vines, of the trees, must be destroyed to keep up the price, and this is the saddest, bitterest thing of all. Carloads of oranges dumped on the ground. The people came for miles to take the fruit, but this could not be. How would they buy oranges at twenty cents a dozen if they could drive out and pick them up? And men with hoses squirt kerosene on the oranges, and they are angry at the crime, angry at the people who have come to take the fruit. A million people hungry, needing the fruit- and kerosene sprayed over the golden mountains. And the smell of rot fills the country. Burn coffee for fuel in the ships. Burn corn to keep warm, it makes a hot fire. Dump potatoes in the rivers and place guards along the banks to keep the hungry people from fishing them out. Slaughter the pigs and bury them, and let the putrescence drip down into the earth. There is a crime here that goes beyond denunciation. There is a sorrow here that weeping cannot symbolize. There is a failure here that topples all our success. The fertile earth, the straight tree rows, the sturdy trunks, and the ripe fruit. And children dying of pellagra must die because a profit cannot be taken from an orange. And coroners must fill in the certificate- died of malnutrition- because the food must rot, must be forced to rot. The people come with nets to fish for potatoes in the river, and the guards hold them back; they come in rattling cars to get the dumped oranges, but the kerosene is sprayed. And they stand still and watch the potatoes float by, listen to the screaming pigs being killed in a ditch and covered with quick-lime, watch the mountains of oranges slop down to a putrefying ooze; and in the eyes of the people there is the failure; and in the eyes of the hungry there is a growing wrath. In the souls of the people the grapes of wrath are filling and growing heavy, growing heavy for the vintage.

When I met you, my first thought was you were very pretty, great fuckin' eyes, but not my type. High-class which means high maintenance. Then you got pissed and that was it. Even if you hadn't been in that ditch, now you'd still be in my bed. So if you think this attitude is a turn off, baby you're wrong.

No dead people beyond this door,' " he read aloud from beyond the door. " 'And, yes, if you suddenly have the ability to walk through walls, you're dead. You're not lying somewhere in a drainage ditch waiting to wake up. Get over it, and stay the hell out of my bathroom.

To shut your eyes is to guess nothing of blindness. Beneath your world of skies and faces and buildings exists a rawer and older world, a place where surface planes disintegrate and sounds ribbon in shoals through the air. Marie-Laure can sit in an attic high above the street and hear lilies rustling in marshes two miles away. She hears Americans scurry across farm fields, directing their huge cannons at the smoke of Saint-Malo; she hears families sniffling around hurricane lamps in cellars, crows hopping from pile to pile, flies landing on corpses in ditches; she hears the tamarinds shiver and the jays shriek and the dune grass burn; she feels the great granite fist, sunk deep into the earth’s crust, on which Saint-Malo sits, and the ocean teething at it from all four sides, and the outer islands holding steady against the swirling tides; she hears cows drink from stone troughs and dolphins rise through the green water of the Channel; she hears the bones of dead whales stir five leagues below, their marrow offering a century of food for cities of creatures who will live their whole lives and never once see a photon sent from the sun. She hears her snails in the grotto drag their bodies over the rocks.

Undertow" "I set out one night When the tide was low There were signs in the sky But I did not know I'd be caught in the grip Of the undertow Ditched on a beach Where the sea hates to go With a child in my arms And a chill in my soul And my heart the shape Of a begging bowl

Ditch the books. Dad can’t save you. He tried. I tried. Decide, Violet. Are you going to die a scribe? Or live as a rider?

In the beginning, I was put off by the harshness of German. Someone would order a piece of cake, and it sounded as if it were an actual order, like, 'Cut the cake and lie facedown in that ditch between the cobbler and the little girl'.

I think we delight to praise what we enjoy because the praise not merely expresses but completes the enjoyment; it is its appointed consummation. It is not out of compliment that lovers keep on telling one another how beautiful they are; the delight is incomplete till it is expressed. It is frustrating to have discovered a new author and not to be able to tell anyone how good he is; to come suddenly, at the turn of the road, upon some mountain valley of unexpected grandeur and then to have to keep silent because the people with you care for it no more than for a tin can in the ditch; to hear a good joke and find no one to share it with. . . . The Scotch catechism says that man’s chief end is ‘to glorify God and enjoy Him forever.’ But we shall then know that these are the same thing. Fully to enjoy is to glorify. In commanding us to glorify Him, God is inviting us to enjoy Him.

