District 13 Hunger Games Quotes

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Time and tragedy have forced her to grow too quickly, at least for my taste, into a young woman who stitches bleeding wounds and knows our mother can hear only so much.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
If it's true, why do they leave us to live like this? With the hunger and the killings and the Games?" And suddenly I hate this imaginary underground city of District 13 and those who sit by, watching us die. They're no better than the Capitol.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
We hand the meat over to Greasy Sae in the kitchen. She likes District 13 well enough, even though she thinks the cooks are somewhat lacking in imagination. But a woman who came up with a palatable wild dog and rhubarb stew is bound to feel as if her hands are tied here.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
But just before they cut back to the main newscaster, I see the unmistakable flash of that same mockingjay's wing. The reporter has simply been incorporated into the old footage. She's not in District 13 at all. Which begs the question, What is?
Suzanne Collins (Catching Fire (The Hunger Games, #2))
It was particularly vexing because the bulk of the Snow family fortune had also been invested in munitions — but in District 13.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
It still seems too small. I should try to think bigger, beyond our current situation where I am of the utmost importance, to the future where I may be worth nothing.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
think that; I know I should be grateful for the way we have been welcomed. Sick, wounded, starving, and empty-handed. Still, I can never get around the fact that District 13 was
Suzanne Collins (Mockingjay (The Hunger Games, #3))
We know how to be hungry, but not how to be told how to handle what provisions we have. In some ways, District 13 is even more controlling than the Capitol.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
In some ways, District 13 is even more controlling than the Capitol.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
I hate this imaginary underground city of District 13 and those who sit by, watching us die. They’re no better than the Capitol.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
I know that Finnick can’t focus on anything in 13 because he’s trying so hard to see what’s happening in the Capitol to Annie, the mad girl from his district who’s the only person on earth he loves.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
More than ninety percent of the district’s population is dead. The remaining eight hundred or so are refugees in District 13 — which, as far as I’m concerned, is the same thing as being homeless forever.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
I find the whole thing bizarre because I can’t imagine anyone raised in District 13 being a threat the government would have to guard against. Have these precautions been put in place because of the recent influx of immigrants?
Suzanne Collins (Mockingjay (The Hunger Games, #3))
I walk to the approximate site of the bakery Peeta’s family owned. Nothing much left but the melted lump of the oven. Peeta’s parents, his two older brothers — none of them made it to 13. Fewer than a dozen of what passed for District 12’s well-to-do escaped the fire. Peeta would have nothing to come home to, anyway. Except me . . .
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Snow has stolen him from me, twisted him beyond recognition, and made me a present of him. Boggs, who came to 2 when I did, told me that even with all the plotting, it was a little too easy to rescue Peeta. He believes if 13 hadn’t made the effort, Peeta would’ve been delivered to me anyway. Dropped off in an actively warring district or perhaps 13 itself. Tied up with ribbons and tagged with my name. Programmed to murder me.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
During the Dark Days, the rebels in 13 wrested control from the government forces, trained their nuclear missiles on the Capitol, and then struck a bargain: They would play dead in exchange for being left alone. The Capitol had another nuclear arsenal out west, but it couldn’t attack 13 without certain retaliation. It was forced to accept 13’s deal. The Capitol demolished the visible remains of the district and cut off all access from the outside. Perhaps the Capitol’s leaders thought that, without help, 13 would die off on its own.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Most important for the people of 13, it was the center of the Capitol’s nuclear weapons development program. During the Dark Days, the rebels in 13 wrested control from the government forces, trained their nuclear missiles on the Capitol, and then struck a bargain: They would play dead in exchange for being left alone. The Capitol had another nuclear arsenal out west, but it couldn’t attack 13 without certain retaliation. It was forced to accept 13’s deal. The Capitol demolished the visible remains of the district and cut off all access from the outside.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
