“
Nobody can say anything about you. Whatsoever people say is about themselves. But you become very shaky, because you are still clinging to a false center. That false center depends on others, so you are always looking to what people are saying about you. And you are always following other people, you are always trying to satisfy them. You are always trying to be respectable, you are always trying to decorate your ego. This is suicidal. Rather than being disturbed by what others say, you should start looking inside yourself…
Whenever you are self-conscious you are simply showing that you are not conscious of the self at all. You don’t know who you are. If you had known, then there would have been no problem— then you are not seeking opinions. Then you are not worried what others say about you— it is irrelevant!
When you are self-conscious you are in trouble. When you are self-conscious you are really showing symptoms that you don’t know who you are. Your very self-consciousness indicates that you have not come home yet.
”
”
Osho
“
You never forget. It must be somewhere inside you. Even if the brain has forgotten, perhaps the teeth remember. Or the fingers.
”
”
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
“
Something was shining on Damon's face. She reached toward it, touched it, and lifted her fingers away in wonder.
"Don't be sad," she told him, feeling the cool wetness on her fingertips. But a pang of worry disturbed her. Who was there to understand Damon now? Who would be there to push him, to try to see what was really inside him? "You have to take care of each other," she said, realizing it. A little strength came back to her, like a candle flaring in the wind. "Stefan, will you promise? Promise to take care of each other?
”
”
L.J. Smith (The Fury (The Vampire Diaries #3))
“
I didn't want to spend any more time inside the mind of an economist. It was dark and disturbing.
”
”
Andy Weir (Artemis)
“
You never forget. It must be somewhere inside you.
”
”
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
“
I keep the gun in a hollowed out copy of the Koran. And there the big book was, tossed on the bed, open and gunless. Nothing else disturbed. I mean, they actually checked my Koran to see if there was a gun inside. I knew I was dealing with a sick son of a bitch.
”
”
David Wong (John Dies at the End (John Dies at the End, #1))
“
He had green eyes, so I wanted to sleep with him. Green eyes flecked with yellow, dried leaves on the surface of a pool. You could drown in those eyes, I said. The fact of his pulse, the way he pulled his body in, out of shyness or shame or a desire, not to disturb the air around him. Everyone could see the way his muscles worked, the way we look like animals, his skin barely keeping him inside. I wanted to take him home, and rough him up and get my hands inside him, drive my body into his like a crash test car. I wanted to be wanted, and he was very beautiful, kissed with his eyes closed, and only felt good while moving. You could drown in those eyes, I said, so it's summer, so it's suicide, so we're helpless in sleep and struggling at the bottom of the pool.
”
”
Richard Siken
“
He's bent over the strings tuning his guitar with such passionate attention I almost feel I should look away but I can't. In fact I'm full on gawking wondering what it would be like to be cool and casual and fearless and passionate and so freaking alive just like he is- and for a split second I want to play with him. I want to disturb the birds. Later as he plays and plays as all the fog burns away I think he's right. That's exactly it- I am crazy sad and somewhere deep inside all I want is to fly.
”
”
Jandy Nelson (The Sky Is Everywhere)
“
He’s disturbingly sexual to men and women alike in a way that sets your teeth on edge. With Barrons you aren’t sure if you’re going to get fucked or turned inside out and left a new unrecognizable person adrift with no moorings on a see with no bottom and no rules.
”
”
Karen Marie Moning (Shadowfever (Fever, #5))
“
My gaze crept to where Sadi stood only a few feet from her, breathing heavily. Her white blouse was torn. Buttons popped and missing. Her normally coiffed hair looked like she’d been inside a wind tunnel, but the best part? Fingernail marks were etched down the side of Sadi’s face and reddish-blue blood had been drawn. A disturbing level of pride rippled through me. Kitten got claws and then some. “She doesn’t play nice with others,” Sadi huffed out. “So I’m in the process of adjusting her attitude.” “And I’m in the process of getting ready to cut out your heart, bitch.” In spite of everything that was so damn messed up, my lips twitched into a small smile. “Get out.
”
”
Jennifer L. Armentrout (Opposition (Lux, #5))
“
I had a teacher I liked who used to say good fiction’s job was to comfort the disturbed and disturb the comfortable. I guess a big part of serious fiction’s purpose is to give the reader, who like all of us is sort of marooned in her own skull, to give her imaginative access to other selves. Since an ineluctable part of being a human self is suffering, part of what we humans come to art for is an experience of suffering, necessarily a vicarious experience, more like a sort of “generalization” of suffering. Does this make sense? We all suffer alone in the real world; true empathy’s impossible. But if a piece of fiction can allow us imaginatively to identify with a character’s pain, we might then also more easily conceive of others identifying with our own. This is nourishing, redemptive; we become less alone inside.
”
”
David Foster Wallace
“
Do not doubt your ability to remove the root cause of the disturbance inside of you. It really can go away.
”
”
Michael A. Singer (The Untethered Soul: The Journey Beyond Yourself)
“
He had seen the insides of jaggedly ripped-open dead people. He knew, for instance, what brains looked like spilling out of somebody's head. In the context of this, much of what went on in normal life seemed wholly and disturbingly ridiculous.
”
”
David Guterson (Snow Falling on Cedars)
“
His eyes looked directly at her, and she felt something jump inside. The eyes, the voice, the face, the silver hair, the easy way he moved his body, old ways, disturbing ways, ways that draw you in. Ways that whisper to you in the final moment before sleep comes, when the barriers have fallen.
”
”
Robert James Waller (The Bridges of Madison County)
“
EPITAPH
Now I'm not the brightest
knife in the drawer, but
I know a couple things
about this life: poverty
silence, impermanence
discipline and mystery
The world is not illusory, we are
From crimson thread to toe tag
If you are not disturbed
there is something seriously wrong with you, I'm sorry
And I know who I am
I'll be a voice
coming from nowhere,
inside--
be glad for me.
”
”
Franz Wright (Walking to Martha's Vineyard: Poems)
“
Her normally coiffed hair looked like she’d been inside a wind tunnel, but the best part?
Fingernail marks were etched down the side of Sadi’s face and reddish-blue blood had been drawn. A disturbing level of pride rippled through me.
Kitten got claws and then some.
“She doesn’t play nice with others,” Sadi huffed out. “So I’m in the process of adjusting her attitude.”
“And I’m in the process of getting ready to cut out your heart, bitch.”
In spite of everything that was so damn messed up, my lips twitched into a small smile.
”
”
Jennifer L. Armentrout (Opposition (Lux, #5))
“
In the 1890s, when Freud was in the dawn of his career, he was struck by how many of his female patients were revealing childhood incest victimization to him. Freud concluded that child sexual abuse was one of the major causes of emotional disturbances in adult women and wrote a brilliant and humane paper called “The Aetiology of Hysteria.” However, rather than receiving acclaim from his colleagues for his ground-breaking insights, Freud met with scorn. He was ridiculed for believing that men of excellent reputation (most of his patients came from upstanding homes) could be perpetrators of incest.
Within a few years, Freud buckled under this heavy pressure and recanted his conclusions. In their place he proposed the “Oedipus complex,” which became the foundation of modern psychology. According to this theory any young girl actually desires sexual contact with her father, because she wants to compete with her mother to be the most special person in his life. Freud used this construct to conclude that the episodes of incestuous abuse his clients had revealed to him had never taken place; they were simply fantasies of events the women had wished for when they were children and that the women had come to believe were real. This construct started a hundred-year history in the mental health field of blaming victims for the abuse perpetrated on them and outright discrediting of women’s and children’s reports of mistreatment by men.
Once abuse was denied in this way, the stage was set for some psychologists to take the view that any violent or sexually exploitative behaviors that couldn’t be denied—because they were simply too obvious—should be considered mutually caused. Psychological literature is thus full of descriptions of young children who “seduce” adults into sexual encounters and of women whose “provocative” behavior causes men to become violent or sexually assaultive toward them.
I wish I could say that these theories have long since lost their influence, but I can’t. A psychologist who is currently one of the most influential professionals nationally in the field of custody disputes writes that women provoke men’s violence by “resisting their control” or by “attempting to leave.” She promotes the Oedipus complex theory, including the claim that girls wish for sexual contact with their fathers. In her writing she makes the observation that young girls are often involved in “mutually seductive” relationships with their violent fathers, and it is on the basis of such “research” that some courts have set their protocols. The Freudian legacy thus remains strong.
”
”
Lundy Bancroft (Why Does He Do That? Inside the Minds of Angry and Controlling Men)
“
There's something easy about the idea that vampirism is some kind of disease- then they can't help it if they attack us, that they commit murders and atrocities, that they can only control themselves sometimes. They're sick; its not their fault. And there's something even easier about the idea of demonic invasion, something forcing our loved ones to do all manner of terrible things. Still not their fault, only now we can destroy them. But the third option, the possibility that there's something monstrous inside of us that can be unleashed, is the most disturbing of all. Maybe its just us, us with a raging hunger, us with a couple of accidental murders under our belt. Humanity, with the training wheels off the bike, careening down a steep hill. Humanity, freed from the constraints of consequence and gifted with power. Humanity, grown away from all things human.
”
”
Holly Black (The Coldest Girl in Coldtown)
“
Wise beings do not want to remain a slave to the fear of pain. They permit the world to be what it is instead of being afraid of it. They wholeheartedly participate in life, but not for the purpose of using life to avoid themselves. If life does something that causes a disturbance inside of you, instead of pulling away, let it pass through you like the wind. After all, things happen every day that cause inner disturbance. At any moment you can feel frustration, anger, fear, jealousy, insecurity, or embarrassment. If you watch, you will see that the heart is trying to push it all away. If you want to be free, you have to learn to stop fighting these human feelings.
”
”
Michael A. Singer (The Untethered Soul: The Journey Beyond Yourself)
“
When one danced with them, their bodies never moved inside their clothes; their muscles seemed to ask but one thing—not to be disturbed.
”
”
Willa Cather (My Ántonia)
“
His cynicism - a veteran's cynicism - was a thing that disturbed him all the time. It seemed to him after the war that the world was thoroughly altered. It was not even a thing you could explain to anybody, why it was that everything was folly. People appeared enormously foolish to him. He understood that they were only animated cavities full of jelly and strings and liquids. He had seen the insides of jaggedly ripped-open dead people. He knew, for instance, what brains looked like spilling out of somebody's head. In the context of this, much of what went on in normal life seemed wholly and disturbingly ridiculous.
”
”
David Guterson (Snow Falling on Cedars)
“
Then the anguish increased to unendurable massivity and nightmare dimensions, making her scream and vomit. She wanted...to have her dark curls shaved to an aquamarine prickle, because they grew into her porous skull and curled inside. Jigsaw pieces of sky or wall came apart, no matter how delicately put together, but a careless jolt or a nurse's elbow can disturb so easily those lightweight fragments which became incomprehensible blancs of anonymous objects, or the blank backs of 'Scrabble' counters, which she could not turn over sunny side up, because her hands had been tied by a male nurse with Demon's black eyes.
”
”
Vladimir Nabokov
“
The cult of friendship disturbs me. It's like our quality is supposed to be measured by the number of friends we have. For me, it's quite the inverse. When somebody says "I'm friends with everyone" I just assume they have the spine of your average jellyfish and the integrity of your average soap dish.
"I have tons of close friends!" Ok, then you obviously have no standards. "I've slept with lots of people!" Good, I will shake your hand from inside this Hazmat suit. It's like you have to have friends or you're nothing, and you gotta have lots of friends, and the more friends you have the more value you have. This Is a way of lowering our standards to fit in.
I'm a big fan of quality over quantity. Everyone wants to look at their life like it's a beer commercial they can just climb into. The larger the circle of friends the more alcohol is involved to blind yourself to the fact that you cant stand most of these assholes.
”
”
Stefan Molyneux
“
It is reason which breeds pride and reflection which fortifies it; reason which turns man inward into himself; reason which separates him from everything which troubles or affects him. It is philosophy which isolates a man, and prompts him to say in secret at the sight of another suffering: 'Perish if you will; I am safe.' No longer can anything but dangers to society in general disturb the tranquil sleep of the philosopher or drag him from his bed. A fellow-man may with impunity be murdered under his window, for the philosopher has only to put his hands over his ears and argue a little with himself to prevent nature, which rebels inside him, from making him identify himself with the victim of the murder. The savage man entirely lacks this admirable talent, and for want of wisdom and reason he always responds recklessly to the first promptings of human feeling.
”
”
Jean-Jacques Rousseau (Discourse on the Origin of Inequality)
“
He realized what had been disturbing him about her. With other women whom he had been with in similar situations, he had experienced a relaxing sense of emptiness within them that had made it easy for him to get inside them and, once there, smear himself all over their innermost territory until it was no longer theirs but his.
”
”
Mary Gaitskill (Bad Behavior)
“
Here I had a strange idea not unworthy of de Selby. Why was Joe so disturbed at the suggestion that he had a body? What if he had a body? A body with another body inside it in turn, thousands of such bodies within each other like the skins of an onion, receding to some unimaginable ultimum? Was I in turn merely a link in a vast sequence of imponderable beings, the world I knew merely the interior of the being whose inner voice I myself was? Who or what was the core and what monster in what world was the final uncontained colossus? God? Nothing? Was I receiving these wild thoughts from Lower Down or were they brewing newly in me to be transmitted Higher Up?
”
”
Flann O'Brien (The Third Policeman)
“
I feed my devils, so they let me live in peace, with peace.
”
”
ehddah
“
The mess had never bothered her, but now the room felt disturbingly like the inside of her head.
”
”
Ana Reyes (The House in the Pines)
“
This exquisite state of unconcerned immersion in oneself is not, unfortunately, of long duration. It is liable to be disturbed from inside. As though sprung from nowhere, moods, feelings, desires, worries and even thoughts incontinently rise up, in a meaningless jumble.... The only successful way of rendering this disturbance inoperative is to keep on breathing quietly and unconcernedly, to enter into friendly relations with whatever appears on the scene, to accustom oneself to it, to look at it equably and at last grow weary of looking.
”
”
Eugen Herrigel (Zen in the Art of Archery)
“
Fiction gives us empathy: it puts us inside the minds of other people, gives us the gift of seeing the world through their eyes. Fiction is a lie that tells us true things, over and over.
”
”
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
“
Deep spirit scanning,” Eisfanger says. His voice has a strange resonance to it, like I’m hearing him through a bad phone connection. “Don’t worry, it’s completely safe. Well, mostly.”
“Mostly?”
“Side effects have been documented,” he admits. “In a very small percentage of cases. Less than two percent.”
“What kind of side effects?” Suddenly I’m feeling nauseous. Feels like the ants are crawling around inside me now, which is exactly as disturbing as it sounds.
“Memory loss. Synesthesia. And occasionally … vestigial growths.”
“So I could forget my own name, start smelling purple everywhere and have an extra nipple sprout from my forehead?
”
”
D.D. Barant (Back from the Undead (The Bloodhound Files, #5))
“
All that I have left inside, is a soul thats filled with pride. I tell you never again. In a brave society, didnt end up killing me, scream with me never again! For the countless souls who died, there voices fill this night. Scream with me never again! Ooh, not again!
”
”
Disturbed
“
Icy people often freeze themselves in order to hold in check a volcanic stew of disturbing and conflictual feelings. Emotional hibernation, if you will. Crack the ice and the stuff inside comes pouring out with all the discipline of molten lava.
”
”
Jonathan Kellerman (Blood Test (Alex Delaware, #2))
“
Make your mind quiet of disturbing thoughts by focusing on subtle energy on your palms, inside your body and all around.
”
”
Ilchi Lee (Change: Realizing Your Greatest Potential)
“
A war raged inside her, one she held back, biting it off like a poisonous snake with disturbing self-control.
”
”
Mary E. Pearson (Dance of Thieves (Dance of Thieves, #1))
“
I’ll take anything he allows me to have. Even if small, I’ll fucking gobble it all down and store it in that nook inside me that’s disturbingly filled with him.
”
”
Rina Kent (God of Fury (Legacy of Gods, #5))
“
His jaw tightened, and his fingers gripped the inside of my thigh. Sparks ran from the heat of his hand straight to my clit, all my blood drumming in that area. He’d only have to run a palm across the fabric to realize how disturbed I was, how wet this was making me. How much I wanted him.
”
”
Danielle Lori (The Sweetest Oblivion (Made, #1))
“
VI. FINAL WARNING There are monsters in these pages, but as Ogden Nash pointed out in my first short-story collection, Smoke and Mirrors, where there’s a monster, there’s also a miracle. There are some long stories and some short ones. There are a handful of poems, which perhaps might need their own warning for the people who are frightened, disturbed, or terminally puzzled by poetry. (In my second short-story collection, Fragile Things, I tried to explain that the poems come free. They are bonuses for the kind of people who do not need to worry about sneaky and occasional poems lurking inside their short-story collections.) There. Consider yourself warned. There are so many little triggers out there, being squeezed in the darkness even as I write this. This book is correctly labeled. Now all we have to worry about is all the other books, and, of course, life, which is huge and complicated and will not warn you before it hurts you. Thank you for coming. Enjoy the things that never happened. Secure your own mask again after you read these stories, but do not forget to help others.
”
”
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
“
I had battled my own demons that day, facing down the thing that imprisoned me since the accident-a scar and the diffidence it created inside of me. But it was just a physical blemish, not something that made me who I am. It took a mentally disturbed murderer who gave me a sneak peak at death to show me that.
”
”
Pamela Crane (A Secondhand Life)
“
In the 1890s, when Freud was in the dawn of his career, he was struck by how many of his female patients were revealing childhood incest victimization to him. Freud concluded that child sexual abuse was one of the major causes of emotional disturbances in adult women and wrote a brilliant and humane paper called “The Aetiology of Hysteria.” However, rather than receiving acclaim from his colleagues for his ground-breaking insights, Freud met with scorn. He was ridiculed for believing that men of excellent reputation (most of his patients came from upstanding homes) could be perpetrators of incest.
Within a few years, Freud buckled under this heavy pressure and recanted his conclusions. In their place he proposed the “Oedipus complex,” which became the foundation of modern psychology. According to this theory any young girl actually desires sexual contact with her father, because she wants to compete with her mother to be the most special person in his life. Freud used this construct to conclude that the episodes of incestuous abuse his clients had revealed to him had never taken place; they were simply fantasies of events the women had wished for when they were children and that the women had come to believe were real. This construct started a hundred-year history in the mental health field of blaming victims for the abuse perpetrated on them and outright discrediting of women’s and children’s reports of mistreatment by men.
”
”
Lundy Bancroft (Why Does He Do That? Inside the Minds of Angry and Controlling Men)
“
But still I would try to picture the exact moment when the beating of my heart would no longer be going on inside my head.
..
But everybody knows life isn't worth living. Deep down I knew perfectly well that it doesn't much matter whether you die at thirty or at seventy, since in either case other men and women will naturally go on living— and for thousands of years.
..
At that point, what would disturb my train of thought was the terrifying leap I would feel my heart take at the idea of having twenty more years of life ahead of me. But I simply had to stifle it by imagining what I’d be thinking in twenty years when it would all come down to the same thing anyway. Since we’re all going to die, it’s obvious that when and how don’t matter.
..
It would take all my strength to quiet my heart, to be rational.
..
Throughout the whole absurd life I’d lived, a dark wind had been rising toward me from somewhere deep in my future, across years that were still to come, and as it passed, this wind leveled whatever was offered to me at the time, in years no more real than the ones I was living.
..
for the first time, in that night alive with signs and stars, I opened myself to the gentle indifference of the world.
..
For everything to be consummated, for me to feel less alone, I had only to wish that there be a large crowd of spectators the day of my execution and that they greet me with cries of hate.
”
”
Albert Camus (The Stranger)
“
For reasons neither I nor anyone else could gather, every time I got to the part in Mark’s story about the woman being beaten up, Tommy would laugh warmly before delivering his line. It was unsettling. It was disturbing. Take after take, Tommy/Johnny would react to the story of this imaginary woman’s hospitalization with fond and accepting laughter.
”
”
Greg Sestero (The Disaster Artist: My Life Inside The Room, the Greatest Bad Movie Ever Made (A Gift for Film Buffs))
“
It’s deeply disturbing to think about how many people in the world are dying inside, screaming for someone, anyone, to care, reaching out again and again, sometimes to the hand that slaps them, because, all too often, without that hand they have nothing at all.