LESSON ONE: DITCH THE DREAM. BE A DOER, NOT A DREAMER.

There's that day when you realize that everything that happened before that one person found you, probably happened to prepare you and to prepare everything, for that person's arrival. It's not that everything suddenly "makes sense" but it's more that you understand why this didn't work and that didn't work and you fell into this ditch and you broke a certain bone somewhere. It's so they'd find you. Or so that you'd find them. So you'd find each other.

Productiveness is your acceptance of morality, your recognition of the fact that you choose to live--that productive work is the process by which man's consciousness controls his existence, a constant process of acquiring knowledge and shaping matter to fit one's purpose, of translating an idea into physical form, of remaking the earth in the image of one's values--that all work is creative work if done by a thinking mind, and no work is creative if done by a blank who repeats in uncritical stupor a routine he has learned from others--that your work is yours to choose, and the choice is as wide as your mind, that nothing more is possible to you and nothing less is human--that to cheat your way into a job bigger than your mind can handle is to become a fear-corroded ape on borrowed motions and borrowed time, and to settle down into a job that requires less than your mind's full capacity is to cut your motor and sentence yourself to another kind of motion: decay--that your work is the process of achieving your values, and to lose your ambition for values is to lose your ambition to live--that your body is a machine, but your mind is its driver, and you must drive as far as your mind will take you, with achievement as the goal of your road--that the man who has no purpose is a machine that coasts downhill at the mercy of any boulder to crash in the first chance ditch, that the man who stifles his mind is a stalled machine slowly going to rust, that the man who lets a leader prescribe his course is a wreck being towed to the scrap heap, and the man who makes another man his goal is a hitchhiker no driver should ever pick up--that your work is the purpose of your life, and you must speed past any killer who assumes the right to stop you, that any value you might find outside your work, any other loyalty or love, can be only travelers you choose to share your journey and must be travelers going on their own power in the same direction.

Every weight loss program, no matter how positively it’s packaged, whispers to you that you’re not right. You’re not good enough. You’re unacceptable and you need to be fixed.

But she's ditched Dean!

If you dig one ditch you better dig two cause the trap you set just may be for you

The feeling to bury one’s head in a ditch can be an overwhelming one, but Annwyl fought it all the same.

Doubt everything [...]. Doubt everything at least once. What you decide to keep, you'll be able to be confident of. And what you decide to ditch, you will replace with what your instincts tell you is true.

I had been in the ditch for 2 and a half min. I wondered if my friends missed me.

This is my favorite part. It starts and ends here. The pebbles shine, the plan worked, Hansel Triumphant. Lesson number one: be sneaky and have a plan. But the stupid boy goes back, makes the rest of the story postscript and aftermath. He shouldn’t have gone back. And this is the second lesson I took from the story: when someone is trying to ditch you, kill you, never go back.

Here is my recipe for a mood enhancer. Take a friend, preferably one with a really annoying fringe and outsize pants, and when she is rambling on swiftly, push her into a ditch and run away.

Han spotted a child‟s homespun dolly in the ditch, pressed into the mud. He reined in, meaning to climb down and fetch it so he could clean it up for his little sister. Then he remembered that Mari was dead and had no need of dollies anymore. Grief was like that. It gradually faded into a dull ache, until some simple sight or sound or scent hit him like a hammer blow.

I had to climb a mountain. There were all kinds of obstacles in the way. I had now to jump over a ditch, now to get over a hedge, and finally to stand still because I had lost my breath. This was the dream of a stutterer.

Literature is the ditch I'm going to die in. It's still the thing I care most about.

In middle school, my friends decided I was weird, and they didn’t like my hair. They ditched me and talked behind my back, which is cool — I’m over it. [laughs] One time I called them and said, “Hey, do you want to go to the Berkshire Mall?” They all gave me excuses and said no. So I go to the mall with my mom, and don’t you know, we run into all of them. Together. Shopping. My mom could see I was about to cry, so she said, “You know what? We’re going to the King of Prussia mall,” which was the mecca.