I stick to the road out of habit, but it’s a bad choice, because it’s full of the remains of those who tried to flee. Some were incinerated entirely. But others, probably overcome with smoke, escaped the worst of the flames and now lie reeking in various states of decomposition, carrion for scavengers, blanketed by flies. I killed you, I think as I pass a pile. And you. And you. Because I did. It was my arrow, aimed at the chink in the force field surrounding the arena, that brought on this firestorm of retribution. That sent the whole country of Panem into chaos. In my head I hear President Snow’s words, spoken the morning I was to begin the Victory Tour. “Katniss Everdeen, the girl who was on fire, you have provided a spark that, left unattended, may grow to an inferno that destroys Panem.” It turns out he wasn’t exaggerating or simply trying to scare me. He was, perhaps, genuinely attempting to enlist my help. But I had already set something in motion that I had no ability to control. Burning. Still burning, I think numbly. The fires at the coal mines belch black smoke in the distance. There’s no one left to care, though. More than ninety percent of the district’s population is dead. The remaining eight hundred or so are refugees in District 13 — which, as far as I’m concerned, is the same thing as being homeless forever. I know I shouldn’t think that; I know I should be grateful for the way we have been welcomed. Sick, wounded, starving, and empty-handed. Still, I can never get around the fact that District 13 was instrumental in 12’s destruction. This doesn’t absolve me of blame — there’s plenty of blame to go around. But without them, I would not have been part of a larger plot to overthrow the Capitol or had the wherewithal to do it. The citizens of District 12 had no organized resistance movement of their own. No say in any of this. They only had the misfortune to have me. Some survivors think it’s good luck, though, to be free of District 12 at last. To have escaped the endless hunger and oppression, the perilous mines, the lash of our final Head Peacekeeper, Romulus Thread. To have a new home at all is seen as a wonder since, up until a short time ago, we hadn’t even known that District 13 still existed.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
I heard he was trying to sabotage coal production and accidentally killed the three,” said Sejanus. “Sabotage production? To what end?” asked Coriolanus. “I don’t know,” said Sejanus. “Hoping to get the rebellion going again?” Coriolanus only shook his head. Why did these people think that all they needed to start a rebellion was anger? They had no army, weapons, or authority. At the Academy, they’d been taught that the recent war had been incited by rebels in District 13 who were able to access and disseminate arms and communications to their cohorts around Panem. But 13 had vanished in a nuclear puff of smoke, along with the Snow fortune. Nothing remained, and any thought of re-upping the rebellion was pure stupidity.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
Don’t go yet. Not until I fall asleep,” I say. Peeta sits on the side of the bed, warming my hand in both of his. “Almost thought you’d changed your mind today. When you were late for dinner.” I’m foggy but I can guess what he means. With the fence going on and me showing up late and the Peacekeepers waiting, he thought I’d made a run for it, maybe with Gale. “No, I’d have told you,” I say. I pull his hand up and lean my cheek against the back of it, taking in the faint scent of cinnamon and dill from the breads he must have baked today. I want to tell him about Twill and Bonnie and the uprising and the fantasy of District 13, but it’s not safe to and I can feel myself slipping away, so I just get out one more sentence. “Stay with me.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
a man named Dalton, a District 10 refugee who’d made it to 13 on foot a few years ago, leaked the real motive to me. “They need you. Me. They need us all. Awhile back, there was some sort of pox epidemic that killed a bunch of them and left a lot more infertile. New breeding stock. That’s how they see us.” Back in 10, he’d worked on one of the beef ranches, maintaining the genetic diversity of the herd with the implantation of long-frozen cow embryos. He’s very likely right about 13, because there don’t seem to be nearly enough kids around. But so what? We’re not being kept in pens, we’re being trained for work, the children are being educated. Those over fourteen have been given entry-level ranks in the military and are addressed respectfully as “Soldier.” Every single refugee was granted automatic citizenship by the authorities of 13.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Winning will make you famous. Losing means certain death. The nation of Panem, formed from a post-apocalyptic North America, is a country that consists of a wealthy Capitol region surrounded by 12 poorer districts. Early in its history, a rebellion led by a 13th district against the Capitol resulted in its destruction and the creation of an annual televised event known as the Hunger Games. In punishment, and as a reminder of the power and grace of the Capitol, each district must yield one boy and one girl between the ages of 12 and 18 through a lottery system to participate in the games. The 'tributes' are chosen during the annual Reaping and are forced to fight to the death, leaving only one survivor to claim victory. When 16-year-old Katniss's young sister, Prim, is selected as District 12's female representative, Katniss volunteers to take her place. She and her male counterpart Peeta, are pitted against bigger, stronger representatives, some of whom have trained for this their whole lives. , she sees it as a death sentence. But Katniss has been close to death before. For her, survival is second nature.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
In the Capitol, the citizens unthinkingly participate in the political system largely because they’re distracted; their attention is diverted from politics onto self-centered desires. In District 13, the citizens unthinkingly participate in the political system because of deeply ingrained habits formed through their continual obedience to the myriad rules and regulations imposed by President Coin. The effects of this constant compliance are gradual, cumulative, and dramatic.
Christina Van Dyke
Foucault’s description of an eighteenth-century soldier is also an accurate portrait of the typical citizen of District 13. The District 13 citizen is 'something that can be made; out of a formless clay, an inapt body, the machine required can be constructed; posture is gradually corrected; a calculated constraint runs slowly through each part of the body, mastering it, making it pliable, ready at all times, turning silently into the automatism of habit.' If you enact this process on the scale of a whole society, you get a populace that literally embodies obedience.
Christina Van Dyke