”
”
Steven James (The King (The Patrick Bowers Files, #6))
“
She looked now at the drawing-room step. She saw, through William’s eyes, the shape of a woman, peaceful and silent, with downcast eyes. She sat musing, pondering (she was in grey that day, Lily thought). Her eyes were bent. She would never lift them. . . . [N]o, she thought, one could say nothing to nobody. The urgency of the moment always missed its mark. Words fluttered sideways and struck the object inches too low. Then one gave it up; then the idea sunk back again; then one became like most middle-aged people, cautious, furtive, with wrinkles between the eyes and a look of perpetual apprehension. For how could one express in words these emotions of the body? Express that emptiness there? (She was looking at the drawing-room steps; they looked extraordinarily empty.) It was one’s body feeling, not one’s mind. The physical sensations that went with the bare look of the steps had become suddenly extremely unpleasant. To want and not to have, sent all up her body a hardness, a hollowness, a strain. And then to want and not to have – to want and want – how that wrung the heart, and wrung again and again! Oh, Mrs. Ramsay! she called out silently, to that essence which sat by the boat, that abstract one made of her, that woman in grey, as if to abuse her for having gone, and then having gone, come back again. It had seemed so safe, thinking of her. Ghost, air, nothingness, a thing you could play with easily and safely at any time of day or night, she had been that, and then suddenly she put her hand out and wrung the heart thus. Suddenly, the empty drawing-room steps, the frill of the chair inside, the puppy tumbling on the terrace, the whole wave and whisper of the garden became like curves and arabesques flourishing round a centre of complete emptiness. . . . A curious notion came to her that he did after all hear the things she could not say. . . . She looked at her picture. That would have been his answer, presumably – how “you” and “I” and “she” pass and vanish; nothing stays; all changes; but not words, not paint. Yet it would be hung in the attics, she thought; it would be rolled up and flung under a sofa; yet even so, even of a picture like that, it was true. One might say, even of this scrawl, not of that actual picture, perhaps, but of what it attempted, that it “remained for ever,” she was going to say, or, for the words spoken sounded even to herself, too boastful, to hint, wordlessly; when, looking at the picture, she was surprised to find that she could not see it. Her eyes were full of a hot liquid (she did not think of tears at first) which, without disturbing the firmness of her lips, made the air thick, rolled down her cheeks. She had perfect control of herself – Oh, yes! – in every other way. Was she crying then for Mrs. Ramsay, without being aware of any unhappiness? She addressed old Mr. Carmichael again. What was it then? What did it mean? Could things thrust their hands up and grip one; could the blade cut; the fist grasp? Was there no safety? No learning by heart of the ways of the world? No guide, no shelter, but all was miracle, and leaping from the pinnacle of a tower into the air? Could it be, even for elderly people, that this was life? – startling, unexpected, unknown? For one moment she felt that if they both got up, here, now on the lawn, and demanded an explanation, why was it so short, why was it so inexplicable, said it with violence, as two fully equipped human beings from whom nothing should be hid might speak, then, beauty would roll itself up; the space would fill; those empty flourishes would form into shape; if they shouted loud enough Mrs. Ramsay would return. “Mrs. Ramsay!” she said aloud, “Mrs. Ramsay!” The tears ran down her face.
”
”
Virginia Woolf
“
This is what people do. They let the fear of their inner thorns affect their behavior. They end up limiting their lives just like someone living with an external thorn. Ultimately, if there is something disturbing inside of you, you have to make a choice. You can compensate for the disturbance by going outside in an attempt to avoid feeling it, or you can simply remove the thorn and not focus your life around it.
”
”
Michael A. Singer (The Untethered Soul: The Journey Beyond Yourself)
“
One who provokes a person by speaking has only called to the surface the passion that was already there. The person who becomes disturbed is like a rotten loaf of bread, which looks all right outside, but inside is mouldy, so that if anyone breaks it its rottenness appears. —Dorotheos
”
”
Dee Pennock (God's Path to Sanity)
“
But this isn’t an illness. This can’t be cured with a few hugs and a capful of pink goo. This is me. Every thought, no matter how bizarre, no matter how disturbing—I create it. It comes from me. It’s made of me. Your thoughts are the mental manifestation of what you look like inside. Rotten thoughts? Rotten insides.
”
”
Emma Noyes (How to Hide in Plain Sight)
“
Sosan is the third Zen Patriarch. Nothing much is known about him – this is as it should be, because history records only violence. History does not record silence – it cannot record it. All records are of disturbance. Whenever someone becomes really silent, he disappears from all records, he is no more a part of our madness. So it is as it should be.
Sosan remained a wandering monk his whole life. He never stayed anywhere; he was always passing, going, moving. He was a river; he was not a pond, static. He was a constant movement. That is the meaning of Buddha’s wanderers: not only in the outside world but in the inside world also they should be homeless –
because whenever you make a home you become attached to it. They should remain rootless; there is no home for them except this whole universe.
”
”
Osho (Hsin Hsin Ming: The Book of Nothing)
“
What are you doing here?"
"Looking for Cinderpelt," answered Fireheart.
"Why? What do you want now?" Cinderpekt's mew sounded from inside her fern nest, and her grey head popped out.
"Is that any way to great your deputy?" Yellowfang scolded, her eyes glinting with amusement.
"It is when he disturbs my sleep," retorted Cinderpelt.
”
”
Erin Hunter (Rising Storm (Warriors, #4))
“
I didn’t want to spend any more time inside the mind of an economist. It was dark and disturbing.
”
”
Andy Weir (Artemis)
“
We are disturbed not by what happens to us, but by our thoughts about what happens. —Epictetus, Greek philosopher I
”
”
Marci Shimoff (Happy for No Reason: 7 Steps to Being Happy from the Inside Out)
“
I left without further comment. I didn’t want to spend any more time inside the mind of an economist. It was dark and disturbing.
”
”
Andy Weir (Artemis)
“
I asked Tuffins to put him in the garden, bring tea, and make sure no one disturbed us. I couldn’t keep Mr. Braddock inside when I planned on shouting the roof down.
”
”
Tarun Shanker (These Vicious Masks (These Vicious Masks, #1))
“
Howard had a pine display case, fastened by fake leather straps and stained to look like walnut. Inside, on fake velvet, were cheap gold-plated earrings and pendants of semiprecious stones. He opened this case for haggard country wives when their husbands were off chopping trees or reaping the back acres. He showed them the same half-dozen pieces every year the last time he came around, when he thought, This is the season - preserving done, woodpile high, north wind up and getting cold, night showing up earlier every day, dark and ice pressing down from the north, down on the raw wood of their cabins, on the rough-cut rafters that sag and sometimes snap from the weight of the dark and the ice, burying families in their sleep, the dark and the ice and sometimes the red in the sky through trees: the heartbreak of a cold sun. He thought, Buy the pendant, sneak it into your hand from the folds of your dress and let the low light of the fire lap at it late at night as you wait for the roof to give out or your will to snap and the ice to be too thick to chop through with the ax as you stand in your husband's boots on the frozen lake at midnight, the dry hack of the blade on ice so tiny under the wheeling and frozen stars, the soundproof lid of heaven, that your husband would never stir from his sleep in the cabin across the ice, would never hear and come running, half-frozen, in only his union suit, to save you from chopping a hole in the ice and sliding into it as if it were a blue vein, sliding down into the black, silty bottom of the lake, where you would see nothing, would perhaps feel only the stir of some somnolent fish in the murk as the plunge of you in your wool dress and the big boots disturbed it from its sluggish winter dreams of ancient seas. Maybe you would not even feel that, as you struggled in clothes that felt like cooling tar, and as you slowed, calmed, even, and opened your eyes and looked for a pulse of silver, an imbrication of scales, and as you closed your eyes again and felt their lids turn to slippery, ichthyic skin, the blood behind them suddenly cold, and as you found yourself not caring, wanting, finally, to rest, finally wanting nothing more than the sudden, new, simple hum threading between your eyes. The ice is far too thick to chop through. You will never do it. You could never do it. So buy the gold, warm it with your skin, slip it onto your lap when you are sitting by the fire and all you will otherwise have to look at is your splintery husband gumming chew or the craquelure of your own chapped hands.
”
”
Paul Harding (Tinkers)
“
We cannot live side by side with obviously distressed people unless they are to blame and we are innocent. Nothing inside them or the way they live can be allowed to disturb our lives.
”
”
David Brandon (Tao of Survival: Spirituality in Social Care and Counselling)
“
Now the moon is high; and the great house, needing habitation more than ever, is like a body without life. Now it is even awful, stealing through it, to think of the live people who have slept in the solitary bedrooms, to say nothing of the dead. Now is the time for shadow, when every corner is a cavern and every downward step a pit, when the stained glass is reflected in pale and faded hues upon the floors, when anything and everything can be made of the heavy staircase beams excepting their own proper shapes, when the armour has dull lights upon it not easily to be distinguished from stealthy movement, and when barred helmets are frightfully suggestive of heads inside. But of all the shadows in Chesney Wold, the shadow in the long drawing-room upon my Lady's picture is the first to come, the last to be disturbed. At this hour and by this light it changes into threatening hands raised up and menacing the handsome face with every breath that stirs.
”
”
Charles Dickens (Bleak House)
“
One of the most beautifully disturbing questions we can ask, is whether a given story we tell about our lives is actually true, and whether the opinions we go over every day have any foundation or are things we repeat to ourselves simply so that we will continue to play the game. It can be quite disorienting to find that a story we have relied on is not only not true - it actually never was true. Not now not ever. There is another form of obsolescence that can fray at the cocoon we have spun about ourselves, that is, the story was true at one time, and for an extended period; the story was even true and good to us, but now it is no longer true and no longer of any benefit, in fact our continued retelling of it simply imprisons us. We are used to the prison however, we have indeed fitted cushions and armchairs and made it comfortable and we have locked the door from the inside.
The imprisoning story I identified by the time the entree was served was one I had told myself for a long time. “In order to write I need peace and quiet and an undisturbed place far from others or the possibility of being disturbed. I knew however, that if I wanted to enter the next creative stage, something had to change; I simply did not have enough free space between traveling, speaking and being a good father and husband to write what I wanted to write. The key in the lock turned surprisingly easy, I simply said to myself, “What if I acted as if it wasn’t true any more, what if it had been true at one time, but now at this stage in the apprenticeship I didn’t need that kind of insulation anymore, what if I could write anywhere and at any time?” One of the interesting mercies of this kind of questioning is that it is hard to lose by asking: if the story is still true, we will soon find out and can go back to telling it. If it is not we have turned the key, worked the hinges and walked out into the clear air again with a simple swing of the door.
”
”
David Whyte
“
You must look inside yourself and determine that from now on pain is not a problem. It is just a thing in the universe. Somebody can say something to you that can cause your heart to react and catch fire, but then it passes. It’s a temporary experience. Most people can hardly imagine what it would be like to be at peace with inner disturbance. But if you do not learn to be comfortable with it, you will devote your life to avoiding it. If you feel insecurity, it’s just a feeling. You can handle a feeling. If you feel embarrassed, it’s just a feeling. It’s just a part of creation. If you feel jealousy and your heart burns, just look at it objectively, like you would a mild bruise. It’s a thing in the universe that is passing through your system. Laugh at it, have fun with it, but don’t be afraid of it. It cannot touch you unless you touch it.
”
”
Michael A. Singer (The Untethered Soul: The Journey Beyond Yourself)
“
There is NO LIFE if it’s a programmed mind. Listen to the struggling kid inside, and follow the innocent unbiased zeal; YOU ARE ONE STEP CLOSER TO YOU.
Never fall in to the trap of traditional rationales, which only evaluates in terms of transactions which leads to somebody else's goals someday.
Time is Man-Made, Calendar is Man-Made to help us, not to disturb us, Set your own time, and allow the inner explosion to express itself.
YOU ARE ONE STEP CLOSER TO YOU
”
”
Ansh - The Mystic Rider
“
took the sculls again. ‘What’s inside it?’ asked the Mole, wriggling with curiosity. ‘There’s cold chicken inside it,’ replied the Rat briefly; ‘coldtonguecoldhamcoldbeefpickledgherkinssaladfrenchrollscresssandwichespottedmeatgingerbe erlemonadesodawater—’ ‘O stop, stop,’ cried the Mole in ecstacies: ‘This is too much!’ ‘Do you really think so?’ enquired the Rat seriously. ‘It’s only what I always take on these little excursions; and the other animals are always telling me that I’m a mean beast and cut itvery fine!’ The Mole never heard a word he was saying. Absorbed in the new life he was entering upon, intoxicated with the sparkle, the ripple, the scents and the sounds and the sunlight, he trailed a paw in the water and dreamed long waking dreams. The Water Rat, like the good little fellow he was, sculled steadily on and forebore to disturb him. ‘I like your clothes awfully, old chap,’ he remarked after some half an hour or so had passed. ‘I’m going to get a black velvet smoking-suit myself some day, as soon as I can afford it.’ ‘I beg your pardon,’ said the Mole, pulling himself together with an effort. ‘You must think me very rude; but all this is so new to me. So—this—is—a—River!
”
”
Kenneth Grahame (The Wind in the Willows)
“
For the mentally disturbed, Marie knew these sandwich visits might be the only dependable moments in their lives. She also knew she delivered the sandwiches for her own sanity. Something would crumble inside of her if she ever walked by a homeless person and pretended not to notice. Or simply didn't care. In a way, she believed that homeless people were treated as Indians had always been treated. Badly. The homeless were like an Indian tribe, nomadic and powerless, just filled with more than any tribe's share of crazy people and cripples. So, a homeless Indian belonged to two tribes, and was the lowest form of life in the city. The powerful white men of Seattle had created a law that made it illegal to sit on the sidewalk. That ordinance was crazier and much more evil than any homeless person. Sometimes Marie wondered if she worked so hard at anything only because she hated powerful white men. She wondered if she went to college and received good grades just because she was looking for revenge.
”
”
Sherman Alexie (Indian Killer)
“
shook her, this place. It was awful. Tragic. Yet… yet it moved her. The sorrow she felt. It was profound. It was moving, somehow. The sorrow of the terrible abandoned garbage dump and the sad graves and the lonesome shacks made her feel something so far inside herself that she could not define it or place it. She was so disturbed that it gave her the strangest comfort, as though something she had suspected about life all along was being confirmed, and the sorrow she felt in her bed at night was reflected by this soil.
”
”
Luis Alberto Urrea (Into the Beautiful North)
“
I emphasise it now; I had little-to-nothing in common with other people. Their values I did not comprehend, their ideals were to me a living horror. Call it ostentatious but I even sought to provide tangible proof of my withdrawal from the world. I posted a sign in the entrance to the building wherein I dwelt; a sign that indicated I had no wish to be disturbed by anyone, for any purpose whatsoever.
As these convictions took hold of me and, as I denied, nay even repudiated, the hold that the current society of men possesses over its ranks, as I retreated into a hermitage of the imagination, disentangling my own concerns from those paramount to the age in which I happened to be born, an age with no claim to be more enlightened, significant or progressive than any other, I tried to make a stand for the spirit. Tyranny, in this land, I was told, was dead. But I contend that the replacement of one form of tyranny with another is still tyranny. The secret police now operate not via the use of brute force in dark underground cells; they operate instead by a process of open brainwashing that is impossible to avoid altogether. The torture cells are not secret; they are everywhere, and so ubiquitous that they are no longer seen for what they are.
One may abandon television; one may abandon all forms of broadcast media, even the Internet, but the advertising hoardings in every street, on vehicles, inside transport centres, are still there. And they contain the same messages.
Only the very rich can avoid their clutches utterly. Those who have obtained sufficient wealth may choose their own surroundings, free from the propaganda of a decayed futurity. And yet, and yet, in order to obtain such a position of freedom it is first necessary to have served the ideals of the tyranny slavishly, thereby validating it.
("The Tower")
”
”
Mark Samuels (Best New Horror 23 (The Mammoth Book of Best New Horror, #23))
“
Do not doubt your ability to remove the root cause of the disturbance inside of you. It really can go away. You can look deep within yourself, to the core of your being, and decide that you don’t want the weakest part of you running your life. You want to be free of this.
”
”
Michael A. Singer (The Untethered Soul: The Journey Beyond Yourself)
“
So it was that the Red Tower put into production its new, more terrible and perplexing, line of unique novelty items. Among the objects and constructions now manufactured were several of an almost innocent nature. These included tiny, delicate cameos that were heavier than their size would suggest, far heavier, and lockets whose shiny outer surface flipped open to reveal a black reverberant abyss inside, a deep blackness roaring with echoes. Along the same lines was a series of lifelike replicas of internal organs and physiological structures, many of them evidencing an advanced stages of disease and all of them displeasingly warm and soft to the touch. There was a fake disembodied hand on which fingernails would grow several inches overnight and insistently grew back should one attempt to clip them. Numerous natural objects, mostly bulbous gourds, were designed to produce a long, deafening scream whenever they were picked up or otherwise disturbed in their vegetable stillness. Less scrutable were such things as hardened globs of lava into whose rough, igneous forms were sent a pair of rheumy eyes that perpetually shifted their gaze from side to side like a relentless pendulum. And there was also a humble piece of cement, a fragment broken away from any street or sidewalk, that left a most intractable stain, greasy and green, on whatever surface it was placed. But such fairly simple items were eventually followed, and ultimately replaced, by more articulated objects and constructions. One example of this complex type of novelty item was an ornate music box that, when opened, emitted a brief gurgling or sucking sound in emulation of a dying individual's death rattle. Another product manufactured in great quantity at the Red Tower was a pocket watch in a gold casing which opened to reveal a curious timepiece whose numerals were represented by tiny quivering insects while the circling 'hands' were reptilian tongues, slender and pink. But these examples hardly begin to hint at the range of goods that came from the factory during its novelty phase of production. I should at least mention the exotic carpets woven with intricate abstract patterns that, when focused upon for a certain length of time, composed themselves into fleeting phantasmagoric scenes of a kind which might pass through a fever-stricken or even permanently damaged brain.
”
”
Thomas Ligotti (Teatro Grottesco)
“
It takes a generation, he says, to reconcile heads and hearts. Englishmen of every shire are wedded to what their nurses told them. They do not like to think too hard, or disturb the plan of the world that exists inside their heads, and they will not accept change unless it puts them in better ease. But new
”
”
Hilary Mantel (The Mirror & the Light (Thomas Cromwell, #3))
“
The purpose of spiritual evolution is to remove the blockages that cause your fear. The alternative is to protect your blockages so that you don’t have to feel fear. To do this, however, you will have to try to control everything in order to avoid your inner issues. It’s hard to understand how we decided that avoiding our inner issues is an intelligent thing to do, but everybody’s doing it. Everyone is saying, “I will do every single thing I can to keep my stuff. If you say anything that disturbs me, I will defend myself. I’ll yell at you and make you take it back. If you cause any disturbance inside of me, I will make you so sorry.” In other words, if somebody does something that stimulates fear, you think they did something wrong. You then do everything you can to make sure they never do it again. First you defend yourself, and then you protect yourself. You do whatever you can to keep from feeling disturbance.
”
”
Michael A. Singer (The Untethered Soul: The Journey Beyond Yourself)
“
To sit back and watch is no longer possible. It never was, it turned out.
I step onto the pristine grass. It feels like an invasion, but a voice inside reminds me to loosen up. I don't pretend that I knew him before, but he's always with me now.
We're weaving in between trees, careful not to disturb, on a mission. We mean no trouble. There are so many of us, the lonely souls. All of us who helped build this. Those who will watch it grow. Those we've lost. We march on together. Climbing, falling, soaring. Trying to get closer to the center of everything. Closer to ourselves. Closer to each other. Closer to something true.
”
”
Val Emmich (Dear Evan Hansen)
“
Many men have a secret monster, a malady that they nurture, a dragon that gnaws at them, a despair that inhabits their darkness. Such a man looks like any other, going about his business. No one knows that he has inside him a terrible parasitic pain with countless teeth, which lives inside this poor wretch, who is dying of it. No one knows that this man is an abyss. His waters are stagnant but deep. From time to time, a disturbance the onlooker cannot account for occurs on the surface. A mysterious ripple forms, then vanishes, then reappears, an air bubble rises and bursts. It is not much, it is terrifying. It is the breathing of the unknown beast.
”
”
Victor Hugo (Les Misérables)
“
If anything can cause disturbance inside of you, it means it hit your model. It means it hit the false part of you that you built in order to control your own definition of reality. But if that model is reality, why didn’t experiential reality fit? There’s nothing you can make up inside your mind that can ever be considered reality.
”
”
Michael A. Singer (The Untethered Soul: The Journey Beyond Yourself)
“
Even more important, the twin revolutions in infotech and biotech could restructure not just economies and societies but our very bodies and minds. In the past, we humans learned to control the world outside us, but we had very little control over the world inside us. We knew how to build a dam and stop a river from flowing, but we did not know how to stop the body from aging. We knew how to design an irrigation system, but we had no idea how to design a brain. If a mosquito buzzed in our ear and disturbed our sleep, we knew how to kill the mosquito, but if a thought buzzed in our mind and kept us awake at night, most of us did not know how to kill the thought.
”
”
Yuval Noah Harari (21 Lessons for the 21st Century)
“
Yet as bad as she felt, it was nothing compared to the stark despair she saw in Rafferty’s eyes. It was so total, and went so deep, that it made her forget her own hurt to see it. It was the look of a man who’d given up deep inside where it mattered most, and for Maggie, who was a survivor to her very toes, it was profoundly disturbing.
”
”
Caroline Cross (Rafferty's Angel)
“
You are mine for all eternity, Savannah, until we grow weary of this existence and choose to go together to the next." Reluctantly, he freed his body from hers,bent hif head to remove the thin triail of red marring her skin. Gregori settled her into him so that his head rested beside her breast.
Her arms crept around his damp hair, cradling him to her, the sleep of their people calling to her. He shifted her slight body so that he could drape one leg over her thighs possessively, so that his hands could shape the length of her body at will,know it was imprinted there in the soil beside his.
The chamber door slid noiselessly shut to seal them inside at his thought. The safeguards were many and all of them deadly.Anyone disturbing their rest would be in mortal peril.Gregori stroked her long hair, contended. At peace. "You are so small, ma petite, to bring such pleasure to a man." The warmth of his breath teased her nipple, and his tongue followed in a slow,leisurely caress. "I have made love to you each time I have taken you into my arms. There can be no other for either of us,Savannah."
She stirred with drowsy contentment, the slight movement bringing her breast against his mouth. Her hands stroked his hair gently. "I am not the one who worries, lifemate.I know there is no other."
His tongue made another lazy, contented curl around her creamy skin. "One who has gone centuries in utter darkness takes a long time to believe he will not lose the light.Go to sleep, Savannah, safe in my arms.Let the soil heal both of us and bring us peace, as Julian knew it would."
She was silent for a moment, but his mouth feeding at her breast was causing little aftershocks, rushes of liquid heat. "I will if you behave.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
I’m disappointed, Donatella. I thought I was your friend. But not only were you late, now you’re trying to escape me.” His idle tone turned sharp and something terrible twisted inside of Tella’s gut. “Is this because you don’t have my payment?” Jacks looked down on her with a smile so disturbing it could have made an angel weep. Unholy saints from hell.