They're going to leave me. All I wanted to do was lie in the dry prickly grass with my feet in a ditch forever. I could be a convenient sort of milemarker, I thought. Get to the thief and you know you are halfway to Methana. Where ever Methana might be.

After a long time, I cleared my throat. “So anyway, when we get to Nevada...I think we should rethink your dad’s rule.” Alex glanced down at me and smiled – the first real smile I’d seen on his face in a long time. “You know what? It’s already been rethought and completely ditched,” he said. And he wrapped his arms around me and we stood looking up at the mountains, with the rising rays of the sun lighting them from the east.

At some point on your road you have to turn and start walking back towards yourself. Or the past will pursue you, and bite the nape of your neck, leave you bleeding in the ditch. Better to turn and face it with such weapons as you possess.

Trent’s chest rises with a quick inhale as his hands lift to grab mine and pull them out, placing them with a pat on the outside of his shirt. “Okay, you win. But don’t do that while I’m driving or we’ll end up in a ditch.” He looks over his shoulder again, adding in a soft, solemn tone, “I’m serious, Kacey. I can’t handle it.

I figure when you come to a crossroads, you have a choice: right turn, left turn, straight ahead. Or you can just pull over to the side of the road and call it quits. But if you've got a good stretch of road up ahead and someone fun to travel it with, why stay stuck in the galdern ditch?

Dads. It’s time to show our sons how to properly treat a woman. It’s time to show our daughters how a girl should expect be treated. It’s time to show forgiveness and compassion. It’s time to show our children empathy. It’s time to break social norms and teach a healthier way of life! It’s time to teach good gender roles and to ditch the unnecessary ones. Does it really matter if your son likes the color pink? Is it going to hurt anybody? Do you not see the damage it inflicts to tell a boy that there is something wrong with him because he likes a certain color? Do we not see the damage we do in labeling our girls “tom boys” or our boys “feminine” just because they have their own likes and opinions on things? Things that really don’t matter?

Oh,' the priest said, 'that's another thing altogether - God is love. I don't say the heart doesn't feel a taste of it, but what a taste. The smallest glass of love mixed with a pint pot of ditch-water. We wouldn't recognize that love. It might even look like hate. It would be enough to scare us - God's love. It set fire to a bush in the desert, didn't it, and smashed open graves and set the dead walking in the dark. Oh, a man like me would run a mile to get away if he felt that love around.

I'm trying very hard not to think about anything I'm doing. Of all the iffy things I've ever done in my life, I've never had to ditch a body before. While it's giving me a migraine right now, I think the fact that I'm not an expert on corpse disposal says a lot of good things about me and my life choices.

Merit. Have you finally decided to ditch the zero and get with the hero?” Ethan cleared his throat—loudly—while I bit back a smile. I didn’t see anything wrong with reminding Ethan that I had other options. Even if they were slightly goofy options I’d never actually take advantage of.

What else can I do? Once you've gone this far you aren't fit for anything else. Something happens to your mind. You're overqualified, overspecialized, and everybody knows it. Nobody in any other game would be crazy enough to hire me. I wouldn't even make a good ditch-digger, I'd start tearing apart the sewer-system, trying to pick-axe and unearth all those chthonic symbols - pipes, valves, cloacal conduits... No, no. I'll have to be a slave in the paper-mines for all time.

Stuart rose from the ditch, climbed into his car, and started up the road that led toward the north...As he peeked ahead into the great land that stretched before him, the way seemed long. But the sky was bright, and he somehow felt he was headed in the right direction.

There were many days when [I] did not know where my next meal was coming from. But I was never afraid to work, I went where some men were digging a ditch ... [and] said I wanted to work. The boss looked at my good clothes and white hands and laughed to the others ... but he said, “All right. Spit on your hands. Get in the ditch.” And I worked harder than anybody. At the end of the day I had $2

She was a talker, wasn't she?" Bobby Lee said, sliding down the ditch with a yodel. "She would of been a good woman," The Misfit said, "if it had been somebody there to shoot her every minute of her life." "Some fun!" Bobby Lee said. "Shut up, Bobby Lee," The Misfit said. "It's no real pleasure in life.