”
”
Stephanie Garber (Legendary (Caraval, #2))
“
The ice on the next pane was already disturbed, had been wiped away by someone recently. Beads of condensation stood like tiny lenses warping the light. He rubbed the glass and knew what had happened. He saw the woman inside with the auburn hair that she sometimes kept in a bun. This was not his wife. This was someone who wanted that, wanted him like that.
”
”
Hugh Howey (Shift (Silo, #2))
“
He had thought of childhood as something intimate and pure, inside his home, his family. Instead of that, in Deborah's school he had been disturbed and thrilled by the presence all around him of something wild, barbaric, dark, compounded of the city streets, of surging crowds, of rushing feet, of turmoil, filth, disease and death, of poverty and vice and crime.
”
”
Ernest Poole (His Family)
“
Hidden pride is a most pernicious vice, the more so since it is not recognized and does not recognize itself. On the outside, it may appear gentle, mild, and even humble. Yet inside, it burns away bitterly. The person who is subject to such pride becomes inordinately elated when he is successful but is disturbed and dejected in the face of adversity or failure.
”
”
Thomas à Kempis (Humility and the Elevation of the Mind to God)
“
The ice on the next pane was already disturbed, had been wiped away by someone recently. Beads of condensation stood like tiny lenses warping the light. He rubbed the glass and knew what had happened. He saw the woman inside with the auburn hair that she sometimes kept in a bun. This was not his wife. This was someone who wanted that, wanted him like that. ‘Hello?
”
”
Hugh Howey (Shift (Silo, #2))
“
What it means to live spiritually is to not participate in this struggle. It means that the events that happen in the moment belong to the moment. They don’t belong to you. They have nothing to do with you. You must stop defining yourself in relationship to them, and just let them come and go. Don’t allow events to leave impressions inside of you. If you find yourself thinking about them later on, just let go. If an event happens that doesn’t fit your conceptual model, and you see yourself struggling and rationalizing to make it fit, just notice what you’re doing. An event in the universe didn’t match your model and it’s causing disturbance inside of you. If you will simply notice this, you will find that it is actually breaking up your model. You’ll get to the point where you like this because you don’t want to keep your model. You’ll define this as good because you are no longer willing to put any energy into building and solidifying your façade. Instead, you will actually permit the things that disturb your model to act as the dynamite to break it up and free you. This is what it means to live spiritually.
”
”
Michael A. Singer (The Untethered Soul: The Journey Beyond Yourself)
“
he cupped her chin, traced her lips, and slid two fingers inside. A shockingly intimate and inexplicably controlling move—as if he intended to invade and possess every part of her. Even though the notion disturbed her, she couldn’t help tightening her lips to keep him there. He groaned his approval, then took a deep breath, opened his eyes and met hers in the mirror. “It’s about to get rough.
”
”
Samanthe Beck (Falling for the Enemy (Private Pleasures, #3))
“
The ice on the next pane was already disturbed, had been wiped away by someone recently. Beads of condensation stood like tiny lenses warping the light. He rubbed the glass and knew what had happened. He saw the woman inside with the auburn hair that she sometimes kept in a bun. This was not his wife. This was someone who wanted that, wanted him like that. ‘Hello?’ Troy turned toward the voice.
”
”
Hugh Howey (Shift (Silo, #2))
“
People end up using their relationships to hide their thorns. If you care for each other, you are expected to adjust your behavior to avoid bumping into each other’s soft spots. This is what people do. They let the fear of their inner thorns affect their behavior. They end up limiting their lives just like someone living with an external thorn. Ultimately, if there is something disturbing inside of you, you have to make a choice. You can compensate for the disturbance by going outside in an attempt to avoid feeling it, or you can simply remove the thorn and not focus your life around it. Do not doubt your ability to remove the root cause of the disturbance inside of you. It really can go away. You can look deep within yourself, to the core of your being, and decide that you don’t want the weakest part of you running your life. You want to be free of this.
”
”
Michael A. Singer (The Untethered Soul: The Journey Beyond Yourself)
“
The Winter of Listening"
No one but me by the fire,
my hands burning
red in the palms while
the night wind carries
everything away outside.
All this petty worry
while the great cloak
of the sky grows dark
and intense
round every living thing.
What is precious
inside us does not
care to be known
by the mind
in ways that diminish
its presence.
What we strive for
in perfection
is not what turns us
into the lit angel
we desire,
what disturbs
and then nourishes
has everything
we need.
What we hate
in ourselves
is what we cannot know
in ourselves but
what is true to the pattern
does not need
to be explained.
Inside everyone
is a great shout of joy
waiting to be born.
Even with the summer
so far off
I feel it grown in me
now and ready
to arrive in the world.
All those years
listening to those
who had
nothing to say.
All those years
forgetting
how everything
has its own voice
to make
itself heard.
All those years
forgetting
how easily
you can belong
to everything
simply by listening.
And the slow
difficulty
of remembering
how everything
is born from
an opposite
and miraculous
otherness.
Silence and winter
has led me to that
otherness.
So let this winter
of listening
be enough
for the new life
I must call my own.
”
”
David Whyte
“
The truth a fairly important thing to hold on to when you’ve been pulled out of the sea after wanting to drown in it. I could’ve let the sea take me. I could easily be dead now, which is funny when you think of it. When I say funny, what I actually mean is weird and kind of disturbing.
When there’s the loud sound of a siren screaming in your head it doesn’t take too long before a feeling of not caring what happens washed over you and you become recklessly self- destructive. I used to be full of energy and happiness but I could barely remember those kinds of feelings. The cheerful, childish things I used to think had been replaced. A whole load of new realisations had begun to grow inside me like tangled weeds, and they were starting to kill me. That’s why I’d make the decision that involved heading ogg to the pier on my pike in the middle of the night and cycling off it.
”
”
Sarah Moore Fitzgerald (The Apple Tart of Hope)
“
There was something insecure about that chimera too, about whoever had engineered it. To construct what amounts to a wall of devouring, you must be really afraid of something. Maybe that’s what happens when annihilation is no longer speculative but a fact of national and personal history. That’s the easy answer. The more disturbing one is that this wall represented nothing new, that it was no more spectacular than the rituals of lynching, that the mob too was insecure, that its rituals too spoke to white men’s violent impotence. And oddly enough, I had the same feeling as I left the City of David—that I was in the presence of a violent impotence. It all felt so fake. And beholding the redemption of Eretz Israel, the ostensible homecoming of an ancient people, announced in 3D projection and accessed via zip line, I could not escape the feeling of being in the presence of a poorly wrought fairy tale and an enormous con. I was in the land that Uris so adored, where the New Jew “spits in the eye of the Arab hordes.” But the very violence and force that emanated even from the City of David spoke to the disquiet and fear that resided somewhere deep inside Israel. The state doth protest too much. It occurred to me that if Jewish national honor had indeed been redeemed, the Israelis themselves did not quite believe it.
”
”
Ta-Nehisi Coates (The Message)
“
The guy smiled at me, and I glanced at him again just in time to look directly into his eyes.
My mistake.
Sight was a common Talent, but my magic went beyond seeing the world with crystal clarity or being able to navigate through the dark like it was daylight.
Because I could also see into people.
All I had to do was stare into someone’s eyes, and I knew exactly what they were feeling at that moment, whether it was love, hate, anger, or something else. Not only that, but I could actually feel the emotion in my own heart, just like the person who was experiencing it. Soulsight, it was called. A major Talent and one that I could have done without. Most people didn’t have a lot of nice thoughts, feelings, or emotions, not even toward their own so-called friends and family.
But this guy . . . he radiated cold sorrow, as though he was carrying around a heavy burden that he could never, ever be free from. Still, there was a rock-hard strength mixed in with his sorrow, along with a flicker of something else buried deep, deep down . . . a hot spark that I couldn’t quite identify.
I knew in an instant that he was the sort of guy who was exceedingly loyal to his friends. Who felt responsible for others. Who tried to help people as much as he could even if they didn’t deserve it, and he ended up being the one who got hurt instead. The sort of guy that others saw as a leader and naturally flocked to. The sort of guy who was just so disgustingly fascinating that you couldn’t help wanting to know more about him.
The guy kept smiling, although his expression grew thinner and fainter the longer I stared. But I couldn’t help it. For the first time in a long time, I was completely captivated by another person. In that moment, all I wanted to do was peel back the cool exterior of his emotions and see what really lay beneath—and especially see what would happen when that hot spark inside him flared to life and he finally let out his true feelings.
But there was also something disturbingly . . . familiar about him. As though I’d met him someplace before, although I couldn’t quite remember where. I kept staring into his green eyes, hoping that my soulsight would kick in a tiny bit more and bring the knowledge, the memory, along with it . . .
”
”
Jennifer Estep (Cold Burn of Magic (Black Blade, #1))
“
i'm angry with life, yes i'm angry with world
i'm angry with strangers , i'm angry with relatives
i'm angry with my friends , i'm angry with my enemies
i'm angry with hate ,i'm angry with love
i'm angry with day ,i am angry with night
i'm angry with morning ,i'm angry with evening
i'm angry with conversation ,i'm angry with emotions
i'm angry with feelings , i'm angry with passion
i'm angry with every false promises , i'm angry with every lie swear
i'm angry with truth i'm angry with lie
i'm angry with reality, i'm angry with dreams
i'm angry with fire hidden inside me,
i'm angry with softness which inside me
i'm angry with thirst which disturbing me
i'm angry with ocean which not for me
i'm angry with tears,i'm angry with smile
i'm angry with my breaths
i'm angry with my heart beats
i'm angry with your laziness .death you are lazy
i'm angry with everything,i'm angry with every one
yes i'm angry with God,Because i'm angry with my self
i'm angry with my self,i'm angry with my self
”
”
Mohammed Zaki Ansari
“
During dessert, he took out a little box and gave it to Bernadette. Inside was a silver locket with a yellow photograph inside, of a severe and disturbed-looking girl. “It’s Saint Bernadette,” Elgie said. “Our Lady of Lourdes. She had visions, eighteen in all. You had your first vision with Beeber Bifocal. You had your second vision with the Twenty Mile House. Here’s to sixteen more.” Bernadette started crying. I started crying. He started crying. The three of us were in a puddle when the waiter came with the check.
”
”
Maria Semple (Where'd You Go, Bernadette)
“
it was disturbing to discover that there was this other thing in him, this reservoir of rage, this complex of family feelings that could suddenly explode and take control of him. The angry words he’d spoken to his father had felt pre-formed, as if there were an aggrieved second self inside him 24/7, ordinarily invisible but clearly fully sentient and ready to vent itself, at a moment’s notice, in the form of sentences independent of his volition. It made him wonder who his real self was; and this was very disturbing.
”
”
Jonathan Franzen (Freedom)
“
from the Adairsville PD. What you’ve got to do is imply that you understand the subject, understand what was going through his mind and the stresses he was under. No matter how disgusting it feels to you, you’re going to have to project the blame onto the victim. Imply that she seduced him. Ask if she led him on, if she turned on him, if she threatened him with blackmail. Give him a face-saving scenario. Give him a way of explaining his actions. The other thing I knew from all the cases I’d seen is that in blunt-force-trauma or knife homicides, it’s difficult for the attacker to avoid getting at least traces of the victim’s blood on him. It’s common enough that you can use it. When he starts to waffle, even slightly, I said, look him straight in the eye and tell him the most disturbing part of the whole case is the known fact that he got Mary’s blood on him. “We know you got blood on you, Gene; on your hands, on your clothing. The question for us isn’t ‘Did you do it?’ We know you did. The question is ‘Why?’ We think we know why and we understand. All you have to do is tell us if we’re right.” And that was exactly how it went down. They bring Devier in. He looks instantly at the rock, starts perspiring and breathing heavily. His body language is completely different from the previous interviews: tentative, defensive. The interrogators project blame and responsibility onto the girl, and when he looks as if he’s going with it, they bring up the blood. This really upsets him. You can often tell you’ve got the right guy if he shuts up and starts listening intently as you speak.
”
”
John E. Douglas (Mind Hunter: Inside the FBI's Elite Serial Crime Unit (Mindhunter #1))
“
Through feedback, said Wiener, Bigelow, and Rosenblueth, a mechanism could embody purpose.
Even today, more than half a century later, that assertion still has the power to fascinate and disturb. It arguably marks the beginning of what are now known as artificial intelligence and cognitive science: the study of mind and brain as information processors. But more than that, it does indeed claim to bridge that ancient gulf between body and mind—between ordinary, passive matter and active, purposeful spirit. Consider that humble thermostat again. It definitely embodies a purpose: to keep the room at a constant temperature. And yet there is nothing you can point to and say, "Here it is—this is the psychological state called purpose." Rather, purpose in the thermostat is a property of the system as a whole and how its components are organized. It is a mental state that is invisible and ineffable, yet a natural phenomenon that is perfectly comprehensible.
And so it is in the mind, Wiener and his colleagues contended. Obviously, the myriad feedback mechanisms that govern the brain are far more complex than any thermostat. But at base, their operation is the same. If we can understand how ordinary matter in the form of a machine can embody purpose, then we can also begin to understand how those three pounds of ordinary matter inside our skulls can embody purpose—and spirit, and will, and volition. Conversely, if we can see living organisms as (enormously complex) feedback systems actively interacting with their environments, then we can begin to comprehend how the ineffable qualities of mind are not separate from the body but rather inextricably bound up in it.
”
”
M. Mitchell Waldrop (The Dream Machine: J.C.R. Licklider and the Revolution That Made Computing Personal)
“
The squid has even evolved a special place to house the bacteria - a structure scientists call a 'light organ' located inside the mantle. But the bacteria don't just set up house and begin to party. When the first batch of bacteria arrive in their new digs, they have work to do.The light organ has been partially prepared for the bacteria's arrival, but the final touches won't occur until the newly arrived bacteria get things started. It's as though they've arrived in a new house but only the frame is up. The bacteria themselves have to do the finish work.
”
”
Wendy Williams (Kraken: The Curious, Exciting, and Slightly Disturbing Science of Squid)
“
Prince Arctic?” A silvery white dragon poked her head around the door, tapping three times lightly on the ice wall. Arctic couldn’t remember her name, which was the kind of faux pas his mother was always yelling at him about. He was a prince; it was his duty to have all the noble dragons memorized along with their ranks so he could treat them according to exactly where they fit in the hierarchy. It was stupid and frustrating and if his mother yelled at him about it one more time, he would seriously enchant something to freeze her mouth shut forever. Oooo. What a beautiful image. Queen Diamond with a chain of silver circles wound around her snout and frozen to her scales. He closed his eyes and imagined the blissful quiet. The dragon at his door shifted slightly, her claws making little scraping sounds to remind him she was there. What was she waiting for? Permission to give him a message? Or was she waiting for him to say her name — and if he didn’t, would she go scurrying back to the queen to report that he had failed again? Perhaps he should enchant a talisman to whisper in his ear whenever he needed to know something. Another tempting idea, but strictly against the rules of IceWing animus magic. Animus dragons are so rare; appreciate your gift and respect the limits the tribe has set. Never use your power frivolously. Never use it for yourself. This power is extremely dangerous. The tribe’s rules are there to protect you. Only the IceWings have figured out how to use animus magic safely. Save it all for your gifting ceremony. Use it only once in your life, to create a glorious gift to benefit the whole tribe, and then never again; that is the only way to be safe. Arctic shifted his shoulders, feeling stuck inside his scales. Rules, rules, and more rules: that was the IceWing way of life. Every direction he turned, every thought he had, was restricted by rules and limits and judgmental faces, particularly his mother’s. The rules about animus magic were just one more way to keep him trapped under her claws. “What is it?” he barked at the strange dragon. Annoyed face, try that. As if he were very busy and she’d interrupted him and that was why he was skipping the usual politic rituals. He was very busy, actually. The gifting ceremony was only three weeks away. It was bad enough that his mother had dragged him here, to their southernmost palace, near the ocean and the border with the Kingdom of Sand. She’d promised to leave him alone to work while she conducted whatever vital royal business required her presence. Everyone should know better than to disturb him right now. The messenger looked disappointed. Maybe he really was supposed to know who she was. “Your mother sent me to tell you that the NightWing delegation has arrived.” Aaarrrrgh. Not another boring diplomatic meeting.
”
”
Tui T. Sutherland (Darkstalker (Wings of Fire: Legends, #1))
“
So it was that the Red Tower put into production its terrible and perplexing line of unique novelty items. Among the objects and constructions now manufactured were several of an almost innocent nature. These included tiny, delicate cameos that were heavier than their size would suggest, far heavier, and lockets whose shiny outer surface flipped open to reveal a black reverberant abyss inside, a deep blackness roaring with echoes. Along the same lines was a series of lifelike replicas of internal organs and physiological structures, many of them evidencing an advanced stage of disease and all of them displeasingly warm and soft to the touch. There was a fake disembodied hand on which fingernails would grow several inches overnight, every night like clockwork. Numerous natural objects, mostly bulbous gourds, were designed to produce a long deafening scream whenever they were picked up or otherwise disturbed in their vegetable stillness. Less scrutable were such things as hardened globs of lava into whose rough igneous forms were set a pair of rheumy eyes that perpetually shifted their gaze from side to side like a relentless pendulum. And there was also a humble piece of cement, a fragment broken away from any street or sidewalk, that left a most intractable stain, greasy and green, on whatever surface it was placed. But such fairly simple items were eventually followed, and ultimately replaced, by more articulated objects and constructions. One example of this complex type of novelty item was an ornate music box that, when opened, emitted a brief gurgling or sucking sound in emulation of a dying individual's death rattle. Another product manufactured in great quantity at the Red Tower was a pocket watch in gold casing which opened to reveal a curious timepiece whose numerals were represented by tiny quivering insects while the circling "hands" were reptilian tongues, slender and pink. But these examples hardly begin to hint at the range of goods that came from the factory during its novelty phase of production. I should at least mention the exotic carpets woven with intricate abstract patterns that, when focused upon for a certain length of time, composed themselves into fleeting phantasmagoric scenes of the kind which might pass through a fever-stricken or even permanently damaged brain.
”
”
Thomas Ligotti (The Nightmare Factory)
“
He says to the king, in the north they have contempt for the king’s peace, they want to administer their own murders. If Norfolk cannot subdue them they will fall into their old savagery, where each eye or limb or life itself is costed out, and all flesh has a price. In our forefathers’ time a nobleman’s life was worth six times that of a man who followed the plough. The rich man can slaughter as he pleases, if his pocket can bear the fines, but the poor man cannot afford one murder across his lifetime. We repudiate this, he tells the king: we say a man of violence cannot go free because his cousin is the judge, no more than a wealthy sinner can make up for his sins by founding a monastery. Before God and the law, all men are equal. It takes a generation, he says, to reconcile heads and hearts. Englishmen of every shire are wedded to what their nurses told them. They do not like to think too hard, or disturb the plan of the world that exists inside their heads, and they will not accept change unless it puts them in better ease. But new times are coming. Gregory’s children—and, he adds quickly, your Majesty’s children yet to be born—will never have known their country in thrall to an old fraud in Rome. They will not put their faith in the teeth and bones of the dead, or in holy water, ashes and wax. When they can read the Bible for themselves, they will be closer to God than to their own skin. They will speak His language, and He theirs. They will see that a prince exists not to sit a horse in a plumed helmet, but—as your Majesty always says—to care for his subjects, body and soul. The scriptures enjoin obedience to earthly powers, and so we stick by our prince through thick and thin. We do not reject part of his polity. We take him as a whole, consider him God’s anointed, and suppose God is keeping an eye on him.
”
”
Hilary Mantel (The Mirror & the Light (Thomas Cromwell, #3))
“
When they stopped to pick up Mike, Violet started to get out so she could climb in back with Chelsea, giving Mike’s longer legs the front seat, but Jay reached out and caught her wrist.
“What are you doing? I want you to sit with me.” His fingers moved to lace through hers as he drew her back inside. “Mike can sit in back.”
Violet felt herself blush with satisfaction.
Mike came out of his house and jumped down the porch without ever touching the steps. Behind the darkened curtains, the television flickered.
“Here he comes!” Chelsea squealed, sounding like a little girl as she bounced up and down in the backseat, shaking the entire car. She clapped her hands with excitement.
Violet pulled her seat as far forward as she could to give Mike some extra room. He’d need it if he was going to be confined back there with Chelsea.
“Heeyyy, Mike.” Chelsea managed to drawl the two words into several long syllables as Mike slid into the car. The syrupiness of it sounded so foreign oozing from Chelsea’s mouth.
“Hey,” Mike said back to her. One word, one syllable.
“So I guess it’s just the four of us tonight,” she purred.
“Really? I thought we were meeting a buncha people.”
“Nope. Just us. Everyone else bailed.”
Violet smiled to herself as she listened to Chelsea’s account, amazed that her words came out sounding so…sincere.
But Violet knew better. And she realized from the look Jay flashed her that he knew too.
Mike, on the other hand, was too new to understand the disturbing way that Chelsea’s mind worked. There was a brief pause, and then Violet swore she could hear a smile in his voice when he answered, “That’s cool.”
He might rethink that later, Violet thought, when Chelsea stops holding back and decides to assault him right in the middle of a crowded movie theater. Unless he’s into that kind of thing. She grinned wickedly to herself.
And then she wondered if Jay would attack her.
She hoped so.
”
”
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
“
Maester Cressen, we have visitors.” Pylos spoke softly, as if loath to disturb Cressen’s solemn meditations. Had he known what drivel filled the maester’s head, he would have shouted. “The princess would see the white raven.” Ever correct, Pylos called her princess now, as her lord father was a king. King of a smoking rock in the great salt sea, yet a king nonetheless. “She would see the white raven. Her fool is with her.” The old man turned away from the dawn, keeping a hand on his wyvern to steady himself. “Help me to my chair and show them in.” Taking his arm, Pylos led him inside. In his youth, Cressen had walked briskly, but he was
”
”
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
“
When you have fear, insecurity, or weakness inside of you, and you attempt to keep it from being stimulated, there will inevitably be events and changes in life that challenge your efforts. Because you resist these changes, you feel that you are struggling with life. You feel like this person is not behaving the way they should, and this event is not unfolding the way you want. You see situations that happened in the past as disturbing, and you see things down the road as potential problems. Your definitions of desirable and undesirable, as well as good and bad, all come about because you have defined how things need to be in order for you to be okay.
”
”
Michael A. Singer (The Untethered Soul: The Journey Beyond Yourself)
“
Anxiety takes away your social life and your balance: you withdraw from all the social occasions, close into yourself because it is the easiest way. The idea of getting out sends your heart racing and you break out into sweats, secretly wishing that the appointment or meeting gets cancelled.
Depression though, undermines deeply inside your body and mind, it creates a whirlwind of negativity and disturbing thoughts from which is hard to get out. It gives us a filter through which we see our reality as distorted, broken and hopeless. Physically your body aches from the inside, your hands gets tingly, you are always tired that it seems impossible to get out of bed daily.
”
”
Deborah Bettega (Screen's Queen)
“
After All This"
After all this love, after the birds rip like scissors
through the morning sky, after we leave, when the empty
bed appears like a collapsed galaxy, or the wake of
disturbed air behind a plane, after that, as the wind turns
to stone, as the leaves shriek, you are still breathing
inside my own breath. The lighthouse on the far point
still sweeps away the darkness with the brush of an arm.
The tides inside your heart still pull me towards you.
After all this, what are these words but mollusk shells
a child plays with? What could say more than the eloquence
of last night’s constellations? or the storm anchored by
its own flashes behind the far mountains? I remember
the way your body wavers under my touch like the northern
lights. After all this, I want the certainty of hidden roots
spreading in all directions from their tree. I want to hear
again the sky tangled in your voice. Some nights I can
hear the footsteps of the stars. How can these words
ever reveal the secret that waits in their sleeping light?
The words that walk through my mind say only what has
already passed. Beyond, the swallows are still knitting
the wind. After a while, the smokebush will turn to fire.
After a while, the thin moon will grow like a tear in a curtain.
Under it, a small boy kicks a ball against the wall of
a burned out house. He is too young to remember the war.
He hardly knows the emptiness that kindles around him.
He can speak the language of early birds outside our window.
Someday he will know this kind of love that changes
the color of the sky, and frees the earth from its moorings.
Sometimes I kiss your eyes to see beyond what I can imagine.
Sometimes I think I can speak the language of unborn stars.
I think the whole earth breathes with you. After all this,
these words are all I have to say what is impossible to think,
what shy dreams hide in the rafters of my heart, because
these words are only a form of touch, only tell you I have no life
that isn’t yours, and no death you couldn’t turn into a life.
”
”
Richard Jackson (Resonance)
“
So, you have a choice: Do you want to try to change the world so it doesn’t disturb your Samskaras, or are you willing to go through this process of purification? Don’t make decisions based on stimulated blockages. Learn to be centered enough to just watch this stuff come up. Once you sit deeply enough inside to stop fighting the stored energy patterns, they’ll come up constantly and pass right through you. They’ll come up during the day and they’ll even come up in your dreams. Your heart will become accustomed to the process of releasing and cleansing. Just let it all happen. Get it over with. Don’t process them one by one; that’s too slow. Stay centered behind them and let go.
”
”
Michael A. Singer (The Untethered Soul: The Journey Beyond Yourself)
“
There were a few ships at anchor, mostly single-sailed coastal traders. The Empire didn’t encourage its subjects to go far away, in case they saw things that might disturb them. For the same reason it had built a wall around the entire country, patrolled by the Heavenly Guard whose main function was to tread heavily on the fingers of any inhabitants who felt they might like to step outside for five minutes for a breath of fresh air. This didn’t happen often, because most of the subjects of the Sun Emperor were quite happy to live inside the Wall. It’s a fact of life that everyone is on one side or other of a wall, so the only thing to do is forget about it or evolve stronger fingers.
”
”
Terry Pratchett (Mort (Discworld, #4))
“
I began to notice that when I was tired or anxious, there were certain sentences I would say in my head that lead me to a very familiar place. The journey to this place would often start with me walking around disturbed, feeling as if there was something deep inside that I needed to put into words but couldn't quite capture. I felt the "something" as an anxiety, a loneliness, and a need for connection with someone. If no connection came, I would start to say things like, "Life really stinks. Why is it always so hard? It's never going to change." If no one noticed that I was struggling and asked me what was wrong, I found my sentences shifting again to a more cynical level, "Who cares? Life really is a joke." Surprisingly, I noticed by the time I was saying these last sentences, I was feeling better. The anxiety had greatly diminished.
My "comforter", my abiding place, was cynicism and rebellion. From this abiding place, I would feel free to use some soul - cocaine - a violence video with maybe a little sexual titillation thrown in, perhaps having a little more alcohol with a meal than I might normally drink - things that would allow me to feel better for just a little while. I had always thought of these things as just bad habits. I began to see that they were much more; they were spiritual abiding places that were my comforters and friends in a very spiritual way; literally, other lovers.
”
”
John Eldredge (The Sacred Romance: Drawing Closer to the Heart of God)
“
We have phosphate on our DNA. Aluminum attaches itself to it and messes up our genetic coding process. While the aluminum is inside a cell, some of its particles attach to adenosine triphosphate (ATP). The ATP is in charge of our cell’s energy production. So, in this manner the aluminum can affect our energy level. We have enzymes (proteins) within our cells that depend on attaching themselves to calcium (Ca) or magnesium (Mg) to function properly. Once our enzymes have attached to the Ca and Mg, they can carry on with their functions. Because the aluminum has such a strong positive charge, it’s able to break the bond between our enzymes and Ca or Mg. These enzymes are now no longer attached to Ca or Mg. They have become neutralized and are unable to carry out their responsibilities. We need these enzymes for efficient metabolism, but now the aluminum is attached to the enzymes instead. The protein molecules all look a little different because their shape reflects what they are designed to do. Aluminum disturbs their individual tasks and clumps them together so they are now misshapen and no longer functioning. Aluminum also messes with the cell surface, the membrane, the outer layer of the cell. With a dysfunctional cell membrane, everything inside the cell becomes compromised and it is no longer able to properly communicate with the environment surrounding the cell about what needs to be done[96].
”
”
James Morcan (Vaccine Science Revisited: Are Childhood Immunizations As Safe As Claimed? (The Underground Knowledge Series, #8))
“
You become constipated because the surge of GLP-1 slows down your gut and its emptying. The food and waste sit inside you longer and find it harder to get out. Similarly, you burp because “the valve that sits at the bottom of the stomach doesn’t open as quickly. The air must go somewhere, so instead of it going down into the small intestine, people start burping.” You become nauseous because the drug creates a sensation of extreme satiety—that you are full and can’t eat any more. The human brain struggles to distinguish between extreme satiety and sickness: the two signals get easily mixed up, which is why, even for people who aren’t taking these drugs, after a really big meal you often feel a little nauseous.
”
”
Johann Hari (Magic Pill: The Extraordinary Benefits and Disturbing Risks of the New Weight-Loss Drugs)
“
Obama occasionally pointed out that the post–Cold War moment was always going to be transitory. The rest of the world will accede to American leadership, but not dominance. I remember a snippet from a column around 9/11: America bestrides the world like a colossus. Did we? It was a story we told ourselves. Shock and awe. Regime change. Freedom on the march. A trillion dollars later, we couldn’t keep the electricity running in Baghdad. The Iraq War disturbed other countries—including U.S. allies—in its illogic and destruction, and accelerated a realignment of power and influence that was further advanced by the global financial crisis. By the time Obama took office, a global correction had already taken place. Russia was resisting American influence. China was throwing its weight around. Europeans were untangling a crisis in the Eurozone.
Obama didn’t want to disengage from the world; he wanted to engage more. By limiting our military involvement in the Middle East, we’d be in a better position to husband our own resources and assert ourselves in more places, on more issues. To rebuild our economy at home. To help shape the future of the Asia Pacific and manage China’s rise. To open up places like Cuba and expand American influence in Africa and Latin America. To mobilize the world to deal with truly existential threats such as climate change, which is almost never discussed in debates about American national security.
”
”
Ben Rhodes (The World As It Is: Inside the Obama White House)
“
The bottom line is, you’ll never be free of problems until you are free from the part within that has so many problems. When a problem is disturbing you, don’t ask, “What should I do about it?” Ask, “What part of me is being disturbed by this?” If you ask, “What should I do about it?” you’ve already fallen into believing that there really is a problem outside that must be dealt with. If you want to achieve peace in the face of your problems, you must understand why you perceive a particular situation as a problem. If you’re feeling jealousy, instead of trying to see how you can protect yourself, just ask, “What part of me is jealous?” That will cause you to look inside and see that there’s a part of you that’s having a problem with jealousy. Once you clearly see the disturbed part, then ask, “Who is it that sees this? Who notices this inner disturbance?” Asking this is the solution to your every problem. The very fact that you can see the disturbance means that you are not it. The process of seeing something requires a subject-object relationship. The subject is called “The Witness” because it is the one who sees what’s happening. The object is what you are seeing, in this case the inner disturbance. This act of maintaining objective awareness of the inner problem is always better than losing yourself in the outer situation. This is the essential difference between a spiritually minded person and a worldly person. Worldly
”
”
Michael A. Singer (The Untethered Soul: The Journey Beyond Yourself)
“
There is no better description of relativity, or at least of how that principle applies to systems that are moving at a constant velocity relative to each other. Inside Galileo’s ship, it is easy to have a conversation, because the air that carries the sound waves is moving smoothly along with the people in the chamber. Likewise, if one of Galileo’s passengers dropped a pebble into a bowl of water, the ripples would emanate the same way they would if the bowl were resting on shore; that’s because the water propagating the ripples is moving smoothly along with the bowl and everything else in the chamber. Sound waves and water waves are easily explained by classical mechanics. They are simply a traveling disturbance in some medium. That is why sound cannot travel through a vacuum. But it can travel through such things as air or water or metal.
”
”
Walter Isaacson (Einstein: His Life and Universe)
“
Cheng Xin stared at the death lines, her terror mixed with awe. “If these are trails, why don’t they spread?” Guan Yifan clutched Cheng Xin’s arm. “I was just getting to that. We’ve got to get out of here. Leave not just Planet Gray, but the entire system. This is a very dangerous place. Death lines are not like regular trails. Without disturbance, they’ll stay like this, with a diameter equal to the effective surface of the curvature engine. But if they’re disturbed, they’ll spread very rapidly. A death line of this size can expand to cover a region the size of a solar system. Scientists call this phenomenon a death line rupture.” “Does a rupture make the speed of light zero in the entire region?” “No, no. After rupture, it turns into a regular trail. The speed of light inside goes up as the trail dissipates over a wider region, but it will never be much more than a dozen meters per second. After these death lines expand, this entire system might turn into a reduced-lightspeed black hole, or a black domain.… Let’s go.” Cheng Xin and Guan Yifan turned toward the shuttle and began to run and leap. “What kind of disturbance makes them spread?” Cheng Xin asked. She turned to give the death lines another glance. Behind them, the five death lines cast long shadows that stretched across the plain to the horizon. “We’re not sure. Some theories suggest that the appearance of other curvature trails nearby would cause disturbance. We’ve confirmed that curvature trails within a short distance can influence each other.” “So, if Halo accelerates—” “That’s why we must get farther away using only the fusion engine before engaging the curvature engine. We’ve got to move … using your units of measurement … at least forty astronomical units away.” After
”
”
Liu Cixin (Death's End (Remembrance of Earth’s Past, #3))
“
The Four Courts Irish pub was where we held all our memorials. It had a unique place in my heart because a bunch of assassins had tried to kill me inside the place a long time ago. Bryce wasn’t read into our program, but he believed in what we did, even if he didn’t know what that was. We’d shown up one day toasting a fallen soldier, and then we’d kept showing up, until he’d pulled me aside one afternoon. He’d seen us keeping to ourselves, knowing we didn’t want to be disturbed, and had told me if we wanted privacy the next time, the bar was ours. He’d never asked any questions, and being located so close to the CIA, I’m sure he thought that was where we worked, and I didn’t disabuse him of the notion. All I knew was that when I showed up, he shut down the bar. He flipped the sign on the door to closed and said, “I’ll be serving the drinks.” “I appreciate that. I really do.” I’d initially tried to pay to rent the place, but he was having none of it. He didn’t even let us pay for our drinks.
”
”
Brad Taylor (The Devil's Ransom (Pike Logan, #17))
“
Neither do I express well nor do I know how to write perfectly charming like writers do yet here I sit every night under the stars hoping one to break away so I could wish for the missing peace of my puzzle of life ..
*
Selfish isn't it wishing something to break so we can join ourselves maybe thats the law of nature. One always has to give up for something to live. Tree dies leaving the seed for a new bud behind. Crazy! The sacrifice for one becomes the breath for the other one without even him realizing what suffering something went through for its precious life
*
It gets cold fast once you decide to swim deep into your thoughts . Every thing from a star to even the buzzing of bees tell you a story about what your existence might be for but the city's lights and sound never let you realize how small yet how fascinating your existence is . We tend to forget the meaning of life even after preaching the same for others ourselves.
.
It feels good and at peace with nobody to bother you anymore . You can think and imagine stuff that might never be but this wonderful brain imagines it . If not forever Atleast for sometime you can feel the feeling you forever lust for. Sure the usual disturbances try to lure my mind away from things but I'm used to it now . The gloominess inside doesn't let them affect inside anymore.
*
The sky gets dark it really does . Maybe like the night sky's supposed to be so are my thoughts with a beating heart to support them and keep the flame of fight lit like the moon lights up the sky even if that means reflecting the harsh rays of sun.
*
The time flies and so do the body shivers for warmth but I feel like staying. Sure the exposed sky gives peace but it comes at a cost so I try to bargain with it every night. She's a good at negotiating though only gives me some hours before she signal that time's over.
*
Hesitantly I move my numb body using the last remaining gas in the dying shell known as body. How much i try it won't let me stay so here I leave heartbroken once again like every other night.
”
”
PANKAJ SARPAL
“
Or maybe just apologize, Barrons, for being too young to have my priorities refined, like you, because I haven’t suffered whatever the hell it is you suffered, and then shove you up against a wall and kiss you until you can’t breathe, do what I wanted to do the first day I saw you there in your bloody damned bookstore. Disturb you like you disturbed me, make you see me, make you want me--pink me!—shatter your self-control, bring you crashing to your knees in front of me, even though I told myself I’d never want a man like you, that you were too old, too carnal, more animal than man, with one foot in the swamp and no desire to come all the way out, when the truth was that I was terrified by what you made me feel. It wasn’t what guys make girls feel, dreams of a future with babies and picket fences, but frantic, hard, raw loss of self, like you can’t live without that man inside you, around you, with you all the time, and it only matters what he thinks of you, the rest of the world can go to hell, and even then I knew you could change me!
”
”
Karen Marie Moning (Shadowfever (Fever, #5))
“
Her gaze fell on his lips, and she remembered the ointment in her basket. She bit her lower lip. Dare she?
A small smile formed on the man's mouth, and Serena reared back. Could he read her mind? Of course not, she chided herself. He was probably just feeling better- he'd certainly needed the water he had been able to ingest. Slowly, so as not to disturb his sleep, she leaned toward the basket on the floor and rummaged through it until her fingers wrapped around a little clay pot. It was in her lap and opened before she realized she had made her decision. She looked down at the ointment. Normally, she would have given it to the patient and allowed him to apply it himself, but this man clearly could not manage that. She dipped her finger into the pot before she could convince herself otherwise, the soothing smells of lemon and beeswax filling the space around them. Her hand stretched out toward his face, her heart pounding. What if he woke? How would she explain what she was doing? She dabbed a bit on his lower lip and sat back to see what response he would have. Nothing. He slept on. She nodded. She was a nurse; she could do this. Leaning in again, she quickly spread the ointment across his bottom lip. He moved his head away, as if avoiding a fly, but didn't wake. Determined to finish the job, she reached for the upper lip, which wasn't quite as chapped. It was softer and curved, dark rose in color with an indention in the middle that must be sinful, it was so well shaped. Her heart pounded in her chest and her breath quickened as she spread the ointment across the top of his upper lip. She halted, realizing how close she had leaned in, how deep her breathing had become...
When had she closed her eyes? Heaven help her, she wanted to kiss him.
"You can, you know."
At first she didn't know if the deep voice had come from the man or some other being in the room, so deep and quiet and inside her head it was. Her eyelids shot open as she straightened. "Can what?"
"Kiss me." He smiled, but didn't open his eyes.
Serena gasped, "Thee has been awake this entire time?"
One of his shoulders lifted. "I didn't think it would help my cause-" he paused pressing his lips together, as though struggling to stay conscious- "for you to realize that.
”
”
Jamie Carie (The Duchess and the Dragon)
“
if there is no proof that a depressed person has a chemical imbalance, and you choose nevertheless to put that person on a medication that will alter neurotransmitter levels in his or her brain, then in effect you are causing a chemical imbalance rather than curing one. According to Steven Hyman, a neuroscientist and former director of the National Institute of Mental Health, all psychotropic drugs cause “perturbations in neurotransmitter functions.” And this is Whitaker’s main point. We are subjecting millions of brains to drugs that change natural neurotransmission, sometimes radically, disturbing and upsetting the complex interplay inside our heads, clogging neural pathways with excess chemicals, and sometimes causing the entire brain, which is intricately interlinked, to malfunction in ways we do not yet understand. An unmedicated depressed patient does not have a known chemical imbalance in his brain, but once he ingests Prozac, he will. The drug crosses the blood-brain barrier and gets to work, jamming serotonin into the synaptic cleft. Whitaker explains the result this way: “Several weeks later the serotonergic pathway is operating in a decidedly abnormal manner.
”
”
Lauren Slater (Blue Dreams: The Science and the Story of the Drugs that Changed Our Minds)
“
Becoming familiar with this pain is part of your growth. Even though you may not actually like the feelings of inner disturbance, you must be able to sit quietly inside and face them if you want to see where they come from. Once you can face your disturbances, you will realize that there is a layer of pain seated deep in the core of your heart. This pain is so uncomfortable, so challenging, and so destructive to the individual self, that your entire life is spent avoiding it. Your entire personality is built upon ways of being, thinking, acting, and believing that were developed to avoid this pain. Since avoiding the pain prohibits you from exploring the part of your being that is beyond that layer, real growth takes place when you finally decide to deal with the pain. Because the pain is at the core of the heart, it radiates out and affects everything you do. But this pain is not the physical pain that you receive as messages from your body. Physical pain is only there when something is physiologically wrong. Inner pain is always there, underneath, hidden by the layers of our thoughts and emotions. We feel it most when our hearts go into turmoil, like when the world does not meet our expectations. This is an inner, psychological pain.
”
”
Michael A. Singer (The Untethered Soul: The Journey Beyond Yourself)
“
Dear Spider web,
Why won’t you let me go? I will not accept your silky web as my resting place. Your web might be soft, but there is nothing comfortable about you. You have my mind entangled with doubts. You have me feeling helpless as you tie down my hands and feet. Let me go! I am not your prey! Spider web, you captured me, and then you abandoned me in your web. You are just like my mother; she left Kace and me in her old and damaged cobweb. She selfishly left us to figure out life.
Furthermore, just like you, she will not let us go. You covered me in your web to the point you made me invisible and empty inside. Partly because of you, people used a broom to swat me here and there because they see the webs all over me. They look at me as a nobody, an invasion, a pest, or a rodent who is trying to destroy their home. You confuse me because I know that I am not damaged and used, but there are many days I feel like I am no good for myself or anyone. Your web has cluttered my mind; I am disturbed mentally because I have never felt complete or good enough. I’ve been fighting so long to get out of your web—I am tired. However, I have come this far, and I am going to hold on a little while longer. When I hold on to your thin web tightly, something or someone uses the sharpest knife to cut it down. While it is swinging left and right, I try to jump and break free, but you catch me and wrap me back in your web again. I’ve been fighting for so long, and I will continue to fight because you cannot keep me here forever.
I am creating thicker skin.
”
”
Charlena E. Jackson (Pinwheels and Dandelions)
“
Now that you’ve fallen to that point, here comes the crème de la crème. Imagine that while you’re lost in the disturbed energy, you actually do one or more of the things that your mind is telling you to do. Imagine what would happen if you actually quit your job, or if you decide, “I’ve held this in long enough. I’m going to give him a piece of my mind.” You have no idea how big a step down that is. It’s one thing if the disturbance is going on inside of you. But the moment you allow it to express itself, the moment you let that energy move your body, you have descended to another level. Now it’s almost impossible to let go. If you start yelling at somebody, if you actually tell someone how you feel about them from this state of nonclarity, you have involved that person’s heart and mind in your stuff. Now both of your egos are involved. Once you externalize these energies, you will want to defend your actions and make them look appropriate. But the other person will never think they were appropriate. Now even more forces are keeping you down. First you fall into the darkness, and then you manifest that darkness. When you do this, you are literally taking the energy of the blockage and passing it on. When you dump your stuff into this world, it’s like painting the world with your stuff. You put more of that kind of energy into your environment and it comes back to you. You are now surrounded by people who will interact with you accordingly. It’s just another form of “environmental pollution,” and it will affect your life. That is how negative cycles happen. You actually take a piece of your stuff, which is nothing but deeply seated disturbance from your past, and you implant it in the hearts of those around you. At some point it will come back to you. Anything you put out comes back. Imagine if you got upset and fully released your disturbed energies onto another person. This is how people ruin relationships and destroy their lives.