Brod's life was a slow realization that the world was not for her, and that for whatever reason, she would never be happy and honest at the same time. She felt as if she were brimming, always producing and hoarding more love inside of her. But there was no release. Table, ivory, elephant charm, rainbow, onion, hairdo, mollusk, Shabbos, violence, cuticle, melodrama, ditch, honey, doily...None of it moved her. She addressed her world honestly, searching for something deserving of the volumes of love she knew she had within her, but to each she would have to say, I don't love you. Bark-brown fence post: I don't love you. Poem too long: I don't love you. Lunch in a bowl: I don't love you. Physics, the idea of you, the laws of you: I don't love you. Nothing felt like anything more than what it actually was. Everything was just a thing, mired completely in its thingness. If we were to open a random page in her journal- which she must have kept and kept with her at all times, not fearing that it would be lost, or discovered and read, but that she would one day stumble upon that thing which was finally worth writing about and remembering, only to find that she had no place to write it- we would find some rendering of the following sentiment: I am not in love.

Why shouldn't I be afraid of you?" I asked. "You're the Darkling. I'm not saying you would throw me in a ditch or ship me off to Tsibeya, but you certainly could. You can cut people in half. I think it's fair to be a little intimidated." He studied me for a long moment, and I wished fervently that I'd kept my mouth shut. But then that half smile flickered across his face. "You may have a point.

Nothing changes instantaneously: in a gradually heating bathtub, you'd be boiled to death before you knew it. There were stories in the newspapers, of course, corpses in ditches or the woods, bludgeoned to death or mutilated, interfered with, as they used to say, but they were about other women, and the men who did such things were other men. None of them were the men we knew. The newspaper stories were like dreams to us, bad dreams dreamt by others. How awful, we would say, and they were, but they were awful without being believable. There were too melodramatic, they had a dimension that was not the dimension of our lives. We were the people who were not in the papers. We lived in the blank white spaces at the edges of print. It gave us more freedom.

I need a little language such as lovers use, words of one syllable such as children speak when they come into the room and find their mother sewing and pick up some scrap of bright wool, a feather, or a shred of chintz. I need a howl; a cry. When the storm crosses the marsh and sweeps over me where I lie in the ditch unregarded I need no words. Nothing neat. Nothing that comes down with all its feet on the floor. None of those resonances and lovely echoes that break and chime from nerve to nerve in our breasts making wild music, false phrases. I have done with phrases.

He’s only with me because I’m your sister,” I said hotly. “Diana—Demeter, she’s my mother. She decided to have me in a last-ditch effort to save Henry because she felt so damn guilty for what you did to him, and she didn’t want to be responsible for him fading. He married me because he couldn’t have you, and I was the next best thing. Thanks for rubbing my nose in it.

Nathan had to park his Honda a whole block from the party, which was a good thing for two reasons. First, it gave Bailey and me the chance to ditch him before we even got to the house. I don’t know about her, but I didn’t want to be seen with the guy wearing a shirt that said, MAY THE MASS TIMES ACCELERATION BE WITH YOU.

That’s fucking bullshit. I know she’s here.” I ditched the softer approach. “Step aside, Ava, or I’ll—” “Careful how you finish that sentence, Harper.” Alex appeared beside his fiancée, his eyes like chips of jade-colored ice as they roved over my disheveled appearance.

...because once you've got one scar on your face or your heart, its only a matter of time before someone gives you another - and another - until a day doesn't go by when you aren't being bashed senseless, nor a town that you haven't been run out of, and you get to be such a goddamn mess that finally it doesn't feel right unless you're getting the Christ beaten out of you - amd within a year of that first damming fall, those first down borne fists, your first run out, you wind up with flies buzzing around your eyes, back at the same place, the same town, deader than when you left, bobbiong around in the swill - a dirty deadbeat whore in a roadside ditch. But a little part of you deosn't die. A little part of you lives on. And you make an orphan of that corrupt and contemtible part, dumping it right smack in the laps of the ones who first robbed you of your sweetness, for it is the wicked fruit of their crimes, it is their blood, their sin, it belongs there, this child of blood, this spawn of sin...

Christ. No, not Christ. These leavings were made in propitiation of a much older God than the Christian one. People have called Him different things at different times, but Rachel’s sister gave Him a perfectly good name, I think: Oz the Gweat and Tewwible, God of dead things left in the ground, God of rotting flowers in drainage ditches, God of the Mystery.