”
”
Michael A. Singer (The Untethered Soul: The Journey Beyond Yourself)
“
1. For the space of one entire month (from full moon to full moon), a single leaf from a Mandrake must be carried constantly in the mouth. The leaf must not be swallowed or taken out of the mouth at any point. If the leaf is removed from the mouth, the process must be started again. 2. Remove the leaf at the full moon and place it, steeped in your saliva, in a small crystal phial that receives the pure rays of the moon (if the night is cloudy, you will have to find a new Mandrake leaf and begin the whole process again). To the moon-struck crystal phial, add one of your own hairs, a silver teaspoon of dew collected from a place that neither sunlight nor human feet have touched for a full seven days, and the chrysalis of a Death’s-head Hawk Moth. Put this mixture in a quiet, dark place and do not look at it or otherwise disturb it until the next electrical storm. 3. While waiting for the storm, the following procedure should be followed at sunrise and sundown. The tip of the wand should be placed over the heart and the following incantation spoken: ‘Amato Animo Animato Animagus.’ 4. The wait for a storm may take weeks, months or even years. During this time, the crystal phial should remain completely undisturbed and untouched by sunlight. Contamination by sunlight gives rise to the worst mutations. Resist the temptation to look at your potion until lightning occurs. If you continue to repeat your incantation at sunrise and sunset there will come a time when, with the touch of the wand-tip to the chest, a second heartbeat may be sensed, sometimes more powerful than the first, sometimes less so. Nothing should be changed. The incantation should be uttered without fail at the correct times, never omitting a single occasion. 5. Immediately upon the appearance of lightning in the sky, proceed directly to the place where your crystal phial is hidden. If you have followed all the preceding steps correctly, you will discover a mouthful of blood-red potion inside it.
”
”
J.K. Rowling (Short Stories from Hogwarts of Heroism, Hardship and Dangerous Hobbies (Pottermore Presents, #1))
“
Very convenient. Anything else?’ ‘Not really. I’m sure, for instance, that you haven’t the slightest interest in a Berger International flight into the Isle of Man, carrying one Marco Rossi.’ Dillon laughed. ‘Well, imagine that.’ ‘If it’s a sea voyage he’s planning, he’s in for a rough ride. Tomorrow and tomorrow night, there’ll be rain squalls and high seas. You’ll know you’re out there!’ ‘Should be interesting.’ ‘Do you have a game plan, Sean?’ ‘Yeah, the game plan is to blow the hell out of the Mona Lisa and deposit two million quid’s worth of arms on the floor of the Irish Sea.’ ‘What about the crew? I’ve got a Captain Martino listed here and five others: Gomez, Fabio, Arturo somebody, an Enrico, a Sancho. You’re going to kill them all, Sean?’ ‘Why not? They’re a reasonable facsimile of scum. They’ve run everything from heroin to human beings, I’m told, and now arms. They shouldn’t have joined if they didn’t want the risk.’ ‘Fine by me. I’ll stay in touch. Speak to you tomorrow.’ ‘Good, but stay on the Berger case. I’m convinced Rossi was responsible for Sara Hesser’s death.’ ‘I’ll see what I can do.’ Oban was enveloped in mist and rain. Beyond Kerrera, the waters looked disturbed in the Firth of Lorn, and clouds draped across the mountain tops. ‘I’ve said it before,’ Billy moaned. ‘What a bloody awful place. I mean, it rains all the bleeding time.’ ‘No, Billy, it rains six days a week.’ Dillon turned to Ferguson. ‘Am I right, General?’ ‘You usually are, Dillon.’ ‘Good. Please join me in the wheelhouse.’ There was a flap to one side of the instrument panel and he pressed a button. Inside was a fuse box and some clips screwed into place. He opened one of the weapons bags, took out a Browning with a twenty-round magazine protruding from its butt. He clipped it into place and added a Walther in the other clips. ‘Ace in the hole.’ He closed the flap. ‘My goodness, you do mean business,’ Ferguson said. ‘I always did, Charles. Now let’s go ashore and eat.’ The early darkness of the far north was against them
”
”
Jack Higgins (Bad Company (Sean Dillon #11))
“
It’s so weird that it’s Christmas Eve,” I said, clinking my glass to his. It was the first time I’d spent the occasion apart from my parents.
“I know,” he said. “I was just thinking that.” We both dug into our steaks. I wished I’d made myself two. The meat was tender and flavorful, and perfectly medium-rare. I felt like Mia Farrow in Rosemary’s Baby, when she barely seared a steak in the middle of the afternoon and devoured it like a wolf. Except I didn’t have a pixie cut. And I wasn’t harboring Satan’s spawn.
“Hey,” I began, looking into his eyes. “I’m sorry I’ve been so…so pathetic since, like, the day we got married.”
He smiled and took a swig of Dr Pepper. “You haven’t been pathetic,” he said. He was a terrible liar.
“I haven’t?” I asked, incredulous, savoring the scrumptious red meat.
“No,” he answered, taking another bite of steak and looking me squarely in the eye. “You haven’t.”
I was feeling argumentative. “Have you forgotten about my inner ear disturbance, which caused me to vomit all across Australia?”
He paused, then countered, “Have you forgotten about the car I rented us?”
I laughed, then struck back. “Have you forgotten about the poisonous lobster I ordered us?”
Then he pulled out all the stops. “Have you forgotten all the money we lost?”
I refused to be thwarted.
“Have you forgotten that I found out I was pregnant after we got back from our honeymoon and I called my parents to tell them and I didn’t get a chance because my mom left my dad and I went on to have a nervous breakdown and had morning sickness for six weeks and now my jeans don’t fit?” I was the clear winner here.
“Have you forgotten that I got you pregnant?” he said, grinning.
I smiled and took the last bite of my steak.
Marlboro Man looked down at my plate. “Want some of mine?” he asked. He’d only eaten half of his.
“Sure,” I said, ravenously and unabashedly sticking my fork into a big chuck of his rib eye. I was so grateful for so many things: Marlboro Man, his outward displays of love, the new life we shared together, the child growing inside my body. But at that moment, at that meal, I was so grateful to be a carnivore again.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
Our deepest insights must — and should — appear as follies, and under certain circumstances as crimes, when they come unauthorizedly to the ears of those who are not disposed and predestined for them. The exoteric and the esoteric, as they were formerly distinguished by philosophers — among the Indians, as among the Greeks, Persians, and Mussulmans, in short, wherever people believed in gradations of rank and NOT in equality and equal rights — are not so much in contradistinction to one another in respect to the exoteric class, standing without, and viewing, estimating, measuring, and judging from the outside, and not from the inside; the more essential distinction is that the class in question views things from below upwards — while the esoteric class views things FROM ABOVE DOWNWARDS. There are heights of the soul from which tragedy itself no longer appears to operate tragically; and if all the woe in the world were taken together, who would dare to decide whether the sight of it would NECESSARILY seduce and constrain to sympathy, and thus to a doubling of the woe?... That which serves the higher class of men for nourishment or refreshment, must be almost poison to an entirely different and lower order of human beings. The virtues of the common man would perhaps mean vice and weakness in a philosopher; it might be possible for a highly developed man, supposing him to degenerate and go to ruin, to acquire qualities thereby alone, for the sake of which he would have to be honoured as a saint in the lower world into which he had sunk. There are books which have an inverse value for the soul and the health according as the inferior soul and the lower vitality, or the higher and more powerful, make use of them. In the former case they are dangerous, disturbing, unsettling books, in the latter case they are herald-calls which summon the bravest to THEIR bravery. Books for the general reader are always ill-smelling books, the odour of paltry people clings to them. Where the populace eat and drink, and even where they reverence, it is accustomed to stink. One should not go into churches if one wishes to breathe PURE air.
”
”
Friedrich Nietzsche (Beyond Good and Evil)
“
TAKING A STANCE Normally the mind isn’t willing to stop and look, to stop and know itself, which is why we have to keep training it continually so that it will settle down from its restlessness and grow still. Let your desires and thought processes settle down. Let the mind take its stance in a state of normalcy, not liking or disliking anything. To reach a basic level of emptiness and freedom, you first have to take a stance. If you don’t have a stance against which to measure things, progress will be very difficult. If your practice is hit or miss—a bit of this, a little of that—you won’t get any results. So the mind first has to take a stance. When you take a stance that the mind can maintain in a state of normalcy, don’t go slipping off into the future. Have the mind know itself in the stance of the present: “Right now it’s in a state of normalcy. No likes or dislikes have arisen yet. It hasn’t created any issues. It’s not being disturbed by a desire for this or that.” Then look into the basic level of the mind to see if it’s as normal and empty. If you’re really looking inside, really aware inside, then that which is looking and knowing is mindfulness and discernment in and of itself. You don’t need to search for anything anywhere else to come and do your looking for you. As soon as you stop to see whether the mind is in a state of normalcy, then if it’s normal, you’ll know immediately that it’s normal. If it’s not, you’ll know immediately that it’s not. Take care to keep this awareness going. If you can keep knowing like this continuously, the mind will be able to keep its stance continuously as well. As soon as the thought occurs to you to check things out, you’ll immediately stop and look, without any need to go searching for knowledge anywhere else. You look, you know, right there at the mind, and you can tell whether or not it’s empty and still. Once you see that it is, then you investigate to see how it’s empty, how it’s still. It’s not the case that once it’s empty and still, that’s the end of the matter. That’s not the case at all. You have to keep watch; you have to investigate at all times. Only then will you see the changing—the arising and disbanding—occurring in that emptiness, that stillness, that state of normalcy.
”
”
Upasika Nanayon (Pure and Simple: The Extraordinary Teachings of a Thai Buddhist Laywoman)
“
Jenna is acting strange. Weeping, moping, even remarks tending toward belittlement Melmoth might tolerate (although he cannot think why; she is not his wife and even in human females PMS is a plague of the past) but when he caught her lying about Raquel—udderly wonderful, indeed—he knew the problem was serious.
After sex, Melmoth powers her down. He retrieves her capsule from underground storage, a little abashed to be riding up with the oblong vessel in a lobby elevator where anyone might see. Locked vertical for easy transport, the capsule on its castors and titanium carriage stands higher than Melmoth is tall. He cannot help feeling that its translucent pink upper half and tapered conical roundness make it look like an erect penis. Arriving at penthouse level, he wheels it into his apartment. Once inside his private quarters, he positions it beside the hoverbed and enters a six-character alphanumeric open-sesame to spring the lid. On an interior panel, Melmoth touches a sensor for AutoRenew. Gold wands deploy from opposite ends and set up a zero-gravity field that levitates Jenna from the topsheet. As if by magic—to Melmoth it is magic—the inert form of his personal android companion floats four feet laterally and gentles to rest in a polymer cradle contoured to her default figure.
Jenna is only a SmartBot. She does not breathe, blood does not run in her arteries and veins. She has no arteries or veins, nor a heart, nor anything in the way of organic tissue. She can be replaced in a day—she can be replaced right now. If Melmoth touches “Upgrade,” the capsule lid will seal and lock, all VirtuLinks to Jenna will break, and a courier from GlobalDigital will collect the unit from a cargo bay of Melmoth’s high-rise after delivering a new model to Melmoth himself. It distresses him, how easy replacement would be, as if Jenna were no more abiding than an oldentime car he might decide one morning to trade-in. Seeing her in the capsule is bad enough; the poor thing looks as if she is lying in her coffin. Melmoth does not select “Power Down” on his cerebral menu any more often than he must. Only to update her software does Melmoth resort to pulling Jenna’s plug. Updating, too, disturbs him. In authorizing it, he cannot pretend she is human. [pp. 90-91]
”
”
John Lauricella (2094)
“
THE PARTY
And at last the police are at the front door,
summoned by a neighbor because of the noise,
two large cops asking Peter,
who had signed the rental agreement, to end the party.
Our peace can’t be disturbed, one of the officers states.
But when we receive a complaint we act on it.
The police on the front stoop wear as their shoulder patch
an artist’s palette, since the town likes to think of itself as
an art colony, and indeed, Pacific Coast Highway
two blocks inland, which serves as the main north-south street,
is lined with commercial galleries featuring
paintings of the surf by moonlight
—like this night, but without anybody on the sand
and with a bigger moon. And now Dennis,
as at every party once the police
arrive at the door, moves through the dancers,
the drinkers, the talkers, to confront the uniforms and
guns, to object, he says, to their attempt to stop
people harmlessly enjoying themselves, and to argue
it isn’t even 1 a.m. Then Stuart, as usual,
pushes his way to the discussion happening at the door
and in his drunken manner tries to
justify to the cops Dennis’ attitude, believing he can
explain things better to authority, which of course
annoys Dennis, and soon those two
are disputing with each other, tonight exasperating Peter,
whose sole aim is to get the officers to leave
before they are provoked enough to demand to enter
to check ID or something, and maybe smell the pot
and somebody ends up arrested
with word getting back to the landlord
and having the lease or whatever Peter had signed
cancelled, and all staying here evicted.
The Stones, or Janis, are on the stereo now,
as the police stand firm like time, like
death—You have to shut it down—as the dancing inside
continues, the dancers forgetting for a moment a low mark
on a quiz, or their draft status, or a paper due Monday,
or how to end the war in Asia, or some of their poems
rejected by a magazine, or the situation
in Watts or of Chavez’s farmworkers,
or that they wish they had asked Erin rather than Joan
to dance.
That dancing, that music,
the party, even after the cops leave
with their warning Don’t make us come back
continues, the dancing has lasted for
years, decades, across a new century, through the fear of
nuclear obliteration, the great fires, fierce rain,
Main Beach and Forest Avenue flooded,
war after war, love after love, that dancing
goes on, the dancing, the party, the night,
the dancing
”
”
Tom Wayman
“
[14] It is in accordance with this plan of action above all that one should train oneself. As soon as you leave the house at break of day, examine everyone whom you see, everyone whom you hear, and answer as if under questioning. What did you see? A handsome man or beautiful woman? Apply the rule. Does this lie within the sphere of choice, or outside it? Outside. Throw it away. [15] What did you see? Someone grieving over the death of his child? Apply the rule. Death is something that lies outside the sphere of choice. Away with it. You met a consul? Apply the rule. What kind of thing is a consulship? One that lies outside the sphere of choice, or inside? Outside. Throw that away too, it doesn’t stand the test. Away with it; it is nothing to you. [16] If we acted in such a way and practised this exercise from morning until night, we would then have achieved something, by the gods. [17] But as things are, we’re caught gazing open-mouthed at every impression that comes along, and it is only in the schoolroom that we wake up a little, if indeed we ever do. Afterwards, when we go outside, if we see someone in distress, we say, ‘He’s done for,’ or if we see a consul, exclaim, ‘A most fortunate man’; if an exile, ‘Poor wretch!’; if someone in poverty, ‘How terrible for him; he hasn’t money enough to buy a meal.’ [18] These vicious judgements must be rooted out, then; that is what we should concentrate our efforts on. For what is weeping and groaning? A judgement. What is misfortune? A judgement. What is civil strife, dissension, fault-finding, accusation, impiety, foolishness? [19] All of these are judgements and nothing more, and judgements that are passed, moreover, about things that lie outside the sphere of choice, under the supposition that such things are good or bad. Let someone transfer these judgements to things that lie within the sphere of choice, and I guarantee that he’ll preserve his peace of mind, regardless of what his circumstances may be. [20] The mind is rather like a bowl filled with water, and impressions are like a ray of light that falls on that water. [21] When the water is disturbed, the ray of light gives the appearance of being disturbed, but that isn’t really the case. [22] So accordingly, whenever someone suffers an attack of vertigo, it isn’t the arts and virtues that are thrown into confusion, but the spirit in which they’re contained; and when the spirit comes to rest again, so will they too.
”
”
Epictetus (Discourses, Fragments, Handbook)
“
There are all these rules about things that are not supposed to happen outside because they could cause disturbance inside.
”
”
Michael A. Singer (The Untethered Soul: The Journey Beyond Yourself)
“
be that excessive stress and hormonal secretion during a trauma directly impair the functioning of parts of the brain necessary for autobiographical memories to be stored. After the trauma, recollection of those details encoded in only nonverbal form will likely evoke distressful emotions that can be deeply disturbing.
”
”
Daniel J. Siegel (Parenting from the Inside Out: How a Deeper Self-Understanding Can Help You Raise Children Who Thrive)
“
Ninety feet directly beneath the center courtyard café in the middle of the Pentagon—previously known as the Ground Zero Cafe, because when the bomb dropped that was where it would most likely detonate—there is a deep subbasement office with ferroconcrete walls and a filtered air supply, accessible by discreet elevators and staircases from all five wings of the main building. It was designed as a deep command bunker back when the worst threats were raids by long-range Luftwaffe bombers bearing conventional explosives. Obsolescent since the morning of July 16, 1945—it won’t withstand a direct ground burst from an atom bomb, much less more modern munitions—it still possesses certain uses. Being deep underground and equidistant from all the other wings, it was well suited as a switch for SCAN, the Army’s automatic switched communications system, and later for AUTOVON. AUTOVON led to ARPANET, the predecessor of the internet, and the secure exchange in the basement played host to one of the first IMPs—Interface Message Processors—outside of academia. By the early 1980s a lack of rackspace led the DoD to relocate their hardened exchanges to a site closer to the 1950s-sized mainframe halls. And it was then that the empty bunker was taken over by a shadowy affiliate of the National Security Agency, tasked with waging occult warfare against the enemies of the nation. The past six months have brought some changes. There is a pentagonal main room inside the bunker, and within it there is a ceremonial maze, inscribed in blood and silver that glows with a soft fluorescence, converging on a dais at the heart of the design. The labyrinth takes the shape of a pentacle aligned with the building overhead: at each corner stands a motionless sentinel clad head to toe in occlusive silver fabric. Robed in black and crimson silk and shod in slippers of disturbingly pale leather, the Deputy Director paces her way through the maze. In her left hand she bears a jewel-capped scepter carved from the femur of a dead pope, and in her right hand she bears a gold-plated chalice made from a skull that once served Josef Stalin as an ashtray. As she walks she recites a prayer of allegiance and propitiation, its cadences and grammar those of a variant dialect of Old Enochian.
”
”
Charles Stross (The Labyrinth Index (Laundry Files, #9))
“
Pact of love
Not in the silence but in the stillness of quietude I want to be with you,
Then as our heartbeats break the silence I want to tell you,
Darling I love you,
And see the flash of joy arise from you,
And let the quiet stillness be intruded by you,
By your smiles, by your heart beats, by anything that represents you,
Then as my world of emotions and feelings grows over you,
I shall attempt to steal you from you,
To reside somewhere in the eternal stillness with you,
Where there is the world but it exists only for me and you,
Then as my feelings sink inside you,
I shall tune my heart beats with that of you,
Then even the stillness will not disturb me and you,
Because now it will be hard to tell whether you are inside me or I am inside you,
With feelings merged as one, with heart beats beating as one, I shall now see my world through you,
Then my love Irma, we shall sign our pact of love bearing just one line, “I was born to love you!
”
”
Javid Ahmad Tak (They Loved in 2075!)
“
Expressionism was an artistic symptom of the trauma World War I brought to Europe. A stylized, severe, and serious aesthetic, it emphasized abstractions and angles, an attempt to express off-kilter and intense emotional content rather than balanced, symmetric, mundane realism. Caligari production supervisor Rudolph Meinert enlisted artists Hermann Warm, Walter Reimann, and Walter Rohrig to create a completely artificial and exaggerated set design for Caligari. They painted all the settings in flat perspective on the canvas, including bolts of light and shadow. Everything, even outdoor scenes, was shot inside cramped studio confines. The result was a claustrophobic style that was to permeate not only the horror film, but would percolate into film noir as well. The style is nightmarish, a physical embodiment of the madness overtaking the characters externalized, an artistic effort that’s a sustained attack on the senses that’s just as disturbing as the story it tells—the result? The first great horror film.
”
”
Brad Weismann (Lost in the Dark: A World History of Horror Film)
“
Knocking on their door, a panther's paw that rubbed until it became a pounding no one responded to. He tried the handle. They were there all right, fancy pretending like that, it wasn't as if he had disturbed them from sleeping. He coughed, and gasped, while walking rapidly up and down the landing.
Should he go back into his room, shout from there, scream in fact, as though in the middle of a nightmare? He remained at the top of the stairs, cutoff from the rest of the house, the neighbourhood. Had they gone out, or were they dead— copulating too fast, too much? He moved down one stair head bowed considering the best way into the next event. The other doors had, during his stay, remained part of the walls, a slight murmur or hum of a radio escaped occasionally through a crack. But if he knocked, enquired the time, wouldn't the crack immediately be sealed, not even space for an eye, let alone his finger? He hovered on the front door step, two hundred yards from the Palais de Dance.
Coloured tickets, spent out balloons, contraceptives divided pavement from road.
Berg leaned slightly forward in order to see the pub clock. On his back he stared at the buildings that were giants advancing. Snatch the stars, pull out the moon for my navel, a button hole for my own personal identification.
A shadow pushed itself across his face. He spread out his arms. I implore to be left where I am, as I have been given, I am satisfied, attuned to my world. He shut his eyes, and foetus-curled from the pavement. His lips, dry leaves, slowly parted. Have I ever been inside?
Edith's tears, not coping, timid amongst robust mums. You discovered: dormitory pleasures, what is considered a pretty boy at the age of nine, to be taken advantage of.