A person cannot coast along in old destructive habits year after year and accept whatever comes along. A person must stand up on her own two legs and walk. Get off the bus and go get on another. Climb out of the ditch and cross the road. Find the road that s where you want to go. ... The only sermon that counts is the one that is formed by our actions. She would quit drinking and thereby show Kyle life is what you make it. A person can grab hold of her life and change things for the better. This happens all the time. We are not chips of wood drifting down the stream of time. We have oars.

And then the rains came. They came down from the hills and up from the sound. And it rained a sickness. And it rained a fear. And it rained an odor. And it rained a murder. And it rained dangers and pale eggs of the beast. Rain poured for days, unceasing. Flooding occurred. The wells filled with reptiles. The basements filled with fossils. Mossy-haired lunatics roamed the dripping peninsulas. Moisture gleamed on the beak of the raven. Ancient Shaman's rained from their homes in dead tree trunks, clacked their clamshell teeth in the drowned doorways of forests. Rain hissed on the freeway. It hissed at the prows of fishing boats. It ate the old warpaths, spilled the huckleberries, ran into the ditches. Soaking. Spreading. Penetrating. And it rained an omen. And it rained a poison. And it rained a pigment. And it rained a seizure.

If I were a vampire, I'd want to bite someone. I'd be thirsty for blood," I said in a last ditch attempt to interject reason into a discussion that had devolved into the absurd. "You will come into your true nature," Lucius promised. "You are coming of age right now. And when I bite you for the first time, then you will be a vampire. I've brought you a book— a guide, so to speak—which will explain everything—" I stood up so fast my chair tipped over, smashing to the floor. "He is not going to bite me," I interrupted, pointing a shaky finger at Lucius. "And I'm not going to Romania and marrying him! I don't care what kind of 'betrothal ceremony' they had!" "You will all honor the pact," Lucius growled. It wasn't a suggestion.

When did the body first set out on its own adventures? Snowman thinks; after having ditched its old travelling companions, the mind and the soul, for whom it had once been considered a mere corrupt vessel or else a puppet acting out their dramas for them, or else bad company, leading the other two astray. it must have got tired of the soul’s constant nagging and whining and the anxiety-driven intellectual web-spinning of the mind, distracting it whenever it was getting its teeth into something juicy or its fingers into something good. It had dumped the other two back there somewhere, leaving them stranded in some damp sanctuary or stuffy lecture hall while it made a beeline for the topless bars, and it had dumped culture along with them: music and painting and poetry and plays. Sublimation, all of it; nothing but sublimation, according to the body. Why not cut to the chase? But the body had its own cultural forms. It had its own art. Executions were its tragedies, pornography was its romance.

Be Drunken, Always. That is the point; nothing else matters. If you would not feel the horrible burden of Time weigh you down and crush you to the earth, be drunken continually. Drunken with what? With wine, with poetry or with virtue, as you please. But be drunken. And if sometimes, on the steps of a palace, or on the green grass in a ditch, or in the dreary solitude of your own room, you should awaken and find the drunkenness half or entirely gone, ask of the wind, of the wave, of the star, of the bird, of the clock, of all that flies, of all that speaks, ask what hour it is; and wind, wave, star, bird, or clock will answer you: "It is the hour to be drunken! Be Drunken, if you would not be the martyred slaves of Time; be drunken continually! With wine, with poetry or with virtue, as you please.

Hello, there should be more advice about dealing with depression when you're stupid and worthless, so here is a self help exercise. Today's assignment is simple. Just go out and get on the bus. It doesn't matter which bus. Whichever bus comes next. Get on, and just go. You could ride that bus to the very end, thank the driver, and then walk into the woods and just die. Just lay down right there and wait and wait until you were dead. Who is going to miss you? Really, think about it. If you went out to the middle of nowhere and just sat down in a ditch and cried by yourself until you were dead, who would be the first person to wonder where you'd gone? Call them up! Maybe they want to get ice cream?

Most of us mortals never get to know our real destiny; we're just trampled by it. By the time we raise our heads and see it moving off down the road, it's already too late, and we have to walk the rest of the way along the straight and narrow ditch the dreamers call maturity. Hope is no more than the belief that that moment hasn't yet come, that we might still manage to see our real destiny when it draws near and jump on board before the chance of being ourselves disappears forever, condemning us to live in emptiness, missing what should have been and never was.