”
”
Ann Quin (Berg)
“
Cindy Haden wanted to be able to touch Richard, hold him, and be close to him, and she constantly thought of ways she could make that happen. When her employer had a mass layoff and she was fired, she decided she would become a private detective. If she had a detective’s license, she’d be able to work with Richard’s new San Francisco attorneys and have a visit with Richard in a private room. She applied for a job with a San Francisco security firm, was hired, and moved to San Francisco. She took a quiet apartment in Richmond. The security firm sponsored her for a license, and she passed the required examination. She went to one of the San Francisco public defenders representing Richard and talked him into taking her inside the county jail with him when he went to visit Richard. She and the attorney were shown into one of seven rooms allocated for lawyers who come to see inmates. It was ten by ten and had a wooden table and a few chairs. There were panels of glass in a wall so guards could look in. As Cindy waited for Richard to be brought down, her heart raced. She paced back and forth, her hands trembling. When Richard got there, the guard uncuffed him and he sat at the table. They were like two school kids, laughing and giggling. Under the desk she raised her foot and put it on Richard’s thigh; his eyes bulged. He couldn’t believe he was actually sitting with one of the jurors who had handed him a ticket to the death room. After a few minutes, Cindy later related, the attorney went to look for a bathroom. When he left and Cindy was sure there were no guards about, she stood and quickly gave Richard a deep kiss as he groped her with his huge hands. She nearly passed out, she was so excited. When later asked if she was afraid to be alone with Richard, she said, “No, absolutely not. He’d never hurt me.” When the lawyer returned, Cindy sat down, breathless, her heart pounding. On subsequent visits to the jail, as she helped with Richard’s legal problems, she says, she was able to have more contact visits and was actually alone with Richard.
”
”
Philip Carlo (The Night Stalker: The Disturbing Life and Chilling Crimes of Richard Ramirez)
“
A reminder: Viruses are microscopic organisms that exist almost everywhere on Earth, including inside our bodies. When their world is disturbed, they find another host. Unless we change our destructive ways, we become that host.
”
”
Donna Maltz (Conscious Cures: Soulutions to 21st Century Pandemics)
“
Carlo: Yeah. You were seen in court once with a Pentagram inside your hand and you held it up and showed it to the press and the audience. Why did you do that? Did you feel that it would protect you, or were you just making a statement that you were in alliance with the Devil? Ramirez: Yes, it was a statement that I was in alliance with ... the evil that is inherent in human nature. And ... that was who I was.
”
”
Philip Carlo (The Night Stalker: The Disturbing Life and Chilling Crimes of Richard Ramirez)
“
On reflection, it becomes apparent that the Koch curve has some interesting features. For one thing, it is a continuous loop, never intersecting itself, because the new triangles on each side are always small enough to avoid bumping into each other. Each transformation adds a little area to the inside of the curve, but the total area remains finite, not much bigger than the original triangle, in fact. If you drew a circle around the original triangle, the Koch curve would never extend beyond it. Yet the curve itself is infinitely long, as long as a Euclidean straight line extending to the edges of an unbounded universe. Just as the first transformation replaces a one-foot segment with four four-inch segments, every transformation multiplies the total length by four-thirds. This paradoxical result, infinite length in a finite space, disturbed many of the turn-of–the-century mathematicians who thought about it.
”
”
James Gleick (Chaos: Making a New Science)
“
Mike explained the concepts of guerilla warfare to Richard and told him more about his sexual conquests in ’Nam. These stories hung inside Richard’s head like obscene, perverse paintings. Mike still had the pictures of his conquests, which he showed Richard, and these photographs gave dimension, life, and sustenance to Mike’s tales of sexual dominance and sadism and Richard’s subsequent fantasies.
”
”
Philip Carlo (The Night Stalker: The Disturbing Life and Chilling Crimes of Richard Ramirez)
“
His father, Jose Ramirez, was an extremely serious man who rarely smiled. He had a perpetually stern Mexican face with dark, piercing eyes and tight, firm lips—traits he had inherited from his father, Inacia, a large, brutal man with a bad temper who often beat his kids whether they misbehaved or not. Like the land around Camargo, he was mean and unforgiving. Jose Ramirez also believed in corporal punishment. If any of his four boys and four girls didn’t do what was expected of them, he was quick to beat them. Like his father, he had a bad temper, and often his beatings went on longer than they should have. However, in Mexico, it was a normal thing for a father to beat his children. It was the way things were done. It was commonly felt it taught the child respect and discipline and to accept the consequences of their actions. Often, though, the line separating punishment and correction was crossed, and Julian Tapia was beaten too hard, too long, too often—by both his father and his grandfather. It was his grandfather, Inacia, who beat Julian the most. If Julian did a particularly bad thing—like sleep late when there was work—his grandfather would tie him to a tree and lay into him with rope. The beatings made Julian quiet and withdrawn, and his face often seemed to be in an unhappy shadow. Because he was the oldest son, Julian received the most beatings. He took them stoically, not crying or begging for them to stop. He would just wait until his father’s and grandfather’s irrational rages were spent. It was not an easy life for Jose Ramirez. He had lost his wife at an early age. He felt cheated; it angered him deep inside, and he often vented his anger on his eight children.
”
”
Philip Carlo (The Night Stalker: The Disturbing Life and Chilling Crimes of Richard Ramirez)
“
Psychopaths have no ethics, no scruples, and no conscience. Something inside is gone. They just aren’t capable of those emotions. That’s why killing is so easy for a real psychopath. Society has a lot of problems understanding that.
”
”
Philip Carlo (The Night Stalker: The Disturbing Life and Chilling Crimes of Richard Ramirez)
“
If a hammer falls on your toe, all your awareness will focus there. If there’s a sudden loud sound, again, all of your awareness will focus there. Consciousness has the tendency to focus on disturbance, and disturbed energies inside are no exception. These disturbed energies will draw your consciousness to them. But you do not have to let this happen. You really do have the ability to disengage and fall back behind them.
”
”
Michael A. Singer (The Untethered Soul: The Journey Beyond Yourself)
“
Do not doubt your ability to remove the root cause of the disturbance inside of you. It really can go away. You can look deep within yourself, to the core of your being, and decide that you don’t want the weakest part of you running your life.
”
”
Michael A. Singer (The Untethered Soul: The Journey Beyond Yourself)
“
When you are no longer absorbed in your melodrama but, instead, sit comfortably deep inside the seat of awareness, you will start to feel this flow of energy coming up from deep within. This flow has been called Shakti. This flow has been called Spirit. This is what you begin to experience if you hang out with the Self instead of hanging out with inner disturbances.
”
”
Michael A. Singer (The Untethered Soul: The Journey Beyond Yourself)
“
find. Henry said she lived right across the hall.” Chapter 14 “So, this is the scene of the crime,” Ida said as they pulled up in front of an old Victorian. From outward appearances, it was hard to imagine that something sinister had happened inside. It was nicely kept, with off-white siding and purple trim. “Looks like a birthday cake,” Ruth said as they walked up the steps toward the purple door. She opened the door to reveal a small entryway. A set of stairs loomed in front of them. Old-fashioned green flowered wallpaper papered the walls. The floor was hardwood, scuffed from years of wear. To the right was a solid oak door with the number Two on it. “According to the case files, Rosa and Henry lived at number two.” Nans gestured toward the door on the other side of the hall which had a number One. “So this one must be Mrs. Pettigrew.” Ruth was standing closest to the door, so she knocked. “Who is it?” A voice drifted out almost before the knock stopped echoing. Clearly, Mrs. Pettigrew kept a close eye on the place and had seen them come in. “It’s the Ladies’ Detective Agency.” Nans’s voice took on an official tone. “We have some questions on a case if you’d be so kind as to answer them.” Of course, Doris Pettigrew would be thrilled to answer questions. If she was truly the busybody that it sounded like she was, she wouldn’t be able to resist the lure of gossip and finding out exactly what case the ladies were referring to. Lexy heard a series of locks clicking and chains sliding, and then the door cracked and a rheumy blue eye appeared. “Do you have any credentials?” “Of course.” Nans shoved a business card at her. It was in a laminate case, so it resembled an official badge of some sort. Doris snatched the card and pulled it inside. It took her a few seconds, but Nans’s card must have passed muster because the door opened and Doris said, “Come in.” Ida went in first. “Oh, this is… unusual.” Lexy peered over Ida’s head. She couldn’t be sure exactly what Ida thought was unusual. There were so many things. It could have been the giant four-foot-tall dolls that stood around the edge of the room. Or it might have been the knitted afghans that covered every surface. Or maybe it was the stuffed animals that were sitting on the couch as if holding a conversation. Then again, it might have been the herd of cats that was sniffing around Ida’s ankles. Doris handed the card back to Nans. “I’m Doris Pettigrew, by the way.” They all introduced themselves, and Doris gestured toward the living room for them to sit. Ida gingerly plucked a large pink elephant off the sofa and put it on the floor then took its place. A black cat immediately jumped into her lap. The rest of the ladies followed her lead, moving dolls aside, disturbing stuffed animals, and pushing cats out of their laps. Lexy sat in the only chair not occupied by a stuffed animal. The smell of mothballs wafted up as the rough wool of the crocheted granny square pillow irritated her arm. Achoo! Helen sneezed and pushed the fluffy tail of a white Persian out of her face.
”
”
Leighann Dobbs (Ain't Seen Muffin Yet (Lexy Baker, #15))
“
Do not doubt your ability to remove the root cause of the disturbance inside of you. It really can go away. You can look deep within yourself, to the core of your being, and decide that you don't want the weakest part of you running your life. You want to be free of this.
”
”
Michael A. Singer (The Untethered Soul: The Journey Beyond Yourself)
“
If mental health has been associated with the ongoing development of resilient and adaptive coping through early positive attachment experiences, psychopathology later in life has been associated with disturbances in attachment, characterized by deficits in coping with novelty and stress (Schore, 2001). For those who go on to develop eating disorders, there have often been pathological failures in early maternal responsivity, as well as maternal impingements. Bruch (1973), one of the first psychoanalysts to theorize about and treat eating disorders, noted that often. these patients have what she calls an interoceptive problem - difficulty distinguishing between inside and outside and between self and other - as the result of having their mothers' needs imposed upon them throughout development. As a result, the potential, or transitional space, never achieved as a space between two people, becomes an embodied, or "in-myself' space (Boris, 1984).
”
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Tom Wooldridge (Psychoanalytic Treatment of Eating Disorders (Relational Perspectives Book Series))
“
A transforming, healing, disturbing, and challenging presence. A presence that at one level was the kind of thing that would be associated with a divine power and at another level seemed personal—human, in fact. This then became the focal point of what we said before: people turned away from the idols they had been serving and discovered, in Jesus, a God who was alive, who did things, who changed people’s lives from the inside out. (The fact that skeptics at the time, like skeptics today, could and did give different explanations of what was taking place does not alter the fact that this is what people said was happening to them, that this is what Paul understood to be going on, and that the consequences, whether they were all deluded or speaking a dangerous truth, were long lasting.)
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N.T. Wright (Paul: A Biography)
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The world offers peace when our circumstances are pleasant, but God gives us a peace that passes understanding—peace when our circumstances are upsetting. When we have Jesus’ peace, we can face troubling circumstances and still be at peace. In order to enter into the peace Jesus gave to me, I had to stop allowing myself to be agitated and disturbed or anxious and worried. God had done His part by giving me peace, but I saw that I wasn’t doing my part. I was anxious and I worried a lot. I prayed only as a last resort, after I had done everything else I knew to do, and I complained instead of being thankful. When I did pray, I prayed for my troublesome circumstance to go away instead of praying for the Holy Spirit to strengthen me on the inside so I could endure with good temper whatever came my way.
”
”
Joyce Meyer (The Answer to Anxiety: How to Break Free from the Tyranny of Anxious Thoughts and Worry)
“
While further exploring the first floor of the hospital, the friends discovered a dusty room filled with old photographs and crumbling letters; the room was labeled “Archives”. One picture caught their attention — a group of children in tattered school uniforms, their faces frozen in time. The letters spoke of longing and loneliness, and the pain of separation. “These kids do not look like they were at this school according to their own will. They look very sad, almost disturbed.” Emily said as she looked around, cautious of what may be in the basement of this place. Continuing on the main floor, a second room also had file cabinets in it but had no name on the door. Inside the room was an article from the Mountainside times of a time when the hospital had its own tale of tragedy and despair. During the war, the medical facility had been overwhelmed with wounded soldiers, and the staff struggled to provide adequate care. Rumors circulated of a nurse who, unable to cope with the constant death and suffering, succumbed to madness, killing 3 interns and one patient before being shot. It went on to say that since this incident, patients reported she still wandered the desolate corridors, her soft footsteps and distant sobs haunting those who dared to stay overnight. The war department cited an increase in transfer requests out of the hospital citing the interactions with “the inhabitants” that haunt the place. As the friends explored the hospital's abandoned wards and empty rooms, they could almost feel the weight of the past pressing down on them the whole time. Shadows danced along the peeling wallpaper, and the air was filled with an otherworldly chill and the dampness of a bog. Every creak and groan of the building seemed to whisper the stories of those who had lived and died within its walls. Its decrepit walls and shattered windows bathed in the ghostly light of the full moon.
”
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Shae Dubray (The Magician's Society: Rivalry in Mountainside)
“
A connection like ours isn’t meant for love stories. It’s tragic and tarnished in its root. Full of dark and disturbing desires that tradition and societal normalities cannot contain. A devotion to another, grown through the dirt of tragedies of the past.
It’s the poison of a new flower, opening in its toxic bloom to a world that isn’t ready to accept the dark beauty of its daggered thorns. Transmitting a rare, yet bitter illness that seeps its way into your bloodstream, holding you ransom to your desires, captivating and controlling only by devouring the fallacies of who we thought we were from the inside out.
It’s sick love. And it’s entirely our own.
”
”
Jescie Hall (That Sik Luv)
“
The crowd dispersed in disappointment, but the experiment wasn't over. Originally, it was thought that the one-dimensional proton would stay in synchronous orbit around Trisolaris forever, but due to friction from solar winds, pieces of the string fell back into the atmosphere. Six Trisolaran hours later, everyone outside noticed the strange lights in the air, gossamer threads that flickered in and out of existence. They soon learned from the news that this was the one-dimensional proton drifting to the ground under the influence of gravity.
Even though the string was infinitely thin, it produced a field that could still reflect visible light. It was the first time people had ever seen matter not made out of atoms—the silky strands were merely small portions of a proton. […] But the threads that fell from the sky grew more numerous and denser. Closer to ground, tiny sparkling lights filled the air. The sun and the stars all appeared inside silvery halos.
The strings clung to those who went outside, and as they walked, they dragged the lights behind them. When people returned indoors, the lines glimmered under the lamps. As soon as they moved, the reflection from the strings revealed the patterns in the air currents they disturbed. Although the one-dimensional string could only be seen under light and couldn't be felt, people became upset.
The torrent of one-dimensional strings continued for more than twenty Trisolaran hours before finally ending, though not because the strings had all fallen to the ground. Although their mass was unimaginably minuscule, they still had some, and so their acceleration under gravity was the same as normal matter. However, once inside the atmosphere, they were completely dominated by the air currents and would never fall to the ground. After being unfolded into one dimension, the strong nuclear force within the proton became far more attenuated, weakening the string. Gradually, it broke into tiny pieces, and the light they reflected was no longer visible.
People thought they had disappeared, but pieces of the one-dimensional string would drift in the air of Trisolaris forever.
”
”
Cixin Liu (The Three-Body Problem (Remembrance of Earth’s Past, #1))
“
Wait, don’t put me under yet,” she breathes, her heavy exhales disturbing the still water. “Let me—I still can’t breathe.”
“Baby, you’ll never be able to breathe as long as I’m inside you,” I retort.
”
”
H.D. Carlton (Does It Hurt?)
“
My heart is owned by the man that saved me by giving me the voice to save myself. A connection like ours isn’t meant for love stories. It’s tragic and tarnished in its root. Full of dark and disturbing desires that tradition and societal normalities cannot contain. A devotion to another, grown through the dirt of tragedies of the past. It’s the poison of a new flower, opening in its toxic bloom to a world that isn’t ready to accept the dark beauty of its daggered thorns. Transmitting a rare, yet bitter illness that seeps its way into your bloodstream, holding you ransom to your desires, captivating and controlling only by devouring the fallacies of who we thought we were from the inside out. It’s sick love. And it’s entirely ours to own.
”
”
Jescie Hall (That Sik Luv)
“
She looked through the hall window before opening the door and saw the fat detective and her sidekick standing outside. ‘Sorry to disturb you, pet. Do you mind if we come in?’ And by the time Vera Stanhope had finished the words she was inside the house, the younger man trailing after her. Kate wondered how that must make him feel, always in the fat woman’s shadow.
”
”
Ann Cleeves (Harbour Street (Vera Stanhope #6))
“
On the evening before the Battle of the Pyramids, Napoleon and a few of his officers were riding past a pyramid. A man wrapped in a red cloak stepped out of the pyramid and motioned to Napoleon to come forth. Napoleon obliged, telling his officers to wait outside as he stepped into the pyramid with this red-mantled stranger. After an hour of uneasiness, the officers were ready to enter and ensure Napoleon’s safety, but Napoleon stepped out of the pyramid. With a satisfied smile, he demanded they prepare for battle with the Egyptians. The officers were confused, given his previous reluctance, but they followed his orders, leading to their victory in the Battle of the Pyramids. The Great Pyramid of Giza The year after his invasion, Napoleon returned to Egypt, to the Great Pyramid of Giza. After discovering the Rosetta Stone—an ancient stone that helped scientists to understand how to read hieroglyphics—Napoleon began to believe that the pyramids held great mystique and spirituality. He spent the night inside the Great Pyramid of Giza, inside the king’s chamber that was about 32 feet long and 16 feet wide. For seven hours, he sat in the dark room, not emerging until sunrise. However, when he stepped out of the pyramid, his face was pale. Visibly shaken and terrified, he refused to tell anyone what he’d experienced, saying, “If I told you the truth, you would not believe me.” Even years later, when one of Napoleon’s men asked about the experience, Napoleon considered telling him but then decided against it, saying, “No, never mind” (Shkuro, 2019, para. 2). Considering Napoleon admired Alexander the Great, who had also spent the night in the king’s chambers and had an experience, some believe he may have been trying to claim a piece of Alexander’s legacy in that respect. He’s even been said to have created stories about himself that aligned with Alexander. Though, even his officers said he was clearly disturbed by whatever he saw.
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Alda Dagny (Secrets of the Nile: An Archaeological Journey to the Land of Pharaohs)
“
The child who finds his outer world frustrating turns inwards, and he turns his own mind into 'a place to live in' instead of using it as 'an active function to live with'. He starts doing his living in imagination, in phantasy, not in fact. He peoples his inner world with good and bad objects whom he hopes he can manipulate at will. He seeks what he wants inside in phantasied satisfactions. This is based on the capacity to hallucinate satisfactions so vividly (as in dreams) that emotionally they can substitute for a time for outer reality. Unfortunately, in this process, he sets up 'bad' as well as 'good' figures inside, and perpetuates disturbance. The inner world then becomes the enduring though repressed and unconscious structure of the dynamic personality, which is filled with conflict and self-frustration. Over the top of this at the level of consciousness, a superficial personality constructed mainly of social adjustments, and functioning without much real mature feeling, carries on the business of outer life in a way that is far more automatic than is usually recognized.
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Harry Guntrip (Personality Structure and Human Interaction: The Developing Synthesis of Psychodynamic Theory (Maresfield Library))
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Fear is caused by blockages in the flow of your energy. When your energy is blocked, it can’t come up and feed your heart. Therefore, your heart becomes weak. When your heart is weak it becomes susceptible to lower vibrations, and one of the lowest of all vibrations is fear. Fear is the cause of every problem. It’s the root of all prejudices and the negative emotions of anger, jealousy, and possessiveness. If you had no fear, you could be perfectly happy living in this world. Nothing would bother you. You’d be willing to face everything and everyone because you wouldn’t have fear inside of you that could cause you disturbance.
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”
Michael A. Singer (The Untethered Soul: The Journey Beyond Yourself)
“
Excerpted From Chapter One
“Rock of Ages” floated lightly down the first floor corridor of the Hollywood Hotel’s west wing. It was Sunday morning, and Hattie Mae couldn’t go to church because she had to work, so she praised the Lord in her own way, but she praised Him softly out of consideration for the “Do Not Disturb” placards hanging from the doors she passed with her wooden cart full of fresh linens and towels.
Actually Sundays were Hattie Mae’s favorite of the six days she worked each week. For one thing, her shift ended at noon on Sundays. For another, this was the day Miss Lillian always left a “little something” in her room to thank Hattie Mae for such good maid service.
Most of the hotel’s long-term guests left a little change for their room maids, but in Miss Lillian’s case, the tip was usually three crinkly new one dollar bills. It seemed like an awful lot of money to Hattie Mae, whose weekly pay was only nineteen dollars. Still, Miss Lillian Lawrence could afford to be generous because she was a famous actress in the movies. She was also, Hattie Mae thought, a very fine lady.
When Hattie Mae reached the end of the corridor, she knocked quietly on Miss Lillian’s door. It was still too early for most guests to be out of their rooms, but Miss Lillian was always up with the sun, not like some lazy folks who laid around in their beds ‘til noon, often making Hattie Mae late for Sunday dinner because she couldn’t leave until all the rooms along her corridor were made up.
After knocking twice, Hattie Mae tried Miss Lillian’s door. It opened, so after selecting the softest towels from the stacks on her cart, she walked in. With the curtains drawn the room was dark, but Hattie Mae didn’t stop to switch on the overheard light because her arms were full of towels.
The maid’s eyes were on the chest of drawers to her right where Miss Lillian always left her tip, so she didn’t see the handbag on the floor just inside the door. Hattie Mae tripped over the bag and fell headlong to the floor, landing inches from the dead body of Lillian Lawrence. In the dim light Hattie Mae stared into a pale face with a gaping mouth and a trickle of blood from a small red dot above one vacant green eye.
Hattie Mae screamed at the top of her lungs and kept on screaming.
”
”
H.P. Oliver (Silents!)
“
Moreover, these changes occurred when most American households actually found their real incomes stagnant or declining. Median household income for the last four decades is shown in the chart above. But this graph, disturbing as it is, conceals a far worse reality. The top 10 percent did much better than everyone else; if you remove them, the numbers change dramatically. Economic analysis has found that “only the top 10 percent of the income distribution had real compensation growth equal to or above . . . productivity growth.”14 In fact, most gains went to the top 1 percent, while people in the bottom 90 percent either had declining household incomes or were able to increase their family incomes only by working longer hours. The productivity of workers continued to grow, particularly with the Internet revolution that began in the mid-1990s. But the benefits of productivity growth went almost entirely into the incomes of the top 1 percent and into corporate profits, both of which have grown to record highs as a fraction of GNP. In 2010 and 2011 corporate profits accounted for over 14 percent of total GNP, a historical record. In contrast, the share of US GNP paid as wages and salaries is at a historical low and has not kept pace with inflation since 2006.15 As I was working on this manuscript in late 2011, the US Census Bureau published the income statistics for 2010, when the US recovery officially began. The national poverty rate rose to 15.1 percent, its highest level in nearly twenty years; median household income declined by 2.3 percent. This decline, however, was very unequally distributed. The top tenth experienced a 1 percent decline; the bottom tenth, already desperately poor, saw its income decline 12 percent. America’s median household income peaked in 1999; by 2010 it had declined 7 percent. Average hourly income, which corrects for the number of hours worked, has barely changed in the last thirty years. Ranked by income equality, the US is now ninety-fifth in the world, just behind Nigeria, Iran, Cameroon, and the Ivory Coast. The UK has mimicked the US; even countries with low levels of inequality—including Denmark and Sweden—have seen an increasing gap since the crisis. This is not a distinguished record. And it’s not a statistical fluke. There is now a true, increasingly permanent underclass living in near-subsistence conditions in many wealthy states. There are now tens of millions of people in the US alone whose condition is little better than many people in much poorer nations. If you add up lifetime urban ghetto residents, illegal immigrants, migrant farm-workers, those whose criminal convictions sharply limit their ability to find work, those actually in prison, those with chronic drug-abuse problems, crippled veterans of America’s recently botched wars, children in foster care, the homeless, the long-term unemployed, and other severely disadvantaged groups, you get to tens of millions of people trapped in very harsh, very unfair conditions, in what is supposedly the wealthiest, fairest society on earth. At any given time, there are over two million people in US prisons; over ten million Americans have felony records and have served prison time for non-traffic offences. Many millions more now must work very long hours, and very hard, at minimum-wage jobs in agriculture, retailing, cleaning, and other low-wage service industries. Several million have been unemployed for years, exhausting their savings and morale. Twenty or thirty years ago, many of these people would have had—and some did have—high-wage jobs in manufacturing or construction. No more. But in addition to growing inequalities in income and wealth, America exhibits
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Charles H. Ferguson (Inside Job: The Rogues Who Pulled Off the Heist of the Century)
“
Come in,” she called without thinking. The door opened, and Caleb stepped inside. “I want to apologize for last night,” he said, his hat in his hands, his expression as innocent as an altar boy’s. “The truth is, I don’t think we should get married.” Lily was beginning to get disturbing ideas about the rolling pin in her hands. His disclaimer came as no surprise to her, of course; she’d known he was an out-and-out scoundrel all along. “Oh?” “We’d do nothing but fight. And make love, of course. I think we’d better just stay away from each other from now on.” Lily had prayed to hear these words that very morning. So why did they hurt so much? “What if I’m pregnant?” Caleb shrugged as though they were talking about the possibility of a splinter or a stubbed toe. “I’d take care of you both, of course.” “Like you took care of Bianca, I suppose.” Caleb’s grin was infuriating. “Yes.” Lily began tapping her palm with the rolling pin. “But you don’t think we should be married.” “Absolutely not,” Caleb replied firmly. “What if I think we should be?” He grinned. “If you propose to me, Lily-flower, I might reconsider. You’d have to be suitably humble, of course.” Lily made a strangled sound of rage and rounded the table, wielding the rolling pin like a battle ax. Caleb easily wrested it from her hand and tossed it aside before pulling her into his arms. She squirmed, but there was no escaping, and when he caught her chin in one hand and forced her head back for his kiss she was lost. When it was over, and Lily was breathless, Caleb set her away from him. “When you change your mind, you know where to find me.” Lily glared up at him. “I’ll dance in hell before I’ll come crawling to you, Caleb Halliday!” He laughed, more in amazement than good humor. “If I didn’t think you might be carrying my baby, I’d turn you over my knee right here and now and blister your behind!” “I’m not carrying your baby!” Lily stormed out of the house toward the woodshed, bent on getting kindling for the cook stove. Caleb followed, cornering Lily against a sawhorse, and said a possessive hand on her abdomen. “We’ll see about that in a few months,” he vowed.
”
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Linda Lael Miller (Lily and the Major (Orphan Train, #1))
“
Good night, Major,” she said. Just when she would have turned and run inside he caught hold of her hand. “Tell me why your brother let you come all this way by yourself.” The words had the tone of an order, however politely they were framed, and Lily tried, without success, to withdraw her fingers from his grip. “I am almost nineteen years old,” she responded briskly. “I didn’t ask Rupert’s permission.” Guiltily, she thought of how she’d left Spokane, where Rupert lived now, without telling her adopted brother good-bye or thanking him for his many kindnesses. Another slow, smoldering grin spread across the major’s face. “So you ran away,” he guessed with distressing accuracy. “No,” Lily lied. “In any case, this is none of your business.” “Isn’t it?” Major Halliday turned her hand in his and began stroking the tender flesh on the inside of her wrist with the pad of his thumb. The motion produced a series of disturbing sensations within Lily, not the least of which was a warm heaviness in her breasts and a soft ache in the depths of her femininity. The door of the rooming house opened, and Mrs. McAllister, bless her nosy soul, peered out. “Time to come in, Lily. Say good-night to your young man.” Lily glared at Caleb. “He’s not my young man,” she said firmly. The day she took up with a soldier would be the day irises bloomed in hell. Caleb’s expression was as cocky as ever. “Not yet,” he replied, in a voice so low that even the landlady’s sharp ears could not have caught it. “I’ll see you tomorrow, Lily.” Lily whirled in frustration and stomped into the house. It had been a perfectly horrible day, and she was glad it was over. After
”
”
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
“
Douglas?” Westhaven sat on the edge of the bed, and to his surprise, Amery sat beside him. “Hmm?” “When you were courting Gwen,” Westhaven said, finding the bear among his pillows, “did you…?” “Did I what?” Douglas prompted. “Mrs. Seaton will be returning with your next infusion, and hopefully some food, so you’d best spit it out, as she’s guarding you rather carefully.” “She is?” “She left your side to eat, but otherwise, unless I’m here, she is,” Douglas replied. “You had a question?” “When you were courting Gwen,” the earl tried again. “Was there an almost constant…? I mean, did you find your thoughts turning always to…?” “I swived her every chance I got,” Douglas interjected. “And if I couldn’t be inside her, I held her or held her hand or just looked at her like a starving man looks at a banquet he can’t eat. The situation was particularly disturbing, because I had come to a point in my life where any kind of passion was beyond me, including the carnal.” “Why do you tell me this? It cannot be easy to part with such a confidence; not for you, and not to me.” “I am meddling,” Douglas confessed, his blue eyes warming with humor. “I have my wife’s permission, so it isn’t quite as difficult as if I were acting without her knowledge.” “Meddling?” “Encouraging your situation with Mrs. Seaton,” Douglas clarified. “I believe you would suit.” “As do I. She is not of like mind.” “Then you must change her mind. If that means a very slow recovery, then so be it. You are the Moreland heir, after all, and no chances must be taken with your health.” The earl smiled crookedly. “A slow recovery… by God. I never stood a chance against you, did I?” “One hoped not.” Douglas rose. “Though you assuredly scared the hell out of me and put rather a wrench in my plans with Guinevere. You were never my enemy, nor hers. Rather, the duke was the common nuisance.” Douglas
”
”
Grace Burrowes (The Heir (Duke's Obsession, #1; Windham, #1))
“
Every book Runit hadn’t written haunted him, so he understood about the mental takeover from the craft of writing. Those unwritten books, locked inside a writer’s head, make an inescapable noise, like murmurs from conversation one can’t quite make out blended loudly with paper pages blowing in a disturbing wind.
”
”
Brandt Legg (The Last Librarian (The Justar Journal #1))
“
I put the tip of the blade against my chest and drew downward over my heart. The pain was sharp and immediate, but it was shallow. I wasn’t hurt. The blood trickled down between my breasts like tickling fingers. The blood was very dark against the whiteness of my skin. Richard started towards me, and Verne caught him. “It’s her choice,” Verne said. “It’s not her. It’s Raina,” Richard said. But in a way he was wrong. Raina had finally found something that called to both of us. We both wanted him to suffer. We both felt betrayed. And neither of us had a right to it. We’d both betrayed him in our own ways. Words that I didn’t know spilled from my lips. “Your heart to mine, mine to yours. Lupa to your Ulfric. But not to your bed, nor you to mine.” I threw the knife into the ground so it stuck, thrumming. I could feel the blade in the earth as if I’d disturbed some large, sleeping beast. The power burst over me from the ground, from me, and something let loose in a liquid rush inside me. I was dizzy and on my knees without meaning to fall. I stared up at Richard, still struggling, and said, “Help me.” But it was too late. I felt the munin blow outward like a wind. And every man it touched caught the scent. I could almost feel their bodies react. I knew what Raina had done, and if it were to be her last night in the driver’s seat, she couldn’t have chosen better. Short of killing me, it was the perfect revenge. I fell to my knees, fighting not to finish the ritual, but I could feel them in the dark, eager. I was giving off scent, and it wasn’t just the blood. The words were pulled from my throat as if by a hand. Each word squeezed out until it hurt to speak. “Claim me again if you can, my Ulfric.
”
”
Laurell K. Hamilton (Blue Moon (Anita Blake, Vampire Hunter, #8))
“
There are several important remarks which can be made about this 'absolute emptiness' and 'absolute nothingness'. First of all, we now know, theoretically and empirically, that such a thing does not exist. There may be more or less of something, but never an unlimited 'perfect vacuum'. In the second place, our nervous make-up, being in accord with experience, is such that 'absolute emptiness' requires 'outside walls'. The question at once arises, is the world 'finite' or 'infinite'? If we say 'finite', it has to have outside walls, and then the question arises: What is 'behind the walls'? If we say it is 'infinite', the problem of the psychological 'walls' is not eliminated. and we still have the semantic need for walls, and then ask what is beyond the walls. So we see the such a world suspended in some sort of an 'absolute void' represents a nature against human nature, and so we had to invent something supernatural to account for such assumed nature against human nature. In the third place, and this remark is the most fundamental of all, because a symbol must stand for something to be a symbol at all, 'absolute nothingness' cannot be objective and cannot be symbolized at all. This ends the argument, as all we may say about it is neither true nor false, but non-sense. We can make noises, but say nothing about the external world. It is easy to see that 'absolute nothingness' is a label for a semantic disturbance, for verbal objectification, for a pathological state inside our skin, for a fancy, but not a symbol, for a something which has objective existence outside our skin.
”
”
Alfred Korzybski (Science and Sanity: An Introduction to Non-Aristotelian Systems and General Semantics)
“
Dominic Mallory had never been one to debauch virgins, but he was beginning to think he should make an exception for this beauty. He took a quick glance around the wide stone terrace before he stepped farther back into the shadows. Good, they were alone. He ground out his cigar as he blew a last circle of smoke into the cold air. If he had it his way, nothing would disturb this moment. Rushing a seduction took all the anticipation out of it.
Seduction hadn't been his plan when he arrived at his family's estate. In fact, he'd come straight to the terrace in order to avoid the celebration inside. Now he knew he'd made the right choice. He could have a much more interesting party alone with this young woman.
She leaned on the terrace wall, completely oblivious to his presence. He had been more than aware of hers from the moment she slipped from the crowded ballroom into the frosty night. Now she stared up at the stars, giving him the impression that her heart and mind were leagues away. Her jet black hair matched the inky sky. Somehow during the evening, a few long, curly strands had come down from the elaborate pile on her head, leaving a tantalizing trail down the middle of her back. A trail he longed to follow with his lips.
He sighed softly.
”
”
Jenna Petersen (Scandalous)
“
Book lover n.
1. A person devoted to reading
2. One who would rather stay inside and read than go outside and play.
3. Someone who gets lost in a story and loves to dream with open eyes.
Beware: never disturb a book lover when he/she is reading. Results can be fatal.
”
”
Dictionary
“
For Jozef Galecki was one of those rare executives who had mastered the secret of delegation - that is, having assigned the oversight of the hotel's various function to capable lieutenants, he made himself scarce. Arriving at the hotel at half past eight, he would head straight to his office with a harried expression, as if he were already late for a meeting. Along the way, he would return greetings with an abbreviated nod, and when he passed his secretary he would inform her (while still in motion) that he was not to be disturbed. Then he would disappear behind his door. And what happened once he was inside his office? It was hard to tell, since so few had ever seen it. (Although, those who had caught a glimpse reported that his desk was impressively free of papers, his telephone rarely rang, and along the wall was a burgundy chaise with cushions that were deeply impressed....) When the manager's lieutenants had no choice but to knock - due to a fire in the kitchen or a dispute about a bill - the manager would open his door with an expression of such fatigue, such disappointment, such moral defeat that the interrupters would inevitably feel a surge of sympathy, assure him that they could see to the matter themselves, then apologetically back out the door. As a result, the Metropol ran as flawlessly as any hotel in Europe.
”
”
Amor Towles (A Gentleman in Moscow)
“
INSIDE MY EMBRACE
Pulling her closer to me as she sits inside of my embrace beneath the fragrant cool of morning, I warm her legs and arms as her eyes shine like dew over morning clovers, eager to bear the weight of this weary traveler. I kiss her in a way that longs for her love to be made. Caressing her underneath her neck and face I give my soul’s kiss to the side of her face, kissing her again above the eyes, sliding down the bridge of her nose as I find her lips once more.
I calm her growing anxiousness as I reach my hand over her face, she taking my hand to warm her face with. I reach for her lips tasting the sweet nectar from her body and spirit as she takes her time loving me beneath the great red cedar tree that stands furthest from the house. She again kisses me gently having known from the day that we first kissed that I could never get enough of her love. I watch as she lays peacefully in my arms without any disturbance of any kind as a dark slate grey and rifle green flitter above from the leaves of a large alder tree. Seeing her as she is now I am reminded of how still the soul can be when looking at a painting. I now feel as if all of the simple pleasures in life have been granted to me as I watch her wrapped inside of my embrace.
”
”
Luccini Shurod
“
Usually an upbeat affair, the BCA conference in 2006 proved disturbing. Harvard professor Niall Ferguson asked a strange question: Why hadn’t the recent assassination of a Russian central banker, a Thai coup d’état, and a North Korean nuclear bomb test triggered a stock market rout?
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”
Danielle DiMartino Booth (Fed Up: An Insider's Take on Why the Federal Reserve is Bad for America)
“
A week before my due date, Marlboro Man had to preg-test a hundred cows. Preg-testing cows, I would learn in horror that warm June morning, does not involve the cow urinating on a test stick and waiting at least three minutes to read the result. Instead, a large animal vet inserts his entire arm into a long disposable glove, then inserts the gloved arm high into the rectum of a pregnant cow until the vet’s arm is no longer visible. Once his arm is deep inside the cow’s nether regions, the vet can feel the size and angle of the cow’s cervix and determine two things:
1. Whether or not she is pregnant.
2. How far along she is.
With this information, Marlboro Man decides whether to rebreed the nonpregnant cows, and in which pasture to place the pregnant cows; cows that became bred at the same time will stay in the same pasture so that they’ll all give birth in approximately the same time frame.
Of course, I understood none of this as I watched the doctor insert the entire length of his arm into a hundred different cows’ bottoms. All I knew is that he’d insert his arm, the cow would moo, he would pull out his arm, and the cow would poop. Unintentionally, each time a new cow would pass through the chute, I’d instinctively bear down. I was just as pregnant as many of the cows. My nether regions were uncomfortable enough as it was. The thought of someone inserting their…
It was more than I probably should have signed up for that morning.
“God help me!” I yelped as Marlboro Man and I pulled away from the working area after the last cow was tested. “What in the name of all that is holy did I just witness?”
“How’d you like that?” Marlboro Man asked, smiling a satisfied smile. He loved introducing me to new ranching activities. The more shocking I found them, the better.
“Seriously,” I mumbled, grasping my enormous belly as if to protect my baby from the reality of this bizarre, disturbing world. “That was just…that was like nothing I’ve ever seen before!” It made the rectal thermometer episode I’d endured many months earlier seem like a garden party.
Marlboro Man laughed and rested his hand on my knee. It stayed there the rest of the drive home.
At eleven that night, I woke up feeling strange. Marlboro Man and I had just drifted off to sleep, and my abdomen felt tight and weird. I stared at the ceiling, breathing deeply in an effort to will it away. But then I put two and two together: the whole trauma of what I’d seen earlier in the day must have finally caught up with me. In my sympathy for the preg-tested cows, I must have borne down a few too many times.
I sat up in bed. I was definitely in labor.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
It took several seconds for Jonah to remember what he’d been
saying.
“Well, we ran some tests. Turns out he was loaded out of his
mind on meth. The hardest part was that he told us they had the
equipment to do the alien removal in their basement, but it was noisy
and disturbed the neighbors. So his brother told him to come to the
hospital to get it done. We were wondering if the brother was drugged
out too, but when we called his house he admitted that he’d just gone
along with the whole alien thing to get the guy to the hospital.”
“Smart brother.
”
”
Cardeno C. (Wake Me Up Inside (Mates, #1))
“
The Economist wrote that the Fed was “taking the unprecedented (and, some say, disturbing) step of financing up to $30 billion of Bear’s weakest assets. This could cost the central bank several billion dollars if those assets fall in value.
”
”
Danielle DiMartino Booth (Fed Up: An Insider's Take on Why the Federal Reserve is Bad for America)
“
Now, there were large elements of coercion even in the most gentle moments of the Egyptian rule, and there were many joyful expressions of human co-operation and intellectual and emotional enrichment even under the most ruthless of totalitarian monarchs in Mesopotamia. In both cases, many of the higher functions of the city were promoted and enlarged. Neither Egyptian nor Mesopotamian form, then, was pure; for the more co-operative kind of local grouping had features that raised disturbing parallels with insect societies in their tendency to fixation and self-stultification; while in the communities most lamed by neurotic anxieties and irrational aggressive compulsions, there was nevertheless a sufficient cultivation of the more positive aspects of life to create a system of law and order, with reciprocal obligations, and to develop some degree of morality for insiders, even though a growing number of these insiders were slaves, captured in war, or remained the cowed inhabitants of villages compelled under threat of starvation to labor like slaves. So much for the forces that in the early stages of civilization brought the city into existence. We shall soon make a provisional appraisal of the cultural results.
”
”
Lewis Mumford (The City in History: Its Origins, Its Transformations, and Its Prospects)
“
orking with serious mental illness, criminal behavior and substance addiction over the years has forced us to travel into interpersonal realms where few have gone. Over and over, we have had to face our own feelings of vulnerability, helplessness, fear and despair, only to find that, in the end, there is hope. Our experiences, although sometimes terrifying, compelled us to look deep inside ourselves, where we found an unexpected peace. It is through this upheaval and self-scrutiny that we have come to know joy.
As therapists, it was a surprise to find out that so much of what we learned academically had so little to do with the reality of working with severely disturbed people. Not once
during our academic careers were we ever realistically prepared for the roller-coaster nature of the professional path we were setting out on. We were not told of the horror, the helplessness or the elation we would feel in treating maladies of the human heart. So, when we launched our practice, it was trial by fire. When
”
”
Adele von Rust McCormick (Horse Sense and the Human Heart: What Horses Can Teach Us About Trust, Bonding, Creativity and Spirituality)
“
orking with serious mental illness, criminal behavior and substance addiction over the years has forced us to travel into interpersonal realms where few have gone. Over and over, we have had to face our own feelings of vulnerability, helplessness, fear and despair, only to find that, in the end, there is hope. Our experiences, although sometimes terrifying, compelled us to look deep inside ourselves, where we found an unexpected peace. It is through this upheaval and self-scrutiny that we have come to know joy.
As therapists, it was a surprise to find out that so much of what we learned academically had so little to do with the reality of working with severely disturbed people. Not once
during our academic careers were we ever realistically prepared for the roller-coaster nature of the professional path we were setting out on. We were not told of the horror, the helplessness or the elation we would feel in treating maladies of the human heart. So, when we launched our practice, it was trial by fire. When we were finally faced with patients in the depths of despair or the throes of violence-a humbling experience-we learned we had to drop the professional persona and rely on our own intuition. There
”
”
Adele von Rust McCormick (Horse Sense and the Human Heart: What Horses Can Teach Us About Trust, Bonding, Creativity and Spirituality)
“
The trust that had been building inside each of us spread throughout the classroom. Had one of the windows broken at that moment, not even the sound of breaking glass could have disturbed the gentle stillness.