The Western States nervous under the beginning change. Texas and Oklahoma, Kansas and Arkansas, New Mexico, Arizona, California. A single family moved from the land. Pa borrowed money from the bank, and now the bank wants the land. The land company--that's the bank when it has land --wants tractors, not families on the land. Is a tractor bad? Is the power that turns the long furrows wrong? If this tractor were ours it would be good--not mine, but ours. If our tractor turned the long furrows of our land, it would be good. Not my land, but ours. We could love that tractor then as we have loved this land when it was ours. But the tractor does two things--it turns the land and turns us off the land. There is little difference between this tractor and a tank. The people are driven, intimidated, hurt by both. We must think about this. One man, one family driven from the land; this rusty car creaking along the highway to the west. I lost my land, a single tractor took my land. I am alone and bewildered. And in the night one family camps in a ditch and another family pulls in and the tents come out. The two men squat on their hams and the women and children listen. Here is the node, you who hate change and fear revolution. Keep these two squatting men apart; make them hate, fear, suspect each other. Here is the anlarge of the thing you fear. This is the zygote. For here "I lost my land" is changed; a cell is split and from its splitting grows the thing you hate--"We lost our land." The danger is here, for two men are not as lonely and perplexed as one. And from this first "we" there grows a still more dangerous thing: "I have a little food" plus "I have none." If from this problem the sum is "We have a little food," the thing is on its way, the movement has direction. Only a little multiplication now, and this land, this tractor are ours. The two men squatting in a ditch, the little fire, the side- meat stewing in a single pot, the silent, stone-eyed women; behind, the children listening with their souls to words their minds do not understand. The night draws down. The baby has a cold. Here, take this blanket. It's wool. It was my mother's blanket--take it for the baby. This is the thing to bomb. This is the beginning--from "I" to "we." If you who own the things people must have could understand this, you might preserve yourself. If you could separate causes from results, if you could know Paine, Marx, Jefferson, Lenin, were results, not causes, you might survive. But that you cannot know. For the quality of owning freezes you forever into "I," and cuts you off forever from the "we." The Western States are nervous under the begining change. Need is the stimulus to concept, concept to action. A half-million people moving over the country; a million more restive, ready to move; ten million more feeling the first nervousness. And tractors turning the multiple furrows in the vacant land.

If you have a son, how will you love him? She is pacing the living room, while the Thanksgiving Day Parade plays behind her, a montage of inflated cartoon bodies, floating slow down 6th Avenue, smiles painted onto their faces. I consider not responding. I consider explaining that I can love him and not trust him. I consider saying that I won’t love him at all. Just to scare her. Instead, I say, If I am ever murdered, like, body found in a ditch, mouth stuffed with dirt, stocking around my neck, identified by my toenails, please don’t go looking for a guilty woman. ("My Grandmother Asks Why I Don't Trust Men")

We keep falling into the same ditches, you know? I mean, we learn more and more about the physical universe, more about our own bodies, more technology, but somehow, down through history, we go on building empires of one kind or another, then destroying them in one way or another. We go on having stupid wars that we justify and get passionate about, but in the end, all they do is kill huge numbers of people, maim others, impoverish still more, spread disease and hunger, and set the stage for the next war. And when we look at all of that in history, we just shrug our shoulders and say, well, that's the way things are. That's the way things always have been.

There is a line somewhere in Wozzeck that translates out to, roughly, 'The world is awful.' Yes, I said to myself as I shot across the Bay Bridge not giving a fuck how fast I drove, that sums it up. That is high art: 'The world is awful.' That says it all. This is what we pay composers and painters and the great writers to do: tell us this; from figuring this out, they earn a living. What a masterful, incisive insight. What penetrating intelligence. A rat in a drain ditch could tell you the same thing, were it able to talk. If rats could talk, I'd do anything they said.

to cheat your way into a job bigger than your mind can handle is to become a fear-corroded ape on borrowed motions and borrowed time, and to settle down into a job that requires less than your mind’s full capacity is to cut your motor and sentence yourself to another kind of motion: decay - that your work is the process of achieving your values, and to lose your ambition for values is to lose your ambition to live - that your body is a machine, but your mind is its driver, and you must drive as far as your mind will take you, with achievement as the goal of your road - that the man who has no purpose is a machine that coasts downhill at the mercy of any boulder to crash in the first chance ditch, that the man who stifles his mind is a stalled machine slowly going to rust, that the man who lets a leader prescribe his course is a wreck being towed to the scrap heap, and the man who makes another man his goal is a hitchhiker no driver should ever pick up - that your work is the purpose of your life, and you must speed past any killer who assumes the right to stop you, that any value you might find outside your work, any other loyalty or love, can be only travelers you choose to share your journey and must be travelers going on their own power in the same direction.

this is not a Quote it's a poem. "A Thousand Kisses Deep" The ponies run, the girls are young, The odds are there to beat. You win a while, and then it’s done – Your little winning streak. And summoned now to deal With your invincible defeat, You live your life as if it’s real, A Thousand Kisses Deep. I’m turning tricks, I’m getting fixed, I’m back on Boogie Street. You lose your grip, and then you slip Into the Masterpiece. And maybe I had miles to drive, And promises to keep: You ditch it all to stay alive, A Thousand Kisses Deep. And sometimes when the night is slow, The wretched and the meek, We gather up our hearts and go, A Thousand Kisses Deep. Confined to sex, we pressed against The limits of the sea: I saw there were no oceans left For scavengers like me. I made it to the forward deck. I blessed our remnant fleet – And then consented to be wrecked, A Thousand Kisses Deep. I’m turning tricks, I’m getting fixed, I’m back on Boogie Street. I guess they won’t exchange the gifts That you were meant to keep. And quiet is the thought of you, The file on you complete, Except what we forgot to do, A Thousand Kisses Deep. And sometimes when the night is slow, The wretched and the meek, We gather up our hearts and go, A Thousand Kisses Deep. The ponies run, the girls are young, The odds are there to beat . . .

MOTHER – By Ted Kooser Mid April already, and the wild plums bloom at the roadside, a lacy white against the exuberant, jubilant green of new grass and the dusty, fading black of burned-out ditches. No leaves, not yet, only the delicate, star-petaled blossoms, sweet with their timeless perfume. You have been gone a month today and have missed three rains and one nightlong watch for tornadoes. I sat in the cellar from six to eight while fat spring clouds went somersaulting, rumbling east. Then it poured, a storm that walked on legs of lightning, dragging its shaggy belly over the fields. The meadowlarks are back, and the finches are turning from green to gold. Those same two geese have come to the pond again this year, honking in over the trees and splashing down. They never nest, but stay a week or two then leave. The peonies are up, the red sprouts, burning in circles like birthday candles, for this is the month of my birth, as you know, the best month to be born in, thanks to you, everything ready to burst with living. There will be no more new flannel nightshirts sewn on your old black Singer, no birthday card addressed in a shaky but businesslike hand. You asked me if I would be sad when it happened and I am sad. But the iris I moved from your house now hold in the dusty dry fists of their roots green knives and forks as if waiting for dinner, as if spring were a feast. I thank you for that. Were it not for the way you taught me to look at the world, to see the life at play in everything, I would have to be lonely forever.

Thrice the brinded cat hath mew’d. Thrice and once the hedge-pig whined. Harpier cries ’Tis time, ’tis time. Round about the cauldron go; In the poison’d entrails throw. Toad, that under cold stone Days and nights has thirty-one Swelter’d venom sleeping got, Boil thou first i’ the charmed pot. Double, double toil and trouble; Fire burn, and cauldron bubble. Fillet of a fenny snake, In the cauldron boil and bake; Eye of newt and toe of frog, Wool of bat and tongue of dog, Adder’s fork and blind-worm’s sting, Lizard’s leg and owlet’s wing, For a charm of powerful trouble, Like a hell-broth boil and bubble. Scale of dragon, tooth of wolf, Witches’ mummy, maw and gulf Of the ravin’d salt-sea shark, Root of hemlock digg’d i’ the dark, Liver of blaspheming Jew, Gall of goat, and slips of yew Silver’d in the moon’s eclipse, Nose of Turk and Tartar’s lips, Finger of birth-strangled babe Ditch-deliver’d by a drab, Make the gruel thick and slab: Add thereto a tiger’s chaudron, For the ingredients of our cauldron. Double, double toil and trouble; Fire burn and cauldron bubble. By the pricking of my thumbs, Something wicked this way comes.