”
”
Kyung-Sook Shin (I'll Be Right There)
“
pleasure’, his enchanting voice was pleasing to her ears.Meanwhile, the maid brought two glasses of fresh mango juice. She placed it on the table and went inside. Laurie handed her a glass and helped himself to another. Alice took the juice and started sipping slowly. It tasted awesome. She found it difficult to look at him, especially in his eyes. So she suddenly became interested in the carpet and started pondering it up and down the huge hall. Laurie sat still, observing her with a smile playing hide and seek at the corner of his lips. He didn’t disturb her from her mission. Five minutes later they placed their empty glasses on the table and went to the garden. Laurie called out to the gardener and asked him to give Alice whatever she wanted. He dragged her into a casual conversation, asking her about her family’s well being, her father’s work and her little sister’s music classes. He remembers everything, Alice thought. It was comforting and she felt special as she answered him. The gardener having done with his job, handled her a pile of the plants she asked for. Alice took them with thanks. She looked at Laurie and was about to thank him when he gestured her to stop.‘Please don’t mention it’, his smile was inviting. Alice had no other option but to join him in his smile4
”
”
Anonymous
“
Inside it looks like a nineteenth century palace, given the attention to detail and the elegance of the furniture: there are two carpets on the floor, more paintings in gilt frames, wooden furniture along the walls, and a large table with a flower arrangement in the center. All lit with spotlights. Andrea feels like he’s in another era and another season; it doesn’t look like a home in the mountains and there's no summer heat. He expects some nobility to appear. Indeed, standing next to the table is Ian. And he’s watching them. Andrea gasps silently. "Here we are," says Carlotta. "We’re very sorry for making you wait, Count." "Don’t worry, Carlotta," he says politely, moving closer. Ian’s wearing a white top with a black satin jacket and pants, also satin, with a stripe down the side. It creates a strange Casual Count effect that both stuns and disturbs Andrea. Always ambiguous, Ian doesn’t seem to want to adapt to anything. Not even a normal style. Was he not sure whether to go for a stroll or to a party? Andrea feels his brain smoking so much that it must be on fire. "These inconveniences can happen." He smiles at her and she blushes to the point of melting. Her knees buckle and she touches her face, embarrassed. Typical! Andrea grunts. "Can you introduce your friend to me?" says Ian. "Of course. He’s the guy.....," she stops. "Nearest to our Maicol." Ian looks at him and pretends not to know him. Andrea does the same. "Exactly," says Carlotta.
”
”
Key Genius (Heart of flesh)
“
Was this how crazy people felt? Was my body disturbed by the laughing, crying, screaming voice inside of it? I was that voice. The thought led me down a rabbit hole of possibilities, and my internal guffaws cut short when I came to the next logical question: Was I insane?
”
”
James N. Cook (The Passenger (Surviving the Dead, #3.5))
“
I was in love with the work, too, despite its overabundance. The world had always seemed disturbingly chaotic to me, my choices too bewildering. I was fundamentally happier, I found, with my focus on the ground. For the first time, I could clearly see the connection between my actions and their consequences. I knew why I was doing what I was doing, and I believed in it. I felt the gap between who I thought I was and how I behaved begin to close, growing slowly closer to authentic. I felt my body changing to accommodate what I was asking of it. I could lift the harness onto Sam's back without asphyxiating myself. I could carry two full five-gallon buckets with ease, tottering down the aisle of the barn like a Chinese peasant. I had always been attracted to the empty, sparkly grab bag of instant gratification, and I was beginning to learn something about the peace you can find inside an infinite challenge.
”
”
Kristin Kimball (The Dirty Life: On Farming, Food, and Love)
“
Before he got five feet, a snowball hit him square in the face. He wiped it away to see her leaning out from behind a big tree, laughing. “Did I mention I was good in softball?” she asked through her laughter. “I pitched!” The chase was on—Ian took after her with a roar that was answered by giggles. He was stronger and more sure in the snow, but she was agile and quick and managed to get off a few snowballs while he was in pursuit. She ran around trees, rounded the shed at least once, took a few snowballs in the back and retaliated. But the chase ended when she tripped on something under the snow and did a face-plant right into the soft white powder. He rushed to her side, scared, and rolled her over to find her laughing and spitting snow. He just looked down at her in wonder—did nothing disturb her? Scare her? Panic or worry her? He covered her mouth with his for a long kiss, and when he let her go she said, “Before we go inside, we should make snow angels.” “I’m not making snow angels,” he said. “What if Buck sees me? It would ruin my reputation forever.” “Just one, then. Yours would be so big—like Gabriel, for sure.” “Then will you go inside with me? No more screwing around?” “Aw—I thought that was your favorite part?” she asked, taking a handful of snow and shoving it in his face. With a growl, he got to his feet, lifted her off the ground and threw her over his shoulder, carrying her back to the cabin. He stood her in front of the door and brushed the snow off her before letting her enter, then did the same himself. “You’ve forgotten how to play,” she accused him. “You play around enough for both of us,” he said.
”
”
Robyn Carr (A Virgin River Christmas (Virgin River #4))
“
It’s one thing to be afraid of ISIS and their terrorist methods. But how do you deal with the terror of a family member you can’t trust? Or are you just plain paranoid? That’s the other side of the domestic thriller. Maybe the evil that resides inside your own home doesn’t exist at all. Perhaps it’s just a figment of your imagination. Perhaps the evil resides entirely within. One thing that’s for certain, domestic thrillers are always described with adjectives like, “gripping,” “riveting,” “page turner,” “disturbing,” and of course, “horrifying.” They also provide us with something that other varieties of thriller cannot. They make us question our own personal belief in right versus wring. In a word, we can relate on a personal level to domestic thrillers. And that’s what scares us the most.
”
”
Anonymous
“
Something was trying to dig its way beneath the wall and into the garage, practically right underneath my butt. I felt a chill of fear, followed swiftly by anger at the thing that had added to already overabundant flow of adrenaline. I clutched my make-shift weapon in hand and moved to crouch over the source of the disturbance, lifting in preparation to strike at whatever came through.
I saw it in the dimness, and there was no mistaking the shape. A paw, a huge canine paw, scrabbled at the earth, digging out a shallow hole beneath the wall, frustrated by bits of concrete that got in the way. Between shots, I could hear animal sounds outside, panting whimpers of eagerness, it seemed. Whatever was out there wanted to dig its way inside, and wanted it bad.
"Dig this," I muttered, and swung the wrench down on the paw, hard.
”
”
Jim Butcher (Fool Moon (The Dresden Files, #2))
“
The truth was the dreams she’d been having for the past half year about the muscular stranger with glowing, amber-gold eyes had become progressively more disturbing. He was her nighttime visitor every time she closed her eyes. Liv had even named him—inside her head she called him “the dark man.” For
”
”
Evangeline Anderson (Claimed (Brides of the Kindred, #1))
“
me. “Well, I know one thing about my twins. They’re not going to be models. I already tried them out for catalogue work. Within the first ten minutes, Orianthe informed me that she doesn’t like to do boring things and that modelling’s boring. And she’s not going to let her brother do boring things either.” I laughed. The cries of the twins pealed down the hallway as they bounded inside and called Jessie’s name. They must have discovered she was home. “Hey, where’s the pup?” I asked Pria. “Can I see him? Jessie said he’s growing big.” Immediately, Pria rolled her eyes and made a low disparaging sound. “I sent Buster out with the dog walker as soon as I knew Kate was coming over with the kids. He’d knock them flying. Wish I’d never bought him, to tell you the truth. After the break-in, I wanted a watchdog, but I should have paid more attention to the breed. He’s damned strong—even though he’s only nine months old. And he snaps. To tell you the truth, I’m a bit scared of the mutt. I’m having a dog trainer try to rein him in, but if that doesn’t work, he’s gone.” “What a shame,” I said. “Jess told me she’d like to walk the dog sometimes, but that’s not sounding good.” “Nope. The only thing I got right about him is his name. Because Buster has busted everything from doors to shoes.” She shook her head, a sorry smile on her face. The sound of the three children playing became too much. Tommy had once run through this house, too. I stayed for a while longer then made an excuse to leave. 29. PHOEBE Tuesday night STORM CLOUDS PUSHED INTO THE SKY, making the day darken a good hour before the incoming night. The heavy atmosphere pressed down on me. I opened the window of my bedroom upstairs at Nan’s house, letting the chill air stream in. I could only just catch a glimpse of the water from here. An enormous cruise liner dominated the harbour, staining the water red and blue with its lights. Maybe my small step in seeing Pria and Kate earlier had helped my frame of mind, but I didn’t feel it yet. I was back at square one. I began pacing the room, feeling unhinged. Things were all so in between. Dr Moran hadn’t succeeded in jogging my memory about the letters. She’d said she didn’t think it was possible to do all that I’d done in sleepwalking sessions and so the memory should still be in my mind somewhere. True sleepwalkers rarely remembered their dreams. Not remembering any of it was the most disturbing thing of all. It wasn’t the first time I’d forgotten things. With the binge drinking and the trauma of losing Tommy, there were gaps in my memory. But not a fucking chasm. And forgetting the writing of three notes and delivering them was a fucking chasm. Nan called me for dinner, and we ate the pumpkin soup together. I’d tried watching one of her sitcoms with her after that, but I gave up halfway through. I headed back upstairs. Surprisingly, I was tired enough to sleep. I crawled into bed and let myself drift off. I woke just before four thirty in the morning. The temperature had plummeted—I guessed it was below ten degrees. I’d been dreaming. The dream had been of the last day that Sass, Luke, Pria, Kate,
”
”
Anni Taylor (The Game You Played)
“
And it was at this very moment that some obscure enemy crouching inside me—since when?—chose to twist around and shake my nerves, to force me to vent anger that I didn’t feel, that I didn’t want to feel, to make me yell and dance and then convulse like the two Agitated in the brown brick building!
I had been completely honest, sincere and frank—and now it was no longer true! I hated Bid’homme and Roffieux! I wanted to bleed them, to do them in—and I shouted this out as clear as day! And I didn’t want to hate them and I didn’t want to shout out—and I clamored more loudly than ever!...
I was sure that a terribly hostile being haunted me, a cruel being that had settled in me, a dreadful being that tortured me to force me to roar and writhe around like someone possessed…
There was a moment of semi-calm and I begged (so absurd it was disturbing!): “Doctor! Doctor! Save me! I’m inhabited like a wormy fruit!
”
”
John-Antoine Nau (Enemy Force)
“
Life becomes stagnant when people protect their stored issues. People say things like, “You know we don’t talk about that subject around your father.” There are all these rules about things that are not supposed to happen outside because they could cause disturbance inside. Living like this allows for very little spontaneous joy, enthusiasm, and excitement for life.
”
”
Michael A. Singer (The Untethered Soul: The Journey Beyond Yourself)
“
After lots of talk and not much action, mainly because there was hardly any information around on how to deal with drug problems, Peter arranged an appointment for Syd with the eminent psychiatrist R.D. Laing. I think Roger drove Syd up to North London for the consultation, but Syd refused to go through with it, so Laing didn’t have much to go on. But he did make one challenging observation: yes, Syd might be disturbed, or even mad. But maybe it was the rest of us who were causing the problem, by pursuing our desire to succeed, and forcing Syd to go along with our ambitions. Maybe Syd was actually surrounded by mad people.
”
”
Nick Mason (Inside Out: A Personal History of Pink Floyd (Reading Edition): (Rock and Roll Book, Biography of Pink Floyd, Music Book))
“
THE GLANCE-OFF is even more important than the parry in causing deflection. The guarding positions of your hands and arms, and the hunched left shoulder in your normal punching stance were designed to give the upper portion of your body a wedgelike effect. That wedging of hands, arms, shoulder and forehead should enable you to (1) keep inside an opponent's attack as you step in to lead or to counter, and (2) cause most blows to glance off to the sides or up into the air. The glance-off is more dependable than the parry because there's more solidity, if necessary, in the glance-off 1 than in the parry. The reserve solidity is there only in case your glance-off has to be turned into a block. However, the less solid the glance-off, the less your own balance is disturbed. Your glance-off movements are not the solid, chopping movements of hand or arm blocks; they are lightning, knifing or sliding movements. They interfere little with your balance, but they spin your opponent slightly out of punching position. If you watch a professional fighter punch the light bag, you'll note that more than half his bag-work comprises a rhythmic tattoo achieved like this: straight left - backhand left - straight right - backhand right -straight left - etc. You may ask, "Why this backhand striking, when the backhand blow is illegal in boxing?" The answer to that is: He's sharpening his backhand for glance-offs and blocking. If you get a chance to use the light bag, spend half your time on that tattoo. A power-backhand for glancing and blocking is almost as useful for a fighter as is a good backhand for a tennis player.
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Jack Dempsey (Toledo arts: championship fighting and agressive defence (Martial arts))
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Why would you kill, rob, or harm someone if you were content within yourself? It is only because people are struggling inside that they are driven to struggle outside. That’s the only reason we need so many rules and laws. People left to their own create great trouble struggling with their inner disturbances.
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Michael A. Singer (Living Untethered: Beyond the Human Predicament)
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Always remember, it is spirit’s job to liberate you from yourself. Shakti wants to be free, but you’re in the way. When shakti starts to push the blockages up, you’re going to have the tendency to push them back down because it’s not comfortable to live in that fire. You stored past disturbances in there, and it doesn’t feel good when they are stirred up. Imagine that somebody’s talking to you, and you’re feeling strong and confident about the conversation. Suddenly, they say something that hits your blockages, and you start to feel your strength drop out from under you. If you are sincere, you use the situation for your growth. It’s not the time to argue with the person; it’s the time to grow spiritually. Calm and centered, you inwardly ask, “What’s happening inside of me? What blockage got hit that caused this shift in energy to take place?” Then, to use the situation for growth, you relax and allow the energy to push the blockage up. You don’t have to do anything except not interfere with the process. Shakti will do her job of pushing up—you have to do your job of letting go.
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Michael A. Singer (Living Untethered: Beyond the Human Predicament)
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She sighed and sniffed the air. The smell of dirty water hung thickly in it. They were supposed to be running a clean-up initiative. Whether they had and failed, or they’d succeeded and it had grown filthy again she wasn’t sure. Either way, she wasn’t fancying a swim. ‘Johansson,’ Roper called from the tent, beckoning her over, the report from the uniformed officer already in his hand. ‘Come on.’ She approached and he held the edge of the door-flap open for her so she could pass inside. It was eight feet by eight feet, and the translucent material made everything bright with daylight.
The kid in front of them could have been no more than eighteen or nineteen. He was skinny and had thick curly brown hair. His skin was blued from the cold and had the distinctly greyish look of someone who did more drugs than ate food. He was lying on his back on the bank, eyes closed, hands bound together on his stomach. His clothes were enough to tell them that he was homeless. It was charity shop mix and match. A pair of jeans that were two sizes too big, tied tight around pronounced hip bones with a shoelace. He was wearing a t-shirt with the cookie monster on it that looked as old as he was. But that was it. He had no jacket despite the time of year and no socks or shoes. Jamie crouched down, pulling a pair of latex gloves from her jacket pocket. She had a box of them in the car. ‘We got an ID?’ she asked, not looking up. She knew Roper wouldn’t get down next to her. He didn’t have the stamina for it for one, and with his hangover the smell would make him puke. He’d leave the close inspection to her. ‘Uh, yeah. He matches the description of a missing person’s — Oliver Hammond. Eighteen years old. No positive ID yet though. No picture on file.’ ‘Eighteen,’ Jamie mumbled, looking over him more closely. ‘Jesus.’ ‘Yup.’ Roper sighed. ‘Probably scored, got high, took a little stroll, fell in the river… And here we are.’ ‘Did he zip-tie his hands together before or after shooting up?’ She side-eyed him as he scrolled through something on his phone. She hoped it was the missing person’s report, but thought it was more likely to be one of the daily news items his phone prepared for him. ‘I’m just testing you,’ he said absently. ‘What else d’you see?’ Jamie pursed her lips. No one seemed to care when homeless people turned up dead. There’d been eight this month alone in the city — two of which had been floaters like this. She’d checked it out waiting at some traffic lights. There were more than a hundred and forty homeless missing persons reported in the last six months in London. Most cases were never closed. She grimaced at the thought and went back to her inspection. Oliver’s wrists were rubbed raw from the zip-tie, but that looked self-inflicted. She craned her neck to see his arms. His elbows were grazed and rubbed raw, and the insides were tracked out, like Roper had said. He wasn’t new to the needle. She didn’t need to check his ankles and toes to know that they’d be the same. She lingered on his fingers, honing in on the ones with missing nails. ‘Ripped out,’ Roper said, watching as she lifted and straightened his fingers, careful not to disturb anything before the SOCOs showed up to take their photographs. In a perfect world the body would have stayed in situ in the water, but these things couldn’t be helped. She inspected the middle and the index fingers on the right hand — the nails were completely gone. ‘Torture,’ Roper added to the silence. ‘Probably over the heroin. You know, where’s my money?
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Morgan Greene (Bare Skin (DS Jamie Johansson, #1))
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Tibetan Buddhism defines enemies as hidden influences that cause people to behave inappropriately, sometimes to the point of complete destruction. Hidden influences might be imprints from early life or even lifetimes before this one. They manifest as energetic disturbances that arise inside and take over the personality.
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Rachel Wooten (Tara)
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But I’m not the same person,” I replied, drawing in a shuddering breath. “My parents think I’m going to go back to normal one day and I’ll never be normal again. Even if I don’t have AIDS or something else, I feel wrong inside.” I dared to look to the side at my friend’s face. Her expression was sad, but she didn’t seem as disturbed as I thought she would be by the revelation.
“I feel like they put something inside of me and it’s just there‒ rotting‒ and I can’t get it out without hurting myself.” Destroying myself.
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Maddox Grey (Waiting in the Throes)
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Heavy turbulence shook the aircraft, yet it held course toward its destination. Its powerful engines barely produced any noise, and the black hull made it almost invisible against the darkness. Three more of the same type of aircraft followed it, traveling in formation, like silent birds of prey hiding in the shadows of the night. The passengers inside weren't bothered by the shaky ride. Highly focused and ready for anything, they sat there in silence, secured with safety bars into long rows of seats facing each other. All wore the same tight black combat suits and gloves, firearms were strapped to their thighs, and everyone had a rucksack on their back. Matching, tight-fitting helmets covered their heads, cheeks, and upper necks. Only a small part of their faces was visible, and their eyes. All of them had identical neon-blue eyes. Their stares were somewhat chilling and disturbing; the unnatural eyes and their unmoving faces made them look like an army of living dolls, waiting to spring into action.
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Anna Mocikat (Behind Blue Eyes (Behind Blue Eyes, #1))
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Although a situation may present no physical danger, it may cause you to experience disturbance, fear, insecurity, and other emotional problems. So you feel the need to protect yourself. The problem is that the part of you that gets disturbed is way out of balance. It’s so sensitive that the slightest little thing causes it to overreact. You are living on a planet spinning around the middle of outer space, and you’re either worrying about your blemishes, the scratch on your new car, or the fact that you burped in public. It’s not healthy. If your physical body were that sensitive, you would say you were sick. But our society considers psychological sensitivities normal. Because most of us don’t have to worry about food, clothing, or shelter, we have the luxury of worrying about a spot on our pants, or laughing too loud, or saying something wrong. Because we’ve developed this hypersensitive psyche, we constantly use our energies to close around it and protect ourselves. But this process only hides the problems; it doesn’t fix them. You’re locking your illness inside yourself, and it will only get worse.
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Michael A. Singer (The Untethered Soul: The Journey Beyond Yourself)
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The reward for not protecting your psyche is liberation. You are free to walk through this world without a problem on your mind. You are just having fun experiencing whatever happens next. Because you got rid of that scared part of you, you don’t ever have to worry about getting hurt or disturbed. You no longer have to listen to “What will they think of me?” or, “Oh God, I wish I hadn’t said that. It sounded so stupid.” You just go about your business and put your whole being into whatever’s happening, instead of putting your whole being into your personal sensitivity. Once you’ve made the commitment to free yourself of that scared person inside, you will notice that there is a clear decision point at which your growth takes place. Spiritual growth is about the point at which you start to feel your energy change. For instance, somebody says something, and you start to feel the energy get a little strange inside. You will actually start to feel a tightening. That is your cue that it’s time to grow. It’s not time to defend yourself, because you don’t want the part of you that you would be defending. If you don’t want it, let it go. You will eventually get conscious enough so that the minute you see the energy start getting strange, you stop. You stop getting involved in the energy. If it normally causes you to start talking, you stop talking. You just stop, mid-sentence, because you know where it will go if you continue. The moment you see the energy getting imbalanced inside, the moment you see the heart starting to tense and get defensive, you just stop. What exactly does it mean “to stop”? It’s something you do inside. It’s called letting go.
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Michael A. Singer (The Untethered Soul: The Journey Beyond Yourself)
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The restaurant was hardly more than a hole in the wall, which made it one of Jack’s favorites. Any reasonable concoction of food could be gotten there at any time, day or night. It was a place that Jennifer Baldwin would never set foot inside and one that he and Kate had frequented. A short time ago, the results of that comparison would have disturbed him, but he had made up his mind, and he didn’t intend on revisiting the question. Life was not perfect, and you could spend your entire life waiting for that perfection. He was not going to do that
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David Baldacci (Absolute Power)
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...I had the feeling that Gregorio was everywhere and nowhere, that he was a vaporous presence, as if he hadn't died altogether and was perhaps not outside of me, but inside of me, not in any tangible sense but not in a merely spiritual one either.
We like to think that ghosts inhabit old houses and dark corners, but we too in our body and soul become these very things: an old house, a dark corner, a storehouse for the memories of the people who preceded us and whose rest we eventually decided to disturb.
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Renato Cisneros
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An event in the universe didn't match your model and it's causing disturbance inside of you.
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Rick Branch (Becoming Nobody: A Personal Account of One Man's Search for Self-Knowledge)
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So far we’ve discussed the energy flow hitting just one blockage at a time. The more blockages there are, the more complicated the disturbances will become. Eventually, the disturbances will start to hit each other and create very complex patterns of energy. This is what it’s like to live inside ourselves. This is why emotions are so powerful and often complex. You can have a love/hate relationship with something because you have patterns inside that can generate different energy flows at different times. Whatever samskara is most activated at any given time will determine what is affecting your energy flow the most. We are very complex creatures to predict, and this is why. Unfortunately, things can get even worse. At some point, enough samskaras can be shoved into the heart so that you become totally blocked, tired, and completely uninspired. Your naturally uplifting energy flow stops supporting you. This is the power of these samskaras. They totally run our lives.
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Michael A. Singer (Living Untethered: Beyond the Human Predicament)