Eventually, I developed my own image of teh "befriending" impulse behind my depression. Imagine that from early in my life, a friendly figure, standing a block away, was trying to get my attention by shouting my name, wanting to teach me some hard but healing truths about myself. But I-- fearful of what I might hear or arrogantly trying to live wihtout help or simply too busy with my ideas and ego and ethics to bother-- ignored teh shouts and walked away. So this figure, still with friendly intent, came closer and shouted more loudly, but AI kept walking. Ever closer it came, close enough to tap me on the shoulder, but I walked on. Frustrated by my unresponsiveness, the figure threw stones at my back, then struck me with a stick, still wanting simply to get my attention. But despite teh pain, I kept walking away. Over teh years, teh befriending intent of this figure never disapppeared but became obscured by the frustration cuased by my refusal to turn around. Since shouts and taps, stones and sticks had failed to do the trick, there was only one thing left: drop the nuclear bomb called depression on me, not with the intent to kill but as a last-ditch effort to get me to turn and ask the simple question, "What do you want?" When I was finally able to make the turn-- and start to absorb and act on the self-knowledge that then became available to me-- I began to get well. The figure calling to me all those years was, I believe, what Thomas Merton calls "true self." This is not the ego self that wants to inflate us (or deflate us, another from of self-distortion), not the intellectual self that wants to hover above the mess of life in clear but ungrounded ideas, not the ethical self that wants to live by some abstract moral code. It is the self-planted in us by the God who made us in God's own image-- the self that wants nothing more, or less, than for us to be who we were created to be. True self is true friend. One ignores or rejects such friendship only at one's peril.

Man’s mind is his basic tool of survival. Life is given to him, survival is not. His body is given to him, its sustenance is not. His mind is given to him, its content is not. To remain alive, he must act, and before he can act he must know the nature and purpose of his action. He cannot obtain his food without a knowledge of food and of the way to obtain it. He cannot dig a ditch – or build a cyclotron – without a knowledge of his aim and of the means to achieve it. To remain alive, he must think. “But to think is an act of choice. The key to what you so recklessly call ‘human nature,’ the open secret you live with, yet dread to name, is the fact that man is a being of volitional consciousness. Reason does not work automatically; thinking is not a mechanical process; the connections of logic are not made by instinct. The function of your stomach, lungs, or heart is automatic; the function of your mind is not. In any hour and issue of your life, you are free to think or to evade that effort. But you are not free to escape from your nature, from the fact that reason is your means of survival – so that for you, who are a human being, the question ‘to be or not to be’ is the question ‘to think or not to think.’ . . . “Man has no automatic code of survival. His particular distinction from all other living species is the necessity to act in the face of alternatives by means of volitional choice. . . Man must obtain his knowledge and choose his actions by a process of thinking, which nature will not force him to perform. Man has the power to act as his own destroyer – and that is the way he has acted through most of his history (pages 1012-1013).

LADY CROOM: ....My lake is drained to a ditch for no purpose I can understand, unless it be that snipe and curlew have deserted three counties so that they may be shot in our swamp. What you painted as forest is a mean plantation, your greenery is mud, your waterfall is wet mud, and your mount is an opencast mine for the mud that was lacking in the dell. (Pointing through the window) What is that cowshed? NOAKES: The hermitage, my lady? LADY CROOM: It is a cowshed. NOAKES: It is, I assure you, a very habitable cottage, properly founded and drained, two rooms and a closet under a slate roof and a stone chimney -- LADY CROOM: And who is to live in it? NOAKES: Why, the hermit. LADY CROOM: Where is he? NOAKES: Madam? LADY CROOM: You surely do not supply an hermitage without a hermit? NOAKES: Indeed, madam -- LADY CROOM: Come, come, Mr Noakes. If I am promised a fountain I expect it to come with water. What hermits do you have? NOAKES: I have no hermits, my lady. LADY CROOM: Not one? I am speechless. NOAKES: I am sure a hermit can be found. One could advertise. LADY CROOM: Advertise? NOAKES: In the newspapers. LADY CROOM: But surely a hermit who takes a newspaper is not a hermit in whom one can have complete confidence.